Podcast appearances and mentions of Manfred Mann

Paul Jones is one of British music's true originals—a singer, songwriter, harmonica player, actor, broadcaster, and blues pioneer whose career has spanned over six decades. Best known as the original frontman of Manfred Mann, Paul helped define the sound of the '60s British Invasion. But there's so much more to his story than pop success.Born Paul Pond in Portsmouth in 1942, Paul had a bright academic future—earning a place at Oxford. But it was the blues, not the books, that really captured his heart. Drawn to the raw emotion of American R&B and blues, he immersed himself in music, gigging in London clubs and building ties with future legends like Alexis Korner, Cyril Davies, and Brian Jones. In fact, Paul was briefly approached to front a little band called The Rolling Stones. He turned them down. Instead, he chose a different path. Rebranded as Paul Jones , he joined a jazz-influenced band led by South African keyboardist Manfred Mann. The group took on the name and quickly became one of the sharpest acts on the British scene. The band scored their first big hit with “5-4-3-2-1,” then came “Do Wah Diddy Diddy.” It was an instant smash—hitting number one in both the UK and the US and cementing the band's place in pop history. Paul Jones became a household name, fronting a string of hits including “Sha La La,” “Come Tomorrow,” and “Pretty Flamingo.” But just as things were peaking, Paul shocked fans by stepping away from Manfred Mann in '66. He didn't want to be boxed into pop stardom. His first solo release, “I've Been a Bad, Bad Boy,” was a top 10 hit, and not long after, he starred in the film Privilege.From there, Paul split his time between stage and studio. He released a number of solo albums and never chased the pop charts, choosing instead to focus on artistry and authenticity.In the late '70s, Jones experienced a major musical rebirth. Alongside former bandmate Tom McGuinness, he co-founded The Blues Band—a group that would lead a new wave of British blues. Their first record, The Official Blues Band Bootleg Album, was self-released when no label wanted it. But it quickly found a fanbase and helped kick-start a blues revival in the UK. Over the years, The Blues Band became a cult favourite, recording over 20 albums and touring consistently for decades. Jones, with his fiery harmonica and soulful voice, became a beloved figure in the blues world.As if that weren't enough, Jones also became a prominent broadcaster. In 1986, he began hosting The Blues Show with Paul Jones on BBC Radio 2—a program that would run for 32 years. His warm, knowledgeable voice introduced listeners to everyone from blues giants like B.B. King and Muddy Waters to new acts keeping the genre alive. His influence on the blues scene through radio is as significant as his work on stage.In the 2000s, Jones released the critically acclaimed album Starting All Over Again, featuring collaborations with soul legends like Percy Sledge and Eric Bibb. It was a masterclass in classic songwriting, vocal nuance, and heartfelt delivery—proof that Paul Jones had lost none of his fire.Throughout his career, Jones worked with a who's who of music royalty: Eric Clapton, Van Morrison, Jack Bruce, Jeff Beck, Mick Abrahams, and more. Whether singing, playing harmonica, or narrating the story of the blues, he brought depth, grace, and passion to every project.Later in life, Paul experienced a personal transformation. He became a born-again Christian and began to incorporate gospel into his musical world. His faith added a new layer to his performances, blending spirit and soul with honesty and humility.From Oxford scholar to '60s heartthrob, from blues crusader to BBC staple, Paul Jones has never stood still. He turned down the Rolling Stones, left a hit band at its height, helped revive the blues, and became a trusted voice for generations of listeners. Always evolving, always authentic—Paul Jones is one of the great unsung heroes of British music.

Hi everybody, I'm thrilled to do a deep dive with this week's guest—Juno Award-winning singer-songwriter extraordinaire, film composer, author, and actor IAN THOMAS.Ian's music has become part of the foundation of the Canadian musical landscape, a legacy recognized with a SOCAN National Achievement Award for Songwriting. He first made waves with his breakout hit “Painted Ladies,” in Canada and the US which then launched a string of chart-topping singles throughout the 1970s and 80s. His success continued with his acclaimed band, The Boomers, which featured Peter Cardinali on Bass, Rick Gratton on Drums and Bill Dillon on Guitars. Releasing 4 albums in total the Boomers via early Major success in Germany, gained a significant following in Europe.Whether performed by Ian himself or covered by renowned artists such as Santana, Chicago, Manfred Mann, America, Bon Jovi, and Bette Midler, his songs—“Pilot,” “Hold On,” “Right Before Your Eyes,” “Coming Home,” “You Gotta Know,” and “Come the Sun,” among others—continue to receive heavy rotation on radio stations across Canada and around the world.In addition to his solo career, Ian has been a core member of the beloved Canadian ensemble Lunch at Allen's, alongside Marc Jordan, Cindy Church, and Murray McLauchlan, for over 25 years. He is also the author of two books: Bequest (2006), a Canadian bestseller, and The Lost Chord (2008), both published by Manor House Publishing.Most recently, Ian released a new album titled Roll with it and he completed a SOLD OUT theatre tour across Canada. On a personal level - one of my fave albums in my collection is his orchestral Life of Song album recorded with the Prague Philharmonic Orchestra. It contains absolutely ingenious arrangements of his hit songs. I absolutely loved chatting about Ian's entire illustrious career and about what Ian listens to for enjoyment himself. Our chat took place in the cozy confines of his beautiful home studio. There were laughs aplenty, and our discussion began with me accidentally knocking my full coffee cup off the table, narrowly missing spilling it all onto some of his valuable recording gear lol.Enjoy! Hosted on Acast. See acast.com/privacy for more information.

Send us a textJoin former child actor Moosie Drier, and author Jonathan Rosen, as they chat with the former lead singer of Manfred Mann's Earth Band, Chris Thompson!Chris discusses his time with Manfred Mann's Earth Band, the story behind turning Bruce Springsteen's Blinded by the Light into a big hit for the Earth Band, performing at the Freddie Mercury Tribute Concert, & much more!Support the show

Send us a textJoin former child actor Moosie Drier, and author Jonathan Rosen, as they chat with the former lead singer of Manfred Mann's Earth Band, Chris Thompson!Chris discusses his time with Manfred Mann's Earth Band, the story behind turning Bruce Springsteen's Blinded by the Light into a big hit for the Earth Band, performing at the Freddie Mercury Tribute Concert, & much more!Support the show

On Today's Patron Trivia Tournament:We are excited for Game 3 of Round 1 of the Patron Tournament! We have the amazing Charla and Robert as the Texas Florida Line vs the fantastic Nolan and Jeff as Garden State Cheesery. They will be challenged with tricky questions like:Which U.S. state capital was named after an English explorer who was imprisoned in the Tower of London three times?Greek goddess Hera had the hundred eyes of her dead servant Argus preserved forever in a notable feature of which animal?Which 1947 film, with sequences filmed live during the 1946 Macy's Thanksgiving Parade, was initially released with the title The Big Heart in the UK?Manfred Mann's 1977 hit Blinded by the Light was originally written and recorded by whom, a real boss move at the time?Shockingly not a spokesperson for Denny's, in 1999 Fernando Tatis Sr. became the only player in MLB history to do what twice during a single inning?If you liked this episode, check out our last trivia episode!MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media for more trivia:Patreon - patreon.com/quizbang - Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website - quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook - @quizbangpodcast - we post episode links and silly lego pictures to go with our trivia questions.Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram - Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter - @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it.Come for the trivia - stay for the trivia.Ko-Fi - ko-fi.com/quizbangpod - Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

"Madman drummers bummers and Indians in the summer with a teenage diplomat, In the dumps with the mumps as the adolescent pumps his way into his hat, With a boulder on my shoulder feelin' kinda older I tripped the Merry-go-round, With this very unpleasing sneezing and wheezing the calliope crashed to the groundAnd she was blinded by the lightOh, cut loose like a deuce another runner in the nightBlinded by the lightShe got down but she never got tight, but she'll make it alright"Don't be blinded or get distracted, please join me on this week's Super Sounds Of The 70's for 2 hours of clarity via Music.Joining us are Lee Michaels, Gerry Rafferty, Tower Of power, Van Morrison, Jimi Hendrix, Todd Rundgren, Supertramp, Jeff Beck, Peter Frampton, Fleetwood Mac, The Moody Blues, America, Steely Dan, Jethro Tull, ZZ Top, Meat Loaf, Bruce Springsteen, Mahavishnu Orchestra, Chicago and Manfred Mann's Earth Band.

