Podcast appearances and mentions of kyle devine

Organically gripping and raw, Hayley Lynn's sultry timbres extend through the various depths of her vocal range as she is soft-spoken but packs a punch when her lyrical motifs drop.Lynn's first body of work “Bring on the Flames,” co-created with producer Kyle Devine, was performed to several sold out shows across the Northwest as well as placement in the Netflix Original shows “The Pier” and “Money Heist.” Since then, Lynn's music has been placed on ABC, the 700 Club, and Big Ten Network, expanding Lynn's reach to international audiences. In addition to being a hometown favorite, Lynn is back on the road with breakthrough performances at festivals and venues such as Northwest Folklife, Oregon Country Fair, Winningstad Theater, Bloodworks Live Studio, Mississippi Studios, The Old Church Concert Hall, and touring through the U.S and Canada.Recently, Lynn released her first solo debut album ‘Horizon'. Many of the songs came as a means to heal. The pandemic was especially hard on artists and Lynn's method of survival was to dive deep into the layers of her life, the feelings that arose and the distractions she used to cope. The result is a velvet voice wrapped in an ocean of sound that is cathartic to lose ourselves in.https://www.hayleylynnmusic.com/https://open.spotify.com/artist/3ustZQSFU19uRveWdTUeAdhttps://music.apple.com/us/artist/hayley-lynn/1374681637https://www.tiktok.com/@hayleylynnmusic?lang=enhttps://www.instagram.com/hayley_lynn_music/?hl=enhttps://www.youtube.com/channel/UCqIuebsBOUfG6Kk-yeAtwIAhttps://www.facebook.com/HayleyLynnMusic/

In this final episode of Season 4 two graduate students, Hannah Hunter and Bailey Hilgren, chat with Claudia about some of the core themes and tensions to emerge from the season. This includes a focus on sound methodologies, such as issues with how we collect animal sounds to how (or even indeed whether) there is something special about sound in trying to understand the lives of animals.    Date Recorded: 2 May 2022 Bailey Hilgren is a musicologist and sound studies scholar about to begin a PhD in ethnomusicology at New York University. Her most recent research project traced environmentalists' construction of a wilderness area in northern Minnesota as a primarily silent place, an idea and legal practice that has undermined non-human animal agency and limited Ojibwe sovereignty in related but distinct ways. She holds master's degrees in Environmental Studies from the University of Oregon and Historical Musicology from Florida State University, and she completed undergraduate studies in biology and music performance from Gustavus Adolphus College.  Hannah Hunter is a PhD Candidate at the Sonic Arts of Place Laboratory at Queen's University. Her research explores the intersections of animals, sounds, and extinction through the case study of the Ivory-billed Woodpecker. Hannah is particularly interested in how we can build relationships with distant and lost beings through sound, and how sound may be a potent force for representing and challenging the sixth mass extinction. Connect with Hannah via email (hannah.hunter@queensu.ca) or on Twitter (@HannahfHunter)  Featured: Animal Musicalities: Birds, Beasts, and Evolutionary Listening by Rachel Mundy; Hungry Listening: Resonant Theory for Indigenous Sound Studies by Dylan Robinson; The Audible Past: Cultural Origins of Sound Reproduction by Jonathan Sterne; Introduction to Special Issue Ethics in Multispecies Research by Lauren van Patter and Heather Rosenfeld; Audible Infrastructures: Music, Sound, Media edited by Kyle Devine and Alexandrine Boudreault-Fournier; Hope in the Dark by Rebecca Solnit. Thank you to A.P.P.L.E for sponsoring this podcast; the Sonic Arts Studio and the Sonic Arts of Place Laboratory for sponsoring this season; Gordon Clarke (Instagram: @_con_sol_) for the bed music, Jeremy John for the logo, and Hannah Hunter for the Animal Highlight. Support the show via Patreon.  

