Podcasts about purana

In deze korte bonusaflevering, tussen de twee aflevering van een tweeluik over het Sanskriet en het hindoeïsme door, laat professor dr. Peter Bisschop van de Universiteit Leiden ons horen dat het Sanskriet nog altijd springlevend is!Shownotes

Met professor dr. Peter Bisschop van de Universiteit Leiden gaan we in deze aflevering uitgebreid kijken naar het Sanskriet: naar taal, cultuur en de relatie tussen het Sanskriet en wat we later het hindoeïsme zijn gaan noemen. Wat weten we over deze taal, waarmee we met name naar het oude India kijken? Naar welke teksten kijkt een Sanskritist? Was het een taal voor iedereen... en is het dat nog steeds? Over dit en nog veel meer praat Peter ons bij in dit eerste deel van een boeiend tweeluik!Shownotes

इस अंक में हम सुनेंगे भगवान शंकर देवी पार्वती को पत्नी रूप में पाने के लिए तपस्या करने कहाँ गए ? देवर्षि नारद ने देवी का क्या महात्म्य बताया ? पार्वती जी हिमालय के उस भाग में क्यों गई जहाँ भगवान् शिव तप कर रहे थे ? ब्रम्हा जी ने तारकासुर को क्या वरदान दिया? इंद्र ने कामदेव को हिमालय पर क्यों भेजा ? शिव जी ने कामदेव को क्यों भस्म कर दिया ? ललिता सहस्त्रनाम किसने गा कर भगवती काली को प्रसन्न किया ? महादेव को भगवती महाकाली ने क्या वरदान दिया ?  In this episodewe will hear Where did Lord Shankar go to do penance to get Goddess Parvati as hiswife? What greatness of the Goddess did sage Narad describe? Why did Parvati go to that part of the Himalayas where Lord Shiva was doing penance? What boon did Brahma give to Tarakasur? Why did Indra send Kamadeva to the Himalayas? Why did Shiva burn Kamadeva to ashes?Who pleased Goddess Kali by singing Lalita Sahasranama? What boon did Goddess Mahakali give to Mahadev?आपका स्वागत है आपका सनातन संस्कृतिपॉडकास्ट  में, जहां प्राचीन ज्ञान और आधुनिक भक्ति का संगमहोता है। मैं अशीष पी. मिश्रा, आपके साथ प्रस्तुत कर रहा हूं 11 एपिसोड की विशेष श्रृंखला, जो पूरी तरह से देवी भागवतपुराण की दिव्यता कोसमर्पित है। यह पवित्र ग्रंथ आध्यात्मिक ज्ञान का खजाना है, जो देवी दुर्गा की अनंत महिमा और शक्ति कोदर्शाता है।यदि आप माँ दुर्गा के भक्त हैं, नवरात्रि की पवित्रता कोमानते हैं,या श्लोकों और मंत्रों की दिव्य ध्वनिसे प्रेरणा पाते हैं,तो यह श्रृंखलाविशेष रूप से आपके लिए बनाई गई है। चाहे आप भागवत कथा सुनते हों, ध्यान करते हों, या हिंदू आध्यात्मिकता में रुचि रखते हों, महाभागवत देवीपुराण आपको दिव्य माँसे और गहराई से जोड़ने का अवसर प्रदान करेगा।देवी भागवत पुराण क्या है?देवी भागवत पुराण हिंदूधर्मग्रंथों में से एक अत्यंत पवित्र और पूजनीय ग्रंथ है। यह देवी दुर्गा के रूपमें व्यक्त ब्रह्मांडीय ऊर्जा को समझने का मार्गदर्शक है। दिव्य कथाओं, ज्ञानवर्धक कथाओं और आध्यात्मिक दर्शन के माध्यम से, यह ग्रंथ सृष्टि, पालन और संहार के रहस्यों को प्रकट करता है, जिन्हें देवी की अनंत शक्ति द्वारा संचालितकिया गया है।इस ग्रंथ में देवी की महिषासुर जैसे दानवोंके साथ हुई लड़ाइयों की कथा, भक्ति, ध्यान और धर्म के महत्व को भी बताया गया है। इसकेसाथ ही नवरात्रि मनाने का महत्वऔर देवी दुर्गा की कृपा प्राप्त करने के मार्ग पर प्रकाश डाला गया है। Welcome to SanatanSanskriti Podcast, your spiritual sanctuary, where ancient wisdom meetsmodern devotion. I am Ashish P. Mishra, and I am thrilled to present an11-episode series dedicated to the divine glory of Devi Bhagwat Puran.This timeless scripture is a treasure trove of spiritual enlightenment,invoking the sacred presence of Devi Durga and celebrating the eternal power ofShakti.If you are a devoteeof Maa Durga, someone who cherishes the essence of Navratri,or a seeker drawn to the rhythmic chants of shloks and mantras,this series is crafted for you. Whether you listen to Bhagwat Katha daily,meditate on divine energies, or simply seek inspiration in Hinduspirituality, Mahabhagwat Devi Puran will deepen yourconnection to the cosmic mother.What is Devi BhagwatPuran?The Devi BhagwatPuran is one of the most revered texts in Hindu scriptures. It is acomprehensive guide to understanding the cosmic energy personified by theDivine Mother, Devi Durga. Through enchanting stories, insightful Kathas,and spiritual philosophies, this scripture unravels the mysteries of creation,preservation, and destruction, all orchestrated by the goddess's infiniteenergy.Fromthe divine tales of Devi's battles against demons like Mahishasura to thestories that emphasize devotion (bhakti), meditation (dhyan), andrighteous living (dharma), this Purana resonates deeply with everyseeker. It also highlights the importance of celebrating Navratri asa pathway to invoke the divine blessings of Maa Durga