Another two hours of great music from Artistes such as Pink Floyd, Arlo Guthrie,  Soft Cell, Lady A, The Move, Manfred Mann, Dusty Springfield, Roy Orbison, Chuck Berry, Jerry Lee Lewis and loads more

Send us a textOn this episode, Tom and Bert continue their  "British Invasion" discussion covering the remaining Artists that contributed to the world wide phenomenom.Lots of Artists contributed to the popularity and success of the Invasion and we honor "The Beatles" to close the show. This Podcast is Part 2 "of" 2.Featured  Chapters:(:55)  Donovan- The Man, The Artist, The Enigma(5:47) The Zombies- The "Cool" Sounds of the UK(7:46)  Dusty Springfield-  The "Voice" of Blue Eyed Soul(10:38)  Petula Clark- The "Queen" of the British Invasion(14:07) Tom Jones- The Powerhouse Sex Symbol from Wales(21:18) Manfred Mann- "Do Wah Diddy Diddy"(30:51) Finally!! The Beatles- The Greatest Band EverEnjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

"MixTape 114 Classic Oldies Favorites" TRACK 1 AUDIO TITLE "Stand By Me" PERFORMER "Ben E. King" INDEX 01 00:00:00 TRACK 2 AUDIO TITLE "The Sound of Silence - Acoustic Version" PERFORMER "Simon & Garfunkel" INDEX 01 02:46:70 TRACK 3 AUDIO TITLE "All I Have to Do Is Dream" PERFORMER "The Everly Brothers" INDEX 01 05:31:35 TRACK 4 AUDIO TITLE "All You Need Is Love - Remastered 2009" PERFORMER "The Beatles" INDEX 01 07:41:11 TRACK 5 AUDIO TITLE "Ring of Fire" PERFORMER "Johnny Cash" INDEX 01 10:36:31 TRACK 6 AUDIO TITLE "Suspicious Minds" PERFORMER "Elvis Presley" INDEX 01 13:00:26 TRACK 7 AUDIO TITLE "Sugar, Sugar" PERFORMER "The Archies" INDEX 01 17:01:33 TRACK 8 AUDIO TITLE "Travelin' Man - Remastered" PERFORMER "Ricky Nelson" INDEX 01 19:36:73 TRACK 9 AUDIO TITLE "Splish Splash" PERFORMER "Bobby Darin" INDEX 01 21:52:10 TRACK 10 AUDIO TITLE "Do You Love Me - Mono Single" PERFORMER "The Contours" INDEX 01 23:49:50 TRACK 11 AUDIO TITLE "Runaway" PERFORMER "Del Shannon" INDEX 01 26:21:04 TRACK 12 AUDIO TITLE "Johnny B. Goode" PERFORMER "Chuck Berry" INDEX 01 28:23:33 TRACK 13 AUDIO TITLE "Tutti Frutti" PERFORMER "Little Richard" INDEX 01 30:49:36 TRACK 14 AUDIO TITLE "I Walk The Line - Single Version" PERFORMER "Johnny Cash, The Tennessee Two" INDEX 01 33:06:73 TRACK 15 AUDIO TITLE "Only the Lonely" PERFORMER "Roy Orbison" INDEX 01 35:20:16 TRACK 16 AUDIO TITLE "Dream Lover" PERFORMER "Bobby Darin" INDEX 01 37:35:34 TRACK 17 AUDIO TITLE "Will You Love Me Tomorrow" PERFORMER "The Shirelles" INDEX 01 39:53:17 TRACK 18 AUDIO TITLE "Brown Eyed Girl" PERFORMER "Van Morrison" INDEX 01 42:17:71 TRACK 19 AUDIO TITLE "You Never Can Tell" PERFORMER "Chuck Berry" INDEX 01 44:58:04 TRACK 20 AUDIO TITLE "I'm a Believer - 2006 Remaster" PERFORMER "The Monkees" INDEX 01 47:27:06 TRACK 21 AUDIO TITLE "Runaround Sue" PERFORMER "Dion" INDEX 01 49:57:73 TRACK 22 AUDIO TITLE "These Boots Are Made for Walkin'" PERFORMER "Nancy Sinatra" INDEX 01 52:11:36 TRACK 23 AUDIO TITLE "Don't Be Cruel" PERFORMER "Elvis Presley" INDEX 01 54:34:24 TRACK 24 AUDIO TITLE "Bye Bye Love" PERFORMER "The Everly Brothers" INDEX 01 56:26:43 TRACK 25 AUDIO TITLE "Misirlou" PERFORMER "Dick Dale" INDEX 01 58:20:52 TRACK 26 AUDIO TITLE "Then He Kissed Me" PERFORMER "The Crystals" INDEX 01 60:24:66 TRACK 27 AUDIO TITLE "(What A) Wonderful World" PERFORMER "Sam Cooke" INDEX 01 62:45:16 TRACK 28 AUDIO TITLE "Do Wah Diddy Diddy - 2007 Remaster" PERFORMER "Manfred Mann" INDEX 01 64:44:71 TRACK 29 AUDIO TITLE "Be My Baby" PERFORMER "The Ronettes" INDEX 01 67:02:23 TRACK 30 AUDIO TITLE "Mambo Italiano (with The Mellomen) - 78rpm Version" PERFORMER "Rosemary Clooney, The Mellomen" INDEX 01 69:23:33 TRACK 31 AUDIO TITLE "Let's Twist Again" PERFORMER "Chubby Checker" INDEX 01 71:23:31 TRACK 32 AUDIO TITLE "Wipe Out - Hit Version / Extended Ending" PERFORMER "The Surfaris" INDEX 01 73:36:28 TRACK 33 AUDIO TITLE "Great Balls Of Fire" PERFORMER "Jerry Lee Lewis" INDEX 01 75:32:13 TRACK 34 AUDIO TITLE "Think" PERFORMER "Aretha Franklin" INDEX 01 77:16:50 TRACK 35 AUDIO TITLE "California Dreamin' - Single Version" PERFORMER "The Mamas & The Papas" INDEX 01 79:20:31 TRACK 36 AUDIO TITLE "Mrs. Robinson - From "The Graduate" Soundtrack" PERFORMER "Simon & Garfunkel" INDEX 01 81:42:59 TRACK 37 AUDIO TITLE "Don't Let Me Be Misunderstood" PERFORMER "The Animals" INDEX 01 85:02:61 TRACK 38 AUDIO TITLE "Oh, Pretty Woman" PERFORMER "Roy Orbison" INDEX 01 87:09:29 TRACK 39 AUDIO TITLE "Always On My Mind" PERFORMER "Elvis Presley" INDEX 01 89:59:40 TRACK 40 AUDIO TITLE "I Got You Babe" PERFORMER "Sonny & Cher" INDEX 01 93:19:73

Support this podcast by becoming a Patron at http://www.patreon.com/drumforthesongThanks for checking out episode 53 with legendary drummer, Chris Slade. Chris has had the most tremendous careers having played drums for fellow Welsh legend, Tom Jones, Manfred Mann's Earth Band, AC/DC, The Firm, Toomorrow, Uriah Heep, David Gilmore and Asia but is still touring and recording with his current project, The Chris Slade Timeline.In this episode, we chat about Chris' early life and career, touring with Tom Jones, autioning for AC/DC and touring in private jets, receiving calls from David Gilmore and Jimmy Page on the same day, his questionable warm up routine, drum sticks and much more.Follow Chris Slade on Instagram at www.instagram.com/chrissladedrumsFollow Chris Slade on Facebook at www.facebook.com/ChrisSladeACDCVisit Chris Slade's official website:www.chrisslade.comI hope you enjoy this free episode, please subscribe to the podcast via your podcast provider & YouTube, like and review where you can and share with anyone else who might be interested.If you've enjoyed any of my episodes, please consider joining my Patreon community via Patreon at http://www.patreon.com/drumforthesong/ for access to exclusive content, group video calls, competitions, giveaways plus 20% discount at http://www.motorhead-beer.comI'd like to give a special thanks to my top-tier 'Groove Master' Patrons for their extended support. Cheers to Dean S Monahan, Rudi Pauly, Dan Hurst, Gareth Richards, Steve Hancock, Paul W. Grasmehr, Charley Farley, Kenny Kendrick, Mark Porter, John Lang, John Carley, Mike Laney, Pietro Viecelli, David Rudd, Adam Thomas, Jonny Wah Wah, Holger Middelberg, Timothy Kingsbury.If you'd prefer not to commit to monthly payments you can still support the podcast by making a one-off donation via Paypal:https://www.paypal.com/donate/?hosted_button_id=RMXSZGD7CTXY4Facebook:http://www.facebook.com/drumforthesonghttp://www.facebook.com/groups/drumforthesong/Instagram:http://www.instagram.com/drumforthesonghttp://www.instagram.com/dane_drumsTwitter:http://www.twitter.com/drumforthesonghttp://www.twitter.com/dane_drumsTikTokhttp://www.tiktok.com/drumforthesongMerch:https://drumforthesong.bigcartel.com/Official website:http://www.drumforthesong.comSupport this show http://supporter.acast.com/drumforthesong. Hosted on Acast. See acast.com/privacy for more information.

