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Is the history of New York City the heart of the American story? Or does it exist in parallel, perhaps even independently, from the main American narrative. As with everything about the Big Apple (so good they named it twice), the answer is both. Or everything. At least according to Jonathan Mahler, author of The Gods of New York, a new history of the egoists and opportunists who remade the city in the 1980s. It's the story of Donald Trump, of course, as well as Rudi Guiliani, Ed Koch, Spike Lee, Larry Kramer, Al Sharpton and an astonishingly entertaining cast of characters that only New York could create. But it's also the broader American story of the victory of neo-liberal economics and ever-deepening chasm between Wall Street wealth and main street poverty. Mahler argues that the transformation from the "Mean Streets" dystopia of the 1970s to the finance-dominated metropolis of the 1980s didn't just save New York City —it created the troubling template for modern America, complete with all our current economic inequalities, political absurdities and tabloid cultural realities. 1. The 1980s Created Modern America's Template The transformation of New York from 1986-1990 wasn't just urban renewal—it was the birth of neoliberal America. The city's embrace of Wall Street, real estate development, and deregulation became the blueprint for how America would operate for the next four decades.2. Power Shifted from Public to Private The era marked a fundamental transfer of urban power from public officials like Robert Moses and labor unions to private developers like Trump. Instead of government-led projects, cities began relying on private industry to drive development—often with devastating consequences for working-class communities.3. Trump's Origin Story Explains His Political Magic Trick Trump went from being the 1980s symbol of greed and excess to becoming the voice of America's disaffected in 2016. This transformation from tabloid character to populist leader represents one of the most remarkable political reinventions in American history.4. The American Dream Became Less Accessible New York's evolution into what Bloomberg called "a luxury product" reflects a broader national trend. The same forces that saved the city from 1970s decline also priced out working and middle-class families, making economic mobility increasingly difficult.5. Tabloid Culture Became Political Culture The larger-than-life personalities who dominated 1980s New York—the "Gods" of Mahler's title—pioneered a celebrity-driven, spectacle-based approach to public life that eventually consumed American politics, from Trump's rise to our current media-saturated political landscape.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
Welcome to an audio-led edition of Unmade.Today, we talk to both buyer and seller in Hardie Grant's deal to buy PR agency Keep Left, and find out what boss Nick Hardie-Grant thinks of the AI tech lobby's push to weaken Australian copyright law.We've announced the schedule for this year's Compass series. Our panel-in-the-pub, end-of-year tour kicks off in Sydney on November 3 and concludes in Hobart a fortnight later. Reflecting on 2025 and projecting into 2026, please hold the date for your city:* November 3 – Compass Sydney* November 5 – Compass Brisbane* November 10 – Compass Adelaide* November 11 – Compass Perth* November 17 – Compass Melbourne* November 18 – Compass HobartUnmade's paying members get a free ticket to Compass. Your annual membership also gets you tickets to September's REmade conference on retail media; and to October's Unlock conference on marketing in the nighttime economy.Upgrade today.‘Complete b******t and a blatant attack on the industry' - Publisher Nick Hardie-Grant on the AI industry's push to loosen local copyright protectionThe M&A pipeline in the independent sector has been flowing fast in recent weeks.Last month Private Media revealed its purchase of Pinstripe Media in what was a major piece of consolidation in the publishing sector for small and medium sized businesses. Then Solstice Media bought Australian Traveller Media, adding to other purchases including The New Daily and The 7am Podcast.This week came news that Hardie Grant Media has added PR agency Keep Left, which has 25 staff, to its portfolio. Hardie Grant's roster of agencies already includes digital media agency Reload, content agency Heads and Tales, production house Sherpa, and PR and influencer agency Tide Communications. It's rapidly becoming a local holdco, and is still on the acquisition trail.The wider Hardie Grant group is best known as a book publisher although more than half of the 220 staff work for the communications agency arm.Today's podcast interview features Hardie Grant Group CEO Nick Hardie-Grant and Keep Left founder Caroline Catterall. Nick Hardie-Grant's mother Fiona Hardie started the communications arm while his father Sandy Grant started the publishing business. Catterall launched Keep Left 24 years ago. The deal was chased by Hardie-Grant after he got to know Keep Left through common clients.According to Catterall: “We got a feel for that cultural alignment, which from both sides of the fence was really, really important. And one of the other things that was really important to us is that Hardie Grant Media is an independent agency. We've been proudly indie for a long time.”During the interview with Unmade's Tim Burrowes, Nick Hardie-Grant also discusses the book publishing side of the business, and the call from the Productivity Commission to consider changing local laws to make it easier for AI companies to mine content to train their large language models. Atlassian co-founder Scott Farquhar, chair of the Australian Tech Council, has been arguing that Australia should make it permissible for AI companies to use published content without paying for it.According to Hardie-Grant:“It's a pretty obvious answer for someone in the publishing industry that it's complete b******t and that it's a blatant attack on the industry.“It's extremely one-sided transparent, laughable approach has no real upside for the industry apart from the potential short-term benefits for the tech companies to gain a whole lot of copyrighted, a whole lot of information for free.”More from Mumbrella…* Mumbrellacast: Inside Hardie Grant's Keep Left acquisition, OOH's big week, and ex-Paramount owner talks Skydance and Trump* Hardie Grant acquires Keep Left in a deal a year in the making* Out-of-home industry rises across all categories* ‘I was blown away': Former Paramount owner believes settlement with Trump was a good deal* This just in: News bulletins are the latest podcast trendToday's podcast was edited by Abe's Audio. Time to leave you to your Thursday. We'll be back with more tomorrow, with a four year anniversary update on Unmade.Have a great dayToodlepip…Tim BurrowesPublisher - Unmade + Mumbrellatim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe
In the first of an exciting series of interviews, Toast n' Topics speaks with Stuart Reid, Senior Fellow for History and Foreign Policy at the Council on Foreign Relations. We focus on Stuart's book "The Lumumba Plot", discussing the riveting plot of the CIA to assassinate Patrice Lumumba, The Congo's first Prime Minister. In the podcast, we learn more about Congo's history, their relationship with the US and other foreign countries, as well as the role that other peacekeeping organizations had in the final outcome of Congo's independence. For more info on Stuart and his book, click here: https://www.stuartareid.com/the-lumumba-plot