तारा, काली आदि दस महाविद्याएँ कैसे प्रकट हुई ? 1.कैसे दक्ष के घर सती रूप में देवी का जन्म हुआ ? 2.कैसे देवी सती और शिवजी का विवाह हुआ ? 3. दक्ष का शिव जी बैर क्यों हुआ? 4 दक्ष ने क्यों यज्ञ किया और क्यों शिव सती को नहीं आमंत्रित किया ? 5. सती ने क्यों यज्ञ में जाने का निश्चय किया ? 6.शिव जी के रोकने पर सती क्यों क्रुद्ध हुई? 7. शिव जी व्याकुल हो कर दसों दिशाओं में क्यों भागे? 8.तारा, काली आदि दस महाविद्याएँ कैसे प्रकट हुई ? 9. सती के दक्ष यज्ञ में पहुँचने पर क्या घटित हुआ ?  Listen in this episode of Part 2  1. How was Goddess Sati born in Daksh's house?  2. How did Goddess Sati and Lord Shiva get married?  3. Why did Daksh have enmity with Lord Shiva?  4. Why did Daksh perform Yagya and why did he not invite Shiva and Sati?  5. Why did Sati decide to go to the Yagya?  6. Why did Sati become angry when Lord Shiva stopped her?  7. Why did Lord Shiva become restless and run in all the ten directions?  8. How did Tara, Kali and other ten Mahavidyas appear?  9. What happened when Sati reached Daksh Yagya?  आपका स्वागत है आपका सनातन सुधा में, जहां प्राचीन ज्ञान और आधुनिक भक्ति का संगम होता है। मैं अशीष पी. मिश्रा, आपके साथ प्रस्तुत कर रहा हूं 11 एपिसोड की विशेष श्रृंखला, जो पूरी तरह से देवी भागवत पुराण की दिव्यता को समर्पित है। यह पवित्र ग्रंथ आध्यात्मिक ज्ञान का खजाना है, जो देवी दुर्गा की अनंत महिमा और शक्ति को दर्शाता है।यदि आप माँ दुर्गा के भक्त हैं, नवरात्रि की पवित्रता को मानते हैं, या श्लोकों और मंत्रों की दिव्य ध्वनि से प्रेरणा पाते हैं, तो यह श्रृंखला विशेष रूप से आपके लिए बनाई गई है। चाहे आप भागवत कथा सुनते हों, ध्यान करते हों, या हिंदू आध्यात्मिकता में रुचि रखते हों, महाभागवत देवी पुराण आपको दिव्य माँ से और गहराई से जोड़ने का अवसर प्रदान करेगा। देवी भागवत पुराण क्या है? देवी भागवत पुराण हिंदू धर्मग्रंथों में से एक अत्यंत पवित्र और पूजनीय ग्रंथ है। यह देवी दुर्गा के रूप में व्यक्त ब्रह्मांडीय ऊर्जा को समझने का मार्गदर्शक है। दिव्य कथाओं, ज्ञानवर्धक कथाओं और आध्यात्मिक दर्शन के माध्यम से, यह ग्रंथ सृष्टि, पालन और संहार के रहस्यों को प्रकट करता है, जिन्हें देवी की अनंत शक्ति द्वारा संचालित किया गया है। इस ग्रंथ में देवी की महिषासुर जैसे दानवों के साथ हुई लड़ाइयों की कथा, भक्ति, ध्यान और धर्म के महत्व को भी बताया गया है। इसके साथ ही नवरात्रि मनाने का महत्व और देवी दुर्गा की कृपा प्राप्त करने के मार्ग पर प्रकाश डाला गया है।Welcome to Sanatan Sudha, your spiritual sanctuary, where ancient wisdom meets modern devotion. I am Ashish P. Mishra, and I am thrilled to present an 11-episode series dedicated to the divine glory of Devi Bhagwat Puran. This timeless scripture is a treasure trove of spiritual enlightenment, invoking the sacred presence of Devi Durga and celebrating the eternal power of Shakti. If you are a devotee of Maa Durga, someone who cherishes the essence of Navratri, or a seeker drawn to the rhythmic chants of shloks and mantras, this series is crafted for you. Whether you listen to Bhagwat Katha daily, meditate on divine energies, or simply seek inspiration in Hindu spirituality, Mahabhagwat Devi Puran will deepen your connection to the cosmic mother. What is Devi Bhagwat Puran? The Devi Bhagwat Puran is one of the most revered texts in Hindu scriptures. It is a comprehensive guide to understanding the cosmic energy personified by the Divine Mother, Devi Durga. Through enchanting stories, insightful Kathas, and spiritual philosophies, this scripture unravels the mysteries of creation, preservation, and destruction, all orchestrated by the goddess's infinite energy. From the divine tales of Devi's battles against demons like Mahishasura to the stories that emphasize devotion (bhakti), meditation (dhyan), and righteous living (dharma), this Purana resonates deeply with every seeker. It also highlights the importance of celebrating Navratri as a pathway to invoke the divine blessings of Maa Durga #devibhagwat #bhagwatkatha #durgabhagan #sanatansanskritipodcast #morningpodcast #jaimatadi   ⁠⁠⁠⁠⁠⁠instagram ⁠https://www.instagram.com/ashishpmishra/⁠ Youtube ⁠⁠Youtube : https://www.youtube.com/@sanatansudha⁠⁠ ⁠⁠⁠⁠⁠⁠