National Tortilla Chip day. Entertainment from 1997. Battle over Las Angeles, 30 people crushed to death at a hanging, Castro stepped down in Cuba. Todays birthdays - Abe Vigoda, John Vernon, Paul Jones, Edward James Almos, Rupert Holmes, George Thorogood, Debra Jo Rupp, Steve Jobs, Sammy Kershaw, Billy Zane. Harold Ramis died.Intro - God did good - Dianna Cocoran   https://www.diannacorcoran.com/Tortilla chips - T BizzyWannabe - Spice GirlsRunning out of reasons to run - Rick TrevinoBirthdays - In da club - 50 Cent      http://50cent.com/Barney Miller TV themeDoo Wa Diddy Diddy - Manfred MannEscape (Pina Colada song) - Rupert HolmesBad to the bone - George Thorogood & the DestroyersThat 70's Show Tv themeQueen of my double wide trailer - Sammy KershawExit - Dip me in beer and throw me to the drunki chicks - Jeff Griffith  https://www.jeffgriffith.net/ Country Underground Radio - countryundergroundradio.comcooolmedia.com

Welcome to Live From Progzilla Towers Edition 551. In this edition, we heard music by Manfred Mann's Earth Band, Dim Gray, Allan Holdsworth, Solstice, Genesis, Gong, Ezra Collective, IQ, Guapo, Toto, Dyble Longdon, Jack O' The Clock, Joan Armatrading, Kanaan & Ævestaden, Madis, Neon Fields, Riverside, Santana, Unionen, The Pineapple Thief, Younger Brother & Capercaillie.

Legendary singer Chris Thompson, known for fronting Manfred Mann's Earth Band and co-writing You're The Voice, looks back on his incredible career. He shares behind-the-scenes stories on recording Blinded By The Light, working with Jeff Wayne on War of the Worlds, and collaborating with icons like Alan Parsons, Gary Moore, and Steve Hackett. Now, after 60 years in music, Chris has released The Final Round—his last-ever live album. He opens up about why he's stepping away from touring, the emotions of his final show, and what's next for him. A must-listen for classic rock fans!

Chris Thompson – The Voice of Manfred Mann's Earth Band on Blinded By The Light, War of the Worlds & His Final Live Album Chris Thompson, the powerhouse voice behind Blinded By The Light, Davey's on the Road Again, and co-writer of You're The Voice, joins VRP Rocks for an in-depth conversation about his incredible career. From fronting Manfred Mann's Earth Band to working with legends like Jeff Wayne, Alan Parsons and Gary Moore, Chris shares fascinating stories from decades in the music industry. He opens up about his time with Manfred Mann, including the chaotic making of Blinded By The Light and why it almost never got released. He also reflects on recording War of the Worlds, his struggles with the American music industry, and his work with some of rock's biggest names. Now, after 60 years in music, Chris has released The Final Round, his last-ever live album, capturing the energy and passion of his legendary performances. He talks about why he's stepping away from touring, the emotions of his final show and what's next for him—including a new studio album, book and even a musical! A must-listen for classic rock fans, this episode is packed with stories, nostalgia and never-before-heard insights from one of rock's most distinctive voices!

This was a fun older show that I thought was worthy of a bit of a facelift. So here it is: the second covers special I did with improved audio quality! It features a lot of interesting stuff from Kevin Gilbert, Robert Berry and friends, Daryl Stuermer, Erik Norlander, Manfred Mann's Earth Band, Fish, Rush, 3, Unitopia, Dream Theater, Yes, Echolyn, Steve Howe, and Arjen Lucassen! I hope you enjoy!  

Start Artist Song Album Year Intro Track One Rainbow 0:01:30 Rainbow Man On The Silver Mountain Ritchie Blackmore's Rainbow 1975 2 Track Two Triumverat 0:06:08 Triumvirat The Capital Of Power Spartacus 1975 3 Track Three Manfred Mann 0:09:33 Manfred Mann's Earth Band Spirits in the Night Nightingales & Bombers 1975 4 Track Four Vangelis 0:16:12 […]

The concept of the prog artist going pop is so well-known that it's almost a cliche. We still love you, Phil Collins! But what about the inverse? What happens when our favorite pop bands and artists get the "prog bug" and go off the deep end? This is a concept that almost nobody talks about but greatly interests us here at ATTT HQ. It doesn't always work, but when Pop Goes Prog and it does work, the results can be an artist-or-band-career-defining moment. Thankfully we have access to a couple of mensches that know their pop and know their prog. The great Fernando Perdomo and the also great Matt Tecu join for what turned out to be a ridiculous good time in TOP TEN TIMES POP WENT PROG. Picks 10-6 are featured here in Part 1. Fernando & Matt's excellent album "Art" is out there on all of the streaming places, but you should really check it out on Bandcamp:https://fernandoperdomo.bandcamp.com/album/artWe've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. New Joe Lavelle episode just dropped January 1st! Find out more at https://www.patreon.com/c/alltimetopten

Jimmy Page was in rough shape by the end of Led Zeppelin. His addictions had ravaged his body and he didn't contribute nearly as much to 1979's In Through The Out Door as he did all previous Zeppelin records. After the death of John Bonham, Jimmy fulfilled his obligations to release Coda, provided the soundtrack to Death Wish 2 as a favor to his neighbor and embarked on a brief fundraiser tour with lots of legends - The ARMS Tour. But he hadn't been very creative and wasn't keeping himself in match shape. After spending some time with his Swan Song brother Paul Rodgers (Free, Bad Company), he concocted a plan to put together a new supergroup for the 80s. WIth Rodgers handling vocal and primary songwriter duties, Jimmy also enlisted Chris Slade (Tom Jones, Manfred Mann's Earth Band, AC/DC, UAWIL #91 guest) and "The Fretless Monster" Tony Franklin who he worked with on Roy Harper's album Whatever Happened to Jugula? This powerful lineup was to be the vehicle that would rejuvenate Jimmy Page and put him back on the road to superstardom. However, Page's contributions weren't what fans had come to expect from the guitar hero and it seemed that Jimmy was a bit out of place in a world dominated by MTV. Single Radioactive was an AOR hit and showcased a bit of what the band could do, ultimately helping their self-titled debut to gold status in the US. But most of the album is uneven and Page isn't showing up with the killer solos that were his calling card. However, Tony Franklin is an absolute monster on this record, filling in the gaps that Page leaves between his flourishes and playing well off the ever steady Slade. While Rodgers vocals are as strong as ever, his songwriting doesn't quite live up to the standard of his previous bands. It was a solid debut which led to a strong sophomore effort in Mean Business (1986) but because it celebrates it's 40th on February 11, 2025, we thought we'd take a hard look at The Firm and why it didn't hit the heights we all hoped it would Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Jimmy Page was in rough shape by the end of Led Zeppelin. His addictions had ravaged his body and he didn't contribute nearly as much to 1979's In Through The Out Door as he did all previous Zeppelin records. After the death of John Bonham, Jimmy fulfilled his obligations to release Coda, provided the soundtrack to Death Wish 2 as a favor to his neighbor and embarked on a brief fundraiser tour with lots of legends - The ARMS Tour. But he hadn't been very creative and wasn't keeping himself in match shape. After spending some time with his Swan Song brother Paul Rodgers (Free, Bad Company), he concocted a plan to put together a new supergroup for the 80s. WIth Rodgers handling vocal and primary songwriter duties, Jimmy also enlisted Chris Slade (Tom Jones, Manfred Mann's Earth Band, AC/DC, UAWIL #91 guest) and "The Fretless Monster" Tony Franklin who he worked with on Roy Harper's album Whatever Happened to Jugula? This powerful lineup was to be the vehicle that would rejuvenate Jimmy Page and put him back on the road to superstardom. However, Page's contributions weren't what fans had come to expect from the guitar hero and it seemed that Jimmy was a bit out of place in a world dominated by MTV. Single Radioactive was an AOR hit and showcased a bit of what the band could do, ultimately helping their self-titled debut to gold status in the US. But most of the album is uneven and Page isn't showing up with the killer solos that were his calling card. However, Tony Franklin is an absolute monster on this record, filling in the gaps that Page leaves between his flourishes and playing well off the ever steady Slade. While Rodgers vocals are as strong as ever, his songwriting doesn't quite live up to the standard of his previous bands. It was a solid debut which led to a strong sophomore effort in Mean Business (1986) but because it celebrates it's 40th on February 11, 2025, we thought we'd take a hard look at The Firm and why it didn't hit the heights we all hoped it would Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Sound Chaser Progressive Rock Podcast is on the air. This show is the Eleventh Anniversary show. I started in early January of 2014, and kept it going since then. To celebrate this eleventh anniversary, I have selected music that comes from an artist's eleventh studio album. Not all that many prog acts make it to eleven albums, so we will be in rare company. All that, plus news of tours and releases on Sound Chaser. Playlist1. Marillion - A Legacy, from marrillion.com2. Omega - Don't Keep Me Waitin', from Time Robber3. Gentle Giant - Convenience (Clean and Easy), from Civilian4. Strawbs - Time and Life, from Deadlines5. Goblin - Punto di Rottura, from Volo6. Vangelis - The Little Fete, from China7. Yes - Changes, from 901258. Jethro Tull - Rover, from Heavy Horses9. Jean-Luc Ponty - Once Upon a Dream, from Imaginary Voyage10. Pierre Moerlen's Gong - An American in England, from Time Is the Key11. Anthony Phillips - Suite: Sea-Dogs Motoring ii. Basking Shark, from Private Parts & Pieces VI: Ivory Moon12. Mostly Autumn - Box of Tears, from Dressed in Voices13. Kansas - Once in a Lifetime, from In the Spirit of ThingsTHE SYMPHONIC ZONE14. The Flower Kings - Fireghosts, from The Banks of Eden15. Pendragon - Afraid of Everything, from Love Over Fear16. The Pineapple Thief - Bond, from Magnolia17. Kaipa - First Distraction, from Vittjar18. Big Big Train - Grimspound, from Grimspound19. IQ - Ocean, from The Road of Bones20. Mike Oldfield - The Wind Chimes Part One, from Islands21. Glass Hammer - Grace the Skies, from If22. Karfagen - Birds of Passage (Part 2), from Birds of PassageLEAVING THE SYMPHONIC ZONE23. French TV - Nimrod Dancer, from Operation: Mockingbird24. King Crimson - VROOOM VROOOM: Coda, from THRAK25. Peter Gabriel - Darkness, from Up26. Rush - Mystic Rhythms, from Power Windows27. Ozric Tentacles - Plurnstyle, from Become the Other28. Manfred Mann's Earth Band - Africa Suite, from Somewhere in Afrika29. Popol Vuh - Die Nacht der Himmell, from On the Way to a Little Way (Nosferatu Soundtrack)30. Oregon - Arianna, from Oregon31. Pekka Pohjola - Innocent Questions, from Changing Waters32. Saga - All Will Change (It's Happening to Me!), from Generation 1333. Le Orme - Raccogli le Nuvole, from Piccola Rapsodia Dell'ape34. Steve Hackett - Big Dallas Sky, from Blues With a Feeling35. Focus - Brother, from Golden Oldies 

