Podcasts about sir roger norrington

Roger Norrington war viele Jahre lang der Chefdirigent des SWR Rundfunksinfonieorchesters Stuttgart. Am 16. März feiert er seinen 90. Geburtstag. Dirk Altmann, der Soloklarinettist des jetzigen SWR-Symphonieorchesters, hat ihn während seiner Stuttgarter Zeit ganz nah miterlebt und kann sagen: „Keine Probe mit ihm war langweilig!“ Über Norrington als Dirigent und Mensch, und über den sogenannten „Stuttgart Sound“, der prägend für das Orchester war, erzählt er im SWR2 Musikgespräch.

Der Dirigent Sir Roger Norrington feiert in diesem Jahr seinen 90. Geburtstag. Viele Jahre war er Chefdirigent des Radio-Sinfonieorchesters Stuttgart des SWR und hat mit dem Orchester ein besonderes Klangprofil erarbeitet, das als „Stuttgart Sound“ weltweit für Aufsehen sorgte.

The lads chat Beethoven. Info on Sébastien Letocart here: https://www.sites.google.com/site/letocartsebastien/Home-english Music excerpts: 21:45 Beethoven 3rd symphony "Eroica", funeral march conducted by Sir Roger Norrington with the Radio-Sinfonieorchester Stuttgart 33:35 Beethoven 4th symphony finale conducted by Sir Roger Norrington with the London Classical Players 38:26 Beethoven 5th symphony, first movement, conducted by Nikolaus Harnoncourt with the Chamber Orchestra of Europe 51:58 Beethoven 7th symphony, 2nd movement allegretto, conducted by Christopher Hogwood with The Academy of Ancient Music 1:08:01 Beethoven 8th symphony finale conducted by Riccardo Chailly with the Gewandhausorchester Musc at the end of the episode is Beethoven 9th symphony conducted by Christopher Hogwood with The Academy of Ancient Music

C'est à un véritable florilège musical que vous convient Christophe Rousset et Pauline Lambert pour ce dernier épisode de Baroque en stock ! Qui était Werner, le prédécesseur de Haydn au palais Esterházy ? Et qui était Wilhelm Friedemann, le chouchou devenu le fils maudit de Bach ? Qui a composé Water Music et Xerxès, l'un des plus grands tubes de l'histoire de l'opéra ? Quels liens entre Rameau et Mozart, entre Zaïs, Zoroastre et Zauberflöte (La Flûte enchantée) ?   Toutes les réponses dans ce dernier numéro de Baroque en stock, un podcast de Radio Classique et des Talens Lyriques. Retrouvez tous les épisodes précédents sur radioclassique.fr ou sur vos plateformes habituelles !  Références musicales (pour le site et pour les plateformes) : Werner, Debora, Ensemble vocal Savaria, Capella Savaria, Pál Németh (dir.)  Haydn, Les Saisons, chœur des vendangeurs, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe (dir.)  Bach, Concerto à 3 clavecins, cordes et continuo, 3e mouvement, Davitt Moroney, Christophe Rousset et Christopher Hogwood (clavecins), Academy of Ancient Music  Haendel, Water Music, suite n°1 en fa majeur, ouverture, The English Baroque Soloists, Sir John Eliot Gardiner (dir.)  Haendel, Water Music, suite n°2 en ré majeur, “Alla hornpipe”, The English Baroque Soloists, Sir John Eliot Gardiner (dir.)  Haendel, Water Music, suite n°3 en sol majeur, Akademie für Alte Musik Berlin  Haendel, Xerxès, “Ombra mai fu”, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington (dir.)  Rameau, Zaïs, Entrée en sarabande pour les jeux et les plaisirs, Les Talens Lyriques, Christophe Rousset (dir.)  Rameau, Zaïs, ouverture, Les Talens Lyriques, Christophe Rousset (dir.)  Mozart, La Flûte enchantée, “O Isis und Osiris”, Martti Talvela, Orchestre Philharmonique de Vienne, Sir Georg Solti (dir.)  Mozart, La Flûte enchantée, “Der Hölle Rache”, Sabine Devieilhe, Pygmalion, Raphaël Pichon (dir.)   Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

