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Recorded 6th August 2024visit: http://beautyofreallove.com/visit: https://sadhumaharaja.net/audio: https://tinyurl.com/BeautyOfRealLove#raganugabhakti #bhaktiyoga #radha
Recorded 24th July 2024visit: http://beautyofreallove.com/visit: https://sadhumaharaja.net/audio: https://tinyurl.com/BeautyOfRealLove#raganugabhakti #bhaktiyoga #radha
Recorded 28th February 2025All Lectures: https://tinyurl.com/VPAD2025MungerMandirvisit: http://beautyofreallove.com/visit: https://sadhumaharaja.net/audio: https://tinyurl.com/BeautyOfRealLove#raganugabhakti #bhaktiyoga #radha #harekrishna #gaudiya_math #gaudiya #hinduism #radhakrishna
In this episode, Michelle interviews Tamara Ambroz, a Medical Intuitive, Psychic Medium, and Clinical Herbalist. Tamara is the owner of Enchanted Herb Shop in Galena, IL, where she offers spiritual and medical mediumship to help others connect with loved ones and spirit guides for deeper understanding and empowered transformation. Tamara shares her journey of alchemizing trauma into powerful healing through deep reverence for Spirit and intuitive action. We dive into her connection with her spirit guides, how she embraced her medical intuition, and her expertise with herbs and natural remedies. This casual and inspiring conversation is full of wisdom, warmth, and practical insights that will leave you feeling both grounded and uplifted!
Recorded 4th February 2024 visit: http://beautyofreallove.com/ visit: https://sadhumaharaja.net/ audio: https://tinyurl.com/BeautyOfRealLove #raganugabhakti #bhaktiyoga #radha
Recorded 24th December 2023 visit: http://beautyofreallove.com/ visit: https://sadhumaharaja.net/ audio: https://tinyurl.com/BeautyOfRealLove #raganugabhakti #bhaktiyoga #radha
Through devotional service one can easily please Lord Kṛṣṇa with a leaf of the tulasī plant and a little water. As the Lord says in the Bhagavad-gītā (9.26), a leaf, a flower, a fruit or some water (patraṁ puṣpaṁ phalaṁ toyam), when offered with devotion, very much pleases Him. He universally accepts the services of His devotees. Even the poorest of devotees in any part of the world can secure a small flower, fruit or leaf and a little water, and if these offerings, and especially tulasī leaves and Ganges water, are offered to Kṛṣṇa with devotion, He is very satisfied. It is said that Kṛṣṇa is so much pleased by such devotional service that He offers Himself to His devotee in exchange for it. (CC Ādi 3.107 : https://vedabase.io/en/library/cc/adi/3/107/
Recorded 30th September 2023 Vilapa Kusumanjali 48 | Croatia Zoom visit: http://beautyofreallove.com/ visit: https://sadhumaharaja.net/ audio: https://tinyurl.com/BeautyOfRealLove #raganugabhakti #bhaktiyoga #radha
Recorded 4th February 2023 visit: http://beautyofreallove.com/ visit: https://sadhumaharaja.net/ audio: https://tinyurl.com/BeautyOfRealLove #raganugabhakti #bhaktiyoga #radha
Desde entonces, Valmiki despertó antes del amanecer, adoró diariamente la planta sagrada de Tulasi 9 y repitió constantemente la palabra Rama, con los ojos humedecidos de lágrimas, recordando con determinación la instrucción de su maestro espiritual. Convirtió su choza en un sencillo templo (ashram), 10 sus hijos se volvieron sus primeros discípulos y toda su familia se purificó. Gradualmente, muchos ascetas, tanto hombres, como mujeres, vivieron pacíficamente en los predios de su ashram --- Send in a voice message: https://podcasters.spotify.com/pod/show/ananta-rupa-das/message
श्री रामचरित मानस भाग – 108 - भजन व रामायण की महिमा व फलश्रुति | आरती | उत्तरकाण्ड | In this podcast episode, we will explore the significance of Bhajan and the greatness of the Ramayana? What is the spiritual importance of Ramayan, and what makes the Ramayana a revered epic? Tulsi Das ji, with examples, will elaborate on how dear Lord Rama is to him? पॉडकास्ट के इस अंक में हम सुनेंगे कि भजन का महात्मय क्या है ? रामायण का महात्मय क्या है ? और किन उदहारण के साथ तुलसीदास जी बताते हैं की उन्हें श्री राम कितने प्रिय हैं ? Embark on a Divine Journey with Ramcharitmanas: Uttarakand Unveiled In this episode, we delve into the enchanting verses of Uttarakand, the final chapter of Tulsidas' masterpiece, Ramcharitmanas. Join us on a spiritual odyssey as we navigate through the trials and triumphs of Lord Rama, Sita, Lakshmana, and Hanuman. Discover the culmination of the epic saga, filled with profound lessons, divine revelations, and unwavering devotion. Uttarakand unfolds the aftermath of Sita's Agni Pariksha, Lord Rama's triumphant return to Ayodhya, and the poignant reunion of the divine couple. As we explore Tulsidas' poetic brilliance, we reflect on the timeless wisdom embedded in the narrative—lessons of dharma, righteousness, and the unwavering devotion that defines the Ramayana. Tune in as we bring the sacred verses of Uttarakand to life, offering insights into the divine tapestry woven by Tulsidas, and revealing the eternal truths that continue to resonate through the ages. Join us on this spiritual expedition through Ramcharitmanas, where every word carries the essence of devotion and every verse echoes with the divinity of Lord Rama. Embark on a soul-enriching journey with me, Ashish P Mishra, as I bring you the sacred verses of Shri Ramcharit Manas on my podcast, "Sanatan Sanskriti."
