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3 episodes with new york times presents
2 episodes with new york times presents
The Redstone family is a controlling shareholder of Paramount Global — one of the biggest entertainment companies out there. (Think CBS Entertainment, MTV, Nickelodeon.) The family is also one of the inspirations for HBO's Succession, which makes sense the more you get to know them. Shari Redstone currently has the controlling stake in Paramount Global. Company leadership was carefully criticized in a recent on-air "rebuke" by 60 Minutes correspondent Scott Pelley, who said the show was receiving new kinds of oversight amid the Trump presidency. The drama has unfolded as Redstone seeks FCC approval for a lucrative merger, and the Trump administration is suing Paramount Global for billions of dollars. This week we revisit Redstone's backstory by re-airing a conversation with Rachel Abrams, a senior producer and reporter for The New York Times Presents, and the co-author with James B. Stewart of Unscripted: The Epic Battle for a Media Empire and the Redstone Family Legacy. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.
Anyone who went to school in the 80s and 90s recognizes the sparkly unicorns, day-glo dolphins and bejeweled kittens that adorned folders and pencil cases. Those memorable designs came from Lisa Frank, Inc., a brand that defined girlhood for a generation of Americans only to seemingly disappear overnight. Now, a new docuseries on Prime Video, Glitter & Greed: The Lisa Frank Story, goes behind the neon-hued world of Lisa Frank to reveal a much darker reality. The four-part docuseries uncovers a stranger-than-fiction tale that takes viewers into a hidden world lurking at the heart of the company that wasn't all puppies and rainbows. Glitter & Greed features interviews with Lisa Frank, Inc. insiders and journalists who describe a toxic work environment and corporate greed that ultimately destroyed the once-thriving business. Glitter & Greed: The Lisa Frank Story was executive produced by Emmy Award-winning producer and director Mary Robertson who last revealed the dark underbelly of ‘90s kids TV shows with the hit docuseries Quiet on Set: The Dark Side of Kids TV. Mary was the showrunner of The New York Times Presents documentaries Framing Britney Spears and Controlling Britney Spears, both critically lauded documentaries that touched off a reckoning on Spears' treatment, misogyny, conservatorships and tabloid culture.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
Anyone who went to school in the 80s and 90s recognizes the sparkly unicorns, day-glo dolphins and bejeweled kittens that adorned folders and pencil cases. Those memorable designs came from Lisa Frank, Inc., a brand that defined girlhood for a generation of Americans only to seemingly disappear overnight. Now, a new docuseries on Prime Video, Glitter & Greed: The Lisa Frank Story, goes behind the neon-hued world of Lisa Frank to reveal a much darker reality.The four-part docuseries uncovers a stranger-than-fiction tale that takes viewers into a hidden world lurking at the heart of the company that wasn't all puppies and rainbows. Glitter & Greed features interviews with Lisa Frank, Inc. insiders and journalists who describe a toxic work environment and corporate greed that ultimately destroyed the once-thriving business.Glitter & Greed: The Lisa Frank Story was executive produced by Emmy Award-winning producer and director Mary Robertson who last revealed the dark underbelly of ‘90s kids TV shows with the hit docuseries Quiet on Set: The Dark Side of Kids TV. Mary was the showrunner of The New York Times Presents documentaries Framing Britney Spears and Controlling Britney Spears, both critically lauded documentaries that touched off a reckoning on Spears' treatment, misogyny, conservatorships and tabloid culture. (In the wake of both films, Ms. Spears's father was suspended as conservator and the judge terminated the conservatorship entirely.) Mary also helped create and executive produce The Weekly, whose first season garnered nine Emmy nominations and four wins as well as CNN's Tricky Dick, a portrait of Richard Nixon that the Wall Street Journal featured in its year-end best of TV list.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
Over the past two decades, 900 British postal workers were wrongfully prosecuted for fraud. On this week's On the Media, hear how a TV show about the Post Office Scandal sparked a political reckoning in the U.K. Plus, meet the Redstones – the complicated family behind Paramount Global.[00:00] Host Brooke Gladstone interviews Jonathan Freedland, columnist at the Guardian and host of the Politics Weekly America podcast, about how coinciding election campaigns in the US and the UK this year are influencing each other from across the pond.[00:00] Brooke explores how a recent British TV drama about the "Post Office Scandal" sparked a long overdue political reckoning in the U.K., and shone a light on the stories of British postal workers wrongfully prosecuted for fraud. Brooke interviews reporter Rebecca Thomson, who first broke the story in 2009; reporter Nick Wallis, author of The Great Post Office Scandal and consultant for the television drama; and Lee Castleton, a former subpostmaster in East Yorkshire.[00:00] Lastly, Brooke interviews Rachel Abrams, senior producer and reporter for The New York Times Presents and co-author of Unscripted: The Epic Battle for a Media Empire and the Redstone Family Legacy. They discuss the Redstones, the family behind the media empire Paramount Global.Further reading:The Great Post Office Scandal by Nick WallisMr. Bates vs The Post Office, PBSUnscripted: The Epic Battle for a Media Empire and the Redstone Family Legacy by Rachel Abrams and James B. Stewart On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.
