Podcast appearances and mentions of rob hayes

Is your home emotionally safe? In today's fast-paced, high-pressure world, families are struggling more than ever with conflict, stress, and disconnection. In this episode, host Davies Owens sits down with Rob Hayes-St. Clair and Michael Cox, the duo behind the Core 4 Framework and Parenting Made Peaceful, to discuss a better way forward.Drawing from biblical truth, restoration therapy, and years of experience mentoring families and teens, Rob and Michael explain how identifying our own emotional pain cycles—and learning how to replace them with peace cycles—can radically transform the way we parent. You'll learn how to recognize the four emotional “types” parents default to under stress, why your child's behavior often mirrors your own unspoken patterns, and how to bring lasting change through truth-based communication and emotional regulation.This isn't about being ruled by emotions—it's about understanding them and leading your family from a place of peace, not pain. If you're looking for practical tools, biblical encouragement, and a path to stronger relationships, this is an episode you don't want to miss.Special Thanks to our partners who make BaseCamp Live possible:ZipCastWilson Hill AcademyClassic Learning TestGordon CollegeClassical Academic PressLife Architects CoachingLight Phone Stay tuned for more enlightening discussions on classical Christian education, and join us next time on BaseCamp Live! Remember to subscribe, leave us a review, and reach out to us at info@basecamplive.comDon't forget to visit basecamplive.com for more info and past episodes.

In this episodes hosts Troy Durrell, Josh Bayne and Josh Thomas are back to play a bit of a game. They looked back at the last 10 years of Ticats draft picks, giving certain players a letter grade as well as the entire draft class. Big shoutout to Rob Hayes for the idea for this episode!

This month's mix is a blend of House and Tech House, enjoy !

A mix of Soulful and House Tunes this month folks, enjoy !

Episode 52 - Murdock and Marvel: 2000 Part 2 The new millenium started with some big endings, and comic book sales kept slipping this year.  But 2000 featured some big developments that would point the way to the future of comics.  Welcome to the Oughts, everyone!  This is part 2 of the podcast. that will feature the year in Daredevil, the Spotlight story and the Takeaway for 2000.   The Year in Daredevil  Appearances:  Daredevil #10-13, Earth X #10-12 and X, Fantastic Four #27, Avenger #27, Essential Fantastic Four #3, Marvel Knights #5-6, Daredevil: Ninja #1, Maximum Security #1, and Nick Fury: Agent of Shield graphic novel.    Writing: David Mack (#10 – 11 and 13), Quesada and Palmiotti (12)  Pencils: Joe Quesada (#10 – 11 and 13), Rob Haynes (12)  Inks: Jimmy Palmiotti (#10 – 11), Rob Haynes (12), Mike Morales (13)  A very light year for Daredevil as the main run only released four books this year – all part of the Parts of a Hole storyline started in December 1999. The story would continue until March 2001 when Parts of a Hole conclusion called Vision would reach stores. Visions will be our spotlight for this week.  Issue 12, Gun Play, feels like a fill-in story covering a series of vignettes about Hell's Kitchen residents (featuring some very adult themes) while Echo and Daredevil fight rooftop-to-rooftop that was written by Joe Quesada and Jimmy Palmiotti, with art by Rob Haynes. Although it was well written, it does stall the pacing of the story for an issue.  Outside of the main title, many of the Daredevil appearances this year were reprints including the Daredevil Visionaries: Frank Miller collection that was released in October which included 10 stories from the Frank Miller era and a second printing of the Punisher kills the Marvel Universe graphic novel.   One other original story was started in December and spilled over into 2001 - Daredevil: Ninja which was a limited series written by Brian Michael Bendis and Rob Hayes that saw Daredevil dealing with the Hand and reuniting with Stone in Japan. When the scene shifts back to New York, Baby Karen (From Daredevil Vol.2 #1-8) turns out to be the next great hero of Japan.  This Week's Spotlight: Daredevil volume 2 #15 March 2001 “Parts of a Hole Conclusion: Vision”  Recap Why We Picked This Story Daredevil Rapid Fire Questions The Takeaway A lot of great work can get done when expectations are low and no one is watching.  Questions or comments We'd love to hear from you!  Email us at questions@comicsovertime.com or find us on Twitter @comicsoftime. ------------------ THANKS TO THE FOLLOWING CREATORS AND RESOURCES  Music: Our theme music is by the very talented Lesfm.  You can find more about them and their music at https://pixabay.com/users/lesfm-22579021/.  The Grand Comics Database: Dan uses custom queries against a downloadable copy of the GCD to construct his publisher, title and creator charts.  Comichron: Our source for comic book sales data.  Marvel Year By Year: A Visual History  DC Comics Year By Year: A Visual Chronicle  https://en.wikipedia.org/wiki/List_of_films_based_on_English-language_comics  https://en.wikipedia.org/wiki/List_of_Marvel_Comics_superhero_debuts  https://comicbookreadingorders.com/marvel/event-timeline/  https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipients-1990s/  https://www.manwithoutfear.com/daredevil-interviews/Mack

February's mix , is a blend of Disco and House Tunes, enjoy !!

