Podcasts about Worldcon

People and animals have lived together in lots of ways for thousands upon thousands of years -- and humans, as we know, will attempt to pack-bond with anything. But what does the domestication of animals mean in worlds that might have fantastical creatures or critters who can talk? Guest John Wiswell joins us to discuss the friend-shaped beings that inhabit our fantasy worlds. When did your culture domesticate animals, and which ones, and why? What distinguishes a merely domesticated animal from a true companion? Which creatures might be normal pets, and which ones are more off-beat or even taboo? What does it mean if you can tame a dragon, or if your kitty familiar can talk to you? And then, of course, writers also need to consider what role these animals play in the story: Do they serve a narrative purpose? Or are they just there to fill out the world and acknowledge that, yes, humans generally love animals and want them around? [Transcript for Episode 185 TK] Our Guest: John Wiswell is a Nebula-winning and Locus-winning author who lives in the middle of the woods. His debut novel, SOMEONE YOU CAN BUILD A NEST IN, was released from DAW Books in the U.S. and Arcadia Books in the U.K. in April 2024. John's work has appeared in Uncanny Magazine, Tor.com, LeVar Burton Reads, Nature Magazine, The Magazine of Fantasy & Science Fiction, Weird Tales, the No Sleep podcast, Nightmare Magazine, Cast of Wonders, Podcastle, Escape Pod, Pseudopod, and other fine venues. He has been a finalist for the Hugo, World Fantasy, and British Fantasy Awards. His fiction has been translated into ten languages. He graduated Bennington College in 2005, and attended the Viable Paradise 17 workshop in 2013. He has multiple disabilities including a neuromuscular syndrome, and thinks healthy people's capacity to complain is very funny. He finds a lot of things very funny and would like to keep it that way. He is frequently available for interview and for talks at conferences. He has done panels at places such as Worldcon, the Nebula Awards Conference, and the World Fantasy Convention.

