Podcast appearances and mentions of Maxim Vengerov

durée : 01:28:16 - Maxim Vengerov, éloquence et perfection instrumentale - par : Aurélie Moreau - Violoniste de légende, Maxim Vengerov est profondément enraciné dans la tradition des écoles de violon franco-belge et russe. La direction d'orchestre lui permet d'élargir ses horizons musicaux. Aujourd'hui : Glazounov, Brahms, Paganini, Mozart…

durée : 00:58:32 - Maxim Vengerov, virtuosité et force expressive - par : Aurélie Moreau - Maxim Vengerov, violoniste prodigieux et chef apprécié, est acclamé dans le monde entier. "Jouer du violon reste ma langue maternelle" dit-il. Aujourd'hui : Beethoven, Mendelssohn, Bruch, Lalo, Ysaÿe… et Chostakovitch avec Rostropovitch, son mentor.

One of the world's greatest violinists Maxim Venerov is currently on tour in Australia. He took some time out to chat with Clayton about his award-winning musical career and how is violin teacher discovered his strength for playing (hint - it is a VERY amusing story).See omnystudio.com/listener for privacy information.

Pianist Polina Osetinskaya and violinist Maxim Vengerov will perform in Brisbane, Melbourne and Sydney in August. Despite her difficult life story, Polina Osetinskaya found the strength not to change her vocation. However, she has now been deprived of the opportunity to perform in her homeland because of her condemnation of Russia's aggression against Ukraine. - Пианистка Полина Осетинская и скрипач Максим Венгеров в августе выступают в Брисбене, Мельбурне и Сиднее. Несмотря на сложную жизненную историю, Полина Осетинская нашла в себе силу не изменить призванию. Однако сейчас у нее отняли возможность выступать на родине в связи с ее осуждением агрессии России против Украины.

In early August, the outstanding contemporary violinist Maxim Vengerov will tour Australia. He will give solo concerts in Brisbane, Melbourne and Sydney together with pianist Polina Osetinskaya. This year, the musician is celebrating his 50th birthday with a big tour around the world. - В начале августа в Австралии открывается гастрольный тур выдающегося скрипача современности Максима Венгерова, который даст сольные концерты в Брисбене, Мельбурне и Сиднее вместе с пианисткой Полиной Осетинской. В этом году музыкант отмечает свое 50-летие большими турне по всему миру. Мы спросили у него, что за эти годы было самым важным для его становления как музыканта.

durée : 01:28:38 - Été Classique Matin du samedi 06 juillet 2024 - par : Hippolyte Pérès - Au programme aujourd'hui, des oeuvres pour basse de viole avec Jordi Savall, Concertos de Tchaïkovski et Max Bruch avec Evgeni Kissin et Maxim Vengerov en solistes, Cantate de Vivaldi avec Sara Mingardo, Valse triste de Sibelius...

Chillout Classic w Radiu Spin #49 "Wiosna" 1. J.S. Bach - Wariacje Goldbergowskie: Aria i wariacje 7,8, halucynacje i 9 , Niklas Liepe, NDR Radiophilharmonie, Jamie Philips. 2. Max Richter - Vivaldi Recomposed - Spring cz.0 i cz.1. 3. G.F. Haendel - Koncert organowy nr. 13 F-dur "Kukułka" cz. 2, Ton Koopman, Amsterdam Baroque Orchestra. 4. O. Respighi - Ptaki cz. II Kukułka. 5. P. Czajkowski - Pory roku op. 37 nr 3 Marzec, Pieśń skowronka, Victoria Postnikowa. 6. Spring is Here - Ella Fitzgerald. 7. Spring is Here - Stan Getz. 8. A. Piazzolla - Pory roku - cz. 4 Wiosna, Daniel Bareinboim, Rodolfo Mederos. 9. L. van Beethoven - Sonata wiosenna F-dur op.24 cz.1 Allegro, Maxim Vengerov, Itamar Golan. 10. F. Mendelssohn - Pieśń Wiosenna op.62 nr 6 z cyklu Pieśni bez słów na fortepian solo, Annie d'Arco.

durée : 00:58:32 - Maxim Vengerov, virtuosité et force expressive - par : Aurélie Moreau - Maxim Vengerov, violoniste prodigieux et chef apprécié, est acclamé dans le monde entier. "Jouer du violon reste ma langue maternelle" dit-il. Aujourd'hui : Beethoven, Mendelssohn, Bruch, Lalo, Ysaÿe… et Chostakovitch avec Rostropovitch, son mentor.

Maxim Vengerov - Small Hours: The Long Night of John Martyn - Jennifer Lopez

Interpreten: Hilary Hahn Label: DG EAN: 028948641765 Mit ihrem letzten Album Eclipse hat sich Hilary Hahn, wie sie selbst sehr offen im Begleittext geschildert hat, nach den psychischen Anstrengungen der Coronapause wieder freigespielt. Noch vor Erscheinen der letzten CD hatte sie bereits die Idee für ein Nachfolgealbum, das kürzlich erschienen ist und eindrucksvoll zeigt, dass Hilary Hahn nach wie vor zur absoluten Geigenweltspitze gehört! Michael Gmasz ist beeindruckt. Gerüchte sagen, dass der belgische Geigenvirtuose und Komponist Eugène Ysaÿe, nach einem Bach-Soloabend seines Geigenkollegen Joseph Szigety dazu angeregt wurde, selbst auch sechs Sonaten für Violine solo zu schreiben und dass er die Skizzen dazu sogar noch in einer einzigen Nacht angefertigt hat. Ganz so wird's wohl nicht gewesen sein, aber fest steht, die sechs Sonaten für Violine solo Op. 27 sind im Sommer 1923 entstanden und feiern somit dieser Tage sozusagen ihren 100. Geburtstag. Das war für Hilary Hahn schon Grund genug, sich nach vielen Jahren wieder mit diesen hochvirtuosen Werken zu beschäftigen. Dazu kommt, dass sie quasi in direkter Linie zu Eugène Ysaÿe steht, war ihr Lehrer am Curtis Institute in Philadelphia Jascha Brodsky doch selbst Schüler des großen Meisters. Die sechs Solosonaten sind sechs großen Geigenvirtuosen Eugène Ysaÿes Zeit gewidmet. Dem schon erwähnten Joseph Szigeti, Jacques Thibaut, George Enescu, Fritz Kreisler, Matthieu Crickboom und Manuel Quiroga. Heute würden die Widmungsträgerinnen vielleicht Leonidas Kavakos, Julia Fischer, Maxim Vengerov und sicher eben auch Hilary Hahn heißen. Faszinierend, mit welcher Sicherheit, absolut sauberer Intonation, packendem Zugriff und flotten Fingern sie sich durch die an Bachs Solosonaten orientierten Werke spielt. Sämtliche technische Finessen gehen im wahrsten Sinne des Wortes problemlos von der Hand. Und Hilary Hahn schafft es sogar, die Virtuosität nicht in den Vordergrund zu stellen, sondern Musik aus diesen Werken herauszuholen. Wie könnte man den Hunderter so prägender Werke besser feiern, als in einer würdigen Aufnahme? Ganz und gar nicht! (mg)

