Podcasts about Hike

We meet a young New Hampshire guy today who had never hiked in New Hampshire prior to his Appalachian Trail thru-hike this year. Galloway Johnson had dreamed about the AT for five years and made it a reality this year. He didn't enjoy those early days, finding it tougher than he had imagined and carrying on almost to spite the trail!! But he made it to the end and came on the show to share his story, telling me that despite vowing never to hike again, he is considering the PCT next year. We have another report on my own progress in my accountability blog. I'm afraid it isn't as positive as I had hoped, though I am resolved to keep going and keep preparing for my upcoming third AT thru-hike. I used my hike last year on the South West Coast Path in the UK to help raise money for my absolute favorite charity, Parenting Matters, on whose board I've been privileged to serve for over a decade. You can learn more about the hike and the organization–and donate–by visiting Hike with Steve - Empowering Parents, One Step at a Time | Parenting Matters %. I hope you want to support this critical mission. Don't forget. Our entire series of videos from our Woods Hole Weekend in 2022 is now FREE and available at my YouTube page at Woods Hole Weekend - Trailer There, you'll find all sorts of tips and tricks that our guests took away from the weekend that helped them with their own hikes this year. Check it out. I often ask listeners for ideas on who to interview, and I'm sure several of you say, "I could do that. I've got an awesome story to tell." You're the person we need to hear from. If you'd like to be interviewed on the podcast, just register as a guest on the link below, and I'll be in touch. Come on the show! If you like what we're doing on the Hiking Radio Network, and want to see our shows continue, please consider supporting us with either a one-off or monthly donation. You'll find the donate button on each Hiking Radio Network page at Hiking Radio Network . Additionally, you can join our membership at Steve (Mighty Blue) Adams. It's worth checking out what is on offer for you there. If you prefer NOT to use PayPal, you can now support us via check by mailing it to Mighty Blue Publishing, 3821 Milflores Drive, Sun City Center, FL 33573. Any support is gratefully received. Additionally, you can "Zelle" me a donation to steve@hikingradionetwork.com. Or "Venmo" me at @‌Steve-Adams-105. They both work! If you'd like to take advantage of my book offer (all three of my printed hiking books–with a personal message and signed by me–for $31, including postage to the United States) send a check payable to Mighty Blue Publishing at the address just above.

University of California regents have agreed to a tuition hike. New claims over the Palisades Fire point the finger at a state parks employee. LA County sets a goal to end veteran homelessness. Plus, more from Morning Edition. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!Support the show: https://laist.com

Western Digital (WDC) has more room to run, according to BofA. Diane King Hall explains the firm's price target hike and why hard disk drive demand is a key piece to its bullish outlook. Palo Alto Networks (PANW) slid slightly to the downside despite posting strong earnings and guidance. Investors appear to have questions around the company's $3.35 billion acquisition of Chronosphere. In the retail space, Diane notes the massive post-earnings sell-off in Bath & Body Works (BBWI). ======== Schwab Network ========Empowering every investor and trader, every market day.Options involve risks and are not suitable for all investors. Before trading, read the Options Disclosure Document. http://bit.ly/2v9tH6DSubscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/About Schwab Network - https://schwabnetwork.com/about

Joining Amy Maciver is Matthew Cruise, energy analyst at IMPOWER, to unpack the implications of these looming electricity price hikes and what consumers should expect. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Stifel remained bullish on Nvidia (NVDA) with a price target raise and reiterated buy on the stock before Wednesday's earnings. Diane King Hall talks about how the firm has confidence in the company's guidance. Baird kept a buy rating for Oracle (ORCL) but trimmed its price target on the tech giant. Diane also turns to trouble on X and ChatGPT after a Cloudflare (NET) outage knocked both sites offline. ======== Schwab Network ========Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about

