Podcast appearances and mentions of Eric Fischl

 In this episode of Platemark, Ann sits down with the legendary artist and printmaker Dan Welden. The artist is known for his pioneering work in solarplate etching, a revolutionary, chemical-free printmaking process. Welden recounts his experiences and collaborations with significant artists like Eric Fischl and Elaine and Willem de Kooning. He also delves into his personal creative struggles, preferences for classical music, and tales of his distinctive handmade house filled with artist tiles and unique craftsmanship. The episode is a compelling insight into Welden's artistic journey and contributions to the printmaking world.   Show me the images!!

Welcome back to ARTMATTERS: The Podcast for Artists.On this week's episode we are once again joined by the iconic painter Eric Fischl.Eric Fischl is an internationally acclaimed American artist known for his profound influence on figurative art. Born in 1948 in New York City, Fischl's work captures the uneasy undercurrents of American life. His journey through art education took him from Phoenix to California, where he earned his B.F.A., and later to Chicago and Nova Scotia for teaching and early exhibitions. Fischl's art, which explores the dichotomy between appearance and reality, has graced over a thousand publications and is housed in prestigious collections worldwide, from The Metropolitan Museum of Art to the Musée Beaubourg. Beyond painting, Fischl has ventured into sculpture, drawing, and printmaking and collaborated with literary luminaries like E.L. Doctorow and Jamaica Kincaid. He also founded "America: Now and Here," a multidisciplinary project fostering dialogue about American identity. A Fellow of both the American Academy of Arts and Letters and the American Academy of Arts and Sciences, Fischl resides in Sag Harbor, NY, with his wife, painter April Gornik.In last week's episode Eric and I discussed ideas of success and failure, Eric's practice bridging painting and photography, the current state of the art market and his support for a return to regionalism.Today we discuss the role of the artist, the universal vs the specific, artists from the past including Bonnard, Beckmann, Rodin and Lucien Freud, Eric discusses challenges in the studio and creative blocks, and his new series of work that utilizes VR technology.  Enjoy the show.You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!   If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.com insta: @isaac.mann guest: Eric Fischlwww.ericfischl.com insta: @fischlstudio  Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music. 

Welcome back to ARTMATTERS: The Podcast for Artists.Happy New Year! I'm thrilled to kick off 2025 with a milestone celebration of our 50th episode. I am also extremely excited to say this special episode features a great conversation with the iconic artist Eric Fischl.Eric Fischl is an internationally acclaimed American artist known for his profound influence on figurative art. Born in 1948 in New York City, Fischl's work captures the uneasy undercurrents of American life. His journey through art education took him from Phoenix to California, where he earned his B.F.A., and later to Chicago and Nova Scotia for teaching and early exhibitions. Fischl's art, which explores the dichotomy between appearance and reality, has graced over a thousand publications and is housed in prestigious collections worldwide, from The Metropolitan Museum of Art to the Musée Beaubourg. Beyond painting, Fischl has ventured into sculpture, drawing, and printmaking and collaborated with literary luminaries like E.L. Doctorow and Jamaica Kincaid. He also founded "America: Now and Here," a multidisciplinary project fostering dialogue about American identity. A Fellow of both the American Academy of Arts and Letters and the American Academy of Arts and Sciences, Fischl resides in Sag Harbor, NY, with his wife, painter April Gornik.In the first part of my two-part series with this legendary artist, we explore a fascinating range of topics. From Fischl's studio soundtrack—moving from youthful anthems to reflections on mortality—to the intricate dance between photography and painting, he shares how fleeting moments captured in photographs evolve into compelling works on canvas. The discussion touches on the challenges of maintaining creativity, the impact of early success, and the role of failure in art-making. We also delve into the shifting art market, from regionalism to global recognition, and Eric's advocacy for a return to regional significance, where artists can find universal meaning through local context.You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.cominsta: @isaac.mann guest: Eric Fischl www.ericfischl.com insta: @fischlstudio Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music. 

Song 1: Glimpses by Daniel P. Modaff, Jennifer Butler Modaff & Mark E. Collins, performed by GOOD ENOUGH from their new album, Saturday's Child (2024).Poem 1: “Remember the Boneyard,” by Julie Williams from a collection in progress. Author of Escaping Tornado Season and Drama Queens in the House.Fiction: “Near Death,” a short story by Lynn C. Miller. www.lynncmiller.comFEED THE CAT BREAK: “Just Before the Curtain Opens,” by John V. Modaff.Poem 2: “Living Room Scene,” by Scott Wiggerman, based on Eric Fischl's ‘Krefeld Project, Living Room Scene 1.' https://scottwiggerman.myportfolio.com/Song 2: TV Jesus, written and performed by John V. Modaff with Jonathan Modaff on drums.Episode artwork by Lynda Miller Show theme and Incidental music by John V. Modaff, BMI The Unruly Muse is Recorded in Albuquerque, NM and Morehead, KY. NEXT UP: Episode 41, “The Age of Doubt”    Thank You to our listeners all over the world. Please tell a friend about the podcast. Lynn & John

Artist Eric Fischl was born in 1948 in New York City and grew up in the Long Island suburbs. His paintings first received critical attention for depicting the dark, disturbing undercurrents of mainstream American life. In 1972 he received a B.F.A. from the California Institute for the Arts. In February 2012, Fischl spoke to the Institute about his work, and about his project “America: Now and Here,” a traveling multi-disciplinary exhibition designed to encourage a national dialogue about America through art. The project began when Fischl invited a group of visual artists, musicians, poets, playwrights, and filmmakers to submit a work of art reflecting their points of view on, and hopes for, America. The idea grew out of his conviction that the country had grown more polarized in the years after 9/11, and was in danger of losing a sense of its place and direction in the world. The truck-based roving museum and performance space launched on May 5th, 2011 in Kansas City, before traveling to Detroit and Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Artist Eric Fischl was born in 1948 in New York City and grew up in the Long Island suburbs. His paintings first received critical attention for depicting the dark, disturbing undercurrents of mainstream American life. In 1972 he received a B.F.A. from the California Institute for the Arts. In February 2012, Fischl spoke to the Institute about his work, and about his project “America: Now and Here,” a traveling multi-disciplinary exhibition designed to encourage a national dialogue about America through art. The project began when Fischl invited a group of visual artists, musicians, poets, playwrights, and filmmakers to submit a work of art reflecting their points of view on, and hopes for, America. The idea grew out of his conviction that the country had grown more polarized in the years after 9/11, and was in danger of losing a sense of its place and direction in the world. The truck-based roving museum and performance space launched on May 5th, 2011 in Kansas City, before traveling to Detroit and Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

An encore presentation of the interview with artist Eric Fischl, plus a chat with Lissa Warren

Something slightly different for 'Part TWO' of @EchoChamberFP https://www.instagram.com/echochamberfp/ this week!!! We take a look at a new A24, Tremolo Productions & Apple Films documentary, and then hear from director & star, BUT it's not one of our classic conversations, it's something the studio put together. Though it's not long, you might still dig it!!! Watch the conversation: HERE! https://youtu.be/xOwubW9DrDk 'STEVE! (martin) a documentary in 2 pieces' is written & directed by Morgan Neville. Steve Martin is one of the most beloved and enigmatic figures in entertainment. “STEVE! (martin) a documentary in 2 pieces” dives into his extraordinary story from two distinct points of view, with companion documentaries that feature never-before-seen footage and raw insights into Martin's personal and professional trials and triumphs. “Then” chronicles Martin's early struggles and meteoric rise to revolutionise stand-up before walking away at 35. “Now” focuses on the present day, with Martin in the golden years of his career, retracing the transformation that led to happiness in his art and personal life. In 'Part Two' we have: STEVE! (martin) a documentary in 2 pieces Watch 'Then' Review: Here. https://youtu.be/lG61otgRonc Watch 'Now' Review: Here. https://youtu.be/cRoAReG6W_g Digital Release Date: 29th March 2024 Director: Morgan Neville Cast: Steve Martin, Jerry Seinfeld, Lorne Michaels, Adam Gopnik, John McEuen, Melinda Dobbs, Selena Gomez, Tina Fey, Martin Short, Diane Keaton, Eric Idle, Anne Stringfield, Frank Oz, Carl Gottlieb, Michael Elias, Mitzi Trumbo, Mason Williams, Victoria Dailey, Barry Edelstein, Eric Fischl, Harry Bliss, April Gornik, Stormie Sherk, Maple Byrne, Deborah Futter Credit: A24, Tremolo Productions, Apple Films Genre: Biography, Documentary Running Time: 191 min Cert: 12a Trailer: Here. https://youtu.be/d30IaPx5Qc8?si=eg3tYALG8DMORaMG Watch via Apple TV+: Here. https://tv.apple.com/gb/show/steve-martin-a-documentary-in-2-pieces/umc.cmc.7kkgskd7j0lomjoqdo97l80ql Website: Here. https://www.apple.com/uk/tv-pr/originals/steve-martin-a-documentary-in-two-pieces/ ------------ *(Music) 'The Big Payback' (Instrumental) by EPMD - 2020 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."I was just saying to Eric yesterday, we were walking down the quay and talking and suddenly I said, "People just don't think about place enough. We don't recognize the importance of place." I think it's a little bit the social media environment that we're living in now where we're all bent over a screen, but to try to locate yourself in a place is reifying. It's identifying. It gives you a sense of positive self-consciousness. I think if you find that you're comfortable or not, just being able to feel out the positive or negative effects of a space or place is really important. And I don't think people spend enough time affording themselves that contemplation of place. And, to go back to my work, that's a little bit what I'm doing...I've been trying to sort of locate myself outside of myself as a way of reflecting back on who I am as a person."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.

