Podcasts about moulds

Mat-CAPs - das steht für "Maturity-based Corrective Adjustment Procedure", übersetzt also in etwa "Reife-basiertes Korrekturverfahren". Dabei handelt es sich um einen Vorschlag australischer Forscher, wie man Leistungen im Schwimmen durch eine statistische Prozedur im Nachhinein korrigieren kann, um potentiell fairere Vergleiche zwischen gleichaltrigen, aber biologisch/körperlich unterschiedlich reifen Sportlern ziehen zu können. Wie genau das funktoniert und ob das Wettkämpfe und andere Leistungsvergleiche im Schwimmen tatsächlich fairer macht, darüber diskutieren in dieser Folge Ilka Staub und Lukas Mundelsee. Feedback gerne an: bigpooltheory(at)dstv-schwimmtrainer.de Links zu Mat-CAPs: Website H2GROW: https://www.swimming.org.au/performance/athlete-resources/h2grow Video zu H2GROW: https://www.youtube.com/watch?v=wWsNOYmNGvY Studien, auf die diese Folge beruht: Cobley, S., Abbott, S., Dogramaci, S., Kable, A., Salter, J., Hintermann, M., & Romann, M. (2018). Transient relative age effects across annual age groups in national level Australian swimming. Journal of science and medicine in sport, 21(8), 839-845. https://doi.org/10.1016/j.jsams.2017.12.008 Cobley, S., Abbott, S., Eisenhuth, J., Salter, J., McGregor, D., & Romann, M. (2019). Removing relative age effects from youth swimming: The development and testing of corrective adjustment procedures. Journal of Science and Medicine in Sport, 22(6), 735-740. https://doi.org/10.1016/j.jsams.2018.12.013 Abbott, S., Moulds, K., Salter, J., Romann, M., Edwards, L., & Cobley, S. (2020). Testing the application of corrective adjustment procedures for removal of relative age effects in female youth swimming, Journal of Sports Sciences, 38, 1077-1084, https://doi.org/10.1080/02640414.2020.1741956 Abbott, S., Hogan, C., Castiglioni, M. T., Yamauchi, G., Mitchell, L. J., Salter, J., Romann, M., & Cobley, S. (2021). Maturity-related developmental inequalities in age-group swimming: The testing of ‘Mat-CAPs' for their removal. Journal of Science and Medicine in Sport, 24(4), 397-404. ⁠https://doi.org/10.1016/j.jsams.2020.10.003⁠

