Podcasts about shinnecock indian nation

Kirk and Trevor meet Sean Boyd, a member of the Shinnecock Indian Nation and discuss the operations of Little Beach Harvest, a cannabis dispensary owned and operated by the Shinnecock tribe. The key to this episode is the community leverages its sovereign status to create its own cannabis regulations, allowing for indoor cultivation and a more customer-centric approach. The community has created a welcoming, community-oriented experience and supports Shinnecock entrepreneurs and businesses. The episode touches upon the history of economic development challenges and the ongoing fight for sovereignty. Little Beach Harvest is in a unique position as a tribally-owned cannabis business operating on sovereign land.Little Beach Harvest websiteLittle Beach Harvest LinkedIn(Yes we got a SOCAN membership to use this song all legal and proper like)Music by:Liquid Culture – Sunshine on Your Tongue-YouTubeAdditional Music:Desiree Dorion desireedorion.comMarc Clement - FacebookTranscripts, papers and so much more at: reefermed.ca

Alex spoke with Denise Williams, Director of the Education Department of the Shinnecock Indian Nation, as well as other leaders in the community about the educational and cultural programs that the Nation runs as well as Native American Heritage Month.

In this conversation, Sheryl speaks with Lisa Goree, the newly elected leader of the Shinnecock Indian Nation on Eastern Long Island, making her the tribe's first female leader in over 200 years. They explore the history of the Shinnecock reservation, the tribe's future plans, and their relationship with the affluent residents of the neighboring town.

In Shinnecock Hills, an ancestral Shinnecock burial ground is back in the hands of the Shinnecock Indian Nation. The site is adjacent to the summit of Sugar Loaf Hill, land that has been used by the Shinnecock and other Indigenous people from as far away as New England for cremation and interment. A house deemed historic, but not yet landmarked, sits on the land, and the question of what to do with the house remains. Shinnecock Indian Nation tribal attorney and Niamuck Land Trust Executive Director Tela Troge,  Peconic Land Trust President John v.H. Halsey and Express News Group reporter Cailin Riley join the editors on the podcast to talk about the significance of the site and the effort by others to preserve the house there.

Governor Lamont says he wants to see thousands of new affordable housing units built in Connecticut over the next two years. Connecticut leads a national effort to crack down on Xylazine. A group of Connecticut lawmakers want to lower the legal blood-alcohol content level for drivers. And the Shinnecock Indian Nation reacts to offshore wind farms in Long Island waters.

The Shinnecock Nation is seeing their first cannabis dispensaries opening. They are among a rush of weed businesses among New York tribes as the state starts welcoming recreational use sales. The same is happening all across the country—in Minnesota, New Mexico, California, and Nevada—as tribes see new economic development opportunities in places where cannabis is no longer prohibited by state law.   GUESTS Mary Jane Oatman (Nez Perce and descendant of the Delaware Tribe), founder of the Indigenous Cannabis Coalition & THC Magazine and the executive director of the Indigenous Cannabis Industry Association  Rob Pero (Bad River Band of Lake Superior Chippewa), founder and president of the Indigenous Cannabis Industry Association and owner of Canndigenous Chenae Bullock (enrolled member of the Shinnecock Indian Nation), managing director of Little Beach Harvest Gary Farmer (Cayuga, Tuscarora and Mohawk), actor and musician

The Shinnecock Nation is seeing their first cannabis dispensaries opening. They are among a rush of weed businesses among New York tribes as the state starts welcoming recreational use sales. The same is happening all across the country—in Minnesota, New Mexico, California, and Nevada—as tribes see new economic development opportunities in places where cannabis is no longer prohibited by state law.   GUESTS Mary Jane Oatman (Nez Perce and descendant of the Delaware Tribe), founder of the Indigenous Cannabis Coalition & THC Magazine and the executive director of the Indigenous Cannabis Industry Association  Rob Pero (Bad River Band of Lake Superior Chippewa), founder and president of the Indigenous Cannabis Industry Association and owner of Canndigenous Chenae Bullock (enrolled member of the Shinnecock Indian Nation), managing director of Little Beach Harvest Gary Farmer (Cayuga, Tuscarora and Mohawk), actor and musician