Détenteur d'innombrables prix et distinctions, Stéphane Tétreault est le récipiendaire du Prix Virginia-Parker 2019 du Conseil des arts du Canada en reconnaissance de son talent, sa musicalité et excellence artistique exceptionnels, ainsi que sa contribution précieuse à la vie artistique au Canada et à l'étranger. Il est également le lauréat du Prix Opus 2023 pour « Album de l'année » (Transfiguration avec Valérie Milot) et le Prix Opus 2022 pour « Interprète de l'année », décernés par le Conseil québécois de la musique. En 2016, il fait ses débuts avec l'Orchestre de Philadelphie, sous la direction de Maestro Yannick Nézet-Séguin et il s'est produit au prestigieux Festival Gstaad Menuhin en Suisse. Au cours de la saison 2017-18, il a pris part à la première tournée européenne de l'Orchestre Métropolitain avec Maestro Nézet-Séguin et fait ses débuts avec le London Philharmonic Orchestra. Stéphane a partagé la scène avec le célèbre violoniste et chef d'orchestre Maxim Vengerov ainsi qu'avec les pianistes Alexandre Tharaud, Jan Lisiecki, Roger Vignoles, Louis Lortie et Marc-André Hamelin. Il a participé à de nombreuses classes de maître, notamment avec les violoncellistes Gautier Capuçon et Frans Helmerson. Son premier album, enregistré avec l'Orchestre symphonique de Québec sous la direction de Fabien Gabel s'est vu remettre le « Choix de l'éditeur » du célèbre magazine Gramophone. Son deuxième, avec la pianiste Marie-Ève Scarfone, a été sélectionné sur la liste des meilleurs albums de l'année « Critic's Choice 2016 » de Gramophone. Stéphane a étudié pendant plus de 10 ans sous la tutelle du regretté violoncelliste et chef d'orchestre Yuli Turovsky. Stéphane joue sur le violoncelle Stradivarius « Countess of Stainlein, Ex-Paganini » de 1707, qui lui est généreusement prêté par Madame Sophie Desmarais. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Rodion Shchedrin, widely hailed as the most prolific Russian composer of his generation, marks two major milestones in 2022: his 90th birthday, and his 25th year as composer-in-residence at the Verbier Festival. This dynamic collection of recordings celebrates a partnership of mutual inspiration. Shchedrin first visited Verbier in 1997, when Maxim Vengerov and Antonio Pappano performed his new Violin Concerto. Since then, the Festival's community of iconic soloists has embraced him as a cherished family member, welcoming collaboration and sparking inspiration. Many of Shchedrin's new works, as showcased by this release, were composed in the heart of the Swiss Alps.Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

In Episode Two of Broken Oars University, Broken Oars Podcast's Northern One explores fundamental equivalences between being a rower, and the discipline, practice and craft of rowing and being a musician, and the discipline, practice and craft of music.   Looking at the cultural location and narratives of both, this episode looks at how we self-identify with what resonates with us; the learning trajectory of both disciplines; the importance of mechanical practice and how that leads us to states of grace in both.   Taking in figures in both arenas from Eric Murray and Helen Glover to Maxim Vengerov and Eddie Van Halen to Johnny Dawes and Eugene Ysaye, although it does get into aspects of the psychology of the self, emotional response and spiritual ground, the idea that being a rower and rowing and being a musician and playing music possess core fundamental equivalences is not as big a reach as you think; and it's not as woo as you might fear.   If you've ever been in a boat when it's really moving, if you've ever played in a band when it's really cooking ... ? You're feeling the same thing and you got there the same way.   Get Some!   This episode of Broken Oars has no swearing in it, and is safe to play around children.    (Please click the link here for the Two Set Violin and Maxim Vengerov masterclass, which starts at 31.26 in their clip: https://www.youtube.com/watch?v=zsbA5KDChZw  

Maxim Vengerov will be performing with the National Symphony Orchestra under conductor David Brophy at the National concert Hall. The program will consist of Prokofiev violin Concerto number one and Ravel's Tzigane; Cara Doherty and Donald Clarke have been watching - Mrs Harris Goes to Paris, Hocus Pocus 2 and Flux Gourmet.

The greatest living violinist and his most gifted disciple come together as Kilkenny violinist, Patrick Rafter and Siberian virtuoso, Maxim Vengerov, prepare to perform Bach's Double Concerto for violin.

Lydia Becker, former intern with Pegasus Early Music, joins us to discuss the experience of interning for a major arts organization, from the ins-and-outs of everyday business to the more memorable moments that led her toward the work she is doing today. Lydia shares some advice for students looking to intern with major ensembles, and talks about her experience moving from intern to employee for the same institution. Lydia Becker is an innovative violinist who is passionate about building a vibrant audience relationship through historical performance practices, artistic diversity, and effective arts administration. Her quest for authenticity in all areas of life has forged her eclectic career path. Lydia always loved Baroque music, but got swept into the exciting world of historical performance when she first met Christel Thielmann and Paul O'Dette at the Eastman School of Music as an undergraduate violinist. The freedom and creativity allowed in these older performance practices immediately sparked Lydia's passion for exploring new music from the past. Having earned three degrees in Violin Performance and Early Music with high distinction from the Eastman School of Music, Lydia is continuing her graduate studies in Historical Performance at the Juilliard School. Curiosity fuels Lydia's music-making; consequently, she strives for musical excellence in all musical styles and genres. Lydia has performed internationally in numerous festivals and concerts, sharing the stage with renowned artists, including Paul O'Dette, Monica Huggett, and Maxim Vengerov. She is a founding member of the Berwick Fiddle Consort, a historically-informed folk band; Luminaria, a multi-sensory watercolor-harp-violin duet; and the Kenaniah Project, an eclectic jazz-classical-folk chamber ensemble that presents sacred Christian music from a fresh perspective. Lydia is equally skilled as an arts administrator, and recently was the administrative manager for Pegasus Early Music and NYS Baroque for three years. Since 2017, Lydia has served as assistant to the orchestra director at the Boston Early Music Festival summer season, helping to coordinate the orchestra's logistics at one of the largest early music festivals in the world. Lydia is a Catherine Filene Shouse Arts Leadership Program fellow and earned a Certificate in Arts Leadership at the Eastman School of Music. The transcript for this episode can be found here. For more information about Lydia, please visit her website.

We had a discussion with violinist Andrew Wan. As soloist, Wan has appeared in the United States, China, New Zealand, Cuba, Argentina, Brazil, Switzerland and Canada under conductors such as Jean-Claude Casadesus, Maxim Vengerov, Peter Oundjian, Jacques Lacombe, Vasily Petrenko, James DePreist, Marc Piollet and Michael Stern.