Listen to Part 1 of this conversation via the link below. After over 30 years of a career in Rock n Roll Photography including touring with the Rolling Stones three times amongst others, British born photographer TONY MOTT is one of a kind. He's photographed Nicole Kidman, Bob Dylan and Fleetwood Mac… and even took some snaps of our host Bradley McCaw. Listen to Part 1 of this conversation hereWatch video of this episodeFollow the RC Music PlaylistCheck out Tony's photosFollow Brad everywhere @bradleymccawofficialBrought to by True Arts Podcast NetworkThis interview was originally recorded in late 2021. Created, produced, hosted & engineered by Bradley McCaw.Original sound design by Matt Erskine at Crosspoint SolutionsOriginal Video designed by Adam Shaw at Axis Productions Theme composed by James RyanAbout Tony Mott:After over 30 years of a career in Rock n Roll Photography including touring with the Rolling Stones three times amongst others, Tony decided to branch out into Film and TV Stills Photography commencing in 2005 with the feature, Suburban Mayhem.Tony has worked on numerous features and television series since and has become a sought after photographer in the field.A 30 year retrospective of Tony's work “What A Life” is currently touring Australia after opening at the State Library of NSW in Sydney .Tony lives in Sydney with his wife Libby and two children Harvey and Lucinda Mott and his cat “kitten caboodle”.Except from Tony Mott's website: Trainspotting… travel around the world… life as a Chef on the high seas, a passion for music and few photos along the way. Welcome to Tony's Mott's story – so far.I was born in April, 1956, (that makes me sort of old) and raised in Sheffield, England, quite normally by mum and dad, Mary and Brian Moulds. I was trained as a chef at Sheffield Polytechnic and in 1976 I left England, arriving in Australia for the first time. Using my training I worked in Sydney at the Opera House and the Gazebo before helping a friend open a restaurant in Armidale, New South Wales, called The Blackboard Menu, but I had to leave after six months because I only had a limited working visa. It was at this point that I realised I wanted to live in Australia permanently. I returned to England with the intention of securing a permanent visa, which didn't eventuate. Refusing to allow a little thing like a visa to stand in the way of escaping the UK, I managed to get a job on the SS Oriana as a chef, a wonderful job that lasted two years and took me to over 60 countries as diverse and interesting as Puerto Rico, Egypt, Panama, India, the Caribbean Islands, all around the Mediterranean, Nordkapp (where the sun never goes down and all its inhabitants are bonkers) and elsewhere. It was during this time I developed a strong sense of wanderlust, an affliction which has taken me to India seven times and helped me traverse the Himalayas on a number of occasions. In fact, to celebrate my 40th birthday I had to make a choice between getting pissed in Redfern or walking the Annapurna Circuit with my best friend, I chose the latter.Eventually my job on the ship came to an end and brought me back to Australia and in 1981 I finally managed to settle here permanently. I got my old job back at the Gazebo Hotel in King Cross, which, as it turns out was a perfect location to embark on the next stage of my life.I've often thought about my penchant for travel and trainspotting (that's a whole other story right there!) and always go back to my childhood in Sheffield. When I was about eight or nine years old my mum and dad used to visit the local pubs, including one called the Castle Inn. My sister and I used to sit on the wall outside with our crisps and fizzy pop watching the trains go by. From this point we could see the trains disappear into a tunnel and I always wanted to know what was on the other side of that tunnel. Eventually I got to the other side of the tunnel and just kept on going!! Finally I got to and settled in Sydney.In the early 1980s Sydney had a brilliant live music scene. Every night of the week you could see any number of excellent bands at any number of excellent venues, right across the city. Working as a chef meant I usually finished work around midnight, not a bad situation for somebody like me who loved music. I'd leave work and hop into any given venue. On Monday nights I used to go to the Piccadilly Hotel in the Cross to see the Divinyls play. They had a residency at the venue and at this stage they were unsigned and largely unknown. Singer Chrissy Amphlett didn't do a lot in those days. The stage persona she later became famous for was non-existent but, suddenly it seemed, she became a loony on stage wearing the schoolgirl uniform and gyrating about.During my days sailing the seven seas I'd developed a strong desire to document photographically the amazing places I saw. So every Monday night after work at the Gazebo I used to hone my fledgling skills by snapping away at the Divinyls. A lot of crap shots were taken but after four months the band's manager, Vince Lovegrove, who'd obviously seen me shooting away, asked to see the shots, one of which he chose and used as a tour poster. I was well chuffed! To top it off he paid me 20 bucks – my first foray into professional photography.I was very green in those days, typified when Vince told me that my name was on the door for the band's next gig. I had no idea what this expression meant and for the next two months I continued to pay my way into their shows. One night he saw me and said, “You know your name's on the door, don't you?” Not wishing to appear unsophisticated, I replied, “Yeah, I know. Isn't that great,” thinking that somewhere – perhaps the band's rehearsal studio – there was a door on which they'd written my name as a mark of respect. Just shows you how much I had to learn about the music industry.By 1983 the Divinyls tour poster had had a snowball effect on my career and before long other bands were asking me to shoot their gigs. One day I walked into the offices of the free paper On The Street, then in its infancy and long before the term street press had ever been coined. I started getting work through the paper.About a week before I went to “On The Street”, Margaret Cott, now publisher of “The Drum Media”, had just started as a layout girl and so began a professional relationship with her which lasts to this day. Within a year Margaret had become editor and I was photographing anything that moved, anywhere, anytime. All this and I was still working full-time at the Gazebo.It was 1985 and for a short period of time during that year I got married. My wife was Swedish (and to my knowledge still is) but I won't go into the topic any further other than to say she now lives in Sweden and I still live in Sydney. Anyway, she had suggested I head back to England and so I did, and with my few contacts in the industry I spent the summer of 1986 drinking a lot and generally having a good time going to music festivals. I went to Reading, Milton Keynes and so on, seeing tons of bands. I haven't managed to work out how to this day, but I managed to photograph Queen at Knebworth, which was a hell of an experience. I also went to Paris and New York that summer, purely as a drunken wanderlust thing as opposed to seriously pursuing anything professionally.When I got back to Australia, Mick Jagger was touring to promote his first solo album. While I was away, and unbeknownst to me, Jagger's manager, Tony King had been trying to track me down wanting to hire me as Jagger's tour photographer. To this day I have no idea who recommended me for the job but I'm extremely grateful. Eventually I made contact with Tony King and as it turned out they were not happy with whoever it was they had hired instead of me. By this stage the tour was in Melbourne so I went down and met Tony in his hotel room. I don't think I would be giving anything away when I say that Tony King is what you would describe as an effervescent gay man and when I met him he enthusiastically expounded the virtues of Sydney. “Oh I love Sydney,” he said, “so many sailors in the one city.” I thought, what have I got to do to get this gig? Tony King, it should be pointed out, is a lovely man and I have always gotten on extremely well with him on a professional basis. But that was the start of my relationship with Mick Jagger and eventually the Rolling Stones. It was an enormous break which has resulted in me touring with the Stones three times. As I've said, I have no idea how I got the gig because I was only reasonably well-known as a live photographer in Sydney at that point. And to think I nearly missed out because I was getting legless overseas!!To illustrate how absurd the music industry can be at times, at the end of tour party I could hear people behind me talking about the tour photographer and how “he's just come back from working in London, Paris and New York, don't you know”. I suddenly realised they were talking about me! Little did they know I was basically having a good time in these places and not doing the glamorous jobs they imagined.As a consequence of the Jagger gig I toured in the same year with Bob Dylan and Fleetwood Mac. I wasn't any better as a photographer but once I had gigs of that calibre in my CV I looked so much better. That period was the beginning of my first break.It was 1988 and with these three enormous gigs under my belt I was going out at least five nights a week just to see bands. I'd worked out by now what having my name on the door actually meant so I was saving myself a small fortune. The Sydney scene during this time was fertile. There were great bands in great venues happening every night of the week; a favourable environment in which to grow as a rock'n'roll photographer.More breaks came my way in the early 1990s. I did a book called Still Noise with four other photographers, the album cover photography for Tommy Emmanuel's Dare To Be Different and the Beasts of Bourbon's Black Milk. It was all moving along quite nicely in a relatively short period of time. I'm proud of both those album covers because they're so radically different. Tommy Emmanuel's album was so obviously mainstream and commercial while the Beasts of Bourbon was very inner city and independent, and that's one of the things I love about working in the music industry – one minute you can be working with somebody like Lucinda Williams and the next minute working with the likes of Slipknot. They're vastly different performers with vastly different personalities to be captured through the lens. But I digress.I guess the next major event that boosted my career was the start of the Big Day Out in 1992. In the late 80s and early 90s I'd been regularly heading over to Europe and the US every couple of years to check out the summer music festivals. I really couldn't understand why Australia didn't have its own version of the UK's Reading or Glastonbury festivals. Being staged in the UK, when those festivals take place, it's an added bonus when it doesn't rain, so why, with our weather and talented bands, why should we miss out??Enter Ken West. Obviously Ken had been to these festivals, too, and had some thoughts about doing an Australian festival, and so began the Big Day Out. He's now one of the most respected promoters in the country and the Big Day Out is highly regarded both here and overseas. It became very successful very quickly and in the space of four years was at the same level as the festivals in the UK. So the Big Day Out was a valuable break for me. Every year I go on the road with the Big Day Out as it tours around Australia. This means I get to build a rapport with the bands I shoot, which is a luxury not often afforded a photographer.It's always easier to work with people who you feel relaxed with and vice versa. I don't work like a fashion photographer – I've never treated a musician as a model. A lot of photographers do because they presume there's a lot of glamour involved. Musicians are not thespians and they're not models so you need to build a rapport with them. Musicians can often feel uncomfortable in front of the camera, so relaxing them is an imperative. Obviously I'm referring to session work here. Live is a completely different kettle of fish. The disadvantage of doing sessions is that the artist is doing something that doesn't come naturally to them. The advantage is that you as the photographer have complete control over the environment, things like lighting. The difficulty is getting the artist comfortable. The live situation is the opposite, the artist is in their natural environment but the photographer is not, you have no control over the lighting and so on. The quality of your shots is reliant on the lighting guy and the movement of the artist.Eye contact is vital in photography. If you take a photo of someone and their eyes are out of focus the whole shot lacks impact. That's how people look at photos, through the eyes of the subject. The eye is all important. In a live situation the subject is more than likely not looking at you, and there's also the bloody ever present microphone getting in the way. In total I've had over 30,000 photographs published, the result of some 2,500 sessions and countless live shows, which have become 400 posters, 450 cd or vinyl covers and over 800 magazine front covers, and I'm still counting. It seems an age has passed since Vince Lovegrove used my shot of Chrissy Amphlett as a tour poster. I guess it has been a long time. Certainly much has happened and I've managed to collect some stories that I think are vaguely intresting along the way – some are downright bizarre and I hope you enjoy them.Oh, and why did I change my name from Moulds to Mott? Well, when I first got a photo credit Moulds didn't look so groovy so I had to come up with an alternative. I looked to the most influential band in my life, Mott the Hoople. The next decision was Tony Mott or Tony Hoople. I went for the former.Everyone should have a Mott the Hoople. In my formative years in college they were the only band that I related to lyrically.They delved into social, political and more general matters, not to mention being a dynamic live act. They were punks before punk had happened, all that and glam rock as well.I've always felt music is an important medium, it can be a sanctuary when things are not so rosy, and a celebration of the joys of life, the two extremes of emotion. And that is why Mott the Hoople have been so important to me. A couple of examples of that are in 1976, when I first left England for Australia, I related to the Ian Hunter album All American Alien Boy, an album about an Englishman arriving in the US, feeling alien and yet loving it. I totally related to the sentiments. Thirty years later, when I lost my best friend who died at an early age and I was finding grief very difficult to deal with, I found solace in the Ian Hunter song “Michael Picasso”, a song about the death of his long-time best friend and David Bowie guitarist Mick Ronson. That's why I believe music is so powerful and important. Everyone should have a Mott the Hoople.