"I was just saying to Eric yesterday, we were walking down the quay and talking and suddenly I said, "People just don't think about place enough. We don't recognize the importance of place." I think it's a little bit the social media environment that we're living in now where we're all bent over a screen, but to try to locate yourself in a place is reifying. It's identifying. It gives you a sense of positive self-consciousness. I think if you find that you're comfortable or not, just being able to feel out the positive or negative effects of a space or place is really important. And I don't think people spend enough time affording themselves that contemplation of place. And, to go back to my work, that's a little bit what I'm doing...I've been trying to sort of locate myself outside of myself as a way of reflecting back on who I am as a person."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.

In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."The current climate situation is so overwhelming to people. This is a scale of problem that we have never encountered before. We talk about World War this and World War that, but this is a global catastrophe that's affecting every part of our planet. And it's, importantly, I think, bigger than anyone can actually take in. And I think everyone has the best intentions of trying to make positive change - unless it disturbs their cellphone use and their car driving too much. We have to get a little more serious about that.I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.

"The current climate situation is so overwhelming to people. This is a scale of problem that we have never encountered before. We talk about World War this and World War that, but this is a global catastrophe that's affecting every part of our planet. And it's, importantly, I think, bigger than anyone can actually take in. And I think everyone has the best intentions of trying to make positive change - unless it disturbs their cellphone use and their car driving too much. We have to get a little more serious about that.I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC.She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain

"I was so mad at the Catholic Church and my upbringing and the way that my parents, my mother particularly, was so manipulated to think that if she did one thing for herself that she was somehow hurting Jesus and the local priests. I mean, it's such a brainwashing kind of situation. On the other hand, if you're raised Catholic, you're raised to believe in miracles. And the idea of transubstantiation. There's so many things about Catholicism, there's so much imagery that's magic, magical thinking, that lets your mind run free to a certain extent. You know, it does give you the willful ability to dream and imagine and just take off on crazy tangents. I mean religious people tend to be seekers and seekers tend to be the people that keep us whole and spiritually grounded and not just religious per se."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain

In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."I was so mad at the Catholic Church and my upbringing and the way that my parents, my mother particularly, was so manipulated to think that if she did one thing for herself that she was somehow hurting Jesus and the local priests. I mean, it's such a brainwashing kind of situation. On the other hand, if you're raised Catholic, you're raised to believe in miracles. And the idea of transubstantiation. There's so many things about Catholicism, there's so much imagery that's magic, magical thinking, that lets your mind run free to a certain extent. You know, it does give you the willful ability to dream and imagine and just take off on crazy tangents. I mean religious people tend to be seekers and seekers tend to be the people that keep us whole and spiritually grounded and not just religious per se."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.

In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."The current climate situation is so overwhelming to people. This is a scale of problem that we have never encountered before. We talk about World War this and World War that, but this is a global catastrophe that's affecting every part of our planet. And it's, importantly, I think, bigger than anyone can actually take in. And I think everyone has the best intentions of trying to make positive change - unless it disturbs their cellphone use and their car driving too much. We have to get a little more serious about that.I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.

"The current climate situation is so overwhelming to people. This is a scale of problem that we have never encountered before. We talk about World War this and World War that, but this is a global catastrophe that's affecting every part of our planet. And it's, importantly, I think, bigger than anyone can actually take in. And I think everyone has the best intentions of trying to make positive change - unless it disturbs their cellphone use and their car driving too much. We have to get a little more serious about that.I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC.She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain

In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."The current climate situation is so overwhelming to people. This is a scale of problem that we have never encountered before. We talk about World War this and World War that, but this is a global catastrophe that's affecting every part of our planet. And it's, importantly, I think, bigger than anyone can actually take in. And I think everyone has the best intentions of trying to make positive change - unless it disturbs their cellphone use and their car driving too much. We have to get a little more serious about that.I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.

"The current climate situation is so overwhelming to people. This is a scale of problem that we have never encountered before. We talk about World War this and World War that, but this is a global catastrophe that's affecting every part of our planet. And it's, importantly, I think, bigger than anyone can actually take in. And I think everyone has the best intentions of trying to make positive change - unless it disturbs their cellphone use and their car driving too much. We have to get a little more serious about that.I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC.She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain

"I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive.In terms of The Church arts center. It's not a religious institution, but it had been an old Methodist church that was built originally in 1835, and we renovated it to be an arts and creativity center. The arts are deeply important and creativity in all its forms is equally important to encourage and extol. So it was a natural place to develop that way, where we have art and poetry readings, and we have dance performances and rehearsals. And all of our residents are from different kinds of creative endeavors, and we haven't quite enacted this as much as I would like, but we want to have people who are computer scientists, composers, environmentalists, and anyone who is using creativity to make a positive change in the world and to express themselves. So that's the basic idea."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain

In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive.In terms of The Church arts center. It's not a religious institution, but it had been an old Methodist church that was built originally in 1835, and we renovated it to be an arts and creativity center. The arts are deeply important and creativity in all its forms is equally important to encourage and extol. So it was a natural place to develop that way, where we have art and poetry readings, and we have dance performances and rehearsals. And all of our residents are from different kinds of creative endeavors, and we haven't quite enacted this as much as I would like, but we want to have people who are computer scientists, composers, environmentalists, and anyone who is using creativity to make a positive change in the world and to express themselves. So that's the basic idea."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.

"I just started reading Emerson, and I'm glad that I've gotten to it because he talks about history and says that folded into every person, if you think of this as a fractal situation, I was just reading about this and it blew my mind. There is the understanding and the containment of all of history, of all dreams, of all desires of all the furthest reaches of our minds and our accomplishments are folded into every person. And how astonishing is that? I mean, I'm so mad at people all the time about what a mess everything is. On the other hand, we are just astonishing. And we have so much potential. But we're also so misdirected by advertising, by product placement, by false desires - say, to get everybody addicted to corn syrup and then have them develop diabetes is really evil, in my opinion. So I'm just always swinging wildly between an appreciation at the amazement of the human spirit and humanity and its accomplishments and then frustration at the bad uses to which that's put."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain

In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."I just started reading Emerson, and I'm glad that I've gotten to it because he talks about history and says that folded into every person, if you think of this as a fractal situation, I was just reading about this and it blew my mind. There is the understanding and the containment of all of history, of all dreams, of all desires of all the furthest reaches of our minds and our accomplishments are folded into every person. And how astonishing is that? I mean, I'm so mad at people all the time about what a mess everything is. On the other hand, we are just astonishing. And we have so much potential. But we're also so misdirected by advertising, by product placement, by false desires - say, to get everybody addicted to corn syrup and then have them develop diabetes is really evil, in my opinion. So I'm just always swinging wildly between an appreciation at the amazement of the human spirit and humanity and its accomplishments and then frustration at the bad uses to which that's put."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.

"I was just saying to Eric yesterday, we were walking down the quay and talking and suddenly I said, "People just don't think about place enough. We don't recognize the importance of place." I think it's a little bit the social media environment that we're living in now where we're all bent over a screen, but to try to locate yourself in a place is reifying. It's identifying. It gives you a sense of positive self-consciousness. I think if you find that you're comfortable or not, just being able to feel out the positive or negative effects of a space or place is really important. And I don't think people spend enough time affording themselves that contemplation of place. And, to go back to my work, that's a little bit what I'm doing...I've been trying to sort of locate myself outside of myself as a way of reflecting back on who I am as a person."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain

"I just started reading Emerson, and I'm glad that I've gotten to it because he talks about history and says that folded into every person, if you think of this as a fractal situation, I was just reading about this and it blew my mind. There is the understanding and the containment of all of history, of all dreams, of all desires of all the furthest reaches of our minds and our accomplishments are folded into every person. And how astonishing is that? I mean, I'm so mad at people all the time about what a mess everything is. On the other hand, we are just astonishing. And we have so much potential. But we're also so misdirected by advertising, by product placement, by false desires - say, to get everybody addicted to corn syrup and then have them develop diabetes is really evil, in my opinion. So I'm just always swinging wildly between an appreciation at the amazement of the human spirit and humanity and its accomplishments and then frustration at the bad uses to which that's put."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain

In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."I just started reading Emerson, and I'm glad that I've gotten to it because he talks about history and says that folded into every person, if you think of this as a fractal situation, I was just reading about this and it blew my mind. There is the understanding and the containment of all of history, of all dreams, of all desires of all the furthest reaches of our minds and our accomplishments are folded into every person. And how astonishing is that? I mean, I'm so mad at people all the time about what a mess everything is. On the other hand, we are just astonishing. And we have so much potential. But we're also so misdirected by advertising, by product placement, by false desires - say, to get everybody addicted to corn syrup and then have them develop diabetes is really evil, in my opinion. So I'm just always swinging wildly between an appreciation at the amazement of the human spirit and humanity and its accomplishments and then frustration at the bad uses to which that's put."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.