श्री रामचरित मानस भाग – 107 - सुख,दुःख,पाप,पुण्य,संत,असंत और मनोरोग के लक्षण और कारण | उत्तरकाण्ड | In this episode of the podcast, we will explore how Kak Bhushundi Ji and Garuda Ji discuss devotion and knowledge in response to the questions posed by each other. Towards the end, who poses questions to Garuda Ji? What does Kak Bhushundi Ji reveal to Garuda Ji about Lord Garuda's mental illness? And how does Garuda Ji become satisfied and proceed to the divine realm of Vaikuntha? पॉडकास्ट के इस अंक में हम सुनेंगे किस तरह काक भुशुण्डी जी गरुड़ जी के प्रश्न के उत्तर में भक्ति और ज्ञान के विषय में समझा कर बताते हैं ? गरुड़ ही अंत में कौन से साल प्रश्न करते हैं? काक भुशुण्डी जी गौर्द जी को मनोरोग के कारण के उत्तर में क्या बताते हैं? और कैसे गरुड़ जी संतुष्ट हो कर बैकुंठ लोक चले जाते हैं? Embark on a Divine Journey with Ramcharitmanas: Uttarakand Unveiled In this episode, we delve into the enchanting verses of Uttarakand, the final chapter of Tulsidas' masterpiece, Ramcharitmanas. Join us on a spiritual odyssey as we navigate through the trials and triumphs of Lord Rama, Sita, Lakshmana, and Hanuman. Discover the culmination of the epic saga, filled with profound lessons, divine revelations, and unwavering devotion. Uttarakand unfolds the aftermath of Sita's Agni Pariksha, Lord Rama's triumphant return to Ayodhya, and the poignant reunion of the divine couple. As we explore Tulsidas' poetic brilliance, we reflect on the timeless wisdom embedded in the narrative—lessons of dharma, righteousness, and the unwavering devotion that defines the Ramayana. Tune in as we bring the sacred verses of Uttarakand to life, offering insights into the divine tapestry woven by Tulsidas, and revealing the eternal truths that continue to resonate through the ages. Join us on this spiritual expedition through Ramcharitmanas, where every word carries the essence of devotion and every verse echoes with the divinity of Lord Rama. Embark on a soul-enriching journey with me, Ashish P Mishra, as I bring you the sacred verses of Shri Ramcharit Manas on my podcast, "Sanatan Sanskriti."
La sessió anirà a càrrec de Tulasi Teatre i es farà dissabte, a les 11.30 hores, a la sala infantil de la biblioteca.
श्री रामचरित मानस भाग – 106 -काक भुशुण्डी द्वारा गुरु का अपमान ,श्राप, व रुद्राष्टक वंदना | उत्तरकाण्ड | In this episode of the podcast, we will delve into the narrative of how Lord Kak Bhushundi, in his previous birth, betrays his guru and incurs a curse. We will explore the way in which Guruji expresses devotion to Lord Shiva and recites the Rudrashtakam to seek the Lord's favor. Discover how Lord Shiva, moved by Guruji's humility, blesses Kak Bhushundi with the ability to retain knowledge across multiple lifetimes, ensuring that he never forgets the wisdom bestowed upon him. पॉडकास्ट के इस अंक में हम सुनेंगे कि किस तरह काक भुशुण्डी जी अपने पूर्व जन्म में अपने गुरु से द्रोह करते हैं और उन्हें श्राप मिलता है ? हम जानेंगे किस तरह गुरु जी शिव जी की स्तुति करते हैं? किस तरह रुद्राष्टक गा कर शिव जी को प्रसन्ना करते हैं? हम जानेंगे किस तरह शिव जी गुरु जी की विनती मान कर काग भुशुण्डी जी को अनेक जन्म लेने पर ज्ञान न भुलने का आशीर्वाद देते हैं ? Embark on a Divine Journey with Ramcharitmanas: Uttarakand Unveiled In this episode, we delve into the enchanting verses of Uttarakand, the final chapter of Tulsidas' masterpiece, Ramcharitmanas. Join us on a spiritual odyssey as we navigate through the trials and triumphs of Lord Rama, Sita, Lakshmana, and Hanuman. Discover the culmination of the epic saga, filled with profound lessons, divine revelations, and unwavering devotion. Uttarakand unfolds the aftermath of Sita's Agni Pariksha, Lord Rama's triumphant return to Ayodhya, and the poignant reunion of the divine couple. As we explore Tulsidas' poetic brilliance, we reflect on the timeless wisdom embedded in the narrative—lessons of dharma, righteousness, and the unwavering devotion that defines the Ramayana. Tune in as we bring the sacred verses of Uttarakand to life, offering insights into the divine tapestry woven by Tulsidas, and revealing the eternal truths that continue to resonate through the ages. Join us on this spiritual expedition through Ramcharitmanas, where every word carries the essence of devotion and every verse echoes with the divinity of Lord Rama. Embark on a soul-enriching journey with me, Ashish P Mishra, as I bring you the sacred verses of Shri Ramcharit Manas on my podcast, "Sanatan Sanskriti."