Kyle Devine's 2019 book Decomposed: A Political Ecology of Music is making waves. As Devine explains, the book started as an investigation of the nostalgic return of the vinyl record, a seemingly “backwards” trend in current music consumption. However, the more he looked into the issue, the more he was challenged by the story of the music's material presence as data in the age of mechanical reproduction. His key takeaway, and stark truth: recording technology, from shellac discs, to vinyl LPs, CDs, mp3s, and contemporary streaming services, comes with environmental impacts. What music is made of matters, and its cost to the natural world is a problem of “political ecology.”In this final episode of our first season Chris takes us through the book, looking for resonances and intersections with the Sounding History project. As a historian of empire he finds parallels, for instance, between the music industry's environmental costs and empire's human toll, up to and including mass enslavement: whether in the sugar slaveocracies of the Caribbean, or the server farms of Iceland, empire's environmental costs have too often been concealed “just over the horizon.”Yet despite our enthusiasm for the book, we are not entirely convinced by some portions of Devine's account. We reflect, for example, upon the price (in deforestation and exploitative labor) of the shellac record, as against the liberation and democratization that easily accessible recording technology brought to subaltern and minoritized musical experiences in the early twentieth century. Shellac records made it possible, wherever musicians and technology could come together, for people (“the people,” even) to tell their stories in sound. Without shellac, we believe, there would have been no blues revolution, no Ma Rainey, no Robert Johnson, even, no jazz. It turns out that the social-environmental-historical-economic impact of datafied music is not an easy nut to crack.We thus end the podcast (and our first season!) with a quick glimpse of some work Tom is doing at the Alan Turing Institute, the UK's national center for data science and AI, where he directs the project “Jazz as Social Machine.” Today machine learning agents drive cars, diagnose disease, play chess, and design buildings–among many other human tasks. Such autonomous systems also improvise jazz. It turns out, though, that jazz improvisation is apparently harder than driving a car! Why? The answer has to do with risk, historical “consciousness,” and the attitudes towards “getting it wrong” that underpin the algorithms of the machine learning revolution.Key PointsMusic objects, Kyle Devine argues in his book Decomposed: A Political Ecology of Music, come with considerable environmental costs, both from their materials (the chemicals used to make vinyl records and CDs, for instance) and the energy required to make them widely available (for example the consumption of electricity to sustain the server farms than underpin music streaming).Of all the many human tasks that are now subject to takeover by machine learning agents, jazz improvisation turns out to be a particularly thorny challenge, perhaps because so much of machine learning depends on the avoidance of risk.ResourcesYou can learn more about the environmental costs of music in Kyle Devine's Decomposed: A Political Ecology of MusicHis argument is summarized in an article he wrote in 2015 for the journal Popular Music.You can find out more about Tom's project “Jazz as Social Machine” on the Alan Turing Institute Website.The Musica project, led by Kelland Thomas and Donya Quick, is at the Stevens Institute of Technology.For more on the technological transformation wrought by shellac records, you can revisit a recommendation from earlier in our Season I, Michael Denning's Noise Uprising: The Audiopolitics of a World Music Revolution.All of the books mentioned in the episode can be found in our Sounding History Goodreads discussion group. Join the conversation!

How is music made? Not how do record companies work, but how is music made? And where does it go after we're done with it? According to Kyle Devine, a professor of Musicology at the University of Oslo, we've all been paying far too little to this story, closing our eyes to the environmental implications of our favorite sounds. Kyle talks to Saxon and Sam about his book “Decomposed: The Political Ecology of Music,” an eye-opening exploration of the material infrastructure that lies behind vinyl disks (and internet apps). The cloud, by the way? It's a place. And it burns gas just like the rest of us. [Originally Aired 10.27.21]

We got to do a little wine tasting (drinking) on this episode, as Kyle Devine and Coy Matula talk about their many successful businesses. Kyle and Coy are part owners in The Fill Station, Bodega, and Brian's Bar-B-Q. The two discuss the opening of the two newer businesses--The Fill Station & Bodega, what inspired the concepts, what keeps them successful, and what we can expect from them in the future. Follow Kyle Devine, Coy Matula and their amazing businesses at: Facebook: The Fill Station Bodega, Brian's Bar-B-Q Instagram: @thefillstation, @bodega979, @coymatula, @kyledevine Websites: thefillstationtx.com bodega-deli.business.site ***************************************************************************************** Follow Jon & Mike below: Jon and Mike on Instagram @curiositywithjonandmike Follow Jon and Mike on Facebook @curiositywithjonandmike