Kelsey Leonard is the first Native American woman to earn a science degree from the University of Oxford, which she earned in 2012. She earned an MSc in Water Science, Policy and Management from St. Cross College, one of the thirty-eight c olleges of the University of Oxford. Her master's thesis, “Water Quality For Native Nations: Achieving A Trust Responsibility”, discusses water quality regulation and how water resources on tribal land are not protected. Kelsey Leonard is an enrolled member of the Shinnecock Indian Nation and is originally from the Shinnecock Indian Reservation in Long Island, New York. In 2010 she was the first member of the Shinnecock Nation to graduate from Harvard University. Her Harvard degree is a Bachelor of Arts degree in Sociology and Anthropology with a secondary field in Ethnic Studies.Kelsey Leonard currently represents the Shinnecock Indian Nation as the Tribal Co-Lead on the Mid-Atlantic Regional Planning Body of the U.S. National Ocean Council. This planning body consisting of tribal, federal, and state entities is charged with guiding the protection, maintenance, and restoration of America's oceans and coasts. As a Shinnecock citizen and environmental leader, Kelsey strives to be a strong advocate for the protection of Indigenous waters through enhanced interjurisdictional coordination and meaningful consultation.She has been recognized as a 30 under 30 world environmental leader by the North American Association for Environmental Education and a “Native American 40 Under 40” award recipient by the National Center for American Indian Enterprise Development. Additionally, her work with Indigenous Nations to protect the Ocean received a Peter Benchley Ocean Award for Excellence in Policy Solutions.

A forum invites Connecticut residents to voice their concerns over an 8% rate increase from United Illuminating. The Shinnecock Indian Nation looks for ways to curb debts after multiple shut-off notices. Connecticut Republicans oppose a bill that would create more transit-oriented communities. And the military has made a string of new deals with small Pacific nations as relations with China worsen.

Jeremy Dennis, fine art photographer of the Shinnecock Indian Nation, in an interview from November 2019 in connection with a show at the Linder Gallery at Keystone College in La Plume, PA. The feature was rebroadcast to coincide with an exhibition of his work at the Hope Horn Gallery at the University of Scranton titled, "Mapping Shinnecock: Sites & Portraits--Photographs by Jeremy Dennis" running until April 29, 2022. The show is part of the larger initiative at the U of S funded by a grant from the National Endowment for the Humanities: "Scranton's Story; The Nation's Story". www.scranton.edu/scrantonstory/

“We're all part of a web like a dreamcatcher. Everybody knows a dreamcatcher and whatever you do that's wrong will eventually come back and affect you because we're all connected. What would we like people to learn about Native Americans? I was an educator for over 21 years, so for me it's probably overcoming fear from the outside and fear from the inside to know the outside, so there needs to be more understanding.”“What really helped me as a Shinnacock person was traveling out to different nations in the country and Canada and talking with people who went to the same things. And where they're at in their historical cycle colonization cycle. Tribes that are culturally similar to ours, that's what really helped me out was actually visiting.”The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton, where they are officially called Shinnecock. They currently have over 1,200 enrolled members. Photo by Jeremy Dennis· www.creativeprocess.info

The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton and have over 1,200 enrolled members. Mia visited the Shinnecock reservation to do this interview with photographer and founder of Ma's House BIPOC Art Studio Jeremy Dennis; beadwork artist and dancer Tohanash Tarrant; traditional singer, dancer, and artist Standing Buffalo (Shane Weeks); and artist and educator Denise Silva Dennis. · www.jeremynative.com · www.thunderbirddesigns.com· bizhiki.com· denisesilvadennis.com· accessgenealogy.com/new-york/shinnecock-tribe.htm · www.creativeprocess.info· www.oneplanetpodcast.org

The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton and have over 1,200 enrolled members. Mia visited the Shinnecock reservation to do this interview with photographer and founder of Ma's House BIPOC Art Studio Jeremy Dennis; beadwork artist and dancer Tohanash Tarrant; traditional singer, dancer, and artist Standing Buffalo (Shane Weeks); and artist and educator Denise Silva Dennis. · www.jeremynative.com · www.thunderbirddesigns.com· bizhiki.com· denisesilvadennis.com· accessgenealogy.com/new-york/shinnecock-tribe.htm · www.creativeprocess.info· www.oneplanetpodcast.org

“We're all part of a web like a dreamcatcher. Everybody knows a dreamcatcher and whatever you do that's wrong will eventually come back and affect you because we're all connected. What would we like people to learn about Native Americans? I was an educator for over 21 years, so for me it's probably overcoming fear from the outside and fear from the inside to know the outside, so there needs to be more understanding.”“What really helped me as a Shinnacock person was traveling out to different nations in the country and Canada and talking with people who went to the same things. And where they're at in their historical cycle colonization cycle. Tribes that are culturally similar to ours, that's what really helped me out was actually visiting.”The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton, where they are officially called Shinnecock. They currently have over 1,200 enrolled members. Photo by Jeremy Dennis· www.creativeprocess.info