Segunda entrega dedicada a recordar singles que llegaron a su puesto más alto en el Billboard Hot 100 de EEUU en enero de 1965. Arrancamos con una andanada de nombres de la invasión británica y seguimos con girl groups, bandas de garaje, voces del country y varias anomalías.(Foto del podcast por Gered Mankowitz; Marianne Faithfull, 1965)Playlist;(sintonía) THE WAIKIKIS “Hawaii tatoo” (top 33)THE SEARCHERS “Love potion number 9” (top 3)THE DAVE CLARK FIVE “Anyway you want it” (top 15)MARIANNE FAITHFULL “As tears go by” (top 22)THE ANIMALS “Boom boom” (top 43)MANFRED MANN “Sha la la” (top 12)THE HULLABALLOOS “I'm gonna love you too" (top 56)THE NOVAS “The Crusher” (top 88)THE YOU KNOW WHO GROUP “Roses are red my love” (top 43)DEL SHANNON “Keep Searchin' (We'll Follow The Sun)” (top 9)DICK AND DEE DEE “Thou shalt not steal” (top 13)THE SHANGRI-LAS “Give him a great big kiss” (top 18)THE DETERGENTS “Leader of the laundromat” (top 19)ROGER MILLER “Do wacka do” (top 31)GEORGE JONES “The race is on” (top 96)CHUCK BERRY “Promised land” (top 41)RONNY and THE DAYTONAS “Bucket T” (top 54)GARNET MIMMS “A Little bit of soap” (top 95)DEAN MARTIN “You’re nobody till somebody loves you” (top 21)LITTLE MILTON “Blind man” (top 86)Escuchar audio

Primer número de 2025 en el que hemos escuchado a The Stone Eye; Napoleon Murphy Brock; Masters of Reality; Manfred Mann’s Earth Band; Heavy Seas; Dead Meadow; Jack Bruce. Leer Más La Ruleta Rusa. Entrega 01.2025. at La Ruleta Rusa Radio Rock.

【节目简介】车造好了，运到了，所以，该怎么卖？这是个百万美金问题。本期《孤岛车谈》我就来跟两位汽车销售专家聊聊在欧洲卖车的各种门道和陷阱。【话题成员】罗新雨 底盘电子系统工程师Jason 德国车企战略咨询顾问俞波 Jato dynamics大中华区经理罗新雨个人微博@大众风Volkswind剪辑 ATTC埃科公司，罗新雨片尾曲 Dealer, Dealer by Manfred Mann(1966)【时刻文稿】4:02 三个渠道26:02 Agency模式34:04 客户分类59:04 MG的案例1:15:00 长城在欧洲的案例【参考链接】1.福特决定停止欧洲的直销（英文，2024）：https://www.autonews.com/retail/ford-drops-agency-retail-model-europe-after-initial-2026-delay/#:~:text=Ford%20has%20dropped%20its%20plan,model%2C%20according%20to%20a%20report.2.大众决定停止欧洲的直销（英文，2024）：https://cardealermagazine.co.uk/publish/volkswagen-dealers-told-car-maker-is-backing-away-from-fixed-price-agency-sales/310387#:~:text=Home%20%3E%20News-,Volkswagen%20dealers%20told%20car%20maker%20is%20backing,fixed%2Dprice%20'agency%20sales'&text=Volkswagen%20Group%20dealers%20have%20been,agency%20sales%20would%20be%20paused.3.奥迪决定暂缓欧洲的直销（英文，2024）：https://cardealermagazine.co.uk/publish/now-audi-delays-introduction-of-fixed-price-car-sales-for-its-evs-as-another-agency-model-cracks/299154#:~:text=Audi%20will%20be%20the%20latest,least%20the%20end%20of%202026'.4.JLR放弃直销（英文，2024）：https://www.am-online.com/news/dealer-news/2024/02/27/jlr-axes-agency-and-reintroduces-refocussed-franchised-model5.小鹏在欧洲率先采用直营店模式（中文，2022）：https://www.xiaopeng.com/news/company_news/4131.htmlYoutuber Geoff Buys Cars介绍二手的宝马330e是保养陷阱（英文，2024）：https://www.youtube.com/watch?v=D10HE6_S3ng6.比亚迪和Sixt合作十万辆车（英文，2022）：https://www.reuters.com/business/autos-transportation/sixt-agrees-purchase-around-100000-e-vehicles-chinas-byd-2022-10-04/7.MG在德国用直销模式Agency model（英文，2021）:https://www.msxi.com/en/mg-in-europe/8.奔驰砍掉10%的经销商，目标彻底在2025年转换为直销模式（英文，2022）：https://www.am-online.com/dealer-management/manufacturer-insight/mercedes-benz-to-axe-10-of-car-dealerships-as-part-of-2025-agency-model-switch9.奔驰在欧洲转为直销模式（英文，2021）：https://autovista24.autovistagroup.com/news/mercedes-benz-moves-to-agency-model-european-sales/#:~:text=20%20December%202021,position%20to%20better%20control%20prices.

The Zombies and Manfred Mann had two distinct sounds that differed from the rest of the British Invasion bands. The Zombies incorporated a jazz influence and expanded their sound further during the Psychedelic age. Manfred Mann found success when they began writing their own pop songs in place of te blues standards they covered. Both bands were active recently and have a great catalog of music.Make an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Also:Kathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/Tarot card readings by Kalinda available atThe Mythical Muse | FacebookFor booking Children's parties and character parties in the Los Angeles area contact Kalinda Gray at:https://www.facebook.com/wishingwellparties/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Please feel free to donate or Tip Jar the show at my Venmo account@jessie-DelgadoII

In this episode we look back over the year that was 2024 and fondly remember all those characters we let on our show like, Slayer, Tipper Gore, Jesus, Paul Di'Anno, Iron Maiden, The Antichrist in Jerusalem, Antiochus, Kirk Hammett, Dave Mustaine, Greyhound buses, Donald Trump, Lord Byron, Taylor Swift, Zeena Schreck, Joe Rogan, Vocaloid, Wasp, Demi Lovato, Prosperity Gospel, Pat Robertson, Danzig, The Roman Empire, Constantine the Great, Helluva Boss, Hazbin Hotel, The Book of Revelation, Santa, Motörhead, Lemmy, Jeopardy, Maga, Kid Rock, Ted Nugent, the White House, George Washington, Chester A. Arthur, Abraham Lincoln, F.D.R., Ronald Reagan, Maryland, Bill Clinton, Joe Biden, Illuminati, Manfred Mann, Pretty Flamingo, War on Christmas, Marjorie Taylor Greene, Lego Batman #666 #SketchComedy #Sketch #Comedy #Sketch Comedy #Atheist #Science #History #Atheism #Antitheist #ConspiracyTheory #Conspiracy #Conspiracies #Sceptical #Scepticism #Mythology #Religion #Devil #Satan #Satanism #Satanist #Skeptic #Debunk #Illuminati #SatanIsMySuperhero #Podcast #funny #sketch #skit #comedy #comedyshow #comedyskits #HeavyMetal #weird #RomanEmpire #Rome #AncientRome #Romans #RomanEmperor #Animation #Anime