In this episode, Ray speaks with Play 2 Win season 2 contestant, Kyle Devine on how he went from struggling to a rising star in network marketing. rankmakerslive.com Thanks for listening! Have some feedback to share? Leave us a review on iTunes! www.rayhigdon.com

Earth Day 2021 gives us the chance to pause our usual programming and consider the role pop music plays in our deepening climate emergency. On Side A, we listen to artists who have confronted the climate crisis head-on. Side B considers the environmental cost of streaming music with Kyle Devine, author of Decomposed: The Political Ecology of Music. Songs Discussed: George Pope Morris - Woodman, Spare That Tree! Joni Mitchell - Big Yellow Taxi Marvin Gaye - Mercy Mercy Me (The Ecology) Tower of Power - Only So Much Oil in the Ground Various Artists - Love Song for the Earth Anohni - 4 Degrees The Weather Station - The Robber DJ Cavem - Sprout That Life Learn more about your ad choices. Visit megaphone.fm/adchoices

If you haven't yet had a chance to hear Kyle Devine's powerful story and message, I recommend going back and listening to Episodes 13 & 14, he is a force to be reckoned with not to mention inspirational!Kyle is a survivor, warrior and all-around fabulous person with a huge heart.  Kyle is always supportive and shows up for people but the one thing I really love about him is that he tells it like it is!During this interview, Kyle describes how he went on a reality show with a huge ego and left a much better person.  When asked what he would have done differently if given a second chance, he says he would have played bigger, and played more as his genuine self.  Although Kyle was the second one voted off, he says that the experience made him a winner in life!  He attributes his success and mindset change to his mentor Ray Higdon.To learn more about Kyle go to https://www.facebook.com/profile.php?id=100007744292973 

What kind of dad did you have? Was he encouraging and engaging? Did he pour into you and tell you that you could do "All the Things" your heart could imagine? Well that is NOT the kind of dad Kyle Devine had, BUT that is not stopping him from pouring into his daughter in the mightiest of ways. In this episode, Kyle shares with us how a traumatic life experience as a child changed his trajectory when he became a single girl dad seven years ago and the conscious decisions he makes each day to make sure his child knows he loves and supports her. His enthusiasm and love for his child is contagious and he shares practical ways that dads can 'get in the game', be the dad they desire to be, and the type of dad their children deserve to have. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/kristen-schindler/support

Time to forget the way too familiar depictions of female friendship that lean on thread-worn stereotypes: the back-stabbing competitor, the gossip, the manipulator, the superficial princess.  In Want, Lynn Steger Strong avoids those pitfalls by exploring the realities of adult life and how fissures can grow in a long-held friendship, seep into a marriage and corrupt our sense of privilege, success and economic security.   About the Author:Lynn Steger Strong’s first novel, Hold Still, was released by Liveright/WW Norton in 2016. Her nonfiction has been published by Guernica, Los Angeles Review of Books, Elle.com, Catapult, Lit Hub, and others. She teaches both fiction and non-fiction writing at Columbia University, Fairfield University, and the Pratt Institute. Episode Credits:This episode was produced by Andrew Dunn and Amanda Stern. It was edited, mixed and sound-designed by Andrew Dunn who also created Bookable's chill vibe.  Our host is Amanda Stern. Beau Friedlander is Bookable's executive producer and editor in chief of Loud Tree Media.  Music:"Books That Bounce" by Rufus Canis, "Uni Swing Vox" by Rufus Canis, "One Minute" by Complicated Congas, "Wainscott" by The Brow, "I Always Loved You" by Joonie, "If You Can't See The Sun" by Sun Shapes, "Daydreamin'" by Dr Crosby, "Sealing with Garrett" by Kyle Devine.

Kyle Devine is a part time online business builder, full-time single girl dad , from Binghamton New York. We talk about the obstacles life throws at us and how you can move the needle forward and become that @thatbadassdad or bad ass person in general! It was a pleasure sitting down with this energetic, passionate young man. I know you will feel his positivity as I did as you listen! You can connect with Kyle through the info below: Facebook: Kyle Devine Tiktok: @thatbadassdad (Kyle and Kennedy) Thank you for your support! If you have any questions, have a subject to be addressed on my show, or want to be on my show please text me at: 609 429-4058 It's a New Dawn Website https://www.itsanewdawnnj.com/ Contact Lenora itsanewdawn4u@gmail.com Rawr bars link https://www.rawrorganics.com/?aff=17 My podcast: https://anchor.fm/itsanewdawn4u https://podcasts.apple.com/us/podcast... My tiktok: itsanewdawn4you Lenora Colarusso youtube channel: https://youtu.be/XFTJ9YT7310