 They put in their cover letter, “Honestly, we're just gonna go up to Yellowstone around that time and we would love to swing by and show the movie.”Rudi Womack is the Director of the Wyoming International Film Festival and the creator of the YouTube channel The Film Festival Guide.In this conversation, Rudi talks about:* What watching thousands of film festival submissions has taught him about good storytelling* The biggest mistake filmmakers make when they submit to festivals* Why transparency matters and why he published all of the submission and acceptance stats for the Wyoming International Film Festival * The importance of a compelling poster and thumbnail* How to write a good description of your movie* The most important questions filmmakers must askHere is a link to Hiike, the new film festival submission platform that Rudi mentioned.If you enjoyed this episode please forward to a friend.Here is an AI-generated transcript of my interview with Rudi. Don't come for me.79. Film Festival Director Rudi WomackBEN: Hi everyone. This is Ben Guest and this is The Creativity Education and Leadership Podcast. My guest today is Rudy Womack, who is the director of the Wyoming International Film Festival, and also Rudy has a fantastic YouTube page called The Film Festival Guide. So for all my filmmakers out there who are interested in submitting to festivals in this interview and on Rudy's YouTube page, he breaks it down. Enjoy.Rudi, thank you so much for joining us.RUDI: Hey, it's my pleasure to be here. Thank you for having me.BEN: So I always start off with a fun question, and we're entering the holiday season, so very important holiday question. Is Die Hard a Christmas movie?RUDI: Absolutely. A hundred percent. Come on.BEN: I love it. So I, I told you this off Air, I found you through the Rate YouTube channel.You have the Film Festival Guide. Is that the right name? I wanna make sure I get the name right. Yeah. The filmRUDI: festival guide. Yep.BEN: On YouTube Film Festival Guide on YouTube. Please. Any filmmakers out there go and subscribe. The information is so helpful. What, why did you start the this YouTube page?RUDI: I, as a filmmaker have gone through the festival circuit several times and I made a lot of amateur mistakes. I didn't know what I was doing. Definitely fell on my face a couple of times, but I also had some successes. And as I did more film festivals, I started learning more about the circuit.I got invited by a film festival to become a programmer, and so I started reviewing a lot of films and seeing a lot of the submissions. And I think instantly that made me a better filmmaker just because I saw what was working, what wasn't working, and how other filmmakers really brought to, brought their stories to life on the screen.And it, it was truly inspirational. Very long story short, the Wyoming International Film Festival was started by a gentleman named Alan Oi, and he's a, he's a documentarian out of Wyoming, which is where I'm from. I'm from Wyoming. So Alan had the film festival and he had run it for some years and it was going great and everything.But then Alan retired and now he's retiring. He wants to move outta Wyoming and he doesn't wanna run a live event. ‘cause it is a lot of work in his words. And I quote, it's a young man's game. And at the same time, COVID hit and he didn't wanna do the whole online thing and it was just a big mess.So Alan was like, I'm done with the festival, it's done. I'm just gonna let it die. And I was begging him, no, Alan, you can't do it. It's so important for indie filmmakers. And at the time I'm just finding my feet in the festival circuit as well as both a filmmaker and now I'm a programmer.I'm begging him like don't let it die. It's important, maybe I can help out. And he was like, why don't you run it? And I was like, absolutely not, man. What are you talking about? That's crazy. No way. No way. And I was like, I'm going to be your director of programming. That's what I'm going to do.I'm gonna help you get films in so you don't have to do that work. Very long story short, I ended up running it. I ended up taking over the festival from Alan. I did so reluctantly. But when I started working with the festival, working with the community, working with my hometown filmmakers and my home state filmmakers, and just seeing how important a film festival can be for a local community to uplift indie filmmakers to help them along the way I fell in love with it and here I am now, I run the film festival.And your question was, how did I start the YouTube channel? Sorry, I'm getting there. But I got a lot of questions from filmmakers about festivals, like how to navigate ‘em. And there's just so much mystery behind film festivals ‘cause it's so opaque. There's not a lot of transparency from film festivals.Film festivals are sketchy about which films they do select and which they don't. And frankly, there's a lot of misinformation out there about festivals. So I started answering a lot of questions and I started repeatedly answering the same question again and again and again. And I had some friends who told me, you should write a book.But I was like, yeah, but books, there are books, like people have already written books, bluntly, frankly, people far more experienced and knowledgeable than myself have written books. And so if you're not reading those books, then you're probably not gonna read my book. So that's when I decided, you know what, the YouTube channel is a great way to just do very easy outreach.Take one single topic, break it down for 10 minutes, and hopefully help filmmakers along on their film festival journey.BEN: I love it. And you said something for all the filmmakers who are listening. I'm gonna come back to it. Don't worry. You said something about once you started programming and watching so many films, you got a good sense of what works and what doesn't.So I definitely wanna come back to that. I know the filmmakers listening want to hear that. But before that you mentioned 10 minute videos. You strike me as somebody who, does research and takes time to Yes. Before they do something. What did you discover about running a YouTube page?What things work, what things don't work?RUDI: I'm still very early on in my own YouTube development. I'm still trying to learn what does and doesn't work. So I'm probably the worst person on earth to give advice. Definitely that first 32nd hook is so important on YouTube, just like it is on a film that, that intro, how we come into the story, whatever, on YouTube, you can see a massive drop off and apparently it's that way on every channel.Again, I'm not a YouTube guru, so I don't give advice, but that first 32nd hook is a big deal, but also just my presence on camera. I come from the post world. I'm an editor, so I'm not just behind camera. I'm behind, behind the camera. So I'm very much not used to an on-camera presence, so I'm developing that and learning it as well.What kind of energy I can bring. How to make it engaging. But also I don't wanna be zany and too quirky or anything because I am trying to give good guidance to filmmakers, but I also don't want to lecture them and bore them to death. So it's finding that balance of information that's valuable, but also entertaining enough that people don't wanna click off.And it's actually quite a complex thing that I'm still unraveling one video at a time. But the best advice that I saw was some YouTube guru who is just focus on getting 1% better on every single video. So is that little bit better graphics or better delivery, or better audio, or better editing or whatever it is.And after a hundred videos, you're now a hundred percent better. So that's what I've been focusing on. Just very small baby steps.BEN: Yeah, that's such a great way to break it down, right? It just makes it bite-sized, get 1% better.RUDI: I think you can apply that to life in general. There's a lot of things in life just today be 1% better.That's it,BEN: so you mentioned once you start a programming scene, get enough feel for what works, what doesn't, especially with short films, both narrative and docs. What are you seeing that works and doesn't work?RUDI: In the shorts world I'm seeing a couple of things. One, a self-contained story, and this is something that I had a problem with because oftentimes I would go for more of a quote unquote scene instead of a full beginning, middle and in, in a story.So a self-contained story typically is gonna make your short film much more successful. This can be hard for some filmmakers because they're trying to make a proof of concept short film that they're gonna go and get financing for their future. So one of the things that they often do is they just take a scene outta their feature and then just shoot that, which has mixed results.And the problem is the films that have gotten financed and been made from shorts that have done that are the ones that you see. So it's actually a survivor bias, where it's like it, it works for those particular films and therefore everybody thinks it's gonna work for their film. But obviously the films that it doesn't work for, you're never going to see.So you don't understand, actually for the majority of films, it doesn't work. So if you have a proof of concept, I actually say, don't pull a scene outta your feature. I say write its own scene, or sorry, your own short film. That exists in the same world and universe with the same characters as what your feature film is.And I think that's gonna have much more success on the film festival circuit. And that will lean you or lead you to whatever your goal is, financing or distribution or whatever. So that's a big thing with short films that makes ‘em successful is make sure it is actually a self-contained story and it doesn't have any loose ends, so to speak.What doesn't work is something that I myself struggle with, ironically as an editor. And that's things being too long and you need to parse them down. Now a lot of people will say, shorter, the better, which is true, but I actually think that's a result of actually getting to the core of the problem.And that's make your film as concise as possible. Get the idea. The emotion, the story out as concise as you can. And what that does by happenstance is it makes your film shorter. So it's not that shorter is better. I know there's it almost sounds like I'm just splitting hairs here, but I've seen plenty of five minute films that didn't work.I've seen plenty of 10 minute films that board me to death. So shorter isn't necessarily better. It's more concise of your story is better. And sometimes that still manifests as a 20, 30, 40 minute film. But if it's a very interesting 20, 30, 40 minutes, that's not gonna matter.BEN: It's such a great point. And for me, when I get to a certain point in the edit, I like to just bring in a couple friends and have them watch it. And then I just sit there and watch them watch it and whatever feedback they're gonna provide afterwards. 95% of what I need, I can just tell from Body Language as they're watching the film.RUDI: Yep.BEN: You come fromRUDI: theBEN: Go ahead.RUDI: Oh I was just gonna piggyback off that and just say, audience feedback is worth its weight and goal.BEN: Yeah.RUDI: And every filmmaker when you hit that fine cut stage, like you said, get your friends and family together, buy everybody some burgers and fries or whatever.Get ‘em all together. Gather ‘em up in a room, watch them, watch your film. That's gonna tell you more than anything else. We'll be able to about the success of your film and where it's strong, where it's weak, where you can still fix things. And I always suggest do it in your fine cut stage because nothing's locked in and you can still move things around and adjust, or whatever it is you need.BEN: Love it. And I think earlier what you are really getting at is telling a good story. Yes. And I'm amazed at, not amazed, but maybe a little disappointed, especially in today's world, the technical side of filmmaking. Even for an amateur, even for an indie filmmaker that you can, things can be d done so well technically, but there's no story.RUDI: Yes. All the time. So when I get onto Reddit, ‘cause you mentioned Reddit earlier if I go onto our filmmakers, right? Yeah. I don't have to look far to see people just geeking out over the newest Camerons. It's, and it's always cameras. Everybody always talks about. This camera is so fancy and it has so many stops above and this lens can do this and blah, blah, blah, blah, blah, blah, blah.It has this big bit rate, whatever. Everybody gets so excited about cameras and I always say to myself, man, if they got this excited about audio, I wouldn't have to reject half the films that we have to reject because the audio is just blah. So if we're gonna talk tech, if we're gonna talk about the quote unquote quality of the filmmaking, I think what filmmakers need to understand is there are so many films out there we're that is just the foundation.It is the base level, it is the bare minimum that the film looks good. It sounds good. It feels good. So for us, festival guys, we see so many of these films. You're super gorgeous cinematography, you're really fancy, VFX, whatever it is that you think really separates your film from the pack. I don't wanna discourage you, I don't wanna sound jaded or anything, but it's not as impressive to us as you might believe it is, simply because we see hundreds and sometimes thousands of films like that.So for us it constantly falls back to originality and the story. Is the story well done? Is it well told? Is it a new and interesting story that we've never seen before? Is it a story that we've seen before but told in a very unique way, from a specific point of view, that is what is going to move us as festival people.‘cause when I put it into the theater and my audience walks in and they pay a ticket. My audience is used to going down to the theater and seeing a hundred million dollar movies. So for them, quality is just a given. It's just assumed they're not going to be thinking about it for them. They go and watch a movie ‘cause they're interested in, and I think if more filmmakers really dialed in on their story, they're going to find more success.BEN: So many great points there and a hundred percent agree with what you were saying about people get excited about the camera. And so I did my MFA at USC and there were three different times where I was on a set that, that I felt was unsafe. Not that I felt it was unsafe, what they were doing. Geez. And I walked off and it was always to get the cool shot.Like no one's ever hanging off a balcony to get room tone. You know what I mean? It's just, it's always to get the cool shot that, again, if you're not telling a good story, it doesn't matter. And to your point, I've always felt good audio is more important than good video.RUDI: Good image.BEN: Yeah.RUDI: Look at the documentary. Look at the nonfiction world. We see verite stuff all the time. We see stuff people recorded on their phone or, security camera footage or whatever, like at the end of the day in the nonfiction world is a great example of the quality of the shot doesn't necessarily matter so much as the quality of the story and how it's being told and how it's being revealed to us.And the audio is always gonna be very clean, very top notch, even if it's quote unquote found footage or. Veritate footage or whatever, the audio is always peak. I saw that Netflix doc recently, it was super heartbreaking. The perfect neighbor. And most of it is police body cam footage, but the audio is clean so we're able to follow the story so no one sits back and thinks of themselves this isn't a good shot.Of course it's not, it's police potty cam footage. Like it doesn't look good and it's not meant to,BEN: but it sounds good. And so you can follow it.RUDI: Yes.BEN: What what are some tropes that you think you've gotten tired of seeing in, especially in short films?RUDI: So every year it's a little bit different.You would be surprised what things pop up and what don't. The one trope that kind of rubs me the wrong way, I, I don't know how to describe it any other way than filmmaker self therapy. Like they, they're definitely going through something at the moment and they're not focused on creating a good story.They're more focused on using their art form to emotionally process whatever it is they're going through, which fine, you are an artist that makes sense to do, but also I can't sell my audience on that. So while I don't wanna discourage someone from making a film that is very near and dear and personal to them, at the end of the day, it might not be a good fit for film festivals.And so I, I would really think twice about whether or not that is a story that an audience, frankly, needs to see. Filmmaker cell therapy is one that when I get it, I'm always eh I don't know what to do with it. I just, I don't know what to do. Some other tropes that we see very commonly are like.Obviously right now, tech and AI and stuff like that gives a lot of people anxiety. So there's a lot of like evil robot takes over or the big reveal at the end of the movie, they were a robot the whole time, or the whole thing was a simulation or whatever. That's being very well tread right now.For me, I'm I am not a political person and anytime some big thing is in the news, we see tons of films on it. So I understand politics do affect people's day to day and their lives, so I understand that manifest. But man, I probably have a hundred immigration films right now and that's a lot. And I'm not gonna screen that many, so I'm only gonna pick like one, maybe two, so that's a tough one to do.Anything that's like a hot button political issue. We always see a big wave of those come in. And then honestly, romance dramas get tough. It isn't evergreen. We do have an audience for it. We usually do have some kind of a selection of them. Romance dramas have existed since the beginning of time.It's always been a thing. But filmmaker broke up with his girlfriend, so now he has a character who breaks up with his girlfriend. It gets it, it doesn't get very original. I, it just it gets exhausted. So those are some of the kind of general tropes I would avoid. I have heard other festival directors talk about like cancer films and Alzheimer's films and stuff like that.This year I'm not seeing so much of those, but I have seen those in the past. So tho those are some other. Tread stories we'll see.BEN: One of the things that I appreciate about. Your series of videos is your transparency, and you have one video where you literally break down. Here are all the films the number of films, Wyoming International Film Festivals received. Here's how it breaks down, here's how many we, we accepted, et cetera, et cetera.You have another one where you literally show the viewer, this is what we see as a programmer on our film freeway portal. Here's the scoring sheet. I think it's a little bit different from the one you guys use internally, but basically here's what the scoring sheet on film freeway looks like. Why is transparency so important to you?RUDI: Because I'm a filmmaker, because I've been to so many festivals where I have no idea what the hell's going on. I've been to festivals where I think my film is gonna be a good fit. I think based on what I've been able to investigate on my own, digging through their website, digging through their archive.Seen what they've programmed before. I think I'm a good fit, but I don't actually know. And I've submitted to festivals where later on, I see what they programmed or I got rejected or even accepted and then gone to the festival itself and have been a little disappointed when was like I this festival didn't fit my goals the way that I thought it would, or, this festival wasn't going to do the things for me.Or this festival, like really promoted themselves very heavily as this big event. And then you get there and then it's not, and that's a little bothersome. So when I stepped into my role at the Wyoming International Film Festival, I made a whole bunch of changes. But one of the changes that I made was, we are going to be transparent.I don't ever want a filmmaker to submit to our festival, get in, get accepted to the festival, drive all the way out to Wyoming and be disappointed. I don't want them to do that. That's not good for them. It's not good for us. It's not good for the community. It's not good for indie film at large.What's better is if we just be what we are in Wyoming, we're straight shooters. We just say it as it is. So I'm going to tell you exactly how many films were submitted, which films we accepted, what the percentage rates are, how many shorts versus features, how many docs versus narratives, how many music videos, all of this stuff.And we've been releasing the data for the past couple of years. This year, like we went all out with the data it was much more thorough than what we've done in years past. And even me, the director of the festival, I sit back, I look at the data and I can see some weak spots in it. I can see where we need to improve as a festival, where we need to start, bringing in a certain type of film or where other films might be overrepresented or how we can give more of an experience to our filmmakers.Just by boiling it down to numbers and looking at it. I can start seeing some of our weak spots and I want to improve on that ‘cause I want to have a good festival. And I think if more festivals were to do that, I think the filmmaking community at large would be much more appreciative. And I think film festivals need to understand.That if you have fewer submissions, that's not a bad thing because the submissions that you are going to get are filmmakers that really want to be in your festival and that's good for the health of your festival, the community, the filmmakers, everything. So I, I think the only way we get there is by being transparent.And thankfully there are other festivals that are publishing their data, which is great. And that makes me very happy to see. And I hope that trend continues and I hope even more festivals start publishing more of their data and showing how they review films, what their scorecards look like, what they're looking for.‘cause ultimately I genuinely believe that just serves the filmmakers better and ultimately makes everybody have a better experience on the film festival circuit, including the festivals themselves.BEN: When you took over as directorWhat were the biggest challenges?RUDI: So our biggest challenge to this day is our venue.So there's only one movie theater in Cheyenne, Wyoming. It is owned by a company outta Casper, Wyoming. They own pretty much a monopoly of movie theaters across the state, like most of them. And they don't allow anybody into their theaters at all. They don't allow her private screenings or corporate events or, in individuals who wanna screen their film or film festivals.I'm not the only film festival in Wyoming. I talk with other festival directors. They can't get in either. It's funny, the film commissioner of the state can't even get in. You would think the movie theater would at least want to partner with the state film Commission, but no. So for us, the challenge has been a venue and luckily our partners over at Laramie County Community College.Have graciously allowed us to use their facilities for the last couple years. They have a beautiful auditorium that we do some of our screenings in, but we also have screening rooms in a black box theater that they have as well as a conference room. And when I say conference room, most filmmakers like their heart drops a little bit.They're like, oh man, I'm just, I'm going into a conference room. It's not a proper movie theater. And that's fine. We publish that data on our film freeway page on hike. We are transparent about that. So when you submit, you might be in the conference room. But ironically, I think it has some of the best audio and it has some of the best projection.So even though it's the quote unquote least movie theater, like I actually think it has some of the best projection, best color. But venue is probably one of our biggest challenges and we continue to develop that. We continue to. Trying to innovate. We're trying to build our own screening room there on the campus.Like we're trying to use one of their big classrooms for it. And what we wanna do is we wanna turn it into a lounge. We wanna bring in like couches and sofas and comfy chairs where it's like much more of a chill environment in there. And that's the type of film we wanna screen in. There's some you can literally sit back, settle in and relax.So there's things that we're doing to create a better environment for our filmmakers and of course our audience, our guests at the festival.BEN: I love it. What's been the biggest reward?RUDI: The, I get to meet you. That's what the biggest reward is. I get to meet so many filmmakers. I get to hear their stories.I get to be inspired. I get to learn stuff. I was talking with a festival director a couple of days ago. Who asked me about how we do our audience award scores and how we process that and what they do. And I just like I lit up, I'm like, oh my God. It's such a better way, it's more efficient, it's easier on the staff.It's more representative of how the audience actually feels about the film, the way the scores are aggregated and counted. It's so great. I get to meet so many people in this world of film and every single day it's like a new, whole new world is opened up to me and I get to hear so many fantastic points of view.I get to see so many awesome films, like just how many great movies are out there is a cinephile. It's like the most rewarding thing in the world. I'm an addict. I'm totally addicted to it. It's so great.BEN: I love it. I remember I used to coach basketball in my first year as a head coach. I was like, yeah, everybody's gonna be pretty competitive, other coaches and so forth.And they were, and I was. But at the same time, when coaches would get together, it was just so supportive. And people are sharing, this is what I'm doing in practice. I'm looking at this offense, this defense. And I imagine it's the same with other film festival directors and programmers. Oh, yeah. Just a supportive environment comparing notes.RUDI: It is. And the more that I meet, the more I truly do understand. 99% of festival directors out there are programmers, people who work in it. They have some tie to cinema. Most of them are filmmakers. Those who aren't, have a deep passion and love for cinema and for storytelling, and.Everybody's a volunteer. Everybody has a day job. Nobody makes money on this. They do it from the love of their heart. They truly do. And the way that they serve their communities, the way that they serve their filmmakers, some of the cool ideas they come up with there's some really neat festivals out there with like very interesting hooks or events or whatever.And I think it is such an incredible ecosystem and I think I'm truly privileged to be part of it.BEN: What are some lesser known or maybe mid-tier festivals or local festivals that you love to attend?RUDI: Okay, so one of my favorite festivals I guess you said lesser known. This one is not lesser known, but Film Quest over in Provo, Utah, damn man, pe like festival people talk about building community. They're on a different level. They've built a family. Like everybody who goes to that festival is just so tight knit there. There's no other festival like Provo or sorry, film Quest in Provo. It is just, it's on another level. And how well they treat their filmmakers is fantastic.Some years ago I was invited to be a jury member at the Fair Film Festival, which is in Ferazi Kosovo. So that is in southeastern Europe. It's a landlocked country, just a little bit above Greece, a little bit north of Greece and north of Macedonia. And Fari is a small town. And I went to that festival and first off, wow.What a great festival. I strongly suggest you submit your film to fair film. It's so good. But the cool part of being in this European festival, and frankly a small European country, most of the films are international, obviously. And so there's filmmakers coming in from like Jordan and Spain and Germany and Slovakia and Slovenia and like all over the place, Greece, Turkey, you name it.And how interesting it is to have this incredible cross section of languages and cultures and peoples, but we're all united by this one singular thing. And that's our love for storytelling and our love for movies. It had to be one of the most incredible experiences of my life. And the next movie I make, taking it back to cosBEN: Fantastic.Just had a question. What was it? Oh okay. So with the huge caveat of besides making. A good film, a film that tells a story. Besides that, are there any tips or tricks, things on the margins that filmmakers can do when they're applying to festivals to be aware of? Sometimes festivals. Ask for a cover letter orRUDI: Yes.BEN: Press kit, things like that. Okay.RUDI: So with, sorry, my phone is loud. I should turn that down. So obviously with a huge caveat of make a good film or whatever, what's the easiest way to get it? All of the stuff on film Freeway, and I do have a video on this, on my YouTube page if you wanna check it out, where I give you a tour of film, freeway from the festival side of things like what the festival can see and how we see it and how we navigate it.On the festival end of things. We can see your cover letter, your screenings and awards your. Cast and crew information, your director's bio, your director's statement, your photographs, your EPK, that's your electronic press kit your trailer, all of that. All of that. As much of that as you can possibly make, you should make it.It's very important. And you never know which piece is gonna be more important to a particular film festival. For instance, here's something crazy. I was meeting with some of my programmers last night. They had a whole bunch of films that they wanted to recommend to go to the next level programming.And we require films. Tell us where in the world or where in the United States the film was made. And every single one of ‘em was California. California. California. California. California. Which fine, whatever. California has a big film industry. That's, it's a very big state, population wise. Makes sense, right?But I am sitting back thinking, okay. I don't want it just to be a bunch of California movies. We have a big country here. I would like to see something else. And something caught my attention. One of the filmmakers, their address was in Birmingham, Alabama, but the film was shot in California, so I am suspicious.I haven't dug into it myself. I'm suspicious either that filmmaker's from Alabama and they have moved to California, or that filmmaker lives in Alabama and they shot their film in California. So they're answering where it was shot correctly. But for me, I'm like, there you go. When everybody's from California.I want that unique perspective. I wanna see someone's from Alabama and what their perspective is now. I haven't watched the film yet. I don't know if it's what we're looking for. Obviously it's a good film if my programming team has recommended it, there's no doubt in my mind it's good film. Now there's other considerations we're gonna have, but.That alone was something, even my, like I myself did not know that I would be looking for. So filling out all of that data on film, freeway, all of your information that you possibly can, your cover letters your screenings, your awards, whatever it is, the more information you give us as a festival, the more we have to make our selections.And it only benefits you. It only