Using moulds in pottery is amazing! Moulds allow Potters to make the same shape consistently over and over again, create sets of pots, and save time and energy in their making process.Moulds can be used to make the main body of the pot or for creating decoration. In this episode I talk about the 5 types of moulds available to Potters and how each one is used: *Press mould*Hump mould *Slip-casting mould *Sprig mould (plaster of Paris) *Sprig mould (silicone) Resources for Potters:Oxford Clay website resources for Potters: https://www.oxfordclay.co.uk/resources-for-potters Pottery eBooks: https://www.oxfordclay.co.uk/shop/ebooks Download the Free How to Make a Pottery Glaze Workbook (suitable for beginners): https://www.oxfordclay.co.uk/how-to-make-a-pottery-glaze-workbook Download the Free How to programme an Electric Kiln for bisque and stoneware glaze firings (includes full kiln firing schedule) https://www.oxfordclay.co.uk/how-to-fire-bisque-and-stoneware-kiln-firing-schedule Pottery Paperback Books available from amazon: https://www.amazon.co.uk/Katherine-Tomlinson/e/B0B1CKC9X3?ref=sr_ntt_srch_lnk_1&qid=1662270837&sr=8-1 Video mini-courses for Potters: https://www.oxfordclay.co.uk/shop/courses Oxford Clay blog: https://www.oxfordclay.co.uk/blog-1

After over 30 years of a career in Rock n Roll Photography including touring with the Rolling Stones three times amongst others, British born photographer TONY MOTT is one of a kind. He's photographed Nicole Kidman, Bob Dylan and Fleetwood Mac… and even took some snaps of our host Bradley McCaw. Watch video of this episodeFollow the RC Music PlaylistCheck out Tony's photosFollow Brad everywhere @bradleymccawofficialBrought to by True Arts Podcast NetworkThis interview was originally recorded in late 2021. Created, produced, hosted & engineered by Bradley McCaw.Original sound design by Matt Erskine at Crosspoint SolutionsOriginal Video designed by Adam Shaw at Axis Productions Theme composed by James RyanAbout Tony Mott:After over 30 years of a career in Rock n Roll Photography including touring with the Rolling Stones three times amongst others, Tony decided to branch out into Film and TV Stills Photography commencing in 2005 with the feature, Suburban Mayhem.Tony has worked on numerous features and television series since and has become a sought after photographer in the field.A 30 year retrospective of Tony's work “What A Life” is currently touring Australia after opening at the State Library of NSW in Sydney .Tony lives in Sydney with his wife Libby and two children Harvey and Lucinda Mott and his cat “kitten caboodle”.Except from Tony Mott's website: Trainspotting… travel around the world… life as a Chef on the high seas, a passion for music and few photos along the way. Welcome to Tony's Mott's story – so far.I was born in April, 1956, (that makes me sort of old) and raised in Sheffield, England, quite normally by mum and dad, Mary and Brian Moulds. I was trained as a chef at Sheffield Polytechnic and in 1976 I left England, arriving in Australia for the first time. Using my training I worked in Sydney at the Opera House and the Gazebo before helping a friend open a restaurant in Armidale, New South Wales, called The Blackboard Menu, but I had to leave after six months because I only had a limited working visa. It was at this point that I realised I wanted to live in Australia permanently. I returned to England with the intention of securing a permanent visa, which didn't eventuate. Refusing to allow a little thing like a visa to stand in the way of escaping the UK, I managed to get a job on the SS Oriana as a chef, a wonderful job that lasted two years and took me to over 60 countries as diverse and interesting as Puerto Rico, Egypt, Panama, India, the Caribbean Islands, all around the Mediterranean, Nordkapp (where the sun never goes down and all its inhabitants are bonkers) and elsewhere. It was during this time I developed a strong sense of wanderlust, an affliction which has taken me to India seven times and helped me traverse the Himalayas on a number of occasions. In fact, to celebrate my 40th birthday I had to make a choice between getting pissed in Redfern or walking the Annapurna Circuit with my best friend, I chose the latter.Eventually my job on the ship came to an end and brought me back to Australia and in 1981 I finally managed to settle here permanently. I got my old job back at the Gazebo Hotel in King Cross, which, as it turns out was a perfect location to embark on the next stage of my life.I've often thought about my penchant for travel and trainspotting (that's a whole other story right there!) and always go back to my childhood in Sheffield. When I was about eight or nine years old my mum and dad used to visit the local pubs, including one called the Castle Inn. My sister and I used to sit on the wall outside with our crisps and fizzy pop watching the trains go by. From this point we could see the trains disappear into a tunnel and I always wanted to know what was on the other side of that tunnel. Eventually I got to the other side of the tunnel and just kept on going!! Finally I got to and settled in Sydney.In the early 1980s Sydney had a brilliant live music scene. Every night of the week you could see any number of excellent bands at any number of excellent venues, right across the city. Working as a chef meant I usually finished work around midnight, not a bad situation for somebody like me who loved music. I'd leave work and hop into any given venue. On Monday nights I used to go to the Piccadilly Hotel in the Cross to see the Divinyls play. They had a residency at the venue and at this stage they were unsigned and largely unknown. Singer Chrissy Amphlett didn't do a lot in those days. The stage persona she later became famous for was non-existent but, suddenly it seemed, she became a loony on stage wearing the schoolgirl uniform and gyrating about.During my days sailing the seven seas I'd developed a strong desire to document photographically the amazing places I saw. So every Monday night after work at the Gazebo I used to hone my fledgling skills by snapping away at the Divinyls. A lot of crap shots were taken but after four months the band's manager, Vince Lovegrove, who'd obviously seen me shooting away, asked to see the shots, one of which he chose and used as a tour poster. I was well chuffed! To top it off he paid me 20 bucks – my first foray into professional photography.I was very green in those days, typified when Vince told me that my name was on the door for the band's next gig. I had no idea what this expression meant and for the next two months I continued to pay my way into their shows. One night he saw me and said, “You know your name's on the door, don't you?” Not wishing to appear unsophisticated, I replied, “Yeah, I know. Isn't that great,” thinking that somewhere – perhaps the band's rehearsal studio – there was a door on which they'd written my name as a mark of respect. Just shows you how much I had to learn about the music industry.By 1983 the Divinyls tour poster had had a snowball effect on my career and before long other bands were asking me to shoot their gigs. One day I walked into the offices of the free paper On The Street, then in its infancy and long before the term street press had ever been coined. I started getting work through the paper.About a week before I went to “On The Street”, Margaret Cott, now publisher of “The Drum Media”, had just started as a layout girl and so began a professional relationship with her which lasts to this day. Within a year Margaret had become editor and I was photographing anything that moved, anywhere, anytime. All this and I was still working full-time at the Gazebo.It was 1985 and for a short period of time during that year I got married. My wife was Swedish (and to my knowledge still is) but I won't go into the topic any further other than to say she now lives in Sweden and I still live in Sydney. Anyway, she had suggested I head back to England and so I did, and with my few contacts in the industry I spent the summer of 1986 drinking a lot and generally having a good time going to music festivals. I went to Reading, Milton Keynes and so on, seeing tons of bands. I haven't managed to work out how to this day, but I managed to photograph Queen at Knebworth, which was a hell of an experience. I also went to Paris and New York that summer, purely as a drunken wanderlust thing as opposed to seriously pursuing anything professionally.When I got back to Australia, Mick Jagger was touring to promote his first solo album. While I was away, and unbeknownst to me, Jagger's manager, Tony King had been trying to track me down wanting to hire me as Jagger's tour photographer. To this day I have no idea who recommended me for the job but I'm extremely grateful. Eventually I made contact with Tony King and as it turned out they were not happy with whoever it was they had hired instead of me. By this stage the tour was in Melbourne so I went down and met Tony in his hotel room. I don't think I would be giving anything away when I say that Tony King is what you would describe as an effervescent gay man and when I met him he enthusiastically expounded the virtues of Sydney. “Oh I love Sydney,” he said, “so many sailors in the one city.” I thought, what have I got to do to get this gig? Tony King, it should be pointed out, is a lovely man and I have always gotten on extremely well with him on a professional basis. But that was the start of my relationship with Mick Jagger and eventually the Rolling Stones. It was an enormous break which has resulted in me touring with the Stones three times. As I've said, I have no idea how I got the gig because I was only reasonably well-known as a live photographer in Sydney at that point. And to think I nearly missed out because I was getting legless overseas!!To illustrate how absurd the music industry can be at times, at the end of tour party I could hear people behind me talking about the tour photographer and how “he's just come back from working in London, Paris and New York, don't you know”. I suddenly realised they were talking about me! Little did they know I was basically having a good time in these places and not doing the glamorous jobs they imagined.As a consequence of the Jagger gig I toured in the same year with Bob Dylan and Fleetwood Mac. I wasn't any better as a photographer but once I had gigs of that calibre in my CV I looked so much better. That period was the beginning of my first break.It was 1988 and with these three enormous gigs under my belt I was going out at least five nights a week just to see bands. I'd worked out by now what having my name on the door actually meant so I was saving myself a small fortune. The Sydney scene during this time was fertile. There were great bands in great venues happening every night of the week; a favourable environment in which to grow as a rock'n'roll photographer.More breaks came my way in the early 1990s. I did a book called Still Noise with four other photographers, the album cover photography for Tommy Emmanuel's Dare To Be Different and the Beasts of Bourbon's Black Milk. It was all moving along quite nicely in a relatively short period of time. I'm proud of both those album covers because they're so radically different. Tommy Emmanuel's album was so obviously mainstream and commercial while the Beasts of Bourbon was very inner city and independent, and that's one of the things I love about working in the music industry – one minute you can be working with somebody like Lucinda Williams and the next minute working with the likes of Slipknot. They're vastly different performers with vastly different personalities to be captured through the lens. But I digress.I guess the next major event that boosted my career was the start of the Big Day Out in 1992. In the late 80s and early 90s I'd been regularly heading over to Europe and the US every couple of years to check out the summer music festivals. I really couldn't understand why Australia didn't have its own version of the UK's Reading or Glastonbury festivals. Being staged in the UK, when those festivals take place, it's an added bonus when it doesn't rain, so why, with our weather and talented bands, why should we miss out??Enter Ken West. Obviously Ken had been to these festivals, too, and had some thoughts about doing an Australian festival, and so began the Big Day Out. He's now one of the most respected promoters in the country and the Big Day Out is highly regarded both here and overseas. It became very successful very quickly and in the space of four years was at the same level as the festivals in the UK. So the Big Day Out was a valuable break for me. Every year I go on the road with the Big Day Out as it tours around Australia. This means I get to build a rapport with the bands I shoot, which is a luxury not often afforded a photographer.It's always easier to work with people who you feel relaxed with and vice versa. I don't work like a fashion photographer – I've never treated a musician as a model. A lot of photographers do because they presume there's a lot of glamour involved. Musicians are not thespians and they're not models so you need to build a rapport with them. Musicians can often feel uncomfortable in front of the camera, so relaxing them is an imperative. Obviously I'm referring to session work here. Live is a completely different kettle of fish. The disadvantage of doing sessions is that the artist is doing something that doesn't come naturally to them. The advantage is that you as the photographer have complete control over the environment, things like lighting. The difficulty is getting the artist comfortable. The live situation is the opposite, the artist is in their natural environment but the photographer is not, you have no control over the lighting and so on. The quality of your shots is reliant on the lighting guy and the movement of the artist.Eye contact is vital in photography. If you take a photo of someone and their eyes are out of focus the whole shot lacks impact. That's how people look at photos, through the eyes of the subject. The eye is all important. In a live situation the subject is more than likely not looking at you, and there's also the bloody ever present microphone getting in the way. In total I've had over 30,000 photographs published, the result of some 2,500 sessions and countless live shows, which have become 400 posters, 450 cd or vinyl covers and over 800 magazine front covers, and I'm still counting. It seems an age has passed since Vince Lovegrove used my shot of Chrissy Amphlett as a tour poster. I guess it has been a long time. Certainly much has happened and I've managed to collect some stories that I think are vaguely intresting along the way – some are downright bizarre and I hope you enjoy them.Oh, and why did I change my name from Moulds to Mott? Well, when I first got a photo credit Moulds didn't look so groovy so I had to come up with an alternative. I looked to the most influential band in my life, Mott the Hoople. The next decision was Tony Mott or Tony Hoople. I went for the former.Everyone should have a Mott the Hoople. In my formative years in college they were the only band that I related to lyrically.They delved into social, political and more general matters, not to mention being a dynamic live act. They were punks before punk had happened, all that and glam rock as well.I've always felt music is an important medium, it can be a sanctuary when things are not so rosy, and a celebration of the joys of life, the two extremes of emotion. And that is why Mott the Hoople have been so important to me. A couple of examples of that are in 1976, when I first left England for Australia, I related to the Ian Hunter album All American Alien Boy, an album about an Englishman arriving in the US, feeling alien and yet loving it. I totally related to the sentiments. Thirty years later, when I lost my best friend who died at an early age and I was finding grief very difficult to deal with, I found solace in the Ian Hunter song “Michael Picasso”, a song about the death of his long-time best friend and David Bowie guitarist Mick Ronson. That's why I believe music is so powerful and important. Everyone should have a Mott the Hoople.