In this special episode of the Create! Podcast, Ekaterina Popova sits down with Alonsa Guevara to discuss: Her transformative residency experience at Tashkeel in Dubai. How immersing herself in a different culture shaped her art. The power of unconventional thinking in the realm of creative business and entrepreneurship as an artist. Moving to LA and creating new opportunities by connecting with local communities Givine ourselves time to foster new ideas and direction in the studio Dive in to get inspired and empowered! Learn more: www.alonsaguevara.com Save 20% off using the code NEWREADER www.createmagazine.com/subscribe Alonsa Guevara (b. 1986, Rancagua, Chile) is a visual artist based in Los Angeles, California. Guevara holds an MFA in painting from the New York Academy of Art (2014) and a BFA from the Pontifical Catholic University of Chile (2009). Primarily working in paintings, sculptures, and installations, her work delves into themes of womanhood, identity, and belonging. Additionally, she celebrates the intrinsic connection between humankind and nature. She has received numerous grants and residencies, including the Tashkeel Art Residency in Dubai, the Eric Fischl '66 Artist-in-Residence Teaching Program at WNA, USA, the Academy's Fellowship Award in 2015, and the Elizabeth Greenshields Grant. Publications such as Forbes Magazine, Time Out NYC, VICE, and The National News UAE have featured Alonsa's work. She has also exhibited internationally in countries like China, the UAE, Mexico, Denmark, Argentina, and Chile. Her most recent solo exhibition, "Counting Leaves," took place in April 2023 at the Tashkeel Gallery Alserkal in Dubai.

The Church co-founder Eric Fischl joins Sara Cochran, co-curator of the Strike Fast, Dance Lightly artists on boxing exhibition, local artist Michael Combs and WLIW-FM's Heart of The East End host Gianna Volpe during the HOTstudio segment underwritten by Peconic Landing.Listen to the playlist on Apple Music

Due figure completamente nude su un letto matrimoniale, in una stanza anonima dal soffitto basso, illuminata da due o tre lampade con paralume, ai piani alti di un edificio immerso in un tessuto urbano congestionato e verticale, visibile dalla finestra in fondo alla stanza, in un momento serale o notturno. La luce è soffusa, calda, ma i colori sono spenti, ad eccezione di due macchie rosso vivo, il copriletto su cui sono adagiati i corpi, e il vassoio sul quale stanno, insieme a un giornale ripiegato, una caraffa e un bicchiere.

Host Alastair Gordon talks to artists Eric Fischl and April Gornik about the activist roles they're playing in their hometown of Sag Harbor, New York. Together with architect Lee Skolnick, they transformed an old Methodist church into a ground-breaking arts center, one that not only serves the community but honors the historic legacy of Sag Harbor. Host: Alastair Gordon Guest: ERIC FISCHL and April Gornik With Lee Snoknick (architect) The Poetics of Place podcast series is produced by ElectraCast Media (Mark Netter, Peter Rafelson and David Tausik) & Gordon de Vries Studio (Alastair Gordon and Barbara de Vries). An ElectraCast Production. THE CHURCH, SAG HARBOR https://www.thechurchsagharbor.org/ ERIC FISCHL http://www.ericfischl.com/   APRIL GORNIK https://www.aprilgornik.com/   LEE SKOLNICK https://www.skolnick.com/the-church ALASTAIR JAMES GORDON https://alastairgordonwalltowall.com/ GORDON DE VRIES STUDIO https://www.gordondevriesstudio.com/    SAG HARBOR CINEMA https://sagharborcinema.org/ ELECTRACAST MEDIA https://electracast.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Aleah Chapin   http://www.aleahchapin.com   Aleah Chapin (b. 1986 Seattle, WA) is a painter whose direct portrayals of the human form have expanded the conversation around western culture's representations of the body in art. Described by Eric Fischl as “the best and most disturbing painter of flesh alive today,” Chapin's work has explored aging, gender and beauty, influenced in part by the community within which she was raised on an island in the Pacific Northwest. More recently, Chapin's work has taken a radically inward shift, expanding her visual language in order to better express the turbulent times we are living in. Consistent throughout her career, Chapin's work asks the question: What does it mean to exist within a body today? Chapin holds a BFA from Cornish College of the Arts and an MFA from the New York Academy of Art. She has attended residencies at the Leipzig International Art Program (Germany) and MacDowell (United States). Chapin has exhibited both nationally and internationally at places such as Flowers Gallery (New York, London, Hong Kong), The Belvedere Museum (Austria), and the National Portrait Gallery (London). She has been a recipient of the Promising Young Painters Award from the American Academy of Arts and Letters (New York), the Elizabeth Greenshields Foundation Grant (Canada), a Postgraduate Fellowship from The New York Academy of Art, and won the BP Portrait Award at the National Portrait Gallery (London). Her work has been published extensively in print and online, and she is a subject in the BBC documentary titled “Portrait of an Artist”. Aleah Chapin lives and works in Seattle, WA.

Aleah Chapin   http://www.aleahchapin.com   Aleah Chapin (b. 1986 Seattle, WA) is a painter whose direct portrayals of the human form have expanded the conversation around western culture's representations of the body in art. Described by Eric Fischl as “the best and most disturbing painter of flesh alive today,” Chapin's work has explored aging, gender and beauty, influenced in part by the community within which she was raised on an island in the Pacific Northwest. More recently, Chapin's work has taken a radically inward shift, expanding her visual language in order to better express the turbulent times we are living in. Consistent throughout her career, Chapin's work asks the question: What does it mean to exist within a body today? Chapin holds a BFA from Cornish College of the Arts and an MFA from the New York Academy of Art. She has attended residencies at the Leipzig International Art Program (Germany) and MacDowell (United States). Chapin has exhibited both nationally and internationally at places such as Flowers Gallery (New York, London, Hong Kong), The Belvedere Museum (Austria), and the National Portrait Gallery (London). She has been a recipient of the Promising Young Painters Award from the American Academy of Arts and Letters (New York), the Elizabeth Greenshields Foundation Grant (Canada), a Postgraduate Fellowship from The New York Academy of Art, and won the BP Portrait Award at the National Portrait Gallery (London). Her work has been published extensively in print and online, and she is a subject in the BBC documentary titled “Portrait of an Artist”. Aleah Chapin lives and works in Seattle, WA.

After two seasons of conversations about our increasingly risky world, @Risk is taking a break. But before that, we want to look back on some of our favourite conversations through this series. In this episode of @Risk, we're looking at risk in the world of art. Join Jodi for a look back at conversations with the brains behind all sorts of creative work: journalist and fashion entrepreneur Jeanne Beker; painter, sculptor, and educator, Eric Fischl; poet and author (and lawyer!) Michelle Good; self-styled “dirty nature writer” David Huebert; novelist Emily St. John Mandel; and one of Canada's favourite comedians, Mark Critch.

After two seasons of conversations about our increasingly risky world, @Risk is taking a break. But before that, we want to look back on some of our favourite conversations through this series. In this episode of @Risk, we're looking at risk in the world of art. Join Jodi for a look back at conversations with the brains behind all sorts of creative work: journalist and fashion entrepreneur Jeanne Beker; painter, sculptor, and educator, Eric Fischl; poet and author (and lawyer!) Michelle Good; self-styled “dirty nature writer” David Huebert; novelist Emily St. John Mandel; and one of Canada's favourite comedians, Mark Critch.

Living in the Pacific Northwest, Aleah Chapin's paintings feel like a reflection of the unique landscape. The way the blues mix with the greens, the way the waterways connect to the land; Seattle and the surrounding terrain... there is nothing like it on Earth. And that is the sort of balance, both figurative and abstract, that Chapin is painting. On this episode of the Radio Juxtapoz podcast, Chapin talks about her desire to be a mirror to both her feelings and the times we live in, the type of artist with the desire to bring to the surface her inner self and feelings. Earlier in 2022, her solo show in Hong Kong at Flowers Gallery, the gallery noted that the "renowned (painter is knownO for her unflinching nude portraits of older women, relatives, and friends." Or, as Eric Fischl has put it, she is “the best and most disturbing painter of flesh alive today." High praise, and let's start here. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 088 was recorded in early May 2022 in Seattle and Margate, England. Follow us on @radiojuxtapoz

Eric Fischl is one of the most influential painters of the late 20th and early 21st centuries. Inspired by his own middle-class upbringing on Long Island, Fischl's provocative  paintings expose the underbelly of  American suburban life while piercing through its veil. Through startling scenes of grief, adolescent sexuality and political malaise, Fischl is committed to expressing what often remains hidden and unspoken behind society's mores.During his meteoric rise in the 1980s, in an era when art eschewed figuration and the human body, Fischl embraced it… His paintings boldly explore the body in all of its movement, gesture, and form.  By imbuing his large scale canvases with a psychological intensity, Fischl's work invites us to examine our own relationship with taboos, internal conflict, and complacency.Fischl's paintings, sculptures and drawings have been the subject of numerous solo and major group exhibitions around the world, and his work is represented in major museum collections including The Metropolitan Museum of Art, MoMA, The Whitney Museum of American Art, and MoCA in L.A.  His memoir “Bad Boy: My Life On and Off the Canvas” was published by Crown in 2013.A longtime resident of Sag Harbor, Long Island, Eric's recent venture has been to renovate  and transform a local church into an artist residency, exhibition space and creative center known fittingly as The Church (https://www.thechurchsagharbor.org/).