The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton and have over 1,200 enrolled members. Mia visited the Shinnecock reservation to do this interview with photographer and founder of Ma's House BIPOC Art Studio Jeremy Dennis; beadwork artist and dancer Tohanash Tarrant; traditional singer, dancer, and artist Standing Buffalo (Shane Weeks); and artist and educator Denise Silva Dennis. · www.jeremynative.com · www.thunderbirddesigns.com· bizhiki.com· denisesilvadennis.com· accessgenealogy.com/new-york/shinnecock-tribe.htm · www.creativeprocess.info· www.oneplanetpodcast.org

“We're all part of a web like a dreamcatcher. Everybody knows a dreamcatcher and whatever you do that's wrong will eventually come back and affect you because we're all connected. What would we like people to learn about Native Americans? I was an educator for over 21 years, so for me it's probably overcoming fear from the outside and fear from the inside to know the outside, so there needs to be more understanding.”“What really helped me as a Shinnacock person was traveling out to different nations in the country and Canada and talking with people who went to the same things. And where they're at in their historical cycle colonization cycle. Tribes that are culturally similar to ours, that's what really helped me out was actually visiting.”The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton, where they are officially called Shinnecock. They currently have over 1,200 enrolled members. Photo by Jeremy Dennis· www.creativeprocess.info

The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton and have over 1,200 enrolled members. Mia visited the Shinnecock reservation to do this interview with photographer and founder of Ma's House BIPOC Art Studio Jeremy Dennis; beadwork artist and dancer Tohanash Tarrant; traditional singer, dancer, and artist Standing Buffalo (Shane Weeks); and artist and educator Denise Silva Dennis. · www.jeremynative.com · www.thunderbirddesigns.com· bizhiki.com· denisesilvadennis.com· accessgenealogy.com/new-york/shinnecock-tribe.htm · www.creativeprocess.info· www.oneplanetpodcast.org

The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton and have over 1,200 enrolled members. Mia visited the Shinnecock reservation to do this interview with photographer and founder of Ma's House BIPOC Art Studio Jeremy Dennis; beadwork artist and dancer Tohanash Tarrant; traditional singer, dancer, and artist Standing Buffalo (Shane Weeks); and artist and educator Denise Silva Dennis. · www.jeremynative.com · www.thunderbirddesigns.com· bizhiki.com· denisesilvadennis.com· accessgenealogy.com/new-york/shinnecock-tribe.htm · www.creativeprocess.info· www.oneplanetpodcast.org

The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton and have over 1,200 enrolled members. Mia visited the Shinnecock reservation to do this interview with photographer and founder of Ma's House BIPOC Art Studio Jeremy Dennis; beadwork artist and dancer Tohanash Tarrant; traditional singer, dancer, and artist Standing Buffalo (Shane Weeks); and artist and educator Denise Silva Dennis. · www.jeremynative.com · www.thunderbirddesigns.com· bizhiki.com· denisesilvadennis.com· accessgenealogy.com/new-york/shinnecock-tribe.htm · www.creativeprocess.info· www.oneplanetpodcast.org

Original Broadcast -Wednesday, February 16, 2022 7:00 PM - 8:00 PM (Q & A - till 8:30) LIVE ASCM NYC Live Discussion with ASCM NYC LI Host, Ron Tabbitas and Guest Speaker, Phillip Brown, Shinnecock Housing Director, how local initiatives to address local needs - creating sustainable, viable housing within the Shinnecock Community, standing by the effort of Create Local, Make Local™. See the Newsday coverage: Shinnecock Indian Nation creates transitional housing for homeless tribal members | NewsdayA

“We're all part of a web like a dreamcatcher. Everybody knows a dreamcatcher and whatever you do that's wrong will eventually come back and affect you because we're all connected. What would we like people to learn about Native Americans? I was an educator for over 21 years, so for me it's probably overcoming fear from the outside and fear from the inside to know the outside, so there needs to be more understanding.”“What really helped me as a Shinnacock person was traveling out to different nations in the country and Canada and talking with people who went to the same things. And where they're at in their historical cycle colonization cycle. Tribes that are culturally similar to ours, that's what really helped me out was actually visiting.”The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton, where they are officially called Shinnecock. They currently have over 1,200 enrolled members. Photo by Jeremy Dennis· www.creativeprocess.info

