Podcast appearances and mentions of roger norrington

Er war der erste, der es immer tat: Fritz Kreisler, der Wiener Charmeur mit dem gepflegten Schnurrbart und dem schlanken Ton. Kreisler gilt als erster Geiger, der ununterbrochen vibrierte. Doch die Vertreter der Historischen Aufführungspraxis haben dem Gewackel den Kampf angesagt - allen voran Roger Norrington, der mit seinem Radio-Sinfonie-Orchester Stuttgart selbst die spätromantische Musik absolut vibratolos spielt. Unser ZOOM erzählt die Geschichte einer Infektion.

Roger Norrington war viele Jahre lang der Chefdirigent des SWR Rundfunksinfonieorchesters Stuttgart. Am 16. März feiert er seinen 90. Geburtstag. Dirk Altmann, der Soloklarinettist des jetzigen SWR-Symphonieorchesters, hat ihn während seiner Stuttgarter Zeit ganz nah miterlebt und kann sagen: „Keine Probe mit ihm war langweilig!“ Über Norrington als Dirigent und Mensch, und über den sogenannten „Stuttgart Sound“, der prägend für das Orchester war, erzählt er im SWR2 Musikgespräch.

Vitaliy Katsenelson joins Devin Patrick Hughes on One Symphony. He was born in Murmansk, USSR, and immigrated to the United States with his family in 1991. Vitaliy became CEO of Investment Management Associates in 2012 and has written two books on investing and for publications including Financial Times, Barron's, Institutional Investor and Foreign Policy. Vitaliy's articles can also be found at ContrarianEdge.com and on the Intellectual Investor Podcast.   Soul in the Game is a book of inspiring stories and hard-won lessons on how to live a meaningful life.  Drawing from the lives of classical composers, ancient Stoics, and contemporary thinkers, Katsenelson weaves together a tapestry of practical wisdom that has helped him overcome his greatest challenges: in work, family, identity, health – and in dealing with success, failure, and more.   Part autobiography, part philosophy, part creativity manual, Soul in the Game is a unique and vulnerable exploration of what works, and what doesn't, in the attempt to shape a fulfilling and happy life.   Thank you for joining us for on One Symphony.  Thanks to Vitaliy Katsenelson for sharing his wealth of knowledge, you can check out Soul in the Game where you get your books and myfavoriteclassical.com. Thank you to all amazing performers featured on today's show: Valentina Lisitsa, Michael Francis and the London Symphony, Roger Norrington and the London Classical Players, Valery Gergiev and the Vienna Philharmonic, Yevgeny Mravinsky and the Leningrad Philharmonic, Leonard Bernstein and the New York Philharmonic, Lang Lang, Daniel Barenboim and the Chicago Symphony, Bernd Glemser, Antoni Wit, and the Polish National Radio Symphony.   You can learn more about Vitaliy at https://contrarianedge.com/. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

durée : 01:30:00 - En pistes ! du mercredi 30 novembre 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin, nous poursuivons l'exploration du coffret consacré à Roger Norrington. Mais aussi, Jérémy Garbarg et le Trio Consonance qui symbolisent le partage entre artistes avec ce nouveau disque réunissant la musique de trois compositeurs emblématiques.

durée : 01:29:42 - En pistes ! du mardi 29 novembre 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin, nous partons en voyage au paradis éternel de Thomas Dunford et son ensemble Jupiter. Avec les chanteurs Lea Desandre et Iestyn Davies, ils interprètent les musiques spirituelles de Haendel. Nous écouterons aussi Roger Norrington ou encore le pianiste Burak Cebi.

Synopsis Today in 1825, a benefit concert was arranged in Boston for one of that city's favorite musicians: Johann Christian Graupner—not a household name for music lovers today, but in the early 19th century, Graupner was an important musical link between the Old World and the New. Graupner was born near Hanover in 1767. The son of an oboist, young master Graupner mastered that instrument, too—and many others. After service in a German military band, he made his way to London, where in 1791 he was picked as the principal oboist for the first of Haydn's symphonic concerts there. In 1797, Graupner's itchy feet took him to Charleston, South Carolina, where he met and married a pretty English actress and opera singer. The couple moved to Boston and became active in the musical life there. Graupner opened a music store, importing from Europe both those newfangled fortepianos and the latest in sheet music. In 1810, he became the first president of Boston's Philharmonic Society, and in 1815 helped organize that city's Handel and Haydn Society—a performing organization that still exists today. For Graupner's benefit concert on May 1, 1825, Haydn's Symphony No. 100 was included on the program, marking that symphony's first documented performance in America. It was presumably an “authentic” performance, too, since Graupner had most likely played it under the composer's own direction back in London some three decades earlier. Music Played in Today's Program Franz Josef Haydn (1732 - 1808) – Symphony No. 100 (Military) (London Classical Players; Roger Norrington, cond.) EMI 55192