Tom Service asks what climate change means for classical music, and explores how cultural organisations, practitioners and institutions can respond to looming environmental challenges. We speak with the American composer, John Luther Adams, as he looks out over a freak wintry landscape of cactuses covered by snow in the Chihuahaun desert. He shares his thoughts about humanity’s relationship with the planet, his faith in future generations, and a lifetime’s work in the service of music. George Kamiya, Energy Analyst at the International Energy Agency, and the researcher and musicologist Kyle Devine, join Tom to discuss the environmental costs to how we consume music digitally. We hear, too, from the CEO and founder of Julie’s Bicycle, a charity which advises the creative industry about how to reduce its carbon footprint, and the leader of the Orchestra of the Age of Enlightenment, Margaret Faultless, as they consider the environmental consequences of the classical music industry’s activity and what they’ve learned from different ways of working. And, the director Stephen Langridge shares how he’s put sustainability at the heart of the production effort behind Gothenburg Opera’s Ring cycle. Plus there’s another instalment of our ‘Musicians in our Time’ series with the members of the Castalian Quartet.

Kyle Devine, a single girl dad from Binghamton New York, with a passion to help Dads become the best versions of themselves, so they can set better examples for their children. Kyle shares his discovery into Dadhood, the challenges, the hope, and the joy of the journey. Topics we discussed: the father's role, becoming the best you, be careful about what you take in, the worth of a child, and much more! To learn more about Kyle and his mission to help Dads discover the joy in parenting go to: https://www.facebook.com/groups/260844728703538/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/joeonthemic/support

How is music made? Not how do record companies work, but how is music made? And where does it go after we're done with it? According to Kyle Devine, a professor of Musicology at the University of Oslo, we’ve all been paying far too little to this story, closing our eyes to the environmental implications of our favorite sounds. Kyle talks to Saxon and Sam about his book “Decomposed: The Political Ecology of Music,” an eye-opening exploration of the material infrastructure that lies behind vinyl disks (and internet apps). The cloud, by the way? It’s a place. And it burns gas just like the rest of us.

In his book, Decomposed: The Political Ecology of Music, Kyle Devine examines the hidden or overlooked costs of online listening. Devine wants people to understand that there is no such thing as a nonmaterial way of listening to music

In his book, Decomposed: The Political Ecology of Music, Kyle Devine examines the hidden or overlooked costs of online listening. Devine wants people to understand that there is no such thing as a nonmaterial way of listening to music

A study has found that music streaming may have more detrimental effects on the environment than physical formats. A team of researchers from the University of Oslo and the University of Glasgow discovered that streaming music online has a higher environmental impact than using physical media like CDs and records. The researchers compared the carbon emissions produced from manufacturing physical formats with those generated from storing and transmitting audio files. They found that although shifting from physical formats to streaming significantly reduced the use of plastic, it also led to higher greenhouse gas emissions.  The assessment of emissions from the music industry revealed that before the era of online streaming, manufacturing physical formats produced around 140 to 150 million kilograms of greenhouse gases. However, when streaming became prevalent, emissions surged to over 200 million kilograms in the United States alone. Associate professor Kyle Devine, the study's lead author, said that people have the notion that streaming music has little environmental impact. However, the study disproved this by showing the negative effects of data centers on the environment. Streaming services use data centers to store music. These centers operate on massive amounts of electricity and continuously produce heat, generating a large carbon footprint. According to Matt Brennan from the University of Glasgow, the objective of the study was not to stop people from streaming music. Instead, it aimed to encourage consumers to be more appreciative of the costs of listening to music and lead them to look for more eco-friendly ways to enjoy it.