helps you out. So filmmakers don't get lazy. Fill out all of that information. We need it. We use it. It's important. Just do it.BEN: You mentioned a meeting with your programmers last night. Take us inside that conversation. What does that look like? What do you discuss, et cetera.RUDI: So there's. There's a big programming team and it's divided up into two different groups. There's our kind of first round screeners and then there's our senior programmers and the senior programmers pretty much review the films that have gone through that first round of screening that are getting recommended to go onto the next one.So typically when I'm talking with my screeners and everything, it's a very different conversation on the bottom end of it where they're just sorting through all of the submissions versus a different conversation I have with the senior programmers who are on the top end of it. We're now trying to decide how to block films together, how we're gonna organize it, what's the schedule maybe look like, what's the overall tone and vibe of the festival going to be, okay.If we wanna have a sci-fi block, do we even have enough sci-fi films? If we don't. Where else can we find homes for ‘em? Stuff like that. So those conversations are a little bit more high end, if you will. And it tends to be less about the story of the film itself and more about how that film is going to fit into the festival.Whereas when I'm talking with the screeners, it's much more on the story end. Like what about the story did you like or you didn't like? Or what was the unique point of view? Or whatever. So depending on which group I'm talking to it, it's gonna be different. And then of course that divides out further on features and shorts and documentaries and narratives and music videos.So like obviously my conversation with the music video people are gonna be much different than my like short documentary people.BEN: Shout out to short documentary people as a documentarian primarily makes shorts I'll ask a question for us folks. In one of the videos, as I mentioned, you literally show here's what the scoring sheet looks like.Yes. And that was for narrative with, I think one of the categories was acting and so forth. So for a documentary or documentary shorts, what does that scoring sheet look like? What do those discussions entail?RUDI: Film freeway does not allow us to have more than one scoring sheet.So unfortunately, there's just this one scoring sheet that's for everything. What I tell my screening team, and we definitely double check everything, like there's multiple people who look at something. So it's not just one person's opinion. You have at least two, oftentimes three, pretty often four.So for something like documentary they skip over that. That's what they do. So if there's no acting in the film, they skip over that. They don't rate acting if there is no acting. But you'd be surprised. There are documentaries that have acting in ‘em. There are like docudramas or documentaries with recreation In the recreation is like actual scenes and performances and stuff like that.So in those cases, even though it's a nonfiction and a documentary, yeah, we'll still judge it for the acting ‘cause that's what it has. I get the question. I'm gonna hijack your question for a second, but it is applicable. I get the question, do we accept AI in our film festival, we do not have any official policy for or against ai, which scares some filmmakers.But we do rate AI on the same standards as we would anybody else. So when it comes to creativity and originality, guess what, you're getting a nothing. ‘cause AI didn't create it. AI is not original. AI just mashes together a bunch of information from other people. So that's no creativity and originality.Same thing for something like, I don't know, art design. If you have a AI character walking through a scene or whatever you're getting zero on your art design. Nobody built those sets. Nobody costumed that actor. Nobody was the makeup artist or the hair or whatever other art deck or, PD or anything on the set.So we will accept ai. We have accepted one single AI film so far because despite all of its quote unquote handicaps, and it was a music video. It still was successful in other categories that had a good enough score. We as a team sat down, said Yes, that it still is a good film. The audience is still gonna enjoy it.The filmmaker definitely had a vision with it. They wrote out a whole thing on like why they chose to use ai. ‘cause they're also an experimental filmmaker, so it made sense for them and everything. So we were like, you know what? That's legit. Let's put it in. But other AI submissions, like I got an AI children's animation the other day and I'm like they didn't animate it themselves.They didn't voice act it themselves. It's not getting good scores on any of these. So we'll see. We'll see. We'll see if it gets through or not, but already you're shooting yourself in the foot. So don't do ai.BEN: Okay. Couple little. I don't know, around the edges or micro questions. One of the things that you talked about in one of your recent videos was having a good poster and you talked about designing your poster for your film prudence.RUDI: Yeah.BEN: Talk, talk to me about,RUDI: I specifically gave my posters an example, not a great poster,BEN: But talk to me about that.For the no budget or low budget filmmaker that can't afford to hire a a designer to make a poster. Talk to me about poster design and how that impacts the presentation of the film for festivals.RUDI: So I strongly believe that a big part of filmmaking and marketing and packaging your film together, all of that is psychology.And as much as we want to sit back and say, Hey, don't judge a book by its, cover it, that literally goes against human psychology. People are not hardwired to do that. It, it is. In our DNA, it's not just a bad habit, it is literally a survival mechanism. So if you want to stand out, you do need to have everything put together.Your cover letter, your synopsis, your photographs, all of that, and of course all of your key art. That's your poster. That's any banners that you have, that's how you're going to be promoting the film. And you have to understand it's not just about making your film look pretty to get filmmakers to go, or sorry your programmers go, Ooh, and ah, it's a pretty film.We are looking at that as a mechanism for us to advertise the festival. You gotta understand if I have 150 films in the festival, I have to get an audience for those films. And the easiest way for me to do that is through your marketing materials. We don't have the capacity. To design marketing materials for 150 different films.We are relying on the filmmakers to do that so we can go out and promote the festival. So people show up to your screening, which I would presume is what you want if you're going to a film festival. So anything you're trailer, any photographs that you can provide, which some filmmakers only provide BTS photographs, BTS is fine.It's great. Give me some good key art I can also use, please. That's what newspapers, that's what the local news that's what podcasters, whatever, that's what they want to see. So that's what I can provide. And of course, your poster. Now, there are a lot of online tools to help in poster design, frankly, I don't have an excuse for making a bad poster like I did, which is one of the reasons I use it as an example is I am shaming myself being like, this could be better and it should be. But there's a lot of online resources that can help with poster design. And also for filmmakers who are a little bit strapped for cash, you would be surprised what people will do for in kind, service for service.So if you have a friend or if there's someone that you can find that's Hey, they'll design your poster if you can design whatever their website or whatever it is that your skills might be there, there's a lot of exchange that you can do on that part. So yeah your marketing, your packaging, all of that together is actually quite important.BEN: Such a great point. And I've written and published a memoir and through that, I've worked with other authors on, on. Both writing and marketing their books, editing and marketing their books. And I tell people the exact same thing. People judge a book by its cover all the time. And in this day and age, they judge it for listeners, I'm holding my thumb and forefinger part as a thumbnail on a computer screen.Yeah, that's the size. So even for a programmer or a festival director watching it on film freeway through their platform, they're not gonna see the poster like we see it in the movie theater. They're gonna see it as a thumbnail image. Yeah. So it has to work as a thumbnail image. And if you can't read the title as a thumbnail or can't make out what's on the image, what's on the poster as a thumbnail, then you've failed that part of the process.RUDI: One, one of the things that like really clued me into how important a poster is, I went to a film festival, I believe it was Kansas City Film Festival. Some years ago, and they had a bunch of posters of films out, but there was one that was like bright pink. It was like super bright pink and had like very eye popping design and everything on it.And it was like in a whole field of like dark drama posters that are all like gritty and everything. And I'm like that stands out. That really drew my eye to it. And I think that was like my big light bulb moment of like how important this stuff actually is. And one of the things that I've been saying for some years, I've said it on the channel, I think, I don't know, some, sometimes I record things and edit out.So I don't know what I've said on the channel sometimes but one of the things that I say is making a film is half of film making. The other half is marketing, the other half is getting butts in the seats. The other half is getting eyeballs on your movie. The other half is selling your film to an audience or a film festival or a distributor or a programmer or whatever you're trying to do with it.It's getting it out there. So making a film is half a filmmaking. The other half marketing, that's what it is.BEN: I'm just nodding along with everything you're saying and I've always felt both with films and with books, with art in general, you're trying to make an emotional connection from what's in your head and your heart to the audience.And if you don't do your job, getting your film out there and helping an audience come and see your film. Then you're not helping that connection. You're missing sort of the point of making this, unless it's just for yourself. It's for, it's to connect with other people and for other people to connect with your work.And that is marketing.RUDI: It's valid. If you're just making a film for yourself, that's absolutely valid. It's in art form. You can make a film for yourself, but if you're sending it to me at a film festival, you're not you're literally trying to find an audience. So these are the things you need to consider.BEN: I love it. I got two more just in the weeds detail questions.RUDI: Alright, let's do it.BEN: Let's talk description. And what I've seen ‘cause I'm in the middle of applying to festivals. And by the way just for. Listeners, this might interest you. So I discovered Rudi's YouTube page and I was like, this is so helpful.And then I went to the Wyoming International Film Festival page and all the transparency and statistics that, that Rudi puts out, that the festival puts out. And I realized, okay, so the short documentary I have is not a good fit for this festival. Exactly what Rudi's saying. So just for anybody listening, thank you for doing research.RUDI: Thank you. That's good. That's not a bad thing, right? That means it saves you time, it saves you money, it saves you heartbreak. It's so good. Do research before you submit. I'm sorry, but I, it's in, in almost every single one of my videos, I tell filmmakers, do your research before you submit. Find the festivals that gel with your film.And if it, if they don't screen the type of movie that you have, don't submit to ‘em. You're wasting your time, you're wasting your money. And the festival, like the programmer behind the screen, might love your film. They truly might love your film, but they're programming for a very specific audience and they know what that audience's taste is.So that's why they're driving specific films to that audience. So even if they love it, they might not include it, which is why you should always do your homework and do your research before you submit. I'm sorry to interrupt, but it's so importantBEN: And yes. And the flip side of that coin is now I also know what the Wyoming International Film Festival looks for.So in the future, if I have a doc or a film, I'm like, oh, this would be a great fit for this festival.RUDI: Yes.BEN: It helps both ways.RUDI: It does. And it helps you dial in. Which festivals you should target, which festivals are gonna help you with your specific goals. Whatever your goals are with the film it's gonna help you with your budgeting and your travel plans and your own personal calendar.It's gonna help with your mental health. It just, it helps on so many different aspects. And on the film festival side of things, I appreciate it when I hear from filmmakers say, Hey man, I looked into your festival looks good, but you don't have the kind of film that I have. And I'm like, not a problem man.Maybe I can point you in the right direction. Maybe I know some film festival programmers, I can make a recommendation, on your behalf too, that's not a bad thing. We love movies and we want to see them successful, but not every single fest or film and story is going to be successful in every single market.So it's very important to find your audience. And believe me, we are going to be cheering you the whole way.BEN: I want get back to my kind of in the weeds questions, but you've mentioned something that is big picture, that's so important. I feel like I've buried the lead here. And you mentioned this you've mentioned this multiple times in your videos.Is that a Phil, it's key. Maybe the most important part of this process is of the film festival submission process is a filmmaker needs to understand what are their goals in applying to a festival. Yes. So can you just talk a little bit about that?RUDI: So film festivals are a tool. And they can be a tool for many different things, but they are a tool.And just every single tool is not right for every single job, every film festival is not gonna be right for every film and vice versa. So before you go out to film festivals, you just need to ask yourself why? Why am I going out to film festivals? Why am I spending the money, the time, the energy, the effort?What do I want out of film festivals? And that's where you need to identify your goal. And the more specific you can be with the goal, the better it's going to be you going on your film festival journey. So for many filmmakers, a common reason they go out to film festivals is networking. So I'm gonna use that as an example.So let's say your goal is I want to network, I want to meet other. Filmmakers, I wanna meet, directors of photography and producers and other people that I can hire for my projects, or they're gonna hire me for their projects, and I want to build that network and I want to meet more filmmakers.Fantastic. Great. That's your goal. So the first thing that you need to do is you need to be looking at festivals that have networking events. And in this particular instance, you need to ask yourself two things. One, does it have networking? Is there in-person networking parties or networking events?And two, do the types of people that I want to meet actually attend those networking events. So us at the Wyoming International Film Festival, we have a pretty broad spectrum. We have filmmakers that are just beginning their journey. They're totally new, wet behind the ears. They're green they're just starting their journey.That's great. All the way up to every year we have multi Emmy award-winning filmmakers. Like people who do this professionally they're in unions or professional organizations, or they're a member of the academy, motion picture Arts and sciences or the TV Academy or sometimes like the Grammys and stuff like that.I, myself, I'm a professional editor, so there's people like me who professionally work, but they're like below the line. They're cinematographers editors, gaffers, what have you. So if your goal is to meet some like high-end producer that's gonna throw, a million dollars at your movie our festival is not the festival that's gonna help you with your goal.So you should skip over us because we don't have that kind of person in attendance. But if your goal is to meet other filmmakers at your level that you can collaborate with or get hired by or whatever. We're a great festival. We have tons of networking, and we bring in a ton of those filmmakers.We're a great event for you. So when you identify what your goal is and you're very specific about it, it's easier to identify which festivals you should start targeting. I take that one step further, and then once you've narrowed down which festivals are gonna help you with your goal, then you look into their history and see which of them have screened movies like yours in the past.So if you have a, you know I use the example, if you have a seven minute comedy coming of the age film, now you know which festivals have good networking, which festivals have the kinds of people you want to network with. Now you look at which ones have screened short coming of age comedy films in the past, and have a history of doing that.So that's gonna help you filter it even further. And by doing that, you're gonna really start to develop your film festival strategy. Now I do have some exciting news. There is something coming now, it's called Hike, H-I-I-K-E. It's hike with two I. And what Hy is doing, it's a submission platform similar to film Freeway, but among many of the tools that they're giving filmmakers, they're giving filmmakers customized festival strategies and they're scraping all of that data from film festivals, what they've programmed in the past.And when you as a filmmaker, join Hike, you take a little quiz, you tell them what your goals are, what your film is, you know how long it is, what the genre is, tell them about yourself. And they literally have. Data scientist who's built this like machine learning algorithm that pairs the data from the film festival to what the filmmaker provides.That literally gives you a compatibility score. So it's, it comes out and tells you, if you want to network with, professional filmmakers but not mega producers and you have a short comedy coming of age film Wyoming International Film Festival has that crowd screens those types of films and you would have a 90% compatibility.So it actually helps you develop your festival strategy for you.BEN: It's so needed. And Rudi has a great video on how to spot scam film festivals. Yes. That's something that is just prevalent these days. So for filmmakers who are getting ready to submit, I encourage you to watch that video. I'll link to it in the show.I'll link to everything that we're discussing in the show notes. The. So Rudi talked about one goal a filmmaker can have is to network other goals at various points in my, film festival my limited film festival career I've applied to festivals ‘cause I wanted to go to that city, new Orleans Fest, new Orleans Film Festival.TravelingRUDI: is totally legitimate reason to go.BEN: People apply because they want distribute, they wanna meet distributors or financiers for the next film. Although, that's what everybody wants. SoRUDI: you, you would be surprised. So in, in 2018, I had a feature film and my, my goal like most feature films was to land a distribution deal.But I was like, that's not specific enough. There are many steps to land a distribution deal. So what I need is I need good press on my film. So that was a goal. So I wanted to target festivals that had press. I wanted laurels. I wanted to win some awards with it, but I also knew my film was. Small and kind of small scale.So it wasn't gonna win laurels at big festivals. So I was like, okay, I need festivals with press. I need festivals that are legitimate and above board, but also small enough where I'm gonna be competitive. And then I wanted to actually meet distributors. And I know they only go to big festivals, so I actually had to target three different kinds of festivals.‘cause I had three, let's call ‘em conflicting goals with my own film. So that's what I did. I did a split strategy. I targeted festivals where I was gonna be this tiny little fish in a very big pond. And no one's really gonna notice me, but I'm just happy to be there. I targeted festivals where I know that I was going to get very good press and very good reviews on the film.And I targeted festivals that were small, still legitimate, but I was gonna be competitive and maybe bring home some trophies. And so that was my strategy and it worked, and I landed a distribution deal.BEN: That's so great. I, I'd love to do a part two at some point we can talk distribution deals and all of the, yeah.Things like that. But I think for people listening, the big takeaway is even with this multi-pronged goal, three different goals connected to each other. Once you identify what your goals are, then you work backwards and you create your strategy to Yes, to achieve those. Okay. Back to the two in the weeds.Two more in the weeds questions. Yeah. So description, and as I'm looking at other film descriptions, and I saw this at USC all the time as well, and we talked about earlier, filmmakers wanting to sit in emotion or sit in something traumatic and have the audience experience that I notice a lot of times in descriptions of short films.Can so and so come to terms with this? Can, and just as someone who has a little bit of experience marketing stories, where's the action? What's the active what's this person actively trying to accomplish, rather than can they just come to terms with something? Can you talk a little bit about film description, just three or four lines.What pops?RUDI: So just like your poster, just like your marketing and everything, a film description is your way to reach through the screen, grab the audience, grab the programmer, and pull them into your movie. Keep in mind, your whole entire goal is to get people to watch your film, get them excited about your film.And so if you just have a very drab, like description that's just yeah, has to face consequences for a decision they made or come to terms with something when I, that's a good V one, that's a good place to start, but that's not going to get an audience excited about your film.I saw film, I don't know if it was at my festival. It wasn't at my festival. We didn't screen it, but I'm saying, I don't know if it was submitted to my festival or if I saw it at another festival, but I remember one of the descriptions it was great. It was whatever the two character names were, John and Jane, I forget what the characters are, but like John and Jane are on a date, there's a bomb in the other room.I I hope the date goes well, or something like that. Let's hope the date goes well. And I'm like, what is this movie? That gets you really excited for it. You're. It, it creates so much mystery. And also just the cavalier way that it was written immediately tells me this is gonna be a comedy, or it's not taking itself too seriously.It's not some like gritty, dive into the underworld or whatever. Like just how blunt it was about the dis of the film and just that like small little description. I know I'm paraphrasing what it was, but it stuck with me for years at this point. ‘cause I'm like, that is how you write a description for a film.That is how you get someone excited to see what is this movie about? Let's jump in. Piggybacking off a description. Titles are another great way to do that. In, in my own repertoire of films I've had film called Prudence. Okay, fine, whatever. Prudence doesn't really tell you much about that film.I had a film that I'm very proud of. It's artsy, it's a little bit magical realism and it's called in this gray place, and it has that artsy mystique around it in this gray place. And I love that title. I did it, I did a film back in film school. It's terrible, but the title's great.It's called Back to Fort Russell. It was a Western and I, to this day, it's one of my favorite titles that I've ever had. But it tells you something. It clues you into what this film is going to be, what the journey of this movie is going to be. And some films do that better than others. And some films, yeah, it's not necessary.But I, I get more excited when I hear something like the Texas Chainsaw Massacre than I do something that's just like love. Or mom or something.BEN: I think this is the last question. So again, with all these little details, cover letter, talk to me about cover letters.RUDI: It's so interesting you asked me that question ‘cause hearing about four or five days, I'm posting a video on the YouTube channel about cover letters. It's short, it's only four or five minutes long, but cover letters are so important.Should absolutely write a cover letter. And a couple of days ago I was talking with programmers at dances with films, and if you don't know dances with films, look ‘em up. They are an incredible film festival. They are in the big leagues for sure. And I was talking with a couple of programmers and I asked them about covert letters and they said, it's so important it.How the filmmaker is going to put an audience in the theater is very important for their festival. How they're going to get people to attend is very important for them and they're like, a good indication in a cover letter is when they, the filmmaker indicates how they're going to market their film and they use the example of football.Let's say it's a movie about football. They're like, if it's a movie about football and you tell me in the cover letter that you're part of several like football organizations, or you're gonna be reaching out to sports organizations or youth organizations for sports or something like that, to attend the film.That's a very good indication for them in the cover letter. For me, I think a cover letter is very important in that it shows. You're going the extra mile to show the festival you care. You're not just submit and quit. We're not just one festival on a list of 50 that you're submitting to. There is a reason you want to screen with us, and that's a specific reason.Either you feel that your film is good fit for our audience, or there's something that you want to connect with. In Wyoming, I had one cover letter and we did accept this film and it was really funny. They put in their cover letter like their film was a comedy, so their cover letter was also very comedic, but they're like, honestly, we're just gonna go up to Yellowstone around that time and we would love to swing by and show the movie.And I laughed. I laughed so hard at that and I'm like. But that shows me they care. Like they want to be there. And the film was good and it was funny and we screamed it and they were there. So it's a way to show a film festival enthusiasm and it's way to inform the festival about yourself, about your film, and how that's gonna gel with their particular event and their audience.BEN: I love it. And that reminds me, I got one more, I got a bonus question. Yeah. Can you talk about applying early?RUDI: Yes. Statistically, when I look at our own data, statistically, it does seem to be that the earlier you apply, the better chance that you have. And so I don't want to give the impression that if you applied late.You have no chance. I think in the video where I literally broke down the data and the statistics, I think at our festival we had a one in five chance of getting in on the late deadline, which is about a 20% acceptance rate. But it was much higher the earlier it came in. So just with the raw data taking out my opinions, my emotions on it, whatever, just the data itself shows earlier is better.Now, here's where my opinions and my feelings towards it come from. I think it's a couple of things. One, when you get in early, you set the pace for the rest of the festival, you're telling us, okay, it's a drama. We're gonna compare your film against others. Like you have now become the benchmark that we're gonna compare other films to when it comes to like dramas or whatever.What it also does. It's something I'm going to discuss in my video and cover letters, but it also engages something, what's called mere exposure effect in psychology, which is essentially the more that you are exposed to something, the more preference you have towards it. Which means if you get in early, you are exposing yourself, your film, and your story to the programmers more often and more readily than late submissions are.So it's more likely that the programmers form some attachment to your film, and that's just human nature, that's just psychology. There's some practical reasons for it as well. Obviously, earlier submissions, earlier deadlines are cheaper, so it's better to get in. It's just gonna cost you less money to do and then lastly, there are many festivals that are developing their program as they go. So as films are coming in, they're shaping. We got a ton of dramas. Maybe we need two drama blocks, or, we, we don't have enough sci-fi for a sci-fi blocks, we gotta spread it out or whatever. So if you come in late, you're now trying to elbow some other film out of the way in order to find your screening slot.Which don't get me wrong, there are plenty of programmers that are absolutely gonna go to bat for you. They're gonna fight hard to get you in. Doesn't matter if you come in early or late or whatever, but the chances are just better. And the data shows that if you get in early. All that said, a couple of years ago, the very last film that came in with only two hours left in our deadline, we ended up programming it.So it, it is possible.BEN: Rudi, I cannot thank you enough. I can't tell you how helpful this has been. There's so much great information for filmmakers. Filmmakers submitted to festivals, people just interested in going to festivals. So thank you so much for taking the time.RUDI: Hey it's always a pleasure.I always love talking film festivals and for any filmmakers out there, head on over to YouTube hit up the Film Festival Guide. That's my YouTube page. I'm coming out with videos every two or three weeks. That's about what I put ‘em out there for. So if you need any guidance or any, I don't know, insight for film festivals that's where I am.BEN: Film Festival Guide. I'm a subscriber. I can't recommend it enough. Any other social media where people can find you?RUDI: Oh no, I'm terrible on social media. YouTube's enough for me right now.BEN: So Film Fest.RUDI: I will probably expand in the future and I'll probably make some announcement on the YouTube channel.Got it. But for right now, I'm just trying to get good information out there to as many filmmakers as possible.BEN: Thank you so much for doing that. It's such a huge benefit for film.RUDI: Thank you very much for the support and thank you very much for having me on. I enjoyed this. This was a lot of fun.BEN: Me too. This was great. Thank you. And that was my interview with Rudy Womack, director of the Wyoming International Film Festival and creator of the great YouTube page, the Film Festival Guide. Hope you enjoyed this episode. If you did, please forward it to one person. Thank you and have a great day. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

