Podcasts about Dirk

This months starts #VIDtober, where we exclusively discuss the movies released by New World Video! We being back guest Dirk Marshall of the VH US Podcast to help us break down 1987's Canadian tax shelter movie ZOMBIE NIGHTMARE! Adam West headlines a movie filled with so many choices, he doesn't even show up for 45 minutes! It all starts with a group of trendy teens, played by Tia Carrere and director (and bad boy) Shawn Levy, who accidentally kill a heroic baseball player who loves Wheat Germ.  But, as they soon find out, dead men have a way of returning, with milky eyes and an occasional limp!  Listen as we marvel at this delightful film and the world it contains, where the best cheese is bought at liquor stores, tennis is the purest aphrodisiac, and everyone is one jacuzzi dip away from getting pink mouth!  Find Dirk here: https://twitter.com/VHUS_Podcast   Find VH US here: https://vh-us.com/

Bryan and Dirk come up with slogans for the new Favstar!⭐ Like what you hear? Leave us a five-star review wherever you listen!

Dirk had the great opportunity to sit down with "Stuck N the Rut" YouTuber Tom Schneider and talk about hunting elk with a rifle. This is part one of two episodes. In this episode, they break down how to find elk and how to hunt them during the first part of October. Connect with Dirk and Phelps Game Calls Phelps on Instagram, Facebook, and YouTube Shop Phelps MerchSee omnystudio.com/listener for privacy information.

"This episode was brought to you by Reconciled.com. Helping M&A Entrepreneurs just like you with Bookkeeping, CFO & Controller Services, Outsourced Enterprise Accounting and Tax Services. Reconciled.com"About The Guest(s): Dirk Sahlmer is the Head of Origination for SaaS Group. He has a background in mechanical engineering and entrepreneurship, and he joined SaaS Group in 2020. Dirk is responsible for deal origination and works closely with founders of SaaS companies to explore acquisition opportunities.Summary: Dirk Sahlmer, the Head of Origination for SaaS Group, shares his journey from being a mechanical engineer to working in the SaaS industry. He discusses how SaaS Group acquires and integrates SaaS companies, their focus on horizontal businesses, and their plans for future acquisitions. Dirk also talks about the challenges of deal origination and the importance of building relationships with founders. He mentions an interesting idea he had to create a second LinkedIn profile with AI-generated content to see if it would make a difference in standing out. Dirk provides sourcing tips, emphasizing the use of automation tools and AI to generate M&A opportunities before building a big team. He also explains SaaS Group's acquisition target, focusing on companies with revenues above 1 million AR, close to profitability, and preferably in the horizontal product growth space. Dirk invites founders to reach out to him via email or LinkedIn for a chat.Key Takeaways:Dirk emphasizes the importance of building relationships with founders and staying on top of their minds when they are considering an exit.Automation tools, email campaigns, AI, and machine learning functionalities can be used to generate M&A opportunities before building a big team.SaaS Group's acquisition target includes companies with revenues above 1 million AR, close to profitability, and preferably in the horizontal product growth space.Dirk can be reached via email (dirk@saas.group), LinkedIn, or the SaaS Group website form.-------------------------------------------------- Contact Dirk on:Linkedin: https://www.linkedin.com/in/dirksahlmer/--------------------------------------------------How2Exit Joins IT ExchangeNet's Channel Partner Network!-Why IT ExchangeNet?Since 1998, IT ExchangeNet has created $5 billion in value by selling more than 225 IT businesses in 20 countries. IT ExchangeNet works exclusively with IT-enabled businesses generating between $5M and $30M who are ready to be sold, and M&A decision-makers who are ready to buy. For over 25 years IT ExchangeNet has developed industry knowledge that helps them determine whether a seller is a good fit for their buyers before making a match."Out of all of the brokers I've met, this team has the most experience and I believe the best ability to get IT service businesses sold at the best price" - Ron SkeltonThe IT ExchangeNet M&A Marketplace we partnered with has a proprietary database of 50,000+ global buyers seeking IT Services firms, MSPs, MSSPs, Software-as-a-Service platforms, and channel partners in the Microsoft, Oracle, ServiceNow, and Salesforce space.If you are interested in learning more about the process and current market valuations, complete the contact form and we'll respond within one business day. Everything is kept confidential.Are you interested in what your business may be worth? Unlock the value of your IT Services firm, visit https://www.itexchangenet.com/marketplace-how2exit and complete the contact form. Our partnership with IT ExchangeNet focuses on deals above $5M in value.If you are looking to buy or sell a tech business below the $5M mark, we recommend Flippa.--------------------------------------------------

Episode 52 has not taken any narcotics and is perfectly able to drive home safely at normal speed. It is the final episode in our Anniversary Mixtape. Mikey P was randomly chosen by the Movie Mixologist's Cocktail Shaker and went for the Martin Scorsese/Leonardo DiCaprio brain-shaker The Wolf of Wall Street. Join us on our exceptionally large yacht as we discuss: is watching bad people fun, Margot's Journey, and Prosthetic Willies: COP OUT. A word of warning, Marcie breaks the world record for swears over the 90 minutes so Brandon maybe Nora should sit this one out Chapters Hello and can we interest you in some penny stock? (00:00:00) The Lemons kick in as we discuss The Wolf of Wall Street (00:17:00) On a come down to these majestic song picks (01:15:08) Listener's Stockmarket tips and emails (01:19:25) Stick a candle in an orifice we're done - Next week's episode (01:24:55) Thank you to everyone who listens to the show, we love you all. Your support means the world to us. If you want to contact the show you can email us at  ⁠⁠⁠⁠⁠⁠themoviemixtapepod@gmail.com⁠⁠⁠⁠⁠⁠ Find us on Instagram at ⁠⁠⁠⁠⁠⁠the_moviemixtape⁠⁠⁠⁠⁠⁠ Hosts: ⁠⁠⁠⁠⁠⁠Dirk⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Marcie⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠Mikey P⁠⁠⁠⁠⁠ Edited by: Dirk and Marcie Episode art: Mikey P of ⁠⁠⁠⁠⁠⁠Project Unknown Comics⁠⁠⁠⁠⁠⁠ Logo by: ⁠⁠⁠⁠⁠⁠Irontooth Design⁠⁠⁠⁠⁠⁠ Podcasts mentioned in this episode:⁠⁠ ⁠⁠Seddy Bimco Part 2, The Revenge The Movie Mixtape Spotify Playlist can be found ⁠⁠⁠⁠⁠⁠HERE

Welcome to episode 300 of The Game Design Round Table! Dirk and David take the opportunity to celebrate this momentous milestone. They reflect on the role the show has played in their lives, their own journeys as designers, and hear from friends new and old.  Thank you all for listening, whether this is your first episode or you've been listening from the beginning. 