श्री रामचरित मानस भाग – 105 | काक भुशुण्डी द्वारा कलयुग में समाज का वर्णन |उत्तरकाण्ड | In this podcast episode, we will listen to Kak Bhushundi Ji Garud sharing insights about the impact of Kalyug in his previous birth and discussing societal behavior. पॉडकास्ट के इस अंक में हम सुनेंगे काक भुशुण्डी जी गरुड़ को अपने पूर्व जन्मा में कलयुग का प्रभाव और समाज के आचरण के विषय में क्या बताते हैं ? Embark on a Divine Journey with Ramcharitmanas: Uttarakand Unveiled In this episode, we delve into the enchanting verses of Uttarakand, the final chapter of Tulsidas' masterpiece, Ramcharitmanas. Join us on a spiritual odyssey as we navigate through the trials and triumphs of Lord Rama, Sita, Lakshmana, and Hanuman. Discover the culmination of the epic saga, filled with profound lessons, divine revelations, and unwavering devotion. Uttarakand unfolds the aftermath of Sita's Agni Pariksha, Lord Rama's triumphant return to Ayodhya, and the poignant reunion of the divine couple. As we explore Tulsidas' poetic brilliance, we reflect on the timeless wisdom embedded in the narrative—lessons of dharma, righteousness, and the unwavering devotion that defines the Ramayana. Tune in as we bring the sacred verses of Uttarakand to life, offering insights into the divine tapestry woven by Tulsidas, and revealing the eternal truths that continue to resonate through the ages. Join us on this spiritual expedition through Ramcharitmanas, where every word carries the essence of devotion and every verse echoes with the divinity of Lord Rama. Embark on a soul-enriching journey with me, Ashish P Mishra, as I bring you the sacred verses of Shri Ramcharit Manas on my podcast, "Sanatan Sanskriti."
श्री रामचरित मानस भाग – 104 | काक भुशुण्डी को श्रीराम द्वारा भक्ति का वरदान |उत्तरकाण्ड | In this podcast episode, we will explore how Lord Shri Ram imparts the gift of devotion through teachings on Devotion and Bhajan to his devotee Kak Bhushundi. पॉडकास्ट के इस अंक में हम सुनेंगे की किस तरह भगवान् श्री राम काक भुशुण्डी को भक्ति और भजन का उपदेश कर के भक्ति का वरदान देते हैं ? Embark on a Divine Journey with Ramcharitmanas: Uttarakand Unveiled In this episode, we delve into the enchanting verses of Uttarakand, the final chapter of Tulsidas' masterpiece, Ramcharitmanas. Join us on a spiritual odyssey as we navigate through the trials and triumphs of Lord Rama, Sita, Lakshmana, and Hanuman. Discover the culmination of the epic saga, filled with profound lessons, divine revelations, and unwavering devotion. Uttarakand unfolds the aftermath of Sita's Agni Pariksha, Lord Rama's triumphant return to Ayodhya, and the poignant reunion of the divine couple. As we explore Tulsidas' poetic brilliance, we reflect on the timeless wisdom embedded in the narrative—lessons of dharma, righteousness, and the unwavering devotion that defines the Ramayana. Tune in as we bring the sacred verses of Uttarakand to life, offering insights into the divine tapestry woven by Tulsidas, and revealing the eternal truths that continue to resonate through the ages. Join us on this spiritual expedition through Ramcharitmanas, where every word carries the essence of devotion and every verse echoes with the divinity of Lord Rama. Embark on a soul-enriching journey with me, Ashish P Mishra, as I bring you the sacred verses of Shri Ramcharit Manas on my podcast, "Sanatan Sanskriti."
Tulasi Srinivas' edited volume Wonder in South Asia: Histories, Aesthetics, Ethics (SUNY Press, 2023) brings together historians and ethnographers of South Asia, including leading and emerging scholars, to consider the place and meaning of wonder in such varied joyful, tense, and creative sites and moments as Sufi music performances in Gujarat, Tamil graveyard processions, trans women's charitable practices, Kipling's Orientalist tales, village Kuchipudi dance performances, and Rajasthani healing shrines. Offering a synthetic and scholarly reading of wonder that speaks to the political, aesthetic, and ethical worlds of South Asia, these essays redefine the nature and meaning of wonder and its worlds. Taken together, they provide an invaluable research tool for those in the fields of Asian religion, religion in context, and South Asian religions in particular. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Tulasi Srinivas' edited volume Wonder in South Asia: Histories, Aesthetics, Ethics (SUNY Press, 2023) brings together historians and ethnographers of South Asia, including leading and emerging scholars, to consider the place and meaning of wonder in such varied joyful, tense, and creative sites and moments as Sufi music performances in Gujarat, Tamil graveyard processions, trans women's charitable practices, Kipling's Orientalist tales, village Kuchipudi dance performances, and Rajasthani healing shrines. Offering a synthetic and scholarly reading of wonder that speaks to the political, aesthetic, and ethical worlds of South Asia, these essays redefine the nature and meaning of wonder and its worlds. Taken together, they provide an invaluable research tool for those in the fields of Asian religion, religion in context, and South Asian religions in particular. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
Tulasi Srinivas' edited volume Wonder in South Asia: Histories, Aesthetics, Ethics (SUNY Press, 2023) brings together historians and ethnographers of South Asia, including leading and emerging scholars, to consider the place and meaning of wonder in such varied joyful, tense, and creative sites and moments as Sufi music performances in Gujarat, Tamil graveyard processions, trans women's charitable practices, Kipling's Orientalist tales, village Kuchipudi dance performances, and Rajasthani healing shrines. Offering a synthetic and scholarly reading of wonder that speaks to the political, aesthetic, and ethical worlds of South Asia, these essays redefine the nature and meaning of wonder and its worlds. Taken together, they provide an invaluable research tool for those in the fields of Asian religion, religion in context, and South Asian religions in particular. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