EPISODE 1718: In this KEEN ON show, Andrew talks to Rachel Abrams, co-author of UNSCRIPTED, about on the Redstone dynastic struggle at Paramount/CBS which rivals the show Succession for its shocking sex, lies and betrayals Rachel Abrams is a senior producer and reporter for “The New York Times Presents,” The Times's award-winning television documentary series for Hulu and FX. In 2022, she was part of the team that won an Emmy for “Malfunction: The Dressing Down of Janet Jackson,” and in 2018, she was part of the reporting team that won a Pulitzer Prize for public service for exposing sexual harassment and misconduct by Harvey Weinstein and other powerful figures. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices
This episode contains descriptions of alleged sexual assault. It's been more than five years since the #MeToo movement, driven by reporting at publications like The New York Times, toppled powerful and abusive men. Behind that essential journalism were sources, many anonymous, who took enormous risks to expose harassment and sexual violence.Today, Rachel Abrams, a producer and reporter at The Times, speaks to Ali Diercks, a lawyer who provided crucial information for a major #MeToo story. Ms. Diercks has waived her anonymity to discuss the costs of her coming forward and what she thinks about her decision years later.Guest: Rachel Abrams, a senior producer and reporter for “The New York Times Presents” documentary series. Background reading: Ms. Diercks provided anonymous information to The Times about the misconduct of Mr. Moonves, former chairman and chief executive of CBS. Read the reporting from 2018 here.For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.
For fans of HBO's award-winning and popular “Succession” TV series, which follows the Roy family as they vie for control of their media empire, comes a new book, “Unscripted: The Epic Battle for a Media Empire and the Redstone Family Legacy.” And while the “Succession” TV series is inspired by the Murdoch family, “Unscripted” is the true story of Sumner Redstone and the Redstone family as they wrestled for control of Paramount Global, an empire that included Paramount, CBS, MTV, Nickelodeon, Showtime, and Simon & Schuster. Newt's guests are James B. Stewart, New York Times best-selling author and columnist for The New York Times, and Rachel Abrams, reporter and senior producer for the New York Times' television documentary series, The New York Times Presents.See omnystudio.com/listener for privacy information.
The Redstone family controls Paramount Global, formerly known as ViacomCBS, Inc., — one of the biggest entertainment companies out there. (Think CBS entertainment, MTV, Nickelodeon.) The family is also one of the inspirations for HBO's Succession, which makes sense the more you get to know them. Sure, Rupert Murdoch plays his kids off each other and broke up with one wife on email. But Sumner Redstone, who died at 97 in 2020, had a love life that shook his media empire to its core, never mind the tabloids. This week, Brooke speaks to Rachel Abrams, a senior producer and reporter for The New York Times Presents, and the co-author with James B. Stewart of Unscripted: The Epic Battle for a Media Empire and the Redstone Family Legacy.
The Redstone family controls Paramount Global, formerly known as ViacomCBS, Inc., — one of the biggest entertainment companies out there. (Think CBS entertainment, MTV, Nickelodeon.) The family is also one of the inspirations for HBO's Succession, which makes sense the more you get to know them. Sure, Rupert Murdoch plays his kids off each other and broke up with one wife on email. But Sumner Redstone, who died at 97 in 2020, had a love life that shook his media empire to its core, never mind the tabloids. This week, Brooke speaks to Rachel Abrams, a senior producer and reporter for The New York Times Presents, and the co-author with James B. Stewart of Unscripted: The Epic Battle for a Media Empire and the Redstone Family Legacy.
