Overinvested

Steffan and Gavia discuss Wes Anderson's The Phoenician Scheme, a dark comedy starring Benicio del Toro as a corrupt businessman who reconnects with his estranged daughter (Mia Threapleton) while embarking on an ambitious construction project. Among other topics, this episode covers Wes Anderson's trademark aesthetic, his relationship with absurdism, his casting choices, and this film's stylized historical setting.

Vampire fans Claire and Gavia discuss 2025's biggest horror movie, Sinners. Directed by Ryan Coogler, this historical drama explores the roots of blues music in 1930s Mississippi, starring Michael B. Jordan as a pair of identical twins who open a juke joint in their home town. Among other topics, this episode covers the film's meticulously researched historical storytelling, its imaginative use of music, and its unique vampire mythos.

Steffan and Gavia dig into the history and artistry of The Wicker Man (1973), starring Edward Woodward and Christopher Lee. Among other topics, this episode explores the film's influence on the folk horror genre, its relationship with the neo-Pagan movement, and its underrated nature as a musical.

Claire and Gavia review William Friedkin's 1980 crime thriller Cruising, starring Al Pacino as a New York cop who goes undercover in local gay bars, searching for a serial killer who targets men in the leather community. Controversial at the time, this film has since become a cult classic, praised for its remarkable exploration of masculine identity and violence.

Steffan and Gavia review Mickey 17, the new sci-fi comedy from filmmaker Bong Joon Ho (Parasite). Robert Pattinson stars as a man who signs up for a years-long space voyage, agreeing to a grueling contract where his body can be killed and resurrected again and again. Echoing Bong's work on films like Snowpiercer and Okja, this provides the basis for a bleak yet absurd anti-capitalist satire.

Ahead of the 2025 Oscars, Claire and Gavia discuss three of this year's Best Picture nominees: The critically acclaimed romantic dramedy Anora, the blockbuster musical Wicked, and the uniquely controversial Emilia Pérez, a film whose 13 Oscar nominations arrived alongside a wave of wholly justified backlash.

Steffan and Gavia discuss Brady Corbet's acclaimed historical epic The Brutalist, which stars Adrien Brody as a Hungarian-Jewish architect who emigrates to America after surviving the Holocaust. Among other topics, this episode explores the film's ambitious technical artistry, its morally complicated historical narrative, and its role as a successor to "American Dream" dramas like The Godfather and There Will Be Blood.

Claire and Gavia reveal their respective top 10 films of 2024, covering everything from A-list Oscar contenders to hidden gems and low-budget horror. This year's countdown includes new releases from 11 different countries (!), celebrating a truly exciting year in cinema.

Steffan and Gavia delve into their mixed feelings toward Robert Eggers' acclaimed new Nosferatu remake. Among other topics, this episode covers Dracula's impact on the gothic horror genre, Eggers' very specific style of historical storytelling, and the complicated relationship between Nosferatu's Count Orlok (Bill Skarsgård) and Ellen Hutter (Lily-Rose Depp).

Claire and Gavia discuss the uniquely influential 1989 romcom When Harry Met Sally, written by Nora Ephron and directed by Rob Reiner. Kickstarting Meg Ryan's career as a romantic comedy icon, it follows the lives of two New Yorkers who become friends over a series of chance encounters.

Steffan and Gavia review the 2014 crime thriller The World of Kanako, directed by acclaimed Japanese filmmaker Tetsuya Nakashima. Kōji Yakusho stars as a disgraced former cop, whose daughter Kanako goes missing. When his ex-wife asks him to find out what happened, he discovers that Kanako has been living a disturbing double life. A Patreon-supported episode requested by Overinvested subscriber Lockwood!

Claire and Gavia discuss Gus Van Sant's iconic queer drama My Own Private Idaho (1991), loosely based on Shakespeare's Henriad plays. River Phoenix stars as a hustler in Portland, Oregan, who sets off on a journey across America and then the world in search of his long-lost mother, accompanied by best friend and fellow hustler Keanu Reeves.

Claire and Gavia review The Substance, Coralie Fargeat's divisive new horror movie starring Demi Moore as a celebrity who takes a black market anti-aging drug with alarming Jekyll-and-Hyde results. Among other topics, we discuss the film's flawed feminist messaging, overlong runtime, and puzzlingly incoherent depiction of sexism in Hollywood.