Racine's own Caron Butler in the building! This week on Knuckleheads CB joins Q and D to go through it all. They chop it up about Darius and Caron's early AAU battles, Caron reflects on his time in and out of jail during high school and overcoming that, and his unorthodox path to UConn. Caron talks about his relationship with Kobe when he played on the Lakers and what was so special about those Wizards teams with Gilbert Arenas and Antawn Jamison. We live on location from XS Nightclub at Wynn Las Vegas — tune in!   Going to juvenile detention, playing in AAU with an ankle monitor (8:14)  Growing up in Racine, finding a way out with basketball (15:13) Dominating freshman year at UConn, Coach Calhoun's impact (23:49)  Playing for Pat Riley and the Heat his first two years (39:16) Getting traded to the Lakers, Caron's relationship with Kobe (50:41) Wizards teams, what it was like to playing with Gilbert and Antawn (58:24) Going to Dallas, getting hurt and the Mavs winning the Championship on Dirk's back (1:04:26)  About Our Hosts: NBA veterans Quentin Richardson and Darius Miles are lifelong friends and bona fide truth-tellers. Listen as they invite special guests, high-profile athletes, musicians and entertainers to get brutally honest about everything from current events to untold stories from the golden era of sports and culture. Named for the on-court celebration they made wildly popular, this unfiltered, hilarious and surprising podcast is like playing NBA 2K with no fouls. Other places to find Knuckleheads:  Subscribe on Youtube Follow on Instagram Follow on FacebookSee omnystudio.com/listener for privacy information.

Find Sarah:https://www.instagram.com/spicymarshall/marshallshautesauce.comAs always please reach out and let Dirk know your experiences or thoughts on any and all of the movies or guests. Want to be a guest or just share a story? Please do!https://www.patreon.com/vhushttps://vhuspodcast.threadless.comhttps://twitter.com/VHUS_Podcasthttps://letterboxd.com/DirkMarshall/https://www.instagram.com/dirkzaster/?hl=enhttps://www.instagram.com/vhus_podcast/https://www.facebook.com/vhuspodcast

Hast du Schwierigkeiten Neukunden zu gewinnen ? Dann solltest du dich anmelden und digital dabei sein! SO 19 - 20 Uhr live aus Hagen zeigt Dirk dir über 30 Methoden, wie du Neukunden gewinnst.

Bryan and Dirk talk about Bryan's recent Mexico trip!⭐ Like what you hear? Leave us a five-star review wherever you listen!

2-0 2023 lets go! Dirk decides not to arrives so we take the show in a whole new direction. One that some of us will like, and some of of us will tolerate. Listen to this version of the C LIT show talk how to survive. Also Tony talks VEGAS!!!!