Show Track List: JC Unique - Never let me go (JC's Classic Vocal Mix) Traxsource promo from the 3rd January 2025 out everywhere from 31st of January Roberto Rodriguez - Ain't It Something (Original Mix) Blacksoul Music True2Life - Masterplan (Original Mix) RidinLo Records Steve Bug - The People's Sound. Shall Not Fade Platform Play: Paris Cesvette, Hannah Khemoh - Love The Way. Quantize Recordings Marc Cotterell - Got To Hold On (Original Plastik Vocal Mix) Plastik People Digital Max Kion - Revival (Extended Mix) Pleased As Punch Freesi - Plastic Feeling. Zissou Records B&S Concept - All Alone (Original Mix) i! Records D.P.V. - The Best In You (Original Mix) Over The Top RecNak - Double Crossed (Original Mix) i! Records 2014 Rob Hayes Guest Mix: Mousse T. - All I Want Is The Bass (Extended Mix) The Ones - Flawless (Low Steppa Remix) Oravla Ziur - Grimey Martin Ikin, Grant Nelson - Out Of My Head (Extended Mix) Martin Ikin, Noizu - Burnin' (Extended Mix) Samim - Heater (Tube & Berger Remix) The Classic Selector: Soulswitch ft Melisa Morgan - Believe In Yourself (Piano Switch) Yellorange 1999 Roach Motel - Movin On. Junior Boy's Own 1993 Urban Magic - Dreams (Cleptos Wet Dreams Mix) Spectrum Records 2001 King Unique - Love Is What You Need (Look Ahead) (Knee Deep Revdo Dub) Defected 2000 A.T.F.C. presents Onephatdeeva - Bad Habit (ATFC Club Mix) Defected 2000

The first mix of 2025 is a blend of Disoc, House and Tech House Tunes, enjoy !

The last show of 2024 brings you a mix of Hpouse and Tech House, Merry Christmas and a Happy New Year ! x

This Month's mix, is a mix of Disco and House Tunes, enjoy !

Oct. 21, 2024 - The United States Environmental Protection Agency is mandating drinking water systems replace all their lead pipes by 2037, but how will it be accomplished? We explore the path forward, including the needs for funding, with Rob Hayes, senior director of clean water for Environmental Advocates NY.

Slammin' House beats, with a mix of House and Tech House, enjoy !

Sharlene Hector – “Free Love” (Teddy Douglas remix) [Quantize] Dave & Maurissa – “Look At The Stars” [Z Records] DJ Man-X and Vick Lavender ft. Shawnee Taylor – “Happy Endings” [Deep Haven] Beaten Soul ft. Maya – “Superstar” (Rob Hayes dub) [Reelgroove] Bobb & Steve ft. Janine Dyer – “Welcome To The Real World” [Groove […] The post Citrus Sound Show 1st Oct 2024 appeared first on SSRadio.

As the evenings start to get cooler, here's some heat !

This month's mix is a 2 hour session of Tech House and House Tunes, enjoy !

Enjoy this summer mix of Tech House Tunes !

HOUSE INC presents Music Room Homecast Dance Music History - Chapter 12 No ar nosso episódio 12 com a historia da Dance Music. Track IDs: 01. Matvey Emerson - Fall for Your Type (feat. Leusin) [Toricos remix] 02. Terrence Parker - unconditional (Crackazat remix) 03. Rychard - Marionette (Original Mix) 04. Pj D'arpino - Surrender (Original Mix) 05. Full Intention - Sacrifice (Original Mix) 06. Kerri Chandler, Jerome Sydenham - You're In My System (Instrumental Club Mix) 07. Rob Hayes - you got it all (original mix) 08. Harry Romero - night the black (Phil Weeks extended ghetto mix) 09. Melé - Atlantic 10. Lee Marrow - Movin' 11. DJ Lelewel - Take Me With The Funk (Hot Pop Mix) 12. House Traffic feat Aretha Day - Rock You (Vocal Mix) 13. Royksopp - what else is there? (Trentmooller Remix) 14. Bingo Players - Tom`s diner 15. Bel Amour - Bel Amour 2007 [sandy vee Remix] 16. Softmal - million days (2k23) 17. This Culture - one life 18. Tom Staar - Drift Link na BIO do instagram.com/brizzimusic para ouvir no Soundcloud, Apple ou Deezer. Fanlink: https://podlink.to/MusicRoom Sponsor: House Inc - instagram.com/house.inc.tshirts Hosted: Brizzi DJ - Instagram.com/brizzidj

A summer mix of Soulful, House and Tech House.

Chapter 427 (This week) Indy Lopez play The best of Deep & Soulful house featuring tracks by: (Intro Herbert - Rude) 1 - Fabrizio Leggieri - Boogie Alright (Original Mix) - Kokolores Records 2 - Luis Machuca, Milla Thyme, Casomado - Time & Space feat. Dawn Pemberton (Vocal Mix) - FriskyBeat 3 - Hideo Kobayashi and Fuminori Kagajo feat. Lisa Taylor - Promises We Made (Original Mix) 4 - Rob Hayes x Sharon West - Paradise - Play Records 5 - Tali Freaks Feat Flame - Naked in the Rain (Indy Lopez Club Remix) She's Super Deep 6 - Indy Lopez - Soulmate (Mr. Lopez Extended Deep Mix) - Deep Rhymes Nash La musica (Back To Basics Exclusive Mix) 1. NASH LA MUSICA - BACK TO BASICS 2. NASH LA MUSICA - NO DEBATE 3. NASH LA MUSICA - DILEMMA 4. NASH LA MUSICA FT GILLES LUKA - NO BODY 5. NASH LA MUSICA FT GILLES LUKA - LIKE I MEAN IT 6. NASH LA MUSICA - CAN WE BE FREE 7. NASH LA MUSICA - TALK TO ME (Guitar Mix) Thanks to all the Labels and Artists for their Music. All tracks selected and mixed by Indy Lopez. Indy Lopez (Producer,Dj & Artist) WWW.INDYLOPEZ.COM Send your Promos to:promo@indylopez.com ALL MY MUSIC CLICK HERE More info: INSTAGRAM FACEBOOK YOUTUBE Bookings Worldwide: Musiczone Records: bookings@indylopez.com Encoded by MUSICZONE PODCAST SERVICES

This month's mix is a blend of Soulful House and Disco Grooves, Enjoy ! x

As the weather warms up, so do the grooves .. this month's mix is a blend of Soulful and House tracks, enjoy !

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Spring time is on the way, enjoy this extended mix of House and Tech House Tunes.