In the corporate world, Tayo Adesina felt the discomfort of not fitting in—it gave him the itch for change. Diversity, often an afterthought, inspired his mission to reshape the future for the youth. Sustainability, for him, means crafting opportunities for the younger generation. He shares his parents' migration journey, starting as professionals in Nigeria but taking on jobs like cleaning, driving, and cooking in the UK. As a Black Person, Tayo knows he needs to work twice as hard. A pivotal moment came with #mybestfrienddave's tragic suicide, fueling Tayo's dedication to breaking social isolation for underrepresented young people. Advocating for self-expression, Tayo founded Trash Gxng, a social enterprise empowering underrepresented youth. Through co-created Street Wear Clothing, they provide a platform for stories and essential skills for transitioning into work. This episode touches on Diversity, Corporate life, Token Diverse Friends, Teachers' impact, Police interactions, and Tayo's personal journey of learning to use his voice rather than his fists. Join us for a conversation filled with powerful insights. Tayo #youareaclassofyourown Warning: references to suicide Guest: Tayo Adesinahttps://www.trashgxng.co.uk https://www.tiktok.com/@trashgxng.co.uk https://www.instagram.com/trash_gxng Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/a-class-of-their-own/id1732288997 Watch on: YouTube: https://www.youtube.com/@aclassoftheirownpodcast/podcasts Spotify: https://open.spotify.com/show/7Apq2pSbmvytPjABrlidpN?si=4d62eba56abb45ad Social media Instagram: https://www.instagram.com/aclassoftheirownpodcast/ TikTok: https://www.tiktok.com/@aclassoftheirownpodcast LinkedIn: https://www.linkedin.com/company/aclassoftheirownpodcast Facebook: https://www.facebook.com/aclassoftheirownpodcast Website: https://www.playforchange.co.uk/aclassoftheirownpodcast Host: Mira Magecha https://www.linkedin.com/in/miramagecha https://www.instagram.com/mira_magecha Creative Director: Alex Payne https://www.instagram.com/alexjamespayne Editor: Josh Partridge https://www.instagram.com/joshfilmmaker Music: Jay Witsey  https://www.instagram.com/jay.witsey Sponsor: play for change https://www.playforchange.co.uk https://www.instagram.com/play_forchange https://www.linkedin.com/company/playforchangeltd

Our west coast erosion problem and what to do, Ramsey Salt works, World Health Organisation regulations, finding the stabit moulds & discovering a Bergerac TV series for the Island. Mannin Line with Andy Wint #iom #manninline #manxradio

Former NFL and Mississippi State wide receiver Eric Moulds joins the show on the Farm Bureau guest line talking about his career in the league and in Starkville live in the BankPlus Studio. Eric talks about rooming with basketball players that were on the final four team for MSU and how basketball was his first love. Eric mentions that if he played in today's game with the amount of passing that he would be unstoppable. Eric and Bo talks about how he is the last MSU wide receiver to get drafted in the first round and he thinks this could be the change the program needs at wide receiver. Out of Bounds is sponsored by BetterHelp. Visit BetterHelp.com/BOUNDS today to get 10% off your first month Learn more about your ad choices. Visit megaphone.fm/adchoices