What you'll learn in this episode:   How Arnoldsche collaborates with authors to create an effective design for each book What young artists should know before trying to publish a book How Dirk keeps tabs on trends and new developments in jewelry and decorative arts How Arnoldsche selects the right markets and languages for its books Why the art book market has changed dramatically over the last 10 years, and how Arnoldsche has adapted   About Dirk Allgaier: Since April 2015, Dirk Allgaier has headed Arnoldsche Art Publishers, an internationally active publisher of art books that offers a unique list of titles in the fields of fine art, applied art and design. With great expertise, sheer hard work and a passion for his profession, he and his team ensure that books from Arnoldsche become what they are: high-quality, individually designed publications and book objects that transport the broad range of creative endeavor in all its diversity across the globe.   Additional Resources: Arnoldsche Art Publishing's Website Arnoldsche Art Publisher's Instgram Arnoldsche Art Publisher's X/Twitter   Photos Available on TheJewelryJourney.com   Transcript:    No other publishing house in the world has published as many books on jewelry, ceramics and other applied arts as Arnoldsche Art Publishing. Led by Dirk Allgaier, Arnoldsche is the go-to source for anyone who wants to learn more about the decorative and applied arts, the people who create them, and the museums that exhibit them. Dirk joined the Jewelry Journey Podcast to talk about how he selects the 10 to 15 books Arnoldsche publishes each year; how he works with artists to create a beautiful and informative book; and why a language barrier doesn't always prevent someone from reading an art book. Read the episode transcript here.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com.    My guest is Dirk Allgaier of Arnoldsche Publishing. They're art publishers, and if you have any kind of design library—and that includes jewelry, ceramics, monographs on artists, furniture and more—you no doubt have books that have been published by Arnoldsche. Welcome back.    Do you have people come that you haven't heard of, but they have great expertise? Maybe they're a professor or somebody else that has a lot of expertise in their area?   Dirk: I know our field quite well; it's a small field, but it happens that people approach me and send me a suggestion for a new book project and I don't know the artist. There's always something new to discover. I say every book we are doing, not only in jewelry but also in ceramics or in wooden art, in metalware, in furniture, in textile, in glass, it opens a new window. It gives me a new prospectus to see new things which I did not know before. This is a reason why I like my job. I love my job very much.    It happened last year at the Art Jewelry Forum. Susan Cummins suggested to me to publish a book about Keith Lewis, the American jewelry artist. I really did not know his work. I read the manuscript in the evening when I was home. I was reading; I looked at the images. I was thinking, “That's fantastic, what he did. It was the 1980s. He was so progressive. He was so political in that time, so important. Today what is he doing?” That was totally new, and now we are publishing his book. It's designed. We are now doing the images. In about four weeks, we go to press for that book. So, it happens on the jewelry scene that artists are suggested to me, are recommended, which I do not know. But most artists, of course, I know more or less their work.   Sharon: Susan Cummins had brought you several books before this Keith Lewis one. Does that reflect? Did you take that into account when you were deciding?   Dirk: We met each other and decided to cooperate, to collaborate, because she has fantastic topics in jewelry. It's very political, the book about Laurie Hall. It's about Northwest American jewelry. We say in Germany it's narrative jewelry. This kind of jewelry was not so well-known in Europe.    We have a very strong distribution. We sell our books worldwide, so we bring this topic through the book to an international audience, to the international market. It's important for this American artist to be represented through the book internationally, so it's a win/win situation. Susan has wonderful topics for publications. We produce the books and distribute them internationally. It's a very good joint venture.   Sharon: You distribute them. I haven't seen them in the States, I don't think, except the Art Jewelry Forum books. I'm seeing those, but that's it.   Dirk: We have a distributor in the United States. It's ACC Art Books. Every book is stored in the United States in a warehouse, and we have representatives in the United States. You can go to a bookshop and order our books, but the books are such special books that they are only in special bookstores, mainly in museum bookstores, like the Metropolitan Museum or the Museum of Modern Art in New York.    The bigger bookstores and art bookstores have our books, but everything changed in the last 10, 15, 20 years. There are not so many bookshops left, so mainly art books are available online. This is an online trade. If you did a book about Sam Kramer, if you Google Kramer, you find immediately that you have to buy our book either on Amazon or on Book DE or on Instagram. You can order the book online. It's really a change to selling books. 60% to 70% of books we are selling now online, not through bookstores.   Sharon: Does somebody come to the website and see a book they want?   Dirk: We have a web shop. You can order the book from our web shop. That's also possible. Wherever you are living, you can order it. For example, when you are living in the United States, you can order it from the web shop, and our American partner or American distributor will send you the book within a short timeframe. Within three or four days, you will have the book.   Sharon: Now, some of your books are only in German.   Dirk: Yes.   Sharon: Since I don't speak a word of German, what do you do? Do you have some in English and some in German and some half and half?    Dirk: It depends on the topic. We publish in many languages, but the main language is English. That's definitive. English is very important, but there's also German if it doesn't have a major audience. Then it's also a question of money or financing. There are translation codes, which are very extensive. You have to make an extra typesetting. You need more pages. You need more printing. Then we say, “O.K., we leave it only in German. We know we would not sell many copies in the English-speaking market, so we leave it in German.” But mainly the books are in English.  A few are only in German, but if the artist comes from another country, we also publish books, for example, in the French language, in Italian, in the Norwegian language, also in Estonian, in Catalan. We have two books in the Hebrew language, in Arabic and even in the Japanese language. It depends where the artist is living and in which country the topic is, and then we publish in different languages.   Sharon: Wow! The jewelry you mentioned, and in looking at your books, it's so contemporary. Is that what you look for? It's really unusual.   Dirk: Yeah, because for us, jewelry is art. There is no difference. It's studio jewelry. It's art jewelry. It's like an art book. We have to publish jewelry books like an art book, and that's very important. The style of the jewelry, its artistic value, is represented in the book, so the quality must be very high. You must see the high value of jewelry. You must see it in the book. That's why it's important for us.    Sharon: That's interesting. So, you wouldn't publish a book on “normal” jewelry.   Dirk: We do books about higher-range costume jewelry because they're fantastic topics. In the 1920s in Germany, in the Art Deco period, there were companies who did articles of fantastic jewelry. Next year, we are planning a book about the New York jewelry designer Marcus & Co. So, we have books about art and costume jewelry, but not about the regular jewelry you can buy in a regular shop. This is not our interest.   Sharon: Have you ever started a book and then said, “Forget it. This is too complicated,” or “There's not a market”?   Dirk: No, normally we don't. If I start something, I bring it to an end. That's very important for me, even if it's very, very difficult. Usually, once we start on a book, we finish it. That's very important. I remember a book we did 20 years ago. It was about an Italian topic, and everybody told me at the time, “You would never publish that book. You would never finalize it,” but we did it. That made me very proud; that we did this book finally. Every book we've started, we finished the book.    For me, it's important to publish a book together with an artist or with a partner—the person is a partner for me—with a lot of mutual respect and to achieve a result which satisfies everybody: the publishing house, the artist, the museum. If we work together for three, four, five months, it's like a partnership. You work very intensively together with an artist, and the results just have to be right. That's very important. You put the book together; you celebrate; you're happy. That's how it should be, and that's how it is, usually.   Sharon: Do you go to book trade shows where they have new books? I don't know if they still have them. They used to have book trade shows.   Dirk: They had it some years ago, but there's no big importance anymore. There are book fairs in Frankfurt, so we go to Frankfurt. 20 years ago, we went to the Chicago Book Fair, to the American Book Fair, to London, but we don't do that so much. We have our books at the Schmuck in Munich, of course. You can buy them at the Schmuck Fair, or if there are special ceramic fairs, special jewelry events. We also have bookshops that go there. They have their stands there, and there are books at these events.   Sharon: I was looking online at your books. I noticed there were books about Babetto and I was surprised. None of it looked at the jewelry; they looked at the furniture and the drawings and things like that. What made you decide to do a second book on Babetto?   Dirk: The first book—I think it was the year 2009, 2010. Pinakothek der Moderne is a big museum, and every year during Schmuck, they have a big exhibition on the roof of the rotunda. Every year they show a different artist. They showed Thomas Gentille, for example, Anton Frühauf, Hermann Jünger, Peter Skubic. 15 years ago, they showed Giampaolo Babetto. We did a small but very special book on Giampaolo Babetto on the occasion of the exhibition. That was 2008, 2009.    Last year, Giampaolo asked, “Can you come to Italy? Can we meet? I'm planning a new book.” He planned a complete oeuvre catalogue of all his work in jewelry, in metalware, in architectural design, in religious pieces. So, we did an oeuvre catalogue. All his work from the beginning until 2022 is published in the book. Those are two different approaches. One was very personal for the exhibition, and this last was the catalogue about his work. It's a total Babetto.    Sharon: That's interesting. There didn't seem to be that much jewelry in the Babetto books. It was more his other designs, his other things.   Dirk: One half of the book is jewelry. The other half is his metalworks, his furniture designs and the other things.   Sharon: For those who don't know what Schmuck is, do you want to describe it?   Dirk: It's an annual event in Munich on the occasion of the International Art and Crafts Fair. It's an international trade fair for crafts and design. In 1959, it was founded by Herbert Hoffmann. It was a competition where contemporary jewelry was presented in a small part of the fair. That was the beginning over 60 years ago. It was a very small event, but every year it became bigger.    Now it's still the Herbert Hoffmann Award, the Herbert Hoffmann Exhibition, but throughout the whole city, there are about 50, 60 galleries showing jewelry in contemporary galleries. They rent a space, they show jewelry, and they come from all over the world. It's a huge event which lasts five days. You can see a lot of jewelry. You have gallery exhibitions. You have some museums that show jewelry. The Mesa is a big exhibition. The whole world of contemporary art jewelry, of studio jewelry, is in Munich.   Sharon: I've only been a couple of times, but I didn't know Herbert Hoffmann was so integral in it. I know they have a prize.   Dirk: Yeah, the award. You can go online. You can look up the Herbert Hoffmann Award and see the prize winners from 1959. You read these names, and it's really the top of the top of international jewelry artists. It's very interesting to read the award winners of the Herbert Hoffmann Prize.    Sharon: Wow! I didn't know it was so old, either. These people, the authors who want to write a book or a museum, do they have the person in mind who's going to put the book together? Do they have the illustrator? Do they have the photographer in mind, or do they let you decide?   Dirk: It's important if you write a book to have photographs available. Every artist has an archive of photographs, and every artist's archive is different. Some have a very accurate archive with good photographs, and they know exactly what goes into the books. Some other artists have only images or older slides. Here we can be of help. We can make sense of old photographs. Usually, an artist has photographs for the book and they know which pieces should go into the book, but often I sit together with artists and we go through the materials, through the pieces. For an artist, it's often difficult to make a decision, to take this piece or that piece. Then we sit together and say, “It's that piece and not that.”    Photography is very important. An artist can have a designer, or we have the designer and we do image editing for the images. We do printing, and then we include the book in our book program, into our publishing list. Then we send the book worldwide on our list. This is the way.    Sharon: What country are most of your sales in? I don't know if it's Germany or Switzerland or Austria.    Dirk: We are selling one-third of our books in German-speaking countries, in Germany, Switzerland and Austria. They still have a strong market for art books and for jewelry books. Two-thirds we sell outside the German-speaking countries. England is a very important market. Scandinavia buys our books, and, of course, the American market is important for us. We sell books in China. We have one representative and he's Chinese. There are big distributors in China, so we are sending books to the distributors, and they are selling the books to the individual bookstores and individual customers in the country. Japan is very difficult to sell books. South Korea is an important market for us. We sell some books in Australia as well, but I can say Germany, England, America and China. These are very important markets for us.   Sharon: If somebody doesn't speak the language—I'm thinking of myself—do you just look at the pictures? What do you do?   Dirk: There's a society of booksellers here in Germany. They made a test with people. They asked a thousand people, “What are you doing when you buy a book with images such as an art book? What are you doing with the book? Do you read it? Do you look at images?” They found out that only 10% of the book buyers are reading a book. 90% are looking at the images and reading here and there a little bit, but almost nobody is reading a book from the beginning to the end.   Sharon: I don't feel so bad because I look at the pictures. What languages have you thought about? Have you thought about French? Are there other languages you've thought about putting your books in?   Dirk: I think English and German are the most important. In France, it's difficult to sell books because the market is very small. When we have a French artist, of course we publish the book in French, but if the artist is not French, we don't publish a book in the French language. It's a small market. The book trade market is quite difficult, so the artist should be French-speaking, and then you publish it in French.    I would like to publish a book in the Chinese language, in Mandarin, because we didn't do this yet. We have a book about New Zealand artists coming in two years, and it would be wonderful to have at least one essay in Māori, in the native language of New Zealand. That would really be a task for me to do, but it would appreciate the First Nations people of the country.    Sharon: Any other plans besides other languages? What are your plans besides the books in production? What else would you like to do?   Dirk: Generally, for me it's important that every half-year we have a catalogue. All our new books are featured in a catalogue which we send out every half-year. So, for me, the most important challenge is to have a good program to find newer catalogues which I present to people every half-year. This is the most important.    And to find a place for our special books, because it's not easy to find places. It's a niche program to find readers, to find people who buy the books and to find new people who did not know anything about artistic jewelry or studio jewelry. So, to find new people to bring a fascination for art into the world and to find new friends, new people who really love our work. That's the most important thing for me.   Sharon: I hope that you do. Thank you so much for being with us today. I really appreciate it.   Dirk: Thank you very much, Sharon. Thank you.   Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