The boys of Cabin 8 head out on their hike. Pro tip for hiking, don't break in new boots on an overnight hike.Opening music Music by Viacheslav Starostin from PixabayPatreon: patreon.com/thisishowwerollEmail: thisishowwerolldnd20@gmail.comTwitter: @tihwr20Facebook: https://www.facebook.com/groups/687097571930276Linktree: https://linktr.ee/tihwr

Stifel upped its price target on Tesla (TSLA) to $508 from $483 on better expectations for the Mag 7 company's autonomous driving runway and earnings growth. Diane King Hall offers a look at the road ahead for Tesla. She also notes an EV competitor in XPeng Inc. (XPEV), where U.S.-based shares fell after the company's guidance disappointed. Diane later notes an upgrade from Barclays on Gap Inc. (GAP) ahead of its earnings on Thursday. ======== Schwab Network ========Empowering every investor and trader, every market day.Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – / schwabnetwork Follow us on Facebook – / schwabnetwork Follow us on LinkedIn - / schwab-network About Schwab Network - https://schwabnetwork.com/about

Rachel Dashiell examines the chart of Micron (MU) following a price target hike from Rosenblatt. Micron recently hit all-time highs above $257 as shares are up about 300% from its April lows. She looks at the recent resistance around $256 and this morning's break of a possible triangle pattern. On a 1-year chart, Rachel shows the close correlation to the company's 20-day simple moving average and it's relative outperformance against the rest of the Information Technology sector. ======== Schwab Network ========Empowering every investor and trader, every market day.Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – / schwabnetwork Follow us on Facebook – / schwabnetwork Follow us on LinkedIn - / schwab-network About Schwab Network - https://schwabnetwork.com/about

As an eBay seller, you ignore the upcoming increase to Promoted Listings fees at your peril. In this episode of the I Love to Be Selling podcast, you'll get all the details of this dirty deal — and discover ways to protect your profits despite eBay's latest money grab. Tune in to find out how you can still make money, even if you have to pay more of it to eBay.   You'll also gain access to my new eBay Promoted Listings Fees Guide: 5 Tips to Keep You in the Game (and Protect Your Wallet). See where to find and how to understand your real Promoted Listings data in Seller Hub; build a winning listing strategy that keeps your inventory moving and making money; and learn exactly where and when to share your feedback about the PL fee hikes with eBay. Download your complimentary copy at https://ilovetobeselling.com/webinars-and-workshops/ebay-promoted-listings-fees-guide/.   I'm Kathy, and I love to be selling!

What is Your Favorite Scent?Marcus and Taylor dive into their favorite scents, plus a few unexpectedly weird ones they can't help but love.  Drivers Most Likely To Break The Law At These Specific Times Of Day:Turns out there are two specific times of day when drivers are most likely to ignore the law—and you've probably been on the road during both. We break down the study, the stats, and our own driving confessions.  What's Trending: SNAP benefits, happy hour, and sports: we're covering everything from serious to silly in one episode. Grab a drink and tune in.  Second Date Update:Italian dinner? Check. Hike talk? Check. Mutual dislike for chatty movie-goers? Check. Everything seemed perfect for Adam and Brittany… until she ghosted him. Time to figure out what went wrong.  The Wild Side of the Turkey Hotline: Over 10,000 calls on Thanksgiving alone—and 40 years of turkey wisdom. We explore Butterball's Turkey Talk-Line, the hotline that's saved home cooks from holiday chaos.  Good News: A Colorado family is bringing Thanksgiving to truckers on the road. With homemade turkey dinners and handwritten cards, they aim to serve hundreds of drivers who keep our shelves stocked while away from home.

Italian dinner? Check. Hike talk? Check. Mutual dislike for chatty movie-goers? Check. Everything seemed perfect for Adam and Brittany… until she ghosted him. Time to figure out what went wrong.

This week we'll look at the ongoing changes, and reversing of said changes, at Poshmark and the annoyance they're causing sellers, an upcoming USPS Price Hike, changes at Meta for Facebook Marketplace, and some eBay recommendations to maximize the performance of your listings.0:00 Intro1:00 Poshmark Changes14:55 USPS Price Increase18:35 Facebook Marketplace Updates23:48 eBay Listing Optimization RecommendationsPoshmark ChangesUSPS Price IncreaseFacebook Marketplace UpdateseBay Listing OptimizationMy New Cycling Channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@cycling-with-ryan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cycling With Ryan Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/cycling_with_ryan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠My Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/galaxycdsrocks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The YouTube Version of this show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@GalaxyCDSRocks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠My Ebay Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ebay.us/HD2CAs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠My Curated eBay Supply Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.ebay.com/inf/galaxycdsrocks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠My Etsy Shop: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.etsy.com/shop/GalaxyCDS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠I've created a series of Reselling Logs, and Personal Journals, which you can see on Amazon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3pJPkqD⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Galaxy CDS Rocks Swag Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠galaxy-cds-rocks-and-flips.printify.me/products⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Donations to the channel accepted at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.me/galaxycds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠My Channel Ethics Statement Regarding Sponsorships: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://docs.google.com/document/d/1UmRx77pe_F9kmiG4VlkDuy8Kmq32hJvY1n2COf5ImZY/edit?usp=sharing⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stuff I use: (These are sponsored affiliate links, and by using them you will support the podcast when I receive a small commission payment from the site for referring you, at no additional cost to you. So click away Galaxians!)I use Streamyard for my Podcast Interviews and Upcoming Live Shows. I highly recommend it! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/49spdKc⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Have a need to crosslist? Try ListPerfectly! I recently signed up and am in the process of moving over 6000 listings from eBay to Mercari, watch for future updates! Use this referral link, be sure to input referral code 634 and save 30% off your first month, please and thank you! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://listperfectly.com/?ref=634⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sign Up with Mercari! It's easy to buy and sell on Mercari. Get up to $30 when you get started. Use code RPSYYJ when you sign up with my link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://merc.li/bWdhq8kVb #mercari⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Podcast/YouTube GearRode X XCM-50 Microphone: ⁠⁠⁠⁠⁠⁠https://amzn.to/4qBrzjR⁠⁠⁠⁠⁠⁠OBSBOT Tiny 2 Lite Camera: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/40QVOYx⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Elgato Stream Deck: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/468lvHE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hollyland Lark M2 Microphone: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/44IELcf⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reselling ToolsValue Mailers on eBay for All Of Your Package Needs: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ebay.us/Sqif0E⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠beeprt Bluetooth 4x6 Thermal Label Printer: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3Oiu61a⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Scotty Peeler Label Remover: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3rnpp8n⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tape King Tape Gun: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/2WjFPBz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sound effects obtained from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.zapsplat.com

In today's episode, Adrianna shares everything she has learned from hiking with her babies in the Canadian Rockies. From safety to layering to choosing the right trail, this episode helps parents feel confident taking their little ones outdoors year round. If you are beginning your hiking journey with a baby or want to deepen your family adventures, this episode is your starting point. Watch an example of hiking with a baby in the Canadian Rockies https://www.youtube.com/watch?v=ccBjx3bO3ME&t=87s Read 7 Tips to Hike in the Winter with a Baby by Kids Who Explore https://www.kidswhoexplore.com/post/7-tips-for-hiking-with-a-baby-in-the-winter Explore the Hiking Mom Essentials Shopping List on Amazon https://amzn.to/40gHcST Find all Kids Who Explore checklists inside the FREE Kids Who Explore Membership under Resources https://www.kidswhoexplore.com Join the Online Program for Moms The Hiking Mom Circle https://www.kidswhoexplore.com/thehikingmomcircle#:~:text=The%20Hiking%20Mom%20Circle%20was,babies%20while%20adjusting%20to%20motherhood. Take an Online Baby Hiking Class https://www.kidswhoexplore.com/events

Scott Jagow talks with political commentators John Hancock and Michael Kelley about the growing concerns over rising insurance premiums and how healthcare issues could shape the political landscape for both Democrats and Republicans. The conversation covers the release of the Epstein files and what the revelations could mean for President Trump, the latest actions in the Senate, and how shifting approval ratings may influence upcoming elections. Scott, John, and Michael also break down a major local issue, the St. Louis 1 percent earnings tax, and how changes to the tax could impact the city budget and essential services.

Morning Overnight News Archeology chat Roo had never been to basketball What We Learnt Battle of the Sexes Ditts and Loz went to Karaoke Hike For Hope Final Amount Raised! Voice of Suburbs work rules SA Awards stuff up Show that Was See omnystudio.com/listener for privacy information.

https://slasrpodcast.com/      SLASRPodcast@gmail.com   Welcome to Episode 213 of the sounds like a search and rescue podcast. This week, good friend of the show and author Ken Bosse joins us. Ken recently published his 4th book - "They Said It's Dangerous" - a light hearted look at some of the dangers hikers can be faced with. This is Ken's 4th book and as always, all profits from Ken's books go to the NH Outdoor Council which supports local search and rescue teams. Ken will sit in with us today and will catch up on a bunch of topics including the mystery of an abandoned tent in the White Mountains that has made national news, a rough day on Mount Washington, the Cog railway had to say upwards of 20 hikers who were ill prepared for an early burst of winter like conditions. Plus naked hikers, NH declared the best place to raise a family, Siberian Log Fires, an overview of some hiking in Hawaii, and we catch up on recent search and rescue news.   JOIN SLASR, REKLIS AND FRIENDS LIVE IN NOVEMBER AT FULL CONDITIONS EVENT - TICKETS HERE   About Ken's New Book  New Book - They Said It's Dangerous They Said It Would Be Fun: A Hilarious Journey Learning to Hike the NH 48 They Said They Wanted More: A Hilarious Journey Hiking the NH 52 With a View They Said Teach Us More: Solos, Winter Hiking & Overnighters Topics Welcome Baby Ethan Full conditions Aurora Borealis Abandoned Tent Mystery Naked Hiker NH is the Best place to raise a family  NH Lifts Fire Ban SAR Topics List  Siberian Log Fire  Mount Washington Rescues - 20+ people taken down by the Cog Missing Two Year Old Waterville Valley Expansion Two guys recreate Sam and Frodo journey from Lord of the Rings Yosemite Chaos  Gear Talk  Music Minute - Til Tuesday Recent Hikes - Hawaii and Blue Hills Guest of the week - Ken Bosse - New Book  Recent Search and Rescue  Show Notes Apple Podcast link for 5 star reviews SLASR Merchandise SLASR LinkTree SLASR's BUYMEACOFFEE Abandoned Tent Sparks Mystery Social Media Post People leave gear more than you think Mike had a situation where he found gear on Franconia Ridge Naked, Lost and Afraid in Canada NH ranks #1 as best place to raise a family NH lifts fire ban  list of all SLASR episode show notes Making a Siberian Log Fire 20+ hikers rescued from Mount Washington  Missing 2 year old found by NEK9  2 men recreate Sam and Frodo's journey Backpacker Mag on gov shutdown in yosemite Base Jumper Cited Exploding Gas Canisters when combining fuel canisters for backpacking T-Mobile GPS news Injured Hiker Carried off Welch-Dickey Trail in Thornton - 10/1 Injured Hiker Rescued from Mount Osceola, Livermore - 10/4 Youth Hiker Assisted Off of Mount Washington - 10/5 Injured Hiker Assisted on Mount Monadnock - 10/7 Injured Hiker Rescued from Dickey Mountain, Thornton - 10/7 Hiking Fatality, Pisgah State Park - 10/9 Injured Hiker Rescued on Basin Cascade Trail - 10/13 Injured Hiker on the UNH Trail, Hedgehog Mountain - 10/18 Unprepared Hiker Rescued from Franconia Ridge in Lincoln - 10/19 Injured Hiker Rescued from Old Bridle Path in Franconia - 10/25 Hiker Rescued in the Mt. Washington Snow - 10/26 (covered) - skip Hiker Call on Black Angel Trail -  Sponsors, Friends  and Partners Wild Raven Endurance Coaching 2024 Longest Day - 48 Peaks Mount Washington Higher Summits Forecast Hiking Buddies  Vaucluse - Sweat less. Explore more. – Vaucluse Gear Fieldstone Kombucha CS Instant Coffee

Nvidia (NVDA) got bullish momentum from Wells Fargo and Morgan Stanley ahead of next week's earnings. Diane King Hall talks about what analysts expect from Nvidia's long-term prospects. StubHub (STUB) sunk more than 27% following its worse-than-expected earnings and lack of guidance. Diane later eyes mergers and acquisitions as Merck (MRK) seeks to buy Cidara Therapeutics (CDTX) for $9.2 billion.======== Schwab Network ========Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about

MacIver Institute's Michael Lucas, Crime Prevention Research Center's John Lot, National Right to Work Foundation's Mark Mix, The Federalist's Brooke Brandtjen, David Clarke, Open the Books' John Hart

AI Daily News Rundown November 15 2025:Tune in at https://podcasts.apple.com/us/podcast/ai-daily-news-rundown-anthropic-disrupts-ai-orchestrated/id1684415169?i=1000736811381Welcome to AI Unraveled, Your daily briefing on the real world business impact of AI

More New Yorkers are packing guns nowadays... ConEd now says it doesn't need an 11% rate hike... Mamdani and Tisch to meet... The name Karen is dropping like a rocket in popularity full 335 Thu, 13 Nov 2025 11:02:49 +0000 5jSAC3CggRBvCW1TNuFw17MWdPZQldg2 news 1010 WINS ALL LOCAL news More New Yorkers are packing guns nowadays... ConEd now says it doesn't need an 11% rate hike... Mamdani and Tisch to meet... The name Karen is dropping like a rocket in popularity The podcast is hyper-focused on local news, issues and events in the New York City area. This podcast's purpose is to give New Yorkers New York news about their neighborhoods and shine a light on the issues happening in their backyard. 2024 © 2021 Audacy, Inc.