Tulasi Srinivas' edited volume Wonder in South Asia: Histories, Aesthetics, Ethics (SUNY Press, 2023) brings together historians and ethnographers of South Asia, including leading and emerging scholars, to consider the place and meaning of wonder in such varied joyful, tense, and creative sites and moments as Sufi music performances in Gujarat, Tamil graveyard processions, trans women's charitable practices, Kipling's Orientalist tales, village Kuchipudi dance performances, and Rajasthani healing shrines. Offering a synthetic and scholarly reading of wonder that speaks to the political, aesthetic, and ethical worlds of South Asia, these essays redefine the nature and meaning of wonder and its worlds. Taken together, they provide an invaluable research tool for those in the fields of Asian religion, religion in context, and South Asian religions in particular. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Tulasi Srinivas' edited volume Wonder in South Asia: Histories, Aesthetics, Ethics (SUNY Press, 2023) brings together historians and ethnographers of South Asia, including leading and emerging scholars, to consider the place and meaning of wonder in such varied joyful, tense, and creative sites and moments as Sufi music performances in Gujarat, Tamil graveyard processions, trans women's charitable practices, Kipling's Orientalist tales, village Kuchipudi dance performances, and Rajasthani healing shrines. Offering a synthetic and scholarly reading of wonder that speaks to the political, aesthetic, and ethical worlds of South Asia, these essays redefine the nature and meaning of wonder and its worlds. Taken together, they provide an invaluable research tool for those in the fields of Asian religion, religion in context, and South Asian religions in particular. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
Tulasi Srinivas' edited volume Wonder in South Asia: Histories, Aesthetics, Ethics (SUNY Press, 2023) brings together historians and ethnographers of South Asia, including leading and emerging scholars, to consider the place and meaning of wonder in such varied joyful, tense, and creative sites and moments as Sufi music performances in Gujarat, Tamil graveyard processions, trans women's charitable practices, Kipling's Orientalist tales, village Kuchipudi dance performances, and Rajasthani healing shrines. Offering a synthetic and scholarly reading of wonder that speaks to the political, aesthetic, and ethical worlds of South Asia, these essays redefine the nature and meaning of wonder and its worlds. Taken together, they provide an invaluable research tool for those in the fields of Asian religion, religion in context, and South Asian religions in particular. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions
Tulasi Srinivas' edited volume Wonder in South Asia: Histories, Aesthetics, Ethics (SUNY Press, 2023) brings together historians and ethnographers of South Asia, including leading and emerging scholars, to consider the place and meaning of wonder in such varied joyful, tense, and creative sites and moments as Sufi music performances in Gujarat, Tamil graveyard processions, trans women's charitable practices, Kipling's Orientalist tales, village Kuchipudi dance performances, and Rajasthani healing shrines. Offering a synthetic and scholarly reading of wonder that speaks to the political, aesthetic, and ethical worlds of South Asia, these essays redefine the nature and meaning of wonder and its worlds. Taken together, they provide an invaluable research tool for those in the fields of Asian religion, religion in context, and South Asian religions in particular. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
Are your children becoming grumpy and angry very often?
In this episode, our host Anika Zubair chats with Tulasi Ryali, CSM of the Year by Customer Success Excellence about how to help your customer reach their business goals through value creation.Being a Customer Success Manager (CSM) requires great multitasking skills and adaptability. You need excellent communication skills, outstanding problem-solving abilities and a remarkable understanding of customers. So, who holds the title of the "Best CSM of the Year" and how can you join their league?Podcast enquiries: sofia@planhat.com
Tulasi Sri Saki Subhe Paapahaarini punyathe Namasthe Naradhanuthe Namo Narayana Priye. 2. Tulasi Mrutha Samboothe Sadhatvam Kesava Priye Kesavaartham lunamithvaam baratha mama Sohane. --- Send in a voice message: https://podcasters.spotify.com/pod/show/ramanispodcast/message
HG Rama Tulasi Mataji Srimad Bhagavatam 6.4.40 2023 - 05 - 23 - #331 by Various Speakers
HG Rama Tulasi Devi Dasi Mataji Srimad Bhagavatam 6.4.24 2023 - 05 - 09 - #318 by Various Speakers
HG Adiguru Das Prabhu Weekend - Difference Between Valmiki Ramayan And Tulasi 2023 - 03 - 04 - #259 by Various Speakers
Do you know the secret that turns one into Lord's favorite devotee? Naama Sankeethanam - It does the entire magic! Goswami Tulsidas performs his duty of spreading the glory of the Lord through his songs and hymns. Lord Rama played consistent role in every moment of Tulsidas's life. Listen to Veda patti narrating those interesting events.
This material world easily attracts one towards temporary happiness. Spiritual practices and honest submission towards God brings permanent happiness. Veda Paati comes up with a wonderful story to teach us this reality. Here is the story of Goswami Tulsidas.
A devotee's desire will be to serve the God in every possible way. Sri Goswami Tulsidas also had one huge wish. What was it? How did he fulfill? One thing that Tulsidas never stopped doing even at difficult times, was chanting Rama Nama. How did that help him? Hear out!