What's the difference between a bundle, a box set, an anthology, and a collection? How can being part of an anthology be creatively interesting and useful for marketing? With Jamie Ferguson In the intro, Amazon Kindle increases the 70% royalty share; audiobook marketing tips (Voices by InAudio); The Builder's Creed [Seth Godin]; Future Vision XPrize; Researching the dark side of travel [Anna Sayburn Lane]; Photos from Bruges @jfpennauthor; Bones of the Deep: A Thriller – J.F. Penn. Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jamie Ferguson is a fiction and short story author, editor, and publisher, with over 20 anthologies and multiple ebook bundles through her own press. Her latest book for authors is Bundle Up! A Practical Guide to Anthologies and Box Sets That Sell. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes The difference between bundles, box sets, anthologies, and collections Why a multi-author project means lots of people promoting the same book, not just you How to find and pitch for anthology opportunities, and what editors look for in a contributor Contracts, rights, and royalty splits explained for short fiction Why Kickstarter and special print editions are changing the anthology game Inkwren, the publishing management tool Jamie built for backlists and anthologies You can find Jamie at JamieFerguson.com. Transcript of the interview ith Jamie Ferguson Jo: Jamie Ferguson is a fiction and short story author, editor, and publisher, with over 20 anthologies and multiple ebook bundles through her own press. Her latest book for authors is Bundle Up! A Practical Guide to Anthologies and Box Sets That Sell. Just for context too, one of my short stories, “The Dark Queen”, is in the Amazing Monster Tales: Into the Briny Deep anthology. So I'm excited to talk about this today. Welcome to the show, Jamie. Jamie: Thanks for having me, Jo. Jo: Lots to talk about. But first up— Tell us a bit more about you and how you got into writing and self-publishing. Jamie: Well, I wanted to be a writer since I was at least six, maybe before then. So it was just something I always wanted to do, but I always did it on the side. I had a year, many years ago, where I was really busy with work, and I just felt like I didn't write anything the entire year, and I thought, “I'm going to give it up.” Then the next year—that was 2011—I started seeing more about self-publishing, and that really invigorated me and made me feel like, “No, why am I giving up something I've wanted to do since before I went to school?” So I got back into a novel I had worked on years before. I went to a writing workshop with Dean Wesley Smith up in Oregon, back in the day, and then I had my energy back. I've been writing ever since. Still on the side, unfortunately, but someday. Jo: Hopefully! Tell us a bit more about what kind of genres you write. Because balancing your own books with also doing these anthologies and things is quite difficult. Jamie: Yes, it definitely is. I'd say I primarily write contemporary fantasy, but I'll write anything in any genre if I'm really excited about it. I also have a soft spot for Westerns. They take a little more time because I like to research all the facts, but those are really fun to write. Creating anthologies on your own is actually quite a bit of work. One of the things I also do is work with two other authors, DeAnna Knippling and Tami Veldura, and create more anthologies with them. That's really fun because then we can each take a different piece. There's also always somebody to talk to, as opposed to doing it on your own. Jo: Let's start with the terminology, because I definitely struggled with this, and I think people still do. We've got bundles, we've got box sets, we've got anthologies, we've got collections—and are these in ebook, audiobook, or print? Can you start by explaining what all of these words actually mean? Jamie: Yes. In my book I actually use the term “multi-author collection” or “multi-author project”, because there are so many different permutations and it does get confusing. From my perspective, I think of a bundle as a collection. It could be a collection of ebooks. Technically it could be a collection of print books, although people generally use “box set” for that—but then a box set can also be a box set that's all ebooks. An anthology, I usually use for something that's a collection of short stories where there's an editor who's actually edited all the stories. I have had stories in anthologies where somebody didn't edit them, and they would technically be called a curator. So it is definitely confusing. I have not done anything with audio collections, but that certainly is another area that I actually think is pretty interesting. Jo: I also think that a single author… so I've done a short story collection, but an anthology is multiple authors. Is that right? Jamie: Yes. Jo: I think when I came into the indie space, there were a lot more multi-author… we all called them box sets back in the day, when it was just ebooks, right? And now we can actually do boxed sets with boxes through things like BookVault. So it feels like the term “box set” has also gone out of fashion. So if people listening are thinking of doing any of this, you do have to figure out what is the thing you might be signing up for. So let's talk about the multi-author projects, as that's where you specialise. What are the benefits for an author to be involved in a multi-author anthology project? Jamie: The biggest benefit is that you are one of multiple people promoting the same project, whether it's print or ebook or whatever. If I put out a short story collection on my own, I'm the one promoting it, and maybe I can get a couple of other people to write about it, but it's really just me. If I'm part of an anthology with 15 other authors, that's 15 other people who are promoting the same project. That's more newsletters, more Facebook posts, maybe something on their Patreons, whatever it is. You get more synergy, and you get more touch points with potential readers. Then hopefully that translates into sales as well. So that's definitely the biggest part of it—the promotion. Then I also personally really enjoy these types of collections because it's just fun to work with other people. There's a nice energy when everybody's like, “Oh, I put this in my newsletter, and I put this here, and I put this here,” and you feel like you're part of something bigger than just your own piece. Jo: What about the creative benefits? Especially with short stories, often people will write them for a collection or for an anthology project. Jamie: Yes. I've definitely written some stories that I never would have thought I'd write, because somebody I knew asked if I would be interested in being in their collection—whether it's an ebook bundle or a print anthology. So at least for me, that's been really fun. One of the ones that stands out is that I was asked to be in a dinosaur collection once, and I was like, “I don't write dinosaur stories.” And then I did. I set a dinosaur story in London, and it was really fun to write, and I never would have come up with that in a million years. Jo: Let's say we've got 12 authors. They've all written short stories, and now it's in this anthology. But what is the market for these kinds of things? Have you found that there is a readership for short story anthologies that carries over to the author's longer work? Jamie: There is. I like to think of it as: if I have a story in a collection or an anthology—whether it's one I'm editing or somebody else is editing—that's one more place for people to find me. A lot of times anthologies will take reprints as well, like your story. “The Dark Queen”—that was a reprint. We asked if you'd be interested in participating in the Amazing Monster Tales series. And I actually really like printing stories again that have already been published, because there are a lot of stories out there that can be hard to find. Or if it's an older book. I have one author I've known for, like, 30 years. I reprinted one of her stories that was originally published in, I think, 1999, and the anthology it was in was out of print. You couldn't find it, and it was a fantastic story. So it's fun to be able to give new life to those stories and give them more opportunities, and also just have more ways for people to find you. Jo: Yes, I definitely think it's a long game. I don't think appearing in a short story anthology in one particular month is going to mean that your whole back collection just sells, right? Jamie: No, definitely not. It's more about avenues to be found. I know there have been some anthologies that have made quite a bit of money, but in general you're probably not going to make as much money, but you will have those extra places for people to find you. Jo: I always feel like yes, there is maybe a small amount of money, but it is more about almost a marketing thing in itself. So let's say an author is listening and they're like, “Do you know, this sounds like a great idea.” How can they pitch for things like this? How do they find out about opportunities, or get noticed to be asked? And what are the expectations for them? Jamie: The biggest thing is networking. There used to be a couple of opportunities where you could make people aware that you had stories that you were interested in potentially having picked up for something. I'm not aware of anything like that now. When I create a collection, I have a mailing list that I send out, and it includes authors I've published before. It includes a couple of extra people who somehow found my mailing list. And I'll publish, like, “Here's what I'm doing.” There are also authors I've met at writing workshops. I've been able to read some of their work, I'll approach them and say, “Hey, I really liked such and such a story. Would you be interested in writing for this?” Then there are a couple of other websites, like Duotrope, and places that advertise markets and calls for submissions. Jo: Yes, I've found them also on small presses that do these kinds of projects. They often put up one call for submission a month or something, and you can write for their particular thing. In general, the short story markets are the places to keep an eye on. Jamie: Yes, definitely. Jo: If an author wants to pitch to have their story as part of an anthology, do you want to know things like platform, or is it just the story itself? Jamie: I personally look at the author's platform. I do make exceptions—there are actually two authors I've worked with a couple of times who don't have websites. They are people I know personally and they are very, very good writers, so I'll make an exception for things like that. But otherwise, if somebody submitted a story to me and I didn't know that person, I would check out their website, I would check out their social media, I would see what else they had done. Part of what you're doing when you're creating a collection is thinking not just about how you, as the person organising this, will promote the collection, but how the authors who are participating will help promote it as well. If it's somebody who has a lot of fans, even if they're not very active on social media, that can help a lot too. There are a lot of different factors, though. Jo: So then talk us through the project timeline. How long do things take, and what sort of involvement do the authors have along the way? Because it's a lot to juggle. Jamie: Yes, it is a lot to juggle. I can give you an example with the Monster Tales series. We'll come up with an idea, and we also like to try to get the artwork done early on in the process. We don't need it that soon, but it's really great to have that taken care of. We'll contact authors. I think for this one we used my mailing list, but we've also contacted a number of people individually that we know who write the style of stories we like. Then, as the submissions come in, we usually wait until we have a nice chunk of them to start going through, and then we'll pick some right away. Sometimes it'll be like, “Oh my gosh, of course we want this story,” and we'll wait to fill out the other slots. Then we'll negotiate sometimes. Sometimes it's like, “I want this story.” “Well, I want this other story.” And we have to figure out how the word count works. Once we finalise the stories, then usually what happens with that anthology is that DeAnna—who is a very, very good editor—will make the first editing pass, and then I'll make the second. And now Tami's involved, so Tami will make the third, and then we'll iterate. Once all three of us have gone through the first time, then we'll send the story back to the author for edits. So the most the author has to do for most of the process is just wait for us to edit their story, and then work on their edits and get them back. Then, once we get closer to launch, we'll give them information about what we're going to do. For example, we're going to launch the next issue with a Kickstarter. So our authors know that we have a Kickstarter coming, and we'll give them more information as we get closer to the actual launch date. Jo: So how long might an author expect before their work is out there? Jamie: It really varies. I've had some collections published very quickly—let's say a couple of months. Some have taken longer just because somebody ends up having some life issue and things get delayed. So I'd say ideally it would be more like three to nine months. Jo: Yes, I think… depending on the— Jamie: —collection and the complexity. Jo: Yes, exactly. Jo: And you did mention word count there. Just give us a range of what word count you like to get. Jamie: So these days I'm shooting for between 75,000 and 80,000 for the total word count for a collection. That includes the stories, but it also includes the opening, the introduction. For one we're working on now, we're going to have some interstitials, where we have little bits of things we're going to write in between each story. So that's the overall size of the collection. I'll keep track of the word count as the stories come in, and then as we edit the stories, sometimes they grow, sometimes they shrink. Sometimes that's a big enough difference where we're like, “Okay, we need one more story to fill it in.” But that's the target. Jo: And how much for each individual story? Jamie: That varies. I've done a bunch of different things. These days, what I'm advertising is between 3,000 and 8,000 words. I also always tell people: if you're outside this range on either side, just check with me, and if it's something that's really an excellent fit for the book, I'll make an exception. The one that's coming out, I think we have a 1,500- or 2,000-word story that was just amazingly perfect for what we wanted. There was another story, actually I think it was the issue that you were in, that was at least 12,000 words, but it also was a perfect fit for the theme. So I will make exceptions, but within reason. I wouldn't put a novella inside an anthology, because then you'd have a 22,000-word story next to a 3,000-word story, and I personally feel like that's really jarring for the reader. You don't want to go from something super short to something super long. It just doesn't feel like it flows well to me. Jo: No, absolutely. Jo: We'll come back to the making of it because you mentioned some really interesting things there. But just on the contractual side—a lot of indie authors don't necessarily do any publishing contracts for their work, unless it's signing the terms and conditions when uploading on Amazon or Kobo. So tell us a bit about the contract side. What rights are we talking about here? Any red lines in contracts around this kind of thing? Jamie: For contracts, I would recommend people read Kristine Kathryn Rusch's posts on this. She is way more informed about this than I ever will be, so when I have questions, I'll look at her posts. I've asked her a couple of questions. What we're doing for the Amazing Monster Tales… this is the first time that I've actually had authors sign contracts. Prior to this, I've used PubShare, which handles royalty splits and all of that, and that was really great. We want to do direct sales and Kickstarters and have lots of other options. So we did put together a contract this time. I'd have to pull it up, but I think we asked for first worldwide rights in English—I'm getting the terminology wrong here—but that was basically it. Jo: Or, I guess, reprint rights if the story's already been licensed. Jamie: Correct. We have two contract templates, one for original stories and one for reprints. We made sure to make that distinction, because it is definitely a distinction. In the book by Kristine Kathryn Rusch—it's called Closing the Deal… on Your Terms—I highly recommend that for anybody interested in learning more about contracts. Jo: Yes, that's great. And just for people listening: when you said you didn't have contracts before, you just used PubShare. So in that way, the author still retained the rights and you just split the royalties—it was more of a co-writing thing. Jamie: Correct. When you publish stories through PubShare, the author signs an agreement with PubShare, and then I, as the editor or organiser, would also sign a separate agreement. So each of us has an agreement with PubShare. We don't have agreements with each other, if that makes sense. Jo: Yes, so it's very different to move into Kickstarter. So tell us about what you're now moving into. Jamie: Well, Kickstarters are a new world for me personally. I have many friends who have had Kickstarters. I've supported Kickstarters. I watch them. But it's something where I'm very happy to have two partners who have done Kickstarters before. I'm not sure how many Tami's done—I think Tami's done the most at this point. So this is all new to me. But it's very exciting. At this point we have a backlist, so part of the plan, for the Monster series, is to offer issues one through four as part of the rewards when we launch issue number five. That's really exciting, because I never had a backlist like that before. Jo: Yes, and in fact the money is in the backlist, as ever, and those add-ons or bundles as part of Kickstarter are great. So are you going to do special print editions, or is it digital only? Jamie: We are talking about special print editions. You mentioned BookVault earlier—we've been looking at BookVault. Our other anthology series that hasn't come out yet will also launch with a Kickstarter. It's dragon-themed, and Tami actually did the cover work, which is beautiful. BookVault just gives you so many options that we never had before, so I'm very excited about that. Jo: Yes, I think it's a really good idea. I did gorgeous hardbacks for my solo author collection, so I think it's a great idea. So from the publisher side, let's come back to that. You've mentioned you have to write things like an introduction and interstitials, and you're trying to balance the stories. What are some of the other things that people might think about if they want to organise their own anthologies? Jamie: Oh gosh, where to start? There's the basic setting up of the anthology, so you have to define the table of contents. You might get a bunch of stories that are really awesome, and you might have to tell somebody who has a wonderful story—and maybe even who's a good friend of yours—that you're going to pass on it because their story doesn't fit with all the other stories. Every time I have to do that, I feel kind of bad. But being on this side, it's really interesting to see how you can tell which stories fit together and which don't. There's also the editing process, which can be a lot of work. Part of what I like about working with Tami and DeAnna is that DeAnna really loves editing. I feel like I'm a good editor, and I can do it, but for me it's more of a job. For DeAnna, she loves it, so she does the bulk of the editing, which is great. When I do it on my own, I feel like it's a task I have to do. There's lots of cat-herding. Sometimes people take a while to get their edits back. Sometimes they have life events, and you have to delay things because you're waiting on them. There are all the little tiny pieces of organising things—like, if you're reprinting stories, you need to make sure you get the copyright attribution correct. A lot of times I'll have to go and look up where something was originally published. An author might say, “Oh, it was published in this year,” and I'm like, “Okay, actually it was published in this other year, by this other publication first.” So I'm trying to be organised there. henT one of the things that very infrequently—I think it's only happened to me twice—every once in a while, you're in the middle of editing a story and you have to pass on it, even though you've already accepted it, because the editorial vision and the author vision for the story are not the same, and you can't reconcile that. Jo: I think that's really interesting, because so much of what you're talking about there—you mentioned vision—it's almost taste. You're saying which stories fit. It's not just a case of, I don't know, a pirate anthology and then picking 10 stories about pirates, right? You seem to be thinking about this in a more artistic way. So can you talk a bit more about that? How do you decide on a theme, and then how do you know that a story doesn't fit? Jamie: In the beginning, I was not this selective. In the beginning I'd say, for example, “Hey, I'm putting out a collection about fairies. Give me a fairy story,” and that was it. As I've edited the stories, it's become easier to see how things fit. So, for example, if I have 10 stories in an anthology and I have an 11th story, and they have different tones—let's say the 11th story is really funny and all the other stories are very serious—then that would be a fit thing. That's not necessarily taste; it's just that you don't want one funny story if everything else is really dark and scary or serious. As far as picking a theme, the theme could be very broad. With this dragon anthology we're working on, we decided we wanted it to be called A Hoard of Books. So the theme was: has to have dragons, has to have books, and that's pretty much it. And then we were like, “Let's just see what we get.” We were very surprised at what we got. We thought we'd have more serious stories, and it turned out most of them were very light-hearted and really fun. And we're like, “You know what? That actually changes the way we're looking at the whole series,” because we did not expect that. With the monster series, we'll pick a theme. So, for example, the next issue is Monsters in Love, and for those it's more like, let's just see what happens. Sometimes I'll have a more specific theme. The next anthology I'm publishing on my own is called Fairy Bargains, and I wanted people to obviously have fairies, but I wanted there to be something related to the mythology and lore of having a bargain with a fairy—and there's a lot of stuff about that. So for some things like that, when I put out a call, I'll provide information. I might say, “Here's a link to a Wikipedia article. Here's some mythology that might be helpful for you,” just because I want things to stick a little bit more to the theme itself. Whereas with Monsters in Love, there's a very wide range of stories, and that was very fun to work through. Jo: Oh, yes. There's a lot of monster, on the spicy side as well. But were you doing a clean Monsters in Love, as opposed to in lust? Jamie: Yes, this is a clean one. That's pretty funny. But boy, when you give authors the room for these types of things, you get all kinds of stories, and it is super fun to work with those collections. Jo: As you're talking, I definitely want to do more short stories. It's really interesting, because you can actually generally get paid more for a first print—first print rights on a short story—but I often want to just publish it myself. Then I was really happy to be in yours, because it was a reprint anyway. So I was like, well, there's absolutely nothing to lose if it goes in as a reprint. So these things can be really interesting. Talking of the finance from your side of things: you have a small press and you're doing this publishing yourself, but you're paying all these authors and doing a lot of work. So how does it work as the publisher, in terms of these anthologies, financially? Jamie: With the ones we've published so far, because we've gone through PubShare, it's been a royalty split. As the editors, we would take a percentage, and then we pay for the artwork, and of course all of our time. I think what we were doing there was saying 70% of the royalties would be split equally between all of the authors and the stories. So, for example, if I had a story as well, I would get part of the author split—the same percentage as everybody else in the collection—in addition to the editor split. For what we're doing now, we've changed this a little bit, and I believe we said 60% goes to the authors, and then we're going to keep a share of the proceeds for the business because we want to be able to pay for the artwork out of the business account. We want to pay for advertising, whatever we need to do—like setting up our store, or if we wanted to invest in anything, we want to be able to do that as the business, as opposed to it just being us doing this on our own. We're just trying to treat it a little bit differently. Jo: And I know it's so much work—a crazy amount of work. How many anthologies and books do you have to do in a year to make it worthwhile financially? Jamie: Oh, I don't know. I would say, unless you get an opportunity—like, for example, to have an anthology in a story bundle or something like that—you may not break even. But if you're going to do this, do it more for the marketing, do it more because you enjoy it. Now, going forward, I think that will change, because we are looking at Kickstarters, we are looking at direct sales. We're very motivated to try to make this more of a business thing than a fun side project. So, ask me in a year. Jo: Yes, hopefully more. I do think Kickstarter is great for short stories. I actually buy quite a few collections on Kickstarter. I think they're actually really hard to discover through, say, Amazon—it's a place that is quite hard to identify short stories. Whereas I've found I've bought collections on Kickstarter because there's so much more of a sales page—there's so much more rich media that tells me how I'm going to feel about the stuff. I've bought short story anthologies and collections from people I don't know. So I think it's a really good thing to do. There is an audience there. Jamie: Yes, definitely. And it does feel like the anthologies on Amazon don't sell as well—you don't make as much as you used to. I've been doing this for, well, gosh, 10 years now, and I feel like the sales numbers on Amazon in the past year were noticeably lower than they would have been six or eight years ago. So I am very excited about Kickstarter. Plus, Kickstarter just feels really fun. You're not just throwing your book up; you also have all the extra stuff with the page, you have the rewards, and it just feels really exciting. Jo: No, I agree. I really love it. I didn't do it for a long time, and now I just love it. Jo: So, staying with the publisher side of things— Any practical formatting and production tips? Because in these types of projects, all kinds of people just send you different stuff. Jamie: I have a style guide. So whether it's me or it's the group project, once all the edits are complete, I'll do a formatting pass, and I'll make sure I use curly quotes and the same em dash format and everything, just so everything in the book is formatted the same way. Every once in a while there's an author who has something particular that they want, and I can work around that, and that's fine. I also work with a lot of Canadian authors, and I'll let them keep their Canadian spellings. I don't think everybody does that, but I feel like that's their voice in a way, so I don't correct those. I might check some things there. I think the formatting is important—it makes things look better if everything has the same style. Then I use Vellum, which makes things really easy. I love Vellum. Because I publish so many authors at this point, I have a Vellum file where I store their biographies and their links, so when I publish a new anthology I'll just go grab, say, Jo's “about the author” page from that collection and put it into the new file. Then I also track when the last time was that I checked with the author about their biography. If it's been more than a year, I'll check in with them and say, “Hey, do you have an updated biography you want me to use? Here are your links—do you have any different links now?” So that makes it a lot easier from the formatting standpoint. Jo: And you mentioned Vellum—having done box sets on Vellum, you can just drag a whole book in there if you want to do a three-book box set, or three short stories, whatever. It's much easier to just drag things in, and it makes it easier to format. So I would say to people: you don't need to worry too much about that. There are lots of things that can help you. But even with doing the print stuff for the Kickstarter—people have opinions, don't they? So in terms of authors' opinions and managing—you mentioned herding cats—how do you manage all of that side of things? Jamie: I haven't actually had a lot of trouble with that. The authors I've worked with seem to feel like they gave me their story, and then once the edits are out of the way… I haven't had anybody have any issues with the covers. Usually they love the covers, especially for the Monster series. So, no problems there. Jo: Oh, that's good. Well, I would say a tip would be to make sure you're communicating, if you're somebody who's organising. So talk a bit about communication. Jamie: Communication is very important. What I try to do is send regular updates, especially if I'm in the middle of edits or working on something and I'm not ready to launch. I'll send an update email out to the authors and just say, “Here's what's going on, here's what the plan is.” Or if the plan has to change, if the launch date has to change for some reason, I'll let the authors know about that. Actually, with the upcoming Monsters in Love issue, we were originally not going to do a Kickstarter. That was a late decision, so I contacted all the authors and said, “We've changed our plans. We're going to launch this with a Kickstarter. Please confirm that you're okay with this.” One author was not comfortable with the Kickstarter idea, so he pulled his story, and then we found a replacement story for that. But I just feel like the communication piece is really essential. It's really important for the authors to know what's going on. Jo: Yes, absolutely. So, we've talked about how marketing is a good thing, in terms of there being lots of people marketing. How are you effectively marketing these kinds of books, as the premise is quite different to a single author project? Jamie: Right. There's the usual—write a release post, write posts on social. I do additional things, so I'll publish what I call a story spotlight for each story in the anthology. That's just where I talk a little bit about the story, I provide an excerpt, and then I provide the author's bio and links to find them. Those are really great, because they're very quick to put together. The hardest part is getting a short excerpt that shows enough about the story to be engaging. But that really isn't that much time, either. Then those are also nicely evergreen. I've actually searched for authors before, when I'm trying to research them for an interview, and I've found my own spotlight posts and my own interview posts with authors come up at the top of the list, which is kind of funny. I also do interviews with as many of the authors in a collection as are willing to participate. Sometimes people just don't have the time—I don't make this required—but I usually get 80 to 90% of the authors participating. So, for example, this year I'm in a couple of bundles on StoryBundle, and I'm doing interviews for people there. It's also really fun, and you're not paying for advertising—you're just creating something that the authors are excited about and they want to share. So it promotes the collection, but it also promotes the author, which I find really nice. It's a nice networking thing too, and I'm happy if someone wants to interview me. It's like free publicity for each person, in addition to the collection. Jo: I love that you've used the word “fun” quite a lot, which I find amazing. You're obviously a super collaborative person. I've co-written a number of books— I've been part of some collections, and I really think that there are two personalities. One is like me, where we really love the creation stuff and the publishing stuff, but we're hyper-controlling. And then someone like you—you're very collaborative, and you're doing such a great job. To people listening, I would say: if you're more like me, don't organise an anthology. What you want is Jamie, or somebody who actually finds it fun to organise a big group of authors. Jamie: Yes. It is definitely interesting working with other partners in this, because when I publish an anthology on my own, I make all the decisions. I pick the artwork, I pick the theme, I do everything, I decide the table of contents. But when you're working with other people, you do need to negotiate. So we've had a couple of times where it's like, “I want this story.” “Well, I want this other story, I don't like the story that you want.” And so we have to barter, in a way. Aside from that, it is nice, because you get to split up the tasks. I could focus on things like the organising—I do the Vellum files, I do the final cover and everything. For the Kickstarters, actually, Tami's got more expertise, so Tami's going to be working on the Kickstarters for our collections together. If I had to do all this on my own, it's a ton of work. It's a ton of work. So it is nice to split it up. Jo: And of course, one of the things is managing so many moving parts—and you've actually built a tool to manage all this. So tell us a bit about that tool, and how it might be useful for people with big backlists as well as anthologies. Jamie: I built what I think of as a publishing management application. The original idea is that, for years and years, I wanted a software tool that would do catalogue management, because I was managing my own catalogue, and I was also managing—at this point I've published at least 20 anthologies, so that's a lot of authors. Then last summer, I had an author who I'd published a number of times, who was going to, I think, WorldCon, and she asked if I could give her covers for five anthologies she'd been in, so that she could make some promotional material. I was like, “Oh, sure, I can do that.” And then I was like, “Well, wait a second—is this in Notion?”—because I started trying to use Notion last year—”or is it in a spreadsheet?” It turned out her information was in, like, three different places, and I had to work to pull it together. And then I was like, “You know what? That's it. I'm just going to finally write this application.” So Inkwren manages your stories. As an author, I can manage my stories—I can track which are published, which are drafts, which are just ideas. I can track my publications. From the publisher standpoint, it's really helpful, because I can track each anthology I've published and what I'm working on. I can track the edits, I can track the contracts. I can upload contract templates—so we talked earlier about the original and reprint contract templates that I use. I upload those, and they have placeholders in them. When I generate the actual contract, the author's name will replace the placeholder—I'll have the text “author name” in the contract template, and it'll get replaced by, like, “Joanna Penn” or whatever. So that saves a lot of time. Then I also added in task tracking, because I started to feel like, well, now all my stuff is in one place, but my tasks are somewhere else. So now I can associate tasks with a publication. For example, for the book I'm working on right now, I know which tasks I need to do for the cover, and which for the interior, and everything. I have a template of tasks. Then I can also track tasks related to promotions. For example, the story bundle I'm promoting right now, I have a task for each interview I'm doing with the authors, and I have a calendar view. I can see when I'm going to publish them and know that they're all spread out. It saves me so much time, and it's so much easier. Jo: I do think building tools when you actually need the tool yourself is very useful. Just say the name again, and spell it out for people. Jamie: It's Inkwren. My own personal publishing company is Blackbird Publishing, and I wanted something related to birds and writing. So I came up with Inkwren, which is I-N-K-W-R-E-N, and it's just inkwren.com. Jo: And it is available for other people to potentially buy and use? Jamie: Yes, it is. Jo: Well, I think that's super useful, because it's very hard when people are starting out and they think, “Oh, I've only got one book—why would I need any kind of tool to manage it?” But over the years, your backlist grows, especially with short stories. So I love that you've built this, and there's probably more that you can add over time as you expand the business yourself. So much potential. So we are at the end. Where can people find you and your books and everything you do online? Jamie: My author website is JamieFerguson.com. And then, obviously, I mentioned Inkwren earlier. My publishing company is BlackbirdPublishing.com. And then the projects I'm doing with Tami and DeAnna—we have a couple of websites, but the easiest way to find us is our press, which is BorogrovePress.com. Jo: Fantastic. Well, thanks so much for your time, Jamie. That was great. Jamie: Thanks, Joanna.The post Bundles, Box Sets and Anthologies With Jamie Ferguson first appeared on The Creative Penn.