Welcome to an audio-led edition of Unmade. Today, we talk to the architect of AI-led ad agency Cuttable. And Nine's shares sink as the market awaits a plan for life after Domain.To get maximum value from a paid membership of Unmade, sign up today.Your annual membership gets you tickets to September's REmade conference on retail media; to October's Unlock conference on marketing in the nighttime economy; and to Unmade's Compass end-of-year roadshow.You also get access to our paywalled archive.Upgrade today.Betting on Meta - How Cuttable is targeting SMEsIn today's audio-led edition of Unmade we talk to the co-founder of AI-powered ad agency, Cuttable.Cuttable, founded by creative agency exec Jack White, former Swisse marketer Ed Ring, and tech entrepreneur Sam Kroonenburg, was initially serving some of the biggest brands in the country – Medibank, Wesfarmers, and Nando's, to name a few.But over the past 12 months, the Melbourne-based startup has pivoted to the smaller end of town. Now focused on the “97%” of brands that have grown up entirely in the social media era, it has turned its attention to those relying on Meta for growth.The shift wasn't just a tactical decision, it was a bet on where the future of brand building is heading. White believes the next decade will belong to businesses born and scaled on social media, and he wants Cuttable to be the engine that powers them.“It was a hard decision, we had good revenue. We nearly hit one million [dollars] in ARR (annual recurring revenue), but we made that choice to hand back some of the money to the bigger brands.”He says smaller businesses, founder-led businesses, benefit most from Cuttable's capabilities. The entrenched processes of larger brands – strict brand guidelines, layers of approval, disjointed agency villages – slow down testing and learning too much. In comparison, the nimble nature of smaller brands means they are able to iterate at speed, and they are far hungrier for the immediate impact Cuttable can deliver.That hunger, White says, is driven by necessity: “They're doing their best to keep up with the volume and pace [of advertising] but they're struggling, because they're not advertisers. They care about their brands, they're literally spending their nights and weekends making ads.”Across Cuttable's client base, 80–90% of ad budgets are funnelled into Facebook, Instagram, and Marketplace. White notes that these channels demand constant “creative variation” – a steady stream of fresh ads that keep the algorithm engaged. It's a requirement that overwhelms small marketing teams but plays to Cuttable's strength: generating high-quality, high-volume creative without human bottlenecks.While some might see a risk in focusing so heavily on one platform – especially as Meta invests in its own AI ad tools – White is confident Cuttable's edge lies in combining tech expertise and automation with advertising know-how. The team includes talent from TBWA, Ogilvy, Medibank, and Meta itself, all working alongside top engineers to blend industry craft with cutting-edge tech.“Anyone can spit out content,” he says, “but making something people actually want to click on still takes a good idea.”That blend is also what's attracting investors. Cuttable has raised $10m on a valuation of $44.5m, with backers including Square Peg and The Brand Fund. The capital is fuelling not just product development but an ambitious expansion into the US, where White sees an even larger market of small and medium brands battling the same challenges.Nine fades as market awaits annual updateNine's share price continued to sag today, losing another 0.6%. The company has now lost more than 5% in recent days as its most keenly anticipated full year results announcement in some years approaches.On August 27 - just under a fortnight from now - the company will receive the $1.4bn proceeds from the sale of Domain on the same day it releases its FY25 financial update. Shareholders expect to receive a share of the cash, along with some of the company's debt being paid down. However, just as keenly anticipated is for Nine CEO Matt Stanton to share a new vision for the TV-led business, including any potential new acquisition strategy.On Tuesday Seven West Media set the tone for results season with a downbeat set of numbers, albeit with a slight improvement in the second half of the year. SWM shares improved by 7.1% today, after losing 6.7% on Tuesday.The two major audio players both had down days, with Southern Cross Austereo losing 2.5% to land on a market capitalisation of $140.3m, just ahead of the $139.3m of ARN Media, which lost 3.2%.Ooh Media lost 0.6% to land on a market cap of $924m.The Unmade Index closed on 571.4 points, down 0.68% for the day.More from Mumbrella…* McDonald's split: Longest client-agency partnership in Australian advertising comes to an end* 'We're renowned as a difficult partner for the production sector, but that's going to change': ABC boss Hugh Marks* Droga5 chief strategist departs for new gig at the ABC* Australian Olympic Committee communications chief departs* Government ‘considering AI training disclosure laws'* Opinion: We must fix the fan experience for football broadcasting* Paramount stocks soar after UFC deal and ‘meme stock' commentToday's podcast was edited by Abe's Audio. We'll be back with more tomorrow.Have a great nightToodlepip…Tim BurrowesPublisher - Unmade + Mumbrellatim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe
Mountains, meridians, rivers, and borders--these are some of the features that divide the world on our maps and in our minds. But geography is far less set in stone than we might believe, and, as Maxim Samson's Earth Shapers contends, in our relatively short time on this planet, humans have become experts at fundamentally reshaping our surroundings. From the Qhapaq Ñan, the Inca's "great road," and Mozambique's colonial railways to a Saudi Arabian smart city, and from Korea's sacred Baekdu-daegan mountain range and the Great Green Wall in Africa to the streets of Chicago, Samson explores how we mold the world around us. And how, as we etch our needs onto the natural landscape, we alter the course of history. These fascinating stories of connectivity show that in our desire to make geographical connections, humans have broken through boundaries of all kinds, conquered treacherous terrain, and carved up landscapes. We crave linkages, and though we do not always pay attention to the in-between, these pathways--these ways of "earth shaping," in Samson's words--are key to understanding our relationship with the planet we call home. An immense work of cultural geography touching on ecology, sociology, history, and politics, Earth Shapers argues that, far from being constrained by geography, we are instead its creators. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Mountains, meridians, rivers, and borders--these are some of the features that divide the world on our maps and in our minds. But geography is far less set in stone than we might believe, and, as Maxim Samson's Earth Shapers contends, in our relatively short time on this planet, humans have become experts at fundamentally reshaping our surroundings. From the Qhapaq Ñan, the Inca's "great road," and Mozambique's colonial railways to a Saudi Arabian smart city, and from Korea's sacred Baekdu-daegan mountain range and the Great Green Wall in Africa to the streets of Chicago, Samson explores how we mold the world around us. And how, as we etch our needs onto the natural landscape, we alter the course of history. These fascinating stories of connectivity show that in our desire to make geographical connections, humans have broken through boundaries of all kinds, conquered treacherous terrain, and carved up landscapes. We crave linkages, and though we do not always pay attention to the in-between, these pathways--these ways of "earth shaping," in Samson's words--are key to understanding our relationship with the planet we call home. An immense work of cultural geography touching on ecology, sociology, history, and politics, Earth Shapers argues that, far from being constrained by geography, we are instead its creators. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Mountains, meridians, rivers, and borders--these are some of the features that divide the world on our maps and in our minds. But geography is far less set in stone than we might believe, and, as Maxim Samson's Earth Shapers contends, in our relatively short time on this planet, humans have become experts at fundamentally reshaping our surroundings. From the Qhapaq Ñan, the Inca's "great road," and Mozambique's colonial railways to a Saudi Arabian smart city, and from Korea's sacred Baekdu-daegan mountain range and the Great Green Wall in Africa to the streets of Chicago, Samson explores how we mold the world around us. And how, as we etch our needs onto the natural landscape, we alter the course of history. These fascinating stories of connectivity show that in our desire to make geographical connections, humans have broken through boundaries of all kinds, conquered treacherous terrain, and carved up landscapes. We crave linkages, and though we do not always pay attention to the in-between, these pathways--these ways of "earth shaping," in Samson's words--are key to understanding our relationship with the planet we call home. An immense work of cultural geography touching on ecology, sociology, history, and politics, Earth Shapers argues that, far from being constrained by geography, we are instead its creators. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
Mountains, meridians, rivers, and borders--these are some of the features that divide the world on our maps and in our minds. But geography is far less set in stone than we might believe, and, as Maxim Samson's Earth Shapers contends, in our relatively short time on this planet, humans have become experts at fundamentally reshaping our surroundings. From the Qhapaq Ñan, the Inca's "great road," and Mozambique's colonial railways to a Saudi Arabian smart city, and from Korea's sacred Baekdu-daegan mountain range and the Great Green Wall in Africa to the streets of Chicago, Samson explores how we mold the world around us. And how, as we etch our needs onto the natural landscape, we alter the course of history. These fascinating stories of connectivity show that in our desire to make geographical connections, humans have broken through boundaries of all kinds, conquered treacherous terrain, and carved up landscapes. We crave linkages, and though we do not always pay attention to the in-between, these pathways--these ways of "earth shaping," in Samson's words--are key to understanding our relationship with the planet we call home. An immense work of cultural geography touching on ecology, sociology, history, and politics, Earth Shapers argues that, far from being constrained by geography, we are instead its creators. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Mountains, meridians, rivers, and borders--these are some of the features that divide the world on our maps and in our minds. But geography is far less set in stone than we might believe, and, as Maxim Samson's Earth Shapers contends, in our relatively short time on this planet, humans have become experts at fundamentally reshaping our surroundings. From the Qhapaq Ñan, the Inca's "great road," and Mozambique's colonial railways to a Saudi Arabian smart city, and from Korea's sacred Baekdu-daegan mountain range and the Great Green Wall in Africa to the streets of Chicago, Samson explores how we mold the world around us. And how, as we etch our needs onto the natural landscape, we alter the course of history. These fascinating stories of connectivity show that in our desire to make geographical connections, humans have broken through boundaries of all kinds, conquered treacherous terrain, and carved up landscapes. We crave linkages, and though we do not always pay attention to the in-between, these pathways--these ways of "earth shaping," in Samson's words--are key to understanding our relationship with the planet we call home. An immense work of cultural geography touching on ecology, sociology, history, and politics, Earth Shapers argues that, far from being constrained by geography, we are instead its creators. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography
Mountains, meridians, rivers, and borders--these are some of the features that divide the world on our maps and in our minds. But geography is far less set in stone than we might believe, and, as Maxim Samson's Earth Shapers contends, in our relatively short time on this planet, humans have become experts at fundamentally reshaping our surroundings. From the Qhapaq Ñan, the Inca's "great road," and Mozambique's colonial railways to a Saudi Arabian smart city, and from Korea's sacred Baekdu-daegan mountain range and the Great Green Wall in Africa to the streets of Chicago, Samson explores how we mold the world around us. And how, as we etch our needs onto the natural landscape, we alter the course of history. These fascinating stories of connectivity show that in our desire to make geographical connections, humans have broken through boundaries of all kinds, conquered treacherous terrain, and carved up landscapes. We crave linkages, and though we do not always pay attention to the in-between, these pathways--these ways of "earth shaping," in Samson's words--are key to understanding our relationship with the planet we call home. An immense work of cultural geography touching on ecology, sociology, history, and politics, Earth Shapers argues that, far from being constrained by geography, we are instead its creators. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
Investors digest a whirlwind out of the White House, as President Trump faces a vacancy at the Federal Reserve and a legal challenge to his trade agenda. Stifel Chief Washington Policy Strategist Brian Gardner and co-host Neil Shapiro discuss the latest developments. This material is prepared by the Washington Policy Strategy Group of Stifel, Nicolaus & Company, Incorporated (“Stifel”). This material is for informational purposes only and is not an offer or solicitation to purchase or sell any security or instrument or to participate in any trading strategy discussed herein. The information contained is taken from sources believed to be reliable, but is not guaranteed by Stifel as to accuracy or completeness. The opinions expressed are those of the Washington Policy Strategy Group and may differ from those of other departments that produce similar material and are current as of the date of this publication and are subject to change without notice. Past performance is not necessarily a guide to future performance. Stifel does not provide accounting, tax, or legal advice and clients are advised to consult with their accounting, tax, or legal advisors prior to making any investment decision. Additional information is available upon request. Stifel, Nicolaus & Company, Incorporated is a broker-dealer registered with the United States Securities and Exchange Commission and is a member SIPC & NYSE. ©2025See omnystudio.com/listener for privacy information.