Painter, printmaker, sculptor, educator Eric Fischl discusses his career and his memoir, Bad Boy: My Life On And Off The Canvas.

Eric Fischl was born in 1948 in New York City and grew up in the suburbs of Long Island. He began his art education in Phoenix, Arizona where his parents had moved in 1967. He attended Phoenix College and earned his B.F.A. from the California Institute for the Arts in 1972. He then spent some time in Chicago, where he worked as a guard at the Museum of Contemporary Art. In 1974, he moved to Halifax, Nova Scotia, to teach painting at the Nova Scotia College of Art and Design. Eric had his first solo show, curated by Bruce W. Ferguson, at Dalhousie Art Gallery in Nova Scotia in 1975 before relocating to New York City in 1978. Eric's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, MusÈe Beaubourg in Paris, The Paine Weber Collection, and many others. Fischl has collaborated with other artists and authors, including E.L. Doctorow, Allen Ginsberg, Jamaica Kincaid, Jerry Saltz and Frederic Tuten. He is also the founder, President and lead curator for America: Now and Here. This multi-disciplinary exhibition of 150 of some of Americaís most celebrated visual artists, musicians, poets, playwrights, and filmmakers is designed to spark a national conversation about American identity through the arts. The project launched on May 5th, 2011 in Kansas City before traveling to Detroit and Chicago.  Eric is a Fellow at both the American Academy of Arts and Letters and the American Academy of Arts and Science. He lives and works in Sag Harbor, NY with his wife, the painter April Gornik.

On this week's episode, we take a look back at 2021 with clips from a number of different episodes. We kicked off Art Sense in June of this year and have thus far interviewed 34 guests over 26 episodes. Guests have included best selling authors, museum curators, art historians, blue chip artists, auction house execs, technology experts, crypto artists and top collectors. Guest artists have included the likes of Sandy Skoglund, Marilyn Minter, Raymond Pettibon, Eric Fischl, SWOON, and Mona Kuhn. 2021 is destined to be known for year two of the global pandemic and the rise of NFTs. The market for NFTs skyrocketed over the course of the year and I was able to bring you conversations with some of the most knowledgeable and influential voices in the industry. In March, Beeple's “First 5000 Days” sold for $69 million through an auction at Christie's. Over the course of the year, I spoke to the auction house executive that brokered the deal as well as the person who paid the $69 million to acquire the work. Crypto artists like Sarah Zucker, Robness and Jen Stark provided the artists' perspective, while Colborn Bell explained what motivated him to create the Museum of Crypto Art. There was one question that I asked each guest from this space. What's in store for the future of NFTs and what hurdles stand in the way?

1:08 - A conversation with acclaimed artist Eric Fischl. Fischl, whose work has long chronicled the empty promises of the upwardly mobile middle class, can be found in the collections of The Met, The Whitney, MoMA and MOCA. In the interview, Eric discusses with Craig his inspirations, his process, his narratives and his use of symbolism. The conversation concludes with a discussion of Fischl's work setting up an artist residency and exhibition space in Sag Harbor, New York called The Church.53:07 - The week's top art headlines

Britt Snyder focuses on capturing memories and feelings on canvas. Though influenced by late 19th century impressionism, Britt's paintings are clearly a modern take of impressionistic figurative, still life, and landscape painting. His portrayal of the human figure resembles a character who once inhabited our dreams of the night, and now their features slowly dissolve from our waking memory.  His paintings reference classical painting, photography and pop culture with an emphasis on capturing and presenting moments in time and presenting the core essence of the portrayed subject. Just as a film director of a feature film uses the concept of the "wandering eye" in a shot – a view of the actor's eyes without revealing what the actor sees – Britt invokes a similar feeling of curiosity and mystery in his paintings. We want to know what his subject sees and feels. We are left with questions as his figure glances beyond the edge of the canvas. When you view one of Britt Snyder's paintings, you begin to hear in your mind the music of life, and in the periphery of your vision you discern that there is A Sense of Something More.   Links: Britt Snyder Website: https://www.brittsnyder.com Instagram: https://www.instagram.com/brittsnyder_painter/ Maybaum Gallery: https://www.maybaumgallery.com/artists/82-britton-snyder/ Books: Bad Boy: My Life On and Off the Canvas, by Eric Fischl: https://amzn.to/3klDQHV (paid link) Just Kids, by Patti Smith: https://amzn.to/3gdBqtD (paid link)   Vision X Live 2021 Replay: Britt Snyder: Mood and Palette for Portraiture https://www.visionxlive.com/replay2021 About the Artful Painter:Website: https://theartfulpainter.com/ YouTube: https://www.youtube.com/c/CarlOlsonArt This page may contain affiliate links from which I earn a small commission. When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. As an Amazon Associate, I earn from qualifying purchases.

Many people know the multi-talented Martin Mull as a celebrated TV and film actor and comedian, as well as a musician and writer.  But what some people don't know is that, first and foremost, he is an artist -- a respected accomplished American painter, whose work is embraced and lauded by the artworld,  and resides in museums and private collections worldwide including, The Whitney, The MET and LACMA.  Renowned artists from  Richard Prince to Eric Fischl to  David Salle, consider Martin Mull a contemporary  American master.  Since the 1970's, Martin Mull has been a ubiquitous presence on the big and small screens - from Norman Lear's groundbreaking series “Mary Hartman, Mary Hartman” and “Fernwood Tonight” to "Arrested Development", “Roseanne”, “Two and a Half Men”, and “Veep”, as well as films like “Mrs. Doubtfire”,  Robert Altman's “O.C. and Stiggs”, “Mr. Mom”, and “Clue.”  With a Smithsonian American Museum show and a major monograph on the horizon for 2023, we join Martin Mull LIVE at his studio in Los Angeles.

It's election day in America and to mark the occasion, Jodi Butts speaks with internationally acclaimed American painter and sculptor, Eric Fischl, the artist behind the controversial sculpture, Tumbling Woman, inspired by the events of 9/11. Art has forever been a risky endeavour. The artist can never control how any person reacts to their creation. That reaction though -- whether positive or negative -- can reveal the soul of the beholder and a nation. To read the full transcript of this episode visit: canada2020.ca/risk-risk-for-arts…and-americas-sake/

It's election day in America and to mark the occasion, Jodi Butts speaks with internationally acclaimed American painter and sculptor, Eric Fischl, the artist behind the controversial sculpture, Tumbling Woman, inspired by the events of 9/11. Art has forever been a risky endeavour. The artist can never control how any person reacts to their creation. That reaction though -- whether positive or negative -- can reveal the soul of the beholder and a nation. To read the full transcript of this episode visit: https://canada2020.ca/risk-risk-for-arts-and-americas-sake/

Ryan Schneider creates paintings and sculptures from experience and observation, portraying moments of bewilderment, tension, exhilaration, and fatigue as they are encountered in the real world. His latest works of hand-carved wood are dreamy and richly colored, often featuring a spiritually charged, even shamanic quality. Ryan Schneider was born in Indianapolis, IN, USA and holds a BFA from The Maryland Institute College of Art. Recent solo exhibitions include”Split Spirits” at Over The Influence, LA, “No Filter Eden” at V1 Gallery, Copenhagen, “Mojave Masks” at The Schneider Museum of Art, Ashland, Oregon, and “Mojave Pictures” at Taymour Grahne, New York. Recent group exhibitions include “Hope and Hazard: A Comedy of Eros” curated by Eric Fischl at The Hall Art Foundation in Reading, VT, “Rise and Shine” at Over The Influence, Hong Kong, “The Birds”, with V1 Gallery at the CHART art fair, Copenhagen, and “Natural Selection” at The Hole, NYC. After many years in New York City, Schneider now lives and works in Joshua Tree, CA, USA. His work is held in public and private collections worldwide, including the Hall Art Foundation and the Bank of America Collection. He has been reviewed or featured in Juxtapoze, The New Yorker, Art in America, The New York Times, Modern Painters, The Brooklyn Rail, ArtInfo, Artsy, and The Paris Review, among many other publications.