Former NFL and Mississippi State wide receiver Eric Moulds joins the show on the Farm Bureau guest line talking about his career in the league and in Starkville live in the BankPlus Studio. Bo asks Eric about his favorite game at Ole Miss and he talks about the feelings around beating Tennessee at home. Eric recalls talking to Chargers legend Phillip Rivers and how he almost went to Mississippi State after watching Moulds play. Eric says he now trains student athletes to help get them to college and the next level. Out of Bounds is sponsored by BetterHelp. Visit BetterHelp.com/BOUNDS today to get 10% off your first month Learn more about your ad choices. Visit megaphone.fm/adchoices

Former NFL and Mississippi State wide receiver Eric Moulds joins the show on the Farm Bureau guest line talking about his career in the league and in Starkville live in the BankPlus Studio. Eric talks about rooming with basketball players that were on the final four team for MSU and how basketball was his first love. Eric mentions that if he played in today's game with the amount of passing that he would be unstoppable. Eric and Bo talks about how he is the last MSU wide receiver to get drafted in the first round and he thinks this could be the change the program needs at wide receiver. Bo asks Eric about his favorite game at Ole Miss and he talks about the feelings around beating Tennessee at home. Eric recalls talking to Chargers legend Phillip Rivers and how he almost went to Mississippi State after watching Moulds play. Eric says he now trains student athletes to help get them to college and the next level. Out of Bounds is sponsored by BetterHelp. Visit BetterHelp.com/BOUNDS today to get 10% off your first month Learn more about your ad choices. Visit megaphone.fm/adchoices

Bo and the crew eat popcorn from Mississippi Candy Company, memories from MSU in the 90's and the incredible career Eric Moulds had at MSU and the NFL in the third hour of the show live in the BankPlus studio. It's national popcorn day and the guys get to try all different kinds of popcorn from Mississippi Candy Company. Bo gives his top 3 popcorns and talks about former MSU players dunking in the old gym in Starkville. Former NFL and Mississippi State wide receiver Eric Moulds joins the show on the Farm Bureau guest line talking about his career in the league and in Starkville live in the BankPlus Studio. Eric talks about rooming with basketball players that were on the final four team for MSU and how basketball was his first love. Eric mentions that if he played in today's game with the amount of passing that he would be unstoppable. Eric and Bo talks about how he is the last MSU wide receiver to get drafted in the first round and he thinks this could be the change the program needs at wide receiver. Bo asks Eric about his favorite game at Ole Miss and he talks about the feelings around beating Tennessee at home. Eric recalls talking to Chargers legend Phillip Rivers and how he almost went to Mississippi State after watching Moulds play. Eric says he now trains student athletes to help get them to college and the next level. Out of Bounds is sponsored by BetterHelp. Visit BetterHelp.com/BOUNDS today to get 10% off your first month Learn more about your ad choices. Visit megaphone.fm/adchoices

Plaster moulds are a great resource for Potters. Moulds can be used in pottery to press clay into (a press mould), smooth clay over (a hump mould), or pour liquid clay into (a slip casting mould). Plaster moulds allow Potters to make lots of the same shapes of pots simply and accurately. At Oxford Clay, I use a one-part plaster mould for slip-casting my work. In this episode, I talk through the step-by-step process of how I make my plaster moulds, by casting the profile of an enamel pie dish into plaster of Paris. You'll hear how achievable making your own plaster mould really is! Resources for Potters:Download the Free How to Make a Pottery Glaze Workbook (suitable for beginners): https://www.oxfordclay.co.uk/how-to-make-a-pottery-glaze-workbook Download the Free How to programme an Electric Kiln for bisque and stoneware glaze firings (includes full kiln firing schedule) https://www.oxfordclay.co.uk/how-to-fire-bisque-and-stoneware-kiln-firing-schedule Oxford Clay website resources for Potters: https://www.oxfordclay.co.uk/resources-for-potters Pottery eBooks: https://www.oxfordclay.co.uk/shop/ebooks Pottery Paperback Books available from amazon: https://www.amazon.co.uk/Katherine-Tomlinson/e/B0B1CKC9X3?ref=sr_ntt_srch_lnk_1&qid=1662270837&sr=8-1 Video mini-courses for Potters: https://www.oxfordclay.co.uk/shop/courses Oxford Clay blog: https://www.oxfordclay.co.uk/blog-1

Recorded 16th December 2023 at The Upstairs Basement: https://www.instagram.com/cantstopthecucks?igsh=cHJ2bXcwOTBuMXg0 Buy tickets: https://www.eventbrite.ca/o/dimitri-goryenko-40998553913?aff=ebeseadeeplink

Embark on an empowering journey with Ghaliah Amin, a groundbreaking presenter, the first plus-size Saudi Model, and the visionary behind #AnaGhaliah. In this episode, titled "Beyond Labels: The Ghaliah Revolution," we delve into the realms of body positivity and self-love.Ghaliah shares her transformative journey, breaking molds and inspiring souls. It's more than just a conversation; it's a celebration of embracing individuality beyond societal labels. Tune in now for an inspiring episode that encourages you to love yourself without boundaries.Don't miss this empowering celebration of authenticity!Check out her Instagram form some lovely content.@ghaliahamin

Brett Phillips is back with an abbrieviated edition of the show due to the AFL Draft taking place on SEN recapping the Novak Djokovic ATP World Tour Finals win, catching up with Tennis Victoria CEO Adam Crameri wrapping up the Premier League Grand Finals. Lachlan Puyol is back with our weekly college segment with special guest Johnny Parks at the University of South Carolina and we delve into The First Serve podcast library with 'The Push' chatting with Daniel O'Neill from Tennis Australia about the Aussie summer of wheelchair tennis ahead and 'Aussies Only' chatting with former pro turned coach, who is doing a PHD into coaching, Kylie Moulds. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Darren Parkin is back with our final episode of Aussies Only for 2023 catching up with Kylie Moulds, former professional player, turned coach who has also dabbled in other sports and returned to tennis and has recently completed a PHD into coaching, giving the listener a unique perspective. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hour 3: Mike and Bulldog are joined by former Buffalo Bills Eric Moulds as he is inducted to the Greater Buffalo Sports Hall of Fame.

Tonight Brendan and Richard talk about Israel and Candle Moulds that look like penis sex toys. Recorded on October 20, 2023.Thank you so much for listening and/or watching (on YouTube).Brendan and RichardOur theme music is: Welcome to the Show by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4614-welcome-to-the-show License: https://filmmusic.io/standard-licensePlease Support Middle Aged Man Talk on Patreon If you enjoyed our show Please Support Middle Aged Man Talk on Patreon!Support the show

Alise is a digital nomad who left her home country and full-time job behind to pursue a life of following her passions. In this episode, we talk about leaving her home country, selling almost everything she owned, and finding a home in new countries around the globe. We also dive into failures as a digital nomad, challenges of going against societal norms and expectations, and so much more that relates to the digital nomad lifestyle and mindset. Connect with AliseWebsite: talesfromanuntamedsoul.comInstagram: @talesfromanuntamedsoulFacebook: talesfromanuntamedsoulConnect with Nicole⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠NomadNeeks on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @nomadneeks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠NomadNeeks on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @workwealthandtravel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠NomadNeeks on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@nomadneeksCheck out the WebsiteSign up for 60+ Remote Work Job BoardsGive the Podcast a 5-Star Rating on Apple Podcasts - Thank you!

Imagine trading your comfortable desk job for the unpredictable world of finance - that's precisely the leap our guest, Allen Mueller, founder of Seven Saturdays Financial, took. Allen found his calling in the movement of FIRE (Financial Independence, Retire Early), transitioning from engineering to corporate finance, and launching his firm in the midst of a pandemic. He shares the incredible journey he undertook to gain control over his time and carve a path towards financial independence.In the second phase of our chat, Allen gets candid about the initial struggles he faced in growing his business. He recounts the pivotal moment of investing in a sales training course during a business dry spell, which sparked remarkable growth and set a course for future expansion. We also touched on a critical discussion about the role of transparent pricing and reducing conflicts through flat fee models in financial advisory. Strap in for fascinating insights from a man who dared to break the mould, chase financial independence, and navigate the world of financial planning on his terms.https://www.linkedin.com/in/allenrmuellerTwitter: @7Saturdaysaweek

This week's REWIND episode replays Jeopardy fan favs MacKenzie Jones vs. Steve Moulds. MacKenzie is playing for American Indian College Fund and Steve is playing for Change Today, Change Tomorrrow. Rate, review and subscribe to @youshouldknowbetterpod.