In this bonus episode of the podcast, we critique the use of Michael Jackson in The New York Times Presents documentary series entitled, "Sin Eater." "Sin Eater" is a 2-part documentary about the shady legacy of Anthony Pellicano, a Hollywood private investigator most active in the 1990s. The documentary promotion page says about Pellicano: "Hollywood's dirtiest private investigator didn't operate within the law to hide the sins of the rich and powerful." However, we argue in this episode that it is unfair and unfounded to include Pellicano's work on the 1993 Jackson scandal for this documentary. Website: www.michaeljacksoncaseforinnocence.comTwitter: @Case4InnocenceContent Advisory: This episode includes discussion of sex abuse allegations involving a minor.
Ryan Bailey joins Kate to discuss the latest Vanderpump Rules affair update. Liz Day and Rachel Abrams, co-producers of FX's The New York Times Presents “Sin Eater” (FX and Hulu), about Hollywood's dirtiest private investigator, who didn't operate within the law to hide the sins of the rich and powerful. Anthony Pellicano's victims accused him of harassing and intimidating them — in some cases ruining their lives forever. Anthony Pellicano's victims accused him of harassing and intimidating them — in some cases ruining their lives forever. Ultimately, Pellicano went to prison for wiretapping and racketeering but now he's out, and he's talking. The NY Times obtained nearly the entire FBI case file, including audio recordings of Hollywood stars and powerbrokers that have never aired publicly. Using these tapes and confidential documents, ‘Sin Eater' investigates how the rich and powerful in Hollywood got an edge over the legal system and faced few consequences when Pellicano was exposed. Reality Life with Kate CaseyPatreon: http://www.patreon.com/katecaseyTwitter: https://twitter.com/katecaseyInstagram: http://www.instagram.com/katecaseycaTik Tok: http://www.tiktok.com/itskatecaseyCameo: https://cameo.com/katecaseyFacebook Group: https://www.facebook.com/groups/113157919338245Amazon.com: www.amazon.com/shop/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Based on reporting by New York Times journalists Cade Metz and Neil Boudet, Elon Musk's Crash Course zeroes in on Elon Musk, the world's richest person and CEO of Tesla, and his claims about self-driving cars. The latest in a series of films from The New York Times Presents is directed and produced by Emmy-winning journalist and filmmaker Emma Schwartz, and it reveals the quixotic nature of Musk's pursuit of self-driving technology and its tragic results. Watch the episode at https://factualamerica.com/elon-musk-crash-course Elon Musk made his name and fortune taking bold risks and betting on the impossible. But Musk's pursuit of self-driving cars has put them on a crash course with business realities and the limits of technology. The film, available on FX and Hulu, uncovers what many former Tesla employees have to say about Musk's claims, and the culture he has created at the self-described tech company. Is Silicon Valley's era of "move fast and break things" really over? “With self-driving cars, Elon Musk was selling a promise that was a long way off.” - Emma Schwartz What is Covered: 00:00 - Trailer for Elon Musk's Crash Course. 03:10 - What the film is about. 06:14 - The main findings of the investigation into self-driving cars. 09:00 - What means autopilot vs driver's assistance. 15:05 - The concerns of Tesla's former employees for self-driving car technology and safety. 18:40 - The US Government's response to fatal crashes of Tesla cars. 20:50 - Clip 1: Conversation with Elon Musk after the tragic death of Josh Brown. 23:30 - How Elon Musk's previous successes might affected his promises for self-drive technology. 30:00 - The role of media in boosting technology gurus and their bold announcements. 34:08 - How far we are from self-driving cars future. 37:03 - The vision behind The New York Time Presents series. 42:22 - Clip 2: Autopilot software engineer on the AI recognition problems in self-driving cars. Resources: Elon Musk's Crash Course (2022) MovieMaker Magazine Innersound Audio Alamo Pictures Connect with Emma Schwartz: Twitter IMDb Connect with Factual America: Facebook Instagram Twitter Connect with Matthew Sherwood: Facebook LinkedIn Twitter More From Factual America: The Downfall of Boeing Chasing Ghislaine Maxwell, Epstein's Alleged Accomplice The Great Hack: Big Tech and the Post-Truth World