Sophia Amoruso is the founder and managing partner of Trust Fund, an early-stage venture fund focused exclusively (yet broadly) on investing in tech-enabled products that help people start and build businesses. Trust fund's investors include Marc Andreessen, Chris Dixon, David Sacks, Jason Calacanis, Ev Williams, Naomi Gleit, Andrew Chen, Jeff Jordan, Jesse Draper, Rob Hayes, and Phil Hellmuth. Some of their portfolios include Public, Liquid Death, and MoonPay, among others. She is also the founder of Nasty Gal, Girlboss and a New York Times Bestselling author.    You can learn more about:  How to Brand Your Business How to Invest in Top Startups Lessons from Being an Entrepreneur to Venture Capitalist ===================== YouTube: @GraceGongCEO Newsletter: @SmartVenture LinkedIn: @GraceGong TikTok: @GraceGongCEO IG: @GraceGongCEO Twitter: @GraceGongGG ===================== Join the SVP fam with your host Grace Gong. In each episode, we are going to have conversations with some of the top investors, superstar founders, as well as well-known tech executives in silicon valley. We will have a coffee chat with them to learn their ways of thinking and actionable tips on how to build or invest in a successful company.

This month we have a selection of House and Tech House grooves for ya !

Chapter 412 (This week) Indy lopez play The best of Deep & Soul Podcast 2023 (Part 3) featuring tracks by: (Intro Herbert - Rude) 1. Enzo - Smooth Operator (Extended Mix) Another Rhythm 2. George Riley - Elixir - Ninja Tune 3. Jordi Cabrera - Don't Need Love (Original Mix) Listeners Room 4. Monobo - Unconditional Love (Extended Mix) Bo Jam Records 5. Kaigo - Love Symphony (DJ Meme extended Mix) Irma Records 6. 6 Rob Hayes x Sharon West - Paradise Play Records 7. Crystal Glide & Maurizio Sacchi - Daydream (Extended Mix) Irma Records 8. Jeeycee - Pegate a mi (Carlos Castro Afro Latin Mix) 76 Recordings 9. David Anthony - Dani Vassar - I Keeps It Moving (Club Mix) Planet Hum 10. Dre Guazzelli - Summer in My Mind (Extended Mix) Endless City Records 11. Zoe Badwi - Don't Mess With My Man (Sgt Slick Extended Remix) Extrovert Music 12. Duwayne Motley - Saturday Night (Extended Mix) Viva Music 13. Flaurese & Kartell - Say What - Roche Musique 14. Supershy ft. Roberta Flack - Feel Like Makin' Love (Extended Mix) Beyond The Groove / AWAL Recordings Thanks to all the Labels and Artists for his Music. All tracks selected and mixed by Indy Lopez. Indy Lopez (Producer,Dj & Artist) WWW.INDYLOPEZ.COM Send your Promos to:promo@indylopez.com ALL MY MUSIC CLICK HERE More info: INSTAGRAM FACEBOOK YOUTUBE Bookings Worldwide: Musiczone Records: bookings@indylopez.com Encoded and Host by MUSICZONE PODCAST SERVICES

A new year welcomes a new mix for you all, this one is a blend of House and Tech House, enjoy !

Show Track List: Block & Crown, Kaippa - Feelgood Funk (Original Mix) PornoStar Records (US) Grant Nelson - Fly High. Swing City Trouble Within - I Get You (Johan S Remix) Subtractive Recordings Riccardo Gravina - Believe in Love (Philly Version) Good Times, Vol. 1 EP. kluBasic Records Platform Play: Ezequiel G, Marc Cotterell - Higher (Marc Cotterell Plastik Factory Vocal Mix) Plastik People Digital Souldynamic - Shake Your Body (Main Mix) Disco Dynamic EP. Underground Collective Sexy 3: 3 Agent Stereo - L.A. 2 Chicago. La Casa Recordings 2 Duwayne Motley ft Aleysha Lei – Keep Talking (Vocal Mix) Peppermint Jam released end of june last year 1 Yagiz Bayrak - Love Story (Effluxion Remix) Avec Moi Records Alex Herrera - Ain't It Funky (Original Mix) Nite Grooves Adri Block, Paul Parsons - Feel Like Gettin Down. Hardcopy Recording Z Factor - Get In 2 The Music (City Soul Mix) Z Records Rob Hayes (Guest Mix) Jamiroquai - Little L (Dave Lee Disco Re-Blend) HP Vince - Bad Company (Extended Mix) Love Klubb, Richard Earnshaw - Ready For Love (Richard Earnshaw Extended Klubb Mix) Wolfram - YoYo Disco (Purple Disco Machine Extended Remix) Rob Hayes - Last Night (2024 Mix) Daft Punk - Get Lucky (Rob Hayes Re-Drummed Remix) Rob Hayes - Be Free One For The Disco Classic Plays: Lab Rats - Feel The Need (Joey Negro Revival Mix) Azuli Back Catalog 2000 G Club and Banda Sonora - Guitarra G (G Club Original Mix) Defected 2001 Kings Of Soul - If You Take My Love (Booker T Vocal Mix) Liquid Deep 2013 Carolyn Harding - Pick It Up (Sean McCabe Club Vocal) King Street Sounds USA 2012