Mike Baker and Rory Russell of the Aquarelle Guitar Quartet join the Soundweavers team to discuss their work promoting the guitar quartet through a careful balance of traditional repertoire, arrangements, and commissions. They chat about their relationship with Chandos Records and their recording projects. They speak about their beginnings with Live Music Now and the value that community engagement programs offer both the local audiences and the performers. Recognized as one of the world's leading guitar quartets, the Aquarelle Guitar Quartet is a dynamic and innovative ensemble known for its extraordinary ensemble in performance and expansive repertoire. Formed originally at the Royal Northern College of Music (in 1999), under the guidance of Craig Ogden and Gordon Crosskey, the quartet went on to study with renowned guitarists such as Sérgio Assad, Oscar Ghiglia and Scott Tennant. Their early successes included winning awards from the Musicians Benevolent Fund, Tillett Trust and Tunnell Trust. In 2016, the Aquarelle Guitar Quartet was invited to perform at Classic FM Live at the Royal Albert Hall with the Academy of St. Martin in the Fields. The concert, which also featured Maxim Vengerov, Debbie Wiseman, Laura Wright and Wayne Marshall, was recorded for subsequent broadcast. The Aquarelle Guitar Quartet has performed in many other major concert halls in the UK, including Perth Concert Hall, Wigmore Hall, St. Martin-in-the-Fields and Bridgewater Hall. Their engagements have taken them throughout Europe, most recently visiting Germany, Spain, Denmark, Greece, Estonia, Poland and Ireland. The ensemble made its debut in Asia in 2014 with a series of concerts in Seoul and they returned to South Korea in 2016, this time to perform at the Daejeon International Guitar Festival. The AGQ is dedicated to presenting music from around the globe, spanning the period from the renaissance right through to the present day. Many established international composers, including Carlos Rafael Rivera (U.S.A), Phillip Houghton (Australia), Stephen Dodgson (U.K) and Nikita Koshkin (Russia) have invited the quartet to perform their compositions, and the group's commission “Danças Nativas”, by the Brazilian composer Clarice Assad, was nominated for a Latin Grammy® award for best classical composition in 2009. A further source of material for the AGQ's constantly expanding repertoire is their own arrangements of music from various genres, including works by Gismonti, Mussorgsky, Rossini, and film music composer Ryuichi Sakamoto. In 2009 the Aquarelle Guitar Quartet was signed exclusively to Chandos Records and has since recorded 5 albums; “Spirit of Brazil” (March 2009), “Dances” (June 2010), “Final Cut” (June 2012), “Cuatro” (Nov 2013) and “Aspects” (Nov 2016) all received highly enthusiastic reviews in the press. The transcript for this episode can be found here. For more information about the Aquarelle Guitar Quartet, please visit their website, Facebook, Twitter, and YouTube.

Cecilia Bartoli's album Unreleased, featuring virtuosic concert arias from Mozart, Beethoven, Haydn and Mysliveček, will be released on 19 November 2021. These notoriously demanding pieces were written by the greatest composers of the classical era for the leading sopranos of their day. The music was recorded in 2013 with the Kammerorchester Basel under Muhai Tang and violinist Maxim Vengerov is featured on the Mozart arias L'Amerò Sarò Costante and Ch'io Mi Scordi Di Te? The tracklist for Unreleased was finalized by Cecilia Bartoli during the pause to her performance schedule caused by the pandemic.Tracklist01. Ah Perfido!, Op. 65: "Ah, Perfido!"02. Ah Perfido!, Op. 65: Aria "Per pietà, non dirmi addio"03. Ah Perfido!, Op. 65: "Ah crudel! tu vuoi ch'io mora!"04. Ch'io mi scordi di te? Non temer, amato bene, K. 49005. La clemenza di Tito, Act II: "Se mai senti spirarti sul volto"06. Ah, lo previdi!, K. 272: "Ah, lo previdi … Ah, t'invola agl'occhi miei"07. Ah, lo previdi!, K. 272: Cavatina "Deh, non varcar quell'onda"08. Bella mia fiamma, addio, K. 528: Recitativo "Bella mia fiamma, addio"09. Bella mia fiamma, addio, K. 528: Aria "Resta, o cara"10. Il re pastore, K. 208, Act II: "L'amerò, sarò costante"11. Scena di Berenice, Hob. XXIVa:10: Recitativo "Berenice, che fai?"12. Scena di Berenice, Hob. XXIVa:10: Aria & Recitiativo "Non partir bell'idol mio… Me infelice!"13. Scena di Berenice, Hob. XXIVa:10: Aria "Perché, se tanti siete"Purchase the music (without talk) at:Unreleased (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

Nous vous proposons un agenda culturel :  Le Geneva International Film Festival ouvre aujourd'hui les portes de sa 27e édition inaugurée dans la salle mythique Le Plaza. Cette soirée de lancement marquera le retour du Festival dans les salles obscures genevoises et ses retrouvailles avec le public autour d'un programme de 140 œuvres au carrefour des formats et des sens. Nouveau à partir d'aujourd'hui, le Musée d'art et d'histoire met a disposition du public aveugle et malvoyant un nouveau dispositif, un plan virtuel tactile qui permet à ce public de déambuler dans les salles en toute autonomie. Le 8 novembre concert au Victoria Hall de Maxim Vengerov, violon, Récital, avec Vag Papian, piano – Œuvres de Mozart, Enescu, Strauss, Ravel. Le 16 novembre au Bâtiment des Forces Motrices,  Concert Prestige « Reine des Dunes » du Geneva Camerata, avec DEE DEE BRIDGEWATER. Le 27 novembre : Première « Late Night » de la saison, le Grand Théâtre s'associe au festival Les Créatives pour délivrer une programmation scénique et musicale décalée et surprenante. Une soirée 100% femmes pour 100 % de découverte clubbing.  

Ahead of his performance on 23 September at the InClassica International Music Festival in Dubai, violinist Maxim Vengerov chats to online editor Davina Shum about three different pieces of violin repertoire: Tzigane by Ravel, Seascapes by Alexey Shor and Meditation by Massenet. Check out thestrad.com for the latest news and articles on all things to do with string playing. Register and subscribe to access exclusive archival content from 2010 onwards. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_ Lalo: Symphonie Espagnole; Saint-Saens: Violin Concerto; Ravel: Tzigane Maxim Vengerov, vln / Antonio Pappano, conductor / Philharmonia Orchestra Warner Classics B019GRSR7A Photo credit: B. Ealovega

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Join Dr. Ashley Pribyl as she interviews St. Louis Symphony violist Michael Casimir about his experience as a musician of color. In this episode, the two explore the importance of teaching, how to reach diverse audiences, the historical and systematic barriers faced to expanding participation in classical music, and why everyone should love the viola!The theme for MOSY Motifs is the overture to Treemonisha by Scott Joplin, recorded by Cristian Chiappini & Orchestra dell'Università di Firenze. Music examples:Lawrence Power, Maxim Vengerov, UBS Verbier Festival Chamber Orchestra perform Wolfgang Amadeus MozartSinfonia concertante in E flat major, K. 364Michael Casimir and Nathan Chan, Dmitri Shostakovich's Preludes for Two Violins, arr. for Viola and CelloBrian Owens and the 442s, Sam Cooke's "A Change is Gonna Come"Tyler Stahl and Michael Casimir, "Come Back Inside"These complete examples, as well as more music related to this episode, can be found here or on our YouTube page.Support the show