“We're all part of a web like a dreamcatcher. Everybody knows a dreamcatcher and whatever you do that's wrong will eventually come back and affect you because we're all connected. What would we like people to learn about Native Americans? I was an educator for over 21 years, so for me it's probably overcoming fear from the outside and fear from the inside to know the outside, so there needs to be more understanding.”“What really helped me as a Shinnacock person was traveling out to different nations in the country and Canada and talking with people who went to the same things. And where they're at in their historical cycle colonization cycle. Tribes that are culturally similar to ours, that's what really helped me out was actually visiting.”The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton, where they are officially called Shinnecock. They currently have over 1,200 enrolled members. Photo by Jeremy Dennis· www.creativeprocess.info

Episode 62: This week on “Dan's Talks,” Dan speaks with Bryan Polite, council chairman of the Shinnecock Indian Nation. After traveling the world, Polite … Read More

There has always been a false and incorrect idea about what the beliefs of the US represent. Anyone who is paying attention will know the belief system of what the US represents is a false set of beliefs. In this Episode:1). Millions of Angry, Armed Americans Stand Ready to Seize Power If Trump Loses in 20242). The Shinnecock Indian Nation is fighting to save what's left of its land as climate change prompts sea levels to rise and eat away the shoreline in Long Island, New York.3). We introduce Part 1 of a two part series "..."What Is Democracy, And How Does It Relate To Native American Tribes?"

This episode we hear from Afro-Indigenous photographer Jeremy Dennis who shares insight, concept and approach around their practice. Jeremy also describes a myriad of exciting projects they have going on including Ma's house, an old family home on the Shinnecock Indian Reservation in Southampton, NY that he and his family have been renovating. Learn about all the projects mentioned on this episode and how to support the work at www.jeremynative.com Music/Samples featured on this episode:  Zero 7- Futures (feat Jose Gonzales) Excerpt recording from James Baldwin, Why We Need Artists Jeremy Dennis is a contemporary fine art photographer and a tribal member of the Shinnecock Indian Nation in Southampton, NY. In his work, he explores indigenous identity, culture, and assimilation. Dennis holds an MFA from Pennsylvania State University, State College, PA, and a BA in Studio Art from Stony Brook University, NY. In his work, he explores indigenous identity, cultural assimilation, and the ancestral traditional practices of his community, the Shinnecock Indian Nation. Dennis' work is a means of examining his identity and the identity of his community, specifically the unique experience of living on a sovereign Indian reservation and the problems they face. He currently lives and works in Southampton, New York on the Shinnecock Indian Reservation.  Jeremy Dennis Artist Statement:  My photography explores indigenous identity, cultural assimilation, and the ancestral traditional practices of my tribe, the Shinnecock Indian Nation. Though science has solved many questions about natural phenomena, questions of identity are more abstract, the answers more nuanced. My work is a means of examining my identity and the identity of my community, specifically the unique experience of living on a sovereign Indian reservation and the problems we face. Digital photography lets me create cinematic images. Nowhere have indigenous people been more poorly misrepresented than in American movies. My images question and disrupt the post-colonial narrative that dominates in film and media and results in damaging stereotypes, such as the “noble savage” depictions in Disney's Pocahontas. As racial divisions and tensions reach a nationwide fever pitch, it's more important to me than ever to offer a complex and compelling representation of indigenous people. I like making use of the cinema's tools, the same ones directors have always turned against us (curiously familiar representations, clothing that makes a statement, pleasing lighting), to create conversations about uncomfortable aspects of post-colonialism. For example, in my 2016 project, “Nothing Happened Here,” stylized portraits of non-indigenous people impaled by arrows symbolize, in a playful way, the “white guilt” many Americans have carried through generations, and the inconvenience of co-existing with people their ancestors tried to destroy. By looking to the past, I trace issues that plague indigenous communities back to their source. For example, research for my ongoing project “On This Site” entailed studying archaeological and anthropological records, oral stories, and newspaper archives. The resulting landscape photography honors Shinnecock's 10,000-plus years' presence in Long Island, New York. Working on that collection has left me with a better understanding of how centuries of treaties, land grabs, and colonialist efforts to white-wash indigenous communities have led to our resilience, our ways of interacting with our environment, and the constant struggle to maintain our autonomy. Despite four hundred years of colonization, we remain anchored to our land by our ancient stories. The indigenous mythology that influences my photography grants me access to the minds of my ancestors, including the value they placed on our sacred lands. By outfitting and arranging models to depict those myths, I strive to continue my ancestors' tradition of storytelling and showcase the sanctity of our land, elevating its worth beyond a prize for the highest bidder.