In genau 2 Monaten ist die "Metropol Con" in Berlin: eine bunte Phantastik-Mischung auch Kongress und Festival. Ob man überhaupt noch eine Phantastik-Convention braucht, habe ich diesmal mit dem Orga-Vorstand Dr. Claudia Rapp besprochen. Außerdem haben wir ein wenig in die Zukunft geschaut, denn in zwei Jahren könnte sogar die Worldcon nach Deutschland kommen.

John, Alison and Liz dissect this year's Hugo Awards finalists! An uncorrected transcript of this episode is available here. Please email your letters of comment to comment@octothorpecast.uk, join our Facebook group, and tag @OctothorpeCast (on Bluesky or on Mastodon) when you post about the show on social media. Content warnings this episode: None Hugo Awards Best Novel A Drop of Corruption by Robert Jackson Bennett Death of the Author by Nnedi Okorafor Shroud by Adrian Tchaikovsky The Everlasting by Alix E Harrow The Incandescent by Emily Tesh The Raven Scholar by Antonia Hodgson Best Novella Automatic Noodle by Annalee Newitz Cinder House by Freya Marske Murder by Memory by Olivia Waite The River Has Roots by Amal El-Mohtar The Summer War by Naomi Novik What Stalks the Deep by T Kingfisher Best Novelette “Kaiju Agonistes” by Scott Lynch “Never Eaten Vegetables” by H H Pak “Rapport: Friendship, Solidarity, Communion, Empathy” by Martha Wells “The Girl That My Mother Is Leaving Me For” by Cameron Reed “The Millay Illusion” by Sarah Pinsker “When He Calls Your Name” by Catherynne M Valente Best Short Story “10 Visions of the Future; or, Self-Care for the End of Days” by Samantha Mills “In My Country” by Thomas Ha “Laser Eyes Ain't Everything” by Effie Seiberg “Missing Helen” by Tia Tashiro “Six People to Revise You” by J R Dawson “Wire Mother” by Isabel J Kim Best Series Emily Wilde by Heather Fawcett October Daye by Seanan McGuire Old Man's War by John Scalzi The Chronicles of Osreth by Katherine Addison The Craft Wars by Max Gladstone White Space by Elizabeth Bear Best Graphic Story or Comic Absolute Wonder Woman Vol. 1: The Last Amazon A Girl and Her Fed A Wizard of Earthsea: A Graphic Novel The Invisible Parade The Power Fantasy Volume 1: The Superpowers The Space Cat Best Related Work Colourfields: Writing About Writing About Science Fiction by Paul Kincaid Inventing the Renaissance: The Myth of a Golden Age by Ada Palmer Last War in Albion: “The Cuddled Little Vice (Sandman)” by Elizabeth Sandifer Positive Obsession: The Life and Times of Octavia E Butler by Susana M Morris History of Westeros: “Ragnarök vs the Long Night” The Hugo Spreadsheet of Doom, maintained by Renay Best Dramatic Presentation, Long Form Andor (season 2) Frankenstein KPop Demon Hunters Mickey 17 Sinners Superman Best Dramatic Presentation, Short Form Doctor Who: “The Story & the Engine” Murderbot: “All Systems Red” Murderbot: “The Perimeter” Pluribus: “We Is Us” Severance: “Cold Harbor” The Wheel of Time: “The Road to the Spear” Best Game or Interactive Work Blue Prince Citizen Sleeper 2: Starward Vector “Tabletop roleplaying in the world of Citizen Sleeper 2!” on Quinns Quest Clair Obscur: Expedition 33 Dispatch Hades II Hollow Knight: Silksong Best Editor Short Form Scott H Andrews Jennifer Brozek Neil Clarke Lee Harris Michael Damian Thomas Sheila Williams Best Editor Long Form Carl Engle-Laird Jaymee Goh Lee Harris Jenni Hill Joe Monti Diana M Pho Best Professional Artist Lulu Chen Kelly Chong Dave Kellett Tran Nguyen John Picacio Tom Roberts Best Semiprozine Escape Pod khōréō magazine On Spec: The Canadian Magazine of the Fantastic Strange Horizons The Deadlands Uncanny Magazine Best Fanzine Ancillary Review of Books An Unofficial Hugo Book Club Blog Galactic Journey Intergalactic Mixtape Journey Planet nerds of a feather, flock together Best Fancast A Meal of Thorns Eating the Fantastic Hugo, Girl! Octothorpe The Coode Street Podcast Worldbuilding for Masochists Best Fan Writer Jay Brantner for “Tar Vol” Alex Brown James Davis Nicoll Roseanna Pendlebury Jason Sanford Örjan Westin Best Fan Artist Terri Ash Geneva Bowers Sara Felix Richard Man España Sheriff Yuumei Best Poem “Care for Lightning” by Mari Ness “Hex Supply Customer Support Log” by Elis Montgomery “How to Become a Sea Witch” by Theodora Goss “Landing: Seattle” by Brandon O'Brien “The Mourning Robot” by Angela Liu “The World to Come” by Jennifer Hudak Lodestar Award for Best Young Adult Book Among Ghosts by Rachel Hartman Coffeeshop in an Alternate Universe by C B Lee Holy Terrors by Margaret Owen Oathbound by Tracy Deonn Sunrise on the Reaping by Suzanne Collins They Bloom at Night by Trang Thanh Tran Astounding Award for Best New Writer Sophie Burnham Kamilah Cole Antonia Hodgson Molly O'Neill H H Pak Jared Pechaček Credits Cover art: “Vibrant Award Culture” by Alison Scott Alt text: A cartoon. John, Alison and Liz are wearing Octothorpe T-shirts and matching purple baseball caps while standing behind a market stall clad in a very slightly different purple and with various delicacies upon it. The sign above the stall reads “Octothorpe 158 Hugo HOT takes”, with “HOT” in a little tiny fire. The sign below the stall reads “Always half-baked! Fresh off the griddle! Three-pack special!” Theme music: “Fanfare for Space” by Kevin MacLeod (CC BY 4.0)

John is volunteering, Alison is saying “no”, and Liz read her first book! An uncorrected transcript of this episode is available here. Please email your letters of comment to comment@octothorpecast.uk, join our Facebook group, and tag @OctothorpeCast (on Bluesky or on Mastodon) when you post about the show on social media. Content warnings this episode: None Letters of comment Alexandra Lanes (Bluesky) Ali Baker Brown (Bluesky) Chris Garcia (email) Fiona Moore (Facebook) Ivan Sinha (Facebook) Kin-Ming Looi (Facebook) Kev McVeigh (Facebook) Paul Weimer (email) Roseanna Pendlebury (Bluesky) Scott Edelman (Bluesky) The convention never ends Tommy Ferguson (Facebook) We also heard from Farah Mendlesohn, Fredrik V Coulter and Mike Scott SMOFcon 2026: SMOFcon 43 in Lisbon, Portugal Worldcon 2028: Bid for Nuremberg, Germany “Nuremberg in 2028 Worldcon Bid Unveils Website” on File 770 Worldcon 2028: Bid for Kigali, Rwanda They are withdrawing from the process Join the “Worldcon in Africa” mailing list Worldcon 2029: Bid for Dublin, Ireland Fan funds Transatlantic Fan Fund (TAFF) Kat Templeton has announced her candidacy Ansible #463 reported that the ballot would be online “soon” Going Under Fan Fund (GUFF) Nominations are now open and close on 18 February! Picks John: 28 Years Later: The Bone Temple Alison: Anbernic RG 34XXSP Liz: There is No Antimemetics Division by qntm The SCP Foundation Antimemetics FAQ ROT13 Credits Cover art: “Alison the White” by Alison Scott Alt text: A picture of Alison with white hair, wearing a white dressing gown, and wielding a staff with a moose head. John and Liz flank her. She says “Behold! I am reborn as Alison the White!” John says “That's a bit dramatic… it's only a haircut” and Liz says “Pretty sure that's a dressing gown… and are you standing on a box?” The words Octothorpe 153 are at the top. Theme music: “Fanfare for Space” by Kevin MacLeod (CC BY 4.0)

Journalist Susana Polo joins the show to talk about her interesting year and a bevy of subjects we didn't get to highlight from the wider world of comics in 2025. Polo discusses post-Polygon living, the loss of personality-driven sites, how the Polygon experience shaped her, the reverse energies of 2025's comic movies, the muted comics conversation, recency biases, the importance of back catalogue, Worldcon, expanding the comic box, the insane number of crossovers, Harley & Ivy: Life & Crimes, expanding genres, Marvel's lack of excitement, Batman's quality, Mark Waid's eternal nature, the European comic invasion, things we're excited for in 2026, Vertigo's return, the Archie/Oni partnership, the reverse European comic invasion, Avengers: Doomsday, and more.

To cap off their 9th season, in episode 368 James and Luke list their best (and worst) reads, then name the best (and worst) adaptations of the year. It was an exciting year highlighted by their first ever live recording featuring the incredible Martha Wells who joined the show to talk Murderbot at WorldCon in Seattle. The podcast didn't stop at just sci-fi, though, making a deep dive into Dracula, exploring a legendary anime, dissecting a trio of Stephen King movies, laughing with a Shakespeare retelling for the ages, and lamenting a fantasy series cancelled before its time. Topics also include: The Wheel of Time, Nosferatu, Mickey 17, Conclave, The Ring, The Iron Giant, and so much more. Thank you to everyone who made this year a great one for Ink to Film! Categories Intro - 00:00:27 Podcast Stats - 00:02:21 Biggest Surprise - 00:13:42 Worst Read - 00:25:30 Best Read - 00:35:38 Worst Watch - 00:50:53 Best Watch (A.K.A. Best Adaptation) - 01:02:47 Looking Ahead - 01:20:53 Pickup any of the novels they've covered at the Ink to Film Bookshop! https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects! www.patreon.com/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writing: https://www.lukeelliottauthor.com/pub... James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

Cartoonists Dave Kellett and Brad Guigar make their predictions for 2026 and share their goals for the new year. Also — they offer their annual reminder to shop the Comicraft New Year's Day sale on January 1st.Brad's PredictionsSyndicated comics reach the tipping pointCreator identity becomes prominentSubstack pulls throughWebtoon bubble burstsPatreon expands “community” and “discovery” tools.AI gains acceptanceDave's predictionsIf you want a stable career in comics, produce Dog Man.NCS will continue to grow its membership to numbers it hasn't seen in decades.If Funko Pop indeed goes bankrupt — and that's still a big if — there might be SDCC space available for the first time in years.I'm predicting a good-sized market correction in the second part of the year.Brad's GoalsShifting from survive to thrive.This will be a two-Kickstarter year. Spice Rack was a moderate success. Uncensored Artists is the next stepRepackaging, re-releasing, and rebranding my archives for a new and evolving audience.20% email list growth on the Evil Inc Substack and the free-membership tier on Patreon.Start doing monthly assessments so I can improve my annual assessments. Dave's GoalsKickstart one new book, “Double Dog Dare”Exhibit at WorldCon in LA for the first time in a decade.Successfully navigate the first of the last four years of DRIVE. Get more “Tales of the Drive” in the works.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Author : Laura Pearlman Narrator : Laura Pearlman Hosts : Alasdair Stuart and Summer Fletcher Audio Producer : Summer Brooks This story was originally published in Mothership Zeta, May 2016, and republished in Escape Pod 650: Some Things I Probably Should Have Mentioned Earlier (LIVE) This is a live reading from Worldcon 2018. Some Things […] Source

Join Luke & James on the convention floor as they catch up with former guests Remy Nakamura, Curtis Chen, Kate Ristau, Erik Grove, Jessie Kwak, Fonda Lee, Daryl Gregory, Patrick Swenson, and Rachael K. Jones! Each author shares their experiences at the convention and what they've been up to in the years since their last appearance on the podcast. Find our guests books on our bookshop: https://bookshop.org/lists/special-guest-books Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects: https://www.patreon.com/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writing: https://www.lukeelliottauthor.com/publications James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

Randee Dawn Returns! Take a walk with me down Fascination Street as I get to know even more about Randee Dawn. Randee first appeared on the show in April of 2025, and now she is back with more book talk! Randee's newest novel is called Leave No Trace, is out now, and is available everywhere you get books. In this episode, we chat about why Radiohead gave her a gold record, some of her experiences writing for Alternative Press magazine, and touring with Radiohead in their earlier days. Then we move onto her course in BEING interviewed, some of her past vacation destinations, upcoming vacation destinations, and what kind of things she searches out while visiting new places. Finally, we get into her books. Randee has several speculative fiction novels out; as well as a few in the works. he writes two series, in two different universes. I get her to explain each of the books and their associated universes. Her newest endeavor is Leave No Trace, which is book 2 in her musician / fairy series. While reading book 1 isn't 100% necessary, it sure helps. We also discuss her other books, including: The Only Song Worth Singing, Tune In Tomorrow, We Interrupt This Program, Don't Touch That Dial, and Leave No Trace. Keep your eyes peeled for Randee Dawn Appearances at fantasy and writing cons worldwide. She will be at World Fantasy Con coming up and frequently appears at World Con and others. All of Randee's books are available at RandeeDawn.com.The