Tom Service talks to the pianist Piotr Anderszewski about a new album he’s recorded and edited featuring Bach's preludes and fugues – a project undertaken during lockdown. He reflects how the quest to achieve perfection is one of the drives that still keeps him searching, as well as what he describes as the need to 'tame the beast' – his piano. The scholar Laura Tunbridge, expert on 19th-Century lieder, reviews 'The Songs of Fanny Hensel', a new collection of essays edited by Stephen Rodgers about this pioneering composer and sister of Felix Mendelssohn, who remains mostly undiscovered. We hear from the violinist Maxim Vengerov about his latest project, an educational website designed to give masterclasses to both his regular students at prestigious institutions.... and any players from around the world who subscribe and who are selected for free lessons from an open lottery. We learn about the touching stories behind the first two winners. And we take a look at two projects aiming to engage young audiences and bring them to Classical Music, including 'Classics Explained' – a YouTube channel dedicated to short video animations that throw light on the greatest pieces of the classical repertoire; and a new radio station for children, 'Fun Kids Classical', which is reviewed by radio critic, journalist and broadcaster, Gillian Reynolds. Photo credit: Simon Fowler, © 2020 Parlophone Records Limited

durée : 00:02:57 - Musique connectée du lundi 18 janvier 2021 - par : Suzanne Gervais - Nouvelle année rime avec solidarité et pédagogie avec l'initiative du violoniste Maxim Vengerov : lancer un site internet dédié à la pédagogie, destiné à tous les jeunes violonistes.

Wellington Rebouças Guimarães (violino) Iniciou seus estudos de violino aos nove anos e concluiu, em 2012, o bacharelado em música – violino pela Faculdade Integrada Cantareira, sob orientação da Professora Elisa Fukuda. Em 2008, foi spalla da Orquestra Jovem do Estado de São Paulo (OJESP). Participou de importantes festivais nacionais e internacionais, como o “Festival Mattheiser Sommer – Academie”em Bad-Sobernheim (Alemanha) e Festival Internacional de Campos do Jordão. Fez aula com renomados professores entre eles: Maxim Vengerov , Gilis Apap, Glenn Dicterow, Dmitri Beslinsky, Yuzuko Horigome, Kristof Barati, Nicola Benedetti, Mark Gothoni , Augustin Hadelich e Gey Braustein. Foi concertino/spalla da Orquestra Sinfônica de Santo André. Em 2013 foi finalista do programa Preludio da TV Cultura, e como Primeiro Lugar nos concursos: Paulo Bosísio, Jovens Solista da Orquestra Jovem do Estado de São Paulo, 2 vezes consecutivas Jovens Solista da Orquestra Experimental de repertório também vencedor dos Jovens Solistas da Filarmônica de Goiânia, em 2018 1° lugar no primeiro concurso violin Festspiele Brasil. No ano de 2016 foi convidado para solar com a OER o Concerto no. 4 de W. A. Mozart no Theatro Municipal de São Paulo. Atualmente,atua como Solista B da Orquestra Sinfônica Municipal (OSM) e também como Spalla da Camerata Fukuda cargo que oculpa a 10 anos e professor convidado de festivais nacionais e internacionais.

In this month's podcast, we reflect on some of our favourite concerts that have been streamed online over the past few weeks, and suggest a few to look out for in the coming months. Plus, we discuss the new virtual festival of the arts 'Culture in Quarantine' on BBC Arts.Also this month, we discuss the fabulous virtuosity of violinist and conductor Maxim Vengerov as he marks 40 years on stage, and Ravi Shankar, whose centenary we are celebrating in our May issue.As usual, we've each brought along a recording we've been enjoying, from an orchestral work inspired by the Canary Islands to a choral piece based on an Estonian folk hymn.THE MAGAZINEMaxim VengerovRavel: Violin SonataMaxim Vengerov, Roustem Saïtkoulov at Carnegie Hall in 2018 (available on Idagio)Cover CD:Bruckner: Symphony No. 8BBC Scottish Symphony Orchestra/Donald RunniclesFIRST LISTENFreya's choice:Chigaday (La Gomera) - for OrchestraGustavo Díaz-Jerez: Maghek – Seven Symphonic Poems About The Canary IslandsRoyal Scottish National Orchestra/Eduardo PortalSignum Classics SIGCD612Oliver's choice:Whilst greater is our poverty, still greater is our blessingKreek: The Suspended Harp of BabelVox ClamantisECM 4819041Jeremy's choice:Mathias: Harp Sonata, Second Movement: Allegro VivoA Vision of Time and EternityMichelle Gott (harp)Naxos 8.574053This podcast was presented by BBC Music Magazine’s editor Oliver Condy, with deputy editor Jeremy Pound and editorial assistant Freya Parr. The jingles were composed by Christopher Maxim and the episode was produced by Jack Bateman and Ben Youatt. See acast.com/privacy for privacy and opt-out information.

durée : 00:09:59 - Classique info du mardi 20 août 2019 - par : Christophe Dilys - Le violoniste Maxim Vengerov devient professeur à l’université Mozarteum de Salzbourg. Egalement, les chapelles et églises du Var sont victimes de vols de cloches. Enfin, nous apprenons avec une grande tristesse le décès du compositeur Julien Gauthier.

World-class pianist Polina Osetinskaya is one of the four prodigy-called musicians from the Soviet Union, standing alongside violinists Maxim Vengerov and Vadim Repin, as well as pianist Evgeny Kissin. She is glad to leave the past of the childhood fame behind her and is proud to make a transformation to worlds most respected concerting pianists, which has been a long and uneasy journey for her. The pianist today is known for her unusual repertoire, including works by the contemporary post-avant-garde composer as well as traditional, classical works. After performing at the Salzburg Festival this week Polina Osetinskaya will appear at Carnegie Hall next season with Maxim Vengerov and for her project “An Unknown Friend”. Ona Jarmalavičiūtė, a musicologist, has conducted an interview with a performer about her performance style, struggles of youth her and opinion about the music business of today.

durée : 01:58:10 - En pistes ! du mardi 25 juin 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le violon sera roi dans l'émission de Kreisler à Maxim Vengerov en passant par des enregistrements d'archives de Ginette Neveu. - réalisé par : Olivier Guérin