The stuff you have in your bag (swag).Episode Guest:Dirk Marshall @VHUS_Podcast (IG: @VHUS_Podcast)Support the show!Join the All Fantasy Everything Patreon for ad-free episodes, mailbags, and video pre-rolls. Check it all out at www.patreon.com/AllFantasy. Follow the Good Vibes Gang on social media:Ian Karmel @IanKarmel (IG: @IanKarmel)Sean Jordan @SeanSJordan (IG: @SeancougarmelonJordan)David Gborie (IG: @Coolguyjokes87)Isaac K. Lee @IsaacKLee (IG: @IsaacKLee)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Orlando Magic coach Jamahl Mosley discusses stories behind the scenes coaching Carmelo Anthony, Allen Iverson, Kyrie Irving, Dirk Nowitzki, Luka Doncic, and Jalen Brunson. Mosley also discussed what's next for Paolo Banchero, Franz Wagner, Markelle Fultz and more with host Michael Scotto on the latest HoopsHype podcast episode.

The I Love CVille Show headlines: UVA No. 5 Public University In USA, No. 24 Overall AlbCo Parents Promoting Learning + Forward Alb Should Local Schools Ban Cell Phones In Classes? Guest Speaker At 9/28 Real Estate 3 Conference Employees & Employers Return To Work Dynamic Will Employees Who Work In Person Have Edge? What's Future Of Office Space? Team Building? DisruptHR Event – Tuesday, Oct 3rd 5 PM – 8PM Read Viewer & Listener Comments Live On-Air Lily Garcia Walton, Chief People Officer & General Counsel at Silverchair, Ckalib Nelson, Business Intelligence Engineer II at Amazon, and Dirk Petersen, Vice President & Co-Founder of Insight222 LLC., joined me live on The I Love CVille Show! The I Love CVille Show airs live Monday – Friday from 12:30 pm – 1:30 pm on The I Love CVille Network. Watch and listen to The I Love CVille Show on Facebook, Instagram, Twitter, LinkedIn, iTunes, Apple Podcast, YouTube, Spotify, Fountain, Amazon Music, Audible and iLoveCVille.com.