John is on holiday, Alison said she'd have T-shirts ready, and Liz is back! An uncorrected transcript of this episode is available here. Please email your letters of comment to comment@octothorpecast.uk, join our Facebook group, and tag @OctothorpeCast (on Bluesky or on Mastodon) when you post about the show on social media. Content warnings this episode: None Letters of comment Doug Faunt (Facebook) Corflu 2026: Corflu Pickled in Santa Rosa, CA, USA Ian Hillman (DM) Jonny Baddeley (Facebook) Eastercon 2026: Iridescence in Birmingham Hotels are open: Check your emails for the link Merch should be available by the time you read this   Bursaries are open for applications, deadline of 31 October The volunteer form is open Haruhicon 2026: Birmingham Carrots, vitamin A, radar, and British propaganda BristolCon 2025 World Fantasy Con 2025: Brighton Armadacon 2025: Plymouth British Firework Championships Novacon 2025: Novacon 54 in Buxton Pictcon 2025: Pictcon1 in Perth Satellite 2026: Satellite 9 in Glasgow Worldcon finances Worldcon 2013: LoneStarCon 3 in San Antonio, TX, USA Worldcon 2015: Sasquan in Spokane, WA, USA Worldcon 2016: MidAmeriCon II in Kansas City, MO, USA Worldcon 2020: CoNZealand in Wellington, New Zealand (but mostly online) Worldcon 2023: Chengdu, China Worldcon 2024: Glasgow, UK Smofcon 2025: Smofcon 42 in Stockholm, Sweden Picks John: Tactical Breach Wizards Alison: Here East Conrad Shawcross – Umbilical (The Nervous System) V&A East Storehouse Liz: The Raven Scholar by Antonia Hodgson Credits Cover art: “Treasures of the V&A Storehouse” by Alison Scott Alt text: The Torrijos Ceiling at the Victoria & Albert East Storehouse. An elaborate, gilded and octagonal ceiling. Why yes, Alison has a new phone, how could you tell? Theme music: “Fanfare for Space” by Kevin MacLeod (CC BY 4.0)

[Worldcon] was my first convention where I went to panels, gave a reading, and had a big party. It made my sweet little book feel like the huge thing it is in my heart and mind. -Tim Chawaga S21 Ep18 In this episode, we welcome Tim Chawaga, author of Salvagia, as we dive into the depths of his near-future science fiction mystery set in a flooded Florida. Tim shares the inspiration behind his book, where a freelance Salvagia diver uncovers a dead body while searching for valuable artifacts from the past. We explore the blending of genres in Salvagia, from climate fiction to humor, and discuss the delicate balance between plot and world-building in writing. Tim reflects on his debut at Worldcon, the challenges of imposter syndrome, and the importance of building connections within the writing community. (This post went live for supporters on October 16, 2025. If you want early, ad-free, and sometimes expanded episodes, support at Patreon or get my newsletter at Ghost!) Download Transcript Links Tim Chawaga Salvagia Seattle Worldcon Evergreen Links See all books from Season 21 Like the podcast? Get the book! I Should Be Writing. Socials: Bluesky, Instagram, YouTube, Focusmate Theme by John Anealio Savor I Should Be Writing tea blends Support local book stores! Station Eternity, Six Wakes, Solo: A Star Wars Story: Expanded Edition and more! OR Get signed books from my friendly local store, Flyleaf Books! — "From Idea to Ink: Tim Chawaga on Crafting Salvagia" is brought to you in large part by my supporters, the Fabulists, who received an early, expanded version of this episode. You can join our Fabulist community with a pledge on Patreon! Some of the links above may be affiliate, allowing you to support the show at no extra cost to you. Also consider leaving a review for ISBW, please! CREDITS Theme song by John Anealio, art by Numbers Ninja, and files hosted by Libsyn (affiliate link). Get archives of the show via Patreon. October 16, 2025 | Season 21 Ep 18 | murverse.com "From Idea to Ink: Tim Chawaga on Crafting Salvagia" by Mur Lafferty is licensed under CC BY-NC-SA 4.0 In case it wasn't clear: Mur and this podcast are fully supportive of LGBTQ+ folks, believe that Black Lives Matter, and trans rights are human rights, despite which direction the political winds blow. If you do not agree, then there are plenty of other places to go on the Internet.

Hello fellow nerds! Welcome to our 19th Episode. Join Heather and Stacy as we debrief two big conventions: San Diego Comic Con and World Con. We chat panels, artists, authors and all the things about fandom conventions that bring the squee. Want to hear about the upcoming Vampire Lestat season from AMC’s Immortal Universe, a BBC Doctor Who activation, or the new Lucas Museum of Narrative Art? It’s all here. Then, it’s time to talk Demon Hunters…the K-Pop kind. Hang out with us for an episode where fans interact with creators, media brings joy, and fandom really can seal the Honmoon! Stacy Watnick and Heather Berberet.

Hello fellow nerds! Welcome to our 19th Episode. Join Heather and Stacy as we debrief two big conventions: San Diego Comic Con and World Con. We chat panels, artists, authors and all the things about fandom conventions that bring the squee. Want to hear about the upcoming Vampire Lestat season from AMC’s Immortal Universe, a BBC Doctor Who activation, or the new Lucas Museum of Narrative Art? It’s all here. Then, it’s time to talk Demon Hunters…the K-Pop kind. Hang out with us for an episode where fans interact with creators, media brings joy, and fandom really can seal the Honmoon! Stacy Watnick and Heather Berberet.

In which the Unreliable Narrators discuss their visit to WorldCon 2025 in Seattle.

BefuddledPanda hosts Yetti, Jingalls, and Mr. Anderson in a chatty episode to discuss fandom, conventions, and literary awards. What is a fan? How do we as SFF fans engage with the genre? Why go to conventions? How to get started if you're new to cons? Do we care about literary awards? This and more in the episode.Timestamps:Fans and Fandom: 00:02:00Conventions: 00:41:00WorldCon: 00:59:00Literary Awards: 01:15:00Resources:Article about fandom namesHugo Awards: How to VoteLocus AwardsNebula AwardsWorld Science Fiction SocietyWorldConMusic is Galactic Damages by Jingle Punks.Find us on:Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/FNcpuuA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BlueSky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/greenteampod.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads:⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.threads.net/@greenteampod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.reddit.com/r/thelegendarium/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Suggestion Box: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://forms.gle/Nsz6URWeq3JeeZnGA

Join co-hosts Adrian M. Gibson, M.J. Kuhn and Greta Kelly for this special episode of SFF Addicts podcast recorded LIVE at Seattle Worldcon 2025, where they discuss "The Shifting Landscape of Epic Fantasy" with guest authors George R.R. Martin, Robin Hobb, Brandon Sanderson, Rebecca Roanhorse and Ryan Cahill. During this epic two-hour conversation, they delve into a (brief) history of epic fantasy, the monolith of Tolkien and LotR, approaches to epic fantasy worldbuilding, research and immersion, magic systems as a tool for storytelling, epic fantasy film/TV adaptations, breaking into epic fantasy publishing, self-publishing and crowdfunding, finding success in the modern publishing landscape and more.This panel was organized/presented in collaboration with Dragonsteel Books. As well, a massive thank you to the amazing Dragonsteel and Worldcon tech teams for recording the panel.SHOUTOUT TO THE 'SFF ADDICT' PATRONS:Thank you Ian Patterson, Nicholas W. Fuller, Herman Steuernagel, David Hopkins, Luke F. Shepherd, Christopher R. DuBois, Luke A. Winch and GavinGuile for supporting us on Patreon at $10+.SUPPORT THE SHOW:- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (for exclusive bonus episodes, author readings and more)- Rate and review SFF Addicts on your platform of choice, and share us with your friendsEMAIL US WITH YOUR QUESTIONS & COMMENTS:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sffaddictspod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ABOUT OUR HOSTS:Adrian M. Gibson is the author of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mushroom Blues⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Find Adrian on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠his personal website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.M.J. Kuhn is the author of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Among Thieves⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠ Thick as Thieves⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Find M.J. on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠her personal website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Greta Kelly is the author of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Queen of Days⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, The Frozen Crown and The Seventh Queen.Find Greta on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠her personal website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.FOLLOW SFF ADDICTS:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MUSIC:Intro: "⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Into The Grid⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠" by MellauSFXOutro: “⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Galactic Synthwave⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠” by Divion

Last month, at Worldcon, Brandon read out the first excerpt of Mistborn: Ghostbloods, so you know we had to do an episode analyzing it! Today we have Eric (Chaos), Evgeni (Argent), Adim (AAKS), Bonnie (Cosmeregirl), and special guest @Jasonioan, who makes excellent cosmere content as well! If you're on Brandon's newsletter, he sent out the text, but you can watch Brandon's reading here: https://youtu.be/Lt0cBw51LWA?si=UVU3FIToO1XjEcBc Text of the chapters here: Ayven - https://wob.coppermind.net/events/546/#e16903 Bastrik - https://wob.coppermind.net/events/546/#e16904 See Jason's channel: https://www.youtube.com/@jasonioan Thumbnail is a Modern cosmere AU by Botanica (I don't know what to do for these thumbnails, man): https://x.com/BotanicaXu/status/1360621736845139968 0:00:00 Introductions 0:02:07 Some General Era 3 Stuff 0:05:31 Ayven 0:33:22 Steelfield, Cars 0:44:39 Discordant 0:57:05 Convention 1:03:22 Bastrik and Map Shenanigans 1:10:28 More Setting Stuff 1:13:50 Bastrik's family, the Regent? 1:19:43 Culture and Masks 1:28:37 Dlavil and Hunters 1:37:37 Final Thoughts / GB Thoughts 1:45:13 Who's That Cosmere Character If you like our content, support us on Patreon: https://www.patreon.com/17thshard Purchase merch here! https://store.17thshard.com/ For discussion, theories, games, and news, come to https://www.17thshard.com Come talk with us and the community on the 17th Shard Discord: https://discord.gg/17thshard Want to learn more about the cosmere and more? The Coppermind Wiki is where it's at: https://coppermind.net Read all Words of Brandon on Arcanum: https://wob.coppermind.net Subscribe to Shardcast: http://feeds.soundcloud.com/users/soundcloud:users:102123174/sounds.rss Send your Who's That Cosmere Characters to wtcc@17thshard.com

Saluton! This week, Emily and V look at the life of one of fandom's under-appreciated heroes: Morojo, AKA Myrtle Rebecca Smith Gray Nolan (née Douglas), the Mother of Cosplay. From her genuine belief in the ability of humankind to be good, like in her favorite scifi stories, to her BANGIN' sewing ability and sweet-ass silk rompersuits, Morojo deserves to be way more well-known in fannish spaces. (And for more than being some dude's girlfriend.) Join us as we celebrate the legacy of one of fandom's founding women. Also: apologies for the unplanned hiatus, this episode was technically VERY messed up and V had to watch so many YouTube tutorials to learn how to salvage it. Promo Codes Aim High Brooch Designs - For 25% off any order on Aim High Brooch Designs on Etsy, including a custom brooch, bag charm, keychain, or magnet design, use the promo code TWIFH. Sources Fantasy Cosplay Personality Quiz Wikipedia This Week In Fandom History is a fandom-centric podcast that tells you… what happened this week in fandom history! Follow This Week in Fandom History on Tumblr at @thisweekinfandomhistory You can support the show via our Patreon at http://www.patreon.com/thisweekinfandomhistory.  If you have a fannish company, event, or service and would like to sponsor or partner with TWIFH, please contact us via our website. Please remember to rate the show 5 stars on your listening platform of choice!