Am 18. November 2021 dirigiert Sir Roger Norrington noch einmal Joseph Haydn am Pult der Royal Nothern Sinfonia. Er habe entschieden, dass dies sein letztes Konzert auf dem Podium sei, teilt das Konzerthaus "The Sage Gateshead" auf seiner Webseite mit. Mit diesem letzten Auftritt beendet Norrington seine über 50-jährige Karriere. Im Gespräch mit BR-KLASSIK verrät Sir Roger, was sein Haydn-Geheimnis ist und warum er auf Memoiren verzichtet.

Freude, Gemeinschaft und Freiheit – diese drei Themen schwingen immer mit, wenn Beethovens Vertonung der Ode „An die Freude“ von Schiller erklingt.

Er war der erste, der's immer tat: Fritz Kreisler, der Wiener Charmeur mit dem gepflegten Schnurrbart und dem schlanken Ton. Kreisler gilt als erster Geiger, der ununterbrochen vibrierte. Doch die Vertreter der historischen Aufführungspraxis haben dem Vibrato den Kampf angesagt - allen voran Roger Norrington, der mit seinem RSO Stuttgart selbst die spätromantische Musik absolut vibratolos spielt. Bernhard Neuhoff erzählt die Geschichte einer Infektion.

Image Credit: Chris Christodoulou Another chance to hear a special interview with Sir Roger Norrington, as he speaks to presenter Tom Service about his distinguished career in music, and in particular his relationship with Beethoven in the composer's 250th anniversary year, including his groundbreaking and seminal recordings of the symphonies with the London Classical Players, and his distinctive and influential approach to historically informed performance practice in music from Monteverdi and Schutz to Mahler and Debussy.

Erst ein gutes Jahrzehnt nach Franz Schuberts Tod beginnt die Erfolgsgeschichte um die „Große C-Dur“: Felix Mendelssohn Bartholdy hebt den Schatz in einer späten Uraufführung.

Wagners „Der Ring des Nibelungen“ in historisch informierter Aufführungspraxis — der Musikwissenschaftler Kai Hinrich Müller erzählt von diesem interdisziplinären Projekt und Wagners besonderer Affinität zur Sprache.

Andy Doe joins us to discuss CD packaging. The types of packages used, such as jewel cases and digipacks, and the marketing behind those Big Classical Box Sets. Guest: Andy Doe (https://andydoe.com/) Proper Discord (https://properdiscord.com/) Show notes: Andy's video about how to unwrap a CD (YouTube) (https://www.youtube.com/watch?v=vvRLrMcJvbo) O-cards and J-cards (https://www.nationalaudiocompany.com/2127-2/) Beethoven Symphonies, Roger Norrington, The London Classical Players (https://amzn.to/2L1Cl0U) Beach Boys: US Singles Collection (https://amzn.to/2MH74Cp) Murray Perahia: The First 40 Years (https://amzn.to/2MFMUsH) Bach 333 – The New Complete Edition (https://amzn.to/2L18mq3) Mozart 225 - Complete Edition (https://amzn.to/2L200OA) In Praise of the iTunes Column Browser (https://kirkville.com/in-praise-of-the-itunes-column-browser/) Julianna Hatfield, Only Everything: https://kirkville.com/wp-content/uploads/2019/08/hatfieldOnlyEverything.png Our next tracks: Mitsuko Uchida Plays Schubert (https://amzn.to/2ZyqUpE) The Kinks: The Anthology 1964-1971 (https://amzn.to/2PgAQ2Z) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast. Special Guest: Andy Doe.

Mit seinen London Classical Players hat Sir Roger Norrington Plattengeschichte geschrieben, mit dem Radio-Sinfonieorchester des SWR kreierte er den "Stuttgart Sound". Gelernt hat er bei Altmeister Adrian Boult. Am 16. März 2019 feiert der Originalklangpionier seinen 85. Geburtstag.

Bekannt ist er unter anderem wegen seines "Stuttgart Sound", den Roger Norrington mit dem Radio-Sinfonieorchester erarbeitet hat. Elgin Heuerding im Gespräch mit dem Dirigenten.