What you'll learn in this episode:   How Arnoldsche collaborates with authors to create an effective design for each book What young artists should know before trying to publish a book How Dirk keeps tabs on trends and new developments in jewelry and decorative arts How Arnoldsche selects the right markets and languages for its books Why the art book market has changed dramatically over the last 10 years, and how Arnoldsche has adapted   About Dirk Allgaier: Since April 2015, Dirk Allgaier has headed Arnoldsche Art Publishers, an internationally active publisher of art books that offers a unique list of titles in the fields of fine art, applied art and design. With great expertise, sheer hard work and a passion for his profession, he and his team ensure that books from Arnoldsche become what they are: high-quality, individually designed publications and book objects that transport the broad range of creative endeavor in all its diversity across the globe.   Additional Resources: Arnoldsche Art Publishing's Website Arnoldsche Art Publisher's Instgram Arnoldsche Art Publisher's X/Twitter   Photos Available on TheJewelryJourney.com   Transcript:    No other publishing house in the world has published as many books on jewelry, ceramics and other applied arts as Arnoldsche Art Publishing. Led by Dirk Allgaier, Arnoldsche is the go-to source for anyone who wants to learn more about the decorative and applied arts, the people who create them, and the museums that exhibit them. Dirk joined the Jewelry Journey Podcast to talk about how he selects the 10 to 15 books Arnoldsche publishes each year; how he works with artists to create a beautiful and informative book; and why a language barrier doesn't always prevent someone from reading an art book. Read the episode transcript here.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.    My guest is Dirk Allgaier of Arnoldsche Publishing. They're art publishers, and if you have any kind of design library—and that includes jewelry, ceramics, monographs on artists, furniture and more—you no doubt have books that have been published by Arnoldsche. As I was browsing the books online, I kept seeing so many books I have that I didn't know were published by Arnoldsche. For the most part, they are in English and German, and the books are beautifully printed. Dirk will tell us how his path took him to where he is today. Dirk, welcome to the program.   Dirk: Thank you very much, Sharon. Very glad to be here.   Sharon: I'm so glad to have you here. Dirk was just telling me that he has lived in Stuttgart for 30 years, 25 years, a long time. Can you tell us what a publisher does?   Dirk: That's a very good question, Sharon. There's really a lot to it. I tried to explain to you some things, to tell you about some things. Mainly it is my job to see that we put together an attractive book program every six months, every half-year. This is in the field of applied arts, which is our main series of books. It's jewelry, ceramics, textiles, wood and glass, but also the areas of visual design, of the visual arts and design.    I receive many book proposals. I have to check them. I have to calculate them, but I've also got to be active by myself from my side, and I have to talk to artists. I have to meet museum curators. For example, I go to museums, to exhibition openings. I go to Schmuck in Munich, so I'm really traveling a lot. I visit all these places. You also have to be in the field where our publishing areas are, in the field of jewelry, of ceramics. I have to be there; I have to be active.    In parallel, we have to put out used books. We have 10, 15 books always in parallel production, and we have to approach miniatures. The production is supervised by the project managers, but I'm integrated into the processes of each book because I have to know the exact starters of every book project. I must be approachable by the artist, by the museum curator, by the director if any problem arises or if important decisions have to be made.    So, one part is traveling; the other part is production. I'm also responsible for sales and marketing. We have a colleague who does this, but I also have to look at how things can be optimized, how we can sell the books in the best way internationally. Unfortunately, a lot of administrative tasks have to be done. They are also very extensive. Finally, I write some articles for newspapers, for magazines. I give talks. I hold speeches for exhibition openings. I attend meetings, or I'm speaking for podcasts like now. This is also a very interesting and exciting part of my role as a publisher. All in all, there's a lot of work, enough work to work for at least seven days a week.   Sharon: Are you saying that right this minute, there are 10 to 15 books that are being worked on?   Dirk: Yes, that's it. About 10 to 15 books are always in production parallel, in the different steps of production. Either we are actually starting the editing, or we are preparing the design, or we are doing translations, or we are doing the color separations. Today, the Schmuckmuseum of Pforzheim curator was here. We're doing a new book about jewelry and metalwork, and we checked the colors. We checked the color proofs today. We discussed the cover. There are always a lot of book productions in parallel here at Arnoldsche.    Sharon: This is something that is just occurring to me. Do they have input? If they don't like the color, can they say to you they don't like the color?   Dirk: That's very important. I try to show everything to my partner, to the museum or to the artist. I show them the design concept of the book so we are not only designing the book. Before we start with the real design, we make some tests on pages, and we send the pages to the artist or to the museum. We say, “Oh, look, the book could look like these pages. Here is a type that's the kind of like the images. The captions are like that. We have some special colors.” Then the museum can say, “Oh, I like it. Please continue,” or “Oh no, I want to have a different kind.” This is very important for me in the production, to work as closely as possible together with the museum or the author.   Sharon: Can the museum come and say, “I had something totally different in mind”? Can whoever is working on the book say they had something else in mind?   Dirk: Yes, they can say it. Usually, we get a briefing and the museum tells me, “Oh, I want a very modern book,” or “Very conservative,” or “I have some crazy ideas.” But it must fit to the topics; that's very important. We publish books about 18th century arts and crafts, about porcelain from the 18th and 19th centuries. Here's a design that has to be quite conventional, or conservative is a better word. But if we work with a very unusual, contemporary designer, we can be much more provocative and contemporary in the design.   Sharon: How did you come to publishing art and applied design books? Do you have a background in it?   Dirk: Yes, I'll tell you shortly the story of the company. Arnoldsche, our publishing house, was founded in 1985. This is now almost 40 years ago. The founder of the publishing house—he passed away five years ago—his name was Dieter Zühlsdorff. He had previously, back in the 1970s, lived here in Stuttgart. He had a gallery for fine arts, for paintings, but his real passion was not the fine arts; it was ceramics. In the late 70s, early 80s, he closed the gallery and wrote an encyclopedia of ceramic marks. He traveled throughout Europe. There was no email, no websites. Maybe a fax machine was the most modern technical thing. He traveled for five years and wrote the “Ceramic Marks Encyclopedia” on the Art Nouveau and Art Deco period from 1880 to 1930.   When the manuscript was finished, he went in search of a publisher. He didn't plan to found a publishing house, but no publisher wanted to publish his “Ceramic Marks Encyclopedia,” so he was not sure what to do. He sold a painting from his collection to a large bank in Germany. He used this money to print his “Ceramic Marks Encyclopedia,” and that was the beginning of Arnoldsche Art Publishers. That encyclopedia became a best seller in a total of four editions.   The name Arnoldsche comes from his wife at the time. She's living. Her name is Gabriela Arnold; Arnold is her last name. Arnoldsche is still a little bit complicated for English speakers. Here, Arnoldsche sounds much better in German than Zühlsdorff, which was the last name of the founder. That's a Pomeranian name, very complicated. I think the English people would not be able to pronounce that name. So, we decided on Arnoldsche, and in German, we say Verlaganstadt. Verlaganstadt means publishing house. That sounds a little bit old-fashioned, but I like that old-fashioned name. In English we say Arnoldsche Art Publishers.   Dieter Zühlsdorff, he acted very wisely when he founded the company because he realized there were many publishers in the area of fine arts or architecture, but there was no publishing house that explicitly dealt with the applied arts, with jewelry, ceramics, glass and furniture. So, we can say internationally, Arnoldsche is the only publishing house in the world that focuses on jewelry, ceramics, glass and textile, and we realized a lot of publications in that field.    Sharon: Did you have a background in it?   Dirk: I'm a trained archaeologist. I'm not an art historian. I studied archaeology. I made my degree. I like it very much, but artistry has fascinated me from a very young age. When I was a child, I went with my parents to see museums, to meet artists. My parents had a collection of paintings.    When I completed my studies, I did a separate training course to become a publishing house clerk. This training course lasted one year. It included a three-month internship in a publishing house, and you had to take care of this internship by yourself. I had no idea where to apply. I was in Stuttgart, and I had a friend who was a bookseller. She gave me a recommendation. She told me, “Apply to a small art publishing house here in Stuttgart. They make the most beautiful books, and they are just around the corner from the place where you have the training.” She was speaking about Arnoldsche.   So, I went there about 30 years ago, in 1993, and I got the job for a three-month internship at Arnoldsche. It started for three months, and now I'm working for 30 years at Arnoldsche. I'm very grateful to my friend for her recommendation. We still meet regularly even though she now lives in northern Germany. I'm very thankful to her for recommending me. “Go to Arnoldsche, ring the bell and apply for a job.” I did that 30 years ago.   Sharon: Wow! Like you said, you must be approached all the time by people who have ideas and say, “Why don't you do a book on this?” or “I have all this material on that.” How do you decide which books to do?   Dirk: That's always a difficult decision because we receive a lot of proposals for book productions. For one thing—and I think that's very important—the book has to fit in our program. For example, a book about the photography of the Alps or about Renaissance art would not fit well in our program. For us, it's very important to find new topics; in other words, topics that have not been published before. It makes no sense for us to publish a 50s book about Picasso or about Matisse; that's not our interest.   There has to be a market for a book. It has to be saleable. We have to publish books about artists who have worked for many decades in their fields. Also, younger artists come to me. They're in their late 30s or their 40s, and they ask for a book. I often say, “Wait another 10 years. You need a bigger work of art, a mature work, and then you can come back to me and we can think about a book.”    Very important art books on the theme of jewelry are the books about the great masters of jewelry. These are really important publications. Just to name a few, for example, Otto Künzli, the Swiss artist, Bernhard Schobinger, Manfred Bischoff. Last year, we published a book about Joyce Scott, the American artist, and the Israeli artist Deganit Stern Schocken, Therese Hilbert. Here, a large body of work over many decades can be wonderfully presented in a beautiful book form. That's really exciting.    There are publications on collections of contemporary jewelry. This is also very important. These are mainly museum collections. For example, we have published about the jewelry collection of Eva and Peter Herion in Munich, which you can see when you go down to the basement. It's a major publication about the collection of the jewelry museum in Pforzheim, the Schmuckmuseum. We did it in 1998 with the legendary former director, Fritz Falk. There's the GRASSI Museum in Leipzig, a very important museum in East Germany. There's a very traditional collection and there's a collection of jewelry. They started to collect in the 1920s. We did a book about the jewelry collection of Sylvia Seal and of Art and Design in New York also. These collections are very exciting for us. I do not want to forget to mention the legendary publication by Helen Drutt, “Ornament as Art.” It's about her collection, which is now in the Museum of Fine Arts in Houston. People call that book the “orange book” or the “Bible of jewelry books.” I think you know that book.    What's also very important for us are theory books about jewelry. We have a book on the jewelry of Marjan Unger from the Netherlands. She did the book “Jewelry in Context.” These books are very important for students, for example. They are quite affordable in price. They're 15 Euros, so students buy these theory books.   If you come to Arnoldsche, there's finally one topic that is very important because it's the most elementary, because every book can't be one: special books. We are publishing in a niche; it's a real niche, and the quantity of books, the editions, are not so high. Every book needs special financial support, so we ask for financial support from foundations. The potential sales is low compared to the very high cost of distribution. You do not usually recoup the high production cost. So, museums, collectors, foundations themselves make books financially possible in the first place through a corresponding purchased quantity. That is how a book can be realized through financial support; by purchasing books in advance. A special part will be paid by Arnoldsche and for the other part, we look for sponsors or our foundations to financially support it. These are the different things to consider for Arnoldsche book publishing.    Sharon: When you are out and about—let's say you're traveling—do you find exhibits that you didn't know about or things you can approach people about?   Dirk: Yes, I go to exhibition openings. Of course, I go to Schmuck in Munich, a big Schmuck event. I go to Munich, to exhibition openings. I go to Norway, to Switzerland, and I always meet the artists. I also meet authors and they tell me, “Oh, I'm working on a project. I'm working with this artist or with that museum. They are looking for a publisher. Would you mind if I make a contact?”    For me, it's very important to visit these places, to go to openings, to meet curators because we are like a big family. Everybody knows something and people speak with each other. They say, “Here's a project. There is a book. It's planned to be an exhibition. They are looking for a publisher. They are planning a book for next year,” and I say, “O.K., please, if you can make a connection and the person can contact me.” Then we are discussing the possibility of collaboration for the book project.    Sharon: Do they come with photographs or do you say, “I want to photograph this”?   Dirk: For me, it's important to have an exposé, a short summary of the book. What is in the book, what is the sense of the book, whom do I want to reach with the book, who is the audience? And to send me some photographs, some preliminary information to get an idea of how the book will be, what the topic of the book is. That's enough for me, and then we continue our discussion.   Sharon: Do you or your production assistants decide the cover of the book and what it will look like? Who decides?   Dirk: We have freelance designers. We work together, but often artists or jewelers or ceramic artists who are planning a monograph about their work, they bring their own graphic designers with them. That's often fine with me because the collaboration between artist and designer is very intensive, and artists and designers should work together personally as often as possible. Often at Arnoldsche, we are responsible for the design, but always in collaboration with the artist.   We have a graphic designer. We've worked together with her for almost 13 years. She designs many of our books and many artists know her. They come to us. They say, “We're planning a book, but we want to have this designer. We trust this designer.” There are artists who give us the whole material. They give us the photographs and the text, then they make a book and she makes a design. We show it before printing and they say, “Oh, make this little change. Oh, make that little change. Go to the press.” There are other artists who look very carefully, who ask for changes, but every one is absolutely fine for us.    We love to work together with her. She designed the book on Helen Drutt for “Ornament as Art,” the orange book, but she also designed important jewelry monographs; for example, the book on Sam Kramer, a jewelry designer. She did the book about Giampaolo Babetto, about Fritz Maierhofer from Austria, about Georg Dobler or Claus Bury, two famous German designers.    Usually, we say if a graphic designer designs the inside pages of a book, they also have to design the cover. The inside pages and cover have to be in accordance with each other. It should fit to each other. That's very important, to have one designer for the whole book. A designer is also like an artist in a way. You cannot ask an artist to make this part and another artist makes this part. The whole book has to be in the hands of one designer.    Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.