Welcome to an audio-led edition of Unmade. Today we talk to Christian O'Connell about his plans to (sort of) take his radio show national. Plus a big fall for Seven West Media on the Unmade index.We've announced the schedule for this year's Compass series. Our panel-in-the-pub, end-of-year tour kicks off in Sydney on November 3 and concludes in Hobart a fortnight later. Reflecting on 2025 and projecting into 2026, please hold the date for your city:* November 3 – Compass Sydney* November 5 – Compass Brisbane* November 10 – Compass Adelaide* November 11 – Compass Perth* November 17 – Compass Melbourne* November 18 – Compass HobartUnmade's paying members get a free ticket to Compass. Your annual membership also gets you tickets to September's REmade conference on retail media; and to October's Unlock conference on marketing in the nighttime economy.And you also get access to our paywalled archive.Upgrade today.When is a radio show not really national? When it's on DABI have something of a confession.When I recorded this week's podcast with Christian O'Connell on Monday morning, I didn't have all the facts. When you listen, you'll hear me miss what is now an obvious question.ARN Media had just announced O'Connell's Melbourne-based Gold FM breakfast show was going live nationally. After last week's announcement that Brendan Jones and Amanda Keller were vacating their Gold FM Sydney breakfast show for a shift to drive, it was clear that O'Connell would be networking into both cities, but the national move was a surprise.I took the announcement at face value. The technical problem I focused on was that of the time difference.Depending on time of year, when the show kicks off in Melbourne at 6am, that would be 3am in Perth. Or 5am in Queensland. Or 5.30am in Adelaide. But the announcement was unequivocal (and, as I'll explain further down, misleading): “This is the first time a commercial radio breakfast show will go live across the country.”For a show that thrives on the conversation with callers, that would, I assumed, have to mean a longer show. Stay on air longer, until at least 11am Melbourne time perhaps, in order to be genuinely live. There's precedent for running long. Over on Kiis FM, stablemates Kyle Sandilands and Jackie Henderson usually stay well beyond their official finish time.Alternatively, as a half way house (and admittedly not properly live), shortly after 9am in Melbourne, record a bunch of talk breaks to cover the next two hours.The practicality of time zones is already a reality for broadcasters. The likes of ABC Radio National, and the TV networks, broadcast their shows as live, on a time delay. But when something big enough is breaking, they go fully live for their west coast audiences.But the assumption that I - and the rest of the industry - made was that ARN Media was planning to put The Christian O'Connell Show to air in each market on one of their existing stations. That had been the plan when ARN was looking to capture Triple M in its failed Southern Cross Austereo takeover bid.The new national plan was most intriguing in Perth where ARN's 96FM leads the market with a 14.8% audience share. However, 96FM is more closely aligned with ARN Media's Kiis network branding than Gold. ARN shares a second licence in the city with Nova Entertainment.And the existing 96FM breakfast show, featuring Dean Clairs and Lisa Shaw, underperforms compared to the rest of the station, sitting third in its time slot. Dropping in The Christian O'Connell Show would be a bold move but plausible.At the very least, with one licence in the market, ARN Media appeared to have selected O'Connell over the Kyle & Jackie O Show to lead its national networking strategy. To use the Formula One analogy, where each team has two drivers, ARN had chosen O'Connell as its number one driver.But the plan appeared anything but fully formed.As you'll hear O'Connell concede during the interview: “The Perth side, we're still working out the best way to do that. It might sound like ‘If you've been talking about this for seven years, why haven't you sorted that out?'”In truth, it's not going to be a national show. Or at least not on radios nationally. Outside of Sydney and Melbourne the show will be DAB only. Disingenuously, the word DAB did not appear in the announcement.Almost nobody listens to DAB. And for fans of O'Connell in other cities, they can already stream the show anyway.DAB ratings are so low that Commercial Radio Australia doesn't even publish the average listening numbers, only cumulative audience - the number of people who merely tune in at some point across the week. On DAB, the station 96FM 80s has a cume of just 61,000. That's compared to a cume for the main 96FM of 506,000. So why pretend the show is national when it is not?That's where ARN has made a hash of its communications.They were bounced into it after Jones and Keller decided to tell their listeners they were being moved to drive time. Reading between the lines, it's clear the duo would rather have stayed in breakfast.As O'Connell says in the interview: “Things have been jump started a bit. We were meant to be announcing this in a couple of weeks time.”ARN should have waited until it got its story straight.The mere fact of Christian O'Connell broadcasting live into Sydney was interesting enough, and a credible first step to a national audience.But that's not what this move represents.Instead, it potentially sets him up for failure.If ARN had presented it to the market as a two-city show, then Sydney and Melbourne would have been seen as the battleground - and, incidentally, one where O'Connell has the craft, talent and work ethic to win.It could even have been accompanied by the supplemental message that the show will additionally be available on DAB in those other markets. But it can't pretend that the show is fully in each of those markets - advertisers won't accept it anyway.Now, unless ARN rapidly changes its messaging, each survey will be accompanied by terrible comparisons in Perth, Adelaide and Brisbane.Presented as a national sell, it will cause confusion about what should be a simple buy. Marketers and media agencies won't buy the national story until it's a genuine national story.What a waste of what should have been good news from ARN.Seven share price decimatedSeven West Media and Vinyl Group both took big hits on the ASX today, losing 10% and 7.6% respectively.SWM's price of 14c is close to its low point of 12c it briefly hit in April. Vinyl Group is at its lowest point since May.Meanwhile Nine, which is currently the biggest locally based media and marketing stock, rose by 1.2% to a market capitalisation of $2.7bn.The Unmade Index rose slightly by 0.15% to 586.2 points.More from Mumbrella…* Call for AI compensation fund in copyright fight* Sports marketer Marissa Pace switches lanes, joins Guide Dogs NSW/ACT as CMO* Opinion: The loneliest place on earth (for a creative)* New York Post goes west with daily California Post newspaperToday's podcast was edited by Abe's Audio. Time to leave you to your evening. We'll be back with more tomorrow.Have a great dayToodlepip…Tim BurrowesPublisher - Unmade + Mumbrellatim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe
Welcome to an audio-led edition of Unmade. After this week's news that Solstice Media is buying Australian Traveller Media, we talk to founder Paul Hamra about the 20-year run up to the company's growth spurt.We've announced the schedule for this year's Compass series. Our panel-in-the-pub end-of-year tour kicks off in Sydney on November 3 and concludes in Hobart a fortnight later. Reflecting on 2025 and projecting into 2026, please hold the date for your city:* 3rd November – Compass Sydney* 5th November – Compass Brisbane* 10th November – Compass Adelaide* 11th November – Compass Perth* 17th November – Compass Melbourne* 18th November – Compass HobartAnd Unmade members get a free ticket. To get maximum value from a paid membership of Unmade, sign up today.Your annual membership also gets you tickets to September's REmade conference on retail media; and to October's Unlock conference on marketing in the nighttime economy.You also get access to our paywalled archive.Upgrade today.‘If they were as concerned about the media as they say they are something would have happened by now' To the outsider, Solstice Media's national expansion may look like a sudden development. Last year, Solstice took ownership of The New Daily. This month it took control of Schwartz Media's 7am podcast. And this week Solstice took a majority stake in Australian Traveller Media.In truth, the expansion of Solstice - which now has 87 staff - has been more organic. Solstice started life as the publisher of South Australian newspaper The Independent Weekly, before taking on News Corp in Adelaide with InDaily.Solstice's national footprint grew when it was hired by some of Australia's industry super funds to launch the New Daily more than a decade ago, and recently bought the masthead from the funds.In the wide ranging conversation, Hamra discusses his shareholder base of impact investors, and tries to avoid answering how much he paid for Australian Traveller. He explains: “The reason why we liked Australian Traveller is because of the cultural fit, that we were like-minded in terms of our attitude towards publishing, our attitudes towards independence and quality.”The intention for the company's lifestyle publications is to help fund its journalism: “If you look over history, you'll see that in any media outlet, it's not the news that funds the business. It's actually other verticals that have funded the business.“Hamra is also refreshingly honest about the post-rationalisation many publishers go through when they build their businesses. “We end up growing a little bit like Topsy until we fall into a strategy. And that's kind of what's happened to us. We actually had an audience and we bolted things onto that audience over time. And then 15, 16 years down the track, you go, oh, hang on… all of a sudden we've got this fabulous audience and we've actually got a strategy.”Solstice had been a beneficiary of Facebook funding, and had to make redundancies when it dried up. Like all publishers, Hamra also has a view on the unavoidable need to do business with platforms like Google, and a more sceptical view on whether the government really wants to help Australia's media owners:“They sound desperate to help, but the reality is we know they're not because they would have done something by now. If they were as concerned about the media as they say they are, something would have happened by now.More from Mumbrella…* Clock ticking for loss-making Aspermont* Union boss slams News Corp's use of AI in newsrooms* On the road again: Compass event series dates announced* Opinion: Marketing measurement is having a moment, but can it deliver?* ‘Callous and punitive': Rosie Waterland launches own podcast network after battle with SCA* Dr Mumbo: Is Youtube social media? Just Google it* Google cancels Parliament House party after Youtube ban* Christian O'Connell's national move ‘to begin in Sydney'Today's podcast was edited by Abe's Audio. We'll be back with more soon.Have a great dayToodlepip…Tim BurrowesPublisher - Unmade + Mumbrellatim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe
Welcome to an audio-led edition of Unmade.We're a day earlier than usual in our weekly podcast cycle, after last night's announcement that Eric Beecher's Private Media has bought the David Koch-founded Pinstripe Media. Today's interview features Private Media CEO Will Hayward and Pinstripe's MD AJ Koch.And further down, there were big swings in both directions on the Unmade Index.To get maximum value from a paid membership of Unmade, sign up today.Your annual membership gets you tickets to September's REmade conference on retail media; to October's Unlock conference on marketing in the nighttime economy; and to Unmade's Compass end-of-year roadshow.You also get access to our paywalled archive.Upgrade today.‘We're trying to build a mass product'This week saw a major consolidation in the publishing sector serving small businesses, with Private Media, owner of Smart Company, buying its biggest rival Pinstripe Media. Pinstripe, founded by former Sunrise presenter David Koch, publishes Startup Daily, Flying Solo and Business Builders.Private Media has been examining its options to grow through acquisition for some time. In conversation with Unmade's Tim Burrowes, Will Hayward explains why, of 30 potential acquisitions, Pinstripe was the deal to do. And AJ Koch explains why now was the time to sell the family firm.David Koch will continue to front Business Builders for now, but will not be coming across as a member of staff.In the conversation Hayward acknowledges the view of investor Warren Buffett that acquirers are usually on the wrong end of any acquisition. He argues: “We think media is different, and I would argue that the trend in media has been positive.”On the exit of his father from managing Pinstripe, AJ Koch says: “He's not a spring chicken anymore and we know he needs to retire at some point. We'd always talked about being open to an exit at some point. But we weren't actively looking.”Hayward says that the logic of the deal is centred on the close competition between the two organisations in targeting an audience of small and medium sized businesses. But he claims this new found pricing power will not be used to put up prices for advertisers and sponsors, but to make it easier to advertise in the sector.He says: "The first step to building a really sustainable business in which the majority of revenue comes from advertising is to make sure that you're making it really easy for your advertisers to grow their spend year on year. If I was a CEO of a publicly listed business where I was incentivized on the next 12 months of revenue, absolutely pricing power matters a great deal. I'm not.“We're not too focused on the next year. We're focused more on the next three to five years. And the first step on that journey will be making it as easy as possible for the marketing team at Big Tech Inc to say ‘That's a great buy. Let's just keep doing that buy'.”Red and green on the Unmade IndexThe Unmade Index crept up on Tuesday during a day with no clear direction.Southern Cross Austereo and Seven West Media both saw upwards jumps of 3.4% and 3.5% respectively.And Vinyl Group and Enero saw larger falls of 8.7% and 4.1% respectively.The Unmade Index closed on 586.6 points, an improvement for the day of 0.18%.More from Mumbrella…* Nine Radio loses Sydney and Melbourne as listeners switch to FM* The case of the smoking bullet point: Qantas admits to ChatGPT use ‘for formatting'* Omnicom confirms Nick Garrett to lead new Oceania structure* Exclusive: Paul Bradbury quits in wake of Omnicom changes* Why are readers fleeing from Australia's top news sites?* Opinion: No CMO is an island: Why collaboration is more important than ever to marketing leadershipToday's podcast was edited by Abe's Audio. We'll be back with more soon.Have a great dayToodlepip…Tim BurrowesPublisher - Unmade + Mumbrellatim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe
The Game Store Guy joins Michelle and John to talk about Tony Hawk Pro Skater 3 + 4 Remastered, Dungeons and Dragons: Neverwinter Nights 2 Enhanced Edition, College Football 26, Vengeful Guardian Moonrider, more on Dune Awakening, Shooty Shooty Robot Invasion, Suit for Hire, Iron Meat, Nintendo Switch 2 bricking/banning and docks, Xbox Rog pricing, Playasia and imports, Stop Killing Games, and more gaming news! Support us in Discord to get weekly bonus shows, ad-free VGO, and the entire back catalog of 20 years on VideoGameOutsiders.com via https://discord.gg/Ab6pxpT Head to Twitch.tv/johnANDmichelle and sub free with Amazon Prime every month for our game streams and to support the show.