Steffan and Gavia review (and recommend!) the critically acclaimed new sitcom English Teacher, created by Brian Jordan Alvarez, who you may know from The Gay and Wondrous Life of Caleb Gallo. Alvarez stars as a gay teacher working at a Texas high school, in a comedy that satirizes the chaos of American politics and the generational divide between elder millennials and Gen-Z.

Claire and Gavia review Zoe Kravitz's disappointingly flawed directorial debut, Blink Twice. Naomi Ackie stars as a waitress who gets invited on vacation by a controversial billionaire (Channing Tatum), joining a group of guests on his private island. Drawing comparisons to Promising Young Woman, this psychological thriller belongs to a recent trend of post-MeToo films tackling abusive power structures and sexual assault.

Steffan and Gavia review M. Night Shyamalan's wildly entertaining yet divisive escape thriller Trap, starring Josh Hartnett as a lovable dad who takes his teen daughter (Ariel Donoghue) to a pop concert that turns into an elaborate manhunt for a serial killer.

Steffan and Gavia review the much-hyped horror movie Longlegs, starring Maika Monroe as an FBI agent investigating a serial killer (Nicolas Cage) who targets suburban families. Among other topics, this episode explores the film's unsettling atmosphere, its connection to Silence of the Lambs, its overlap with the Satanic Panic, and its dubious approach to dated serial killer tropes.

Opening with some spoiler-free thoughts on the show's brilliant lead performances and clever approach to adaptation, Claire and Gavia discuss season 2 of AMC's gothic drama Interview with the Vampire. Among other topics, this episode digs into IWTV's use of unreliable narrators, its thoughtful depiction of abuse and trauma, and its bold attitude to vampiric romance - along with glowing praise for the season's final episodes.

Claire and Gavia review the 1985 lesbian romance movie Desert Hearts, directed by Donna Deitch. Set in 1950s Nevada, this groundbreaking film follows a whirlwind relationship between a soon-to-be-divorced New York academic (Helen Shaver) and a devil-may-care casino worker (Patricia Charbonneau).

Steffan and Gavia review George Miller's ambitious and divisive Mad Max prequel Furiosa, starring Anya Taylor-Joy and Chris Hemsworth. Among other topics, this episode delves into the film's rich mythological worldbuilding, the Mad Max franchise's unique cinematic legacy, and George Miller's rare talent for action and visual storytelling.

Claire and Gavia review the stylish 2011 action thriller Hanna, directed by Joe Wright (Pride & Prejudice). 16-year-old Saoirse Ronan stars as Hanna, a girl raised in the wilderness by her father, a former spy. Venturing out into mainstream society for the first time, Hanna must travel alone across Europe while evading a malevolent CIA agent played by Cate Blanchett.

Claire and Gavia discuss the sweatiest film phenomenon of 2024: Luca Guadagnino's tennis drama Challengers, starring Zendaya, Mike Faist and Josh O'Connor as three athletes embroiled in a love triangle. Among other topics, we cover the star power of the lead actors, the film's already-iconic music, and Guadagnino's distinctive way of depicting sexuality and relationships.

Gavia and Steffan review the Australian dramedy series Upright, starring comedian/songwriter Tim Minchin as a down-on-his luck musician who tries to drive across Australia with a piano, befriending a teenage runaway (Milly Alcock) along the way.

Claire and Gavia review the much-hyped queer thriller Love Lies Bleeding, starring Kristen Stewart and Katy O'Brien. Plus, a multi-genre selection of highlights from this year's Glasgow Film Festival, including indie hits La Chimera and The Beast, and some excellent upcoming horror movies.

Claire and Gavia dig into the blockbuster event of the year, discussing Dune: Part Two's astonishing production design and incredible all-star cast, along with thornier topics like Dune's messy political worldbuilding and director Denis Villeneuve's adaptational changes to the original novel.

Claire and Gavia discuss Steven Spielberg's acclaimed 2021 adaptation of West Side Story, a musical about two young lovers caught in a turf war between rival gangs. Among other topics we delve into Spielberg's unique technical expertise, West Side Story's complicated political legacy, the lost art of movie-musical filmmaking... and Claire's passionate love for Mike Faist, who earned widespread praise for playing the charismatic gang leader Riff.