Episode 514: The holidays have officially arrived at Walt Disney World, and in this week's episode of Traveling with the Mouse, Jon and I dive headfirst into all the news and festivities happening across the parks! First up, we head to Disney's Animal Kingdom where the Zootopia: Better Together show has debuted inside the Tree […] The post Disney Decks the Halls — Zootopia, Price Hikes, and Holiday Cheer! appeared first on Traveling With The Mouse.

Mayor Eric Adams has vetoed a bill that would block rent hikes for low-income tenants who use city housing vouchers, a policy his own administration introduced. Meanwhile, New York City street vendors will rally outside City Hall Wednesday with tacos, churros and samosas to push for legislation creating 10,000 new vending permits over the next five years. Plus, Bagelfest returns to Citi Field on Sunday with tastings, competitions and a new “growth lab” featuring up and coming bakers from across North America.

ON Holding (ONON) jumped higher with an earnings beat and guidance raise giving shares a platform to rally. Diane King Hall points to sales doubling in the Asia-Pacific region as a big catalyst. Citi raised its price target on Eli Lilly (LLY) to $1,500 from $1,200 on expectations GLP-1 sales will see robust growth. Diane later turns to IBM Corp. (IBM) and how the company is "doubling down" on quantum computing.======== Schwab Network ========Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about

Britain's jobless rate has surged to its highest level for more than four-and-a-half years, as the labour market continues to weaken. London had the highest unemployment rate of any region in the UK at 6.5%, up 0.5% since the previous quarter, the Office for National Statistics reports. Hikes to employer national insurance contributions have been largely blamed for the trend. But the grim jobless figures make a December interest rate cut from the Bank of England a near certainty. The capital has been hit particularly hard because of its large numbers of relatively low paid workers in hospitality and retail. It comes ahead of Chancellor Rachel Reeves' autumn budget later in the month, when it's widely expected that she will break Labour's manifesto pledge and increase taxes in an attempt to kickstart the UK's sluggish economy. The Standard's Business Editor Jonathan Prynn is here with the latest. Hosted on Acast. See acast.com/privacy for more information.

Send us a textIn today's story, Take a Hike, Emily's friends lend support during her first mountain hike Today's prompt was inspired by my own recent hike and by stories of my child's recent hike, both with lovely mountain views. More about Susan QuiltySusan Quilty mainly writes novels, including two standalone novels and her YA series: The Psychic Traveler Society.  Susan's short stories for Freely Written are created during quick writing breaks and shared as a way to let go of perfection and encourage writing for fun.Website:  SusanQuilty.comThe Freely Written Book: Freely Written Vol. 1Freely Written merch: Bitter Lily Books ShopInstagram: Susan.QuiltyFacebook: SusanQuilty.WriterSupport the show

BizNews founder Alec Hogg unpacks the Medium-Term Budget's surprisingly upbeat message. With the Government of National Unity presenting a unified front, Treasury reported a R20 billion revenue overrun, a narrowing deficit, and no need for a VAT increase. SARS' new AI-driven systems are delivering results, Eskom's reliability is improving, and even Transnet is showing early signs of recovery — proof that South Africa's finances may finally be turning the corner.

In today's episode WJ and KJ deliver another entertaining and creepy episode. KJ covers the eerie legend of James Dean's Porsche known as the Little Bastard. Bill covers a tale of a terrifying night hike in the Olympic National Forest. And some great listener mail. Please join us!Thank you for listening!www.bigfootterrorinthewoods.comProduced by: "Bigfoot Terror in the Woods L.L.C."

TOP STORIES - Governor Ron DeSantis urges Floridians to prepare for an incoming cold snap as temperatures drop across the state. Newly released documents reveal what happened in the moments before the deadly Ybor City crash that killed four and injured thirteen. Plus, a Florida consumer advocate calls out FPL's proposed rate hike as “unconscionable,” saying it will hit families and small businesses the hardest.See omnystudio.com/listener for privacy information.

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IMMERSIVE - Hornby Island, British Columbia - A White Sand + Warm Clear Water Paradise

Despite the “Off the Beaten Craic” theme to the current Irish Stew podcast series, on this episode hosts Martin Nutty and John Lee follow the well-worn track of history that flows through Athlone like the broad River Shannon.Their guide is the affable Vincent Harney of Athlone Guided Tours, a well-researched, perceptive storyteller who peels back the layers of the Athlone story from atop Athlone Castle, while crossing the Shannon, and as they trod the ancient streets back into the very heart of Irish history.Along with local history, Vincent shares his story of growing up in a big farm family in nearby Cornafulla, the post office his parents operated, his own time as postmaster, and lessons learned working the family farm.“In the post office, I loved hearing the old people's stories and hearing about their history. And we would know the history of the fields around us, like the one field given away for a loaf of bread during the famine,” Vincent recalls.Inspired by those stories, Vincent started a new career leading historical walking tours to share how Athlone's origins as a river ford placed it at the crossroads of Irish history, how Norman and Cromwellian armies both marched over its first timber bridge, about the accommodation built into the stone bridge for the gentry's sail boats, and why the railway bridge was considered an engineering marvel of its day.  Vincent reveals Athlone's surprising connections to the Titanic disaster with the sad tale of the ill-fated passenger Margaret Rice, whose body could only be identified by the shoes she wore, purchased from the venerable Parsons of Athlone in the red brick building that still stands today at the corner of Custume Place and Northgate Street.Vincent spins a happier tale about Athlone native John McCormack, tracing the singer's unlikely rise from a working-class family to global fame as one of the greatest tenors of all time.The episode wraps with Vincent making a compelling case for visiting Ireland and coming to Athlone when you do, reminding us, “the history of Ireland is here in Athlone.”Next week, Irish Stew talks organic farming and agritourism in Offaly with Margaret Edgill of Mt. Briscoe Farm and Pippa Hackett, former Minister of State at the Department of Agriculture, Food and the Marine.LinksAthlone Guided ToursWebsiteInstagramFacebookTripadvisorHidden Heartlands Travel ResourcesIreland.comDiscover Ireland's Hidden HeartlandsIrish Stew LinksWebsiteEpisode Page: Vincent HarneyInstagramLinkedInXFacebookTikTokEpisode Details: Season 7, Episode 32; Total Episode Count: 135