You have to celebrate your friends who are more successful than you. ~Jim Kelly In this special 20th anniversary episode of I Should Be Writing, recorded live at Worldcon 2025, I reunite with my mentor and long-time friend, James Patrick Kelly. We talk about the last two decades of writing, the evolution of our careers, and the ever-changing landscape of storytelling. We still face bullies like self-doubt and shiny new ideas, but we also explore strengths like community support and celebrating each other's successes. We discuss all the bullies unveiled, the concept of "bullies" that plague writers, including the Imposter Cop, the Blade, and the Nap. And as always we discuss how to handle creative hurdles. Transcript Links James Patrick Kelly The First Law of Thermodynamics Escape Pod Are You There God? It's Me, Margaret. Evergreen Links See all books from Season 21 Like the podcast? Get the book! I Should Be Writing. Socials: Bluesky, Instagram, YouTube, Focusmate Theme by John Anealio Savor I Should Be Writing tea blends Support local book stores! Station Eternity, Six Wakes, Solo: A Star Wars Story: Expanded Edition and more! OR Get signed books from my friendly local store, Flyleaf Books! — Some of the links above may be affiliate, allowing you to support the show at no extra cost to you. Also consider leaving a review for ISBW, please! CREDITS Theme song by John Anealio, art by Numbers Ninja, and files hosted by Libsyn (affiliate link). Get archives of the show via Patreon. September 5, 2025 | Season 21 Ep 16 | murverse.com "20 Years of ISBW, Live from WorldCon with James Patrick Kelly!" by Mur Lafferty is licensed under CC BY-NC-SA 4.0 In case it wasn't clear: Mur and this podcast are fully supportive of LGBTQ+ folks, believe that Black Lives Matter, and trans rights are human rights, despite which direction the political winds blow. If you do not agree, then there are plenty of other places to go on the Internet.

Ashaya and Aziz describe their adventures at WorldCon, including time with GRRM, panels with him and others such as Brandon Sanderson, Rebecca Roanhorse, and Robin Hobb. Capped off with the Hugo Awards and more!LA WorldCon - https://www.lacon.org/register/Bonus Eps & More -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.patreon.com/historyofwesteros⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Shirts & Stickers -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠ ⁠⁠historyofwesteros.threadless.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.historyofwesteros.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Intro/Maps - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://klaradox.de⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook Group -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://bit.ly/howfb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://bit.ly/howdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Nina - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠goodqueenaly.tumblr.com/⁠⁠⁠⁠

On this weeks show the guys talk Gen Con 2025, Worldcon 2025, Final Fantasy VII Rebirth, Battlefield 6 Beta, Robocop Rogue City, Lies of P, Fields of Mystria, Dead Island 2 Neighborhood, Huntdown, Wild Guns Reloaded, Mafia: The Old Country, Donkey Kong Bananza, Sonic Racing: Crossworlds, Amber Isle, Gamescom and more!

Author Martha Wells joins LIVE at Seattle Worldcon 2025 to discuss “Murderbot” season 1, adapted by Paul and Chris Weitz for Apple TV+. In episode 356, Luke Elliott & James host their first live-recording in front of a packed room of Martha Wells fans, adding to their “Creative Conversations” series. They kick things off with a special video message from the show's cast for Martha Wells: Noma Dumezweni, Sabrina Wu, Akshay Khanna, Tamara Podemski, Tattiawna Jones, David Dastmalchian, and Alexander Skarsgård! Topics include: the original idea that led to Murderbot's creation, surprise insights into herself after reader reactions, her input and thoughts on the casting of the series' biggest role, her visit to the set (and what she got to take home), and why she pushes back at fans surprised by the show's more comedic tone. Pickup All Systems Red or any of the novels they've covered at the Ink to Film Bookshop! https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects! https://www.patreon.com/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Martha Wells Website: www.marthawells.com IG: https://www.instagram.com/marthawellswriter/ Bluesky https://bsky.app/profile/marthawells.com Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writing: https://www.lukeelliottauthor.com/publications James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

Join SFF Addicts co-hosts Adrian M. Gibson, M.J. Kuhn and Greta Kelly as they recap their adventures at Seattle Worldcon 2025, from Airbnb shenanigans, yummy meals and hanging out with friends to BarCon, moderating panels and hosting their epic live episode of the podcast with George R.R. Martin, Brandon Sanderson, Robin Hobb, Rebecca Roanhorse and Ryan Cahill.SUPPORT THE SHOW:- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (for exclusive bonus episodes, author readings and more)- Rate and review SFF Addicts on your platform of choice, and share us with your friendsEMAIL US WITH YOUR QUESTIONS & COMMENTS:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sffaddictspod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ABOUT OUR HOSTS:Adrian M. Gibson is the author of ⁠⁠Mushroom Blues⁠⁠⁠⁠⁠⁠⁠.Find Adrian on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠his personal website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.M.J. Kuhn is the author of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Among Thieves⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠ Thick as Thieves⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Find M.J. on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠her personal website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Greta Kelly is the author of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Queen of Days⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, The Frozen Crown and The Seventh Queen.Find Greta on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠her personal website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.FOLLOW SFF ADDICTS:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

A bit of a download about WorldCon 2025, about people I met, interviews I did, and some plans for the future. Links and Photos! Translated Hugo Initiative: https://translatedhugo.org/about-us Endeavour Award: https://osfci.org/endeavour/ Brian Aldiss: https://brianaldiss.co.uk/ Ray Bradbury Center: https://give.myiu.org/iu-indianapolis/I380010312.html https://www.instagram.com/bradburycenter https://raybradburycenter.substack.com https://today.iu.edu/iu-indianapolis/live/news/46788-ray-bradbury-center-presents-festival-451indy

John is going to have lunch, Lori is going to brunch, and Liz is not hungry? An uncorrected transcript of this episode is available here. Please email your letters of comment to comment@octothorpecast.uk, join our Facebook group, and tag @OctothorpeCast (on Bluesky or on Mastodon) when you post about the show on social media. Content warnings this episode: Mispronounced names (chapter 4), class structures (chapter 7) Worldcon 2025: Seattle Hugo Awards The ceremony Pronunciations Grigory Lukin Nisi Shawl on Bluesky: first, second K Tempest Bradford on X in 2020: first, second K Tempest Bradford on Bluesky The winners Billy on the Street “For a dollar, name a woman!” Stone Blind by Natalie Haynes Worldcon 2030: Edmonton bid Picks John: The Sentence by Gautam Bhatia The Wall and The Horizon Andrew Openshaw's review Lori: The Traitor Baru Cormorant by Seth Dickinson Liz: The Friend Zone Experiment by Zen Cho Credits Cover art: “Ceremony Script Revealed” by Alison Scott Alt text: A picture of a book entitled “Hugo Award Pronunciation Guide” written by George R R Martin. The cover design is in the style of the A Song of Ice and Fire series, with an Iron Throne made of Hugo Awards. The words “Octothorpe 142” are at the top in a Game of Thrones-y typeface. Theme music: “Surf Shimmy” by Kevin MacLeod (CC BY 4.0)

Casella heads to Seattle for the World Science Fiction Convention, reporting on his travels and the convention. Includes interviews with Worldcon guests & conrunners, thoughts on the Hugos and the event, and, of course, a quick coffee report. Credits: Host: Jake Casella Brookins Music by Giselle Gabrielle Garcia Artwork by Rob Patterson Opening poem by Bhartṛhari, translated by John Brough Transcribers: Kate Dollarhyde and John WM Thompson References: World Science Fiction Convention in Seattle The Hugo Awards Norwescon Kevin Black - Publications Division Head Catherine Hardwicke's Twilight, based on the novel by Stephenie Meyer "Full Moon" by the Black Ghosts Article about John Anderson’s Beachcomber Museum, with link to the short documentary Dr. Kaitlyn Casimo The Allen Institute Brandon O'Brien - Poet Laureate for the Seattle Worldcon The Speculative Poetry Initiative Interstellar Flight Press The Translated Hugo Initiative “Summit Sound” by the Jack Straw Cultural Center “Mole” by Elizabeth McQueen “What You have become” by Kate Clark Olympia Coffee Roasting The Mountain in the Sea by Ray Nayler Alien Clay by Adrian Tchaikovsky 99% Invisible readalong of Robert Caro’s The Power Broker Hugos There Hugo Girl! Speculative Whiteness: Science Fiction and the Alt-Right by Jordan S. Carroll Abigail Nussbaum SFPoetry.org Strange Horizons, Uncanny, Asimov’s, Analog Calypso by Oliver K. Langmead

Host: Jake Casella BrookinsMusic by Giselle Gabrielle GarciaArtwork by Rob PattersonOpening poem by Bhartṛhari, translated by John BroughTranscribers: Kate Dollarhyde and John WM ThompsonReferences:World Science Fiction Convention in SeattleThe Hugo AwardsNorwesconKevin Black - Publications Division HeadCatherine Hardwicke's Twilight, based on the novel by Stephenie Meyer"Full Moon" by the Black GhostsArticle about John Anderson's Beachcomber Museum, with link to the short documentaryDr. Kaitlyn CasimoThe Allen InstituteBrandon O'Brien - Poet Laureate for the Seattle WorldconThe Speculative Poetry InitiativeInterstellar Flight PressThe Translated Hugo Initiative“Summit Sound” by the Jack Straw Cultural Center“Mole” by Elizabeth McQueen“What You have become” by Kate ClarkOlympia Coffee RoastingThe Mountain in the Sea by Ray NaylerAlien Clay by Adrian Tchaikovsky99% Invisible readalong of Robert Caro's The Power BrokerHugos ThereHugo Girl!Speculative Whiteness: Science Fiction and the Alt-Right by Jordan S. CarrollAbigail NussbaumSFPoetry.orgStrange Horizons, Uncanny, Asimov's, AnalogCalypso by Oliver K. Langmead

With Gary recently returned from Worldcon in Seattle, we chat a bit about the Hugos (mostly avoiding second-guessing the results), which leads to some discussion of the differences between Hugo, Nebula, and World Fantasy Awards.  Jonathan raises an intriguing question about the novella category, with its rather reductive word-length definition of the form. But what, other than length, really distinguishes a novella from a short story or a novel? We talk a bit about favorite novellas, and specifically a 2013 Locus survey in which readers voted on the best novellas from 2000-2010. Which of those would still make the list today, and how has Tordotcom's program of standalone novellas affected our view of the form? Of course, we ramble a bit about other matters and some interesting new and forthcoming books we're excited about. Then, finally, we shut up.