In January of 2024, JRoss Publishing brought Mastering Work Intake by and I to the world. The activities supporting the book have been a blast! One of the common problems we have observed as we have spread the message is that often those with the biggest work intake problem get mesmerized by the symptoms and fail to see the root cause of the problem. When this happens the symptom becomes the root cause causing people and organizations to spend significant amounts of time and money fixing the wrong problem. To borrow a line from Manfred Mann, they are “.” We will discuss this topic in a minute or so. We also have a visit from the inestimable Susan Parente. Susan and I discussed how to integrate a new team member into a team. It is not easy when everyone has an opinion.  Master Work Intake! It has been nearly a year since JRoss Publishing published Mastering Work Intake. Jeremy Willets and I believe our book and workshops have helped numerous organizations, teams, and most importantly people bring order out of chaos – at least that is what they tell us. As the year winds down we are excited to offer a free 30-minute “office hours” session with us. We'll facilitate the session to help you create a plan to tackle your work intake challenges.  Book time with us here: Also, consider buying your boss a copy of Mastering Work Intake (your work-life balance will approve). Amazon (US) — JRoss —   Re-read Saturday News Chapter 12 of (buy a copy and read along) is How To Deal With Anger, Anxiety, And Loneliness. This is an interesting chapter to be re-reading in early November 2024. Anger, anxiety, and loneliness are difficult topics because they are personal. It is easy to take a myopic view and tell ourselves that these are someone else's problems. Or worse that they need to be walled up. They aren't and they shouldn't be.  Catch on all of the entries in the re-read of  (buy a copy and read along) Week 1: Week 2:    Week 3: Week 4: Week 5: Week 6: Week 7: Week 8: Week 9: Week 10: Week 11: Week 12: Week 13:   Next SPaMCAST  Speaking of Mastering Work Intake, Mr Willets and I are doing our year-end wrap-up for SPaMCAST 843. We will discuss the joys and unjoys of being authors and book salesmen.  Not to spoil the suspense it has been mostly a joy.  

George and Nihal Presents Prog & Roll 0:35 MANFRED MANN'S EARTH BAND Cloudy Eyes 5:38 Messin' (1973) MANFRED MANN'S EARTH BAND Captain Bobby Scout 7:00 Manfred Mann's Earth Band (1972) MANFRED MANN'S EARTH BAND It's all Over now, Baby Blue 4:29 Glorified Magnified (1972) MANFRED MANN'S EARTH BAND Blinded by the Light 3:47 The Roaring […]

"I saw a werewolf with a Chinese menu in his handWalking through the streets of Soho in the rainHe was looking for the place called Lee Ho Fook'sGoing to get a big dish of beef chow meinWerewolves of London"No leftovers here, just tasty tunes and a  Werewolf or two. Joining us are Meat Loaf, Joe Walsh, Tom Petty, Badfinger, Art Garfunkel, Neil Young, Van Halen, Al Green, Harry Chapin, Alice Cooper, Santana, Rolling Stones, Dobie Gray, Bob Welch, Aretha Franklin, Emitt Rhodes, Jethro Tull, Manfred Mann's Earth Band, Elton John, Randy Newman, Laura Nyro, Simon & Garfunkel, Chicago, Harry Chapin and Warren Zevon. 

El pasado 13 de noviembre falleció Shel Talmy a los 87 años de edad. El productor discográfico estadounidense que ayudó a moldear el sonido de la música británica de los 60, la persona que capturó en el estudio numerosos momentos históricos en la historia del rock’n’roll por bandas como The Kinks, The Who, The Creation o The Easybeats. He aquí nuestro pequeño homenaje al padrino del freakbeat, orfebre del sonido de estudio cuyo legado perdurará mientras su música siga con nosotros.Playlist;THE KINKS “You really got me” (agosto 1964)THE WHO “Anyway anyhow anywhere” (mayo 1965)THE FIRST GEAR “Leave my kitten alone” (1964) (octubre 1964)THE SNEEKERS “Bald headed woman” (octubre 1964)THE MICKEY FINN “Night comes down” (marzo 1965)GOLDIE and THE GINGERBREADS “Look for me baby” (inédita, grabada en 1965)THE ROKES “La mia città” (1965)DAVY JONES (DAVID BOWIE) “You’ve got the habit of leaving” (agosto 1965)THE CREATION “Making time” (junio 1966)THE EASYBEATS “Friday on my mind” (octubre 1966)MANFRED MANN “Semi-Detached, Suburban Mr. James” (octubre 1966)THE NASHVILLE TEENS “I’m coming home” (octubre 1967)ROY HARPER “Ageing raver” (1968)LEE HAZLEWOOD “Bye baby” (1969)THE KINKS “Sunny afternoon” (junio 1966)Escuchar audio

Welcome back to another fun-filled and inspiring episode of the Rick's Rambles Podcast! This week, we're rolling into nostalgia with a Hot Wheels-themed Fun Facts segment. Did you know these tiny cars have a fascinating history? We're exploring what makes Hot Wheels a cultural icon and why they continue to race into hearts worldwide. Next, our Good News Story takes us to Boston Medical Center, where rooftop gardens are redefining healthcare! Find out how fresh, locally-grown food from these urban farms is making a difference in the hospital and for at-risk communities—highlighting the power of prevention over treatment. Then, it's time to get into the groove with our Story Behind the Song feature. This week, we're diving into “Blinded by the Light,” penned by Bruce Springsteen and popularized by Manfred Mann. Ever wonder who the characters in the song are? We'll break down the lyrics and reveal the story behind the rock classic. In a bonus Good News Segment, we'll chat about simple, effective ways to manage stress—practical tips you can start using today! Finally, we'll wrap up with some quirky holidays you'll want to mark on your calendar. Thanks for tuning in! Don't forget to share the episode on social media to spread a little more positivity!  

The Sound Chaser Progressive Rock Podcast is on the air. On the show this time, I have some music from acts that have not been on the show before: Acid Mothers Temple and The Cosmic Jokers. There's music old and new from all over the place. It's variety, variety, variety, the same thing every time – variety. All that, plus news of tours and releases on Sound Chaser. Playlist1. Ali Suhail - Red, from White Flag2. Mats / Morgan - Mamma, from Trends and Other Diseases3. Univers Zero - Carabosse, from Univers Zero (1313)4. Stop Motion Orchestra - Spaghettification, from Hydnora5. Santana - La Puesta del Sol, from Jin-Go-Lo-Ba6. Colosseum II - All Skin and Bone, from Electric Savage7. John Patitucci - Four Hands, from Heart of the Bass8. The Cosmic Jokers - Electronic News, from Planeten Sit-In9. The Cosmic Jokers - Intergalactic Radio Guri Broadcasting, from Planeten Sit-In10. The Cosmic Jokers - Raumschiff Rock gleitet im Sonnenwind, from Planeten Sit-In11. The Cosmic Jokers - Interstellar Rock: Kosmische Musik, from Planeten Sit-In12. The Cosmic Jokers - Raumschiff Galaxy saust in die Lichtbahnen, from Planeten Sit-In13. The Cosmic Jokers - Der Planet des Sternenmädchens, from Planeten Sit-In14. Steve Tibbetts - Jungle Rhythm, from Jungle Rhythm15. Acid Mothers Temple & The Melting Pariso U.F.O. - Pleasure Mantra of Sorrows, from Astrogasm from the Inner SpaceTHE SYMPHONIC ZONE16. Ulysses - Vagabond Child, from Neronia17. Discipline - Systems, from Push & Profit18. TNO - Ondanuma Part II, from Ondanuma19. Manfred Mann's Earth Band - Waiting for the Rain, from Angel Station20. Mannheim Steamroller - Mere Image, from Fresh Aire III21. Kentish Spires - The Last Harvest, from The Last HarvestLEAVING THE SYMPHONIC ZONE22. John Abercrombie - Ralph's Piano Waltz, from Current Events23. Laraaji - Universe, from Essence / Universe24. Bel Canto - Time Without End, from Birds of Passage25. Mastermind - Tragic Symphony II. Nothing Left to Say, from Tragic Symphony26. Black Sabbath - The Sabbath Stones, from Tyr27. Bi Kyo Ran - A Violent Nightmare, from A Violent Music28. The Alan Parsons Project - To One in Paradise, from Tales of Mystery and Imagination