French oboist Philippe Tondre has secured a place among the finest musicians of his generation. «Master of the oboe » (Bonner General Anzeiger), his music-making is packed with emotional sensitivity and stunning virtuosity. Principal oboe of the Philadelphia Orchestra, the Chamber Orchestra of Europe, and the SWR Symphony Orchestra, Philippe Tondre is also a member of the Mito Chamber Orchestra, the newly-founded Kammer Ensemble Paris, and Principal Oboe of the Saito Kinen Orchestra Matsumoto. From 2014 until 2020 he was Solo Oboe of the Budapest Festival Orchestra and from 2016 until 2017 Solo Oboe of the Gewandhaus Orchestra in Leipzig. He has worked with eminent conductors, amongst others Seiji Ozawa, Yannick Nezet-Séguin, Sir Simon Rattle, Gustavo Dudamel, Andris Nelsons, Ivan Fischer, Daniele Gatti, Teodor Currentzis, Franz Welser- Möst, Sir Roger Norrington, Fabio Luisi, Herbert Blomstedt, Esa-Pekka Salonen und Daniel Harding. In November 2015 Philippe Tondre was nominated Professor for Oboe at the Hochschule für Musik Saar. He gives masterclasses in China, Taiwan, Japan, Spain, Switzerland, and Germany. Philippe Tondre plays a Buffet Crampon « Légende » Oboe. ********************************************************************************************************************************************** In this episode, I speak to Philippe about his early musical journey, the key teachers and mentors that had a great influence on him, what studying with Maurice Bourguewas like; his tips for competitions and peak performance, why having active sports and exercise regime is important for wind players, how he toggles between playing in the US and Europe, his upcoming projects, recordings and concerts, the French school of oboe, and his personal tips for young musicians. To find out more about him, visit: http://www.philippetondre.com LOR podcast is sponsored by Barton Cane. To enjoy free shipping, use coupon code, “legendsofreed”, all one word on any order. https://www.bartoncane.com

In this episode, Simon Mundy interviews British conductor Sir Roger Norrington who has recently retired and with whom the COE did many projects over the years, focusing particularly on works by Joseph Haydn. Includes musical excerpts from Haydn's Creation and Seasons released by Profil Edition Gunther Haenssler back in 2008.

durée : 00:06:21 - L'Affaire Norrington, ou le débat du vibrato en orchestre - par : Christophe Dilys - Voyage dans le temps au XIXe siècle : comment les orchestres jouaient-ils ? Avec ou sans vibrato ? Sir Roger Norrington entend faire du concert un événement aussi spontané qu'à l'époque, avec applaudissements, cris d'admiration.. et un son sans vibrato, ce qui fait grincer des dents. Ecoutons cela !

Ben Palmer has quite a multi-faceted career and that makes him fascinating to chat with. He is also a fan of this podcast so that made it doubly joyful! I found out how he first got to meet Sir Roger Norrington, I discover that conducting music live to film and the world of historically informed performance has more in common than you might at first think, and we agree that Sibelius' Symphony No.7 is extremely difficult to conduct! If you would like to access the bonus mini-episode attached to this podcast, why not subscribe at https://www.patreon.com/amiconthepodium, and, for a monthly fee starting from just £5 a month, you can access two new series of interviews, group Zoom meetings with other fans of the podcast and myself, a monthly bulletin about the podcast and my own career as well as articles, photos, videos and even conducting lessons from myself. If you listen via Apple podcasts, please do leave a rating and review - it really helps the podcast get noticed and attract more listeners. If you want to get involved on social media, you can via Facebook (https://www.facebook.com/amiconthepodium) or Twitter (@amiconthepodium). This interview was recorded on 11th January 2022 via Zoom.

In this special feature-length episode to celebrate reaching the century of episodes, I was lucky enough to chat with one of the biggest names in conducting over the last few decades, Sir Roger Norrington. He was charming, open, honest, fascinating and a joy to spend 90 minutes in the company of. I discovered how being sent to Africa made him decide that he wanted to try to become a professional musician, he was very honest about his system for learning a score, especially his feelings and thoughts on harmony, and it wouldn't have been a discussion with Sir Roger without us becoming very detailed about metronome markings, especially Beethoven's! If you would like to find out more about the world of conducting and conductors, why not subscribe at https://www.patreon.com/amiconthepodium, and, for a monthly fee starting from just £5 a month, you can access two new series of interviews, group Zoom meetings with other fans of the podcast and myself, a monthly bulletin about the podcast and my own career as well as articles, photos, videos and even conducting lessons from myself. If you listen via Apple podcasts, please do leave a rating and review - it really helps the podcast get noticed and attract more listeners. If you want to get involved on social media, you can via Facebook (https://www.facebook.com/amiconthepodium) or Twitter (@amiconthepodium). This interview was recorded on 17th January 2022 via Zoom.