Chapter 408 (This week) Indy lopez play the best Deep house and soulful featuring tracks by: (Intro Herbert - Rude) 1. Lucalag - Maze of Sounds (Original Mix) Celestial Recordings 2. Louie Gomez - Separate Ways (Deeper Mix) Bassment Tapes 3. Alexander Bollinger - Boko Boko - Cross Land Music 4. Hollistic - Lost & Uncertain (Extended Mix) Déepalma Records 5. Temzar - Shiled Us - DeepWit 6. Peter Vogelaar - Let Love Happen (feat. Cat Dowling) - White Label 7. Redfield - Dreamers (Extended Mix) Hello There Records 8. Sonic Soul Orchestra feat Kathy Brown - Good Inside - (Angelo Ferreri Remix) Midnight Riot 9. Slowonder - Waiting For The Sunshine (Original Mix) Tendertronica Records 10. Discodumper & Noty - Two People (Extended Version) Komman Door Music 11. Rob Hayes x Sharon West – Paradise - Play Records 12. Freejak - Jolene (Kevin McKay Extended Remix) Glasgow Underground Thanks to all the Labels and Artists for his Music. All tracks selected and mixed by Indy Lopez. Indy Lopez (Producer,Dj & Artist) WWW.INDYLOPEZ.COM Send your Promos to:promo@indylopez.com ALL MY MUSIC CLICK HERE More info: INSTAGRAM FACEBOOK YOUTUBE Bookings Worldwide: Musiczone Records: bookings@indylopez.com Encoded and Host by MUSICZONE PODCAST SERVICES

Christmas Time ! Enjoy the tunes and have a great New Year ! x

A proposal from the federal Environmental Protection Agency would impose the strictest limits on lead in drinking water since federal standards were first set 30 years ago. It has a goal of replacing nine million lead pipes within the next 10 years. Rob Hayes of Environmental Advocates explains the proposal, including its impact on Troy and other local communities. With Mark Dunlea for Hudson Mohawk agazine..

As broadcast @ www.totallywiredradio.com Tuesday 12.12.23Hour One and Two with Ket Shah01. Avis - Baby, This Love I Have (Sean Innit Edit) (Feline 1987)02. Mike Salta & Mortale - Mamboyar (Music For Dreams 2023)03. Sandunes ft. Half Waif - Cyclone (Tru Thoughts 2023)04. Steven Bamidele - No One Said (edbl Remix) (Tru Thoughts 2023)05. Club des Belugas & Thomas Siffling - Lawns (Glamjazz 2023)06. Agustín Pereyra Lucena - Pro Forma (Tonodisc / Far Out 1970 / 2023)07. Inês Loubet - Sambo Mesmo Sem (Alberts Favorites 2023)08. Anna-Marie Johnson - Waiting For Your Love (Self Released 2023)09. Léa Mondo - Heights Of Love (Wah Wah 45's 2023)10. Preston Glass & Chosen Family ft Brandon Wattz - The Vibe That I Get from You (SoulMusic 2023011. Will Downing - Love You Right (Sophisticated Soul 2023)12. Dina Ögon - Det Läcker (Playground Music 2023)13. United Freedom Collective ft. Labdi - Nyiego (Dama Dama 2023)14. Everis With Wancee - Love and Affection (Marky B Remix) (Self Released 2023)15. Narada Michael Walden - Close To My Heart (Nicolosi / Walden Music 2023)16. The BritFunk Association - Angel Eyes (Expansion 2023)17. Los Charly's Orchestra Ft Xantone Blacq - Open Up Your Mind (Imagines 2023)18. Simbad - Wake Up (Freerange 2023)19. SouLutions ft Kathy Kosins & Louise Mehan - Distance (Self Released 2023)20. DJ Psycho - Sleepless Nights (Mark Mac Remix) (Deep Clicks 2023)21. Will Brock & Sumsuch - LoA (Land of America) (Clean Version) (Colour & Pitch 2023)22. Eddvin - Do No Change (Just Move 2023)23. Din Jay - Falling From Your Eyes (Catele 2023)24. Rob Hayes x Sharon West - Paradise (Play 2023)

Seasons Greetings, Here's a mix of House, Disco and Tech House.

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Essential House 890 (ROB HAYES) MIX 1          PAT BEDEAU & ANNA-MARIE JOHNSON – HOLDING ON TORTURED SOUL – RUNNIN BACK TO YOU YAM WHO? & MR SMITH FT SUKI SOUL – LETS GO TOGETHER RUBBER PEOPLE – RAISE ME UP Track Of The Week NICK HUSSEY & JAMIE VAN GOULDEN FT STEVE EDWARDS – […]

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Oi Oi Saveloy….Nick Power give you only the very best in Soulful & Uplifting House Music with Soul Kandi. Play LOUD, Share Plenty! Zoey Jones – “We Had A Love” (Inner Spirit) [Lovestruck Records] Vianne & Neone – “Take Me With You” (Richard Earnshaw Extended) Oded Nir & Rob Hayes ft Sandler – “Want Me […] The post Soul Kandi Radio Show 30th Sep 2023 appeared first on SSRadio.

Spoiler free! The Friends recommend and discuss The Maleficent Seven by Cameron Johnston. Once described by author Rob Hayes as "Kings of the Wyld smooshed together with Suicide Squad into a glorious, gory, sweary melee," this action-packed grimdark fantasy novel cannot be missed!   Visit our website: https://www.theftfpodcast.com/ 

Essential House 876 (ROB HAYES) MIX 1 PROHIBITED – SOUL POWER JASON HERD & ROLAND CLARK – I FEEL GOOD AGAIN (JS 2023 SUBLIME) MUSOL & DAVOS – EVERYTHING KC LIGHTS – BETTER TIMES   Track Of The Week  FRANKSTAR PRES. CHANELLE – ONE NIGHT 2023   MIX 2 DISCOTRON – GIVE IT TO HIM […]

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As we hopefully know by now, there is no safe level of lead exposure. But, many people still do not know if they have lead water service lines in their homes in Troy. So on Saturday, March 25, 2023, activists and concerned residents will go door-knocking to engage the people of Troy about this issue. Rob Hayes of Environmental Advocates NY Spoke with Elizabeth Press (EP).