HG Rama Tulasi Dasi Mataji Srimad Bhagavatam 5.20.1 - 4 2022 - 11 - 09 - #151 by Various Speakers
HG Rama Tulasi Mataji Srimad Bhagavatam 5.18.1 - 2 Sep 15 2022 by Various Speakers
HG Rama Tulasi Mataji Srimad Bhagavatam 5.15.16 Aug 17 2022 by Various Speakers
Online lecture given at Sri Sri Kanu-Rama Mandira, Buenos Aires on March 11, 2022Q & A (Good and Bad Karma in a Devotee´s Life, Tulasi-tattva)
Does technology change local eating? In this episode, Gastronomica Editorial Collective member Krishnendu Ray and anthropologist Tulasi Srinivas consider how taste connects material, spatial, and virtual worlds. Drawing on her ethnography of "gastro apps" in Bangalore during the Covid-19 pandemic, Tulasi sheds light on how online food delivery has changed what it means to eat locally in India.Photo courtesy of the Radcliffe Institute.Heritage Radio Network is a listener supported nonprofit podcast network. Support Gastronomica by becoming a member!Gastronomica is Powered by Simplecast.
The best way to introduce this episode with Tulasi is to quote her: “We are the architects of our children's future and together we can create a community of self-confident and impactful parents and educators.” Tulasi explains what is so innovative about the Mindfultree Education she is using in her work. This new way of education ensures that everything that a child learns is exactly what the child needs to grow up and live in the 21st century. For instance skills like leadership, entrepreneurial thinking, solution orientation, communication, and more. We speak about how important it is to support children in developing their own voice and building self-esteem and self-confidence. Which led us to discuss how a family can create daily routines to create space for discussion, co-creation, and growth. As a Childhood Education Expert, Childcare Director, Parenting, kids, and Educators coach, Tulasi supports them to reach their next level and unleash their potential. Tulasi is a Childhood Education Expert, Child kids, parenting & educators coach, and founder of Mindful Tree: an innovative educational system. Aside from coaching sessions and programs, she runs workshops and Mastermind groups for parents, kids & educators, and the Mindful Tree Saturday Club for kids between 2 and 12 years. ________________________________________ LINKS TO TULASI Facebook: https://www.facebook.com/MindfultreeEducation Instagram: https://www.instagram.com/tulasiilen/ LinkedIn: https://www.linkedin.com/in/tulasiilen/ ________________________________________ LINKS MENTIONED IN THE INTERVIEW Book a Free Call with Tulasi: https://bit.ly/3FEGctZ Free 10-page book sample: https://bit.ly/3IcOpqS Bleib wie du bist / Ingrid Dlugos: https://amzn.to/3qO9odQ ________________________________________ CONNECT WITH ME Website: www.andrinatisi.com Instagram: www.instagram.com/andrinatisi/ Facebook: https://www.facebook.com/andrinatisiLIFECURATION
Govinda Dasi is one of the earliest disciples of Srila Prabhupada, joining in 1966. She was the first person in ISKCON to grow Tulasi in the western world too. Join us as she details the story of how she came to Krishna Consciousness, and also hear the different things Srila Prabhupada warned the devotees about in the future. A rare interview you shouldn't miss!
Questions0minCan you give some advice on how to develop humility in a sustainable way in keeping with one's eligibility?14minCan you say something about the five samskaras given at initiation?23minCan you explain the word adhikara and whether it relates to dharma?29minSome gaudiya vaishnava institutions are insular and not open to consider outsider perspectives. How can devotees in such groups be helped?41minIs Rama Tulasi more related to Rama-lila and Krishna Tulasi more to Krishna-lila? Could attraction to either type of Tulasi say something about one's attraction to either lila?46minThe Bhagavatam says that Lord Siva was born from Lord Brahma, but sometimes, it is said that Lord Siva is eternal whereas the Lord Brahmas are changing in every creation. Can you explain this?48minWhat is the story behind the form of Shiva called Tripurari?51minIf visrambha is the pradhana of sakhya-rasa, what could be said to be the pradhana of each of the other rasa's?