Virtuoso Ray Chen hardly needs an introduction, but let's start with his Gold Medal at the Queen Elisabeth competition in 2009, at the age of 20! His career since then, by all appearances, has been an effortless climb. But as you're about to hear, that isn't the whole story. As I've gotten to know Ray (during his solo appearances with the LA Phil, including that one time he stole my bow for a Paganini encore!) I've been impressed with how open he is in person and on social media. Let's start here: if you don't follow Ray on Instagram and YouTube, you're missing out big time! Here are those links: Ray's Instagram Ray on YouTube For example, one of Ray's videos deals with the topic of insecurity. It's so rare for a world-class soloist to open up about this topic, and you certainly won't hear any insecurity in his playing! But as we discuss in this episode, it's a feeling every violinist deals with at some point, and it's a necessary step along the way to mature artistry. Ray Chen's biography Ray Chen is a violinist who redefines what it is to be a classical musician in the 21st Century. With a media presence that enhances and inspires the classical audience, reaching out to millions through his unprecedented online following, Ray Chen's remarkable musicianship transmits to a global audience that is reflected in his engagements with the foremost orchestras and concert halls around the world.Initially coming to attention via the Yehudi Menuhin (2008) and Queen Elizabeth (2009) Competitions, of which he was First Prize winner, he has built a profile in Europe, Asia, and the USA as well as his native Australia both live and on disc. Signed in 2017 to Decca Classics, the summer of 2017 has seen the recording of the first album of this partnership with the London Philharmonic as a succession to his previous three critically acclaimed albums on SONY, the first of which (“Virtuoso”) received an ECHO Klassik Award. Profiled as “one to watch” by the Strad and Gramophone magazines, his profile has grown to encompass his featuring in the Forbes list of 30 most influential Asians under 30, appearing in major online TV series “Mozart in the Jungle”, a multi-year partnership with Giorgio Armani (who designed the cover of his Mozart album with Christoph Eschenbach) and performing at major media events such as France's Bastille Day (live to 800,000 people), the Nobel Prize Concert in Stockholm (telecast across Europe), and the BBC Proms. “It's hard to say something new with these celebrated works; however, Ray Chen performs them with the kind of authority that puts him in the same category as Maxim Vengerov.” — CORRIERE DELLA SERA He has appeared with the London Philharmonic Orchestra, National Symphony Orchestra, Leipzig Gewandhausorchester, Munich Philharmonic, Filarmonica della Scala, Orchestra Nazionale della Santa Cecilia, Los Angeles Philharmonic, and upcoming debuts include the SWR Symphony, San Francisco Symphony, Pittsburgh Symphony, Berlin Radio Symphony, and Bavarian Radio Chamber Orchestra. He works with conductors such as Riccardo Chailly, Vladimir Jurowski, Sakari Oramo, Manfred Honeck, Daniele Gatti, Kirill Petrenko, Krystof Urbanski, Juraj Valcuha and many others. From 2012-2015 he was resident at the Dortmund Konzerthaus and in 17/18 will be an “Artist Focus” with the Berlin Radio Symphony. His presence on social media makes Ray Chen a pioneer in an artist's interaction with their audience, utilising the new opportunities of modern technology. His appearances and interactions with music and musicians are instantly disseminated to a new public in a contemporary and relatable way. He is the first musician to be invited to write a lifestyle blog for the largest Italian publishing house, RCS Rizzoli (Corriere della Sera, Gazzetta dello Sport, Max). He has been featured in Vogue magazine and is currently releasing his own design of violin case for the industry manufacturer GEWA.

Virtuoso Ray Chen hardly needs an introduction, but let's start with his Gold Medal at the Queen Elisabeth competition in 2009, at the age of 20! His career since then, by all appearances, has been an effortless climb. But as you're about to hear, that isn't the whole story. As I've gotten to know Ray (during his solo appearances with the LA Phil, including that one time he stole my bow for a Paganini encore!) I've been impressed with how open he is in person and on social media. Let's start here: if you don't follow Ray on Instagram and YouTube, you're missing out big time! Here are those links: Ray's Instagram Ray on YouTube For example, one of Ray's videos deals with the topic of insecurity. It's so rare for a world-class soloist to open up about this topic, and you certainly won't hear any insecurity in his playing! But as we discuss in this episode, it's a feeling every violinist deals with at some point, and it's a necessary step along the way to mature artistry. Ray Chen's biography Ray Chen is a violinist who redefines what it is to be a classical musician in the 21st Century. With a media presence that enhances and inspires the classical audience, reaching out to millions through his unprecedented online following, Ray Chen's remarkable musicianship transmits to a global audience that is reflected in his engagements with the foremost orchestras and concert halls around the world.Initially coming to attention via the Yehudi Menuhin (2008) and Queen Elizabeth (2009) Competitions, of which he was First Prize winner, he has built a profile in Europe, Asia, and the USA as well as his native Australia both live and on disc. Signed in 2017 to Decca Classics, the summer of 2017 has seen the recording of the first album of this partnership with the London Philharmonic as a succession to his previous three critically acclaimed albums on SONY, the first of which (“Virtuoso”) received an ECHO Klassik Award. Profiled as “one to watch” by the Strad and Gramophone magazines, his profile has grown to encompass his featuring in the Forbes list of 30 most influential Asians under 30, appearing in major online TV series “Mozart in the Jungle”, a multi-year partnership with Giorgio Armani (who designed the cover of his Mozart album with Christoph Eschenbach) and performing at major media events such as France’s Bastille Day (live to 800,000 people), the Nobel Prize Concert in Stockholm (telecast across Europe), and the BBC Proms. “It’s hard to say something new with these celebrated works; however, Ray Chen performs them with the kind of authority that puts him in the same category as Maxim Vengerov.” — CORRIERE DELLA SERA He has appeared with the London Philharmonic Orchestra, National Symphony Orchestra, Leipzig Gewandhausorchester, Munich Philharmonic, Filarmonica della Scala, Orchestra Nazionale della Santa Cecilia, Los Angeles Philharmonic, and upcoming debuts include the SWR Symphony, San Francisco Symphony, Pittsburgh Symphony, Berlin Radio Symphony, and Bavarian Radio Chamber Orchestra. He works with conductors such as Riccardo Chailly, Vladimir Jurowski, Sakari Oramo, Manfred Honeck, Daniele Gatti, Kirill Petrenko, Krystof Urbanski, Juraj Valcuha and many others. From 2012-2015 he was resident at the Dortmund Konzerthaus and in 17/18 will be an “Artist Focus” with the Berlin Radio Symphony. His presence on social media makes Ray Chen a pioneer in an artist’s interaction with their audience, utilising the new opportunities of modern technology. His appearances and interactions with music and musicians are instantly disseminated to a new public in a contemporary and relatable way. He is the first musician to be invited to write a lifestyle blog for the largest Italian publishing house, RCS Rizzoli (Corriere della Sera, Gazzetta dello Sport, Max). He has been featured in Vogue magazine and is currently releasing his own design of violin case for the industry manufacturer GEWA.

Picks from across the week including Andy Cutting, The Prince Consort and Maxim Vengerov

Due brevi omaggi a Milos Forman e Cecil Taylor. Recensioni di Luca Chierici dei concerti di Maxim Vengerov e Filarmonica della Scala Teodor Currentzis; e di Michele Coralli di "Les Boys" del Duo Jatekok (Alpha Classics). Presentazione della "Francesca da Rimini" alla Scala.

Due brevi omaggi a Milos Forman e Cecil Taylor. Recensioni di Luca Chierici dei concerti di Maxim Vengerov e Filarmonica della Scala Teodor Currentzis; e di Michele Coralli di "Les Boys" del Duo Jatekok (Alpha Classics). Presentazione della "Francesca da Rimini" alla Scala.