As protests over the death of George Floyd rage from coast to coast, Christiane Amanpour speaks to civil rights leader Reverend Jesse Jackson about institutionalized racism and inequality in the United States. Melvin Carter, Mayor of Minneapolis’ twin city St Paul, discusses the latest news on the ground and the charges brought against Derek Chauvin, the police officer filmed kneeling on Floyd’s neck shortly before his death. Artist Eric Fischl reflects on the complex relationship between art and trauma. And artistic director of The Public Theater Oskar Eustis, talks to our Michel Martin about why he says theatre and democracy are inextricably linked.

Maryam shares her personal journey of becoming an artist. She discusses her interactive project which resulted from the COVID-19 pandemic, questioning if there is a need for art at this time and how galleries and institutions will survive. She also reads out messages she has received from Richard Wentworth and Eric Fischl.

Jennifer Pochinski is an American figurative painter. Her work is characterized by gestural marks and bold color. Relationships, the male-female power dynamic, and humanity are key themes in her work. She was raised in Hawaii and received her BFA from the University of Hawaii in Painting in 1991. Much of her young adulthood was spent traveling and living on the mainland USA and Europe. Since late 2010, she has been living and working in California. Topics Discussed In This Episode: Pochinski's journey, including moving to Hawaii at a young age, experiencing her senior year abroad in Germany, living in Greece, and ultimately finding her way to Sacramento, CA Her decision in college to change her major to art at the University of Hawaii, and later a brief stint studying interior architecture at an art and design school in Greec Finding an escape and freedom from people pleasing in her artistic practice Pochinski's methods of exploration and experimentation in her art, such as layering, linoleum printing, and collage The act of letting her paintings "sit" and taking time to construct and deconstruct her work Pochinski's passion for art, art books, and learning about other artists' lives. Names mentioned: Sol LeWitt, Eva Hesse, Edward Hopper, Henri Matisse, Markus Lupertz, Georg Baselitz, Cherry Pickles, Christopher Brown, R.B. Kitaj, Eric Fischl, Richard Diebenkorn, Paula Rego, Philip Guston, Jack Oden, Willem de Kooning, Lucian Freud  www.artistdecoded.com

  On the first episode of the Netflix glassblowing series Blown Away, Deborah Czeresko introduced herself as having “a polarizing personality; I have lovers, and I have haters.” Winner of the competition, the New York based, 58-year-old, queer female artist with 30 years of glass experience was awarded $60,000 and a two-week residency at the Corning Museum of Glass (CMoG). Wrote Casey Lesser on Artsy: “In a similar vein to Project Runway or Top Chef, Blown Away gathers glass artists to compete in creating innovative artworks. And while some contestants in the show’s first season crumbled under challenges that required conceptual depth, Czeresko thrived. Asked to make botanicals, she procured a set of oddly poetic potatoes; summoned to imagine a futuristic robotic device, she fashioned the Man-Bun in the Oven, an external womb for men to wear to gestate; and during a food challenge, she managed to make tacos appear über-elegant through a set of Venetian-style dishes. Her pièce de résistance was an installation for the finale: a feminist take on breakfast, including a fecund fried egg and a chain of sausage links.” Meat Me in The Middle, an installation with a sunny-side-up egg at the center represents women taking the art world by storm and a nod towards equity in fine arts.  Czeresko’s work originates from personal experience influenced by the complexities of modern day political and social ideas. It challenges gender stereotypes within the traditional glassblowing landscape. “To me, it’s almost a political act to occupy the hot shop as a fierce female glassblower,” she says in Blown Away. In her October 2019 two-week residency at CMoG, Czeresko began work on a new conceptual chandelier comprised of more than 50 mirrored glass pieces of automotive-related ephemera such as hubcaps and a muffler. The work uses the metaphorical power of car parts to create a narrative surrounding the gendering of objects. Czeresko’s art has always invoked a range of approaches and techniques, including performance and collaboration. After completing a BA in psychology from Rutgers University and attending graduate school in studio art at Tulane University, she began working with glass at the New York Experimental Glass Workshop in 1987. For 20 years, Czeresko has made a living creating custom lighting designs and fabricating works for fellow artists such as Robert Gober, Kiki Smith, Lorna Simpson, Mariko Mori and Eric Fischl. The artist has instructed classes at many universities and schools throughout Europe and the US, including UrbanGlass in Brooklyn, New York, where she formally sat on the board; Tyler School of Arts in Philadelphia; College of Creative Studies in Detroit; and LUCA School of Arts in Ghent, Belgium.  Following her appearance on Blown Away, Czeresko developed a vocal and enthusiastic fan base, inspired by this strong, creative woman articulating a message of diversity, equity and belonging. A most unlikely reality TV star, she is stopped regularly on the streets outside of her Lower East Side apartment for autographs, embraces and accolades.  Admittedly thrilled with the attention, the artist has used her new-found celebrity to gain gallery representation. Blown Away inspired interest from New York’s Heller Gallery, which exhibited a new, large installation of her potatoes at SOFA Chicago last fall and her Meat in Chains at the NYC gallery earlier last year. In 2020, both CMoG and the Toledo Museum of Art purchased Czeresko’s work for their collections. In addition to exhibiting new works in three upcoming museum shows and multiple pending residencies, Czeresko will be the honoree for the UrbanGlass 2020 Gala held May 12.  

Alec and Bridget welcome noted artist and philanthropist Eric Fischl, National Book Award-nominated children's book author and educator Patty McCormick, and sports writer and journalist Steve Friedman, to discuss the new Prime House Writers' Retreat in Sag Harbor.

Seasoned landscape painter and geological aficionado Merrill Mahaffey sits down with our host Dr. Mark Sublette to revisit the defining moments of his career as a painter and as a professor of the arts. Merrill tells of uranium mines and working as a cowboy in 1950's Colorado, as well as the various characters he met through his skill with the brush including (but not limited to) Fritz Scholder, Greg Kondos, Eric Fischl, Wayne Thiebaud, and Elaine Horowitz. We hear about his Grand Canyon paintings and the ways in which Merrill orchestrates the cliffs and stone in his landscape paintings. All of this and more on this episode of the Art Dealer Diaries.

Follow Studio Confessions on Instagram at @stuconpodcast Follow Luis Martin/ The Art Engineer on Instagram @artengineerGet in touch by email: martin@luismartinart.com Get your copy of the book at your local bookshop or order it from Thriftbooks here: Bad Boy by Eric Fischl and Michael Stone  

He came to fame in the New York art world of the nineteen-eighties (well yeah, not the eighteen-eighties) – in every era a cultural ecosystem inhabited by artists, art lovers, galleries, museums, and critics. This remixed episode includes a bonus segment from art-critic power couple Roberta Smith (New York Times) and Jerry Saltz (New York magazine).

Bruce Wolosoff is a composer and pianist whose work has been recognized for the way it integrates modern, classical, jazz, and blues together into "an authentic American voice". In recent years, Wolosoff has been composing music in response to visual art. "Astronomer's Key", inspired by the artwork of Milton Resnick, was commissioned by the Roswell Artists in Residence Foundation for the Montage Music Society in celebration of the Roswell Artist-in-Residence Program's 50th Anniversary. “The Loom”, inspired by the watercolors of Eric Fischl, was commissioned by the Eroica Trio and premiered at the Isabella Stewart Gardner Museum in Boston. “for April” a work for cello and piano inspired by the charcoal drawings of April Gornik was recorded by Wolosoff with cellist Sara Sant'Ambrogio and released as part of a book of Gornik's drawings.In July 2018, Bruce Wolosoff's “Concerto for Cello and Orchestra” was recorded in London by Sara Sant'Ambrogio and the Royal Philharmonic Orchestra, conducted by Grzegorz Nowak. ​ A frequent collaborator in the field of dance, Wolosoff has collaborated with choreographer Ann Reinking on two ballets for Thodos Dance Chicago. “The White City” was named "Best Dance of 2011" by the Chicago Sun-Times, and a film version of “A Light in the Dark”, based on the story of Helen Keller and Ann Sullivan, received an Emmy nomination for Outstanding Achievement for Arts Programming. Wolosoff's recording “Darkling, I Listen” is being used for a new Ann Reinking ballet based on the life of John Keats. An accomplished pianist as well, Bruce Wolosoff received early acclaim for a recording of piano music by Busoni. More recently, he has performed and recorded his own compositions, including "Shenandoah Variations", “Many Worlds", "Four Blues", and "Darkling, I Listen”. Wolosoff's discography also includes “Songs without Words” on Naxos American Classics. Mia sat down with Bruce in his home on Shelter Island to discuss his creative life and music. www.creativeprocess.info

Edward Goldman talks about the solo exhibitions by John Baldessari and Gwynn Murrill at Laguna Art Museum, and Eric Fischl at Sprüth Magers.