देवीभागवत -1 देवी पुराण महाभागवत का क्या महात्म्य है ? 1.   देवी ने किस देव को कौन सा कार्य सौंपा? 2.   देवी किन पांच रूपों में विभक्त हुई? 3.   दक्ष की कन्याओं से सृष्टी का विस्तार की तरह से हुआ ? 4.   किस प्रकार दक्ष ने देवी को पुत्री रूप में पाया ? 5.   कैसे भगवान् शंकर को देवी को पत्नी रूप में प्राप्त करने का वरदान मिला ? 6.   देवी पुराण महाभागवत का क्या महात्म्य है ? 7 सबसे पहले किसने देवी महात्म्य किसे सुनाया ? Episode Highlights 1. Devi assigned which task to which deity? 2. In which five forms was Devi divided? 3. How did the universe expand from the daughters of Daksha? 4. How did Daksha get Devi as his daughter? 5. How did Lord Shankar get the boon of getting Devi as his wife? 6. What is the significance of Devi Puran Mahabhagwat? Who narrated Devi Mahatmya to whom first?  आपका स्वागत है आपका सनातन सुधा में, जहां प्राचीन ज्ञान और आधुनिक भक्ति का संगम होता है। आपके साथ प्रस्तुत कर रहा हूं 11 एपिसोड की विशेष श्रृंखला, जो पूरी तरह से देवी भागवत पुराण की दिव्यता को समर्पित है। यह पवित्र ग्रंथ आध्यात्मिक ज्ञान का खजाना है, जो देवी दुर्गा की अनंत महिमा और शक्ति को दर्शाता है। यदि आप माँ दुर्गा के भक्त हैं, नवरात्रि की पवित्रता को मानते हैं, या श्लोकों और मंत्रों की दिव्य ध्वनि से प्रेरणा पाते हैं, तो यह श्रृंखला विशेष रूप से आपके लिए बनाई गई है। चाहे आप भागवत कथा सुनते हों, ध्यान करते हों, या हिंदू आध्यात्मिकता में रुचि रखते हों, महाभागवत देवी पुराण आपको दिव्य माँ से और गहराई से जोड़ने का अवसर प्रदान करेगा। Welcome to Sanatan Sanskriti Podcast , your spiritual sanctuary, where ancient wisdom meets modern devotion. I am Ashish P. Mishra, and I am thrilled to present an 11-episode series dedicated to the divine glory of Devi Bhagwat Puran. This timeless scripture is a treasure trove of spiritual enlightenment, invoking the sacred presence of Devi Durga and celebrating the eternal power of Shakti. If you are a devotee of Maa Durga, someone who cherishes the essence of Navratri, or a seeker drawn to the rhythmic chants of shloks and mantras, this series is crafted for you. Whether you listen to Bhagwat Katha daily, meditate on divine energies, or simply seek inspiration in Hindu spirituality, Mahabhagwat Devi Puran will deepen your connection to the cosmic mother. What is Devi Bhagwat Puran? The Devi Bhagwat Puran is one of the most revered texts in Hindu scriptures. It is a comprehensive guide to understanding the cosmic energy personified by the Divine Mother, Devi Durga. Through enchanting stories, insightful Kathas, and spiritual philosophies, this scripture unravels the mysteries of creation, preservation, and destruction, all orchestrated by the goddess's infinite energy. From the divine tales of Devi's battles against demons like Mahishasura to the stories that emphasize devotion (bhakti), meditation (dhyan), and righteous living (dharma), this Purana resonates deeply with every seeker. It also highlights the importance of celebrating Navratri as a pathway to invoke the divine blessings of Maa Durga. Who Should Tune In? This series is for: ·  Devotees of Maa Durga and followers of Hindu spirituality. ·  Listeners of Bhagwat Katha, shloks, and devotional mantras. ·  Seekers preparing for Navratri or exploring the concept of Shakti. ·  Anyone searching for stories that inspire and uplift the soul. Why Now? As we approach sacred times like Navratri, this is the perfect moment to deepen your spiritual connection. The wisdom of Devi Bhagwat Puran is timeless, but its relevance in today's fast-paced world is more profound than ever. By understanding the teachings of Devi, we can navigate life's challenges with grace, courage, and a renewed sense of purpose. Subscribe to Sanatan Sanskriti  Stay updated with our latest episodes and spiritual content. Share with Fellow Devotees: Spread the light of Devi Durga by sharing this series with friends and family. Engage in the Comments: I would love to hear your thoughts, questions, and personal experiences with Devi Durga. #devibhagwatkatha #Durgakatha #navratri2025

Lezione sulla Sri Caitanya-caritamrita Madhya-lila capitolo 20 versi 122 e 123: māyā-mugdha jīvera nāhi svataḥ kṛṣṇa-jñāna jīvere kṛpāya kailā kṛṣṇa veda-purāṇa L'anima condizionata non può risvegliare in sè la coscienza di Krishna soltanto con i propri sforzi. Ma per la Sua misericordia incondizionata, Sri Krishna ha composto le Scritture vediche e i loro supplementi, i Purana. ‘śāstra-guru-ātma'-rūpe āpanāre jānāna ‘kṛṣṇa mora prabhu, trātā' — jīvera haya jñāna L'anima condizionata dimentica è educata da Krishna attraverso le Scritture vediche, il maestro spirituale realizzato e l'Anima Suprema. Attraverso di loro è possibile comprendere Dio, la Persona Suprema, così com'è e comprendere che Sri Krishna è il nostro eterno Signore, Colui che ci libera dagli artigli di maya. In questo modo si può ottenere la vera consapevolezza della propria vita condizionata e si può arrivare a comprendere il metodo che porta alla liberazione. Relatore: Harold Conley (Trai dasa prabhu) Questa conferenza è tratta dai libri e insegnamenti di A.C. Bhaktivedanta Swami Prabhupada. Visita ora la nostra pagina https://www.prabhupadadesh.com/libri e scopri i libri che puoi avere con una libera donazione, direttamente a casa Tua. Spediamo ovunque Tu desideri. Tutte le domeniche dell'anno, a partire dalle ore 17:00, la comunità Hare Krishna di Albettone apre le porte ai visitatori con una gioiosa festa che prevede incontri culturali che affrontano tematiche di attualità tenendo presente i millenari insegnamenti della cultura dei Veda, i più antichi testi sapienziali conosciuti dal genere umano. In un'atmosfera intrisa di cordialità e devozione, gli ospiti possono apprendere gli insegnamenti del bhakti-yoga che include lo studio della filosofia e della spiritualità dell'India classica, la meditazione, la musica sacra e l'arte della cucina vegetariana. Ogni serata si conclude con l'offerta di gustose preparazioni vegetariane! L'ingresso è libero. Per informazioni visita il nostro sito https://www.prabhupadadesh.com Vuoi fare una domanda? Scrivici a contatta@prabhupadadesh.com

Ye To Rishta Purana Hai : Ashram Bhajan

Ye To Rishta Purana Hai : Ashram Bhajan

Ye To Rishta Purana Hai : Ashram Bhajan

Ye To Rishta Purana Hai : Ashram Bhajan

Ye To Rishta Purana Hai : Ashram Bhajan

Ye To Rishta Purana Hai : Ashram Bhajan

 This week on Heroes Three, we make a brief Halloween diversion to look at Bollywood horror with the Ramsay Brothers' Purana Mandir (1984)! Watch it (stretched out but in full) on youtube - https://www.youtube.com/watch?v=X400ruYdui0 Timestamps (0:00) Intro (1:24) Raat thoughts (2:10) Purana Mandir discussion (37:42) Lily Li RIP (39:09) Outro and training for next week

Bhajan

Aug 19,2024 Monday : Noon : Sandhya Satsang - Noon Hajaro Saal Purana Hai Rakshabandhan Ka Itihas, Vaidik Kaal Se Jude Hai Iske Taar

Hazaron Sal Purana Hai Rakshabandhan Ka Etihas : Pujya Sant Shri Asharamji Bapu Satsang

Hazaron Sal Purana Hai Rakshabandhan Ka Etihas : Pujya Sant Shri Asharamji Bapu Satsang

Hazaron Sal Purana Hai Rakshabandhan Ka Etihas : Pujya Sant Shri Asharamji Bapu Satsang

Hazaron Sal Purana Hai Rakshabandhan Ka Etihas : Pujya Sant Shri Asharamji Bapu Satsang

Hazaron Sal Purana Hai Rakshabandhan Ka Etihas : Pujya Sant Shri Asharamji Bapu Satsang

Hazaron Sal Purana Hai Rakshabandhan Ka Etihas : Pujya Sant Shri Asharamji Bapu Satsang

Hazaron Sal Purana Hai Rakshabandhan Ka Etihas : Pujya Sant Shri Asharamji Bapu Satsang