Due brevi omaggi a Milos Forman e Cecil Taylor. Recensioni di Luca Chierici dei concerti di Maxim Vengerov e Filarmonica della Scala Teodor Currentzis; e di Michele Coralli di "Les Boys" del Duo Jatekok (Alpha Classics). Presentazione della "Francesca da Rimini" alla Scala.

Music skated to by Olympic Silver medalist, Yevgenia Medvedeva. Symphony No. 6 in B Minor, op. 74 (Pathetique) Written by Pyotr Ilyich Tchaikovsky (as Peter Ilyich Tchaikovsky) Performed by The St. Petersburg Philharmonic Orchestra Conducted by Georg Solti (as Sir Georg Solti) Courtesy of Icon Records and London Records Swan Lake Written by Pyotr Ilyich Tchaikovsky (as Peter Ilyich Tchaikovsky) Performed by The St. Petersburg Philharmonic Orchestra Conducted by Georg Solti (as Sir Georg Solti) Courtesy of Icon Records and London Records Eugene Onegin Written by Pyotr Ilyich Tchaikovsky (as Peter Ilyich Tchaikovsky) Performed by The St. Petersburg Philharmonic Orchestra Conducted by Georg Solti (as Sir Georg Solti) Galina Gorchakova, soprano Galina Gorchakova appears courtesy of Philips Classics Productions Courtesy of Icon Records and London Records Violin Concerto in D Major, op. 35 Written by Pyotr Ilyich Tchaikovsky (as Peter Ilyich Tchaikovsky) Performed by The St. Petersburg Philharmonic Orchestra Conducted by Georg Solti (as Sir Georg Solti) Maxim Vengerov, violin Maxim Vengerov appears courtesy of Teldec Classics GmbH Hamburg Courtesy of Icon Records and London Records Vespers, Op. 37/2 Written by Sergei Rachmaninoff Performed by St. Petersburg Chamber Choir Conducted by Nikolai Kornev (as Nikolai Korniev) Courtesy of Icon Records and London Records Vespers, Op. 37/5 Written by Sergei Rachmaninoff Performed by St. Petersburg Chamber Choir Conducted by Nikolai Kornev (as Nikolai Korniev) Courtesy of Icon Records and London Records Song About Alexander Nevsky Written by Sergei Prokofiev Performed by The St. Petersburg Philharmonic Orchestra amd The St. Petersburg Chamber Choir Conducted by Georg Solti (as Sir Georg Solti) Courtesy of Icon Records and London Records Harvesting the Field Performed by Natasha Alymova, Zhenya Kirichenko, Zhenya Morozova, Masha Shpakovskaya Courtesy of Icon Records and London Records Cavalry Officers' Party Performed by Radmila Ivanova, Viktor Rapotikhin, Yura Schchukin, Yura Slatsov, Maria Vengelevskaya, Rada Vengelevskaya Courtesy of Icon Records and London Records Trio Élégiaque No. 1 in G Minor Written by Sergei Rachmaninoff Performed by Beaux Arts Trio Courtesy of Philips Classics by arrangement with PolyGram Film & TV Licensing Elegie, Op. 3/1 Written by Sergei Rachmaninoff Performed by Howard Shelley Courtesy of Hyperion Records by arrangement with Source/Q Piano Sonata No. 2 in B Flat Minor, Op. 36 Written by Sergei Rachmaninoff Performed by Howard Shelley Courtesy of Hyperion Records by arrangement with Source/Q Prelude in F Sharp Minor, Op. 23/1 Written by Sergei Rachmaninoff Performed by Howard Shelley Courtesy of Hyperion Records by arrangement with Source/Q Purchase now at: http://www.classicalsavings.com/store/p561/Leo_Tolstoy%27s_Anna_Karenina_Movie_Soundtrack.html

I programmet diskuteras ungersk kammarmusik med Notos-kvartetten, Ester Yoo tolkar Tjajkovskij, orkestermusik av Chaminade samt Barbara Hannigan som både sjunger och dirigerar på ny skiva. I panelen Ditte Hammar, Edward Klingspor och Per Lindqvist som tillsammans med programledaren Johan Korssell betygsätter följande skivor: HUNGARIAN TREASURES Kammarmusik av Dohnányi, Kodály och Bartók Notos-kvartetten RCA 88985411882 PETER TJAJKOVSKIJ Violinkonsert D-dur m.m. Esther Yoo, violin Philharmonia Orchestra Vladimir Ashkenazy, dirigent DGG 481 5032 CÉCILE CHAMINADE Callirhoë, Konsertstycke för piano och orkester Victor Sangiorgio, piano BBCs konsertorkester Martin Yates, dirigent Dutton CDLX 7339 CRAZY GIRL CRAZY Musik av Luciano Berio, Alban Berg och George Gershwin Barbara Hannigan, sopran och dirigent Ludwig Orchestra Alpha ALPHA 293 Referensen Tjajkovskijs violinkonsert Johan jämför med och refererar till en inspelning där Maxim Vengerov är solist och spelar tillsammans med Berlins filharmoniker allt under ledning av Claudio Abbado. Inspelad på skivmärke Teldec.  Sofia möter Anders Hillborg Sofia Nyblom träffade kompositören Anders Hillborg dagen efter uruppförandet av det nya verket Aeterna. Samtalet kretsar runt arbetet som tonsättare, samarbetet med violinisten Lisa Batiasjvili i den andra violinkonserten samt lite tankar om framtiden och det kommande verket som är beställt av Londons symfoniorkester.   Andra i programmet nämnda eller rekommenderade inspelningar: Chaminades Konsertstycke med pianisten Danny Driver tillsammans med BBCs skotska symfoniorkester, Glasgow, ledda av Rebecca Miller på märket Hyperion. Tjajkovskijs violinkonsert med Maxim Vengerov tillsammans med Berlins filharmoniker under ledning av Claudio Abbado på Teldec (Referensen); Vilde Frang och Danmarks radios symfoniorkester ledda av Eivind Gullberg Jensen på EMI; Janine Jansen och Mahler Chamber Orchestra under Daniel Harding på Decca; Hilary Hahn tillsammans med Liverpools filharmoniker ledda av Vasily Petrenko på DG; Lisa Batiasjvili och Berlins statskapell dirigerade av Daniel Barenboim på DG; Jascha Heifetz och Chicagos symfoniorkester under Fritz Reiner på RCA; David Oistrach och Sovjetunionens statliga symfoniorkester under Kirill Kondrasjin på Melodija; Pinchas Zuckerman och Israels filharmoniker under ledning av Zubin Mehta på Columbia samt med Itzhac Perlman tillsammans med Israels filharmoniker allt under Zubin Mehta på Angel. Ester Yoo spelar Sibelius och Glazunovs violinkonserter på DG. Barbara Hannigans framträdande i Berwaldhallen i Stockholm, då hon också sjöng och dirigerade samtidigt. Berios Sequenza III med Cathy Berberian på märket Stradivarius. Inget Svep denna vecka

Pianist Jan Lisiecki discusses the Schumann Piano Concerto and going on tour with the TSO. Violinist Maxim Vengerov shares his thoughts on joining the TSO on tour in Israel. Music courtesy of Naxos of America, Inc.