This week, the crew meets up at Woldcon for an in-person podcast! It's hard to recap the awesomeness of all these folks together in one hotel room in a few sentences, so enjoy the conversation and follow the links below.  –Editor's Note: This episode sounds great (thanks to Writing Excuses for letting us use their equipment), but is mostly left as it was recorded. Please excuse any audio issues, coughing, mic bumping etc. Leaving this intact to capture the time together was important to me. I appreciate your understanding. -Marshall Links mentioned during the show: Maurice Broaddus Victor Manibo RJ Taylor Nikki Braziel –Autonomy of a Murder –Nikki's Substack Erin Roberts –Writing Excuses –1000 Hells Jenna Hanchey Sameem Siddiqui –Twitter –Website Gabriel F. Salmerón –Twitter –Instagram Support the Show: Patreon Kofi Indie Bound Contact us! JustKeepWriting.org Discord Facebook Twitter Instagram YouTube Marshall: Website: www.marshallcarr.com Email: marshall@marshallcarr.com  Twitter: @darthpops  Nick:  Website: www.brightinks.org Email: nicholasbright@brightinks.org  Twitter: @BrightInks Wil:  Email: wil@justkeepwriting.org  Twitter: @wil_ralston Instagram: @wilsartrules Brent:  Twitter: @BrentCLambert @fiyahlitmag Fiyah Lit Magazine LP:  Email: lpkindred@wandering.shop Twitter: @LPKindred Linktr.ee/lpkindred  Now, just keep writing!

Why finding where the story starts is *always* one of the most difficult challenges in writing, why I firmly believe you shouldn't get critiques from people who love you, and new developments on AMONG THE THORNS.You can get signed bookplates from me here! https://www.jeffekennedy.com/store (scroll to the bottom)You can preorder MAGIC REBORN at https://www.jeffekennedy.com/magic-rebornBuy LoveLitCon tickets here https://lovelit.com/ Be sure to use my author-specific code for a $10 discount! LOVE8368 STRANGE FAMILIAR is live! https://www.jeffekennedy.com/strange-familiar  The posture-correcting sports bra I love almost more than life itself is here https://forme.therave.co/37FY6Z5MTJAUKQGAJoin my Patreon and Discord for mentoring, coaching, and conversation with me! Find it at https://www.patreon.com/JeffesClosetYou can always buy print copies of my books from my local indie, Beastly Books! https://www.beastlybooks.com/If you want to support me and the podcast, click on the little heart or follow this link (https://www.paypal.com/paypalme/jeffekennedy).Sign up for my newsletter here! (https://landing.mailerlite.com/webforms/landing/r2y4b9)You can watch this podcast on video via YouTube https://youtu.be/X1iAoi8pb74Support the showContact Jeffe!Find me on Threads Visit my website https://jeffekennedy.comFollow me on Amazon or BookBubSign up for my Newsletter!Find me on Instagram and TikTok!Thanks for listening!

We get a history listen and revisit accents. And the clean blade battle is confirmed for WorldCon 2029. Plus our non-spoilery first impressions of She Who Became the Sun.

Send Superchats at any time here: https://streamlabs.com/jaydyer/tip Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join PRE-Order New Book Available in Sept here: https://jaysanalysis.com/product/esoteric-hollywood-3-sex-cults-apocalypse-in-films/ Get started with Bitcoin here: https://www.swanbitcoin.com/jaydyer/ The New Philosophy Course is here: https://marketplace.autonomyagora.com/philosophy101 Set up recurring Choq subscription with the discount code JAY44LIFE for 44% off now https://choq.com Lore coffee is here: https://www.patristicfaith.com/coffee/ Subscribe to my site here: https://jaysanalysis.com/membership-account/membership-levels/ Follow me on R0kfin here: https://rokfin.com/jaydyer Music by Amid the Ruins 1453 https://www.youtube.com/@amidtheruinsOVERHAUL Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join #comedy #bitcoin #podcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/jay-sanalysis--1423846/support.

If there’s a sci-fi movie or TV show that you enjoy, there’s a good chance it’s based on a book, and there’s an even better chance that book has won a HUGO AWARD. From Afrofuturist Octavia E Butler to Sci-Fi legends Frank Herbert and Ursula Le Guin, the Pacific Northwest has been home to several winners of one of the most prestigious honors in speculative fiction, fantasy and sci-fi. What you may not realize is that the Hugo Award Ceremony happens each year at a gathering called “Worldcon.” And this year, the convention is being held right here at the Seattle Convention Center. Worldcon is the is the official convention of the World Science Fiction Society. Events and programming began Wednesday and festivities run through Sunday. GUEST: Kathy Bond, Chair of WorldCon 2025 RELATED LINKS: Seattle Worldcon 2025 Worldcon 2025 celebrates the past and future of science fiction — and the part Seattle has played - GeekWire Thank you to the supporters of KUOW, you help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.See omnystudio.com/listener for privacy information.

I'm going to WorldCon this week and will have copies of Never the Roses with me! Also: baby authors, midlist authors, writing full-time, ups and downs of the industry, and trying to coattail success. You can get signed bookplates from me here! https://www.jeffekennedy.com/store (scroll to the bottom)You can preorder MAGIC REBORN at https://www.jeffekennedy.com/magic-rebornBuy LoveLitCon tickets here https://lovelit.com/ Be sure to use my author-specific code for a $10 discount! LOVE8368 STRANGE FAMILIAR is live! https://www.jeffekennedy.com/strange-familiar  The posture-correcting sports bra I love almost more than life itself is here https://forme.therave.co/37FY6Z5MTJAUKQGAJoin my Patreon and Discord for mentoring, coaching, and conversation with me! Find it at https://www.patreon.com/JeffesClosetYou can always buy print copies of my books from my local indie, Beastly Books! https://www.beastlybooks.com/If you want to support me and the podcast, click on the little heart or follow this link (https://www.paypal.com/paypalme/jeffekennedy).Sign up for my newsletter here! (https://landing.mailerlite.com/webforms/landing/r2y4b9)You can watch this podcast on video via YouTube https://youtu.be/nxv4kD4mPTwSupport the showContact Jeffe!Find me on Threads Visit my website https://jeffekennedy.comFollow me on Amazon or BookBubSign up for my Newsletter!Find me on Instagram and TikTok!Thanks for listening!

Seattle hosts Worldcon 2025 at the Seattle Convention Center, featuring a five-day program with panels, workshops, and the Hugo Awards. Headliners include Martha Wells, Donato Giancola, Bridget Landry, Alexander James Adams, and George R.R. Martin. The event addresses controversy over the use of generative AI in speaker vetting, leading to an apology and process changes. An alternative event, ConCurrent Seattle, is organized in response, rejecting generative AI in programming. The convention highlights Seattle's historical influence on science fiction and its connection to the tech industry, while aiming to foster community and innovation.Learn more on this news by visiting us at: https://greyjournal.net/news/ Hosted on Acast. See acast.com/privacy for more information.

This week I talk a bit about the Foundation and Murderbot TV adaptations. I give a quick update on my novel, Critical Balance, which is coming out. I also explain why I haven't been able to share the beautiful cover art for Critical Balance until the book is released. I talk a bit about the upcoming Worldcon in Seattle. Then I begin my multi-episode series on exploring the setting of The Culture series by Iain M. Banks. Topics include how 9,000 years is a really long time and convergent human evolution across the galaxy. How “alien” will alien life really be? If you love sci-fi, worldbuilding, and/or The Culture, you won't want to miss this series!LinksCheck out my novel, Critical Balance.Lex Out Loud is now on Spotify.Check out my Guide to Novel Formatting in Word.Join my Book Club.How to get free ebooks & audiobooks from your library.J.J. Ackernecht Book of the New SunCulture SeriesMurderbot showThe Murderbot DiariesStorygraphSupport the show.Join my Discord server.Call My Voicemail: 951-465-5391

In Gore Verbinski's adaptation of RING (and the original Japanese version) analog film takes the spotlight representing a medium in transition. The result is a turning point in modern horror cinema, as the artform transitioned into a more digital age. In episode 355, join Luke Elliott & James Bailey as they compare the film to the Koji Suzuki novel, unpack the filmmaking choices that make this movie feel cursed, relive the nostalgic terror of seeing this movie as children, and finally cast their votes on which version is ultimately best: the book or the movie?    ANNOUNCEMENT: Ink to Film is attending WorldCon 2025 in Seattle where they will be interviewing Martha Wells in their first ever live show! Join them on 8/15 @ 4:30PM. More information on WorldCon 2025 can be found here: https://seattlein2025.org/ Pickup any of the novels they've covered at the Ink to Film Bookshop! https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects! https://www.patreon.com/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writings: https://www.lukeelliottauthor.com/publications James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

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Author Koji Suzuki's novel RING sparked a resurgence of horror in Japan and launched a franchise that would shock the world, but what disturbing details from his original story didn't make it to the screen? In episode 354, join Luke Elliott & James Bailey as they try to make sense of Asakawa and Ryūji's characterization, encounter Sadako Yamamura for the first time, try to resist the urge to watch cursed media (fail), and wonder if they'll be next to fall prey to the viral horror. Join them next week when they watch “The Ring” (2002) and relive iconic millennial horror from their childhood.   ANNOUNCEMENT: Ink to Film is attending WorldCon 2025 in Seattle where they will be interviewing Martha Wells in their first ever live show! Join them on 8/15 @ 4:30PM. More information on WorldCon 2025 can be found here: https://seattlein2025.org/ Pickup any of the novels they've covered at the Ink to Film Bookshop! https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects! https://www.patreon.com/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com   Luke Elliott   Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writings: https://www.lukeelliottauthor.com/publications   James Bailey   Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

As Paul and Chris Weitz's adaptation rounds out its first season the emphasis on comedy is clear, but how does that compare to the tone of the books by Martha Wells that it's based on? In episode 353, join Luke Elliott & James Bailey as they debate the show's faithfulness, unpack the comedic shift, lobby for slightly longer episodes, and theorize on what might lie ahead in the recently confirmed season 2! ANNOUNCEMENT: Ink to Film is attending WorldCon 2025 in Seattle where they will be interviewing Martha Wells in their first ever live show! Join them on 8/15 @ 4:30PM. More information on WorldCon 2025 can be found here: https://seattlein2025.org/ Pickup All Systems Red or any of the novels they've covered at the Ink to Film Bookshop! https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects! https://www.patreon.com/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writings: https://www.lukeelliottauthor.com/publications James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