This week... We look at the New York Times Presents 1 hour doc "Malfunction: The Dressing Down of Janet Jackson." We TRY to stick with the documentary but we do get into the whole incident. It's so hard not too. A look at the first few episodes of Larry David's "Curb Your Enthusiasm", season 11. Has it run it's course? Or is it still as good as the first season? Please subscribe and follow the podcast. It definitely means a lot to us. Make sure to get your free browser plugin from Honey at www.joinhoney.com/married Doing so supports the show! Give us a good review and please subscribe! Follow us on Twitter at www.twitter.com/MarriedWChanns. #Janet #WardrobeMalfunction #PodcastAboutTV #JustinTimerblake #MeToo #JanetJackson #LarryDavid #CurbYourEnthusiasm
We spoke about a lot this episode, but mainly Janet Jackson's infamous 2004 "wardrobe malfunction" - aka Nipple Gate - when Justin (accidentally) exposed her breast at the end of their Super Bowl Halftime Show. The incident will be explored in depth in FX and Hulu‘s upcoming documentary Malfunction: The Dressing Down of Janet Jackson. The film premieres on Friday, Nov. 19 under the platforms' “The New York Times Presents” banner. The Officially Street Podcast · EP.321 - The Lazy Nostril
On the show today… The Real Housewives franchise is about to get a whole lot bigger. Andy Cohen has announced that the first international Housewives series will soon be on screens and it will feature the most lavish lifestyles yet. And Big Brother VIP premiered last night on Channel 7, and the two big international names who were brought in to rack up headlines wasted no time in spilling the secrets of their famous families. But one story, in particular, will have lasting repercussions for the Kardashians. Plus, the team that shone a spotlight on the mistreatment of Britney Spears have now set their sights on Janet Jackson, and let's just say that things are not looking good for Justin Timberlake. The next documentary in The New York Times Presents series is called Malfunction: The Dressing Down of Janet Jackson and some never before heard facts about that infamous day are about to come to light. CREDITS Hosts: Laura Brodnik & Kee Reece Producers: Laura Brodnik & Madeline Joannou Audio Producer: Leah Porges WANT MORE? Join us in our Facebook group to discuss everything pop culture... https://www.facebook.com/groups/2524018781153963/ Read all the latest entertainment news on Mamamia... https://mamamia.com.au/entertainment/ Follow us on Instagram @mamamiaentertainment https://www.instagram.com/mamamiaentertainment/ Subscribe to The Spill Newsletter... https://mamamia.com.au/newsletter Join our Facebook page... https://www.facebook.com/mamamiaentertainment/ GET IN TOUCH Call us on the pod phone 02 8999 9386. Email us at thespill@mamamia.com.au Want to hear more Mamamia podcasts? You'll find them here... https://mamamia.com.au/podcasts Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander cultures. Support the show: https://www.mamamia.com.au/mplus/ See omnystudio.com/listener for privacy information.
Today we're speaking with Geoff O'Brien and Pierre Takal who were nominated for a primetime Emmy for outstanding picture editing for a non-fiction program for the New York Times Presents documentary Framing Britney Spears. Geoff's career has spanned more than 20 years; last year, he won an Emmy for news and documentary for his work on the series, the weekly. He also cut three other documentaries in the New York Times Present series as well as shows for Frontline, VH1, and Showtime. Pierre won not one, not two, but three Emmys for news and documentary programs last year and, showing some range, was nominated for a Golden Reel Award for Motion Picture Sound Editors and has been nominated for Emmys going back 20 years. He's also cut three other documentaries in the New York Times Presents series. He edited Supersize Me 2, the sequel to the blockbuster documentary, and he's cut for Frontline, so we're talking with two guys with some serious doc chops. Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Read this interview and many others at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.
Britney Spears is one of the biggest celebrities on the planet — she makes millions of dollars performing, selling perfumes and appearing on television. At the same time, however, her life is heavily controlled by a conservatorship, which she has been living under for 13 years. Soon, a court will decide whether to remove Mr. Spears as conservator or terminate the conservatorship altogether. We explore the details of Ms. Spears's conservatorship, the security apparatus that has surrounded it and its future. Guest: Liz Day, a reporter and supervising producer for the documentary television show, “The New York Times Presents.” Sign up here to get The Daily in your inbox each morning. And for an exclusive look at how the biggest stories on our show come together, subscribe to our newsletter. Background reading: A former employee of the security team hired by Ms. Spears's father gave the most detailed account yet of the singer's life under 13 years of conservatorship.For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.