Hour 2: Chris and Steve are joined by former Bills WR Eric Moulds.

Let's take another look at the push factors driving the Voortrekkers away from their frontier farms. Most had lived on the margins of society for generations, part of the first group of Dutch who began spreading out from the Peninsular in the 17th Century, developing an ethos of independence and a culture of self-reliance. They were naturally anti-establishment if you like, while being presented as ultra conservative in their religion. In modern terms this implies certain characteristics which I creates a classic misreading of who they were. Remember the first trekkers were not averse to marrying Khoekhoe and even amaXhosa women, it was only later that their conservatism morphed into a belief in racial separation. You know enough by now not to make the mistake of double-guessing our ancestors based on modern politics and society's rules, the prism of the present is a social blindfold when it comes to perception. It gets the crude and raw politician of any epoch into a logic gridlock, an intellectual cul de sac. There was no doubt that the actions of Lord Glenelg when he took over the Colonial Office in 1835 exacerbated the Boers perceptions of the English. Remember how he'd met Andries Stockenstrom the Dutch Swede who had briefed him about how the Khoekhoe servants were treated in the Cape. Glenelg then overturned decisions to move the frontier to the Kei river, an action which marked him both as a blunderer and a misguided liberal. It is true that this story became the most deeply embedded consequence of the war in the colonial pysche, it was an imprint that never faded, it was bitterly mulled over for the next one hundred years, and it was also in an ironic mental shift, the moment that the English speaking settlers became African. They'd been thrown under the colonial bus by both their King and country. They suddenly realised that their homeland was no longer their friend, the political leadership of the British govenrment had turned them into aliens, they no longer recognized themselves as English. This would take another generation or two to play out, but folks, it was a moment. What we have to understand is that while this was going on in relation to the 1820 Settler stock, further north east, in Port Natal, the settlers there were very much in favour of the British government. They were two different sets of English speakers, which we kind of lump together. Interestingly enough, something like this was also going on in Canada and in Australia and New Zealand. The English speakers there were grappling with their own nationality. For the Boers, Glenelg's decision was easier to cope with than for the 1820 Settlers — the Boers had never trusted the English so it was time to leave. The boers had always directed their own fate, while the 1820 settler was implacably tied to their countries foreign policy. The Boers were interested in land, but didn't really care for Glenelg's annexation of the province of Queen Adelaide - they'd still be vassals to the British empire there anyway.

Let's take another look at the push factors driving the Voortrekkers away from their frontier farms. Most had lived on the margins of society for generations, part of the first group of Dutch who began spreading out from the Peninsular in the 17th Century, developing an ethos of independence and a culture of self-reliance. They were naturally anti-establishment if you like, while being presented as ultra conservative in their religion. In modern terms this implies certain characteristics which I creates a classic misreading of who they were. Remember the first trekkers were not averse to marrying Khoekhoe and even amaXhosa women, it was only later that their conservatism morphed into a belief in racial separation. You know enough by now not to make the mistake of double-guessing our ancestors based on modern politics and society's rules, the prism of the present is a social blindfold when it comes to perception. It gets the crude and raw politician of any epoch into a logic gridlock, an intellectual cul de sac. There was no doubt that the actions of Lord Glenelg when he took over the Colonial Office in 1835 exacerbated the Boers perceptions of the English. Remember how he'd met Andries Stockenstrom the Dutch Swede who had briefed him about how the Khoekhoe servants were treated in the Cape. Glenelg then overturned decisions to move the frontier to the Kei river, an action which marked him both as a blunderer and a misguided liberal. It is true that this story became the most deeply embedded consequence of the war in the colonial pysche, it was an imprint that never faded, it was bitterly mulled over for the next one hundred years, and it was also in an ironic mental shift, the moment that the English speaking settlers became African. They'd been thrown under the colonial bus by both their King and country. They suddenly realised that their homeland was no longer their friend, the political leadership of the British govenrment had turned them into aliens, they no longer recognized themselves as English. This would take another generation or two to play out, but folks, it was a moment. What we have to understand is that while this was going on in relation to the 1820 Settler stock, further north east, in Port Natal, the settlers there were very much in favour of the British government. They were two different sets of English speakers, which we kind of lump together. Interestingly enough, something like this was also going on in Canada and in Australia and New Zealand. The English speakers there were grappling with their own nationality. For the Boers, Glenelg's decision was easier to cope with than for the 1820 Settlers — the Boers had never trusted the English so it was time to leave. The boers had always directed their own fate, while the 1820 settler was implacably tied to their countries foreign policy. The Boers were interested in land, but didn't really care for Glenelg's annexation of the province of Queen Adelaide - they'd still be vassals to the British empire there anyway.

The former Bills wide receiver is headed to the Greater Buffalo Sports Hall of Fame this year. Kevin Carroll and Jon Scott sit down with the former first round pick to talk about his time in Buffalo, thoughts on the Bills draft, work with current Bills WR Khalil Shakir and more.

Hour 1: Eric Moulds joins the show on the Bills Bengals matchup on Sunday

Hour 2: Chris and Steve take your calls on Eric Moulds

Here is the 4th interview of Season 6 of the podcast with the ICF members & other coaches With : Dana Talking about : Breaking the Career Moulds Here are the main points covered : * I Wish ... : Career goal * I am ... : Reality check * I will ... : Action plan Her resources & To connect with her : https://nevinezaherrostom.com/mastermind/#Dana Full Podcast Playlist : https://youtube.com/playlist?list=PLznIndo4Cq5CP1Q36oinfxv0NXtXw3OdP

This week features 3 Thursday Jeopardy losers! Teacher MacKenzie Jones battles Playwright Steve Moulds in four rounds of trivia. Play along with these trivia titans to see if you can best their scores. MacKenzie is playing for The American Indian College Fund and Steve is playing for Change Today, Change Tomorrow. Rate, subscribe and review @youshouldknowbetterpod

21 November 2022: Ludmila is talking scammers, after one used her face to scam people for moneyWellness coach Haniya is talking about yoyo dietingGood news for parents, the UAE is supporting parent-friendly workplacesHow does mould affect our health, we ask Dr. KhalidHelen finds out what's in store for families and fans at the Rugby 7's.See omnystudio.com/listener for privacy information.

Five top tips for avoiding the most common disasters involving plaster in potteryPlaster of Paris is such a helpful material for Potters, because it sucks the water out of clay (in a good way). Potters use a Plaster slab for reclaiming wet clay and for mould making. In a plaster mould clay shrinks allowing it to be released from the mould. Moulds can be press moulds, hump moulds or slip casting moulds. But Plaster can also be tricky to work with. In this episode we explore five plaster disasters to avoid when working with plaster (all of which have happened to me, apart from the blocking the pipes one!).Resources for Potters:Free How to Make a Pottery Glaze Workbook (a beginners guide)Oxford Clay website resources for Potters: https://www.oxfordclay.co.uk/resources-for-potters Pottery eBooks: https://www.oxfordclay.co.uk/shop/ebooks Pottery Paperback Books available from amazon Video mini-courses for Potters: https://www.oxfordclay.co.uk/shop/courses Oxford Clay blog: https://www.oxfordclay.co.uk/blog-1