Welcome to an audio-led edition of Unmade.Today we dive into one of the fastest evolving marketing opportunities - connected TV - with Alex Spurzem, boss of Samsung Ads.Plus, a record-beating day on the Unmade Index for marketing and print player IVE Group.To get maximum value from a paid membership of Unmade, sign up today.Your annual membership gets you tickets to September's REmade conference on retail media; to October's Unlock conference on marketing in the nighttime economy; and to Unmade's Compass end-of-year roadshow.You also get access to our paywalled archive.Upgrade today.‘The trap is to underestimate the capacity viewers have to want different things at different times'In today's interview we talk streaming TV with the man who claims to be reaching 7m Australian viewers, Alex Spurzem, MD for Samsung Ads in Australia, NZ and SE Asia.Thanks to the prevalence of Samsung televisions, the company now has what it claims is the world's biggest FAST - free ad supported television - service.According to Spurzem, the opportunity of streaming TV in all main screen forms is being underestimated. For brands, particularly those with access to their own content, that includes the ability to spin up their own channels.He argues “Barriers to creating a TV channel are lower than ever. Now you can have a TV channel up and running in 24 hours.” He observes: “You need about 100 hours of content to make the channel worthwhile.”As opposed to the lean-forward nature of subscription streaming, FAST represents a return to the TV habits of the free to air era. According to Spurzem: “TV had been for many decades what became scrolling through content, TV channels you can zap through.” FAST works on the same principle.Spurzem made an early decision to join the Video Futures Collective and joined Foxtel Media's Toby Dewar on stage at last year's Upfronts to back the initiative, which represents a break from the media establishment centred around the FTA-owned OzTAM.He says it was because VFC filled a gap. “There was a lack of evidence for marketers of how streaming could fit in.”Spurzem argues that VFC is not set up in opposition to OzTAM, which he suggests may be less relevant in the future anyway. “As time goes on, measurement that's based on samples and panels and streaming meters will become less robust.” He points out: “Say both of us watch the same show… even though you and I are watching the same content there's a decent chance we'll see different ads during the ad break. The idea of content as a proxy for ad measurement will become less robust.”“Sooner or later we'll get to the point where the majority of TV is just digital. Once the majority of TV is traded digitally through fit-for-purpose advertising technology. When that takes place around impressions and frequency caps, at that point is a reach currency as valuable as it used to be? I can't help but think that in other areas like online display advertising there's never been demand for a reach currency.”However, Spurzem does not rule out following Netfix in becoming an OzTAM subscriber, conceding: “There are areas we can collaborate on”.And on the topic of AI, Spurzem offers a case for optimism as far as the TV industry goes: “You're not going to get an AI agent to watch TV for you.”IVE Group's charge up the Unmade Index continuesPrint and marketing business IVE Group led the way at the top end of the Unmade Index, rising by 1.3% on a day when most Unmade Index stocks sank. The company is trading at the highest share price in its history and closing in on a half a billion dollars valuation.Among the larger stocks, Seven West Media had the worst day on the Index, losing 3.3% while Southern Cross Austereo dropped 2.7%. Ooh Media, which lost its Auckland Transport contract yesterday, sank 2.6%.The Unmade Index closed on 579.1 points, a loss for the day of 0.75%.More from Mumbrella…* Telstra's ‘Wherever We Go' voted most unforgettable ad – and most hated* Havas' James Wright formally expands remit in wake of Virginia Hyland exit* Opinion: Happy World PR Day: The earned revolution is here* 6,000 downloads enough for ABC News to top Podcast Ranker* Opinion: Qantas breach: In a crisis, you need to reach people where they are* Retail media outgrows its shell: ‘Structure and collaboration are essential'Today's podcast was edited by Abe's Audio. Time to leave you to your evening. We'll be back with more tomorrow.Have a great dayToodlepip…Tim BurrowesPublisher - Unmade + Mumbrellatim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe
I'm a mosaic artist, and sometimes I have the great joy of getting to smash a plate with a hammer. The sound it makes when it shatters is sharp, decisive, like a lightning snap.In the instant after, your whole body goes still. You stop, startled. Everything sharpens.That's what it feels like to be wrecked by art.This podcast is born from that moment—that ache, that awe, that sudden clarity art gives us when we let it all the way in.In this first episode, I share how this podcast has evolved over the years, how my own journey through queerness, neurodivergence, and creative return has changed me, and why I believe art is one of the most honest ways to become whole again.We talk about the glow of stained glass, the ache that art helps us hold, the gold seams of kintsugi, and the creative fire that remakes us.Come listen. Come feel. Come remember who you are.Episode is below or on your favorite podcast player.This week also marks the official launch of the Wrecked by Art Patreon!If this podcast stirs something in you—if you want to linger longer in the ache and awe of art—you're invited to join me there.It's a cozy, art-soaked corner of the internet where I share behind-the-scenes voice notes, extended podcast episodes, tarot reflections, sacred gatherings, art prints, and glimpses of my mosaic process.Think: sacred irreverence, unexpected beauty, and the kind of honesty that makes you feel more like yourself.Come be part of the beginning. Founding members will shape this space with me. → patreon.com/wreckedbyart Get full access to Wrecked by Art with Cindy Ingram at cindyingram.substack.com/subscribe
MikeJ, Pedro and Matt along with special guest and CEO of Flat2VR Studios Eric Masher talk about POSTAL 2 Redux as well as POSTAL 2 VR. Also plenty of game industry nonsense!