Christian College Sex Comedy: Part 30 Time For Celebrating! In 30 parts, By FinalStand. Listen to the podcast at Explicit Novels.   When I fell to Earth I realized perfection; Earth has everything while Heaven has no Evil. "Ask Belle," I replied. "This fight was for me being allowed on the bed. You still need to pay for breaking into her room." "What?" Leigh squeaked. "Come here, Slut," Belle laughed. She hooked an arm around Leigh's waist from behind and began dragging her back into the house. "Zane?" Leigh called out fearfully. "Coming, coming," I groaned. "I feel like someone dropped a cinderblock on my head, and my ribs." I staggered for the door only to be intercepted by Willa. "You are one freaking weird dude," she whispered. "You have no idea," I responded softly. As she came alongside, I put my arm around her waist, then down inside her panties, and cupped her right ass cheek. I gave it a good squeeze. I figure Willa could pull away or punch me in my sore ribs. Instead, she bumped my hip and put her head on my shoulder. "Have you ever been with another woman?" I asked. "No," she regarded me. "Willing to experiment?" I teased her. She smiled, snaked a hand along my back to my neck and finally grabbed a handful of hair. She pulled me down into a kiss and finished with her own devilish grin. I took that to be a yes. We made our way back to Belle's room, where Belle and I stripped out of our wet clothes. "You don't have to handcuff me," Leigh begged of Belle. "I'll behave." "I know you'll be a good girl, but I don't care. I'll do it because I want to," Belle taunted her. Leigh pouted and looked my way. I shrugged helplessly in response. She stripped, crawled to the middle of the bed, rolled onto her back, and put her wrists together just below her breasts. "I'd rather fight than be a victim," Belle mocked her as the bindings clicked shut. "No, that's some cock, you skank," Leigh wound up her courage. Belle's response was to retrieve the vibrator and turn it on. "Calling me a skank makes you feel tough, eh?" Belle closed in. The vibrator began rubbing against Leigh's thighs as I settled into the bed behind Belle. Willa resumed her position on the far side after she stripped down. Belle gave me a curious look over her shoulder before turning back to Leigh. I snuggled into Belle before nibbling and sucking on her neck and shoulder. As Belle pushed the vibrator between Leigh's labia, I ran my left arm down Belle's back and parted her ass cheeks. I could feel Belle look over her shoulder again, my lips were sucking on her shoulder at that moment, and visually question what I thought I was doing. I could sense a struggle going through her mind by the increased tenseness of her shoulders. She had to be deciding if she would let me distract her or not. A moment later she made up her mind; she bent her leg and pulled her knee toward her chest to make my access to her easier. I scooted farther down so I could move my hand below her ass and begin stroking her cunt, back to front. Belle wiggled the vibrator inside Leigh's cunt as my fingers worked her over. She kept it going until she felt my cock pushing past her ass cheeks. Belle didn't caution me about her anus; she didn't have to. When my cockhead touched her cunt, Belle responded by looking back at me, daring me to stick it in. "Do you want me to stop, Belle?" I gazed into her eyes. Belle's response was to suddenly push down on my cock, pushing it half way in with one thrust. "Fuck," she hissed. I grabbed her hip and finished driving my rod all the way in. I quickly withdrew, then slammed it home again. At the same time, I moved my right hand, pinned underneath me, under Belle's body, until I burrowed to her pelvis. Belle began humming as my hand reached her slender landing strip. I also noticed that her activity with Leigh had lightened up. Her cunt walls strongly massaged my cock's passage and the stimulation was soaking up more and more of Belle's attention. The vibrator cut off. Belle had dropped it so she could start pulling and pinching her breasts as my four fingers began to vigorously rub her clit. For five minutes I kept going at her sideways until she grabbed the sheets so she could shove her body into mine and almost pushed me off the bed. Her climax seized her, her breath came in short gasps and tremors passed from her body to mine. "Damn it," Belle cursed. It took me a moment to figure out what she was pissed about. She began thrusting back against me. "Still hard, huh?" she growled. Why, yes I was, but I wasn't going to tease her about it. I missed the visual exchange between Willa and Belle but the end result was Belle giving in, letting Leigh off the hook. "I'm getting on top, Zane," Belle demanded. What proceeded was a bit of bedroom acrobatics but I kept my cock inside as I moved towards the bed's center while Belle swung up to a reverse cowgirl position. I pushed up, palms on the bed behind me, and watched her ass begin to bounce on my lap. At first, Belle rested her hands on my shins and used that to balance her rocking and thrusting of the hips. "Don't, Zane," Belle panted as I pressed my chest against her back. When I wrapped my arms around her, she made one last protest. "Oh, damn you." I hugged Belle tight, my left arm around her stomach and the right around her chest. She slowed down for a few seconds before turning her upper body so that we could kiss. Our tongues flickered against each other, then slowly danced back and forth between our mouths. "I really should bite you right now," Belle sighed. "What the hell for?" I muttered. "I'm going to have to look across the room now and find a reason for not jumping your bones, you idiot," she breathed in short bursts. "Someone likes being 'Zaned'," Leigh teased. Willa slapped her somewhere; I couldn't see where. "Shut up unless you want to be tied up all night," Willa whispered. I was busy letting my hands migrate over Belle's tight body now that I had 'permission' to sex her up. I let Belle lean into me. Her hands cupped her breasts while my hands went from her shoulders to the top of the tits but avoided the nipples. I skated around her upper chest, linking my hands over her pulsing abdomen then lightly traveling down to her thighs. "You are not in a hurry," Belle observed breathlessly. "It is our first time," I reminded her. "Oh," was all she had to say. Her body rubbing against me was her real reply. It was with gradual ease that we upped our tempo until Belle finally 'gave it up' again. This time I came with her, and I completely spaced about a condom, again. Belle writhed her body against mine for almost a minute as we regained our composure and our breaths. "You came in me, didn't you?" Belle said seriously. "Yeah, I screwed up. I'm sorry," I groaned. "What are we going to name our kid?" Belle showed a tiny bit of mirth. "I'm partial to Beausephus if it is a boy," I told her as I kissed her neck, "and Andromeda if it is a girl." "Our kid is going to kick ass," Belle laughed. "Aren't you on the pill?" Leigh wondered. "Listen, you stupid Cunt," Belle twisted on my semi-rigid cock so she could lock eyes with Leigh, "do I look like I can afford Healthcare?" "Answer me, Bitch," Belle began wiggling off my lap and out of my arms. "Let it go," I begged Belle. "Don't think that just because you have my cock in my cunt, that makes me your bitch," Belle growled to me. "As your friend, I'm asking you to drop, 'my cock'?" I hesitated. "Just because MY cock is in your cunt doesn't make it your cock," I teased. "Crap, slip of the tongue," Belle mumbled. "It's okay," both Leigh and I said. "Several of our girls feel that way," Leigh added. "We feel possessive about that cock." "What she said," I finished. "That's why when it is not attached, I keep it in a locked box." Belle snorted and Willa and Leigh laughed. "You went with the detachable cock?" Belle stared at me. "That's so sad." "Hey, now," I blushed. "I have a horny naked biker babe sitting in my lap, with my cock in her cunt. I'm a little shaken up right now." "You can be real trying at times," Belle leaned into me compassionately. "What? You said you wanted me to try your ass?" I joked. "Okay." Belle's vaginal muscles constricted around my cock, exciting me to hardness again. "You rip up my ass and I'm going to rip off your balls," Belle grinned shark-like. "Your? No, I meant Willa's ass," I verbally back-pedaled. "Look, she's sitting there, ass up looking all inviting, lush, and full-formed." "You wouldn't dare," Willa smirked at me. By her own accounts, Willa loved anal sex, but apparently it wasn't something she normally shared. Belle's instincts were leading her past the deception. "Are you freaky, Willa?" Belle mocked her friend. "Hey," Leigh piped up. "Barbie Lynn likes it and she's no freak." I rolled onto my side, trying to let Belle slide off my shaft. "Am I going somewhere?" Belle turned and joked with me. I shrugged, put my left hand on her shoulder and pumped into her hard several times. "Okay, okay," Belle panted. "Go bang Willa. My cunt is still tingling from the last orgasm, Stud." Belle twisted onto her stomach which allowed my cock to pop free. Belle moaned sensually and lay there for a minute with her eyes closed. Dangerously, Leigh crawled over Belle's still form, retrieved something from Belle's nightstand, and handed it to me, lube. Leigh must have seen Belle pull it out and lube up the vibrator before shoving it in. Belle wasn't a total sadist. I slipped beside Willa who kept drinking me in with her eyes. "Where do you think you are going with that?" she said. Willa remained on her stomach, her ass proudly pointing up and proffered. "Would you like to try anal?" I winked. "I'm sure if you try it, you'll like it." "This won't make me your Old Lady," Willa teased back. "I'll try it. Let's see what you've got." "I only want to make you happy," I breathed into her ear. Willa shivered in anticipation. I brushed her hair to the far side of her head then kissed the top of her neck. Willa began to murmur pleasurably as I trailed butterfly kisses down her spine to her tailbone. A single finger stroked farther down to her cunt and down to her pubic mound. Willa was only lightly shaved, keeping her bush full. The return trip lingered around her anus, pushing slightly and making Willa moan. She opened her legs farther and farther apart as I continued to rub her gently. With my free hand, I opened the tube of lubricant and let it pour down her ass cheeks. I teased her sphincter twice but abandoned it to rub the thick liquid all over her cunt and perineum. Recall that Willa was going through a long, dry spell -- being an undercover officer in an outlaw biker gang, so she was bursting at the seams for sexual contact. "Damn it, Zane," she pleaded. "Willa, you are a freak," Belle chuckled. "Watching him work has gotten me so horny," Leigh whined. I ignored the peanut gallery; I was dripping oil on my three middle fingers, pushing my forefinger against Willa's sphincter. Willa must have really liked her experiences with anal sex because she relaxed her sphincter on contact and let me in. Man, her asshole felt hot compared to the slight chill of the room. My finger corkscrewed past the second knuckle when Willa let out another heartfelt moan. I pushed in a little farther while resuming my kisses on her back. Inside a minute, Leigh had sidled up to Willa and me. Belle had propped herself up with her pillow on the headboard but was studying the three of us intently. "You are acting like you've never seen a three-way before," I commented to Belle. "Not from the outside looking in," Belle shrugged. I had no immediate comeback to that. Saying something like 'maybe next time,' or 'enjoy the show' felt inappropriate. I devoted my attentions to Willa once more instead. Speaking of Willa, she was now relaxed enough for me to stick my ring finger into her anus. I noticed Leigh getting terribly interested in Willa's arousal. "Willa, rise up. Push up off the mattress for me, Babe," I coaxed Willa. She looked back at me, smiled lustfully, and began raising her ass. A few more twist and turns with my fingers and Willa was up on all fours, head down, and her face screened from view by her long, black hair. I was about to encourage Leigh but she was already slipping under Willa and putting her lips to Willa's closest tit. Willa's grunt rose over the sound of Leigh's suckling noise. I had to move completely to Willa's rear to allow Leigh more room to maneuver beneath Willa. Leigh's right hand quickly sought out Willa's cunt while her left began caressing Willa's right breast. I had to admire Leigh's enthusiasm as well as her willingness to not hold Belle's rough treatment against Willa. Belle began to rub her cunny as she watched us play. I also caught Willa shake her head ecstatically when I wormed my third finger into her butthole. "Someone's all excited," Leigh giggled, as she lifted up her fingers that had been in Willa's cunt for me to inspect. They weren't just slick; they dripped with her juices. Finally, Willa had enough. "Enough foreplay, Zane," she gasped. "Put that big cock in me. Stick it to me now." "Ask and you shall receive," I replied. With one hand on her hip and the other one on my rod I placed my throbbing cockhead against her mildly gaping sphincter. I could literally feel the breath slowly exhale from Willa's body as my cock first slipped inside her anal cavity. "Zane, Zane, Zane," she exulted softly as I inched my way inside her rectum. I had been wrong all this time; I had thought I'd never find someone who liked anal sex as much as Barbie Lynn, but here she was. She was tight, hot, and damp. By the snug fit I could tell she had abstained for some time but her reactions were pure pleasure, to me and her. I could also feel Leigh's fingers vibrating rapidly within Willa's cunt as well as her vaginal muscles squeezing them back. I let my penis sit there for a moment before withdrawing all but the head. I repeated this three times, with Willa moaning louder each time I thrust my deepest. "Hammer her," Belle demanded. "Her ass, her rules," I chastised the head Warlord Babe. "Hammer me, Zane," Willa virtually screamed. O-kay then, a hammering I will go. I plunged in without mercy. The first thrust nearly toppled her over but on the second one, I held her hips tightly and she pushed back to meet my attack. The loud smacking of skin began to echo throughout the room. "Don't, stop, un, til, you, fill, me, up," Willa gasped between lighting swift penetrations. I felt like my hips were moving in a blur. Willa's whole body was a mass of spasms beneath me. "Fuck, fuck, fuck, fuck, fuck," Willa gasped, then she squealed. Yes, squealed like a little school girl. I didn't relent, though. She had told me to keep going, so 'hi-ho, hi-ho, it was off to fuck I go'. I caught sight of an exhausted Willa turning her head sideways and mouthing something to Belle through her mass of hair. Belle tilted her head, then shook it in the negative. "No, you can't keep him," she explained to Willa but for my benefit. "Too many people know he's here. Wait until you get Zane alone before you take him." "Hey! That's our line," Leigh spoke up indignantly. "Kappa Sig property." "You had better put those lips back to work on Willa before I put this vibrator back to work on you," Belle threatened. Leigh huffed, then went back to lip-smacking Willa's tit. "Shit, shit, shit," then a squeal from Willa once more. Damn, that had been a fast one. After that, Willa went down to her elbows, smothering Leigh with her tit. Leigh responded by going hog-wild on the whole breast biting and chewing on the whole damn thing. "Jesus Christ!" Willa howled, followed quickly by the loudest squeal of them all. Her body contractions dissipated what remained of my self-control. I began ejaculating, grinding my hips hard into her ass and plunging to the farthest depths yet. Willa collapsed in a state of perpetual groaning. Belle was kind enough to pull Leigh free before I collapsed on Willa. I barely had the strength to prop myself up on my elbows so as not to crush Willa beneath me. "Willa," Belle mused, "you really are full of surprises." If only she knew, or maybe it was better that she didn't know. It took a physically devastated Willa several seconds to reply. "You aren't going to give me shit about this in front of the other girls, are you?" she asked. Willa was a probationary Warlord so her reputation was incredibly vulnerable. "Yeah; let me see," Belle ticked off events; while massaging Leigh's half-raised leg from knee to inner thigh, "From the sounds of it he nailed Fontana Palmer thrice; before coming up here, kicking my ass, then fucking me so good all the lights came on. Then he rolled you over and plowed your ass through three orgasms, no." "They'll strap Zane down to the pool table for one hell of a weekend," Belle pointed out. "All the guys will resent him for that, so they'll bust him up and put him in the hospital where he can't perform for a month. Then the female riot ensues. I don't need that kind of hassle." "Thanks for looking out for me," I mocked. "Eh, you are almost a friend," Belle smiled. "Okay, on that note I'm going to take Leigh and leave," I began getting out of bed. Leigh had enough common sense to look to Belle for permission before climbing over Belle's legs and hopping free. "Try to keep the noise down," Belle teased as I opened the door. "I think Leigh's cunt has been abused enough for one night," I shook my head. "We are going downstairs to cuddle." "Nah-uh," Leigh said as she grabbed my hand. "Penetration, orgasm, cuddle; that's the way it's going to go." "No, wait," Leigh corrected herself. "Penetration, orgasm, orgasm, cuddle is how it's going to go." I'm sure Willa and Belle heard my groan of despair as I shut their door. "Leigh, your cunt looks much abused," I told her. "How about we not have sex tonight?" "After all I went through, please," she begged. "How about we have a sex-date later this week," I suggested. "I want to spend some time with you," Leigh pouted. "Leigh, I have Fall Break this week," I informed her. "We can have as much time as you like." "You do?" Leigh visibly perked up. "Oh, thank God," she then moaned. "I can barely walk, I'm so sore." "Do you still want to cuddle?" I asked. "I'd love to, Zane," she sighed, as she put her arm around my waist. "I want you to know that if it wasn't for Tawny, we really would keep you as our sex slave," she added lovingly. Yay me. "That's it," I snarled. "I'm going to go over there one night, tie all of you up, and butt-fuck the lot of you." "Oh, that sounds like fun," Leigh giggled. "Would we be tied up side by side so we could watch you do it to the sister next to us?" "Are you taking freak lessons from Rio?" I wondered. "Because you are starting to scare me." "Nope. Frankly, with the way she wields that strap-on, she kind of scares us," Leigh confessed. Ah, an unlooked for benefit of my Direct-to-Video lifestyle; I have provided the World with a warning label for Rio. Speaking of Rio, when we arrived at the sofa we discovered that she'd crawled up on it and was fast asleep again. I draped my blanket over her then curled up with Leigh in the quilt I had originally taken out for Rio. I lay down on my back and Leigh curled up on top of me. She started to say something to me but was overtaken by a yawn. She put her ear to my chest, yawned again then started snoring. I must have nodded off right after that because the next thing I knew Jill was shaking us awake gently. "Leigh," she inquired, "are you staying for breakfast?" "Sure, Aunt Jill," she yawned. "Let me get cleaned up and I'll help out in the kitchen." "Thank you, dear," Jill grinned. Leigh scampered off to the bathroom while Jill went to the kitchen. Rio was blissfully asleep still. I followed Jill into the kitchen and leaned against the counter while she soaked a paper towel under the faucet. "Did you sleep well last night?" I questioned. "Oh, Zane," Jill smiled serenely, "I learned to sleep through your antics several weeks ago." She dabbed my cheek, the one Belle had popped last night. It stung but I manned-up and took my mothering like a big boy. I made sure the ladies upstairs were awake before doubling back on my room to get dressed for Church. Fontana and Valarie propped themselves up and took in the show. As I was making sure my tie looked good in the mirror, I caught Fontana smacking her daughter in the forehead. "Sleep with that young man, damn it," she advised forcefully. "Subtle, Mom," Valarie groused back. "I mean, he's standing right there." "What do you think, Zane?" Fontana chuckled. "Do you mind me giving my daughter some helpful advice?" "I'm not going to step into that conversation, Fontana," I evaded, "and Val, that was a mean thing you did to Leigh. Belle was unforgiving." "She should learn to use a door like a normal person," Valarie smirked. "I am just warning you that Belle is particular about her private space," I cautioned her. "Valarie, you should clear the air with Belle," Fontana advised her daughter. "This is her home too and her territory." "I'll take care of it," Valarie yawned then shrugged. I had the feeling she wasn't taking this seriously. "Let's get some food, Mom. I still need to get dressed for Church too." Oh, Valarie didn't know the half of it, but I managed to keep Rio and her from ragging on Belle when they learned that Belle had lost a 'bet' with me and had to wear a dress to church along with the rest of them. Rio turned out to be hangover proof. Jill cooked up a wonderful breakfast and Leigh received her measure of revenge when she, Belle, and I had to go over to the Kappa Sigma house to find a dress that fit. Oh, those sorority girls were walking a thin line between cordiality and an ass-whooping because Belle wasn't in the mood to take shit from anyone. Tawny was a big help and Jersey provided the acceptable black dress for Belle to wear. Ricky provided the stockings and shoes. "The first one to say a damn thing dies," Belle glared at the assembly back at my house when she walked in the door. Jill must have missed that. When she came downstairs and saw Belle, she walked up and hugged her. "You look beautiful, Belle," Jill said while examining her. "Ah, thanks, Jill," Belle looked around evasively. Had anyone else said or done that, we would have died. Jill received a weak smile instead. Belle ended up in Sunday school class with Jill, who introduced her as Belle Kennan -- and no one made the connection despite Belle's constant scowl. Rio bringing Belle around to the Masters clan did something to ameliorate the situation. Suddenly having the young unattached males of the church pay attention to her was something Belle found downright darkly amusing. Rio was running around, introducing Belle as her Aunt from Michigan -- very single and clearly well-connected. Rochelle Wellington was the only one to figure out the ruse and she said nothing. Once we got home, Belle couldn't wait to be shed of those clothes. I took them back to the Kappa Sigmas with my gratitude for helping out yet again. When I came back I found Belle standing alone on the back porch. "Penny for your thoughts," I said. "I really ought to punch your lights out for putting me through that," she opened up. "I fucked three of those guys in high school and they didn't even recognize me now. I was in a pretty dress, a touch of make-up, and hung around with rich friends and; BANG; suddenly I wasn't the poor, dirty tramp in their eyes anymore." "Who gives a crap what they think or remember?" I countered. "You are still the same unique you no matter how you dress." Calling Belle beautiful was pointless, true but pointless, because she would have read that as me trying to get back into her pants. "You've never wanted for anything in your life," she mused. "What the fuck?" I rounded on her. "Bitch, for two years I only got to take showers when it rained; forget having any deodorant, and for amusement we played tag with pythons because we only had electricity when someone was pedaling the bicycle." She rounded on me with an angry rebuttal but immediately burst out laughing. "Yeah," she snickered, "and I finally got it out of Jill what a bad little monkey you were too. She told me you had 30 girlfriends and would screw around behind Tim's back all the time. You were a slut too." "Where? Belle, look around you," I grinned. "I am still a slut and proud of it." "Fuck you," she smiled. "Here I was getting worked up into a true fury and you come along and cheer me up." "That's what friends are for," I quipped. "I should have shoved Rio's head down that toilet," Belle teased. "You really complicate my life. Let's go in and grab a bite before we get all mushy." That First Time Fontana wasn't leaving until the morning so Valarie decided to spend another night at my place. I didn't want another night on the sofa so I opted for Rio and me to crash out in my dorm for the night. Vivian would be gone for the week; I hoped she would be spending quality time with her boyfriend Thomas. Barbie Lynn would be around once she saw her family off, but Opal, Brandi, and Paige, plus Christina and company, were gone for the week. They were all due back Saturday afternoon. The dark lining to this silver cloud was that both Paige and Heaven were; 'needy', and that didn't bode well for my Saturday night upon their return. That left us with twelve other girls on my floor tonight, one of which was Iona. She had decided that her time was better spent keeping Rio and me in line than being bored out of her skull back in her hometown. I was sure the fact that we would have a good deal of unobstructed time together had nothing to do with it. Iona was cuddled up with me on my right side on the large sofa closest to my bedroom screens. On my left, Rio was slouched down, channel surfing. She never stayed on any program long enough to see if it was any good. She was bored and angry. I was peripherally aware of someone activating the door and coming up but I wasn't paying too much attention until I noticed someone standing there and looking around for somebody. It was Mercy. I could hardly believe it. Our eyes met and she shrugged in confusion. She couldn't see Rio because my buddy's head was below the top of the back of the sofa. I surreptitiously moved my left arm over the top and then pointed down to where she was. Mercy's eyes lit up and she skipped on over, her bouncing proving to me she was braless. Rio was in such a foul mood, she didn't notice, so Mercy began leaning over until her shadow interfered with the suspended lighting. Finally, Rio rotated her face up to see what the problem was and looked right into Mercy's eyes. "Hey, you," Rio sounded remarkably nonchalant. "Hello, Rio," Mercy grinned hopefully. "I convinced my parents that I had to stay." "That's nice," Rio shrugged. Considering all the hell Rio had put me through during Homecoming and this weekend about Mercy being gone, I wanted to start punching her. "I wore my collar all weekend," she indicated the collar Rio (me, really) got her that had the school colors but Rio's initials on it. "I expressly forbid you from doing anything that might tip your parents off," Rio shook her head. "Simple fucking instructions and you manage to screw that up," she sighed. "I'm going to have to spank that kitty, aren't I?" Mercy's smile grew absolutely wanton. "I bet you are not wearing underwear, you tramp," Rio looked put out. "I seem to have lost them on the way over here," Mercy beamed. "Really? 