Dirks Biografie ist online und DU kannst doppelt profitieren!

As always please reach out and let Dirk know your experiences or thoughts on any and all of the movies or guests. Want to be a guest or just share a story? Please do!https://www.patreon.com/vhushttps://vhuspodcast.threadless.comhttps://twitter.com/VHUS_Podcasthttps://letterboxd.com/DirkMarshall/https://www.instagram.com/dirkzaster/?hl=enhttps://www.instagram.com/vhus_podcast/https://www.facebook.com/vhuspodcast 

Wer definiert "glücklich" oder "erfolgreich" ? Hol dir dein Mindset Boost, der dich auf ein neues Level bringt! Was können wir von Dirks, Dirks Frisör, Steve Jobs & Karl Lagerfeld lernen? Das alles erfährst du in dieser Folge !

Dirk Weeks, and his company, help develop strategies and recommend plans for plaintiff's lawyers for clients in settlements. Hear how Dirk helps clients get the most out of settlements with structured annuities using tax conscious tactics.

This week on The September Sessions, we welcome Dirk Forrister into the SmarterMarkets™ studio. Dirk is the President and CEO of the International Emissions Trading Association (IETA). SmarterMarkets™ host David Greely sits down with Dirk to discuss how IETA and its members are viewing the world's evolving carbon markets and net zero landscape on the eve of their North America Climate Summit this week in New York City.

Mit Begegnungen der besonderen Art haben es Jan und Daniel zu tun: Nicht nur, dass Jan eine Pastete aus Heuschrecken serviert, die Daniel tapfer und mit wachsendem Appetit verspeist. Inspiriert wurde Jan durch T.C. Boyles Klimakrisen-Roman "Blue Skies". Auch die Freundschaft mit einem ausgestorbenen Paradiesvogel steht in der fantastisch angehauchten Folge auf dem Programm. Fantasy-Autorin Kerstin Gier verrät, warum für sie jeder Tag ein bisschen magisch ist. Jan und Daniel werfen am Ende bildlich die Elfenflügel ab und besuchen eine Bibliothek der Müllmänner. Die Bücher der Sendung: (00:07:51) T.C. Boyle: „Blue Skies“. Deutsch von Dirk van Gunsteren. (Hanser) (00:17:43) Sibylle Grimbert: „Der Letzte seiner Art“. Deutsch von Sabine Schwenk. (Eisele) (00:22:34) Louise Kennedy: „Übertretung“. Deutsch von Claudia Glenewinkel und Hans-Christian Oeser. (Steidl) (00:25:46) Kerstin Gier: „Vergissmeinnicht“-Trilogie. (S. Fischer) (00:46:43) China Miéville: „Perdido Street Station“. Deutsch von Eva Bauche-Eppers. (Heyne) Alle Infos zum Podcast: https://ndr.de/eatreadsleep Alle Lesekreise: https://ndr.de/eatreadsleep-lesekreise Unseren Newsletter gibt es hier: https://ndr.de/eatreadsleep-newsletter eat.READ.sleep. ist der Bücherpodcast, der das Lesen feiert. Jan Ehlert, Daniel Kaiser und Katharina Mahrenholtz diskutieren über Bestseller, stellen aktuelle Romane vor und präsentieren die All Time Favorites der Community. Egal ob Krimis, Klassiker, Fantasy, Science Fiction, Kinder- und Jugendbücher, Urlaubsbücher, Gesellschafts- und Familienromane - hier hat jedes Buch seinen Platz. Und auch kulinarisch (literarische Vorspeise!) wird etwas geboten und beim Quiz am Ende können alle ihr Buch-Wissen testen und Fun Facts für den nächsten Smalltalk mitnehmen.

Bryan and Dirk discuss their impending acquisition and celebrate a major milestone in the show's history! ⭐ Like what you hear? Leave us a five-star review wherever you listen!

Four Bullets Brewing is moving to the Hazy IPAs. Dirk nabbed a couple of cute pups. Tony decided to pull a no call no show. Spoil alert he will be getting a disadulation, and that is not good. We rounded the episode out with Wipe Out the show and more!!!