Svetlana Tulasi was born to a mixed Indian/Russian family in Moscow, Russia. She currently resides in Los Angeles, CA. Star of upcoming US full length feature film "The Xenophobes" as Captain Shriya Ballah. Education: Svetlana is professionally trained in Indian Classical Kathak Dance by her Guru Yekaterina Seliviorstova, a Russian graduate of the National Institute of Kathak Dance - Kathak Kendra (Delhi, India), where she received her training from Urmila Nagar (Jaipur Gharana of Kathak). Svetlana has completed her training in Kathak as a member and lead dancer of "Chakkar" School of Indian Classical Dance in Moscow. Russia. Svetlana holds a Bachelor of Arts degree (6-year Sangit Prabhakar) in Kathak Dance from Prayag Sangeet Samiti University of Indian Classical Music & Dance (Allahabad, India). Svetlana has received trained in acting from the "New Collective LA" studio, a Hollywood-based branch of the "Susan Batson Studio" (New York City, USA) known for coaching many celebrities for their major films, such as Nicole Kidman, Tom Cruise, Juliette Binoche, Oprah Winfrey and Lady Gaga among others. Career highlights: Svetlana's first major breakthrough was upon her appearance with an Indian Classical Dance to a Bollywood song at the Ukraine's Got Talent TV show in 2013, that has caught attention of wide audiences and eventually went viral on the internet with over 10 million views till date. Some of the other TV shows where Svetlana presented Kathak dance since then include: Russia's Got Talent, So You Think You Can Dance (Ukraine), Dance Plus (India) and many others. Svetlana is constantly touring the world with various TV show appearances, acts as a headliner for major Indian Dance festivals worldwide, conducts live dance shows and dance workshops. She also works as a dance teacher, choreographer, model and a creative lead for music and dance videos both in Kathak and Bollywood dance styles. Svetlana starred as a lead in several music videos including Zee Music Company's "Hanju - Tears of Happiness" by Vanit Bakshi and "Trilokam" by world fusion music band Indialucia. Svetlana recently appeared on the cover of the Indian Talent Magazine (October 2018), where she covers her journey as a performing artist. In 2018 Svetlana starred in a short documentary film "Why I Dance" covering her story of the real reasons why she chose to become an Indian Classical dancer. Svetlana has collaborated with various well known performing artists & dance companies in the Kathak & Bollywood dance industry, with whom she has co-lead, choreographed and performed: Kumar Sharma, Nakul Dev Mahajan, IndianRaga One of the recent highlights has been performing at the Opening ceremony of ISSF World Cup 2019 in Delhi, India together with Kumar Sharma and Kathak Rockers. Show Highlights (0:01:37) Move to LA (0:03:49) Teaching Style (0:07:18) Pros of Cons of having a Strict Teacher (0:09:00) Style vs Technique (0:12:57) The value of Explaining in Detail (0:14:58) Making corrections online (0:16:28) Balancing Friendliness and Leading Students (0:18:12) Meeting Fans in Kathak Classes (0:19:28) Encouraging Students to Practice (0:21:43) The Psychology behind practicing 5 mins a day (0:23:25) Excercises that help you get better at Kathak (0:25:18) Riyaaz Rituals (0:27:43) Training and Background (0:34:49) Kathak in Russia (0:40:03) Kathak Fusion (0:45:48) Moving from Fusion to Pure Kathak (0:48:06) Dealing with Criticism from the community (0:51:57) Process of Choreography (0:56:26) The importance of staying grounded (0:59:06) Memorable Performances: Russia's Got Talent (1:00:36) Working with Kumar Sharma (1:06:05) Impact and Legacy
“The student life was the most affected during the pandemic in India. The sudden shift to online education, travel restrictions and the loss of opportunities due to the global economic crises crumbled many dreams.” In this Podcast Priyanka and Ramya talk about how they personally navigated through the stay at home fatigue, managing to be productive and what kept them going through and through.
South Indian Classical (Carnatic) Music Archive: Classes / Lessons
Notations -> http://www.shivkumar.org/music/#i ivan yArO ariyEn {Padam} Ragam: kAmbhOji { 28th Melakartha Raga Janyam} ARO: S R2 G3 M1 P D2 S || AVA: S N2 D2 P M1 G3 R2 S || Talam: Misra Chapu Composer: Kavi Kunjara Bharathi Version: Ram Kaushik (https://www.youtube.com/watch?v=AOfjfFM1qyo) Lyrics Courtesy: Lakshman, Rasikas.org (https://www.rasikas.org/forums/viewtopic.php?t=5353) Youtube Class: https://www.youtube.com/watch?v=zv6OyFWsS2o Audio MP3 Class: http://www.shivkumar.org/music/ivanyaaro-class.mp3 Sahityam: Ivan yArO ariyEn sakhiyE yAdonrum teriyEne Meaning: Who (Ivan) is this (yArO) person, O friend (sakhiyE)! He does not look familiar (ariyEnE). I don't know anything (yAdonrum teriyEnE) about him, my friend (sakhiyE)! Sahityam: tiviloLi maNi kaustubhamum aNindu koNDu tEril EriyE singAra bhavani vArAn Meaning: He is bearing (anindu) on him (tivil) a shining (oli) kaustubha (kaushtubhamum) gem (Mani) … He comes (vArAn) in a glamorous procession (tEril EriyE) riding a chariot (singAra bhavani). Sahityam: pAdattil oru mangai pakkattil oru mangai shIttaulabam koNDa tirumArbil oru mangai Meaning: He has a maiden (oru mangai) by his foot (pAdattil) {Note: a reference to the river Ganges flowing from Vishnu's feet. Another interpretation is that this maiden is BhUdEvi ). He has another maiden (oru mangai) by his side (pakkattil) {Note: A reference to nILA devi, known as nappinnai in Thamizh VaishNavite liturgy} He has a third maiden in his chest (tirumArbil) which sports a cool tuLasi garland (shItta tulabam konDA ) {Note: Reference to Goddess Lakshmi, SriDevi, who sports in the chest of the Lord} Sahityam: EdukkAi aNindAnO ivan tAn emperumAnO sAdittu nAn sheida tava payanAi vandAnO Meaning: Why (EdukkAi) is he wearing all these (aNindAnO) ? Is he (ivan tAn) my Lord (emperumAnO)? Did he come (vandAnO) just to reward (sAdittu) my (nAn sheida) penance (tava payanAi)?