This week on Firelink, KC, Marty, and Nick chat about the Switch 2's historic sales, the catastrophic launch of MindsEye, and the original Silent Hill's upcoming remake.Second Wind is fully independent, employee-owned and fan-funded. Consider supporting us on Patreon for as little as $1/month at patreon.com/SecondWindGroup
The U.S. justice system is being remade, former prosecutions are being investigated, and key figures are being pardoned. This is being done against the backdrop that weaponization of the justice system allegedly played a role in many of the cases, and it's possible that, as the investigations continue, many previous convictions could be overturned through pardons.Views expressed in this video are opinions of the host and guests, and do not necessarily reflect the views of The Epoch Times.
In this episode of 'Speak the Truth,' hosts Michael and Shauna are joined by special guest Paul Tautges at the Canadian Biblical Counseling Coalition Annual Conference. They discuss the themes of identity, sanctification, and counseling within the Christian faith. Paul shares insights from his latest book, 'Remade,' which emphasizes the importance of understanding one's identity in Christ through three lenses: saint, sinner, and sufferer. The conversation covers the apostolic pattern of discipleship, the significance of talking to oneself, God, and others, and practical tips for pastoral care and counseling. Paul also hints at upcoming projects, including a new children's book and other works in progress.00:00 Introduction and Greetings00:21 Special Guest Introduction: Paul Tautges 01:04 Conference and Book Discussion: 'Remade'02:43 Paul's Writing Discipline and Ministry Insights06:11 The Triple Lens Perspective in Counseling11:28 Practical Applications and Reflections20:52 Paul's Other Works and Resources24:41 Conclusion and FarewellEpisode MentionsREMADE Counseling One Another Anxiety - 31 Day Devotional Paul's Amazon Page Counselingoneanother.com
The guys from the Super BS Gamescast return (with a special guest, Hunter) as they talk about the world of video games! Tune in as they get you caught up on what games they've been playing, how difficult is Clair Obscur, and is Doom: The Dark Ages going to carry the legendary series forward? All this and the guys talk about what games they feel deserve the remastering/remaking treatment.Gear up with your favorite Pop Culture Cosmos shirts and gifts in our TeePublic store at https://www.teepublic.com/user/pop-culture-cosmos.Questions for us? Hit us up at popculturecosmos@yahoo.com or @popculturecosmo on Twitter! Don't forget to Follow, Like, and Subscribe to our shows and leave us that 5-star Review on Apple Podcasts and Spotify!Presented by Pop Culture Cosmos, Zero Cool Films, ThriveFantasy, the novel Congratulations, You Suck (available for purchase HERE), Lakers Fast Break, Pop Culture Cosmos, Inside Sports Fantasy Football, Dom-ination Sports Nation, The Happy Hoarder, and Retro City Games!
For historian Peniel Joseph, the year 1963 — the centennial of the Emancipation Proclamation — is the defining year of the Civil Rights Movement. “America came undone and remade itself in 1963, a year of miracles and tragedies, progress and setbacks,” he writes in his new book, “Freedom Season.” It profiles how events of that year affected Americans like Rev. King, Malcolm X and James Baldwin — and inspired their parts in the Black freedom struggle. Joseph joins us. Tell us: What does 1963 symbolize to you? Guests: Peniel E. Joseph, author, "Freedom Season: How 1963 Transformed America's Civil Rights Revolution" - professor of history and founding director, Center for the Study of Race and Democracy, University of Texas at Austin Learn more about your ad choices. Visit megaphone.fm/adchoices
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Do you struggle with knowing who you are? Often, self-perception, even as Christians, is fragmented or incomplete—people struggle to grasp the richly faceted identity they've been given in Christ. When your evaluation of yourself, your sin, and your circumstances are misaligned with God's view, you don't live with the comfort and motivation Christ offers. Scripture teaches that we are saints in good standing before God, yet we are at the same time sinners who must battle with our desires and sufferers who undergo hardship. Pastor Tautges will help you understand how grasping this threefold biblical reality centres your thoughts and affections on the Saviour and prepares you to stay on God's good path as you live in a broken world.Teaching by Pastor Paul TautgesFor more information on SMTI please click here: https://smti.co.za/For more information on ACBC Africa please click here: https://acbcafrica.co.za/For more information on Lynnwood Baptist Church please click here: https://lynnwoodbaptistchurch.co.za/
Rosary GroupsToday's transcript. We depend on donations from exceptional listeners like you. To donate, click here.The Daily Rosary Meditations is now an app! Click here for more info.To find out more about The Movement and enroll: https://www.schooloffaith.com/membershipPrayer requests | Subscribe by email | Download our app | Donate
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
We were not just made for more, we were REMADE for more!
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A policy that could have brought an end to America's suburbs has now been discarded. The zoning policy under the Obama administration, and later the Biden administration, created a type of equity program that localities had to follow. And the program has now been eliminated by Housing and Urban Development Secretary Scott Turner.In other news, the Department of Homeland Security has repurposed the CBP One app that could formerly be used to schedule illegal entry into the United States. It has been relaunched for self-deportation.