The disclosure that many water pipes in the City of Troy contain harmful levels of lead has led city residents to demand that officials finally take action, especially after the city has been siting on grant funding for the issue for years. Rob Hayes, the Clean Water Director of Environmental Advocates, provides an update on the Troy situation as well as an overview of the problem statewide. With Mark Dunlea for Hudson Mohawk Magazine. (Link to press conference before the city meeting - https://soundcloud.com/mediasanctuary/press-conference-residents-demand-troy-deals-with-lead-pipes-issue)

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT E-paper displays are, by far, best known for the little e-readers people use instead of printed books. The core technology used for those readers is what's also being used for things like meeting room displays and updated bus stop schedule signs that run off batteries and, in some cases, solar chargers. But that's all been in black and white and gray. Color displays, and particularly displays that can do full motion graphics and video playback, have largely stayed in the bucket of future technology. A small Dutch company is well along the path of changing all that - using something called electro-wetting display technology that gets its brightness from the sun, and would be used as low-energy alternatives to big LED video displays used for out of home advertising. In this podcast, I have a detailed chat with Etulipa founder Hans Feil, whose company is rapidly evolving and maturing the technology, and has a big investment and R&D partner in Daktronics, the big South Dakota-based LED manufacturer. We get into what the technology is and how it works, its differences with other kinds of e-paper, how it sets up, and its benefits. The company is still at the advanced R&D stage, but far enough along that it anticipates being in small quantity production next year, through a manufacturing partner in Taiwan. Subscribe to this podcast: iTunes * Google Play * RSS TRANSCRIPT Hans, thank you very much for joining me. Let's just get right to it. What the heck is electro wetting display technology?  Hans Feil: That's a good question. It's what they call reflective display technology. Of course, you probably know about it already, but if people don't know, the introduction that I made is that I say you probably will have an e-reader, many people have e-readers nowadays and it's black and white and a little bit slow, but you can read it outdoors. If you take your iPad outdoor in the sun, it's difficult to read. We have something like your the display on the e-reader, but then with color and it's fast, and that's the that's the difference. So it's a reflective display technology. It reflects light so there's no back light behind, it doesn't emit light. So if you take our display into the dark, you don't see anything unless you light it up with a back light or front light. So that's for newcomers. If you're a chemist or a physicist or a scientist, I'd probably say it a little bit different, in the sense that what we do is that we manipulates liquids colored oils, and we have a layer colored oils and with little cells with oils and we can make small droplets with it and the size of the droplets we can.  For instance, if you compare to print, many people have ink-jet printers and if they would take a magnifying glass and look at the paper, they're see little cyan, magenta and yellow droplets on the white paper, and what we do is we're mimicking this printing with cyan, magenta and yellow. So we have a white paper or white reflector, we call it. And we have three layers of glass on top of it with cyan, magenta, and yellow oil and each individual layer, we can switch this oil droplets, making them small or big. And if all the layers are spread, it's black because you don't see anything, all the lights are absorb. And if there are all the droplets are small, white or nearly white and depending on which droplets you switch and can get all the colors of the rainbow, and that's all very low power.  From what I read on your website, unlike traditional, if you wanna call traditional ePaper, what we would know from E-ink displays primarily, this can do 25 frames per second motion, which is quite a bit different because when you see something change on an ePaper screen, it goes nuts for a fraction of a second as it reorganizes itself.  Hans Feil: Yes, and in our case, it doesn't really reorganize, droplets just become big or small and it goes very fast.  Was that a big step to get to the point where you could change them that quickly or is that kind of inherent in the technology design?  Hans Feil: It comes automatically with the technology. It has never been slow.  And with ePaper, and I'm certainly not banging on Eink, but they spent 20+ years advancing their color displays and they'll put out press releases saying we now have more color support than we used to but basically it's been a very long road to get 'em to full color.  You're saying you've got full color gamut right now?  Hans Feil: Yes, but also in our case, it was a very long long route too. The first paper of Rob Hayes and Johan Feenstra from Phillips Research was from 2003, so 19 years ago, this nature paper, where they're first showing to the world electro wetting display, or at least the concept and some examples. So that's 19 years ago and since then we are working very hard on progressing technology, making better making it possible to manufacture displays and so forth. So it's also a very long route.  So what's the tie, if there is one to Phillips?  Hans Feil: Right now, there is no tie except that we are located here in Eindhoven, what they call High Tech Campus, Eindhoven and it used to be the same campus, but smaller from Phillips Research in the old days. So the technology originally, the effect of switching oil droppers, was initially invented here a few hundreds of meters a away from the place where I'm standing now.  Am I remembering correctly that you have a background with Phillips as well? Hans Feil: That's correct, yeah. I worked what they call the Phillips Research Labs since 1988 in various functions, but mostly quite scientific work in the old days, when it was a very scientific lab. And then I worked for a number of years in battery technology, lithium polymer batteries, and by the end of the 90s, and I got in touch of the guys who started this electro wetting displays, I think in 2004, so I'm 18 years active in electro wetting displays already.  So like you said, it has been a bit of a road then?  Hans Feil: Yes, sure.   When did Etulipa start?  Hans Feil: I'll share a bit of history. At Phillips, when we were working on electro wetting display technology, we did a spinoff called Liquavista, you may have heard the name. It was early 2006 and a little bit prior to that, there was interest from the German automotive mirror manufacturer, a very big one, who wanted to see if this technology could be used for rear view auto dimming mirrors, and at that time it looked very promising. In fact, after co-founding Liquavista, half a year later, together with an old colleague, I cofounded Miortech and Miortech was dedicated to use this electro wedding display technology for rearview mirrors. So by the end of 2006, we started this company, Miortech, trying to make the mirrors. Turned out to be that technology was not as fast as we hoped so there was a lot of development work to do. We really had to go back to the drawing table. In fact, we found out that there was a better way of making electro wetting displays with a different architecture that solved most of the initial problems. We patented that and then we started making prototypes of this mirrors, but basically it was a little bit too late, the market evolved and these automotive companies didn't want to really want it anymore.  But also in fact, if you're trying to make a mirror with small oil droplets or small cells, there's also always some light scattering from this droplets and so we could never get this mirrors fully free from haze. It was always a little bit of haze, so it was not good enough. So by the end of 2012, so it was almost 10 years ago, we said these mirrors are no good. It's a display technology. We have our own patented way of making electro wetting displays, maybe there are display companies who are interested in, for instance, licensing this technology, the way that we make the devices. Turns out to be not so easy, but at some point of time, we were asked, “Can't you make outdoor display with this technology?” And in fact, that's the sweet spot of electro wetting display.  