South Indian Classical (Carnatic) Music Archive: Classes / Lessons
Notations -> http://www.shivkumar.org/music/#c Cheta Sri Baalakrishnam Ragam: Dwijavanti (28th Mela Hari Kambhoji Janyam) a.k.a. Jujavanthi ARO: S R2 , G3 M1 P D2 (P) S || AVA: S N2 D2 P M1 G3 M1 R2 G2 R2 S || Talam: Rupakam (2 kalai) Composer: Muthuswami Dikshitar Version: Semmangudi Srinivasa Iyer (https://www.youtube.com/watch?v=Hhot6YD1xBU ) Details: http://guru-guha.blogspot.com/2007/11/dikshitar-kriti-chetah-sri-bala.html YouTube Class / Lesson: https://www.youtube.com/watch?v=Z9s1bN0b8v8 MP3 Class / Lesson: http://www.shivkumar.org/music/chetashree-class.mp3 Pallavi: Chetha Shree Baalakrishnam Bhajare Chinthithartha Prada Charana-Aravindam Mukundam Anupallavi: Nuthana Neerada Sadrusha Shareeram Nandakishoram Peetha Vasana Dharam Kambu Kandaram Giridharam Puthanaadi Samhaaram Purushotthama-Avathaaram Seethala Hrudaya Vihaaram Sree Rukmini Daaram Charanam Navaneetha Gandha Vaaha Vadanam Mrudu Gadanam Nalina Pathra Nayanam Vata Pathra Shayanam Nava Champaka Naasikam Athasee Suma Bhaasakam Natheendraadi Loka Paalakam Mrugamada Thilakam Navathulasee Vanamaalam Naaradaadi Munijaalam Kuvalayaadi Paripaalam Guru guha Nutha Gopaalam Meaning (from TK Govinda Rao's book) Oh Mind ("cheta")! Worship ("bhajare") the Lord Sri Balakrishna. He is Mukunda, whose lotus like ("aravindam") feet ("charana") will grant ("prada") the boons one can think of ("chintita-artha"). His body is dark ("sadrusha") as a new ("nuthana") cloud ("neeradha"), the young boy ("kishoram") of Nanda is adorned ("dharam") with yellow ("peetha") silk ("vasana"). He has a conch ("kambu") like neck ("kandaram"); he lifted ("dharam") the Govardhana hill ("giri"); destroyed ("samhaaram") Poothana and others ("aadi"); is the incarnation ("avataaram") of the Purushothama, the supreme being. He dwells ("vihaaram") in the soothing ("seethala") hearts ("hrudaya") of virtuous ones; spouse ("daaram") of Sri Rukmini. His face ("vadanam") smells ("gandha") like ("vaaha") fresh ("nava") butter ("neetha"). His speech ("gadanam") is soft ("mrudu"). He has eyes ("nayanam") like lotus ("nalina") petals ("pathra"). He rests ("shayanam") on a banyan leaf ("Vata-patra"). His nose ("naasikam") is like that of a fresh ("nava") Champaka flower. From his form emanates the fragrance ("bhaasakam") of Tulasi ("athaseesuma") and other flowers. He is worshipped ("nata") by Indra ("indraadi") and the lokapalakas. He wears Kasturi ("mrugamada") tilaka. He is adorned with garlands ("vana-maalam") of tender ("nava") tulasi ("thulasee") and other flowers. He is attended on ("jaalam") by Naarada and other ("aadi") sages ("muni"). He is the protector ("paripaalam") of the worlds ("kuvalaya-adi") and is the Gopala praised ("nutha") by Guruguha.
South Indian Classical (Carnatic) Music Archive: Classes / Lessons
Notations -> http://www.shivkumar.org/music/#p Parvai Onre Podhume Ragam: Surutti {28th mela Hari Kambodhi Janyam} ARO: S R2 M1 P N2 D2 N2 S || AVA: S N2 P M1 G3 P , M1 R2 S || Talam: Adi Composer: OotukkaaDu VenkaTasubbaiyyar Version: Chitravina Ravikiran (from www.sangeethapriya.com: http://www.sangeethapriya.org/tributes/ovk/index.html) Lyrics/Meaning Courtesy: Ravi (http://rasikas.org/forum/viewtopic.php?f=11&t=12585) Pallavi: pArvai onDRE pOdumE- Sanga paduma nidhi iranDum valiya-t tandAl enna….(kaLLa) (kaNNan) anupallavI: kArmugil pOlanna kadirena madienna karuvizhi kaDalinai saTRE tiRandu karuNai mazhai pozhinden agam kuLira….(kaLLa) caraNam: annai yaSOdai aruginilE SenRu veNNai tiruDi vanda vindai SollavO nAn annaiyin pinnE senRu aNaindukoNdE ninRu sollAdhE enRu kaNNAl solliDum….(kaLLa) Meaning: Just one (onDRE) mischievous (kaLLa) glance (pArvai) from krishNa's eyes is more than enough (pOdumE) for me. It is worth more that the celestial treasures - Sankha and padma nidhIs [1] together. So what (enna) if these two (iraNDum) fantastic treasures (nidhi) of the conch (SaMkha) and the lotus (paduma) were forcefully (valiya) thrust on/given to (tandAl) me, I would still treasure a single glance from krishNa's (kaNNan) eyes so much more. With a face (and dark curls) like (pOlanna) a dense black (kAr) cloud (mugil) and eyes that are so luminous that they make one wonder if they are the sun (kadirena) and the moon (madiena) [2] themselves, will you not open (tiRandu) those pools/ocean (kaDalinai) that are your dark (karu) eyes (vizhi) just a little bit (saTRE) and shower (pozhindu) a deluge (mazhai) of your compassion (karuNai) so that it warms (kuLira) [3] me to the depths of my (en) soul (agam)? Should I (nAn) talk about/describe (SollavO) the amazing (vindai) event when little krishNa crept up/went (SenRu) beside (aruginilE) his mother (annai) yaSOdA, and stole (tiruDi) butter (veNNai) from right under her nose and ate (uNDa) it, or should I describe the situation when krishNA, having stolen the butter, very boldly walked (SenRu) and stood (ninRu) behind (pinnE) his mother (annaiyin), embraced her (aNaindukoNDE), and pleaded with his eyes (kaNNAl SolliDum) with me to not tell (SollAdE enRu) her about it? FOOTNOTES [1] These nidhIs/celestial treasures are supposed to be acquired by pious individuals after years of penance, good works, and godly living (or by planting, nurturing and praying to a tuLasi plant). [2] Sri OVK is comparing krishNa's face, adorned by dark curls, to the cloud-laden sky illuminated by the sun as well as the moon: to his enemies he is blindingly scorching as the sun, while to his devotees he is as 'cool' as the moon (AnDAL has used a similar analogy in the tiruppAvai, when she describes krishNa's face as 'kadir madiyan pOl mug(kh)attAn'); and since Sri OVK pre-dated the trinity, probably the first to use this analogy which has been liberally used by Sri Tyagaraja. [3] 'kuLira' literally means make 'cold', but in this context, it means, to 'horripilate', or (paradoxically) 'to warm'.