Welcome to Part 2 of 2 with Kyle Devine.  Kyle fully believes that we all need to remember where we came from to know where it is that we want to go.  We both agree that being who you are and being true to yourself is the only way to fully live.  Kyle also speaks about breaking the silence and the cycle of abuse and how he has taken the traumatic events in his life and turned it into something positive.If you haven't heard Part 1 of 2 Kyle's interview about how he was knocked down over and over again make sure to tune into Episode 13If this episode helped you and you think it would help someone you know please share it on your social media.To learn more about the host Nelia Hutt and her company Travel Live Give check out https://www.travellivegive.com

Welcome to Part 1 of 2 of his very raw interview.  In today's episode, I am joined by entrepreneur Kyle Devine.  Kyle shares how he was abused as a child, the hardships he went through, drugs, and the bullying he had to endure as a teenager and as an adult.  Kyle is a remarkable person who has overcome adversity, trauma, and not feeling good enough.  He also shares with us how parenthood and his daughter saved his life!Don't forget to tune in to Part 2 of 2 which will be released in a few days to find out what happened next...If you or someone you know is being abused or hurt in any way please reach out to your local authority.   Remember you are NOT defined by your experiences, and that you are so much more than that.

303 to 185 Pounds WOW!! My good friend Kyle Devine is on the show today and we discuss how he over came struggles with weight, business and what is was like to be on Ray Higdon's Play To Win Reality Series. 

We talk with Kyle Devine, author of a new book about the environmental impact of music recordings, which raises a number of issues that we had never previously considered. Guest: Kyle Devine (https://www.hf.uio.no/imv/english/people/aca/tenured/kylerd/) Decomposed: The Political Ecology of Music (https://amzn.to/39lSXJX) Show notes: Nightmares on wax: the environmental impact of the vinyl revival (https://www.theguardian.com/music/2020/jan/28/vinyl-record-revival-environmental-impact-music-industry-streaming) Shellac (Wikipedia) (https://en.wikipedia.org/wiki/Shellac) Vinyl Record Production in Peril After Fire at California Plant (https://www.rollingstone.com/music/music-news/apollo-masters-fire-vinyl-records-lacquer-production-949648/) What the Vinyl Records Comeback Really Looks Like… (https://www.digitalmusicnews.com/2016/08/15/vinyl-records-comeback-really-looks/) Phtalate (Wikipedia) (https://en.wikipedia.org/wiki/Phthalate) William T. Vollmann: Carbon Ideologies (https://amzn.to/2Si4699) Our next tracks: Sir András Schiff plays The Well-Tempered Clavier, Book I (Visual Album) (https://music.apple.com/us/album/sir-andr%C3%A1s-schiff-plays-well-tempered-clavier-book/1491864032) Cream: Goodbye Tour - Live 1968 (https://amzn.to/38ruiny) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

What is the human and environmental cost of music? In Decomposed: The Political Ecology of Music (MIT Press, 2019),Kyle Devine, an Associate Professor in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern consumption of music possible. Offering a radically new perspective on music, the book is essential reading for everyone! Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the human and environmental cost of music? In Decomposed: The Political Ecology of Music (MIT Press, 2019),Kyle Devine, an Associate Professor in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern consumption of music possible. Offering a radically new perspective on music, the book is essential reading for everyone! Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the human and environmental cost of music? In Decomposed: The Political Ecology of Music (MIT Press, 2019),Kyle Devine, an Associate Professor in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern consumption of music possible. Offering a radically new perspective on music, the book is essential reading for everyone! Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the human and environmental cost of music? In Decomposed: The Political Ecology of Music (MIT Press, 2019),Kyle Devine, an Associate Professor in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern consumption of music possible. Offering a radically new perspective on music, the book is essential reading for everyone! Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the human and environmental cost of music? In Decomposed: The Political Ecology of Music (MIT Press, 2019),Kyle Devine, an Associate Professor in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern consumption of music possible. Offering a radically new perspective on music, the book is essential reading for everyone! Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the human and environmental cost of music? In Decomposed: The Political Ecology of Music (MIT Press, 2019),Kyle Devine, an Associate Professor in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern consumption of music possible. Offering a radically new perspective on music, the book is essential reading for everyone! Learn more about your ad choices. Visit megaphone.fm/adchoices