There's a trend going on right now to film your hunting adventures. From the outside looking in it looks relatively easy, but there are a lot of steps done right that bring your film to life. Dirk chats with good friend and videographer Dusty Rupe about following the best practices for turning film clips into an unforgettable story. Connect with Dirk and Phelps Game Calls Phelps on Instagram, Facebook, and YouTube Shop Phelps Merch Dusty's website: https://dofproductions.com/ Dusty's Instagram: https://www.instagram.com/dof_productions/ See omnystudio.com/listener for privacy information.

Episode 51 BAMFS into your pod-boxes as our Anniversary Mix hits the year 2003. Dirk gets his pick this time and went for the superhero sequel X2. Please accept our invitation to study at the School For Gifted Youngsters and join us as we discuss many issues important to the Mutant Agenda including: Love Triangles, murdering in front of the children, and hottest x-people ever. Mild disclaimer - we had some connection issues whilst recording so Marcie and Mikey don't sound as crisp as they would do normally. But they still sound fine! Just saying yeah we hear it too bub. Chapters Telepathic Greetings (00:00:00) X2 movie chat from our plastic prisons (00:17:59) Magnetic Song Choices (01:09:40) Incoming listener transmissions from Cerebro (01:16:36) Movie Mixologist Cocktail Shaker pick for next week (01:33:43) Thank you to everyone who listens to the show, we love you all. Your support means the world to us. If you want to contact the show you can email us at  ⁠⁠⁠⁠⁠themoviemixtapepod@gmail.com⁠⁠⁠⁠⁠ Find us on Instagram at ⁠⁠⁠⁠⁠the_moviemixtape⁠⁠⁠⁠⁠ Hosts: ⁠⁠⁠⁠⁠Dirk⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠Marcie⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠Mikey P⁠⁠⁠⁠ Edited by: Dirk and Marcie Episode art: Mikey P of ⁠⁠⁠⁠⁠Project Unknown Comics⁠⁠⁠⁠⁠ Logo by: ⁠⁠⁠⁠⁠Irontooth Design⁠⁠⁠⁠⁠ Podcasts mentioned in this episode:⁠ ⁠The Needle Drop , Reel Latinos The Movie Mixtape Spotify Playlist can be found ⁠⁠⁠⁠⁠HERE

Find Aaron W. Brown;https://twitter.com/AWBluzmanhttps://www.instagram.com/abfilmg/As always please reach out and let Dirk know your experiences or thoughts on any and all of the movies or guests. Want to be a guest or just share a story? Please do!https://www.patreon.com/vhushttps://vhuspodcast.threadless.comhttps://twitter.com/VHUS_Podcasthttps://letterboxd.com/DirkMarshall/https://www.instagram.com/dirkzaster/?hl=enhttps://www.instagram.com/vhus_podcast/https://www.facebook.com/vhuspodcast 

Dirk is joined by Ryan Laukat, designer, illustrator, and co-founder of Red Raven Games, for the second installation in this series on worldbuilding. Ryan discusses his introduction and path into game design, the creation of Red Raven Games, and different methods that can be used to worldbuild. Topics include the importance of maps, how storybooks are utilized, the benefits and drawbacks of mixed medium board games, and branching narratives.

Wie ist Dirk? Wie tickt er? Welchen Weg ist er gegangen? Wie Steinig war er vielleicht? All das wirst du in Dirk's Biografie erfahren die schon am 19. September im Handel erhältlich ist. 
Du kannst dir aber schon jetzt ein Buch online vorbestellen, damit du einer der ersten bist die davon profitieren und selbst erfolgreicher werden können. JETZT VORBESTELLEN!

Jason and Dirk speak on the Metalocalypse finale. We talk the movie and the Death Album 4. We learn that Rohde likes Stephen King and Tony may not. Dirk is already setting up the Halloween decore and Games Com 2023 was good! 

Dirk ist Hörer des Casts und hat sich vom Laufmuffel zum Ultraläufer hochgearbeitet. Er berichtet von seinem Weg und vor allem von seinem Finish beim diesjährigen Mauerweglauf über 100 Meilen. The post Fatboysrun Episode 329 Hörer:Innen-Talk mit Dirk Gandecki first appeared on FatBoysRun.

Are you ready for some (fantasy) football?  We're back with our Patrons in the mix this year and invited a special guest to join us to fill out the field  We've got your BFE favourites - Ian, Georgia and Megs drafting live (Ethan's drafting remotely and Liam's doing the autodraft).  We're also joined live by Ensign Ian Davies, James DeGuzman, Andy Dickson and Kevin from "The Podcast That Wouldn't Die" drafting live alongside and adding to the merriment. It's a peak behind the curtain as you catch the BFE group just kicking it as we pretend we know what we're doing with Fantasy Football.  In between bites of chicken wings we provide commentary on the picks by our absent drafters (Rev Bruce, Duane Smith, Ryan Kuketz, Nate the Great, Juleen and Dirk - whether they're drafting remotely or letting the computer do the heavy lifting) There's chicken wings, banter, and a behind-the-scenes perspective that might help you know your BFE peeps a little bit better.

 Find Edmund:https://twitter.com/edmundmcmillenhttps://www.tiktok.com/@edmundmcmillenAs always please reach out and let Dirk know your experiences or thoughts on any and all of the movies or guests. Want to be a guest or just share a story? Please do!https://www.patreon.com/vhushttps://vhuspodcast.threadless.comhttps://twitter.com/VHUS_Podcasthttps://letterboxd.com/DirkMarshall/https://www.instagram.com/dirkzaster/?hl=enhttps://www.instagram.com/vhus_podcast/https://www.facebook.com/vhuspodcast 

Q&A - Dirk steht Dir Rede und Antwort auf deine Fragen und Kommentare von Instagram und Co. Viel Spaß bei der neuen Folge.

Mit 9 to 5 zum Erfolg? Dirk klärt auf und gibt dir hilfreiche Tipps, mit welcher Einstellung du es wirklich schaffen kannst.

Dirk Van Velzen World Changer + People Collector + Mountain Athlete Founder & CEO The Prison Scholar Fund  Go to www.thejasoncavnessexperience.com for the full episode and other episodes of The Jason Cavness Experience on your favorite platforms. Sponsor CavnessHR delivers HR companies with 49 or fewer people with our HR platform and by providing you access to your own HRBP. www.CavnessHR.com CavnessHR Crowdfunding Campaign We are doing an equity crowdfunding campaign for CavnessHR. You can become an owner in CavnessHR by taking part in our campaign. Learn more here. https://wefunder.com/cavnesshr  Dirk's Bio Dirk is passionate about prisoner education. While incarcerated for 15 years for a series of commercial burglaries in federal, state, and private prisons, he graduated at the top of his class at Pennsylvania State University. Seeing that others would walk a similar path, Dirk founded the Prison Scholar Fund (PSF) from behind bars supporting 110 incarcerated students before his release in 2015. Only 4% of the 83 released students have been reincarcerated, compared to a national 68% recidivism rate.  Released himself in 2015, Dirk graduated from a Nonprofit Management program at the University of Washington (2015), won first place in the Social Venture Partners Fast Pitch business plan competition (2015), and rocked a Social Entrepreneurship program at the Stanford Graduate School of Business (2016). Dirk was accepted into the inaugural cohort of musician John Legend & New Profit's “Unlocked Futures” accelerator (2017), is a JustLeadershipUSA fellow “Leading with Conviction” (2018), and was invited into the American Enterprise Institute's Leadership Network (2019). During the COVID-19 pandemic (2020), Dirk built relationships with food suppliers and distributed, door-to-door, over $700,000 in nourishment to system impacted people and families facing food insecurity. Dirk finished a Nonprofit Leadership program at the Harvard Kennedy School, as he remains driven to open access to quality postsecondary education and transition support for all underserved prisoners in America to break the cycle of re-incarceration and homelessness. At the PSF, Dirk recently built partnerships with Coding Dojo, Google, Microsoft, and Amazon to offer a coding bootcamp free of charge to system impacted people with an aptitude of working in the tech industry. The average salary of graduates is over $90K.  We talked about the following and other items Motorcycles Spending 15 years in prison Prison Scholar Fund  Running a non profit How he was able to fund raise while still a prisoner The process to apply for the Prison Scholar Fund Dirk's Social Media Dirk's Linkedin: https://www.linkedin.com/in/dirk-vanvelzen/ Dirk's Email: dirk@prisonscholars.org Prison Scholar Fund Website: https://www.prisonscholars.org/ Prison Scholar Fund Twitter: https://twitter.com/prisonscholars