Eric Fischl is an internationally acclaimed American painter and sculptor. His artwork is represented in many distinguished museums throughout the world and has been featured in over one thousand publications. His extraordinary achievements throughout his career have made him one of the most influential figurative painters of the late 20th and early 21st centuries.Fischl's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum ofEric Fischl is also the founder, President and lead curator for America: Now and Here. This multi-disciplinary exhibition of 150 of some of Americaís most celebrated visual artists, musicians, poets, playwrights, and filmmakers is designed to spark a national conversation about American identity through the arts. The project launched on May 5th, 2011 in Kansas City before traveling to Detroit and Chicago. Eric Fischl is a Fellow at both the American Academy of Arts and Letters and the American Academy of Arts and Science. He lives and works in Sag Harbor, NY with his wife, the painter April Gornik.Fischl is President of the Guild Hall Academy, East Hampton. Mia Funk is honored to have been chosen to be the inaugural artist participating in the Fischl Gornik residency and to be conducting interviews, artworks and community art initiatives with Guild Hall Academy, Sag Harbor Cinema Arts Center, and other initiatives founded by April Gornik and Eric Fischl.· www.ericfischl.com· www.creativeprocess.info

Eric Fischl is an internationally acclaimed American painter and sculptor. His artwork is represented in many distinguished museums throughout the world and has been featured in over one thousand publications. His extraordinary achievements throughout his career have made him one of the most influential figurative painters of the late 20th and early 21st centuries.Fischl's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum ofEric Fischl is also the founder, President and lead curator for America: Now and Here. This multi-disciplinary exhibition of 150 of some of Americaís most celebrated visual artists, musicians, poets, playwrights, and filmmakers is designed to spark a national conversation about American identity through the arts. The project launched on May 5th, 2011 in Kansas City before traveling to Detroit and Chicago. Eric Fischl is a Fellow at both the American Academy of Arts and Letters and the American Academy of Arts and Science. He lives and works in Sag Harbor, NY with his wife, the painter April Gornik.Fischl is President of the Guild Hall Academy, East Hampton. Mia Funk is honored to have been chosen to be the inaugural artist participating in the Fischl Gornik residency and to be conducting interviews, artworks and community art initiatives with Guild Hall Academy, Sag Harbor Cinema Arts Center, and other initiatives founded by April Gornik and Eric Fischl.· www.ericfischl.com· www.creativeprocess.info

The New Age of TV: Bringing the Look of Cinema to the Small Screen - Sight, Sound & Story: The Art of Cinematography 2018 Moderator: David Leitner (Director, Producer, and Cinematographer) Panelist: Robert McLachlan, ASC, CSC ("Game of Thrones," "Westworld," "Ray Donovan," "The Affair") Meet the Cinematographer who brought some of the most fantastical and gritty moments from "Game of Thrones" to life, Rob McLachlan ASC, CSC. Rob has directed one of the biggest budget episodes of television in history, "The Spoils of War" and one of the most viral moments of modern television "The Red Wedding." Here with David Leitner, Cinematographer of the critically acclaimed "Trembling Before G-d", serving as moderator, Rob dissects his most recent television work. Rob offers his generous insight into the choices behind his camerawork on "Ray Donovan," "WestWorld," and of course, "Game of Thrones." About Robert McLachlan, ASC, CSC: Robert was born in San Francisco. He became involved with photography and film at an early age thanks to an artistic father. Since then, Robert has moved on with unusual ease between television and theatrical films of all sizes. In the process, winning many awards and amassing hundreds of credits including close to 50 Theatrical and television movies; as well as over 550 episodes of Television that include "MacGyver" in the late ’80s and the groundbreaking, "Millennium" in the mid’90ss. Recently he shot what is regarded as the most famous episode of TV ever - best known as “The Red Wedding”, in addition to the biggest episode of TV ever made, "The Spoils of War." Both of these episodes are from the international phenomenon, "Game of Thrones." His other TV credits include "Westworld" for HBO and Showtime’s critically acclaimed, "Ray Donovan." Along the way, he has returned to wearing both Director and cinematographer hats on the movies "The Golden Compass" and "Dragonball Evolution" on their second units and more recently he has directed episodes of "Ray Donovan." About the Moderator: David Leitner is a director, producer, and Emmy-nominated DP (Chuck Close: Portrait in Progress), with over eighty credits in feature-length dramas and documentaries, including eight Sundance Film Festival premieres. These include his own Vienna is Different: 50 Years After the Anchluss, Alan Berliner’s Nobody’s Business, Sandi Dubowski’s Trembling Before G-d, the Oscar-nominated documentary For All Mankind, for which he spent nine months at NASA’s Johnson Space Center restoring original 16mm lunar footage, and Memories of Overdevelopment, a Cuban follow-up to 1968’s film classic, Memories of Underdevelopment. For over 25 years, as DP, he has photographed hour-long documentaries on iconic writers, artists, and architects for New York’s Checkerboard Film Foundation. Subjects include Brancusi, Picasso, James Salter, Joel Shapiro, Sir John Soane, Ellsworth Kelly, Milton Glaser, Daniel Libeskind, Dorothea Rockburne, Peter Eisenman, Roy Lichtenstein, Eric Fischl, Jeff Koons, Frank Stella, and Sol LeWitt. Leitner is also an author, columnist, motion picture technologist and industry consultant. From 1977-1985 he was Director of New Technology at DuArt Film & Video in New York, where he created innovations in optical printing, cine lens testing, film-to-tape transfer, and played a key role introducing Super 16 to the U.S. He is a Fellow of the Society of Motion Picture and Television Engineers. This year’s fourth annual Sight, Sound & Story: The Art of Cinematography event we'll go behind the lens to better understand the challenges and decisions made by top visual artists in the realm of narrative TV, documentary and feature films. Our event series is where we hope many pieces of the creative puzzle fit together - a familiar enclave for the exchange of ideas and a celebration of this unique collaborative process. For more information go to https://SightSoundandStory.com.

Frederic Tuten grew up in the Bronx. At fifteen, he dropped out of high school with aspirations to become painter and live in Paris. He took odd jobs and eventually went back to school, earning a Ph.D. from NYU. He travelled through Latin and South America, studied mural painting at the University of Mexico and wrote about Brazilian Cinema Novo. He taught at the University of Paris, acted in a short film by Alain Resnais, co-wrote the film Possession, and conducted summer writing workshops with Paul Bowles in Tangiers. The recipient of many awards for his writing, Tuten's short stories, art and film criticism have appeared in ArtForum, the New York Times, Vogue, Granta and other publications. He has written about artists including John Baldessari, Eric Fischl, Pierre Huyghe, David Salle and Roy Lichtenstein. His books include The Adventures of Mao on the Long March; Tintin in the New World; The Green Hour; Van Gogh's Bad Café; Self Portraits: Fictions, and most recently his memoir, My Young Life.· frederictuten.com· www.creativeprocess.info

Eric Fischl is an internationally acclaimed American painter and sculptor. His artwork is represented in many distinguished museums throughout the world and has been featured in over one thousand publications. His extraordinary achievements throughout his career have made him one of the most influential figurative painters of the late 20th and early 21st centuries.Fischl's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum ofEric Fischl is also the founder, President and lead curator for America: Now and Here. This multi-disciplinary exhibition of 150 of some of Americaís most celebrated visual artists, musicians, poets, playwrights, and filmmakers is designed to spark a national conversation about American identity through the arts. The project launched on May 5th, 2011 in Kansas City before traveling to Detroit and Chicago. Eric Fischl is a Fellow at both the American Academy of Arts and Letters and the American Academy of Arts and Science. He lives and works in Sag Harbor, NY with his wife, the painter April Gornik. Fischl is President of the Guild Hall Academy, East Hampton. Mia Funk is honored to have been chosen to be the inaugural artist participating in the Fischl Gornik residency and to be conducting interviews, artworks and community art initiatives with Guild Hall Academy, Sag Harbor Cinema Arts Center, and other initiatives founded by April Gornik and Eric Fischl. www.creativeprocess.info

Eric Fischl is an internationally acclaimed American painter and sculptor. His artwork is represented in many distinguished museums throughout the world and has been featured in over one thousand publications. His extraordinary achievements throughout his career have made him one of the most influential figurative painters of the late 20th and early 21st centuries.Fischl's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum ofEric Fischl is also the founder, President and lead curator for America: Now and Here. This multi-disciplinary exhibition of 150 of some of Americaís most celebrated visual artists, musicians, poets, playwrights, and filmmakers is designed to spark a national conversation about American identity through the arts. The project launched on May 5th, 2011 in Kansas City before traveling to Detroit and Chicago. Eric Fischl is a Fellow at both the American Academy of Arts and Letters and the American Academy of Arts and Science. He lives and works in Sag Harbor, NY with his wife, the painter April Gornik. Fischl is President of the Guild Hall Academy, East Hampton. Mia Funk is honored to have been chosen to be the inaugural artist participating in the Fischl Gornik residency and to be conducting interviews, artworks and community art initiatives with Guild Hall Academy, Sag Harbor Cinema Arts Center, and other initiatives founded by April Gornik and Eric Fischl. www.creativeprocess.info