If you really want to have bright, reflective colors, you need CMY, the stack of cyan, magenta, yellow. Just black and white display plus color filters is just not bright enough because you are throwing away two third of the light and so for reflective, you need CMY, and this stack has always a certain thickness because of the glass thickness, which also mean that it limits the the pixel density that you can reach. The rule of thumb is that the the thickness of the stack, CMY is roughly in the same range as the pixel size. And for outdoor displays, if you have a 10 millimeter pixels that's pretty good, that's pretty high resolution already.  So we made a few samples with CMY, very simple samples. And we went along to outdoor display companies, including Daktronics at the time, it was 2013 or 2014 or something like that and we showed it to the folks at Daktronics and they liked it. So they said this looks promising, of course, it was very early days, we just had samples. But since then, we have worked together with Daktronics. They became a shareholder, supporting us all the way, step by step from small displays to black and white displays to full color displays that we have right now. So the story started in 2013, when we stopped the mirrors and said, okay, we need to move to outdoor displays with this, and I think it was a good bet.  Did you find yourself going in the direction of outdoor displays because of market size or was it more the case of a company in Daktronics that specializes in large format, outdoor displays, was interested in it and therefore you had an automatic market partner?  Hans Feil: No, the funny thing is, when we were still at Phillips and we were looking for what kind of markets we would first do with Liquavista, with the technology. I did some research on different markets and I found out that outdoor display markets was in the sweet spot of the technology. But then, and we are talking about 2005 or something like that, the venture capitalist who invested in Liquavista really want to go in mobile displays. So it was at a time when Nokia was still big and the market was growing so reflective displays for cell phones was the automatic market and we put aside the outdoor display at that time.  So talking about my first PowerPoints I had and spreadsheet about market sizes for electro wedding displays for outdoor was already in 2005, so I had it always in my back of the minds and I had presentations ready when we made the switch. That's the reason why we visited Daktronics and a few others. So we didn't make the move to outward display just because of Daktronics, we had chosen for outdoor displays and it just fits with Daktronics.  So just like LED displays, the kind that are manufactured by Daktronics primarily, these displays have a pixel pitch, correct? Hans Feil: Correct.  So there's a gap between each pixel basically?  Hans Feil:. Yes, they're point sources, sort of.  And right now it's 10 millimeters, which in  LED terms would sometimes be referred to as P10 or something, but I'm reading that you anticipate that you can get it down to 2.5mm?  Hans Feil: Yes, that's correct. We already have made samples with TFT back planes with 2.5mm pixel pitch. So right now we have P10, so that are the first displays that we're making but the next stop would be 2.5 millimeter and also larger tiles.  At P10, that's very competitive with conventional billboards that you would see on the side of a road and up above a building, that sort of thing. 2.5 means you could have it as a sidewalk level display that somebody would be able to view quite nicely from say 10 feet away? Hans Feil: Yes, exactly, like bus stops, sidewalks and that kinda stuff.  Yeah. Do you have to get even tighter than that, and is it possible if you wanted to do print and bus schedules and things like that?  Hans Feil: If we want to go to smaller pixel sizes, what's needed is somewhat thinner glass. So right now, the glass that we use is 0.5 millimeter and we have a stack of number of pieces of glass but if you go glass that's 0.2 millimeter or 0.3 millimeter, we can go to pixel sizes of 1 or 1.5 millimeter.  Is that something that's possible, or it's not even developed yet by the glass manufacturers? Hans Feil: Oh no, the glass is there. There's even thinner. Basically, we do it step by step, but the glass is there.  So this isn't a wish, it's just a when?  Hans Feil: Yeah, exactly. There are many things that are a when.  These units are, again, similar in certain respects to LED displays in terms of they have cabinets or tiles, and they stack together? Hans Feil: Correct.  What are the sizes of these tiles, and are there limitations as to how many you can put together or is it modular and it can be as big as you want? Hans Feil: It's modular. The the tiles that we have right now are roughly 10 inch, and we have six tiles in one panel. That's how we build the displays that we have here in our backyard. And the next step with 2.5 millimeter, we're looking for 21 inch tiles so there'll be bigger tiles and smaller pitch, but there are no limits in how big you can make the displays of it. It's just metal scaling up the electronics and it's all modular.  With the video support, I read that right now you're demonstrating animations and not full color video. Is there a reason for that or is just a matter that that's what makes sense right now?  Hans Feil: Yeah, that it's mostly electronics development. There are two parts to this, one is the uniformity of the tiles. We are constantly improving the uniformity so the gray scales and the gray scale definitions become better and better, so that's what's needed, and the electronics development is a separate thing since we have to see how fast we can make the electronics work with the number of gray levels we have. Right now, it's designed with 7 bits color so you can have 128 droplet sizes per color, which for reflective is very much, to be honest, the uniformity is not so good that we can really make this one on the 128 droplet sizes very precise. It's a little bit less but that's all about scaling up the electronics.  In the advertising world, generally speaking for digital out-of-home advertising, they're not using full motion anyways, except for spectaculars in Times Square and those big wrap arounds and so on. There's one heck of a lot of deployed stock that is just digital posters basically? Hans Feil: Yeah, for example, along freeways, you're not allowed to do any animation and so on.  So as long as you can address full color and have the clarity that people want, they're happy?  Hans Feil: Yeah, with the first display out here, it was a test for us to see what's the color space that we can see, what's the impression that we have, and so far we are quite happy.  In fact, all the visitors that come along, many of them do not have very high expectations because they don't know what to expect with reflective colors and the the veterans, so to say, who have seen reflective displays before, they know when colors are dull. But everybody was surprised when they walk outdoor and see what we have in terms of color and brightness. People are amazed.  I believe I saw that these displays can handle 15,000 lumens, that's the maximum brightness?  Hans Feil: To be honest, we didn't measure it exactly yet. That really depends on how much sun comes on it. It scales perfectly with the with the amount of sunshine in the environment. It's like when you have newspaper, I don't have to tell you, of course, that newspaper in the bright sun is very bright but because your eyes are accommodated to the brightness of the environment, you don't do not really notice that it's so bright and that's the same with our display.  