Englischer Dirigent (geboren am 16. März 1934 in Oxford)

  Rachel Barton Pine, classical violinist, and member of the metal band Earthen Grave, has played with orchestras all over the world, and under the baton of many renowned conductors. But in this episode of the Classical Classroom, she comes back to a piece – over, and over, and over, and over – studied by every young violin player. Rachel shows us how Mendelssohn’s Violin Concerto in E Minor has been interpreted by violinists across history and cultures, and how this ebullient piece is given new life by each new musician who plays it. Rachel Barton Pine, classical violinist, and member of the metal band Earthen Grave, has played with orchestras all over the world, and under the baton of many renowned conductors. But in this episode of the Classical Classroom, she comes back to a piece – over, and over, and over, and over – studied by every young violin player. Rachel shows us how Mendelssohn’s Violin Concerto in E Minor has been interpreted by violinists across history and cultures, and how this ebullient piece is given new life by each new musician who plays it. Audio production by Todd “Toddy Ruxpin” Hulslander, with kind of creepy hovering during the editing process by Dacia Clay. Music in this episode: – “Life Carries On” from Dismal Times, by Earthen Grave – Brahm’s Violin Concerto, Rachel Barton Pine with Chicago Symphony Orchestra. Carlos Kalmar conducting. – “Rock You Like a Hurricane” from Love at First Sting by the Scorpions. – “Ice Cream Man” from Van Halen by Van Halen. – Mendelssohn’s Violin Concerto in E Minor as performed (not necessarily in this order) by: — Rachel Barton Pine with Gottinger Symphonie Orchester. Christoph-Mathias Mueller conducting. — Joshua Bell with Camerata Salzburg. Roger Norrington conducting. — Fritz Kreisler with Berlin State Opera Orchestra. Leo Blech conducting. — Jascha Heifetz with Boston Symphony Orchestra. Sir Thomas Beecham conducting. — Maxim Vengerov with Leipzig Gewandhaus Orchestra. Kurt Masur conducting. — Isaac Stern with Philadelphia Orchestra. Eugene Ormandy conducting. — Henryk Szeryng with London Symphony Orchestra. Antal Dorati conducting. — Nathan Milstein with New York Philharmonic. Bruno Walter conducting. — Anne-Sophie Mutter with Berlin Philharmonic. Herbert von Karajan conducting.  — Itzhak Perlman by London Symphony Orchestra. Andre Previn conducting. — Maud Powell For more information about Classical Classroom: www.houstonpublicmedia.org/classroom For more information about Rachel Barton Pine: www.rachelbartonpine.com But wait! There’s more! In this short Classical Classroom, she talks about the most important thing her two musical loves share in common: emotional power. Audio production by Todd “Goes to 11” Hulslander with lighters in the air by Dacia Clay. Music in this episode: – “Death Is Another Word” from Earthen Grave, by Earthen Grave – Brahm’s Violin Concerto, Chicago Symphony Orchestra, Carlos Kalmar conducting. – “Rock You Like a Hurricane” from Love at First Sting by the Scorpions – “Ice Cream Man” from Van Halen by Van Halen – “Arpeggios from Hell” by Yngwie Malmsteen – Tchaikovsky’s Violin Concerto in D major, Vadim Repin with Kirov Orchestra. Valery Gergiev conducting. – Sibelius’ Violin Concerto in D minor, Salvatore Accardo with London Symphony Orchestra. Sir Colin Davis conducting. – “Wasted Years” from Somewhere in Time by Iron Maiden – “Ozzy/ Black Sabbath Medley” by Rachel Barton Pine

Lucie Skeaping presents a programme exploring Purcell's semi-opera, The Fairy Queen, based on Shakespeare's A Midsummer Night's Dream. Purcell did not set any of Shakespeare's original text, and instead added self-contained masques in each of the acts, which include some of Purcell's finest music. Lucie plays musical extracts from each of the masques from various recordings, directed by Ton Koopman, Roger Norrington, Harry Christophers and Nikolaus Harnoncourt.

Sir Roger Norrington has been one of the major movers and shakers on the classical music scene for nearly half a century. He founded the Schutz Choir and the London Classical Players, and was Music Director of Kent Opera for 15 years before taking his place on the podium with some of the great orchestras of Europe and America. The son of an Oxford Vice-Chancellor, Norrington was put to work in academic publishing before the musical imperative took over. His approach differed from other historically informed leaders, concentrating less on old instruments and more on texture of sound. He has outlasted many of his noisier contemporaries, a fact more remarkable since he was told two decades ago that he'd developed a brain tumour and had only months to live. Norrington talks to Norman Lebrecht about his early years growing up in Oxford and Canada, how he made the decision to become a musician, and how he battled ill health to come through fighting.