Genesis: Our Origin Story
How Christianity Remade the WorldIn the context of the pagan classical world, the Christian faith was a shocking, even unfathomable inversion of the values systems and structures of the time. In that embattled context, its explosive growth was unimaginable. Today, however, Christianity is often considered boring or backwards.How might we better discern and understand the radicalism of Christianity's origins, its impact through the centuries, and its enduring formational power? Historian Tom Holland's landmark book Dominion: How the Christian Revolution Remade the World, calls attention to these puzzles and paradoxes:”Dominion was written as an attempt to stress test my hunch that Christianity really had been the most seismic and revolutionary development, not just really in the history of the West, but probably globally. And I'm relieved to say that I was satisfied that it had been what I was setting out to show that it had been.” - Tom HollandWe trust this conversation will fire your imagination anew, and help you see with new eyes how the inverted values and priorities of God's kingdom continue to disrupt the patterns of the world, and shape our cultural assumptions.This podcast is an edited version of our Online Conversation recorded in February, 2025. You can access the full conversation with transcript here.Learn more about Tom Holland.To listen to this or any of our episodes in full, visit ttf.org/podcast and to join the Trinity Forum Society and help make content like this possible, join the Trinity Forum SocietyEpisode Outline00:00 Introduction to Dominion and Tom Holland03:09 Tom Holland's Journey to Writing Dominion03:48 The Alien World of Classical Antiquity06:32 The Impact of Christianity on Western Civilization07:33 The Crucifixion and its Historical Significance10:42 The Uncanny Character of Jesus13:13 Early Christian Persecution and Martyrdom16:59 Paul's Radical Teachings and their Legacy21:37 The Doctrine of Original Sin and Human Dignity27:51 Christianity's Influence on Modern Politics32:17 Tom Holland's Personal Reflections on Christianity36:38 Viewer Questions on American Politics and Christianity's Influence on the Family, Modern Politics, and More49:50 Tom's Closing Thoughts and White Tiger, by Poet RS ThomasAuthors and books mentioned in the conversation:The Rest is History (podcast)The Histories by Herodotus, translation by Tom HollandRubicon, Millennium, Persian Fire, Pax, Dominion, by Tom HollandThe City of God, by St. Augustine of HippoRelated Trinity Forum Readings:City of God, by St. Augustine of Hippo The Strangest Story in the World, by GK ChestertonWhy God Became Man, by Anselm of CanterburyA Practical View of Real Christianity, by William WilberforceRelated Conversations:
Heartland's Tim Benson is joined by David L. Roll, founder of the Lex Mundi Pro Bono Foundation, to discuss his latest book, Ascent to Power: How Truman Emerged from Roosevelt's Shadow and Remade the World. They chat about Truman's struggles to emerge as president in his own right after his accidental ascension to the office and how Truman's decisions during these pivotal years changed the course of the world in ways so significant we live with them today.Get the book here: https://www.penguinrandomhouse.com/books/690665/ascent-to-power-by-david-l-roll/Show Notes:Foreign Affairs: Jessica T. Mathews – “Review: ‘Ascent to Power: How Truman Emerged From Roosevelt's Shadow and Remade the World'”https://www.foreignaffairs.com/reviews/ascent-power-how-truman-emerged-roosevelts-shadow-and-remade-worldWall Street Journal: Robert W. Merry – “'Ascent to Power' Review: Harry Truman's Moment”https://www.wsj.com/arts-culture/books/ascent-to-power-review-harry-trumans-moment-e5654cb0
Paris Marx is joined by Liz Pelly to discuss how Spotify changes how we listen to music and the broader impacts it has on the wider music industry.Liz Pelly is a music journalist and the author of Mood Machine.Tech Won't Save Us offers a critical perspective on tech, its worldview, and wider society with the goal of inspiring people to demand better tech and a better world. Support the show on Patreon.The podcast is made in partnership with The Nation. Production is by Eric Wickham.Also mentioned in this episode:You can read an excerpt of Liz's book in Harper's.The CEO of Suno AI said people “don't enjoy” making music.Support the show
On this episode of Tech Won't Save Us, we're joined by Liz Pelly to discuss how Spotify changes how we listen to music and the broader impacts it has on the wider music industry. Liz Pelly is a music journalist and the author of Mood Machine.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Whether you believe in the story of the virgin birth and the resurrection, or whether you believe that those miracles are myths, one thing is beyond dispute: The story of Jesus and the message of Christianity are among the stickiest ideas the world has ever seen. Within four centuries of Jesus's death, Christianity had become the official religion of the Roman Empire. It had 30 million followers—half of the empire. Today, two millennia later, Christianity is still the largest religion in the world. How and why did Christianity take off, and how did it change the world in such radical ways? Here to have that conversation is historian Tom Holland. Tom is one of the most gifted storytellers in the world, and his podcast, The Rest is History, is one of the most popular out there. Each week, he and his co-host, Dominic Sandbrook, charm their way through history's most interesting characters and sagas. I can't recommend it more highly. Holland's book Dominion: The Making of the Western Mind chronicles thousands of years of Christian history, and it argues that Christianity is the reason we have America. That it's the inspiration to both the French and the American Revolutions. That it's the backbone of wokeness as an ideology, but also the liberal forces fighting it. Today, Tom explains how and why the story of Christianity won, how it shaped Western culture and values, and if he thinks our vacation from religion might be coming to an end. Merry Christmas and happy holidays! If you liked what you heard from Honestly, the best way to support us is to go to TheFP.com and become a Free Press subscriber today. **** This show is proudly sponsored by the Foundation for Individual Rights and Expression (FIRE). FIRE believes free speech makes free people. Make your tax-deductible donation today at www.thefire.org/honestly. Learn more about your ad choices. Visit megaphone.fm/adchoices
This election felt like the peak of the TV-ification of politics. There's Trump, of course, who rose to national prominence as a reality-TV character and is a master of visual stagecraft. And while Trump's cabinet picks in his first term were described as out of central casting, this time he wants to staff some positions directly from the worlds of TV and entertainment: Pete Hegseth, his choice to run the Pentagon, was a host on “Fox and Friends Weekend”; his proposed education secretary, Linda McMahon, was the former C.E.O. of W.W.E.; Mehmet Oz, star of the long-running “The Dr. Oz Show,” is his pick to run Medicare and Medicaid; and he's tapped Elon Musk, one of the most powerful figures in American culture, to lead a government efficiency effort. Two years ago, we released an episode that helps explain why politics and entertainment are converging like this. It's with my old Vox colleague Sean Illing, host of “The Gray Area,” looking at the work of two media theorists, Marshall McLuhan and Neil Postman, who uncannily predicted what we're seeing now decades ago.And so I wanted to share this episode again now, because it's really worth stepping back and looking at this moment through the lens of the media that's shaping it. In his book “The Paradox of Democracy,” Illing and his co-author, Zac Gershberg, put it this way: “It's better to think of democracy less as a government type and more as an open communicative culture.” So what does our communicative culture — our fragmented mix of cable news, X, TikTok, YouTube, WhatsApp and podcasts — mean for our democracy? This episode contains strong language.Mentioned:“‘Flood the zone with shit': How misinformation overwhelmed our democracy” by Sean Illing“Quantifying partisan news diets in Web and TV audiences” by Daniel Muise, Homa Hosseinmardi, Baird Howland, Markus Mobius, David Rothschild and Duncan J. WattsBook Recommendations:Amusing Ourselves to Death by Neil PostmanPublic Opinion by Walter LippmannMediated by Thomas de ZengotitaThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Rogé Karma. Fact-checking by Michelle Harris, Rollin Hu, Mary Marge Locker and Kate Sinclair. Mixing by Sonia Herrero, Carole Sabouraud and Isaac Jones. Our production team also includes Elias Isquith, Kristin Lin, Jack McCordick and Aman Sahota. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.