Hazaron Sal Purana Hai Rakshabandhan Ka Etihas : Pujya Sant Shri Asharamji Bapu Satsang

Hazaron Sal Purana Hai Rakshabandhan Ka Etihas : Pujya Sant Shri Asharamji Bapu Satsang

Hazaron Sal Purana Hai Rakshabandhan Ka Etihas : Pujya Sant Shri Asharamji Bapu Satsang

Hazaron Sal Purana Hai Rakshabandhan Ka Etihas : Pujya Sant Shri Asharamji Bapu Satsang

Hazaron Sal Purana Hai Rakshabandhan Ka Etihas : Pujya Sant Shri Asharamji Bapu Satsang

The Sound Chaser Progressive Rock Podcast is on the air. On the show this time, we are going to be living mostly in the past, with just a few forays into music from the 2000s. The full variety of prog is on display. Call it a tour through the collection of antiques and curios. All that, plus news of tours and releases on Sound Chaser. Playlist1. Manfred Mann's Earth Band - Spirits in the Night, from The Best of Manfred Mann's Earth Band Re-Mastered [retrospective]2. Novalis - Aufbruch, from Sommerabend3. Focus - Sugar Island, from In and Out of Focus4. Puddles Pity Party - War Pigs, from https://www.youtube.com/watch?v=WT8t3i8CkMQ5. Aera - Kamele On, from Hand und Fuß6. Magma - Gamma, from Inédits7. Alain Markusfeld - The Floating Soul (L'Âme Flotante), from Contemporus8. The Police - Synchronicity I, from Synchronicity9. Peter Seiler - Grönland, from Sensitive Touch10. Jean-Luc Ponty - Mystical Adventures Part 2, from Mystical Adventures11. Jim Morrison / The Doors - A Feast of Friends, from An American Prayer12. Dire Straits - Lions, from Dire Straits13. Amoeba - Any Other Sky, from WatchfulTHE SYMPHONIC ZONE14. The Moody Blues - The Day Begins, from Days of Future Passed15. Ken Wiley - River Pastoral, from Visage16. Starcastle - True to the Light, from Fountains of Light17. Starcastle - Portraits, from Fountains of Light18. Starcastle - Diamond Song (Deep Is the Light), from Fountains of Light19. Yesterdays - Forog A Tánc, from Colours Caffé Remixed20. Fish - Incubus, from Yin21. Stealing the Fire - The Tower, from King of ShadowsLEAVING THE SYMPHONIC ZONE22. Dark - Smoke at Will, from Tamna Voda23. Yas-Kaz - Psychopomp–Shaman Met the Woman at the Well, from Kaze no Tamago (Egg of Purana)24. Klaus Schulze - Dymagic, from ...Live...25. Amon Düül - Special Track Experience No. 16, from Experimente26. Zamla Mammaz Manna - Timlig är du, from För Äldre Nybegynnare27. The Who - Wasp Man, from Two's Missing28. Louis de Mieulle & Matt Garstka - Snub Cube, from Dual29. Glenn Phillips - Floaters, from Angel Sparks30. Brady Arnold - Static Delay, from Instrumentals 5: Pop Pleasures31. The Firm - Spirit of Love, from Mean Business

Today we're joined by Italian screamo band Put Purana to discuss their latest split release.Sandrino, Ruggero and Luca join us and we chat about video games, organizing shows, the way of the turkey, the screamo curse, the modernization of marketing the scene, tour, fines, dumpster diving, reggae and year of the screamo festivals.

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Economist and chairman of the Economic Advisory Council to the Prime Minister of India, Shri Bibek Debroy, explores various myths, mysteries and legends surrounding Shiva in a freewheeling conversation with Sadhguru. Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. See omnystudio.com/listener for privacy informationSee omnystudio.com/listener for privacy information.

Economist and chairman of the Economic Advisory Council to the Prime Minister of India, Shri Bibek Debroy, explores various myths, mysteries and legends surrounding Shiva in a freewheeling conversation with Sadhguru. Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. See omnystudio.com/listener for privacy informationSee omnystudio.com/listener for privacy information.