In fact, here's a funny story, the cameraman who made his shots for the video clip that we have, he was he was used to taking shots of video or display and he suddenly realizes that he didn't have to adjust all his systems when the sun goes behind the cloud, the display didn't become less bright because the trees and the grass, et cetera, also became less bright. It was then when he realized, okay this is different from what I've seen so far because LED displays are brighter compared to the surroundings all the time. Yeah. It's wildly different, it's the opposite of outdoor LCDs, which are the primary things used for display totems to advertise street furniture, that kind of thing. They're always battling the sun, they've gotta be at least 2500 nits to eve overpower glare and so on, and you're saying, the brighter it is, the better it's gonna get? Hans Feil: Oh yeah, it's fine. But also, today's very gray weather here and I've been there with visitors when it was raining in and it still looked pretty good. It's only when it's getting really dark, likewhen the sun goes down, then you really notice. But it's the same with your eReader. At some point of time, you realize, okay, now I do not see enough contrast anymore, I have to switch on my back light or front light or whatever you have.  That backlight or front light, whatever it may be, that's running off of a battery that's charged by solar collectors, right? Hans Feil: Yeah, that's correct.  So you can be completely autonomous from electrical power grid, but is there enough power out of that battery to do cellular connectivity for updates?  Hans Feil: Yes, sure. In fact, the trailer that we have out here, that was designed to have an LED display mounted on it, so that there's a little bit big battery, but it's one solar panel, a lead acid batteries in this trailer. In fact, we have never charged this one, never. Previously we had a black and white display on it and with our color display, the power consumption of our display is so low, we don't need to charge it. One thing I noticed in the reference photos is that the units have seams. It reminds me of 5-10 years ago when the LCD manufacturers every year would come up with some definition or description of even narrower bezel or seams in between the displays, and when LED came along, that got of a lot interest just because the seams went away, and people who were designing spaces were saying, okay, I wanna use LED instead, because there are no seams. Are you getting any pushback about that about the seams that exist and will those with time go away?  Hans Feil: Pushback is a big word, but people do notice the seams, and although the seam here that we have here is smaller than the width of one pixel, so if you walk to the display, of course you see the seam, and we prefer to have narrow seams or no seams, but you can see the seams. If you walk away, they become less noticeable, and if you cannot discriminate between individual pixels anymore, then the seams are also becoming very thin or hardly visible. With LED display, if you walk toward the display, at some point of time, you can see the individual LEDs, right? The image breaks down and it become little light dots. And in our case, you start noticing the seam more and more. If you're really standing in front of it, of course you'll see many seams, but when you walk away on to say 30-50 feet for P10 pixel then it's hardly noticeable anymore. But again, of course, everybody wants to have thinner seams or no seams. So we have a program working on that to get them thinner, less noticeable. And also in future, when we go to larger tiles, seams will become thin.  We had a big outdoor advertiser here in Holland who who used our 100 square meters screens with P10 pixels, and said that this solution would be good, and not to worry about the seams very much because for 100 square meter display, you're standing 50 meters away or even more, and you won't see the seams anymore.  Where's the product at, are you now shipping or is it still in R&D?  Hans Feil: No, we are now in the testing phase. So we have it out here in the backyard. The next display will be made and shipped to South Dakota for evaluating by Daktronics and their customers. By the end of the year, we are targeting to have a production capacity with our partner, URT in Taiwan, for 50 square meters per year, which isstill not much, but it's doable. And then early next year, we think the first display will be used by first customers here in the region because turns out there are parties that connected to us that have been waiting for low power display for many years but they couldn't go anywhere because the only thing that they had was LED, right? And now they have this option which some of them were looking for it for many years already.  We have a client who, every two years, was making calculations about power consumption of the display and every two years he was disappointed that it was never low enough, and now suddenly he got in touch with us and said, this is what I need. So he'll probably use a number of our displays in the first half of next year.  Are the upfront costs for this going to be higher than that for the upfront cost of conventional LED displays for the same footprint and are the savings more on the backend because you're not using power? Hans Feil: Yeah, that's correct. Right now, we are making them in small quantities So the price is not really reflecting how it can be. But indeed, there is a huge savings in situations where people have to make a connection to the grid, which can take months before they can get a connection, and it's also very often very expensive. We had one small, black and white display in a New York City bus stop, it turns out to be that the solution with our displays in that bus stop with a solar panel and a battery was 30% cheaper than the original version with LED displays, which were connected to the grid.  This connection to the grid and all the work that, that goes along it and permits and so forth, make it very expensive. So even when there was a battery added and a solar panel added, and our display was more expensive than the LED one, it was much cheaper to have reflective displays. It was also new for us at that time.  So going forward into 2023, if I am a outdoor media company in, let's say Australia, and I want to buy this, am I going to be buying it through Daktronics, or will you be licensing this more broadly than that?  Hans Feil: Most likely through Daktronics. Probably the first smaller smaller display here in the region, we will install ourselves because that's more convenient, it's nearby, et cetera. But once this becomes bigger and more mature, it's our goal, our business plan that we will be creating the panels and Daktronics will make displays with those panels and sell them worldwide. And as you scale up maybe the existing manufacturer in Taiwan who right now might be a contract manufacturer doing small lots, you would figure it out from there what kind of manufacturing capacity you'd need?  Hans Feil: Yeah. So for now that they have enough capacity, there should be no problem. We are open for talks, the whole consortium of URT, Daktronics and ourselves, if there are any other major display company who says, okay, I also want to adopt electro wetting displays, because we always believe if we want to make this successful, we should not really keep it all for ourselves. And there's lots of money to be made,-without a lot of grief-in licensing. Hans Feil: Yeah, we're open to do anything that's reasonable. But there are many in fact, maybe all the major display companies that at some point of time tried making electro wetting displays and did R&D but they found it very difficult and stopped with it.  We have our own technology, what we call second generation technology with different approach and we solved all those problems that were there with the first generation electro wetting displays. It has taken some time, but it's worked quite well now. I'm looking forward to seeing it at some point, somewhere. I hope I don't have to go to South Dakota in the middle of the winter, but you never know.  Hans Feil: Well, you could also come here, but I'm not sure if you are in Europe anytime soon.  Yeah, well, Eindhoven has a better football team than Brookings South Dakota, so that would be a better trip for me.  Anyway, thank you very much for spending some time with me. Hans Feil: Yeah, I'm very glad that I got opportunity from you to talk about this. And I hope you can watch our display anytime soon, either here or in the US somewhere. Seeing is believing, in fact, and reflective is just different.  Yeah. I completely buy into the idea that it's one of those things that it's interesting to read and to hear about in a podcast, but to walk up and see it is where you're gonna close the deal. Hans Feil: Yeah, exactly.  All right, thanks again. Hans Feil: Thank you very much, and hope to see you soon.