In this episode we meet Jeremy Dennis, who is a contemporary fine art photographer and a member of the Shinnecock Indian Nation. In his work, he explores indigenous identity, assimilation, and tradition. He has been part of several group and solo exhibitions, residencies, and recipient of the Creative Bursar Award from Getty Images.  We also talk to him about what may be his most ambitious and personal project to date -- Ma's House.https://www.jeremynative.com/

It’s tough being rich. For one thing, you have to be on constant alert to keep commoners from encroaching on your turf and upsetting your sense of proper social order. Consider the angst of the swells who summer in the Hamptons, an ultra-toney seaside enclave of New York City’s old-wealth families and Wall Street elites on the eastern tip of Long Island. For generations they’ve used local ordinances to keep us riffraff out of their exclusive communities. But now, they find themselves besieged by – believe it or not – Indians! The small reservation of some 1,600 members of the Shinnecock Indian Nation has also been there for generations. In fact, it’s the rich White residents who are the invaders, for their Anglo predecessors first descended on Shinnecock lands in 1640. Today, the indigenous people struggle with poverty, gazing across a small bay at the huge summer mansions of their Gatsbyesque invaders. But now, to lift their own economy, the tribe intends to build a modest tribal-run casino on their reservation. Oh, the horror, shriek the Hamptonites! Yet, the reservation is the Shinnecock people’s sovereign land, free from the Hampton elite’s zoning laws, so the rich and mighty are reduced to begging the Native people to just go away. “A lot of us are bleeding heart liberals and sympathetic to the oppressed,” exclaimed one, “But it’s not the right location.” It never is, is it? This is a struggle of elitist esthetics versus human necessities – casino revenue could help tribal families with such expenses as rent, food, utilities, and car payments. “[It] could change the quality of life here overnight,” says the tribal chief. But who cares? A few of the snobbiest of Hampton blue bloods haughtily warn they will move out if the Shinnecock Casino comes in. Hmmm, sounds like a good trade to me.

Roberts talks with Jeremy Dennis, a contemporary fine art photographer and a tribal member of the Shinnecock Indian Nation in Southampton, NY. In his work, he explores indigenous identity, culture, and assimilation. A production of LIU Public Radio. Visit us at WCWP.org

Lance Gumbs of the Shinnecock Indian Nation Live on LI in the AM with Jay Oliver! 2-19-21 by JVC Broadcasting

Shinnecock Indian Nation's Lance Gumbs LIVE on LI in the AM w/ Jay Oliver! 2.18.21 by JVC Broadcasting

We are humbled to chat with Andrina Wekontash Smith; a descendant/member of the Shinnecock Indian Nation, a beautiful poet, writer and comedian. She brings a wealth of knowledge to the history and current realities of BIPOC (Black, Indigenous and People of Color) in the United States. Her quick wit and honesty is fantastic, as well as the message she shares with the world. "History, despite its wrenching pain Cannot be unlived, but if faced With courage, need not be lived again." - Maya Angelou, On The Pulse of Morning FOLLOW US ON INSTAGRAM: https://www.instagram.com/millennialsrevenge/ --- Support this podcast: https://anchor.fm/millennialsrevenge/support

Water is LIFE. As a water scientist and protector, Dr. Kelsey Leonard seeks to establish Indigenous traditions of water conservation as the foundation for international water policy-making. Fighting for legal personhood of water, Dr. Kelsey Leonard represents the Shinnecock Indian Nation on the Mid-Atlantic Committee on the Ocean, which is charged with protecting America's ocean ecosystems and coastlines. With Aurora + Kelly captivated, Dr. Leonard discusses building Indigenous science and knowledge into new solutions for water governance and sustainable oceans.Learn more about Dr. Kelsey Leonard here: http://www.kelseyleonard.com/Follow her on Twitter here.Find us on Instagram, Facebook, and Twitter @theoptin.TwitterInstagramFacebookProduced by Rachel IshikawaMusic by Jordan McCreeHosted by Aurora Archer and Kelly Croce SorgIf you enjoyed this conversation and would like to support Aurora + Kelly curating more conversation to propel your introspection, growth and being better a human, we invite you to consider donating a minimum of $8 to our Patreon account or the sky-is-the-limit for our Venmo and Paypal accounts at theopt-in.com! If we connect with you, please subscribe, rate + review The Opt-In podcast, It takes all of us together to make transformational change. Visit us at www.theopt-in.com to stay tuned in.  --- Support this podcast: https://anchor.fm/the-opt-in/support

Former NBA superstar and long-time entrepreneur Michael Jordan has recently purchased an undisclosed equity stake in the US sportsbook DraftKings. He will also serve on the company’s board as a special advisor. He is the current owner and chairman of the Charlotte Hornets franchise in the NBA. The news of this arrangement drove up the share price of DraftKings more than seven percent. As of Sept. 2, it was trading at $39.60 a share. DraftKings went public in April following a three-way merger. SBTech and Diamond Eagle Acquisition Corp. were the other two partners. The principle business is legal US sports betting.