Greg Bailey discusses his new translation of the Gaṇeśa Khaṇḍa of the Brahmavaivarta Purāṇa, one of the few texts dedicated solely to the popular elephant-headed Indian god Gaṇeśa. About the book: The first two khaas of the Brahmavaivarta Puraa (BvP) deal with Brahma and Prakti respectively. Both introducing the theology that enables Ka to be treated as identical with the supreme Brahma, and as Viu/ Narayaa in all his forms. Ultimately everything goes back to Ka as the source of power and being even including the mother goddesses who are so prolific in the text, not just in its second khaa. The fourth and final khaa treats the mythology of Ka himself, with focus on his birth, and just before this comes the Gaapatikhaa (GKh). GKh is one of the few mahapuraas that includes a separate khaa about Gaesa, with the exceptions being the two Gaapatya Puraas the Gaesa and Mudgala Puraas-and the Vinayakamahatmya of the Skanda Puraa. When one reads the other three khaas of the Puraa, it is clearly evident that the GKh fits in perfectly with the principal themes of the entire Puraa, all associated with Ka in his various manifestations and the theology of the mother goddess, especially Radha and Durga. In addition, it continues the practice in many of its chapter of expositing the application of kavacas, dhyanas, mantras and stotras, to the extent that the text is almost a handbook of devotional ritual. What is striking about the GKh is that it is only incidentally about Gaesa. Only less than ten percent of the entire text deals directly with Gaesa. It touches tangentially on his birth, the loss of his head and the gaining of an elephant head, his status as first to be worshipped in all pujas, his loss of one of his tasks at the hands of parasurama, and his cursing of the Tulasi Plant. The second half of the GKh is essentially a version of the Parasurama myth. This begins with the intention to tell as well-known episode about Gaesa reflected in his common name Ekadanta. This certainly offers a unique interpretation of its, focusing as it does on the morality of patricide and regicide, and relations between boys and their mothers. Ka is treated in a manner that can only be called theological. Theologically it is simply stating that all power is located in Viu/ Ka, but in this khaa it is seemingly extended much more than elsewhere. In addition, he is usually depicted as located in Goloka and Vdavana, with the bucolic ka receiving most emphasis in the next. The sakti teachings in this text blend constantly with the Kaite teachings, to the point that both seem to empower each other. That ka looms large is hardly a surprise given the BvP is substantially a Kaite Puraa of 14th – 15th century Bengal and then it could not have omitted existing material on the sakti, given the importance of other goddess worship in Bengal. There have been two previous translations of the Brahmavaivarta Puraa. The present translation is a fresh translation but the translator has subsequently compared it with the earlier translations to remain transparent to the Sanskrit itself. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Greg Bailey discusses his new translation of the Gaṇeśa Khaṇḍa of the Brahmavaivarta Purāṇa, one of the few texts dedicated solely to the popular elephant-headed Indian god Gaṇeśa. About the book: The first two khaas of the Brahmavaivarta Puraa (BvP) deal with Brahma and Prakti respectively. Both introducing the theology that enables Ka to be treated as identical with the supreme Brahma, and as Viu/ Narayaa in all his forms. Ultimately everything goes back to Ka as the source of power and being even including the mother goddesses who are so prolific in the text, not just in its second khaa. The fourth and final khaa treats the mythology of Ka himself, with focus on his birth, and just before this comes the Gaapatikhaa (GKh). GKh is one of the few mahapuraas that includes a separate khaa about Gaesa, with the exceptions being the two Gaapatya Puraas the Gaesa and Mudgala Puraas-and the Vinayakamahatmya of the Skanda Puraa. When one reads the other three khaas of the Puraa, it is clearly evident that the GKh fits in perfectly with the principal themes of the entire Puraa, all associated with Ka in his various manifestations and the theology of the mother goddess, especially Radha and Durga. In addition, it continues the practice in many of its chapter of expositing the application of kavacas, dhyanas, mantras and stotras, to the extent that the text is almost a handbook of devotional ritual. What is striking about the GKh is that it is only incidentally about Gaesa. Only less than ten percent of the entire text deals directly with Gaesa. It touches tangentially on his birth, the loss of his head and the gaining of an elephant head, his status as first to be worshipped in all pujas, his loss of one of his tasks at the hands of parasurama, and his cursing of the Tulasi Plant. The second half of the GKh is essentially a version of the Parasurama myth. This begins with the intention to tell as well-known episode about Gaesa reflected in his common name Ekadanta. This certainly offers a unique interpretation of its, focusing as it does on the morality of patricide and regicide, and relations between boys and their mothers. Ka is treated in a manner that can only be called theological. Theologically it is simply stating that all power is located in Viu/ Ka, but in this khaa it is seemingly extended much more than elsewhere. In addition, he is usually depicted as located in Goloka and Vdavana, with the bucolic ka receiving most emphasis in the next. The sakti teachings in this text blend constantly with the Kaite teachings, to the point that both seem to empower each other. That ka looms large is hardly a surprise given the BvP is substantially a Kaite Puraa of 14th – 15th century Bengal and then it could not have omitted existing material on the sakti, given the importance of other goddess worship in Bengal. There have been two previous translations of the Brahmavaivarta Puraa. The present translation is a fresh translation but the translator has subsequently compared it with the earlier translations to remain transparent to the Sanskrit itself. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Greg Bailey discusses his new translation of the Gaṇeśa Khaṇḍa of the Brahmavaivarta Purāṇa, one of the few texts dedicated solely to the popular elephant-headed Indian god Gaṇeśa. About the book: The first two khaas of the Brahmavaivarta Puraa (BvP) deal with Brahma and Prakti respectively. Both introducing the theology that enables Ka to be treated as identical with the supreme Brahma, and as Viu/ Narayaa in all his forms. Ultimately everything goes back to Ka as the source of power and being even including the mother goddesses who are so prolific in the text, not just in its second khaa. The fourth and final khaa treats the mythology of Ka himself, with focus on his birth, and just before this comes the Gaapatikhaa (GKh). GKh is one of the few mahapuraas that includes a separate khaa about Gaesa, with the exceptions being the two Gaapatya Puraas the Gaesa and Mudgala Puraas-and the Vinayakamahatmya of the Skanda Puraa. When one reads the other three khaas of the Puraa, it is clearly evident that the GKh fits in perfectly with the principal themes of the entire Puraa, all associated with Ka in his various manifestations and the theology of the mother goddess, especially Radha and Durga. In addition, it continues the practice in many of its chapter of expositing the application of kavacas, dhyanas, mantras and stotras, to the extent that the text is almost a handbook of devotional ritual. What is striking about the GKh is that it is only incidentally about Gaesa. Only less than ten percent of the entire text deals directly with Gaesa. It touches tangentially on his birth, the loss of his head and the gaining of an elephant head, his status as first to be worshipped in all pujas, his loss of one of his tasks at the hands of parasurama, and his cursing of the Tulasi Plant. The second half of the GKh is essentially a version of the Parasurama myth. This begins with the intention to tell as well-known episode about Gaesa reflected in his common name Ekadanta. This certainly offers a unique interpretation of its, focusing as it does on the morality of patricide and regicide, and relations between boys and their mothers. Ka is treated in a manner that can only be called theological. Theologically it is simply stating that all power is located in Viu/ Ka, but in this khaa it is seemingly extended much more than elsewhere. In addition, he is usually depicted as located in Goloka and Vdavana, with the bucolic ka receiving most emphasis in the next. The sakti teachings in this text blend constantly with the Kaite teachings, to the point that both seem to empower each other. That ka looms large is hardly a surprise given the BvP is substantially a Kaite Puraa of 14th – 15th century Bengal and then it could not have omitted existing material on the sakti, given the importance of other goddess worship in Bengal. There have been two previous translations of the Brahmavaivarta Puraa. The present translation is a fresh translation but the translator has subsequently compared it with the earlier translations to remain transparent to the Sanskrit itself. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Greg Bailey discusses his new translation of the Gaṇeśa Khaṇḍa of the Brahmavaivarta Purāṇa, one of the few texts dedicated solely to the popular elephant-headed Indian god Gaṇeśa. About the book: The first two khaas of the Brahmavaivarta Puraa (BvP) deal with Brahma and Prakti respectively. Both introducing the theology that enables Ka to be treated as identical with the supreme Brahma, and as Viu/ Narayaa in all his forms. Ultimately everything goes back to Ka as the source of power and being even including the mother goddesses who are so prolific in the text, not just in its second khaa. The fourth and final khaa treats the mythology of Ka himself, with focus on his birth, and just before this comes the Gaapatikhaa (GKh). GKh is one of the few mahapuraas that includes a separate khaa about Gaesa, with the exceptions being the two Gaapatya Puraas the Gaesa and Mudgala Puraas-and the Vinayakamahatmya of the Skanda Puraa. When one reads the other three khaas of the Puraa, it is clearly evident that the GKh fits in perfectly with the principal themes of the entire Puraa, all associated with Ka in his various manifestations and the theology of the mother goddess, especially Radha and Durga. In addition, it continues the practice in many of its chapter of expositing the application of kavacas, dhyanas, mantras and stotras, to the extent that the text is almost a handbook of devotional ritual. What is striking about the GKh is that it is only incidentally about Gaesa. Only less than ten percent of the entire text deals directly with Gaesa. It touches tangentially on his birth, the loss of his head and the gaining of an elephant head, his status as first to be worshipped in all pujas, his loss of one of his tasks at the hands of parasurama, and his cursing of the Tulasi Plant. The second half of the GKh is essentially a version of the Parasurama myth. This begins with the intention to tell as well-known episode about Gaesa reflected in his common name Ekadanta. This certainly offers a unique interpretation of its, focusing as it does on the morality of patricide and regicide, and relations between boys and their mothers. Ka is treated in a manner that can only be called theological. Theologically it is simply stating that all power is located in Viu/ Ka, but in this khaa it is seemingly extended much more than elsewhere. In addition, he is usually depicted as located in Goloka and Vdavana, with the bucolic ka receiving most emphasis in the next. The sakti teachings in this text blend constantly with the Kaite teachings, to the point that both seem to empower each other. That ka looms large is hardly a surprise given the BvP is substantially a Kaite Puraa of 14th – 15th century Bengal and then it could not have omitted existing material on the sakti, given the importance of other goddess worship in Bengal. There have been two previous translations of the Brahmavaivarta Puraa. The present translation is a fresh translation but the translator has subsequently compared it with the earlier translations to remain transparent to the Sanskrit itself. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Greg Bailey discusses his new translation of the Gaṇeśa Khaṇḍa of the Brahmavaivarta Purāṇa, one of the few texts dedicated solely to the popular elephant-headed Indian god Gaṇeśa. About the book: The first two khaas of the Brahmavaivarta Puraa (BvP) deal with Brahma and Prakti respectively. Both introducing the theology that enables Ka to be treated as identical with the supreme Brahma, and as Viu/ Narayaa in all his forms. Ultimately everything goes back to Ka as the source of power and being even including the mother goddesses who are so prolific in the text, not just in its second khaa. The fourth and final khaa treats the mythology of Ka himself, with focus on his birth, and just before this comes the Gaapatikhaa (GKh). GKh is one of the few mahapuraas that includes a separate khaa about Gaesa, with the exceptions being the two Gaapatya Puraas the Gaesa and Mudgala Puraas-and the Vinayakamahatmya of the Skanda Puraa. When one reads the other three khaas of the Puraa, it is clearly evident that the GKh fits in perfectly with the principal themes of the entire Puraa, all associated with Ka in his various manifestations and the theology of the mother goddess, especially Radha and Durga. In addition, it continues the practice in many of its chapter of expositing the application of kavacas, dhyanas, mantras and stotras, to the extent that the text is almost a handbook of devotional ritual. What is striking about the GKh is that it is only incidentally about Gaesa. Only less than ten percent of the entire text deals directly with Gaesa. It touches tangentially on his birth, the loss of his head and the gaining of an elephant head, his status as first to be worshipped in all pujas, his loss of one of his tasks at the hands of parasurama, and his cursing of the Tulasi Plant. The second half of the GKh is essentially a version of the Parasurama myth. This begins with the intention to tell as well-known episode about Gaesa reflected in his common name Ekadanta. This certainly offers a unique interpretation of its, focusing as it does on the morality of patricide and regicide, and relations between boys and their mothers. Ka is treated in a manner that can only be called theological. Theologically it is simply stating that all power is located in Viu/ Ka, but in this khaa it is seemingly extended much more than elsewhere. In addition, he is usually depicted as located in Goloka and Vdavana, with the bucolic ka receiving most emphasis in the next. The sakti teachings in this text blend constantly with the Kaite teachings, to the point that both seem to empower each other. That ka looms large is hardly a surprise given the BvP is substantially a Kaite Puraa of 14th – 15th century Bengal and then it could not have omitted existing material on the sakti, given the importance of other goddess worship in Bengal. There have been two previous translations of the Brahmavaivarta Puraa. The present translation is a fresh translation but the translator has subsequently compared it with the earlier translations to remain transparent to the Sanskrit itself. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Greg Bailey discusses his new translation of the Gaṇeśa Khaṇḍa of the Brahmavaivarta Purāṇa, one of the few texts dedicated solely to the popular elephant-headed Indian god Gaṇeśa. About the book: The first two khaas of the Brahmavaivarta Puraa (BvP) deal with Brahma and Prakti respectively. Both introducing the theology that enables Ka to be treated as identical with the supreme Brahma, and as Viu/ Narayaa in all his forms. Ultimately everything goes back to Ka as the source of power and being even including the mother goddesses who are so prolific in the text, not just in its second khaa. The fourth and final khaa treats the mythology of Ka himself, with focus on his birth, and just before this comes the Gaapatikhaa (GKh). GKh is one of the few mahapuraas that includes a separate khaa about Gaesa, with the exceptions being the two Gaapatya Puraas the Gaesa and Mudgala Puraas-and the Vinayakamahatmya of the Skanda Puraa. When one reads the other three khaas of the Puraa, it is clearly evident that the GKh fits in perfectly with the principal themes of the entire Puraa, all associated with Ka in his various manifestations and the theology of the mother goddess, especially Radha and Durga. In addition, it continues the practice in many of its chapter of expositing the application of kavacas, dhyanas, mantras and stotras, to the extent that the text is almost a handbook of devotional ritual. What is striking about the GKh is that it is only incidentally about Gaesa. Only less than ten percent of the entire text deals directly with Gaesa. It touches tangentially on his birth, the loss of his head and the gaining of an elephant head, his status as first to be worshipped in all pujas, his loss of one of his tasks at the hands of parasurama, and his cursing of the Tulasi Plant. The second half of the GKh is essentially a version of the Parasurama myth. This begins with the intention to tell as well-known episode about Gaesa reflected in his common name Ekadanta. This certainly offers a unique interpretation of its, focusing as it does on the morality of patricide and regicide, and relations between boys and their mothers. Ka is treated in a manner that can only be called theological. Theologically it is simply stating that all power is located in Viu/ Ka, but in this khaa it is seemingly extended much more than elsewhere. In addition, he is usually depicted as located in Goloka and Vdavana, with the bucolic ka receiving most emphasis in the next. The sakti teachings in this text blend constantly with the Kaite teachings, to the point that both seem to empower each other. That ka looms large is hardly a surprise given the BvP is substantially a Kaite Puraa of 14th – 15th century Bengal and then it could not have omitted existing material on the sakti, given the importance of other goddess worship in Bengal. There have been two previous translations of the Brahmavaivarta Puraa. The present translation is a fresh translation but the translator has subsequently compared it with the earlier translations to remain transparent to the Sanskrit itself. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