Cara is a Certified Coach for Midlife Women. Retired high school teacher and administrator. Fine art photographer and aspiring novelist. Menopause. Empty nest. Aging parents. Job dissatisfaction. It's all hitting you at once. You're an accomplished midlife woman who is suddenly wondering, “Who am I?” You feel disconnected, off-centre, stressed, and exhausted. Mostly, you want to feel authentic, vibrant, creative again, and connected to your own knowing and inner power. You want to rediscover your creativity. Cara is here to share that YOU CAN FEEL VIBRANT, JOYFUL, CREATIVE, & INTENTIONAL IN MIDLIFE! The Heroine's Journey: Urgent Yearning to Reconnect to the Feminine Tools to reconnect: journaling, affirmations, rituals. Discovering & committing to your creative project Connect with Cara at www.caramoulds.com, on Facebook @CaraMouldsdotcom and Instagram @caramoulds To grab your copy of Your Journaling Journey search for it on Amazon or with these links: Canada: https://amzn.to/3ACRHla USA: https://amzn.to/3B0A28l Follow The Roller Coaster: Facebook @therollercoasterpodcast Instagram @the_roller_coaster_podcast Pinterest @EmpoweredMidlifeMoms YouTube: @TheRollerCoasterPodcast TikTok @rollercoaster_podcast Website www.therollercoasterpodcast.com

The development of penicillin started – but definitely did not end – with the chance discovery of some mold in a petri dish. There is so much more to the story. Research: Bernard, Diane. “How a miracle drug changed the fight against infection during World War II.” Washington Post. 7/11/2020. https://www.washingtonpost.com/history/2020/07/11/penicillin-coronavirus-florey-wwii-infection/ British Library. “Inventor(s) of the month, Alexander Fleming and the story of Penicillin.” 7/28/2021. https://blogs.bl.uk/business/2021/07/inventors-of-the-month-alexander-fleming.html Chain, E. et al. “Penicillin as a Chemotherapeutic Agent.” The Lancet. Vol. 236, Issue 6104. 8/24/1940. https://doi.org/10.1016/S0140-6736(01)08728-1 Fleming A. On the Antibacterial Action of Cultures of a Penicillium, with Special Reference to their Use in the Isolation of B. influenzæ. Br J Exp Pathol. 1929 Jun;10(3):226–36. PMCID: PMC2048009. Gaynes, Robert. “The Discovery of Penicillin—New Insights After More Than 75 Years of Clinical Use.” Emerg Infect Dis. 2017 May; 23(5): 849–853.. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5403050/ Lee, Victoria. “Microbial Transformations.” Historical Studies in the Natural Sciences, SEPTEMBER 2018, Vol. 48, No. 4. Via JSTOR. https://www.jstor.org/stable/10.2307/26507225 National Museums of Scotland. “Culture Vessel.” https://www.nms.ac.uk/explore-our-collections/stories/science-and-technology/culture-vessel/ Quinn, Roswell. “Rethinking Antibiotic Research and Development: World War II and the Penicillin Collaborative.” American Journal of Public Health | March 2013, Vol 103, No. 3. Scibilia, Anthony Julius. “Being Prometheus in 1943:: Bringing Penicillin to the Working Man.” Pennsylvania History: A Journal of Mid-Atlantic Studies , Vol. 80, No. 3 (Summer 2013). https://www.jstor.org/stable/10.5325/pennhistory.80.3.0442 Science History. “Alexander Fleming.” 12/5/2017. https://www.sciencehistory.org/historical-profile/alexander-fleming Science Museum. “How Was Penicillin Developed?” 2/23/2021. https://www.sciencemuseum.org.uk/objects-and-stories/how-was-penicillin-developed Shama, Gilbert. “'Déjà Vu' – The Recycling of Penicillin in Post-liberation Paris.” Pharmacy in History , 2013, Vol. 55, No. 1 (2013). Via JSTOR. https://www.jstor.org/stable/23645718 The Alexander Fleming Laboratory Museum, London, UK. “The Discovery and Development of Penicillin 1928-1945.” 11/19/1999. https://www.acs.org/content/dam/acsorg/education/whatischemistry/landmarks/flemingpenicillin/the-discovery-and-development-of-penicillin-commemorative-booklet.pdf Wainwright, Milton. “Moulds in Folk Medicine.” Folklore , 1989, Vol. 100, No. 2 (1989). https://www.jstor.org/stable/1260294 Wainwright, Milton. “The History of the Therapeutic Use of Crude Penicillin.” Medical History, 1987, 31: 41-50. Williams KJ. The introduction of 'chemotherapy' using arsphenamine - the first magic bullet. J R Soc Med. 2009 Aug;102(8):343-8. doi: 10.1258/jrsm.2009.09k036. PMID: 19679737; PMCID: PMC2726818. Wood, Jonathan. “Penicillin: The Oxford Story.” Oxford News Blog. 7/16/2010. https://www.ox.ac.uk/news/science-blog/penicillin-oxford-story Zaffiri, Lorenzo et al. “History of Antibiotics. From Salvarsan to Cephalosporins.” Journal of Investigative Surgery, 25, 67–77, 2012.  See omnystudio.com/listener for privacy information.

 Bhakti beyond Barriers 00:00 Introduction 06:40 Moulds that define us & breaking them 22:20 God working beyond boundaries today 34:10 Non-Negotiables in personal faith 45:30 Sacred texts of other religions and the Bible 57:34 Worshipping God in cultural moulds 01:02:32 Concluding Remarks

Amie Skilton is a highly sort after functional medicine practitioner and certified mould specialist. In this episode, Amie gives us insight into the important fact around mould -What actually is mould and how it grows/feeds -What signs and symptoms are related to mould illness both acute and chronic -What testing is available to check for mould illness and if you really need testing   Resources mentioned in the podcast Free eBook 'Is Mould Making You Sick': https://www.amieskilton.com/MPYHeBook Free webinar 'The 7 subtle signs your home has a mould problem' : https://www.amieskilton.com/MPYHwebinar Waitlist URL: https://elysium-clinic-of-natural-medicine.ck.page/0d68209a1f VCS test https://www.vcstest.com Find a Building Biologist: https://www.asbb.org.au/certified-building-biologist Find a IICRC-certified remediator: https://iicrc.org/iicrcgloballocator/ Vagus nerve info: https://whatthenaturopathsaid.com/2017/11/21/instant-calm-how-to-dial-down-anxiety-immediately-via-your-ear/ Toxic Mould Support Australia (TMSA) website: https://www.toxicmould.org Toxic Mould Support Australia (TMSA) facebook group: https://www.facebook.com/groups/518640418228280https://www.toxicmould.org/faq/) Website: https://whatthenaturopathsaid.com Instagram: https://www.instagram.com/thatnaturopath/     Part 2 covers -Important core supplements for acute mould exposure -What to clean mould with and how safely to do so -What needs to be considered when dealing with mould exposure -Aimie also touches on water quality and how to avoid illness from water

An Arab American Anomaly. A Palestinian-Jordanian who moved to America at a young age. She built her way into the entertainment industry. We could spend days listing who she has worked with but they range from LA Reid to Jay Z to T.I and now she has forged a way to mentor women leaders. OT and Reem sit down and chat about the Arab/American crossover and journey of Dina's world of Hip Hop and how "hooka" is taking over the world!  #WeCauseCultureHosted by OT, Reem, and Akkaoui, the Dukkan Show is brought to you by the audiophiles at Dukkan Media.

An Arab American Anomaly. A Palestinian-Jordanian who moved to America at a young age. She built her way into the entertainment industry. We could spend days listing who she has worked with but they range from LA Reid to Jay Z to T.I and now she has forged a way to mentor women leaders. OT and Reem sit down and chat about the Arab/American crossover and journey of Dina's world of Hip Hop and how "hooka" is taking over the world!  #WeCauseCulture Hosted by OT, Reem, and Akkaoui, the Dukkan Show is brought to you by the audiophiles at Dukkan Media. See omnystudio.com/listener for privacy information.