Editors - Geoff O'Brien and Pierre Takal Framing Britney Spears editors Geoff O'Brien and Pierre Takal joined forces to take on the monumental editorial challenge of compressing twenty years into just over an hour of screen time to tell a story that is both informative and provocative. Released on February 5, 2021 as an edition of The New York Times Presents on FX and FX on Hulu, the documentary explores Spears's rise to fame as a pop star, her treatment by the paparazzi, her highly publicized breakdown in 2007, and her court-mandated conservatorship overseen by her father. The documentary received critical acclaim and garnered two nominations at the 73rd Primetime Emmy® Awards; including a nomination for Geoff and Pierre's work in the cutting room. GEOFF O'BRIEN Aside from his work on Framing Britney Spears, Geoff has been a major creative contributor and editor for series including The Weekly from The New York Times, Fiasco on Epix and PBS's Frontline. He also worked on three award-winning feature documentaries, Note By Note: The Making of Steinway L1037; Brick By Brick (a documentary that chronicles segregation in the Yonkers public school system) and It Started As A Joke (chronicling Eugene Mirman and his comedy festival). PIERRE TAKAL In addition to his work on the New York Times Presents series, Pierre has cut for the PBS investigative series, Frontline and on documentaries such as Eagle Huntress, Rats, I am Human and One Direction: This Is Us. But that's not all. Not only does Pierre Takal do Emmy®-worthy work in the editing room, he's also an accomplished composer, at times taking on both composing and editing duties on the same project. Editing Framing Britney Spears In our discussion with Framing Britney Spears editors Geoff O'Brien and Pierre Takal, we talk about: Utilizing the resources of The New York Times Collaborating remotely during the pandemic Quickly setting the context for the conservatorship controversy Knowing where to stop on a story that is still unfolding How this project evolved their opinions of their own industry The Credits Get your free 100GB of media transfer at MASV Visit ExtremeMusic for all your production audio needs Check out the free trial of Media Composer | Ultimate Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
Filmmaker Heather Lenz interviews Mary Robertson, showrunner for The New York Times Presents, about "Framing Britney Spears."
“New York Times Presents” Senior Editor and “Framing Britney Spears” creator Liz Day joins John Williams to catch him up on the status of Britney Spears’s conservatorship. Spears will appear before the judge for the first time to argue for termination of her father’s control over her finances.
“New York Times Presents” Senior Editor and “Framing Britney Spears” creator Liz Day joins John Williams to catch him up on the status of Britney Spears’s conservatorship. Spears will appear before the judge for the first time to argue for termination of her father’s control over her finances.
As promised, this week Babs joins us as we break down the New York Times Presents episode: Framing Brittany Spears. You can watch it on Hulu and/or read about it here. Email us at: teenagertoddler2020@gmail.comFollow us on Instagram @teenagertoddlerGet more content & support our work on: patreon.com/teenagertoddler
In this episode we talk about the massive snow storm that hit Texas and all the "fun" we had going through that. Then we talk about the #Freebritney movement and the New York Times Presents episode of Framing Britney Spears. North Texas Food Bank needs our help with Texans being displaced from the snow storm or relief from Covid. Every little bit helps! Make sure to follow us on social media. Links down below: Instagram: @heykeepuppodcast Twitter: @heykeepuppod
Welcome to Episode 370. In this episode I’m joined by Rebekah Dahling of Picardcast as well as Kevin Shanks from Nobody Asked You Kevin and Dose Makes the Poison: The Toxcast. And for the first part of the episode where we talk WandaVision Episode 8 we are joined by Steven Redgrave from Dissecting This Fiction Podcast. Yep! We talk WandaVision. We talk a lot of WandaVision. For Good Pop Bad Pop in TV we talk about the new Punky Brewster revival series on Peacock. We also talk about Superman & Lois on the CW network. Netflix has a new docuseries Age of Samurai: Battle for Japan that does a historical deep dive into the samurai and we give our thoughts. And we also talk about the New York Times Presents episode of Framing Britney Spears. In Movies this week we talk about the Pelé documentary on Netflix. Rebekah and Kevin talk about Made You Look: A True Story About Fake Art a crime documentary about the largest art fraud in American history set in the super rich, super obsessed and super fast art world of New York. And we all discuss the new Hulu film The United States VS. Billie Holiday. In News we’re getting a Twisted Metal tv series from the Deadpool writers. We give our thoughts on the Paramount+ streaming service. And Netflix has ordered a Terminator anime. In Marvel News Spider-Man 3 gets a title, No Way Home. And in DC News we’re getting a Blue Beetle movie and we talk the Snyder Cut.