Frederic Tuten grew up in the Bronx. At fifteen, he dropped out of high school with aspirations to become painter and live in Paris. He took odd jobs and eventually went back to school, earning a Ph.D. from NYU. He travelled through Latin and South America, studied mural painting at the University of Mexico and wrote about Brazilian Cinema Novo. He taught at the University of Paris, acted in a short film by Alain Resnais, co-wrote the film Possession, and conducted summer writing workshops with Paul Bowles in Tangiers. The recipient of many awards for his writing, Tuten's short stories, art and film criticism have appeared in ArtForum, the New York Times, Vogue, Granta and other publications. He has written about artists  including John Baldessari, Eric Fischl, Pierre Huyghe, David Salle and Roy Lichtenstein. His books include The Adventures of Mao on the Long March; Tintin in the New World; The Green Hour; Van Gogh's Bad Café; Self Portraits: Fictions, and most recently his memoir, My Young Life. www.creativeprocess.info

Bruce Wolosoff is a composer and pianist whose work has been recognized for the way it integrates modern, classical, jazz, and blues together into "an authentic American voice". In recent years, Wolosoff has been composing music in response to visual art. "Astronomer's Key", inspired by the artwork of Milton Resnick, was commissioned by the Roswell Artists in Residence Foundation for the Montage Music Society in celebration of the Roswell Artist-in-Residence Program's 50th Anniversary. “The Loom”, inspired by the watercolors of Eric Fischl, was commissioned by the Eroica Trio and premiered at the Isabella Stewart Gardner Museum in Boston. “for April” a work for cello and piano inspired by the charcoal drawings of April Gornik was recorded by Wolosoff with cellist Sara Sant'Ambrogio and released as part of a book of Gornik's drawings.In July 2018, Bruce Wolosoff's “Concerto for Cello and Orchestra” was recorded in London by Sara Sant'Ambrogio and the Royal Philharmonic Orchestra, conducted by Grzegorz Nowak. ​ A frequent collaborator in the field of dance, Wolosoff has collaborated with choreographer Ann Reinking on two ballets for Thodos Dance Chicago. “The White City” was named "Best Dance of 2011" by the Chicago Sun-Times, and a film version of “A Light in the Dark”, based on the story of Helen Keller and Ann Sullivan, received an Emmy nomination for Outstanding Achievement for Arts Programming. Wolosoff's recording “Darkling, I Listen” is being used for a new Ann Reinking ballet based on the life of John Keats. An accomplished pianist as well, Bruce Wolosoff received early acclaim for a recording of piano music by Busoni. More recently, he has performed and recorded his own compositions, including "Shenandoah Variations", “Many Worlds", "Four Blues", and "Darkling, I Listen”. Wolosoff's discography also includes “Songs without Words” on Naxos American Classics. Mia sat down with Bruce in his home on Shelter Island to discuss his creative life and music.www.creativeprocess.info

Bruce Wolosoff is a composer and pianist whose work has been recognized for the way it integrates modern, classical, jazz, and blues together into "an authentic American voice".In recent years, Wolosoff has been composing music in response to visual art. "Astronomer's Key", inspired by the artwork of Milton Resnick, was commissioned by the Roswell Artists in Residence Foundation for the Montage Music Society in celebration of the Roswell Artist-in-Residence Program's 50th Anniversary. “The Loom”, inspired by the watercolors of Eric Fischl, was commissioned by the Eroica Trio and premiered at the Isabella Stewart Gardner Museum in Boston. “for April” a work for cello and piano inspired by the charcoal drawings of April Gornik was recorded by Wolosoff with cellist Sara Sant'Ambrogio and released as part of a book of Gornik's drawings.In July 2018, Bruce Wolosoff's “Concerto for Cello and Orchestra” was recorded in London by Sara Sant'Ambrogio and the Royal Philharmonic Orchestra, conducted by Grzegorz Nowak. ​A frequent collaborator in the field of dance, Wolosoff has collaborated with choreographer Ann Reinking on two ballets for Thodos Dance Chicago. “The White City” was named "Best Dance of 2011" by the Chicago Sun-Times, and a film version of “A Light in the Dark”, based on the story of Helen Keller and Ann Sullivan, received an Emmy nomination for Outstanding Achievement for Arts Programming. Wolosoff's recording “Darkling, I Listen” is being used for a new Ann Reinking ballet based on the life of John Keats. An accomplished pianist as well, Bruce Wolosoff received early acclaim for a recording of piano music by Busoni. More recently, he has performed and recorded his own compositions, including "Shenandoah Variations", “Many Worlds", "Four Blues", and "Darkling, I Listen”. Wolosoff's discography also includes “Songs without Words” on Naxos American Classics. Mia sat down with Bruce in his home on Shelter Island to discuss his creative life and music.

Eric Fischl is an internationally acclaimed American painter and sculptor. His artwork is represented in many distinguished museums throughout the world and has been featured in over one thousand publications. His extraordinary achievements throughout his career have made him one of the most influential figurative painters of the late 20th and early 21st centuries.Fischl's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum ofEric Fischl is also the founder, President and lead curator for America: Now and Here. This multi-disciplinary exhibition of 150 of some of Americaís most celebrated visual artists, musicians, poets, playwrights, and filmmakers is designed to spark a national conversation about American identity through the arts. The project launched on May 5th, 2011 in Kansas City before traveling to Detroit and Chicago. Eric Fischl is a Fellow at both the American Academy of Arts and Letters and the American Academy of Arts and Science. He lives and works in Sag Harbor, NY with his wife, the painter April Gornik.Fischl is President of the Guild Hall Academy, East Hampton. Mia Funk is honored to have been chosen to be the inaugural artist participating in the Fischl Gornik residency and to be conducting interviews, artworks and community art initiatives with Guild Hall Academy, Sag Harbor Cinema Arts Center, and other initiatives founded by April Gornik and Eric Fischl.· www.ericfischl.com· www.creativeprocess.info

Eric Fischl is an internationally acclaimed American painter and sculptor. His artwork is represented in many distinguished museums throughout the world and has been featured in over one thousand publications. His extraordinary achievements throughout his career have made him one of the most influential figurative painters of the late 20th and early 21st centuries.Fischl's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum ofEric Fischl is also the founder, President and lead curator for America: Now and Here. This multi-disciplinary exhibition of 150 of some of Americaís most celebrated visual artists, musicians, poets, playwrights, and filmmakers is designed to spark a national conversation about American identity through the arts. The project launched on May 5th, 2011 in Kansas City before traveling to Detroit and Chicago. Eric Fischl is a Fellow at both the American Academy of Arts and Letters and the American Academy of Arts and Science. He lives and works in Sag Harbor, NY with his wife, the painter April Gornik.Fischl is President of the Guild Hall Academy, East Hampton. Mia Funk is honored to have been chosen to be the inaugural artist participating in the Fischl Gornik residency and to be conducting interviews, artworks and community art initiatives with Guild Hall Academy, Sag Harbor Cinema Arts Center, and other initiatives founded by April Gornik and Eric Fischl.· www.ericfischl.com· www.creativeprocess.info

Around the globe, April Gornik is known as one of the world’s most celebrated landscape painters, whose name is often sprinkled into conversations, and on museum walls, with the likes of Hockney, Turner, and Monet. But around Sag Harbor, she’s also known as Wonder Woman. Okay, maybe not exactly. But North Haven resident Gornik is involved in myriad causes to protect the environmental and cultural aspects of the area she and her husband, the artist Eric Fischl, choose to call home. She cofounded the Sag Harbor Partnership, which currently is the platform for the renovation of the Sag Harbor Cinema, she and Fischl have preserved acres of wetlands, the Eastville Historical Society, and there is much more. She even came up with a way to fish for sharks without hurting them. For real. Gornik has been the recipient of Guild Hall’s Lifetime Achievement Award in 2003. But back to Sag Harbor. Gornik is passionate about the history of the area – and not just the environmental and artistic history, but the industrial history as well.

In 2001, artist Eric Fischl created a sculpture in response to the 9/11 attacks called, “Tumbling Woman.” The piece initially caused controversy when it was unveiled. Fischl talks about the New York art scene in the 1970s, the process of creating “Tumbling Woman,” and how it felt to see it on display for the first time at the 9/11 Memorial & Museum years after he first created the piece.   Music for this episode provided by: Apache Dropout - https://bit.ly/2Bf2dnh C. Scott - https://bit.ly/2fsAqCY

Chit Chat with artist Eric Fischl + DC Executive Peter Doroshenko discussing Fischl's exhibition at Dallas Contemporary, "If Art Could Talk." Audio shortened due to technical difficulties.