Each year just about 2 teams get back to the NBA Playoffs. Why will the Dallas Mavericks, Charlotte Hornets, Indiana Pacers, and New Orleans Pelicans make the playoffs again? Nick Angstadt (@NickVanExit, Locked On Mavs) & Mike Richman each share 2 teams they think will make the NBA Playoffs next year after missing it the year before. Luka Doncic and the Dallas Mavericks will be back in the playoffs this year (please, for me, this is Nick from Locked On Mavs... if they don't make the playoffs what will I do... what will I tell my children... If you're reading this I hope for the love of Dirk make the playoffs include the Mavs next year...) What can LaMelo Ball and the Charlotte Hornets do to bounce back? Can the young Indiana Pacers do enough to rise up into the Playoffs? Can Zion Williamson, Brandon Ingram, and the New Orleans Pelicans return to the Playoffs? Follow & Subscribe on all Podcast platforms… 

We've often said there are more ways than one to skin a cat when talking about archery elk hunting strategies. This week Dirk Durham sat down with “Alone” Season 8 TV Series winner and long-time traditional bowhunter, Clay Hays, to compare and contrast elk hunting tactics. Being that he is a traditional archer, and Dirk shoots a compound, their approach to bowhunting elk isn't always that different. We cover from pre-rut archery to post-rut traditional flintlock muzzleloader tactics and have a lot of great nuggets to take away to the field this fall.  Connect with Dirk and Phelps Game Calls Phelps on Instagram, Facebook, and YouTube Shop Phelps MerchSee omnystudio.com/listener for privacy information.

En este episodio, hacemos un draft para crear el jugador perfecto con todos los jugadores de la historia, seleccionando en las categorías de: habilidad atlética/cuerpo, tiro, habilidad de crear ofensiva, defensa, personalidad etc etc. También, al igual que “El Dirk”, bautizamos algunos movimientos con los nombres de jugadores en la actualidad. Ben Simmons da una incómoda entrevista y mucho más. Redes sociales:Facebook, Twitter, Instagram: @losnbafreaksMarcos Brenes- Twitter: @MarcosJBrenes- Instagram: @marcosjbrenesGerard Clemente- Twitter: @gerardclemente- Instagram: @gerard_clementeJosue Brenes- Twitter: @JRBrenesWebsite: losnbafreaks.comEmail: losnbafreaks@gmail.com

In today's show, the ghost of Dora appears in Jupiter, Florida and Chas and David attempt to tease apart overt prejudice from covert racism, papa Toledo finally fesses up to a fear of Teahupo'o's bottom, the Saudi's make a play for Dirk's fledgeling biz, and peak unwarranted narcissism personified wreaks havoc at Pleasure Point. Plus Barrel or Nah?! Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Find Chris:https://www.youtube.com/channel/UC-6Pth-LC6fpVcT_YAcPrZAhttps://twitter.com/ZEROSEVENAnimehttps://www.youtube.com/c/FreeLanceAnimationhttps://twitter.com/unitzer07As always please reach out and let Dirk know your experiences or thoughts on any and all of the movies or guests. Want to be a guest or just share a story? Please do!https://www.patreon.com/vhushttps://vhuspodcast.threadless.comhttps://twitter.com/VHUS_Podcasthttps://letterboxd.com/DirkMarshall/https://www.instagram.com/dirkzaster/?hl=enhttps://www.instagram.com/vhus_podcast/https://www.facebook.com/vhuspodcast 

 Jason Timpf continues his ranking of the top 25 players in the last 25 years by revealing No. 10, Dirk Nowitzki of the Dallas Mavericks. Dirk is one of the greatest power forwards of all time, and cemented his legacy by winning the NBA Finals in 2011. #Volume #HerdSee omnystudio.com/listener for privacy information.

Today on the show, Dirk and David are joined by Phil Crifo, game director at Awaceb, most prominently known for his work on Fossil Echo and Tchia. He discusses growing up in New Caledonia, and how it serves as an influence on the creation of Tchia. Topics include the history of New Caledonia and colonization, creating a world based on difficult histories, making an engaging open world, and what soul jumping actually is.

Original Air Date: 1952Host: Andrew RhynesShow: Lightning JimPhone: (707) 98 OTRDW (6-8739) Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK

 Jason Timpf continues his ranking of the top 25 players in the last 25 years by revealing No. 10, Dirk Nowitzki of the Dallas Mavericks. Dirk is one of the greatest power forwards of all time, and cemented his legacy by winning the NBA Finals in 2011. #Volume #HerdSee omnystudio.com/listener for privacy information.

Just in time for Elk Season! Today I sit down with The Bugler himself, Champion Elk Caller, Dirk Durham AKA the Bugler. Dirk is a member of the MeatEater crew, and works for Phelps game calls. He has hunted elk since he was a boy and has won multiple Rocky Mountain Elf Foundation Elk Calling Championships. Dirk is also a very down-to-earth guy, who is very easy to talk to and loves helping others learn how to call elk! In this one we go over various different types of Bugles and cow calls that will be helpful if you are headed out for Archery Elk or, like me later in the season for muzzleloader and rifle ek tags! Enjoy and please share the show! Don't forge to use code: QUEST at MTN OPS, OnX and HEATHER's CHOICE, to save money and help support the show!

En este episodio, debatimos qué jugadores de NBA necesitan lucir bien en el mundial de baloncesto, que equipos de NBA necesitan que sus jugadores luzcan bien en el mundial y que jugadores nos intrigan en el mundial. Contestamos una pregunta sobre los recién coronados en el Salón de la Fama y debatimos donde los pondríamos si en su mejor versión los ponemos en el baloncesto moderno y cerramos con varios Tiros Rápidos. Redes sociales:Facebook, Twitter, Instagram: @losnbafreaksMarcos Brenes- Twitter: @MarcosJBrenes- Instagram: @marcosjbrenesGerard Clemente- Twitter: @gerardclemente- Instagram: @gerard_clementeJosue Brenes- Twitter: @JRBrenesWebsite: losnbafreaks.comEmail: losnbafreaks@gmail.com