Gavia and Steffan review Yorgos Lanthimos' Poor Things, a bold sci-fi comedy starring Emma Stone as a woman created through a Frankenstein-like experiment. Nominated for eleven Oscars, Poor Things is critically acclaimed but divisive - particularly regarding its depiction of female sexuality.

Claire Biddles and Gavia Baker-Whitelaw reveal their top 10 lists for the best movies of 2023, running the gamut from indie hits like Return to Seoul and May December, to blockbusters like Mission Impossible: Dead Reckoning - along with some true hidden gems!

Gavia and Steffan review the 2023 Doctor Who specials, discussing the return of David Tennant, Catherine Tate and showrunner Russell T. Davies, the arrival of Ncuti Gatwa as the wildly charismatic new Doctor, and various behind-the-scenes details involving the show's quasi-reboot status and new partnership with Disney.

Claire and Gav review the beloved 1992 figure skating romcom The Cutting Edge, directed by Paul Michael Glaser (The Running Man) and written by Tony Gilroy (Andor, The Bourne Identity). Harking back to the spiky banter of the 1930s screwball era, sparks fly when a spoiled figure skater and a macho hockey player form an unlikely creative partnership.

Gavia and Steffan discuss new Hunger Games prequel movie, The Ballad of Songbirds and Snakes. Among other topics, they delve into its unexpected narrative structure, its political worldbuilding, its relationship to the other Hunger Games movies, and the complicated task of creating a successful prequel.

Claire and Gavia discuss Ira Sachs' acclaimed new romantic drama Passages, starring Franz Rogowski and Ben Whishaw as a married couple who become embroiled in a love triangle with a young woman (Adele Exarchopoulos). We delve into the film's attitude to queer identity, its best-of-the-year costume design, and its thoughtfully choreographed sex scenes.

Gavia and Steffan delve into the iconic 1973 horror movie The Exorcist, discussing its chaotic creative process with director William Friedkin, its lasting impact on the horror genre, and its fantastic craftsmanship as an example of gritty New Hollywood cinema.

Claire and Gavia celebrate the magnificent Pre-Code classic Shanghai Express (1932), starring Marlene Dietrich and featuring Anna May Wong in her most iconic role. Directed by Josef von Sternberg, this atmospheric drama follows a group of international train passengers who are taken hostage during the Chinese Civil War.

Claire and Gavia delve into Oppenheimer, discussing the film's relationship with "great man" biopics, its divisive political narrative, its epic ensemble cast, and Christopher Nolan's underappreciated levels of corniness.

Morgan and Gavia discuss some of their favorite new books from the past calendar year, from Yellowface by R.F. Kuang, to hidden gems like All the Horses of Iceland by Sarah Tolmie (a historical fantasy novella) and The Disenchantment by Celia Bell(a tale of royal court intrigue in 17th century Paris.)

Gavia and Steffan review the latest (and possibly greatest) Mission Impossible movie, covering the franchise's unique place in Hollywood cinema, Tom Cruise's complicated star power, Hayley Atwell's incredible charisma, and how the film draws inspiration from vintage slapstick comedy.

Gavia is joined by guest-host Claire Biddles to discuss Michael Haneke's 2001 erotic psychodrama The Piano Teacher, starring Isabelle as a Viennese piano teacher who embarks on a toxic sadomasochistic affair with one of her students. We delved into Huppert's performance and career, the film's costuming and music choices, the depiction of poorly-negotiated kink, and Haneke's unique brand of intense drama.

Gavia is joined by guest-host Steffan Alun to discuss Spider-Man: Across the Spider-Verse, an innovative animated feature that puts most live-action superhero films to shame. Among other topics, we covered the film's visual artistry, its self-aware take on the concept of canon, its flawed political storytelling, and its relationship to other Marvel adaptations.

Gavia is joined by guest-host Claire Biddles to discuss Luca Guadagnino's beautiful romantic horror movie Bones and All (2022), about a pair of young cannibal drifters played by Taylor Russell and Timothee Chalamet. Among other topics, we covered the film's brilliant casting choices, its well-observed depiction of rural 1980s America, and Guadagnino's use of quasi-vampiric cannibalism as an allegory for outsider identity.