An Arab American Anomaly. A Palestinian-Jordanian who moved to America at a young age. She built her way into the entertainment industry. We could spend days listing who she has worked with but they range from LA Reid to Jay Z to T.I and now she has forged a way to mentor women leaders. OT and Reem sit down and chat about the Arab/American crossover and journey of Dina's world of Hip Hop and how "hooka" is taking over the world!  #WeCauseCulture Hosted by OT, Reem, and Akkaoui, the Dukkan Show is brought to you by the audiophiles at Dukkan Media. See omnystudio.com/listener for privacy information.

In this episode, listen in as Lady Landlords Founder, Becky Nova, interviews member, Krista Moulds, on how focused on getting the answers she needed to build her portfolio. Apply to work with Becky Nova here: https://marvelous-architect-3095.ck.page/cf67fd7132

Our Delvers prepare for their unfortunate Landshark hunting accident. Muz'zel gets a complimentary orb consult from a Haven witch, and Light awakens from his prophetic moon hallucination, committing himself fully to Hyponikon's murderous goals. Together with Jagged, they track their enigmatic quarry through the fungus-laden tangle of Briar.

Paul Moulds has helped hundreds of young people and asylum seekers with great compassion and skill as a salvo leader. He was adopted as a baby and has faced many challenges along the way since then. It's an inspiring story.

Name: Phillip Moulds Current title: HeadmasterCurrent organization: The Rockhampton Grammar School Phillip has been the Headmaster of The Rockhampton Grammar School since 2010. Phillip is passionate about educating students to be the best people they can be, the development of leadership within schools (governance, students, teachers, school leaders), teaching and learning, global education and school-based change. Before joining The Rockhampton Grammar School, Phillip had worked at Brisbane Grammar School for eighteen and a half years, where he held a variety of positions including Deputy Headmaster, Deputy Head of Boarding, Head of Science and Head of Chemistry.  Also, for fourteen years, Phillip worked as a lecturer for the Graduate School of Education at Harvard University on-line in the areas of educational leadership and using data to inform learning.Phillip earned his PhD in Education from the University of Queensland, investigating the planning, teaching and assessment of higher order thinking processes and dispositions. Phillip also possesses a Bachelor of Educational Studies with First Class Honours, Postgraduate Diploma of Education, Bachelor of Science and Bachelor of Music, all from the University of Queensland.Phillip has been a member of the ISQ Board for the past five years and has been the Chair of the Education Subcommittee for the past four years.  He is a Graduate of the AICD Directors Course and has served on the Anglicare Central Queensland Board and the Board of the Australian Boarding Schools Association.

Slime moulds – important forest dwellers that are neither plant, animal nor fungus The story of soil Shackleton's Endurance – the extraordinary tale of endurance and unlikely survival NZ getting serious about its snow

Matt and Sean talk about Mycelium Fungus, if it's a good replacement for plastic, whether it might be a technology that will grow on us, and will we eat it or stick to cow.Watch the Undecided with Matt Ferrell “Is Mycelium Fungus the Plastic of the Future?” episode: https://youtu.be/cApVVuuqLFY YouTube version of the podcast: https://youtu.be/X_BfUS0ISEEGet in touch: https://undecidedmf.com/podcast-feedbackSupport the show: https://pod.fan/still-to-be-determinedFollow us on Twitter: @stilltbdfm @byseanferrell @mattferrell or @undecidedmfUndecided with Matt Ferrell: https://www.youtube.com/undecidedmf★ Support this podcast ★

Ann Moulds was anonymously stalked by the man she confided in about her stalker. On Valentine's Day, Ann received an obscene handwritten card followed by vulgar letters with sexually explicit images of a man dressed up in women's underwear and dozens of silent phone calls. Unable to get any significant support from the police, Ann turned to a casual acquaintance who offered her his protection and emotional support. Her stalker was the last person she would've ever expected.  Ann became an anti-stalking advocate and launched her campaign, Action Against Stalking, to bring justice to forgotten victims in need. Check Out Our Patreon: www.patreon.com/strictlystalking Instagram: Strictly Stalking - @strictlystalkingpod Jaimie Beebe - @feathergirl77 Jake Deptula - @jaked3000 Please consider supporting the companies that support us! As a listener of this podcast, you'll get $100 off of your first month with Talkspace. To match with a licensed therapist today, go to Talkspace.com or download the app. Make sure to use the code STALKING to get $100 off of your first month and show your support for the show. See omnystudio.com/listener for privacy information.

Eric Moulds and Walt Harris, two former Mississippi State Bulldogs and first round NFL picks talk about their time playing at Mississippi State for Jackie Sherrill and their NFL careers that followed.

In this weeks ep we Listen to Jade's story to find out how she broke her moulds and how you can break yours! Join the Leading Her Life Ladies Society: https://www.facebook.com/groups/2607298459395893/?ref=share @jadestart_ www.jadestart.com If you enjoyed the episode and would like a free copy of the Leading Her Life Manifesto then please screenshot your review and email it to admin@leadingherlife.com and I will send you your free copy. 

Simon Morris speaks with his colleague violin expert, Steven Smith, and violin collector, philanthropist and eminent banker Jonathan Moulds CBE about the value of instruments to both the player and the investor.

Lewis Moulds is a stand up comedian, comedy show runner, and podcast producer. ENJOY! We are having open discussions about psychedelics experiences. Hopefully we can all learn something. Telling your story can make a big difference for those who are curious about psychedelics. It all begins with an a trip. If you would like to share your psychedelic story, positive or negative, then please leave a comment or reach out to us on instagram @talkinmush

How has technology changed the way that historians and educators tell stories about the past? What does it mean to do "digital history" and how can one get started?  On today's episode, Dr. Loren Moulds of the University of Virginia Law Library sits down with Jim Ambuske to explore how technology is enhancing our ability to interpret the past. A historian of 20th century America, Moulds's work on backyard barbecues and federal housing policy shapes the way he thinks about the role technology can play to recover hidden voices from obscure sources. You'll hear about the Law Library's latest projects, including those that deal with early America, and others that reveal some of the darkest moments of the 20th century.  About our Guest: Loren Moulds leads the University of Virginia Law Library's efforts to develop online research tools and to promote, create and preserve its digital collections. Moulds received his bachelor's in English and American studies from Kalamazoo College in 2004 and earned a Ph.D. in History at the University of Virginia. He served as the director of the Project for Technology in History Education at the University of Virginia's Corcoran Department of History as well as the technology coordinator for UVA's Digital Classroom Initiative. About our Host: Jim Ambuske, Ph.D. leads the Center for Digital History at the Washington Library. A historian of the American Revolution, Scotland, and the British Atlantic World, Ambuske graduated from the University of Virginia in 2016. He is a former Farmer Postdoctoral Fellow in Digital Humanities at the University of Virginia Law Library. At UVA Law, Ambuske co-directed the 1828 Catalogue Project and the Scottish Court of Session Project.  He is currently at work on a book about emigration from Scotland in the era of the American Revolution as well as a chapter on Scottish loyalism during the American Revolution for a volume to be published by the University of Edinburgh Press.

Lewis Moulds, Comedian/Podcaster, came on by and we talk drugs, psychedelics, and their legendary combinations. We look into current rap culture and how it totally embraces or condemns drugs, depending on the artist. The pros and cons of marrying into royalty, the Epstein case and how the media is quick to damn anyone who's even slightly associated with his island. Finally, Lewis talks about the hidden messages found in released material from WikiLeaks.    More Immigrant Section: https://www.instagram.com/theimmigrantsection/   https://www.youtube.com/channel/UCSPJc5XPaW44Qz1HVQvOj4g   More Lewis: https://www.instagram.com/lewismoulds/ https://www.instagram.com/pangstars/   More Abbas: https://www.instagram.com/_abbaswahab/   https://www.youtube.com/channel/UCSPJc5XPaW44Qz1HVQvOj4g