On June 15, the Environmental Protection Agency (EPA) released significantly reduced lifetime drinking water health advisory levels for PFOA and PFOS forever chemicals. These toxic contaminants were the center of the water controversy in Hoosick Falls and at the Norlite hazardous waste incinerator in Cohoes. Rob Hayes, the Clean Water Director at Environmental Advocates, discusses the impact of the changes with Mark Dunlea for Hudson Mohawk Magazine.

Today, on the Hudson Mohawk Magazine: First up, Mark Dunlea talks with Rob Hayes of Environmental Advocates about the standards for PFAS chemicals necessary to ensure water quality; Then, Roaming Labor Correspondent Willie Terry brings us some voices from the Albany celebration of International Workers Day last Saturday; Later on, Michael Lozman joins us live to talk about the planned Capital District Jewish Holocaust Memorial Museum; After that, Andrea Cunliffe talks with Steve Ridler about the Troy Farmers Market moving outdoors for the season; Finally, kicking off a new weekly initiative in this time slot, to give community groups a chance to drop in to tell us what they're up to, we're joined live by Doug Bullock of the Solidarity Committee of the Capital District.

Prior to the meeting of the NYS Drinking Water Quality Council, advocates urged the NYS Department of Health (DOH) to lower proposed drinking water levels for 23 PFAS chemicals, so that whenever these PFAS are detected in drinking water, the public receives a letter in the mail about it. Rob Hayes of Environmental Advocates discusses water quality issues with Mark Dunea of Hudson Mohawk Magazine,

Aloha! Good Morning! Welcome to the Screwtape Letters Lenten Series by Jay Goodman and “Talking with a Good Man”. This is Letter 14 with my special guest, VERY respected Coast Guard Officer (Retired) Husband, Dad, Grandpa and close personal friend, Rob Hayes!! Join me as we continue an amazing Lenten journey through the Screwtape letters! Let's strive together to be good Men for God, for our families, for our Churches, and for ourselves! God has called us all to greatness, no more sitting on the sidelines! We know what God does with those who are lukewarm…He spits them out. Today, and every day of the week, Monday to Friday, through all of lent, I'll be reading a Screwtape letter every day, followed by some amazing and life-changing insight from Marlon De La Torre's study guide to The Screwtape Letters. After this, you can expect a brilliant commentary on the letter for that day from either myself or a special guest. On the last day, on April 14th, I'll have a very special show where I will draw a name out of my “Long Ride Home” hat that I sometimes wear and have some amazing gifts for a lucky winner! There MUST be 100 comments on my videos by April 13th for me to do the drawing! Enjoy and I'll see you tomorrow! If you would like to contact me, my email is jaygoodman.deepadventure@gmail.com. If you feel in your heart to support this ministry, I would love that! There is so much other equipment I would love to be able to purchase to make this a whole lot better as well as make other videos in the near future! Please Venmo me @jaygoodman75 I have partnered with my friend Bear Woznick and bearschoolofmanliness.com, and I would love to plug you in with like-minded, amazing Catholic Men who want to truly be manly Men while serving the Lord. Bear's website has amazing content designed to help you, your Wife, and even your older kids (age 13-18) be part of a group of Men who are truly amazing. May God richly bless you. St. Michael the Archangel, defend us in battle, be our protection against the wickedness and snares of the devil. May God rebuke him we humbly pray; and do thou, O Prince of the Heavenly host, by the power of God, cast into hell Satan and all the evil spirits who prowl about the world seeking the ruin of souls. Amen. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On March 10, the NYS Drinking Water Council met to implement a new state law regarding utilities testing and reporting on 23 PFAS forever toxic chemicals in drinking water. Rob Hayes, Director of Clean Water for Environmental Advocates of NY, discusses the meeting, including many unanswered (and unasked) questions but some surprise DOH steps as well. With Mark Dunlea for Hudson Mohawk Radio Network.

Jed Herne interviews Rob J. Hayes about his epic fantasy trilogy, 'The War Eternal.' Check out the Novel Analyst here: https://anchor.fm/novelanalyst --- Support this podcast: https://anchor.fm/wizardswarriorswords/support