In this episode we look for Satan in the oval office during the last decade of the 20th century and the first couple of the 21st. Think of them as the Jon Stewart presidents.There are cameo guest star appearances from The International Prophecy Conference, Jerry Rolan Church, Bill Clinton, Roman Emperor Nero, Arkansas, witchcraft, George Walker Bush Jr, Hugo Chavez, United Nations, Barack Obama, Faithful World Baptist Church, Pastor Steven Andersen, Walgreens, DNA , The Genuine Hoots of Joy, Donald J Trump, Joe Biden, John Voight, Roger Stone, ReAwaken America Tour, Myrtle Beach, South Carolina, MAGA, Nikki Haley, Monica Crowely, Benny Johnson, Chat GPT, Michael Cohen, Demetre Daskalakis, Ted Cruz, Pat Benatar, Kansas City Chiefs, Dark Brandon, Travis Kelce, Taylor Swift, illuminati, Manfred Mann, Pretty Flamingo, Israel, IDF, Raffia and Ben Shapiro. #666 #SketchComedy #Sketch #Comedy #Sketch Comedy #Atheist #Science #History #Atheism #Antitheist #ConspiracyTheory #Conspiracy #Conspiracies #Sceptical #Scepticism #Mythology #Religion #Devil #Satan #Satanism #Satanist #Skeptic #Debunk #Illuminati #SatanIsMySuperhero #Podcast #funny #sketch #skit #comedy #comedyshow #comedyskits #HeavyMetal #weird #RomanEmpire #Rome #AncientRome #Romans #RomanEmperor 

National apple day. Entertainment from 1999. 1st baseball world championship, 1st Europeons to sail into Pacific Ocean, Oldest pearl. Todays birthdays - Alfred Nobel, Dizzy Gillespie, Joyce Randolph, Peter Graves, Manfred Mann, Carrie Fisher, Mathew Ramsey, Kane Brown. Jack Kerouac died.Intro - Pour some sugar on me - Def Leppard     http://defleppard.com/The apple song - Hal LeonardHeartbreaker - Mariah Carey  Jay ZSomething like that - Tim McGrawBirthdays - In da club - 50 Cent      http://50cent.com/Oh Bop Sh'Bam - Dizzy GillispieHoneymooners TV themeMission Impossible TV themeDo wah diddy diddy - Manfred MannBreak up with him - Old DominionOne Mississippi - Kane BrownExit - In my dreams - Dokken       http://dokken.net/Follow Jeff Stampka on facebook and cooolmedia.com

Today's guest makes me happy. It's legendary drummer, Chris Slade. From his humble beginnings, he became the go-to drummer for some of the biggest names in rock. He tells me about the entertainment gene that runs through his family, buying his way out of school so he could play drums, and how working in a show shop got him a gig with Tom Jones. And speaking of Tom Jones, Chris tells what really happened with the infamous Tom Jones panty story. Chris had the opportunity to record with Joe Meek, who fascinates me. After Tom Jones, Chris found himself in a band with Olivia Newton-John where he was payed and didn't play a note. But some of Chris' most well known work was yet to come. He played on the biggest hits by Manfred Mann's Earth Band (yes, including Blinded By The Light).He tells an amazing story about both David Gilmour and Jimmy Page. I discovered Chris during his time with Jimmy and the band The Firm. After that, he joined AC/DC for five years and played in the enormous Russian show for 1.5 million people! He has a new album out with his own band, Chris Slade Timeline. It a double album with one disc being originals and the other covers of songs from his long and storied career; hence the name Timeline. Check out chrisslade.com for links and ways to buy the album. Check out @PerformanceAnx on socials and performanceanx.threadless.com for merch. And if you're feeling generous, ko-fi.com/performanceanxiety to send coffee money. Now buckle up for a wild ride with Chris Slade on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of "Concerts That Made Us," Brian delves deep into the illustrious career of renowned rock drummer Chris Slade, whose impressive resume includes stints with legendary acts such as AC/DC, Tom Jones, Gary Moore, Manfred Mann's Earth Band, Asia, David Gilmour, and Uriah Heep, among others. Slade opens up about The Chris Slade Timeline's new album "TimeScape," which showcases a blend of original songs and carefully selected covers that pay homage to his musical influences and career highlights.Throughout the interview, Slade reflects on his extensive and varied career, sharing intimate stories and behind-the-scenes anecdotes. He discusses the formation of his band, the Chris Slade Timeline, detailing the creative process behind their music and the camaraderie among band members. Slade also reminisces about his time with AC/DC, offering fans a rare glimpse into the making of the iconic track "Big Gun" and the electrifying energy of performing with one of rock's most legendary bands.In addition to his rock exploits, Slade recounts his early career with Tom Jones, providing fascinating insights into the world of pop music in the 1960s and 70s. He also shares a poignant story about a missed opportunity to play with Elvis Presley, a moment that could have altered the course of his career.The episode offers a captivating glimpse into Slade's journey as a drummer, singer, and bandleader, highlighting the highs and lows of a life dedicated to music. With his characteristic wit and charm, Slade's stories bring to life the passion and dedication that have driven his remarkable career, making this episode a must-listen for music enthusiasts and aspiring musicians alike.Find Chris Slade Here: https://chrisslade.com/Find CTMU here:https://www.concertsthatmadeus.com/Newsletter: https://concertsthatmadeus.aweb.page/p/f065707b-2e34-4268-8e73-94f12bd2e938Save 10% on Band Builder Academy membership by following this link https://bandbuilderacademy.com/Brian_Concerts/join and using promo code "concerts" at signup Become a member at https://plus.acast.com/s/concerts-that-made-us. Hosted on Acast. See acast.com/privacy for more information.

Seleccionamos canciones que alcanzaron su puesto más alto en el Billboard Hot 100 en octubre de 1964. En este mes de hace 60 años los ingleses Manfred Mann consiguen un número 1. Pero es la escudería Motown la que saca pecho frente la invasión británica y coloca un buen puñado de bandas en la zona alta de las listas, con mención especial para The Supremes que comenzaban a consolidar su reinado de éxitos.(Foto del podcast; The Temptations)Playlist;(sintonía) BILLY STRANGE “The James Bond heme” (top 58)MANFRED MANN “Do wah diddy diddy” (top 1)THE SUPREMES “Baby love” (top 1)MARTHA and THE VANDELLAS “Dancing in the street” (top 2)FOUR TOPS “Baby I need your lovin” (top 11)THE TEMPTATIONS “Girl (why you wanna make me blue)” (top 26)SANDY NELSON “Teen beat 65” (top 44)THE BEACH BOYS “When I grow up to be a man” (top 9)THE HONDELLS “Little Honda” (top 9)JAN and DEAN “Ride the wild surf” (top 16)WILLIE MITCHELL “20-75” (top 31)THE BLENDELLS “La la la la la” (top 62)CHAD and JEREMY “A summer song” (top 7)THE BEATLES “Matchbox” (top 17)BILLYJ KRAMER and THE DAKOTAS “From a window” (top 23)DON COVAY and THE GOODTIMERS “Mercy mercy” (top 35)THE IMPRESSIONS “You must belive me” (top 15)THE KINGSMEN “Death of an angel” (top 42)DEL SHANNON “Do you want to dance” (top 43)THE JELLY BEANS “Baby be mine” (top 51)Escuchar audio

"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Noel catches up with Chris Slade, one of the prominent drummers in rock. Chris first toured the world with Tom Jones and was part of Manfred Mann's Earth Band from 1971-1978. He was a member of the supergroup, The Firm, that featured Jimmy Page and Paul Rodgers. Chris's biggest exposure came when he joined AC/DC in 1989 and played on The Razors Edge album. Chris formed the Chris Slade Timeline back in 2012 and just released their debut album, Timescape. It is a double album that includes one album of original music and another of the band's versions of songs that Chris has played previously played with.

Chris Slade has played drums with Tom Jones, Manfred Mann's Earth Band, Uriah Heep, AC/DC, the Firm and currently leads the Chris Slade Timeline. Rick and Dave talk to him about his rock and roll life.  [Ep159]

Chris Slade A Rock and Roll Icon's Musical Journey Join us for a special simulcast of The Neil Haley Show and Celebrity Interviews Live from the Grotto, featuring the legendary drummer Chris Slade. Hosted by Neil Haley and Greg Hanna, this episode dives deep into Chris Slade's remarkable career, from his early days with Tom Jones and Manfred Mann's Earth Band to his iconic tenure with ACDC. Chris shares fascinating stories about his musical journey, the synchronicities that shaped his path, and the unforgettable moments that music has anchored in his life. Discover the passion and philosophy behind Chris's drumming, his insights on meditation, and the wisdom he's gained over the years. Don't miss this candid conversation with a rock and roll icon. Tune in now to relive the magic and learn about Chris's current projects with the Chris Slade Timeline.