This week, Gavia is joined by guest-host Steffan Alun to discuss Steven Spielberg's Jurassic Park, an icon of blockbuster cinema. Among other topics, we covered the film's immaculate casting choices, its masterful special effects, Spielberg's skill for combining horror with heartwarming family drama, and Jurassic Park's place in the history of dinosaur cinema (including its own dubious sequels).

This week, Gavia is joined by guest-host Claire Biddles to discuss Stanley Kubrick's acclaimed erotic psychodrama Eyes Wide Shut (1999), starring Tom Cruise and Nicole Kidman as Bill and Alice Hartford, a married couple in 1990s New York. After Alice reveals that she fantasized about having an affair, Bill embarks on a night of sexual experimentation. Topics include Tom and Nicole's marriage and divergent acting styles, the film's subversion of erotic thriller expectations, its depiction of gender roles in a straight marriage, and its fascinating legacy within Kubrick's career.

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This week, we discuss the influential 1966 Senegalese film "Black Girl," written and directed by Ousmane Sembene. The film follows a Senegalese young woman who works as a nanny for a white French family whose life turns into a nightmare when she accompanies them back to France and is forced to work as a maid. Topics include the film's overt postcolonial politics, its thoughtful deployment of production design and costumes, its reception in the west, and more.

This week, we turn our attention to the original movie adaptation of Erich Maria Remarque's classic WWI novel, "All Quiet on the Western Front," directed by Lewis Milestone and starring Lew Ayres in his first major role. We compare Milestone's groundbreaking, early-sound era (1930)film to the remake currently nominated for Best Picture at the Oscars, analyze the films' political intentions, praise Milestone's innovative filmmaking techniques, discuss the original film's complicated reception, and much more.

It's been a a few months since Todd Field's massively acclaimed film "TÁR" was released in America, but between its Oscar nominations — for Field, Cate Blanchett, Best Picture, and more — all the Lydia Tár memes, and the debates its ending continues to inspire, we figured there was no better time to discuss it than the present. Topics include the film's depiction of and engagement with classical music and the MeToo movement, sublime performances by Blanchett and supporting actor Nina Hoss, the film's wobbly ending and blinkered worldview, and more.

Just as January comes to a close, Team Overinvested brings you our Best Films of 2022. Though we're posting this episode a little later than usual, we're as excited as ever to share our favorite films of last year, and hopefully introduce you all to some titles you haven't heard of or gotten a chance to see yet. This year, our lists range from the big budget — "Top Gun: Maverick" — to the tiny indie — "Saint Omer" — and we've both included a documentary, too. Let us know what you think of our picks and what 2022 movies you loved!

We return to you after an unplanned break due to illness with a delayed episode on "Häxan," Benjamin Christiansen's groundbreaking 1922 docu-drama about the history of the persecution of witches (or "witches") — which also conveniently allowed him to depict sexually transgressive behavior that meant the film couldn't be shown in the United States for decades. Topics discussed include the film's push and pull between analysis and fetishism, its legacy as a cult object, Christiansen's experimental style, and more. We recorded this before Christmas so you'll hear a Christmas-y intro — so it goes! We'll be back soon with our episode on the Best Films of 2022. Thanks for listening.

This week, Morgan and Gavia revisit legal thriller "Michael Clayton," the 2007 Best Picture nominee written and directed by Tony Gilroy and starring George Clooney and Oscar-winner Tilda Swinton. They discuss the film's sharp characterization, its insightful commentary on corporate malfeasance, a career-best performance from George Clooney, and how the themes Gilroy explores here connect to his current work on "Andor."

This week, Gavia and Morgan sing the praises of "Andor," the new Star Wars television show masterminded by Tony Gilroy and starring Diego Luna as future rebel martyr Cassian Andor. Topics include the show's stark tonal and stylistic divergence from other Star Wars shows on Disney+, its complex ideas about empire and rebellion, a superlative cast led by Luna, and much more.

Gavia and Morgan return from a covid-induced hiatus with a dispatch from this year's New York and London film festivals. Gavia reports on some buzzy titles including "Decision to Leave" and "Triangle of Sadness," and Morgan gives a rave to her one festival movie of the year, France's Oscar submission "Saint Omer."