I programmet diskuteras bl.a. Vincent D'Indys andra symfoni, mässor av Pierre de la Rue och Vadim Gluzman som solist i Prokofjevs violinkonserter. Nadja Boulanger och Schönberg i I mindre skala. I panelen Anna Nyhlin, Camilla Lundberg och Tony Lundman som tillsammans med programledaren Johan Korssell betygsätter följande skivor:VINCENT DINDY Symfoni nr 2, m.m. Skotska Nationalorkestern Jean-Luc Tingaud, dirigent Naxos 8.573522SERGEJ PROKOFJEV Violinkonserterna, Soloviolinsonat Vadim Gluzman, violin Estniska symfoniorkestern Neeme Järvi, dirigent Bis SACD 2142JOHANN SEBASTIAN BACH De franska sviterna Murray Perahia, piano DG 479 6565PIERRE DE LA RUE Mässor, Salve Regina och Magnificat sexti toni Brabant-ensemblen Stephen Rice, dirigent Hyperion CDA 68150I mindre skala Johanna Paulsson och Alexander Freudenthal vänder och vrider på några av Arnold Schönberg och Nadja Boulangers arrangemang av stort och smått.Andra i programmet nämnda eller rekommenderade inspelningar: DIndys orkesterverk med Islands symfoniorkester under ledning av Rumon Gamba, inspelad på Chandos. Prokofjevs violinkonserter med Jascha Heifetz och Bostons symfoniorkester ledda av Sergej Kussevitskij (nr 2) på RCA; David Ojstrach och Londons symfoniorkester under ledning av Lovro von Matacic på märket Warner Classics; Lidija Mordkovitj och Skotska nationalorkestern, Glasgow, under Neeme Järvi på Chandos; Janine Jansen tillsammans med Londons filharmoniker ledda av Vladimir Jurowski (nr 2) på Decca samt med Maxim Vengerov som solist tillsammans med Londons symfoniorkester allt under Mstislav Rostropovitj på Teldec. Prokofjevs symfonier med Neeme Järvi och Skotska nationalorkestern, Glasgow, på Chandos.Svepet Johan sveper över ett album med musik av Claude Debussy; Image, Jeux och La plus que lente. Det är San Franciscos symfoniorkester under Michael Tilson Thomas som framför dessa. Inspelningen är gjord på det egna märket San Francisco Symphony. I Johans julspecial nästa vecka får vi höra mer ur denna CD.

I programmet diskuteras bl.a. blåsmusik av Beethoven med Il Gardellino och Nicola Benedetti som solist i Sjostakovitjs och Glazunovs violinkonserter. Johan Korssell möter också Nicola Benedetti. I panelen Camilla Lundberg, David Björkman och Evert van Berkel som tillsammans med programledaren Johan Korssell betygsätter följande skivor: LUDWIG VAN BEETHOVEN Oktett Rondino Kvintett Il Gardellino Arthur Schoonderwoerd m.fl. Passacaille 1016GUSTAV MAHLER Symfoni nr 1 D-dur Bayerska radions symfoniorkester Yannick Nézet-Séguin, dirigent BR Klassik 900143 G F HÄNDEL Imeneo Ann Hallenberg m.fl Europa Galante Fabio Biondi, violin och dirigent Glossa GCD 923405SJOSTAKOVITJ GLAZUNOV Violinkonserter Nicola Benedetti, violin Bournemouth symfoniorkester Kirill Karabits, dirigent Decca 478 8758 Johan möter Nicola Benedetti Johan Korssell träffade den skotska violinisten i samband med hennes gästspel i Stockholms konserthus i augusti då hon framträdde som solist i Szymanowskis andra violinkonsert tillsammans med Kungliga filharmonikerna och dirigenten Lahav Shani. Andra i programmet nämnda eller rekommenderade inspelningar: Sjostakovitjs första violinkonsert med solisten Maxim Vengerov tillsammans med Londons symfoniorkester under Mstislav Rostropovich inspelad på Teldec samt med David Ojstrach och New Yorks filharmoniker ledda av Dimitri Mitropoulos på Sony.  Glazunovs violinkonsert med violinisten Esther Yoo som spelar tillsammans med Philharmonia Orchestra ledd av Vladimir Ashkenazy på skivmärket DG. Mahlers första symfoni med Concertgebouw-orkestern dirigerad av Bernard Haitink på Philips; Concertgebouw-orkestern ledd av Leonard Bernstein på DG; Berlins filharmoniker under Bernard Haitink på Philips; San Fransiscos symfoniorkester dirigerad av Michael Tilson Thomas på SFS Media samt med Concertgebouw-orkestern under ledning av Mariss Jansons på RCO Live. Inget svep denna vecka      

  Rachel Barton Pine, classical violinist, and member of the metal band Earthen Grave, has played with orchestras all over the world, and under the baton of many renowned conductors. But in this episode of the Classical Classroom, she comes back to a piece – over, and over, and over, and over – studied by every young violin player. Rachel shows us how Mendelssohn’s Violin Concerto in E Minor has been interpreted by violinists across history and cultures, and how this ebullient piece is given new life by each new musician who plays it. Rachel Barton Pine, classical violinist, and member of the metal band Earthen Grave, has played with orchestras all over the world, and under the baton of many renowned conductors. But in this episode of the Classical Classroom, she comes back to a piece – over, and over, and over, and over – studied by every young violin player. Rachel shows us how Mendelssohn’s Violin Concerto in E Minor has been interpreted by violinists across history and cultures, and how this ebullient piece is given new life by each new musician who plays it. Audio production by Todd “Toddy Ruxpin” Hulslander, with kind of creepy hovering during the editing process by Dacia Clay. Music in this episode: – “Life Carries On” from Dismal Times, by Earthen Grave – Brahm’s Violin Concerto, Rachel Barton Pine with Chicago Symphony Orchestra. Carlos Kalmar conducting. – “Rock You Like a Hurricane” from Love at First Sting by the Scorpions. – “Ice Cream Man” from Van Halen by Van Halen. – Mendelssohn’s Violin Concerto in E Minor as performed (not necessarily in this order) by: — Rachel Barton Pine with Gottinger Symphonie Orchester. Christoph-Mathias Mueller conducting. — Joshua Bell with Camerata Salzburg. Roger Norrington conducting. — Fritz Kreisler with Berlin State Opera Orchestra. Leo Blech conducting. — Jascha Heifetz with Boston Symphony Orchestra. Sir Thomas Beecham conducting. — Maxim Vengerov with Leipzig Gewandhaus Orchestra. Kurt Masur conducting. — Isaac Stern with Philadelphia Orchestra. Eugene Ormandy conducting. — Henryk Szeryng with London Symphony Orchestra. Antal Dorati conducting. — Nathan Milstein with New York Philharmonic. Bruno Walter conducting. — Anne-Sophie Mutter with Berlin Philharmonic. Herbert von Karajan conducting.  — Itzhak Perlman by London Symphony Orchestra. Andre Previn conducting. — Maud Powell For more information about Classical Classroom: www.houstonpublicmedia.org/classroom For more information about Rachel Barton Pine: www.rachelbartonpine.com But wait! There’s more! In this short Classical Classroom, she talks about the most important thing her two musical loves share in common: emotional power. Audio production by Todd “Goes to 11” Hulslander with lighters in the air by Dacia Clay. Music in this episode: – “Death Is Another Word” from Earthen Grave, by Earthen Grave – Brahm’s Violin Concerto, Chicago Symphony Orchestra, Carlos Kalmar conducting. – “Rock You Like a Hurricane” from Love at First Sting by the Scorpions – “Ice Cream Man” from Van Halen by Van Halen – “Arpeggios from Hell” by Yngwie Malmsteen – Tchaikovsky’s Violin Concerto in D major, Vadim Repin with Kirov Orchestra. Valery Gergiev conducting. – Sibelius’ Violin Concerto in D minor, Salvatore Accardo with London Symphony Orchestra. Sir Colin Davis conducting. – “Wasted Years” from Somewhere in Time by Iron Maiden – “Ozzy/ Black Sabbath Medley” by Rachel Barton Pine