Phish's three-night run at Alpine ValleyLarry Mishkin features a Grateful Dead concert at a "funky" venue on July 29, 1994, at Buckeye Lake, Ohio.  The Grateful Dead opened with "Rain" by the Beatles, reflecting their admiration for the Beatles' music. "Rain," primarily written by John Lennon, was a song exploring themes of reality and illusion and was notable for its use of reverse audio effects. The Grateful Dead incorporated several Beatles songs into their performances, demonstrating their appreciation for the band.The conversation touches on the Grateful Dead's setlist, which included several opening songs like "Feel Like a Stranger" and "Bertha." The speakers recall personal experiences and the excitement of attending these concerts, sharing memories of Buckeye Lake as a vibrant venue despite unpredictable weather. The conversation transitions to "Wang Dang Doodle," a blues standard written by Willie Dixon and performed by artists like Howlin' Wolf and Koko Taylor. The Grateful Dead's affinity for blues music and their ability to blend various musical influences into their performances is highlighted. Larry changes his focus and shifts to a discussion about the band Phish, detailing a recent three-night run at Alpine Valley. He express his excitement and nostalgia for the venue, sharing experiences of attending concerts there over the years. The recap of Phish's performances includes a detailed analysis of the setlists, noting songs like "46 Days," "Moma Dance," "Cities," "Cavern," "Axilla," "Down with Disease," "Bathtub Gin," and a cover of Led Zeppelin's "Good Times Bad Times." Larry's enthusiasm is evident as he recount the energy and musicianship of Phish, highlighting the unique experience of attending their concerts and the connection it fosters among fans.  Grateful DeadJuly 29, 1994  (30 years ago)Buckeye Lake OhioGrateful Dead Live at Buckeye Lake Music Center on 1994-07-29 : Free Download, Borrow, and Streaming : Internet Archive  INTRO:                                 Rain                                                Track #1                                                :26 – 2:10 John Lennon wrote most of "Rain." It was his first song to get really deep, exploring themes of reality and illusion - after all, rain or shine is just a state of mind.Written by John “about people moaning about the weather all the time” as he was becoming more in tune with his role as a social leader – as is evidenced by the lines “I can show you” and “Can you hear me”Played 29 timesFirst:  December 2, 1992 at McNichols Sports Arena, Denver, CO, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA  SHOW No. 1:                    Wang Dang Doodle                                                Track #4                                                4:03 – 5:43 "Wang Dang Doodle" is a blues song written by Willie Dixon. Music critic Mike Rowe calls it a party song in an urban style with its massive, rolling, exciting beat.[1] It was first recorded by Howlin' Wolf in 1960 and released by Chess Records in 1961. In 1965, Dixon and Leonard Chess persuaded Koko Taylor to record it for Checker Records, a Chess subsidiary. Taylor's rendition quickly became a hit, reaching number thirteen on the Billboard R&B chart and number 58 on the pop chart.[2] "Wang Dang Doodle" became a blues standard[3] and has been recorded by various artists. Taylor's version was added to the United States National Recording Registry in 2023. In 1995, Taylor's rendition was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recording – Singles or Album Tracks" category.[17] The Foundation noted that the song was the last blues single produced by Dixon to reach the record charts, and "became Koko Taylor's signature crowdpleaser, inspiring singalongs to the 'all night long' refrain night after night".[17]Taylor's version of "Wang Dang Doodle" was selected by the Library of Congress for preservation in the National Recording Registry in 2023.[18]Chuck Berry, Bruce Hornsby, John Popper, Bob Weir of the Grateful Dead and Willie Dixon's daughter, Shirley Dixon, performed "Wang Dang Doodle" in tribute to Willie Dixon at the 1994 Rock & Roll Hall of Fame induction ceremony.In his autobiography, I Am The Blues, Willie Dixon says;Wang Dang Doodle meant a good time. Especially if a guy came in from the South. A wang dang meant having a ball and a lot of dancing, they called it a rocking style so that's what it meant to wang dang doodle. Wang Dang Doodle was first performed by the Grateful Dead in August 1983. The song was played only a few times each year through the rest of the 1980's. From 1991 onwards it was performed more often averaging about 15 performances a year through to 1995.  Played: 95 timesFirst:  August 26, 1983 at Portland Memorial Coliseum, Portland, OR, USALast:  July 8, 1995 at Soldier Field, Chicago, IL, USA  MUSIC NEWS: Phish shows, Friday and Saturday night at Alpine ValleyRIP – John Mayall  SHOW No. 2:                    Althea                                                Track #7                                                9:40 – end                                                 INTO                                                 Eternity                                                Track #8                                                0:00 – 1:39 Co-writing a song with one of your personal heroes—that seems like a dream come true.Willie Dixon (1915-1992) was one of the preeminent blues songwriters and performers of all time. The Grateful Dead covered a fairly lengthy list of his songs, attesting to his influence on the band: “Down in the Bottom,” “I Ain't Superstitious,” “I Just Want to Make Love To You,” “Little Red Rooster,” “The Same Thing,” “Spoonful,” and “Wang Dang Doodle.” Plus a couple they only played once, or only in soundcheck.The song was written during the sessions for Rob Wasserman's Trios album. “Guitar Player” magazine ran an interview with Weir in 1993:I had this chord progression and melody that I wanted to run by Willie to see if he liked it .... he did, so he started dashing off words. He wanted me to run a certain section by him again and stuff like that, and we started working on a bridge. Then he dashes off this sheet of lyrics and hands it to me. Now I'm really stoked to be working with the legendary Willie Dixon and I'm prepared for just about anything.He hands these lyrics to me and I'm reading through them. And they seem, you know, awfully simplistic. Like there wasn't a whole lot to them........Now he wants me to read through it and sing the melody I have and see if they fit. And so I started singing through these simplistic lyrics, and that simplicity takes on a whole other direction.By the time I had sung through them, it's like my head is suddenly eons wide. I can hear what's happening just sort of echoing around in there and I'm astounded by the simple grace of what he has just presented to me. I'm sitting there with my mouth open literally, and Willie's laughing. He's just sitting there laughing, saying, 'Now you see it. Now you see it. That's the wisdom of the bluesPlayed:  44 timesFirst:  February 21, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 3:                    I Want To Tell You                                                Track #11                                                0:00 – 1:35 "I Want to Tell You" is a song by the English rock band the Beatles from their 1966 album Revolver. It was written and sung by George Harrison, the band's lead guitarist. After "Taxman" and "Love You To", it was the third Harrison composition recorded for Revolver. Its inclusion on the LP marked the first time that he was allocated more than two songs on a Beatles album, a reflection of his continued growth as a songwriter beside John Lennon and Paul McCartney.When writing "I Want to Tell You", Harrison drew inspiration from his experimentation with the hallucinogenic drug LSD. The lyrics address what he later termed "the avalanche of thoughts that are so hard to write down or say or transmit".[1] In combination with the song's philosophical message, Harrison's stuttering guitar riff and the dissonance he employs in the melody reflect the difficulties of achieving meaningful communication. The recording marked the first time that McCartney played his bass guitar part after the band had completed the rhythm track for a song, a technique that became commonplace on the Beatles' subsequent recordings.George Harrison wrote "I Want to Tell You" in the early part of 1966, the year in which his songwriting matured in terms of subject matter and productivity.[2] As a secondary composer to John Lennon and Paul McCartney in the Beatles,[3] Harrison began to establish his own musical identity through his absorption in Indian culture,[4][5] as well as the perspective he gained through his experiences with the hallucinogenic drug LSD.[6] According to author Gary Tillery, the song resulted from a "creative surge" that Harrison experienced at the start of 1966. In his autobiography, I, Me, Mine, Harrison says that "I Want to Tell You" addresses "the avalanche of thoughts that are so hard to write down or say or transmit".[1][12] Authors Russell Reising and Jim LeBlanc cite the song, along with "Rain" and "Within You Without You", as an early example of the Beatles abandoning "coy" statements in their lyrics and instead "adopt[ing] an urgent tone, intent on channeling some essential knowledge, the psychological and/or philosophical epiphanies of LSD experience" to their listeners.[13] Writing in The Beatles Anthology, Harrison likened the outlook inspired by his taking the drug to that of "an astronaut on the moon, or in his spaceship, looking back at the Earth. I was looking back to the Earth from my awareness." Played: 7 timesFirst:  July 1, 1994 at Shoreline Amphitheatre, Mountain View, CA, USALast:  May 24, 1995 at Memorial Stadium, Seattle, WA, USA MJ NEWS  SHOW No. 4:                    Standing On The Moon                                                Track #19                                                7:23 – 9:00 Garcia/Hunter tune from Built To Last (1989) Played:  76 timesFirst:  February 5, 1989 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA  OUTRO:                               Quinn The Eskimo                                                Track #21                                                2:28 – 4:17 "Quinn the Eskimo (The Mighty Quinn)" is a folk-rock song written and first recorded by Bob Dylan in 1967 during the Basement Tapes sessions. The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann,[4] which became a great success. It has been recorded by a number of performers, often under the "Mighty Quinn" title.The subject of the song is the arrival of Quinn (an Eskimo), who prefers a more relaxed lifestyle [" jumping queues, and making haste just ain't my cup of meat"] and refuses hard work ["Just tell me where to put 'em and I'll tell you who to call"], but brings joy to the people.Dylan is widely believed to have derived the title character from actor Anthony Quinn's role as an Eskimo in the 1960 movie The Savage Innocents.[5] Dylan has also been quoted as saying that the song was nothing more than a "simple nursery rhyme". A 2004 Chicago Tribune article[6] said the song was named after Gordon Quinn, co-founder of Kartemquin Films, who had given Dylan and Howard Alk uncredited editing assistance on Eat the Document.Dylan first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years. Meanwhile, the song was picked up and recorded in December 1967 by the British band Manfred Mann,[7] who released it as a single in the US on 8 January 1968 under the title "Mighty Quinn".[8] A UK single followed within a week.[8] The Manfred Mann version reached No. 1 in the UK Singles Chart for the week of 14 February 1968, and remained there the following week.[9] It also charted on the American Billboard Hot 100 chart, peaking at No. 10, and reached No. 4 in Cash Box. Cash Box called it a "funky-rock track" with "a trace of calypso [to] add zest to a tremendous effort."  Played:  59 timesFirst: December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