John was at the business meeting, Alison was at the cricket, and Tammy is Liz. An uncorrected transcript of this episode is available here. Please email your letters of comment to comment@octothorpecast.uk, join our Facebook group, and tag @OctothorpeCast (on Bluesky or on Mastodon) when you post about the show on social media. Content warnings this episode: None Find Tammy at her podcast, my tiny bottles Letters of comment Chris Garcia (email) Colette Reap (email) Farah Mendlesohn (email) Ivan Sinha (Facebook) Mike Glyer (email) Niall Harrison (email) Here are Niall's 10 recommendations for you, listeners! [Interestingly, Niall did not mention any of the translators except for one, and so I had to go and look them all up—John] A Thousand Blues by Cheon Seon-ran, translated by Chi-Young Kim Vanishing World by Sayaka Murata, translated by Ginny Tapley Takemori Under the Eye of the Big Bird by Hiromi Kawakami, translated by Asa Yoneda Dengue Boy by Michel Nieva, translated by Rahul Bery Sea Now by Eva Meijer, translated by Anne Thompson Melo House of Day, House of Night by Olga Tokarczuk, translated by Antonia Lloyd-Jones The Place of Shells by Mai Ishizawa, translated by Polly Barton Sympathy Tower Tokyo by Rie Qudan, translated by Jesse Kirkwood Blood for the Undying Throne by Sung-Il Kim, translated by Anton Hur Ice by Jacek Dukaj, translated by Ursula Phillips Raj (Mastodon) We also heard from Ali Baker Brooks, Brian Nisbet, Fredrik Coulter, Neil Ottenstein, and Sandra Bond 2027 Worldcon: Montreal bid The timeline so far: Terry Fong steps down, replaced by Darin Briskman CanSMOF adds Bruce Farr as bid co-chair Tammy writes “The Worldcon is in Trouble” on File 770 Site selection 2025 Worldcon: Seattle Business Meeting, part 1 Business Meeting, part 2: this was entirely in executive session and so none of it ended up on YouTube. Sorry, listeners! You had to be there… Further meetings will occur on 19 July and 25 July at 17:00 BST/09:00 PDT 2023 Worldcon: Chengdu Chris Barkley's 100th column Picks John: DIE by Kieron Gillen, Stephanie Hans and Clayton Cowles Read the first issue free! Future issues will eventually be available on Sweet Shop My First Dungeon Alison: After Us, the Flood and We Are Aliens Tammy: The Nine Worlds by Victoria Goddard The Hands of the Emperor by Victoria Goddard The Goblin Emperor by Katherine Addison Credits Cover art: “Our Tiny Bottles” by Alison Scott Alt text: The words “Octothorpe 139” appear at the top and the words “…our tiny bottles…” appear at the bottom. Three bottles are drawn in the middle. The left-hand bottle is a Star Wars Galaxy's Edge Coca-Cola bottle. The middle bottle is a bottle that looks a bit like a moose. The right-hand bottle is Bottle #18, “The Original Canton Delicate Ginger Liqueur”. Theme music: “Surf Shimmy” by Kevin MacLeod (CC BY 4.0)

What is the measure of a true hero? What a society consideres heroic can say a lot about their values, needs, and ethos -- but it's also something that can shift a lot over time and from location to location. Is heroism about physical strength? Strength of faith? Strength of heart? Or is it about cunning and cleverness? Guest John Wiswell joins us to discuss the worldbuilding implications of hero-building. Classical heroes, folk heroes, superheroes -- all of these stories reflect something about the cultures that tell the tales. What actions does the hero take that makes them heroic? Is it defeating monsters -- or is it tweaking the nose of authority? How important is the quest itself to defining the hero, and how much is down to a society's concepts of morals and ethics? And in an age where mythological retellings are having a real moment, also look at what recontextualization of famous heroic stories can open up about the original tales and reveal about what we value now. [Transcript for Episode 159] Our Guest: John Wiswell is a Nebula-winning and Locus-winning author who lives in the middle of the woods. His debut novel, SOMEONE YOU CAN BUILD A NEST IN, was released from DAW Books in the U.S. and Arcadia Books in the U.K. in April 2024. John's work has appeared in Uncanny Magazine, Tor.com, LeVar Burton Reads, Nature Magazine, The Magazine of Fantasy & Science Fiction, Weird Tales, the No Sleep podcast, Nightmare Magazine, Cast of Wonders, Podcastle, Escape Pod, Pseudopod, and other fine venues. He has been a finalist for the Hugo, World Fantasy, and British Fantasy Awards. His fiction has been translated into ten languages. He graduated Bennington College in 2005, and attended the Viable Paradise 17 workshop in 2013. He has multiple disabilities including a neuromuscular syndrome, and thinks healthy people's capacity to complain is very funny. He finds a lot of things very funny and would like to keep it that way. He is frequently available for interview and for talks at conferences. He has done panels at places such as Worldcon, the Nebula Awards Conference, and the World Fantasy Convention.

Ink to Film is excited to announce they will be recording their first live episode in front of an audience at Seattle Worldcon 2025! Author Martha Wells joins the Ink to Film podcast to reflect on having her work adapted by Apple TV. From Murderbot's origins to seeing Alexander Skarsgård portray it on the silver screen, come get the inside scoop on the adaptation journey. Friday 8/15 4:30-5:30 PM in the Terrace Suite (4F). Luke Elliott's Schedule of Appearances Wed 8/13 @ 7:30 PM: Lord of the Rings as a Horror Story Thu 8/14 @ 12:00 PM: The Art of Adaptation Thu 8/14 @ 7:30 PM: Are Podcasts the New Fanzines Fri 8/15 @ 4:30 PM: Ink to Film Podcast: Martha Wells on "Murderbot" Season 1 Sat 8/16 @ 1:30 PM: Your Novel Became a Movie/Show. How Did It Go? Sat 8/16 @ 7:30 PM: Movies Based on Video Games James Bailey's Schedule of Appearances Fri 8/15 @ 9:00 AM: Was the Book Better Though? Horror Novels That Made Great Movies Fri 8/15 @ 4:30 PM: Ink to Film Podcast: Martha Wells on "Murderbot" Season 1 Register to attend in person or virtually here: https://seattlein2025.org/memberships/memberships/

Paul and Chris Weitz's Apple TV adaptation of Martha Wells' series “The Murderbot Diaries” sets itself apart from the books from the beginning through shifts in tone, character, and more, but how well are the changes working? In episode 352, join Luke Elliott & James Bailey as they react to Alexander Skarsgård's performance as everyone's favorite SecUnit, learn to love the goofballs humans Murderbot is trying to protect, unpack the changes that push the show into more of a true comedy than the books, and theorize on what's to come in the second half of the season. Also, they include a SPECIAL ANNOUNCEMENT: Ink to Film is attending WorldCon 2025 in Seattle where they will be interviewing Martha Wells in their first ever live show! Join them on 8/15 @ 4:30PM. More information on WorldCon 2025 can be found here: https://seattlein2025.org/ Pickup All Systems Red or any of the novels they've covered at the Ink to Film Bookshop! https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects! https://www.patreon.com/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writings: https://www.lukeelliottauthor.com/publications James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

We are so excited to announce that SFF Addicts Podcast, in collaboration with Dragonsteel Books, will be hosting a LIVE panel episode of the show at Seattle Worldcon 2025! Not only that, SFF Addicts co-hosts Adrian M. Gibson, M.J. Kuhn and Greta Kelly will be joined on stage by five incredible fantasy authors to discuss the topic of "The Shifting Landscape of Epic Fantasy".And those guest authors? Watch or listen to find out who they are! For Seattle Worldcon 2025 attendees, the panel will take place on Aug. 15 at 3pm Pacific time in Ballroom 2. It will also be available to watch live online with a virtual convention membership.As well, for anyone who is unable to attend in-person or virtually, the entire panel will be recorded in audio/video! It will then be published and available for FREE in early September here on the SFF Addicts podcast feed, as well as in full video on the FanFiAddict YouTube channel and Brandon Sanderson's YouTube channel.We hope to see you all in Seattle!A NOTE ABOUT OUR PATREON:If you become a $10+ patron on the SFF Addicts Patreon, we will be releasing a post later this month where you can submit questions to our incredible panelists (with the chance that we'll ask them during the Q&A portion of our live panel).EMAIL US WITH YOUR QUESTIONS & COMMENTS:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sffaddictspod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ABOUT OUR HOSTS:Adrian M. Gibson is the author of ⁠Mushroom Blues⁠⁠⁠⁠⁠⁠.Find Adrian on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠his personal website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.M.J. Kuhn is the author of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Among Thieves⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠ Thick as Thieves⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Find M.J. on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠her personal website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Greta Kelly is the author of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Queen of Days⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, The Frozen Crown and The Seventh Queen.Find Greta on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠her personal website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.FOLLOW SFF ADDICTS:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

The 2025 Seattle World Science Fiction Convention will be held in August 2025.  In getting ready to produce the event, organizers used AI to vet a list of about 1,500 potential speakers. The conference wanted to ensure they would not invite anyone who might create a controversy by their attendance.  AI read through social media posts, public records, 3rd grade report cards, everything available online looking for red flags. Imagine the organisers' surprise that in trying to prevent controversy, they created an even bigger controversy!  Once word got out that AI was used to vet the list of potential speakers, people got big mad and had feelings about using robots to do human work. Kathy Bond, volunteer chairperson of the 2025 event, issued an apology amidst calls for her resignation (and a few nerds wanted to shoot her into space). WorldCon is not only a SciFi convention, it's home to the Hugo awards - for SciFi writers, their publishers, and their readers, a Hugo award is a big deal.  We dive into the WorldCon situation and visit Hugo award controversies past to discover it truly is A Brave New World (see what we did there!).

Coming at you LIVE from WorldCon 2024!!!! Last week we were in Glasgow with the most incredible guests; returning friend of the show Tanya De Pass (Black Dice Society, Rivals of Waterdeep, I Need Diverse Games) and voice of Karlach, Samantha Béart (Baldur's Gate 3, Doctor Who Podcast Series)! Talking about everything Baldur's Gate 3, the need for more POC folks in the videos game space, and - yes - the bear scene... Follow Sam here!Follow Tanya here!You can watch the 'Infernal Goose Chase' Tanya ran for Jeremy, Liv, Sam and Russell Smith here! [warning: contains chaos]Follow the halflings! Jasper William Cartwright: @JW_Cartwright , Jeremy Cobb: @JeremyCobb1 Liv Kennedy: @doesdarkmagicSupport us on Patreon at patreon.com/tbhalflings for your Bonus Episodes and so much more.Find all of our links here: https://linktr.ee/tbhalflings You can now buy merchandise here! as featured on Critical RoleConnect with us on Twitter, Instagram, and Facebook @3blackhalflings, on our Discord, or emailSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.