We're wrapping up Canceled Month with an absolute banger! Molly and Tina deep dive into possibly one of the best films ever made – a movie that's so progressive in its criticism of gender, it's hard to believe it stars a most canceled man! Plus, the ladies talk about new indie horror film, SAINT MAUD, and episode "Framing Britney Spears” of THE NEW YORK TIMES PRESENTS. You don't wanna miss this episode! Tootsie for President! Find us at @theladypartspod on Twitter and Instagram.
een aflevering vergelijkbaar aan een ode voor de documentaire 'framing Britney' beginnend met interessante audiofragmenten vanuit deze docu! ik hoop dat je geniet en zeker ook een kijkje neemt op haar Instagram en de aflevering van The New York Times Presents. En voor de Tiktok conspiracy moet je naar het account @tythecrazyguy gaan! veel luisterplezier :)
Donate Here: https://paypal.me/pools/c/8uXWKqnLTI Find Rocco here: https://linktr.ee/roccopapa The New York Times Presents: Framing Britney Spears is a 2021 documentary television film, directed by Samantha Stark and produced by Jason Stallman, Sam Dolnick, and Stephanie Priess. The film revolves around the career of American entertainer Britney Spears, her celebrity and popularity within American culture, and the conservatorship that she has been living under since 2008, which has sparked the fan-driven "#FreeBritney" movement.[1] Released on February 5, 2021 as an edition of The New York Times Presents on FX and FX on Hulu, the documentary explores Spears's rise to fame as a pop star, her treatment by the paparazzi, her highly publicized breakdown in 2007 and her subsequent court-mandated conservatorship overseen by her father Jamie Spears. Shortly after the documentary aired, a probate judge dismissed objections by Jamie regarding the co-conservatorship arrangement.[2]
Donate Here: https://paypal.me/pools/c/8uXWKqnLTI A Britney fan responds to our podcast DON'T FREE BRITNEY. Bee's information as promised: https://twitter.com/BritneyHiatus The fans recklessly chant FREE BRITNEY and now it's become hip for celebrities to do the same. Has anyone stopped to consider if it's safe? The New York Times Presents: Framing Britney Spears is a 2021 documentary television film, directed by Samantha Stark and produced by Jason Stallman, Sam Dolnick, and Stephanie Priess. The film revolves around the career of American entertainer Britney Spears, her celebrity and popularity within American culture, and the conservatorship that she has been living under since 2008, which has sparked the fan-driven "#FreeBritney" movement.[1] Released on February 5, 2021 as an edition of The New York Times Presents on FX and FX on Hulu, the documentary explores Spears's rise to fame as a pop star, her treatment by the paparazzi, her highly publicized breakdown in 2007 and her subsequent court-mandated conservatorship overseen by her father Jamie Spears. Shortly after the documentary aired, a probate judge dismissed objections by Jamie regarding the co-conservatorship arrangement.
Lynn, & Carl with special guest Franki Cambeletta from Shift Films talk new releases: Judas and the Black Messiah, Minari, The Map of Tiny Perfect Things, Land, The World to Come, The Mauritanian, Barb and Star Go to Vista Del Mar and The New York Times Presents "Framing Britney Spears." Plus Franki gives us the lastest on Lemp's Last Wright and the Haunted Garage Podcast and Film Festival!
The New York Times Presents series dropped their sixth episode “Framing Britney Spears” on FX and Hulu over the weekend. The documentary aligns the disparate details of Britney Spears's conservatorship to provide a contextual perspective to the ominous state of her personal and professional life. Here's my review!
Cartoons!! Can't live with them or without them. Join me as I give you a brief list of childhood cartoons I like and the history of bras. If you want to sponsor us email at: capitalismthanksihateit@gmail.com. Watch the Killing of Breonna Taylor on Hulu and The New York Times Presents.
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