Am 18. November 2021 dirigiert Sir Roger Norrington noch einmal Joseph Haydn am Pult der Royal Nothern Sinfonia. Er habe entschieden, dass dies sein letztes Konzert auf dem Podium sei, teilt das Konzerthaus "The Sage Gateshead" auf seiner Webseite mit. Mit diesem letzten Auftritt beendet Norrington seine über 50-jährige Karriere. Im Gespräch mit BR-KLASSIK verrät Sir Roger, was sein Haydn-Geheimnis ist und warum er auf Memoiren verzichtet.

Paul and Max are joined by comedian and Arsenal fan Jacob Hawley as well as Andy Jacobs and Geoff Peters for another nail-biting Birthday Spread. See acast.com/privacy for privacy and opt-out information.

durée : 00:58:50 - Sir Roger Norrington "décape" Beethoven - par : Aurélie Moreau - "La musique doit danser", affirmait Sir Roger Norrington. Le chef britannique nous livre des interprétations de Beethoven sans fioritures, toniques, pétillantes et très véloces. - réalisé par : Bruno Riou-Maillard

For this episode, Netty popped down to Devon to chat with OAE Emeritus Conductor and period instrument legend Sir Roger Norrington at his home. Sir Roger, who has been with us from the very beginning, is famous for conducting from a swivelling office chair, encouraging applause between movements and his disdain for vibrato, not to mention his energising performances and fresh perspectives on Beethoven, Mozart and Haydn. ____Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger...), Netty chats with a variety of conductors, players and other guests as she 'spills the tea' on the side of classical music you don't normally hear.

Image Credit: Chris Christodoulou Another chance to hear a special interview with Sir Roger Norrington, as he speaks to presenter Tom Service about his distinguished career in music, and in particular his relationship with Beethoven in the composer's 250th anniversary year, including his groundbreaking and seminal recordings of the symphonies with the London Classical Players, and his distinctive and influential approach to historically informed performance practice in music from Monteverdi and Schutz to Mahler and Debussy.

durée : 00:58:50 - Sir Roger Norrington "décape" Beethoven - par : Aurélie Moreau - "La musique doit danser", affirmait Sir Roger Norrington. Le chef britannique nous livre des interprétations de Beethoven sans fioritures, toniques, pétillantes et très véloces. - réalisé par : Bruno Riou-Maillard