“This Bhagavata Purana is as brilliant as the sun, and it has arisen just after the departure of Lord Krishna to His own abode, accompanied by religion, knowledge, etc. Persons who have lost their vision due to the dense darkness of ignorance in the age of Kali shall get light from this Purana.” (Shrimad Bhagavatam, 1.3.43)

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'ಬಾಳಂತಿ ಪುರಾಣ' ಪುಸ್ತಕದ ಕುರಿತು ಕೇಳಿ ತೇಜಸ್ವಿನಿ ಹೆಗಡೆ ಅವರ ವಿಮರ್ಶನೆಯನ್ನು ಶ್ರೀ ಲಕ್ಶ್ಮಿ ವಿನೋದ್ ರವರ ಧ್ವನಿಯಲ್ಲಿ. Listen to the review written by Tejaswini Hegade on 'Baalanti Purana' book and read by Sri Lakshmi Vinod Podcast also available on Youtube Write to us: parichayaloka@gmail.com Co-sponsored by: Prathama Srsti - Buy authentic, hand picked GI TAG products of India and support local art and artists. To know more visit https://www.PrathamaSrsti.com Parichaya Loka presents a new Android app for travellers. Gear up for the weekend! Download "Tour Hoysala" app from the Playstore. https://tinyurl.com/tourhoysala Parichaya Loka presents Android app for travellers. Gear up for the weekend! Download "Tour Bengaluru" app from the Playstore. https://tinyurl.com/tourBengaluru Parichaya Loka presents Android app for travellers. Gear up for the weekend! Download "Tour Mysuru" app from the Playstore. https://tinyurl.com/tourmysore Leave your comments, feedback, ratings and share it with your friends. --- Support this podcast: https://podcasters.spotify.com/pod/show/vasistha-jagannath/support

Lecturs de las glorias d Bhadrapada-krishna Ekadashi o Aja Ekadashi descritas en el Brahma-vaivarta Purana. --- Send in a voice message: https://podcasters.spotify.com/pod/show/nectardelbg/message

In the Adhik Maas from 18th July to 18th August we did “Shiva Mantra Meditation”  for 30 days. Each day there was a talk and a guided meditation session.  Each of these are being uploaded here One by one on this YouTube channel as well as on the Podcast - swatmananda.Podomatic.com. Please listen to the talk and then follow it up with Guided Meditation. If you feel inspired by these sessions, do offer whatever best you can, as the gurudakshina. It will be used for sharing this knowledge with maximum people and support the activities of Chinmaya Mission, especially the youth.  The link is - https://rzp.io/l/aichykgdPlease support this podcast by pressing the follow button and support Chinmaya Mission Mumbai projects taken up by Swami Swatmananda, through generous donations. Contribution by Indians in INR can be made online using this link: https://bit.ly/gdswatmanDonors outside India who would like to offer any Gurudakshina/donation can send an email to enquiry@chinmayamissionmumbai.com with a cc to sswatmananda@gmail.com to get further details.These podcasts @ChinmayaShivam are also available on Spotify, Apple iTunes, Apple Podcasts, Podomatic, Amazon music and Google PodcastFB page: https://www.facebook.com/ChinmayaShivampageInsta: https://instagram.com/chinmayashivam?igshid=1twbki0v3vomtTwitter: https://twitter.com/chinmayashivamBlog: https://notesnmusings.blogspot.comLinkedIN: www.linkedin.com/in/swatmananda

For a deep dive into the Ramsay brothers' Purana Mandir, we've enlisted the help of Josh Hurtado, the exalted potentate of Indian cinema (ok, slight exaggeration, but he's definitely one of the most knowledgeable Westerners on this subject matter). In addition to the film, we discuss the best way to watch one of these films and some of the cultural idiosyncrasies that make films from India so unique. Josh's Twitter Spaces talk with Cinema Adda (limited time): https://twitter.com/HatefulJosh/status/1672736565729062913 Follow Josh-  Letterboxd: https://letterboxd.com/hatefuljosh/ Twitter: https://twitter.com/HatefulJosh and https://twitter.com/PotentateFilms Reviews on: https://screenanarchy.com/globalvoices/j-hurtado/ Join our discord! https://discord.gg/F8WsTzE9qt Follow this podcast on Instagram and Facebook @unsunghorrors. Follow Lance on Instagram and Letterboxd @lschibi Lance's shop: https://lanceschibi.bigcartel.com/ Follow Erica on Letterboxd or Instagram @hexmassacre Logo by Cody Schibi Part of the Prescribed Films Podcast network (www.thepfpn.com)    

Introduction to Sri Vishnu Purana. In the following segments, listen to Sri Vishnu Puran. --- Send in a voice message: https://podcasters.spotify.com/pod/show/ramanispodcast/message

In this episode of Weirdhouse Cinema, Rob and Joe dive into the Bollywood horror films of the Ramsay brothers with 1984's “Purana Mandir.” Can Suman and Sanjay overcome an evil curse and a monstrous warlock to save their relationship? Find out…See omnystudio.com/listener for privacy information.