The Sound Chaser Progressive Rock Podcast is on the air. On the show this time, we are going to be living mostly in the past, with just a few forays into music from the 2000s. The full variety of prog is on display. Call it a tour through the collection of antiques and curios. All that, plus news of tours and releases on Sound Chaser. Playlist1. Manfred Mann's Earth Band - Spirits in the Night, from The Best of Manfred Mann's Earth Band Re-Mastered [retrospective]2. Novalis - Aufbruch, from Sommerabend3. Focus - Sugar Island, from In and Out of Focus4. Puddles Pity Party - War Pigs, from https://www.youtube.com/watch?v=WT8t3i8CkMQ5. Aera - Kamele On, from Hand und Fuß6. Magma - Gamma, from Inédits7. Alain Markusfeld - The Floating Soul (L'Âme Flotante), from Contemporus8. The Police - Synchronicity I, from Synchronicity9. Peter Seiler - Grönland, from Sensitive Touch10. Jean-Luc Ponty - Mystical Adventures Part 2, from Mystical Adventures11. Jim Morrison / The Doors - A Feast of Friends, from An American Prayer12. Dire Straits - Lions, from Dire Straits13. Amoeba - Any Other Sky, from WatchfulTHE SYMPHONIC ZONE14. The Moody Blues - The Day Begins, from Days of Future Passed15. Ken Wiley - River Pastoral, from Visage16. Starcastle - True to the Light, from Fountains of Light17. Starcastle - Portraits, from Fountains of Light18. Starcastle - Diamond Song (Deep Is the Light), from Fountains of Light19. Yesterdays - Forog A Tánc, from Colours Caffé Remixed20. Fish - Incubus, from Yin21. Stealing the Fire - The Tower, from King of ShadowsLEAVING THE SYMPHONIC ZONE22. Dark - Smoke at Will, from Tamna Voda23. Yas-Kaz - Psychopomp–Shaman Met the Woman at the Well, from Kaze no Tamago (Egg of Purana)24. Klaus Schulze - Dymagic, from ...Live...25. Amon Düül - Special Track Experience No. 16, from Experimente26. Zamla Mammaz Manna - Timlig är du, from För Äldre Nybegynnare27. The Who - Wasp Man, from Two's Missing28. Louis de Mieulle & Matt Garstka - Snub Cube, from Dual29. Glenn Phillips - Floaters, from Angel Sparks30. Brady Arnold - Static Delay, from Instrumentals 5: Pop Pleasures31. The Firm - Spirit of Love, from Mean Business

Welcome to the new video edition of the show. Mention the name Chris Slade and people automatically think of AC/DC "The Razors Edge" and Thunderstruck" those incredible performances at Monsters of Rock Donnington and the biggest outdoor festival ever held in Moscow. There is though so much more to Chris's life in music from Manfred Mann's Earth Band , Frankie Miller, Uriah Heep, Gary Numan, Dave Gilmour , The Firm Gary Moore and that was all before we get to AC/DC. Chris joined me to look back at his life in music and we look back across 7 decades in the business he is great company has many tales to tell.

On today's episode of Great Minds, we're pleased to welcome Chris Slade, drummer for several of rock's greatest bands, including Manfred Mann's Earth Band from its inception in 1971 to 1978 on eight albums, The Firm, and AC/DC,  for which he drummed from 1989 to 1994 and performed on the 1990 album The Razors Edge.

This week is the sixth volume of our deep dive into the trippy and groovy beginnings of the heavy stuff! Cut your lava lamp on, gaze at that blacklight poster through the haze of smoke, and join your favorite rock n' roll grave robbers as they dig deep into the core of 70s Acid Rock n' Proto Metal crypt to unearth some obscure bands that helped influence and mold what would become known as Heavy Metal. What is it that we do here at InObscuria? Well, we exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This particular episode is planted firmly in the: LOST category, as all of these recordings occurred between 1970 – 1976. As always, our hope is that we turn you on to something new in a genre and decade that you may have thought you already knew everything there was to know.Songs this week include:El Ritual - “Mujer Facil - Prostituda” from El Ritual (1971)Fury- “Flying” from Sonny Vincent – Primitive 1969-1976 (1972)P2O5 - “All Right” from P2O5 (1976)Atomic Rooster - “Save Me” from Nice ‘N' Greasy (1973)Yesterday's Children - “Paranoia” from Yesterday's Children (1970)Warpig - “Rock Star” from Warpig (1973)Sudden Death - “My Time Is Over” from Suddenly (1972)El Ritual documentary in Spanish on YouTube from 2022 https://youtu.be/K1xz6R9nH3k?si=Gd6I90SC19ZkOLWmPlease subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Today I sit down with legendary drummer Chris Slade. Chris started out his professional career at 16 years old playing drums for Tom Jones. From there he became a founding member of Manfred Mann's Earth Band recording 8 studio albums from 1972 to 1978.  After a 1 year tour with the great David Gilmour another legend Jimmy Page called him to join the super group The Firm. Most people really know Chris from his time in AC/DC recording and touring on the smash hit record The Razors Edge. That record was loaded with hits including Thunderstuck, Moneytalks and Are You Ready. After the return of Phil Rudd, Chris moved on and played in his own group until 2015 when he was asked to return to AC/DC after Phil Rudd had legal problems. Check out Chris Slade Timeline on all streaming platforms. Hope you guys enjoy this episode and if you are a big AC/DC fan check out my interviews with all of AC/DC right here on my YouTube channel. My Upcoming Tour Dates can be found here - https://www.deandelray.com/tourdates Patreon Bonus Episodes can be found here https://www.deandelray.com/patreon Like and Subscribe for more PODCASTS AND COMEDY VIDEOS from Dean Delray! Have a great day DDR

In this episode renowned drummer Chris Slade shares captivating stories from his illustrious career. From his time with classic rock legends like AC DC, Jimmy Page, and David Gilmour, to his hits with Tom Jones and Manfred Mann's Earth Band, Chris Slade's journey is a treasure trove of music history. Get an inside look at his new album "Timescape," featuring original material and covers, highlighting his songwriting and self-discovery journey. Dive into discussions about iconic songs like "Thunderstruck" and insights into collaborating with music legends. Gain valuable insights on adaptability, self-belief, and the magic of successful collaboration in the music industry. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes.I will read your scores out on the following episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Mississippi by Bob Dylan (2001Song 1: Mrs. Bluebeard by They Might Be Giants (2018)Song 2: Quality Time by Ledisi (2024)Song 3: Three Little Pigs by Green Jelly (1992)Song 4: Rain by The Beatles (1966)Song 5: Blinded By the Light by Manfred Mann's Earth Band (1976)Song 6: Burial Ground by The Decemberists (2024)Song 7: The Ice is Getting Thinner by Death Cab for Cutie (2008)Song 8: I Can See Clearly Now by Johnny Nash (1972)Song 9: Today Was a Good Day by Ice Cube (1992)Song 10: Dinner and a Movie by Phish (1988)

RadiOblivion eppy-sode 189 is fine, fine, FINE as wine, baby!! Join Professor Michael T on a globe-trotting romp through 60s Beat, Garage Rock, Psychobilly, wild sounds and Rock 'N' Roll. Hear: The Beach Moonsters, Manfred Mann, Dukes of Hamburg, Mad Sin, Tall Boys, Nick Curran and the Lowlifes, The Royal Hangmen, and more. Come for Better Living Through Discarded Music; stay for the POUNDERS!!!  Join me on my Patreon page at patreon.com/radioblivion Blow Yer Radio Up, Baby!! If you cannot see the audio controls, your browser does not support the audio element DOWNLOAD | SUBSCRIBE

JD, Steve, Hunter and David rate listener suggestions on the Yachtski Scale, including tracks by Bobby Caldwell, Stanley Jordan, and the Alan Parsons Project.