John Seed is an art writer, art and art history professor, and an artist in his own right. In our conversation we discuss his formative experience learning under Nathan Oliveira, his time working in galleries, what it was like hanging paintings by renowned artists like Jean-Michel Basquiat and Eric Fischl, and so much more. It was an honor to speak with such a gracious and talented artist and writer, I know you will have a great time learning about his progression from art teacher to art writer as well as all the great insights and lessons he has to share from his years in the art world. From Art Teacher to Art Writer It’s been said that every step we take in life is one of arrival. To hear John Seed explain how he found his way from being captivated with art at a young age, to working in art galleries, then teaching art and finally to writing about the subject is an engrossing story. Though each step along the way you really get the sense that John was meant to tell the story of artists because of his deep respect and genuine fascination with the creative process. If you are anything like me, spending time with John’s story will help fan the flames of creativity and passion for the art that you were meant to create. John’s First Assignment as an Art Writer Have you ever had on of those moments where it seems that the stars aligned to set you on a particular course? When I heard John Seed describe his first assignment as an art writer it seemed like a date with destiny type of encounter. John shares how he found a painting at a thrift store that grabbed his attention, he purchased the painting and proceeded to sell it on Ebay for a modest profit. It turns out that the buyer on Ebay was a private art dealer - John and this individual struck up a friendship. Soon after, this art dealer paid John $1000 to write an article about a well known artist in Hawaii who committed suicide at a young age. Over the course of the next year, John wrote an in depth article that ended up winning the Society of Professional Journalists Award for the best art article published in Hawaii that year. Leaving a Legacy as an Art Writer We all want to leave some sort of mark on the world. Most of us want the world to have been a better place because of the art we’ve created and the way we’ve treated others. Each one of us has to find that unique legacy that we want to leave behind. John Seed’s legacy rests primarily but not exclusively in his work as an art writer and an art teacher. He relishes in the fact that he has been able to have an impact on his art students in a similar manner that teachers like Nathan Oliveira had on him as a young student. But when John thinks of his legacy, he goes to his writing. He wants his impact to revolve around the public understanding and appreciating representational painters and other artists he knows who aren’t getting the type of exposure to the general public that he’d like to see. Tips for Artists who want to tell their story Many artists love to express their personal story through their artwork. As beautiful and symbolic as that expression can be, more and more artists are seeking to share their personal story through the written word. Art writer John Seed wants to help artists express themselves through the exercise of writing their story. John suggests that artists start by sharing their story on their websites. This can be done in big ways and in subtle ways depending on the comfort level of the artist. John also encourages artists to spend time with other artists and interview them to hear other artists tell their stories in their own words. Outline of This Episode [0:15] My introduction to today’s guest, John Seed. [1:30] John shares how he started getting involved with art. [8:30] Lessons John learned studying under Nathan Oliveira. [18:00] John’s journey to start writing about art. [26:30] From teaching art history to writing about art. [32:00] John’s first writing assignment and facing cancer. [37:30] John’s legacy in writing. [41:30] Advice for artists who want to tell their story. Other artists mentioned on this episode Nathan Oliveira Kyle Staver Frank Lobdell Richard Diebenkorn Mark Rothko Philip Guston Elmer Bischoff Joan Brown Phyllis Shafer Eric Fischl David Salle Jean-Michel Basquiat Jon Swihart Wayne Thiebaud Resources Mentioned on this episode John’s website: www.johnseed.com John’s Twitter page: twitter.com/johnalbertseed John's writings on Bay Area Art and Artists John’s Huffington Post Blog Gagosian Art Gallery The Anderson Collection John's Hyperallergic Blog Movie: The Great Race Connect With Antrese On Facebook On Pinterest On Instagram On Twitter

The Galerie St. Etienne, New York In conjunction with the Galerie St. Etienne's current exhibition, ERNST LUDWIG KIRCHNER: Featuring Watercolors and Drawings from the Robert Lehman Collection (through July 1), Eric Fischl shares his thoughts on the art of drawing. Video interview transcript The nature of painting and drawing, and sculpture, as well as photography, […] The post VIDEO: Eric Fischl On Klimt, Schiele, Kirchner And The Art Of Drawing appeared first on galleryIntell.

Judd Apatow’s films—The 40 Year Old Virgin, Knocked Up, and Funny People—feature emotionally immature men forced to grow up after confronting sex, responsibility, and death. Of all Apatow’s movies, This is 40 may be his most personal; it stars his wife, Leslie Mann, their two daughters, and one of his long-time heroes, Albert Brooks. Apatow thinks of each movie he makes as a letter, telling him something he needs to know about how better to live life. Eric Fischl became known in the 1980s art scene for work that explores issues of sexuality and power and what it means to become a man. Alec talks to Fischl about his memoir, Bad Boy: My Life On and Off the Canvas, where the painter writes candidly about his youth, the art world, his own struggles with depression and substance abuse, and his thoughts about the creative process. Fischl started as an abstract painter, but as he explains to Alec, once he began to work with figures, he realized he was “doing the work that [he] was supposed to do, that [he] was built for.” Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Eric Fischl became known in the 1980s art scene for work that explores issues of sexuality and power and what it means to become a man. Alec talks to Fischl about his memoir, Bad Boy: My Life On and Off the Canvas, where the painter writes candidly about his youth, the art world, his own struggles with depression and substance abuse, and his thoughts about the creative process. Fischl started as an abstract painter, but as he explains to Alec, once he began to work with figures, he realized he was “doing the work that [he] was supposed to do, that [he] was built for.” Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Eric Fischl is one of America's most celebrated and accomplished artists. At a time in the 80’s when painting was declared to be dead, he and others of his generation prevailed and gave new life to art. Through the years Fischl sought to bring his work and life into harmony and in so doing has constantly strived to reinvent himself and his work in order to remain relevant. His newly published autobiography, Bad Boy: My Life On and Off the Canvas, proves he has succeeded. My conversation with Eric Fischl:

Artist Eric Fischl spoke at the San Jose Museum of Art on October 25, 2012, at the opening celebration for the exhibition: "Dive Deep: Eric Fischl and the Process of Painting." Joining him in conversation were Lynn Orr, curator in charge of European paintings at the Fine Arts Museums of San Francisco, and Jodi Throckmorton, associate curator at SJMA and co-curator of the exhibition.

Jul 16, 2009 Fischl’s upbringing in the suburbs of Long Island later informed his figurative paintings as well as his sculptures, drawings, and prints, which attack themes of sexuality and voyeurism while exposing the unsettling reality of mainstream American life. Currently, Fischl is working as curator and founder of America: Now and Here, a cross-country traveling exhibition of multi-disciplinary works reflecting differing viewpoints and hopes for America.

Paint Made Flesh examines the ways in which European and American painters have used oil paint and the human body to convey enduring human vulnerabilities, among them anxieties about desire, appearance, illness, aging, war, and death. In the tradition of great figure painting stretching back to Rembrandt and Titian, the 34 artists in the exhibition, working in the years since World War II, exploit oil paint's visual and tactile properties to mirror those of the body, while exploring the body's capacity to reflect the soul. Drawn from private and public collections and arranged by chronology and nationality, the 43 paintings in the exhibition reflect a wide range of styles. Strong colors and vigorous brushwork associated with German expressionism give crude life to figures by artists ranging from the San Francisco Bay area painters to a younger generation, including Markus Lüpertz and Susan Rothenberg. Candid depictions of flesh by British painters Francis Bacon and Lucian Freud suggest psychological pain at the margins of society, while paint as skin betrays the inner feelings of Jenny Saville's swollen females. Other artists represented include Karel Appel, Cecily Brown, Francesco Clemente, John Currin, Eric Fischl, Willem de Kooning Leon Kossoff, David Park, Julian Schnabel, and Pablo Picasso. Paint Made Flesh is organized by the Frist Center for the Visual Arts in Nashville, Tennessee. This exhibition is supported by an indemnity from the Federal Council on the Arts and Humanities.

Paint Made Flesh examines the ways in which European and American painters have used oil paint and the human body to convey enduring human vulnerabilities, among them anxieties about desire, appearance, illness, aging, war, and death. In the tradition of great figure painting stretching back to Rembrandt and Titian, the 34 artists in the exhibition, working in the years since World War II, exploit oil paint's visual and tactile properties to mirror those of the body, while exploring the body's capacity to reflect the soul. Drawn from private and public collections and arranged by chronology and nationality, the 43 paintings in the exhibition reflect a wide range of styles. Strong colors and vigorous brushwork associated with German expressionism give crude life to figures by artists ranging from the San Francisco Bay area painters to a younger generation, including Markus Lüpertz and Susan Rothenberg. Candid depictions of flesh by British painters Francis Bacon and Lucian Freud suggest psychological pain at the margins of society, while paint as skin betrays the inner feelings of Jenny Saville's swollen females. Other artists represented include Karel Appel, Cecily Brown, Francesco Clemente, John Currin, Eric Fischl, Willem de Kooning Leon Kossoff, David Park, Julian Schnabel, and Pablo Picasso. Paint Made Flesh is organized by the Frist Center for the Visual Arts in Nashville, Tennessee. This exhibition is supported by an indemnity from the Federal Council on the Arts and Humanities.

This week the blogosphere unites!  Duncan checks in with Paddy Johnson the author of the wildly popular New York art blog, Art Fag City.Art Fag City is as relevant as Eric Fischl. New York art news, reviews and gossip.Trivia of note. This week Duncan asks a question that shatters all prior records for length clocking in at a breathtaking 2:51!Guinness will be sending people to confirm the record.