This week - writer Christios Tsiolkas on following his global bestseller The Slap and violinist Maxim Vengerov on the benefits of selective hearing; cellists Julian and Jiaxin Lloyd Webber discuss their new work and director Dominic Dromgoole on working in a new Shakespearean space. Kirsty Lang talks to actor Colin Firth and theatre designer Es Devlin and John Wilson film directors The Coen Brothers and we review The Wolf of Wall Street.

With Mark Lawson. Australian writer Christos Tsiolkas, who came to worldwide recognition with his controversial novel The Slap, discusses his follow up, Barracuda, the story of a young man with the potential to become an Olympic swimming champion and his struggle with self-acceptance. Violinist Maxim Vengerov, who is performing a series of concerts at London's Barbican this year, discusses the challenges of the more demanding elements of the repertoire, how he responds to different audiences, and how he alters his playing technique to suit the acoustics of a venue. Tracy Chevalier, author of Girl With a Pearl Earring, reviews a new documentary film Tim's Vermeer, in which inventor Tim Jenison attempts to understand and recreate the painting techniques used by Dutch Master Johannes Vermeer. Two American cop shows begin on TV this week. Mob City, created by Oscar-nominated writer Frank Darabont, is a neo-noir drama looking at the LAPD in the 1940s. Brooklyn Nine-Nine won two Golden Globes at this weekend's ceremony and takes a comic look at the exploits of a contemporary Brooklyn police department. Crime fiction expert Jeff Park delivers his verdict on the two shows. Producer: Jerome Weatherald.

With John Wilson. Author Eoin Colfer reveals the reason that he decided to put an end to the saga of his best-selling hero Artemis Fowl, despite his publisher's wishes. Tonight is the start of the BBC Proms 2012 - but what's it like being a world-class classical soloist? Mezzo-soprano Alice Coote, violinist Maxim Vengerov and trumpeter Alison Balsom reveal some of the pressures they face, and Colin Lawson, director of the Royal College of Music, discusses whether students can be prepared for life on the international stage. To mark the 250th anniversary of the coup d'état which placed Catherine the Great on the Russian throne, the National Museum of Scotland is holding an exhibition exploring how she used artworks to express her power. Dr Mikhail Piotrovsky, Director of the State Hermitage Museum, explains what the collection tells us about Catherine herself. John revisits Afghan war veterans Rifleman Daniel Shaw and Sapper Lyndon Chatting-Walters, as they prepare to go on tour with Owen Sheers' play The Two Worlds of Charlie F. John first met them in rehearsal, and they now reflect on their stage nerves and their readiness to take to the road. Producer Ellie Bury.

Mark Haddon on new novel The Red House; violinist Maxim Vengerov; Leonardo Da Vinci's anatomical drawings; British actress Tracie Bennett plays Judy Garland on Broadway; actor Jason Isaacs and the South Sudan Theatre Company.

With John Wilson. Professor Robert Winston surveys a major exhibition of Leonardo Da Vinci's anatomical drawings, on show at the Queen's Gallery, Buckingham Palace. Acclaimed violinist Maxim Vengerov reveals why he unexpectedly stopped performing as a soloist, and why he's now returning to the concert platform. Poet Lemn Sissay discusses how his poem for the Olympic Park, inspired by a local match factory, has gained a new meaning following the news about the possible placement of surface-to-air missiles in the area. Andrew Collins decides whether American Reunion, the latest film in the American Pie series, is fully or half-baked. Producer Stephen Hughes.

Series exploring famous pieces of music and their emotional appeal. When Mendelssohn wrote his Violin Concerto in 1844 he could hardly have imagined how famous and well loved it would become. In this programme, people tell how it has played an important part in their lives. Violinist Daniel Hope tells how he got caught practising this concerto secretly locked in the bathroom at school. Harry Atterbury remembers hearing the Mendelssohn for the first time on the night before a Second world War air raid which turned his life upside down. Composer Stephen Pratt describes discovering that his father had played this concerto to cheer fellow soldiers in the jungle in Burma, and explains how this inspired him to write his own violin concerto. To find out more about Stephen Pratt's Violin Concerto, go to: http://www.liverpoolphil.com./1132/rlpo-recordings/stephen-pratt-lovebytes.html The recording of the Mendelssohn Violin Concerto featured in this programme was by violinist Maxim Vengerov with the Leipzig Gewandhaus Orchestra conducted by Kurt Masur. Teldec 4509-90875-2.

Join Anne-Marie Minhall this Sunday at the new time of 3 to 5pm where she will be in conversation with Hollywood legend Julie Andrews who has just released a memoir of her early years….Hear what is was like growing up in WWII Britain to being on the brink of international stardom in the sixties as she was cast as the world’s most famous nanny , Mary Poppins. Also on the show is one of the world’s best loved violinists Maxim Vengerov…Maxim tells the Guest List about his plans for the future which include working with the next generation of violinists. He’ll also be talking about a unique concert in Cardiff in April where he’ll be conducting his good friend and fellow fiddle player, Joshua Bell, playing the Tchaikovsky Violin Concerto…. Plus Jessica Stevenson of Spaced and Royle Family fame joins the show to talk about a great new British comedy called Son Of Rambow which opens in cinemas in April

Welcome to the latest edition of the Classic Newsnight podcast. You might be surprised to learn that it contains an exclusive interview with Mike Oldfield – he of Tubular Bells fame. What’s he got to do with classical music? The answer is just a click away. Less surprising, but equally interesting, is a preview of the Edinburgh International Festival. Classic FM’s resident GP, Rob Hicks, takes a look at the latest thinking on the link between excessive sunbathing and skin cancer. And if you’ve ever lain awake at night, wondering how the sound of a Harley Davidson motorcycle could be imitated by an electric violin, wonder no more: we ride off into the sunset with Maxim Vengerov.