Title: Effects of the Three Gunas14th Chapter: Verses 10, 11, 12, 13, 14, 15; 6th chapter verses 37, 38, 39, 40, 41, 42Our temperaments are determined by a combination of the three gunas – sattva guna, rajo guna and tamo guna. Sattva guna is the highest and most sublime. It manifests itself as wisdom and serenity. Rajo guna manifests itself as dynamism and ambition. Tamo guna manifests itself as laziness and delusion.Gunas are not visible and cannot be physically verified. We can infer which guna is predominant in a person by observing his external temperament.Of these three gunas, Sattva guna is the most refined, healthy and good. However, even Sattva guna binds, as the person endowed with sattva guna feels attached to sukha – he has a natural tendency to seek inner serenity and poise.10th verse: “In a person who is serene, detached and contented, sattva guna dominates. Rajo guna and tamo guna are almost non-functional. In such a person, laziness and confusion, which are manifestations of tamo guna, disappear. Similarly, hyperactive nature, manifestation of rajo guna, disappears.”The 11th verse refers to the five senses of perception, five senses of action, mind and intellect as the doors of the body, or the instruments through which one acts. A person endowed with sattva guna is able to restrain all these instruments of action – in him, these doors are illumined by light which represents serenity, wisdom and insight. He has a sense of inner fulfillment and contentment.12th and 13th verses: “Greed, craving, hyper activism, and restlessness prevail in a person predominated by rajo guna. Ignorance, laziness, negligence and delusion prevail in a person predominated by tamo guna.”Vyasa in Patanjali Yoga Sutras classifies the human mind into five categories: (1) Kshipta (scattered) (2) Mudha (dull) (3) Vikshipta (partially focused) (4) Ekagra (one-pointed) (5) Niruddha (fully focused). The first two are manifestations of tamo guna, viskhipta is manifestation of rajo guna, and ekagra is manifestation of sattva guna. In niruddha state, one transcends all the three gunas.The characteristics describes in the 12th and the 13th verses have parallels to the nine antarayas describes in Patanjali Yoga Sutras. Antaraya means obstacles to spiritual growth. Patanjali refers to the following obstacles, which cause the mind to wander - Disease, mental laziness, doubt, lack of interest, sloth, clinging to sense pleasures, false perception, lack of concentration, and unsteadiness in concentration.14th verse: “If a person dies when sattva guna is predominant, he goes to higher regions and stays with higher beings. Later, he is born in a surrounding where he can continue his spiritual journey.”15th verse: “If a person dies when rajo guna is predominant, he is born among people who are hyper-active. If a person does when tamo guna is predominant, he is born among the lower species.”At death, even though our senses of perception and action are gone, the tendencies that they created are stored in the Antahkarana (mind, intellect, memory and ego). These stored tendencies in the Antahkarana are never lost and are born again.In the 6th chapter, in the 37th, 38th and 39th verse, Arjuna asks: “Suppose a person is endowed with shraddha and is making an earnest effort to control his mind. Yet, he fails to attain perfection. What happens to such a person? “In answer to Arjuna's questions, Lord Krishna says that the one who is desirous of entering the path of Yoga, will be born in a pure and prosperous family, where his parents are spiritually oriented, and where his unfulfilled desires can be fulfilled. The one who is advanced and has entered the path of spiritual life, will be born in a family that has a tradition of producing great spiritual aspirants.Bhagavata Purana is the story of King Parikshit who has seven days left to live because of a curse. The entire Purana is a response to his question to Sage Suka – “What should a dying man do? How should he live the rest of his life?” Suka says: “One should be able to live life in such a way that he can leave the body with a smile on his face and with holy thought in his mind.” One is able to depart in such a manner only if sattva guna predominates in him.

#TamilStoryTimes #TamilAudioBooksdotcom #PuranaSthalam By Rishabam Suresh all tamil stories by itsdiff Entertainment here. - https://www.storytel.com/in/en/publishers/24012-itsdiff-Entertainment Show your support to help digitization: Join this channel to https://www.youtube.com/channel/UCvItuvHYXcFvTC6lYLnPmjg/join Sharing this divine rendering to benefit our community to learn about our rich tradition , culture and value system Disclaimer: - Views and opinions in these presentations are that of the presenter and not that of itsdiff entertainment, tamilaudiobooks Adobe spark Picture credit to the creator / photographer and sharing per Creative commons License to benefit the community

#TamilStoryTimes #TamilAudioBooksdotcom #PuranaSthalam By Rishabam Suresh all tamil stories by itsdiff Entertainment here. - https://www.storytel.com/in/en/publishers/24012-itsdiff-Entertainment Show your support to help digitization: Join this channel to https://www.youtube.com/channel/UCvItuvHYXcFvTC6lYLnPmjg/join Sharing this divine rendering to benefit our community to learn about our rich tradition , culture and value system Disclaimer: - Views and opinions in these presentations are that of the presenter and not that of itsdiff entertainment, tamilaudiobooks Adobe spark Picture credit to the creator / photographer and sharing per Creative commons License to benefit the community

The Sound Chaser Progressive Rock Podcast is on the air. On the show this time, Djam Karet introduces us to The Denouement Device, we get a bit of Déjà vu from Steve Hackett, and Melting Euphoria takes us on a tour Inside the Gardens of the Mind. As usual, The Symphonic Zone transports us to the sumptuous and elegant. Featured artists include Yes, IQ, Public Service Broadcasting, 5uu's, Fish, Twelfth Night, plus Canadians Loreena McKennitt and Sarah McLachlan. All that, plus news of tours and releases on Sound Chaser. Playlist1. Public Service Broadcasting - E.V.A., from The Race for Space2. Djam Karet - The Denouement Device, from Sonic Celluloid3. Yas-Kaz - Coolie's Creek No. 5, from Kaze no Tamago (Egg of Purana)4. 5uu's - Opportunity Bangs, from Hunger's Teeth5. Pete Bardens - Seascape, from Seen One Earth6. Loreena McKennitt - The Seasons, from To Drive the Cold Winter Away7. The Moody Blues - Celtic Sonant, from Keys of the Kingdom8. The Moody Blues - Magic, from Keys of the Kingdom9. Emily Bezar - Gingerbread, from Moon in Grenadine10. Frank Zappa - Central Scrutinizer, from Joe's Garage11. Frank Zappa - Joe's Garage, from Joe's Garage12. Patrick Moraz - Realization, from Patrick Moraz13. Yes - I've Seen All Good People, from Progeny: Seven Shows from Seventy-Two (Knoxville Civic Coliseum)14. Dire Straits - Walk of Life, from On the Night15. Sarah McLachlan - Fear, from MirrorballTHE SYMPHONIC ZONE16. Asia - The Day before the War, from Arena17. Mr. Gil - Skellig, from Skellig18. 7 Ocean - The Piano on the Rock, from Return under the Sun19. Steve Hackett - Déja Vu, from Selling England by the Pound & Spectral Mornings Live at Hammersmith20. Fish - Forgotten Sons, from For Whom The Bells Toll!21. IQ - About Lake Five / Awake and Nervous, from IQ 30LEAVING THE SYMPHONIC ZONE22. Melting Euphoria - Daisychain of Thoughts, from Inside the Gardens of the Mind23. Melting Euphoria - Dreaming Waves Engulf My..., from Inside the Gardens of the Mind24. Melting Euphoria - Amplified Ohm, from Inside the Gardens of the Mind25. Melting Euphoria - Spheres of Mystery, from Inside the Gardens of the Mind26. Melting Euphoria - Landships Awake, from Inside the Gardens of the Mind27. Melting Euphoria - Arwr Rhithwelediad, from Inside the Gardens of the Mind28. Melting Euphoria - To Shade My Mad Existence, from Inside the Gardens of the Mind29. Melting Euphoria - Dandelion Mist, from Inside the Gardens of the Mind30. Melting Euphoria - Celestial Hysteria, from Inside the Gardens of the Mind31. Twelfth Night - First New Day, from Art & Illusion [cd bonus disc]32. David Vorhaus - Bringer of Darkness, from White Noise IV - Inferno33. Jean-Luc Ponty - Fake Paradise, from Cosmic Messenger34. Traffic - (Sometimes I Feel So) Uninspired, from Shoot Out at the Fantasy Factory