South Indian Classical (Carnatic) Music Archive: Classes / Lessons
Full Notations / Meanings -> http://www.shivkumar.org/music/#t Ragam: Saveri (15th Melakartha Mayamalavagowla Janyam) https://en.wikipedia.org/wiki/Saveri ARO: S R₁ M₁ P D₁ Ṡ || AVA: Ṡ N₃ D₁ P M₁ G₃ R₁ S || Talam: Rupakam Composer: Tyagaraja Version: Semmangudi Srinivasa Iyer (https://www.youtube.com/watch?v=PmBONp6KLjY ) Youtube Class / Lesson: https://www.youtube.com/watch?v=2bs1GzFh_GU MP3 Class / Lesson: http://www.shivkumar.org/music/tulasijaga-class.mp3 Lyrics / Meaning: TK Govinda Rao / Thyagaraja Vaibhavam: http://thyagaraja-vaibhavam.blogspot.com/2007/04/thyagaraja-kriti-tulasi-jagajjanani.html More Context: https://en.wikipedia.org/wiki/Tulsi_in_Hinduism Pallavi: Tulasi Jagad Janani Duri Thaapahaarini Anupallavi: Nilavaramaghu Neesari Velpulu Lerata! Brovumikanu Charanams: Charana Yugambulu Nadulaku Parama Vaikunthamata! Sarasijaakshi Nee Madhyamu Sakala Suravaasamata! Siramuna Naigama Kotulu Velayuchun Naarata! Sarasa Tyaagaraajaadi Vara Bhaktulu Paderata! Meaning: (From TK Govinda Rao's Book) O Tulasi ! Mother (“janani”) of the world (“jagad”)! You are the Destroyer (“haarini”) of sins and sorrows (“duri-thaapa”) ! There is no equal (“sari”) to you(“nee”) in this world (“nilavaramagu”). Embodiment of calmness (“velpulu lerata”), I seek your saving grace (“brovumika”). It is said that all holy (“yugambulu”) waters (“nadulu”) finally attain the blissful paradise(“parama vaikuntamata”) of your sacred feet (“charana”) . Also that you shelter (“vaasa”) all (“sakala”) the celestials (“sura”), that you bear (“velayuchunarata”) on your head (“siramuna”) all the Vedas (“naigama kotulu”). All celebrated (“vara”) devotees (“bhaktulu”) and this Tyagaraja delight in singing (“paderata”) your praises and glory.
South Indian Classical (Carnatic) Music Archive: Classes / Lessons
Full Notation / Meanings -> http://www.shivkumar.org/music/#t Pallavi: tuLasI daLamulacE santOSamugA pUjintu Anupallavi: palumAru cirakAlamu paramAtmunipAdamulanu Charanam: sarasIruha punnAga campaka pATala kuruvaka karavIra mallikA sugandha rAja sumamula dhara nivi oka paryAyamu dharmAtmuni sAkEtapura vAsuni shrI rAmuni vara tyAgarAja nutuni Meaning: (courtesy: ): I shall at every instant (“palumAru”) and throughout my life (“cirakAlamu”) be worshipping (“pUjintu”) with joy (“santoshamuga”) the Transcendental Lord's (“paramAtmuni”) feet (“pAdamulanu”) with tender tulasi (a type of sacred basil) leaves (“dalamulacE”). I shall ever be worshipping (“pUjintu”) with joy (“santoshamuga”) the Transcendental Lord, the personification of righteousness, this Prince of Ayodhya (kingdom where Rama lived, “saketapura”), with tender tulasi (a type of sacred basil) leaves (“dalamula”). I shall garland Him with fragrant flowers like the lotus (“sarasIruha”), punnaga, campaka, jasmine (“mallikA”), and lily.
Do you ever wonder what it will be like to transition from taking the MCAT to experiencing a break in rigorous classes to a dramatic increase in rigor once entering medical school? This week's guest Tulasi, an M1 at Oakland University William Beaumont School of Medicine, describes the academic changes from undergrad to medical school, and how you can implement better productivity and time management strategies to smoothen the transition. These tips can be useful to anyone, whether it be a pre-med or business student. Check out her Med Instagram - @the_pink_note --- Send in a voice message: https://anchor.fm/lasya-marla/message