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His career was closely associated with the composer Benjamin Britten, his personal and professional partner for nearly forty years.Joan Cross was an English soprano, closely associated with the operas of Benjamin Britten.Aldborough is a village in the civil parish of Boroughbridge in the Borough of Harrogate in North Yorkshire, England.La bohème is an opera composed by Giacomo Puccini.Paul Bunyan is an operetta in two acts and a prologue composed by Benjamin Britten to a libretto by W. H. Auden, designed for performance by semi-professional groups.Malcolm Fraser was an opera director.The Magic Flute is an opera by Mozart.Scottish Opera is the national opera company of Scotland.Sir David Pountney is a British and Polish theatre and opera director and librettist internationally known for his productions of rarely performed operas and new productions of classic works.“Four Sea Interludes” are from the opera Peter Grimes by Benjamin BrittenPeter Hemmings was an English opera administrator, impresario and singer.LA OperaJohn Cox is an English opera director.The Marriage of Figaro is an opera buffa (comic opera) composed in 1786 by Mozart.Così fan tutte an opera by Mozart.Wozzeck is the first opera by the Austrian composer Alban Berg.Don Giovanni is an opera by Mozart.Glyndebourne is an English country house, the site of an opera house that, since 1934, has been the venue for the annual Glyndebourne Festival Opera.Falstaff is a comic opera by the Italian composer Giuseppe Verdi.Ariadne auf Naxos is an opera by Richard Strauss.Un ballo in maschera is an opera by Verdi.English Touring Opera (ETO) is an opera company in the United Kingdom founded in 1979 under the name Opera 80 by the then-existing Arts Council of Great Britain.The Barber of Seville is an opera by Gioachino RossiniSir Thomas Allen is an English operatic baritone.Dame Janet Baker is an English mezzo-soprano best known as an opera, concert, and lieder singer.Decca Records is a British record label established in 1929 by Edward Lewis.Serenade to Music is a work by Ralph Vaughan WilliamsRobert LloydDanielle de Niese is an Australian-American lyric soprano.Jules Massenet was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892).Sir Roger Norrington is a British conductor. He is the son of Sir Arthur Norrington and his brother is Humphrey Thomas Norrington.Elijah Moshinsky is an Australian opera director, theatre director and television director who has worked at the Royal Opera House, the Metropolitan Opera, the Royal National Theatre, BBC Television and numerous other venues.The Royal Academy of Music in London, England, is the oldest conservatoire in the UK.The Guildhall School of Music and Drama is an independent music and dramatic arts school which was founded in 1880 in London, England.Valery Gergiev is a Soviet and Russian conductor and opera company director of Ossetian origin.Der Rosenkavalier is a comic opera by Richard StraussCarol Vaness is an American lirico-spinto soprano.Opera KansasPalm Beach Opera Vocal CompetitionOpera PhiladelphiaCount Almaviva is a character in the Marriage of FigaroTheresa May is a British politician who served as the Prime Minister of the United Kingdom and Leader of the Conservative Party.Don Carlos is a grand opera composed by Verdi.Simon Boccanegra is an opera by Verdi.Madame Butterfly is an opera by Giacomo Puccini.Der Freischütz is a German opera with spoken dialogue by Carl Maria von Weber.Washington Irving was an American short story writer, essayist, biographer, historian, and diplomat of the early 19th century.Glenn Platt is Cincinnati Opera’s Director of ProductionGiorgio Strehler was an Italian opera and theatre director.Killing Eve is a British spy thriller television series, produced in the United Kingdom by Sid Gentle Films for BBC America.Breaking Bad is an American neo-Western crime drama television series created and produced by Vince Gilligan.The Cincinnati Zoo and Botanical Garden is the second-oldest zoo in the United States.Amy Winehouse was an English singer and songwriter.René Jacobs is a Belgian musician. He came to fame as a countertenor but in recent years has become renowned as a conductor of Baroque and early Classical opera.Carmen is an opera by French composer Georges Bizet.Santa Fe Opera (SFO) is an American opera company.Lorenzo Da Ponte was an Italian, later American opera librettist, poet and Roman Catholic priest.

Beethovens Achte Symphonie klingt, als ob der Komponist, der ja bei Haydn Unterricht genommen hatte, noch einmal bei der Musik des 18. Jahrhunderts in die Schule des musikalischen Witzes gegangen sei. Wiebke Matyschok stellt mit Sir Roger Norrington das Starke Stück vor.

Sir Roger Norrington joins Sean to talk about a forthcoming project.

Sir Roger Norrington has been one of the major movers and shakers on the classical music scene for nearly half a century. He founded the Schutz Choir and the London Classical Players, and was Music Director of Kent Opera for 15 years before taking his place on the podium with some of the great orchestras of Europe and America. The son of an Oxford Vice-Chancellor, Norrington was put to work in academic publishing before the musical imperative took over. His approach differed from other historically informed leaders, concentrating less on old instruments and more on texture of sound. He has outlasted many of his noisier contemporaries, a fact more remarkable since he was told two decades ago that he'd developed a brain tumour and had only months to live. Norrington talks to Norman Lebrecht about his early years growing up in Oxford and Canada, how he made the decision to become a musician, and how he battled ill health to come through fighting.

Sue Lawley's guest this week is the conductor Sir Roger Norrington. Known for conducting music at a cracking pace, he argues that it's the way the great composers would have played it. Music should be fun, he says, it should entertain - and never, ever, be pompous. He chooses eight records to take to the mythical island.[Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Brandenburg Concerto No.6 by Johann Sebastian Bach Book: Complete Works by Thomas Hardy Luxury: Chocolate

Sue Lawley's guest this week is the conductor Sir Roger Norrington. Known for conducting music at a cracking pace, he argues that it's the way the great composers would have played it. Music should be fun, he says, it should entertain - and never, ever, be pompous. He chooses eight records to take to the mythical island. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Brandenburg Concerto No.6 by Johann Sebastian Bach Book: Complete Works by Thomas Hardy Luxury: Chocolate