On flailing in the rising tides, as well as the ecological impact of vinyl records and digital music streaming. -- Find full show notes, with research links, at http://reasonablysound.com/2019/08/19/the-world-remade/ -- Thanks to Kyle Devine, whos book Decomposed: The Political Ecology of Music is out in October 2019. You can learn more here: https://mitpress.mit.edu/books/decomposed The Cost of Music Project (https://www.gla.ac.uk/news/headline_643297_en.html) was done in collaboration with Matthew Brennan, whose work you can see here: http://citizenbravo.com/videos.html​ Thanks also to Miriam Nielsen for the research and script help. You can find her work at http://youtube.com/zentouro and http://youtube.com/hotmesspbs -- Thanks to all the show’s Patrons and supporters, without whom it would not be possible! Special thanks to Oscar Acton, Kathy Ahfid, Andre Bach, Benjamin, hans buetow, David Booth, Harry Brisson, Jack Britton, Johnny C, PA Campbell, Andrew Carlos, Jana Deppe, Santiago Espinosa Uribe, Talia F E, Elliott, Antoine Flamant, J Gingold, Nick Goertzen, Camilla Greer, Richard Hanson, Ethan Hermer, Dale Jakes, Kaya, Blake Kidd, Tod Kurt, Rachel L, Andrew MacLarty, J.S. Majer, Joseph maslov, Christopher McKitterick, Mahlen Morris, Adam Neely, Josef Nickerson, Rachaul Paul, Clarissa Redwine, Kelly Rivers, David Rorick, Susan Rugnetta, Kai Salmon, Cole Sarar, Jason Scott, Mischa Stanton, Herman Sundström, THUNK, Bernhard Werner, Chelsea Whyte and Vijile -- Support the show at • http://patreon.com/reasonablysound • http://patreon.com/mikerugnetta -- and follow me at • http://twitter.com/reasonablysnd • http://instagram.com/reasonablysnd • http://twitter.com/mikerugnetta • http://instagram.com/mikerugnetta -- Reasonably Sound’s theme is by Will Stratton. Reasonably Sound’s visual design is by Tida Tep. This episode’s cover image is Vinyl Record by Marco Verch http://bit.ly/2Zn7sw5

Manoush Zomorodi explores the surprising environmental impact of the internet in this episode of IRL. Because while it’s easy to think of the internet as living only on your screen, energy demand for the internet is indeed powered by massive server farms, running around the clock, all over the world. What exactly is the internet’s carbon footprint? And, what can we do about it? Music professor Kyle Devine considers the environmental costs of streaming music. Geophysicist and pop scientist Miles Traer takes his best shot at calculating the carbon footprint of the IRL podcast. Climate journalist Tatiana Schlossberg explores the environmental influence we don’t know we have and what the web’s got to do with it. Greenpeace’s Gary Cook explains which tech companies are committed to renewable energy — and which are not. Kris De Decker tries powering his website with a homebrew solar power system. And, Ecosia's Chief Tree Planting Officer Pieter Van Midwoud discusses how his company uses online search to plant trees. IRL is an original podcast from Firefox. For more on the series go to irlpodcast.org Love the internet, but also love the environment? Here are some ways you can reduce your energy consumption — or offset it — while online. Learn more about Kyle Devine’s research on the environmental costs of music streaming. For more from Tatiana Schlossberg, check out her book, Inconspicuous Consumption: The Environmental Impact You Don’t Know You Have. Have a read through Greenpeace’s Click Clean Report that Gary Cook discusses in this IRL episode. You can find solar-powered Low Tech Magazine here and, if the weather is bad, you can view the archive here. As Pieter Van Midwoud notes, Ecosia uses the money it makes from your online searches to plant trees where they are needed most. Learn more about Ecosia, an alternative to Google Search. Here’s more about Miles Traer, the geophysicist who calculated the carbon footprint of the IRL podcast. And, if you’re interested in offsetting your personal carbon emissions overall, Carbonfund.org can help with that. The sound of a data center in this episode is courtesy of artist Matt Parker. Download his music here.

Determination and drive are essential to gaining success, and this man is unafraid to go after it. Tune in for our lastest interview with special guest: Kyle Devine! Download our FREE Prayer Devotional Journal: http://bit.ly/DevotionalPrayerJournal --- Send in a voice message: https://anchor.fm/tyree-wilson/message

In the first episode of Talking Musicology we discuss two articles: Georgina Born and Kyle Devine on music, gender and class in UK higher education, and Robert Hasegawa on the harmonic techniques of Georg Friedrich Haas.