'I lost them' is the best you can come up with? Give me some nipple-age, damn it," Rio insisted. Mercy bent over farther while Rio unbuttoned Mercy's shirt. "Remember, I'm only biting and sucking on these bad babies because you've been naughty, not because I enjoy it," Rio informed Mercy as she wiggled up to meet those naked breasts half way. "Okay," Mercy sighed happily as the first dangling breast went into Rio's mouth and her lips sucked the nipple in so her tongue could abuse it. Rio alternated between Mercy's tits, slurping and nibbling but not really biting down, as promised. She also reached up and grabbed her lover's shoulders, pulling her farther and farther. I was sure Mercy's feet had come off the ground. I would have looked but Iona took that moment to begin massaging my thigh. I looked to her; she was looking over at Rio and Mercy when Mercy started tumbling head first onto the sofa. Rio rolled Mercy onto her back, her skirt bunching up around her waist to reveal her baby-smooth cunt. "You are my bitch, Bitch," Rio growled as she pressed down on Mercy and tried to kiss her. "No, no," Mercy giggled as she kicked her heels, shook her head from side to side in an effort to avoid the kiss. "Please, let me go. I don't want to be kissed, or licked, or spanked, or have my body abused all week long. No, that would be horrible. Please, please, please, release me. I'll be good. I won't tell a soul about the terrible things you have planned for me." Rio hovered there, clearly in shock. "Why you rebellious little slut," Rio gasped. "Oh, I'm going to ream your ass for that little outburst." "Eeep!" Mercy squeaked. "Move that butt to the boudoir, you skanky whore," Rio pulled Mercy off the sofa, then spanked her bottom. Mercy looked over her shoulder fearfully and hurried that way with Rio in hot pursuit. Iona stood up, pulled on my arm and led my gaze to their retreating forms. "You want to join them?" I questioned. "I want to watch," Iona clarified. "They are so much in love; it is a beautiful thing to witness." "That it is," I agreed as I stood up as well. I led her toward my bedroom, Iona squeezing my hand tightly. "Also, getting naked under the covers with you has its own appeal," Iona gave me a cute, hopeful look. "What makes you think I'll get naked?" I teased. "Well, Zane, you are my friend, and you're easy," she teased right back. Ouch! "I prefer easily accessible, thank you very much," I stated indignantly. "Have you been taking etiquette lessons from Rio?" "Zane," Iona pouted. "That was unfair. I'd never abuse you the way Rio does, or Barbie Lynn, or Paige, or Heaven." As we rounded the last turn in the Chinese screen maze that separated my sleeping quarters from the rest of the floor, Rio was pushing Mercy face-first onto her (Rio's) side of the bed. Rio squatted behind Mercy. Mercy's torso was on the bed but her legs were still splayed over the edge. Rio probed forward, took a lick of that cunt, then another, before spanking Mercy's right cheek. "Has anybody else been using what is mine?" Rio inquired threateningly. Mercy shook her head violently in the negative. "Are you sure?" Rio persisted. "You are pretty clueless. Someone might have sexed you up while telling you they were doing your taxes, or something stupid like that. Did you let someone do your taxes?" Again Mercy shook her head 'no'. "Well ,  I don't trust you," Rio mused. "Zane, come over here." By this time, I was naked, I take off my clothes really fast because I hang around with some impatient women, and Iona was down to her socks and panties. "Sure," I responded. I walked around the bed until I was looking over Rio's shoulder. "Does this cunt and asshole look used to you?" Rio asked me. I reached out and with my forefinger, rubbed along Mercy's slit, starting with her clit. It was still a small nub but a few circles by my finger brought her out to play. Mercy moaned, wiggling her hips as she did. I scooped up from there, dipping between her labia until her fluids coated my fingers. I brought the finger up for a taste. "Yum," I grinned at Rio, who double-pumped her eyebrows and smiled like the madwoman she was. I stuck my finger back in Mercy's cunt to get it nice and wet again, causing Mercy to moan repeatedly. This time, I placed my finger against her anus. I rubbed it around but didn't try to press it in. The moment Mercy decided I wasn't going to give it to her, she thrust back, trying to drive my probing digit inside of her anyway. Rio smacked Mercy's ass to make her stop. "No, you don't, Wench," Rio threatened. "Rio, your baby-girl is pristine, she's nice and tight," I informed my buddy. "Thanks, Zane," Rio snickered. "I can never tell with this slut, she's always so horny. Or maybe I'm always so horny for her, I get those confused." "How about option three: you both are hot, horny babes addicted to each other's bodies?" I offered. "I really don't care what Mercy feels," Rio lied. "She's only serves as a vessel for my lusts. Don't you exist to be solely a receptacle for my lusts, Slut-Bunny?" Mercy slid down the bed until her knees touched the ground. She turned around to the less than amused Rio, waddled up to her lover and wrapped her arms around Rio's waist, hugging her tight. "Yes, yes, yes," Mercy murmured contentedly. "What the, listen, you sk- --" Rio started out angrily. She never finished calling Mercy a 'skank'. She hesitantly, then gently, ran her fingers through Mercy's hair. "I missed you so much, I was going nuts without you; just ask Zane," Rio gave her heartfelt confession. "Rio," Mercy looked up as Rio petted her head, "I've given this a lot of thought and I want you to be my first, tonight, right now," Mercy pleaded. Rio's eyes shot a panicked look in my direction. 'You can handle this,' I mouthed my assurance to my Best Buddy. Rio returned her gaze to Mercy and tilted her lover's head up until their eyes met. "You know there is no coming back from this," Rio stated. Mercy nodded. "This will make you mine forever," Rio said next. Mercy nodded with greater vigor. "You know I am a complete fucking train-wreck and am more likely to ruin your whole damn life than make you happy." "I am yours and you are mine," Mercy whispered, mimicking the tattoo Rio had placed on Mercy's back. "I can't do this," Rio stroked Mercy's cheek. Mercy looked devastated. "We are both wearing clothes, how can we properly make love if we are both still wearing clothes?" Mercy gawked, then shoved her face into Rio's stomach and bit down, hard, it appeared. "Ow, Bitch!" Rio screamed. "That hurt." "Rio, you nearly scared me to death." Mercy sounded so pitiful as she looked back up at Rio. I really had no idea how Rio's twisted, crazy mind would take that. For a second, I thought she'd explode, Rio didn't take pain like a rational person. "I apologize, Love. I have no excuse," Rio responded softly. She even used the 'L' word. "Really?" Mercy whispered. Rio nodded. "Will you do me one favor?" "Okay," Rio replied cautiously. "Please never apologize to me again, my Love," Mercy pleaded. "It scares me nearly as much as you being mean to me a moment ago." Rio studied Mercy for a few seconds. "Did you use the 'L' word?" Rio glared at Mercy. Mercy's eyes grew wide; she then buried her face back into Rio's stomach and began kissing away. "No, you don't, Wench. I will not be mollified by your sloppy, wet kisses. Strip your ass down and get into bed. Mom is going to go primeval on every inch of your smoking hot Temple of Babylon." Mercy smiled, spun around, and quick-stepped as fast as she could back to the bed while still on her knees. Rio flashed me a look that spoke of a happiness I had never seen in her before. She was slipping out of her skirt as she hopped her way to her dresser, undoubtedly to get some toys. As for me, I crawled past Mercy and slipped under the covers held open by Iona. "Should we leave?" Iona whispered to me. "Mercy is somewhat of an exhibitionist and I doubt Rio cares," I answered quietly. "In that case, let me get close to Mercy in case she needs some comforting," Iona told me under her breath. Before I could reason that out, she snuck her naked, tight little body over mine and slid under the covers to be close to Mercy. Iona reached out a hand tentatively toward Mercy. Mercy regarded it, gave Iona a warm smile, and placed her fingers in Iona's palm. Rio affixed her modest-sized strap-on and lubed it up before walking over to Mercy. Her lover seemed entranced with the way the false phallus bobbed about as it approached her. Rio threw back the blanket roughly so she could gaze down at Mercy's beautiful naked form. Instinctively, Mercy began to move her knees up to her chest. "What's that?" Rio pointed to Mercy's hand being held by Iona. Mercy started to withdraw it when, "Did I tell you to move it?" Mercy stopped. "Put that hand back and put those legs down, you insipid cow." Down came Mercy's legs with a muffled thud. "Now I'm going to fuck you like I own you," Rio growled. "You do own me," Mercy chirped. "I'm yours." "Are you ready for me to pound that cunt?" Rio glared. "Yes," Mercy moaned softly. "Well, tough," Rio smirked. "You don't tell me what to do. I'm going to do this at my own pace, damn it." She sidled down to the foot of the bed while still facing Mercy. With delicate ease, Rio lowered her lips to Mercy's right big toe, kissed it then began sucking on it. Mercy had raised her chin to her chest so she could meet Rio's steady gaze. As Rio began playing with her toes, Mercy shivered and groaned. When Rio switched to the left foot, Mercy whimpered. "Please, Rio," she moaned. "Hush, you," Rio mumbled around the current toe she was sucking on. "You are my plaything and I'll do what I want with you." Mercy's head fell back on the pillow as she clutched Iona's hand tightly. Iona seemed totally taken with events. She had rolled on her side so I cuddled behind her, my cock pressing against the small of her back, and began kissing her shoulder. Iona pushed back into me and wiggled her ass against my thighs. She also reached back, took my free hand in her own then placed them together on her stomach. She matched me as I traced small circles over her torso. "I hope I find someone who makes me that happy," Iona murmured. "You'll find someone worthy of you, Iona," I replied quietly. She tilted her head to give me better access to her neck. "I believe I will, Zane," Iona purred. "Now I know what to look for." Rio was taking her sweet time with Mercy, torturing the poor girl with lust. Iona actually scooted over and gave Mercy a quick peck on the cheek to comfort her. She was back in my arms before Mercy could decide to take shelter in Iona's innocent sexuality. This was Rio and Mercy's moment and we knew she shouldn't forget that. When Rio got to the knees, she pressed Mercy's legs farther apart and rotated the hips so she could access the back of Mercy's knees. She was running the tip of her tongue along the inner joint, driving Mercy nuts. The girl was humping her crotch up in the air and began pinching her right nipple. "None of that, you cougar-wannabe," Rio snapped. "You can't toy with my playground. It's mine." Mercy's face scrunched up in frustration as a single tear escaped her left eye. Mercy's free right arm began to flail about as Rio reluctantly stopped teasing the knees and began nibbling her way up Mercy's thigh. Iona felt the sympathetic energy and began massaging her left breast. "Please don't," she gulped as I moved my hand to her right breast. "I'll lose it and this should be their time, not mine." "Yes, Mistress Iona," I teased quietly. "Whatever you desire." Iona pummeled me with her ass against my thighs. "Behave," she sighed. Rio kept pushing Mercy's legs to the side until she was face (and lips) to Mercy's smooth cunt, letting the breath from her nostrils tickle the surface. "Something's been drooling, all," was all Rio got out before Mercy exploded into orgasm. "MotherfuckingChristGoddamn!" Mercy howled. Her whole body shook like an epileptic seizure had taken over. "Cunt-muncher," Rio sputtered. "Did you just squirt in my face?" Mercy was in no shape for an immediate reply. I didn't help matters when I snickered at Rio as her face rose above Mercy's thighs. Syrupy vaginal fluid was dripping off her nose and chin. Rio glared at me. I had a sinking feeling she was about to exile me from my room. "I'm, I'm sorry," Mercy groaned. "I was thinking weak, pathetic, or nasty," Rio grumbled. She began stalking up Mercy's body on all fours until she was face-to-face with her toy. "Was that the extent of your apology?" Mercy propped herself up feebly and began to lick Rio's face clean. "If I'm not satisfied, no fucking for you tonight," Rio taunted her. That spurred Mercy on. She was sucking Rio's eyelids and eyebrows, licking her cheeks, jaw and neck as if her life depended on it. Mercy ended up trying to French kiss Rio but she was having none of that. "Do you think I've got some of your cunt juice hiding under my tongue?" Rio quizzed her. Mercy gave a short, energetic nod. Rio cracked a smile and her lips and Mercy dove up to literally tongue-fuck Rio's mouth until she was thoroughly satisfied she'd gotten every drop. "No, you don't," Rio chastised her. "I know what you are doing and it is not going to work. I'm going to spank that sopping wet kitty and there's nothing you can do to distract me." "Have mercy," Mercy pleaded convincingly. "Oh, I am going to have Mercy again and again and again," Rio mocked her lover. Rio retreated down Mercy until her false cock slipped past her pubic mound. Rio used her right hand to guide the dildo up and down between her labia. The response was tiny simpering noises from Mercy. When Rio let the tip enter her cunt, Mercy became very still. "Relax, Babe," Rio urged her gently. "It will make it less uncomfortable." Rio avoided using the word pain. "Deep breaths, Babe," Rio soothed her. "Think about how much pleasure you feel when I shove this cock up your ass. It will be the same way with your cunt, but better." I could tell Mercy was really trying and that was the problem; she was trying too hard. Rio had an answer for that though. "I've got a better idea," Rio grinned wickedly. She pulled out of Mercy and waggled her phallus at her mate. "I'm not going to do all the damn work, you perverted minx. Hike up those legs and spread them wide, none of this folding at the knees crap. I'm going to mount you like John Smith ambushed Pocahontas, leaving you stupefied and wondering who the fuck just hammered you through the New World." "I'm going to fuck you harder than the Pilgrims screwed over the Wampanoag, you are going to ride my cock 'til dawn." I image the rest of us clearly showed our amazement that Rio knew so much, well, of anything, much less American History. "What the fuck?" Rio took in our gawking. "I read, things, occasionally. Don't look so shocked." "Iona," Rio added, as she went back to looking down on her woman, "get my camera phone. I want to record this moment for posterity." "Zane?" Iona whispered to me. She didn't want to put either Rio or Mercy at risk of exposure. "Its fine," I petted her shoulder. "You can make sure the file is secure." "I'm okay with it," Mercy assured Iona. "I trust Rio." "Be quiet, Pumpkin," Rio sneered. "This is going up on YouTube fifteen minutes after we are done. I'm going to title it: Lush Virgin Innocent plundered by Psycho Mistress." I groaned as Iona slipped off the bed to get the phone. "What; not descriptive enough?" "Plunder me! Plunder me!" Mercy meeped. Rio slapped both of Mercy's nipples. "Hush, you," Rio glared at Mercy. "The only thing I want coming out of that mouth had better be your tongue in my cunt." Iona walked up and handed the phone to Rio. "You keep it, Iona," Rio told her. "You'll get a girl's point of view. With Zane, it will be nothing but tits and ass." We both knew that wouldn't be the case, most likely wouldn't be the case. Iona returned to my side but was sitting up on her knees. She looked at the image in the phone and edged forward. I moved in behind her so that my stomach was against her buttocks. I remained reclining. Iona reached out and took Mercy's hand once more. "I'm ready," Iona said softly. Mercy paled, biting her lip over her dual anxieties. Rio had let slip a serious yet compassionate facial expression which reaffirmed that her Mistress was about to take her. The other was the originally unlooked for trait of Mercy the Exhibitionist. Oh, it terrified her that her sexuality would be discovered, but that thrill only made her actions that much more vibrant and alive. Rio positioned her fake phallus at the gateway to Mercy's virginity again. She leaned over Mercy, her arms resting on her fists to either side of Mercy's breasts, but her lady was taller and Rio couldn't quite span the gap between their faces. "Get up here and kiss me, Mercy," Rio said, choked with emotion. "Kiss me one more time as my fuck toy. Next time we kiss, you'll be my girlfriend." Mercy used her right elbow to prop herself up until her lips met with Rio's. "Are you going to own me, use me, and protect me forever and ever?" Mercy pleaded. "Baby-cakes, I own you for all time, I am never going to become tired of using you, and if anyone except me lays a finger on you, I'll wipe out their whole fucking family," Rio recited her twisted version of a marital vow with the tenderness of a child addressing a kitten. "Thank you for choosing me," Mercy fought back tears. The kiss she gave Rio was long, passionate, and steeped in familiarity. Mercy was still enraptured with the declaration and kiss when Rio pushed forward. Mercy's hymen tore, completing her evolution from the blindly obedient school girl that had come to my room as one of the Chancellor's enforcers so few weeks ago into the woman who dared to experiment with her deepest erotic desires. Mercy's eyes welled up with tears due to the pain. She trembled and her lips quivered. Rio didn't relent despite her lover's pain. She drove the dildo in relentlessly to the hilt. She ground the strap-on's base against Mercy's clit, withdrew a half inch, then slammed down hard. At the same time, she moved her left hand around to the back of Mercy's head, grabbed a handful of hair and forced Mercy into another kiss. "What are you, my little Orgasmic Bombshell?" Rio demanded. "I'm your girlfriend," Mercy sobbed through the renewing pain. "You don't sound very convinced," Rio insisted. "Am I going to have to put a ring on that clit?" she bumped Mercy's clit again, causing Mercy to gulp and whimper. "Not enough to teach your confused, simple mind who the boss is? Nipple rings it is, then," Rio taunted with all apparent seriousness. "You still don't get it?" Mercy shook her head, tears starting to seep down her cheeks as Rio kept fucking her. "Nose ring?" That suggestion seemed to scare the girl, probably because hiding such a piercing would be difficult. "Oh, sigh," Rio exaggerated. "I guess nothing but putting a ring on that finger will beat the point home." Mercy's eyes grew wide and her mouth gaped open. "Of course, that makes me your husband and Master, none of this wife-shit for me. You'll have to do double duty as wife and sexual gratification machine, available for sex on demand." "Okay," Mercy wept joyously. "I am so annoyed with you right now, Annoyer." Annoy equals love; that pretty much symbolized those two. "Mercy, if you fail me this time, I'm going to clone fifty of me and fuck you until you explode," Rio threated. Damn, Rio was so often unhinged from reality and common sense. I figured the only reason Mercy didn't rebel right then and there was that she knew Rio couldn't really clone herself. Otherwise, death by multiple orgasm was exactly how Mercy would chose to exit her mortal coil, and Rio knew it. She also knew she was hammering Mercy into another orgasm quickly. "Christ-fuck-shit-hell!" Mercy screamed. Her legs vibrated then fell to either side of Rio. She wept, screamed, and convulsed on the bed but her Mistress held her firm by the hips and head. When Mercy finally collapsed, boneless from the exertion, Rio gently withdrew her cock from Mercy's cunt and settled on Mercy's right side, studying her intently. Mercy's chest rose in ragged pulses for over a minute. Her first act was to release Iona's hand and carefully place it on her labia, dabbed it gently, then drew the results up to her face. Vaginal fluid mixed with a trace of blood was what she saw. Mercy's smile returned then. She rolled facing Rio and curled submissively into Rio's body, her head resting between Rio's breasts. The four of us were quiet for some time. It was Mercy who broke the silence. "I'm okay," she murmured into Rio's chest. It took Rio nearly half a minute to respond. "You talk too much," Rio whispered to Mercy as she stroked her hair. "I think you can find something better to do with that mouth, so get to it." Mercy began suckling. "Good girl." By FinalStand for Literotica.