Jeremy Dennis (b. 1990) is a contemporary fine art photographer and a tribal member of the Shinnecock Indian Nation in Southampton, NY. In his work, he explores indigenous identity, culture, and assimilation. He has been part of several group and solo exhibitions, including Stories—Dreams, Myths, and Experiences, for The Parrish Art Museum’s Road Show (2018), Stories, From Where We Came, The Department of Art Gallery, Stony Brook University (2018); Trees Also Speak, Amelie A. Wallace Gallery, SUNY College at Old Westbury, NY (2018); Nothing Happened Here, Flecker Gallery at Suffolk County Community College, Selden, NY (2018); On This Site: Indigenous People of Suffolk County, Suffolk County Historical Society, Riverhead, NY (2017); Pauppukkeewis, Zoller Gallery, State College, PA (2016); and Dreams, Tabler Gallery, Stony Brook, NY (2012). Jeremy has attended residenies, including: Yaddo (2019), Byrdcliffe Artist Colony (2017), North Mountain Residency, Shanghai, WV (2018), MDOC Storytellers’ Institute, Saratoga Springs, NY (2018). Eyes on Main Street Residency & Festival, Wilson, NC (2018), Watermill Center, Watermill, NY (2017) and the Vermont Studio Center hosted by the Harpo Foundation (2016). All images courtesy of the artist     00:00 - Introduction 00:40 - Jeremy Dennis 02:44 - Big Moon - The Big Net 07:47 - Behind the Dance: Indigenous Portraits 26:00 - Pauppukkeewis 32:12 - On This Site 41:19 - Secrets & Medicine - Lanterns on the Lake 46:05 - Outro 46:27 - Finish

Jeremy Dennis, Award-winning photographer & tribal member of the Shinnecock Indian Nation, and Katie Hovencamp, Director of the Linder Gallery, speaking about the exhibition, "The Promise of Idle Time" at the Linder Gallery at Miller Library on the campus of Keystone College in La Plume, PA, to November 23, 2019. www.keystone.edu

EPISODE SUMMARY:What exactly is “Conservation Hunting”? Stories produced by Mainstream CBS news looks at the controversy of Trophy hunting and how they justify their actions in killing animals in the “wild” and out “On The Range”. We give an Indigenous perspective on the practice.Also…Residents in the New York Hamptons have now filed a Restraining Order Against Billboards erected by the Shinnecock Indian Nation. Is it justified or harassment of the tribe?Plus listener feedback

The Shinnecock Indian Nation wants to put up 2 electric billboards along Sunrise Highway as you enter the Hamptons. Local residents, politicians, and Roger are resisting , Ted the traffic guy wants to know why Long Islanders always say NO to everything

Shavonne Smith of Shinnecock Indian Nation discusses the importance of tribal involvement in environmental decisionmaking.

As one of the original peoples of Long Island, New York, the Shinnecock Indian Nation endured the impact of settler-colonialism since the 1500s. Cholena will explore contemporary ways in which Shinnecock have worked to strengthen cultural identity living on a small reservation set aside within their original territories in 1703. She will discuss Shinnecock history and culture, and provide insight into contemporary issues such as their struggle for and achievement of federal recognition and sovereignty between 1978 and October of 2010. Presented by Cholena Smith on 11 November 2015.

Tonight we’re talking about substance abuse, addiction, and recovery in the American Indian community in our on-going series “Minorities and Addiction: How addiction affects specific communities across the country, and how those communities find treatment and recovery.” We’re joined by David A. Patterson, Silver Wolf, assistant professor at the Brown School of Social Work at Washington University, Lacina Onco, Site Manager at Native American Lifelines Boston and a member of the Shinnecock Indian Nation, and Janelle Pocowatchit, Outreach Coordinator at Native American Lifelines Boston and member of Mik’Maw First Nations and Comanche Nation of Oklahoma.