Flight reductions across the country continue for the second day in a row as the government shutdown drags on. Los Angeles City Council will take up a proposal to overhaul rate hikes for rent-controlled units in the city, potentially increases at 3%. One man’s quest to turn the city of Venice into a board game. Plus, more. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!Support the show: https://laist.com

Earlier this week, we broke down some of the major line items in the $1.5 billion transit bill. However, we did not answer whether or not CTA and Metra fares were still planned to go up, given that the Regional Transportation Authority officials announced weeks ago that the expected 10% fare hikes were not contingent upon the final bill. We ask Block Club Chicago's Manny Ramos and Quinn Myers what we should expect at the farebox. Plus, the city wants to buy the downtown bus terminal, librarians denounce budget cuts, and the baby Bulls keep winning!  Good news: Deeply Rooted Dance Theater Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter.  Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 If you enjoyed today's interview with Composer Steve Hackman, learn more here. Learn more about the sponsors of this Nov. 7 episode:  The Newberry Chicago Loop Alliance Deborah's Place Chicago Board of Election Commissioners Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE

This week on the Casual Space Podcast, I'm joined by my friend, adventurer, and all-around visionary Jessica DeAngelo — founder of Hike to Become®, author of the international bestseller The Wild Advantage, and the leader behind a movement that encourages us to step outside (literally) to find the clarity, creativity, and calm we keep trying to chase indoors. Jessica works with leaders from companies like Amazon, Nike, and Uber to help them break out of the boardroom mindset and reconnect with the part of themselves that already knows the answer. Her 31-day outdoor awareness challenge and executive nature-based retreats have helped hundreds of professionals solve complex problems, unlock breakthrough ideas, and return to their work with purpose (and joy!). In our conversation, we talk about: Why your brain actually works better outdoors (and what the science says about it) How movement, nature, and curiosity come together to unlock new thinking The surprising truth behind burnout — and why "working harder" is the opposite of the solution What happens when you finally make space to hear your own ideas again The magic that comes from small steps (or walks) taken consistently This isn't just a conversation about hiking. It's about learning to reclaim the part of ourselves that thrives in wonder, exploration, and stillness — whether that's on a trail, in your neighborhood, or simply stepping away from the demands that never seem to end. As someone who has hiked with Jessica, learned from her, and taken the Hike to Become challenge myself, I can tell you this: The shift is real. And powerful. You don't have to summit a mountain to rediscover your clarity — you just need to be willing to step outside and listen.  Jessica DeAngelo Founder & Chief Hiking Officer of Hike to Become® TEDx Speaker Executive Retreat Leader & Strategy Facilitator Author of The Wild Advantage: Why Your Brain on Nature Is Your Boldest Business Move Lover of wide open skies, big ideas, and good snacks She lives in Boise with her husband and two spirited kiddos who remind her that adventure is always within reach — especially when you're holding a granola bar.   Where to find with Jessica  Website: www.jessicadeangelo.com  LinkedIn: https://www.linkedin.com/in/jessica-deangelo-mba/  Instagram: @hiketobecome   If today's conversation inspires you to get outside — even just for five minutes — then you're already on your way.   Let's go find what's waiting for you out there.

In today's Tech3 from Moneycontrol, Groww's blockbuster IPO wraps up with 18x subscription, while Pine Labs sees a 13% subscription steady Day 1. It's raining hikes at GCCs and ER&D firms as deep tech talent drives 30–40% pay jumps. RuPay chips away at Visa and Mastercard's market share with UPI-linked credit cards. And PhysicsWallah's Prateek Maheshwari tells us why the edtech's Rs 3,480-crore IPO is all about confidence, not cashing out.

Welcome to the Find Your Fierce Podcast, where you will discover your fierce, unlock an unstoppable mindset, build unbreakable courage, and completely transform how you show up every single day. I'm your host, Jill Allen, and I'm so glad you're joining me today. In this real and unfiltered episode of Find Your Fierce, we're diving into what it truly means to lead — not from pressure, performance, or panic, but from peace, presence, and purpose. Because let's be honest… sometimes success looks amazing on the outside but feels heavy or hollow on the inside. You're doing "all the right things," but it's still draining. I've been there. This episode is all about shifting out of that constant push and learning to lead from a place that feels grounded, calm, and aligned — where your impact grows, but your burnout doesn't. Here's a glimpse at what we dive into: 1:06 — What leadership looks like when you stop letting success drain you. 2:16 — Why leadership rooted in clarity and intentionality, not pressure, creates trust, growth, and lasting impact. 3:06 — Why chasing momentum leads to burnout, and how meaning creates real growth. 5:40 — Let's ditch the performance trap and build leadership rooted in trust and intention. 7:02 — The shift from "proving" to being present — that's where authentic leadership starts. 8:50 — Why leading with belief and growth builds loyalty, while fear only gets compliance. 10:40 — It's not about chasing top performers — it's about helping everyone rise. 11:11 — How true leaders empower others through support, not control. So if you've been feeling the weight of "doing it all," take a breath. Tune in. Let's redefine leadership together — from the inside out. Key Takeaway: You don't have to hustle from burnout to be effective. True leadership flows from inner rest, alignment, and grounded confidence, not anxiety, adrenaline, or the need to prove yourself. Rest isn't laziness; it's a posture of clarity and strength-Jill Allen Leadership isn't about chasing the top 2%. It's about developing the 98%, slowing down to see potential others overlook, creating safety, and walking with people until they're ready to run.-Jill Allen Check out my favorite health must-haves HERE! I finally found a way to lose belly bloat, boost my energy, sharpen focus, and break free from the hormonal roller coaster — all by tackling the real root cause: inflammation! Gold, Rush, and Ignite have been total game-changers for me. Use my code FITANDFIERCE and start feeling amazing!  If you're looking for a boost and some extra support from women who truly understand the busy life, join Fit & Fierce! Become unstoppable with us and enjoy access to over 500 on-demand 20-minute workouts that you can easily fit into your day from the comfort of home. Special offer: Design Your Next Getaway or Private Custom Retreat! Looking to plan your next epic adventure or your very own private getaway or custom retreat? Let's make it happen! NEW Gift Alert: Get Instant Access to SET FIRE NOW Grab your copy of SET FIRE: Stories and Devotions For Women Who Desire A Life On Fire For Jesus Connect with me on: Website:https://jillallencoaching.com/ Facebook: Jill Allen Instagram: @‌jillallen & @‌fit_andfierce Hike.Live.Explore on Instagram: @‌hike.live.explore MAKE SURE YOU SHARE, RATE THE EPISODE 5 STARS & LEAVE A REVIEW!  

Emma Gatewood was embarrassed. Her first attempt at solo hiking the Appalachian Trail had been a disaster. But she was nothing if not determined. So, Emma tried again. On her second attempt, the 67-year-old grandmother was better prepared. Although the trail proved challenging, she kept going. Soon, the media took notice. If she completed the 2,000+ mile hike, Emma Gatewood (aka Grandma Gatewood) would become the first woman to solo thru-hike the Appalachian Trail. Remember, kids, history hoes always cite their sources! For this episode, Norm pulled from: Brown, Andrew. “Skyline Trail from Maine to Georgia.” National Geographic, August 1949. Huston, Peter, dir. Trail Magic: The Grandma Gatewood Story. 2015. https://vimeo.com/ondemand/237744. Montgomery, Ben. Grandma Gatewood's Walk: The Inspiring Story of the Woman Who Saved the Appalachian Trail. Chicago Review Press, 2016. New York Times. “Overlooked No More: Emma Gatewood, First Woman to Conquer the Appalachian Trail Alone.” October 7, 2021. https://archive.is/kp2au. Are you enjoying An Old Timey Podcast? Then please leave us a 5-star rating and review wherever you listen to podcasts! Are you *really* enjoying An Old Timey Podcast? Well, calm down, history ho! You can get more of us on Patreon at patreon.com/oldtimeypodcast. At the $5 level, you'll get a monthly bonus episode (with video!), access to our 90's style chat room, plus the entire back catalog of bonus episodes from Kristin's previous podcast, Let's Go To Court.

On this week's podcast, Bob talks with Dr. Rob Scanlon, the author of "Surviving the Trail- Five Essential Skills to Prepare Every Hiker for Adventure's Most Common Perils" from Falcon Guides. They discuss the common things people do, or don't do, or don't know how to do that gets hikers in trouble, and how to have a trouble free hike. It's a fun and lively conversation about how to have a non-newsworthy hike. Bob's review of the book in the Pikes Peak Bulletin: https://tinyurl.com/mtcm6srt Dr. Rob Scanlons book at Falcon Guides: https://tinyurl.com/4ukp5sxc Please consider becoming a patron of this podcast! Visit: https://www.patreon.com/hikingbob for more information Hiking Bob website: https://www.HikingBob.com Wild Westendorf website: https://wildwestendorf.com/ Where to listen, download and subscribe to this podcast: https://pod.link/outdoorswithhikingbob

In today's episode WJ and KJ, deliver another entertaining and creepy episode. KJ covers the eerie legend of James Dean's Porsche known as the Little Bastern. Bill covers a tale of a terrifying night hike in the Olympic National Forest. And some great listener mail. Please join us! Thank you for listening! www.bigfootterrorinthewoods.com Produced by: "Bigfoot Terror in the Woods L.L.C."

Today's sponsor: betterhelp.com/aitapod 10% off online therapy!Happy mon mon hun huns!!! Enjoy this ep with the delightful Mia Katz. Follow her and her DREAMS here :Dhttps://www.instagram.com/thebluecarebear/(00:00) - Banter(15:06) - AITA for shutting down my brother's proposal at my baby shower and sending him a bill?(25:05) - AITA for telling my friend her free wedding is unrealistic?(41:16) - AITA for asking my GF to dress more sensibly on a walk?BEST way to Submit a sitch or comment: https://www.reddit.com/r/AITApod/Email - amitheahole@gmail.com Join Patreon! https://patreon.com/aitapodWhat's on Patreon?- 250+ Bonus eps- NO ADS and accurate timestamps- Complain and comment DIRECTLY to Danny :D TikTok - https://www.tiktok.com/@aitapodInstagram - https://www.instagram.com/aita_pod/

Dusty and Mike go over tips and tricks for Fall hiking and camping and discuss their favorite hiking trails for the Fall.For more of our episodes on hikes in this and other National Parks, click here. To browse through our entire Library of hiking trail episodes, Trail Mix episodes, interviews, and more, visit our Episode Finder.Instagram: @GazeAtTheNationalParksFacebook: Gaze at the National Parks#gazeatthenationalparks#hikeearlyhikeoften#adventureisoutthereHosted by Dustin Ballard and Michael RyanEpisode Editing by Dustin Ballard and Michael RyanOriginal Artwork by Michael RyanOriginal Music by Dave Seamon and Mariella KlingerMusic Producer: Skyler FortgangCheck out Aeropress and use my code GAZE for a great deal: https://aeropress.com. And go to MoonTravelGuides.com to get your Moon Travel Guide today! Support this podcast at — https://redcircle.com/gaze-at-the-national-parks/donationsAdvertising Inquiries: https://redcircle.com/brands

Three Big Announcements: Join Me On My First Tour, Winging It Productions & Upcoming Adventures

I recently walked the Kumano Kodo, one of Japan's oldest pilgrimage routes and a UNESCO World Heritage site. In this episode, I share stories about its history, the three sacred Kumano shrines, and the mysterious three-legged crow, Yatagarasu. Walking through its quiet mountain paths made me reflect on how journeys like this can refresh both body and mind. It truly was more than a hike.

Nvidia (NVDA) shares have been traveling in an "upward" trajectory, in a shallow wedge, says Rick Ducat. He examines the technical trends shaping up on its chart, including outpacing its 21-day exponential moving average. Nvidia begins the week with a price target hike to $350 from Loop Capital and another from Rosenblatt to $240. Later, Tom White demonstrates an example options trade for Nvidia using a cash-secured put strategy. Tom explains why it is a neutral to bullish position.======== Schwab Network ========Empowering every investor and trader, every market day.Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – / schwabnetwork Follow us on Facebook – / schwabnetwork Follow us on LinkedIn - / schwab-network

A creepy collection of stories that will give you nightmares - and that's just (in)Security corner!We've got RAM prices, Nvidia Trillions, 16GB GPUs, Soundcards, and smart fridges!  (It's a spooktacular show)Thanks to Notion and their new Agent for sponsoring the show today!  Timestamps:00:00 Preroll00:05 Intro00:58 Patreon02:27 Food with Josh04:36 NVIDIA is now a FIVE trillion dollar company15:02 DGX Spark real-world performance17:43 Turning Wi-Fi into dialup20:30 Creative crowdsources the latest Sound Blaster27:22 A shunt mod brings mobile RTX 4090 to RTX 5090 level29:52 Clippy is back, sort of31:59 Memory price hikes, SK hynix sold out through next year?34:33 Samsung smart fridge update adds ads39:06 Podcast sponsor Notion Agent40:33 (In)Security Corner50:09 Gaming Quick Hits1:02:54 Picks of the Week1:14:10 Outro ★ Support this podcast on Patreon ★

This weeks edition of the Voice of San Diego Podcast has some big decisions being made in the city of San Diego. The San Diego City Council approves a water rate hike for two years instead of four. How does that affect you? The county supervisors are trying to balance the budget behind closed doors. Jakob details the approval of safe parking by San Diego Unified and what it means for the future. Plus, La Jolla scores a big win against the city of San Diego. See omnystudio.com/listener for privacy information.

Lisa Laidlow came to the trail when she became an empty-nester. She had always been an outdoor girl–often along with her father–yet it was only fairly recently that she returned to hiking and discovered the idea of a thru-hike. As a black woman on the trail, she was embraced by hikers, though had a few uncomfortable encounters along the way. Despite these rare occasions, Lisa is a strong advocate of getting people of whatever color into the woods and on trails. You can follow Lisa on various social media platforms; on Facebook at Breathe:AdventuresoftheSoul | Baltimore MD , on Instagram at Lisa Laidlow (@breathe_adventuresofthesoul) , and on her YouTube channel at Breathe:Adventures of The Soul(HighViz) . Also this week, Bobby Campbell, or Sloggy, shared his knowledge of the International Appalachian Trail (IAT). Bobby has done the Maine section of this vast, transcontinental trail and share his experience both here and on his YouTube channel at Hiking the Maine section of the International Appalachian Trail . I used my hike last year on the South West Coast Path in the UK to help raise money for my absolute favorite charity, Parenting Matters, on whose board I've been privileged to serve for over a decade. You can learn more about the hike and the organization–and donate–by visiting Hike with Steve - Empowering Parents, One Step at a Time | Parenting Matters %. I hope you want to support this critical mission. Don't forget. Our entire series of videos from our Woods Hole Weekend in 2022 is now FREE and available at my YouTube page at Woods Hole Weekend - Trailer There, you'll find all sorts of tips and tricks that our guests took away from the weekend that helped them with their own hikes this year. Check it out. I often ask listeners for ideas on who to interview, and I'm sure several of you say, "I could do that. I've got an awesome story to tell." You're the person we need to hear from. If you'd like to be interviewed on the podcast, just register as a guest on the link below, and I'll be in touch. Come on the show! If you like what we're doing on the Hiking Radio Network, and want to see our shows continue, please consider supporting us with either a one-off or monthly donation. You'll find the donate button on each Hiking Radio Network page at Hiking Radio Network . Additionally, you can join our membership at Steve (Mighty Blue) Adams. It's worth checking out what is on offer for you there. If you prefer NOT to use PayPal, you can now support us via check by mailing it to Mighty Blue Publishing, 3821 Milflores Drive, Sun City Center, FL 33573. Any support is gratefully received. Additionally, you can "Zelle" me a donation to steve@hikingradionetwork.com. Or "Venmo" me at @‌Steve-Adams-105. They both work! If you'd like to take advantage of my book offer (all three of my printed hiking books–with a personal message and signed by me–for $31, including postage to the United States) send a check payable to Mighty Blue Publishing at the address just above.