Podcasts about Anna May Wong

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express, Host Miko Lee focuses on Asian American Men, Bruce Lee and the mano-sphere. She chats with renowned author and thinker Jeff Chang about his new book: Bruce Lee & the making of Asian America, Water Mirror Echo. Then she talks with Rachel Koelzer the Communications Director for Nakasec about their new study of Asian American men and the manosphere. How are images of Asian American male identify being shaped and formed in our current society and what does Bruce Lee have to do with this? Listen in. More in tonight's show Jeff Chang's book: Water, Mirror, Echo Nakasec ReportAsian American Men and Mano-sphere CAAMFest 2026, running May 7-10, 2026, San Francisco's AMC Kabuki Theatre Show Transcripts [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:40] Miko Lee: Welcome to Apex Express. I'm your host, Mika Lee, and tonight we are focusing on Asian American men, Bruce Lee and the Manosphere. I chat with renowned author and thinker Jeff Chang about his new book, Bruce Lee and the Making of Asian America Water Mirror Echo. Then I speak with Rachel Koelzer, the communications director for NAKASEC, about their new study of Asian American men and the Manosphere. So how are images of Asian American male identity being shaped and formed in our current society, and what does Bruce Lee have to do with all this? First, listen to my conversation with author Jeff Chang. Welcome Jeff Chang to Apex Express.    [00:01:24] Jeff Chang: Ah, it's so great to be here. Miko. So happy.    [00:01:27] Miko Lee: I'm so happy to talk with you about your latest book. You're such a prolific writer, and here you have written a big Bruce Lee and the Making of Asian America Water Mirror Echo. Such a mighty title. I wanna start first just a question that I ask all of my guests, which is, who are your people and what legacy do you carry with you?   [00:01:49] Jeff Chang: Oh my gosh. What a great question to start with. You know, my family, my communities, they all kind of blend together, the blood family, the kin family, and the chosen family, for me. I guess I'm always [laughs], I'm first born Chinese Kanaka, you know, I'm always aware that I am, representing, I guess, So I, you know, I carry that family with me wherever I go.   [00:02:16] Miko Lee: I, I think I know what that means. But for our audience that might not know what a firstborn Chinese kanaka means, can you break that down a little bit? What does that mean to you when you say that?    [00:02:25] Jeff Chang: Yeah, I mean, you know, it's just the, i, it it's just a thing of, you know, you're gonna go out and represent the family and, you're thrust into Taking on responsibilities and stuff for your folks, your siblings, your, younger cousins, those kinds of things. I was always very aware of that within the family. My dad's from a really big family, had six siblings and, my mom's from a large extended, family. so that's, That's such a fantastic question Miko. Bruce was the second child, which, you know, birth order and all that kind of stuff. It also squares, I think with, a Chinese family. He felt like he was always in the shadow of his older brother.   [00:03:10] Miko Lee: Okay. Hold on. Let's get to Bruce in a second. I wanna finish with you as an author, creator person.    [00:03:16] Jeff Chang: Okay.    [00:03:16] Miko Lee: Wait, so you are the number one son.    [00:03:18] Jeff Chang: I'm the number one son. Yeah.    [00:03:19] Miko Lee: Ooh, okay. I get it. Yeah. And then what is the legacy that you carry with you?    [00:03:24] Jeff Chang: The legacy. I just have to represent, in a point, a kind of a way, in a proper kind of a way. You know, the family , and those kinds of things. I was also very rebellious. I came back after my freshman year as the Berkeley Radical. My Uncle Fungi was like, oh, here comes the Berkeley radical. Okay. Then of course, you gotta sit down and drink beer and tell 'em , all the stories and that kind of thing. So, you know, just being able to, carry on, a legacy of being upright and being, just, right. And sort of being appropriate in all that you do. just aware of that. Grew up aware of that. Yeah.    [00:04:02] Miko Lee: And then what was your first memory of Bruce Lee?   [00:04:06] Jeff Chang: Ah, I don't have a first memory. He was just part of the ether, you know what I mean? He was part of the   [00:04:10] Miko Lee: Ah, yeah.   [00:04:11] Jeff Chang: Yeah. He was part of the air. I think I came of age, after the generation, like my older cousins who were able to see Bruce in the theaters. We came up the next generation, we saw Bruce on tv. Return of the Dragon would come on and everybody would stop everything and just watch that. During the commercial breaks we're jumping around and kicking each other and stuff like that. I mean that, that kind of thing, right?    [00:04:34] Miko Lee: Yeah, totally. When I was growing up, people would always ask me if I was related to Bruce Lee, because Lee, because that was like, right, yeah, Lee. Yeah. Yeah. There's not a billion Lees' in the world.    [00:04:44] Jeff Chang: Yeah, yeah, yeah. Totally.    [00:04:45] Miko Lee: Yeah. So I get it and I try to explain to my daughters, and our kids are around the same age, the cultural phenomenon that he was, and it's hard to explain it to this generation because there wasn't really other Asian American representation than Bruce Lee when we were growing up.   [00:05:03] Jeff Chang: Yeah. Yeah. And now they have Alysa Liu, you know, they have eileen Gu, they have all of these different folks. So if you don't like Alysa, you could like Eileen. Or if you don't like, if you like Eileen, you don't have to like Alysa. Right. Or you can like 'em both. They have choices.   [00:05:14] Miko Lee: You could like Chloe.    [00:05:16] Jeff Chang: Yeah, yeah, yeah, yeah. They like Chloe, right? There's choices. Yeah. Like Chloe's on the Olympic stand with two other Asians. It's just wild. It's a beautiful thing. and it's not like the kind of reality that we grew up in. It's true.    [00:05:29] Miko Lee: Yeah. So what made you decide to write this book? you've written many books about pop culture and around theory and around Americana, and what made you decide to write a book about Bruce Lee?    [00:05:41] Jeff Chang: So the book came to me actually, it was an Asian American editor back during a time, not so long ago, but a while ago, when there weren't a lot of Asian American editors in the business. And he came to me and that was amazing in and of itself. And he said basically, Hey man, you did this book on hip hop. This is back in, the latter part of the two thousands. I wanna imagine I haven't gone back and looked at the date. 'cause it, it actually hurts me to think about it. But he saw you did this book like. Do you think you could do a book on Bruce Lee? And I was like, yeah, I could do that. I was hyped to do that. Please. Because Yeah. 'cause Bruce was our hero. Yeah. Just like we were talking about. The most famous Asian American who's ever lived. It took me a long time to get going and I gotta admit I lost the plot at some point. I just was like, what am I doing? There were books that came out, about Bruce in the interim. there was one other biography that had come out, in the late 2010s,    [00:06:37] Miko Lee: and I think I told you about one of the books. I think it's that book that I read written by a white guy and I wrote about it in good reads because I read a lot and that's how I keep track of the books I read. I don't think about anybody else reading those reviews that I write? It's like writing in a journal or something. Now I use story graph ‘ it's amazing. Not commercial, but at the time I used Goodreads and the author wrote back to me, I think I told you this story.    [00:07:04] Jeff Chang: Yeah, yeah. Tell me. Tell, so what did you write and what did the author write back to you?   [00:07:08] Miko Lee: I wrote that I thought that this author did not understand what an icon Bruce was to the Asian American community, and it was written in a way that didn't, grasp the whole complexity of what he meant to us. He wrote this really, mean note back to me about how he had Shannon, Bruce's daughter's support and he was the one that could tell the story. And I thought, whoa, I was just shocked. That was the first time. Since then, I've had many different authors write back to me, but that was like the first one and wrote back in a mean way. So anyways.    [00:07:39] Jeff Chang: Was it public or this was a private, A private email back to you.    [00:07:43] Miko Lee: I think it's public. I don't know. Have to go look. I was shook at the time. Like what?    [00:07:49] Jeff Chang: Wow. Okay.    [00:07:50] Miko Lee: Anyway, so when I heard you were writing a book, I said, okay, finally, finally. Yay.    [00:07:55] Jeff Chang: Hmm. Yeah. You know, and I'll be honest, I, I had this sort of crisis of confidence. I was sort of like, you know, this is, okay, we'll put it out there. 'cause you already went there. It's Matthew Polly's book, Bruce Lee Life. I read it, he had done amazing research. He had spoken to a lot of people. I thought I was supposed to do this kind of a book. Now there's a particular kind of genre, that folks who are maybe in the industry recognize and, it's called I'm putting scare quotes around this, like the definitive biography,    [00:08:27] Miko Lee: right.    [00:08:28] Jeff Chang: In this particular case, the definitive biography, because he's a movie star s. Sort of coincides or converges with this other genre, which is the celebrity biography. I'm putting scare quotes around that too. So, the mission of a celebrity biographer is really to tell a story of, this celebrity. Is not as cool as you think they are. Like, their crap stinks. They cheated on their spouses. They like didn't file their taxes, they kicked their dog, they said mean things to different people. That's a celebrity biography. It's basically to tarnish the star. and if not, then it's sort of a hagiography, which is sort of a whole other kind of thing. And we don't wanna do that as writers. We wanna approach the truth. But there's sort of a certain kind of thing that comes into play, with Bruce. There's a sort of genre of the take down of Bruce where it's usually men that are writing this, and the men are usually like, well, Bruce was my hero when I was a kid, but now I've gotta take him down. You know what I mean? It's, and so you see it over and over again and, you know, there's a sort of a weird thing going on, especially I think with, white males who have loved Bruce Lee in the past feeling like they need to take him down.So let's say    [00:09:50] Miko Lee: Quinton Tarantino.    [00:09:52] Jeff Chang: Okay, you said it. I didn't, but I was gonna say like Albert Goldman, who was a journalist who famously wrote a take down of Elvis Presley.    [00:10:00] Miko Lee: Right.   [00:10:01] Jeff Chang: and did one of Bruce that was unbelievably racist. Now, I'm not saying that Matthew was trying to do this at all. I think that his scholarship and his work was really, really good. But I, I felt crowded out a little bit. You know, I felt like, gosh, I don't know what there is to say? I was very aware that there were a lot of books that had been written about Bruce and that I was writing into or out of, or in opposition to a tradition.   [00:10:30] Miko Lee: Mm-hmm.    [00:10:31] Jeff Chang: These are the Bruce. Lee Stories. and so at that particular point, in the late 2000 tens, I just said, what am I gonna do? And Lourdes, my partner, walked me up to the park and just tore into me like, what, you're gonna give up now? You can't give up now. You gotta do this, you have to. Who else is gonna do this? And I'm just feeling all that, Chinese Kanaka, firstborn, guilt, responsibility. she's about the only person that I can take a tongue lashing like that from. We walk back the mile to the house and my head was between my legs and I was like, all right, I'll do it. I'll do it. But I didn't know what I was gonna do to be completely real. I didn't know what I was gonna do. So the other thing that was kind of happening at this particular point was I was noticing, and you and I both have, children who are now adults, but at that time they were younger. They were like coming into their own, they're in their teens and that kind of thing, and that particular generation was coming up in some ways. Like we talked about, like they had all of these folks that they could look to.    [00:11:34] Miko Lee: Mm-hmm.    [00:11:34] Jeff Chang: Right. you know, our kids have opportunities in media that we never had.   [00:11:39] Miko Lee: Mm-hmm.    [00:11:39] Jeff Chang: We've had to break through in a lot of ways. And there was also, in a weird way, this sort of entropy around this notion of Asian America. Like young people who call themselves Asian American would also sit around and be like, what even is an Asian American? How do I relate to these other types of folks who are also classed as Asian Americans, or who describe themselves as Asian Americans as well. Like politically, culturally, the kind of food we eat, the way we dress, who we hang out with. Like all of the diversity that we've celebrated for so many years felt like entropy, I think, to them like this is, there's no center to this anymore. Then the pandemic happened and the violence, Was one way of saying this is it's the ice cube moment. This is what they think of you. You know what I mean? Yeah. And, and I think that was what galvanized, especially a lot of young people to find a new sense of purpose, a new sense of activism, a new sense of, how to be in the world And    [00:12:43] Miko Lee: for maybe some young folks who had never felt that they had experienced direct racism before, to suddenly see it really blatant in the community.    [00:12:52] Jeff Chang: Right. And, it was personal. It touched all of us. I know everyone has stories about how we were treated during the pandemic, and especially the women and especially, the queer folks. In a lot of ways it was paradigm shifting and it was paradigm shifting for me too, you know, so I'm writing about this guy who considers himself a martial artist.    [00:13:13] Miko Lee: Mm-hmm.    [00:13:14] Jeff Chang: And he's teaching people about self-defense.    [00:13:18] Miko Lee: Mm-hmm.    [00:13:19] Jeff Chang: And in his career being accused of fomenting violence, like a lot of. Folks in hip hop have been over the years.    [00:13:27] Miko Lee: Mm-hmm.    [00:13:28] Jeff Chang: I'm suddenly like looking at this in a completely different light. What does it mean to think about self-defense and violence and training to be a warrior, right? I have a lot of folks who are in the military. My mom worked for the police department, like what does that mean? For somebody like me who's, essentially anti militarist, who has critiques of the police, as we all should. who's a deep supporter of Black Lives Matter, like how do we think about what it means to, to be a warrior, and also to understand like the dignity, right in wanting to be a protector.    [00:14:04] Miko Lee: Right.    [00:14:05] Jeff Chang: Right. And to, uplift what that means, but to kind of think about all of these existential questions and then at the same time to see Bruce popping back up on our walls and murals and popping up on our feeds as a symbol, right. Of pride. Especially during this particular period, near us in the bay, like in San Francisco, Chinatown or Oakland Chinatown, young people bringing back the image of Bruce as a symbol of pride and also this sort of cry for like, can you see us? This sort of underlying desire to find solidarity. All of this mixed up with this like identity crisis that is now taking a different type of turn. So it was a lot to think about and suddenly I was just like, oh, oh, oh, wait a minute. Maybe that's what I'm supposed to write about. So the book became, about Bruce, but also about Bruce as an Asian American and about him kind of traveling parallel to the rise of the Asian American movement.    [00:15:04] Miko Lee: Yeah, I think it's so powerful that way, that it does tell this whole Asian American history for folks that might not know from, the very beginning of our, coming from the exclusion act to I hotel, to Vincent Chin and not just like politically, but then also cinematically because he crossed over so many barriers for us. So we're also getting Asian American cinema history with Anna May Wong and Sessue Hayakawa, and even the Hong Kong industry. So I love how you combined all these different elements. It's such a wonderful way to look at that. And I'm wondering what made you decide to organize the book into these three categories of water, mirror, echo.   [00:15:44] Jeff Chang: The line came first, Bruce's famous. Epigraph is, be water my friend, and, me being the nerd that I am, I wanted to trace the origins of that and found it pretty quickly, in a sort of, Daoist type of text. called the leads and the full, Section that, had influenced Bruce so much was moving be like water, still be like a mirror, respond like an echo. This is a line that actually resonates through Zen Buddhism as well. It was one of those things where when I first read it in Bruce's Dao Jeet Kun Do, I fell outta my chair. It was amazing. It blew me away. We'd all heard “be water.” We'd heard athletes say it. we'd heard, business leaders, say, we saw the activists in Hong Kong, using it, in the streets. and. Yet to see all of this together was even deeper. That was a window into wow. We think of Bruce as the great popularizer of martial arts. Bruce, he's not recognized as the great popularizer of Asian philosophy, in a lot of ways. It happened during this particular period during the sixties where, views of Asians and Asian Americans were beginning to shift dramatically, opening up in a lot of ways. So we had this phrase, my editor, Akia Clark, and I. She was like, all right, “how are you gonna organize this Jeff?” I was like, I don't know, help me. And she's like, all right, there's a water, there's a mirror, there's an echo here. And it actually tracks to his life and the arc of his story and I was like, “oh, wow. Yeah.” So I can't take any credit. I have to give it to my editor, who is,    [00:17:24] Miko Lee: that's a good editor.    [00:17:25] Jeff Chang: Amazing. Yo, she was amazing. Rekia was like, I signed you because, I grew up and the only Asian I knew was Bruce Lee. She grew up in largely black communities. She was like, I need to know more. , I really want to hear your take on this. And, and So it was a, an incredible collaboration in that way because it was the type of here's where we meet. She was literally giving me free reign to be able to tell me a story. Tell me why we're meeting here. Right. Why were we meeting through Bruce? That ended up giving me so much confidence and focus after I'd had, all of these years of being in the woods and, uh, what am I gonna do? And then, Lourdes is trying to shake me up That's kind of how it,    [00:18:09] Miko Lee: it took that time, that time to simmer, and your creative juices to be able to come up with this.    [00:18:15] Jeff Chang: Yeah. Yeah. It didn't feel. Like it at the time, but looking back now, I'm not the fastest, ho nu in the water.    [00:18:22] Miko Lee: Because you talked a little bit about confidence and how much Bruce shared about, Asian philosophy, which I think is really true. I wonder if you could speak a little bit more about his sense of confidence, both in himself, and then a sense of destiny, like the mark that he was gonna leave on the planet.    [00:18:38] Jeff Chang: It's very interesting to me because I think that this has been kind of, a part of the Bruce Lee legend. It was like he was born for a purpose. I was going through his papers and talking to, his, surviving family members and friends, like it was all improv.    [00:18:55] Miko Lee: Really him saying all those things was improv. What was all improv?    [00:18:59] Jeff Chang: Yeah. I think part of it, I think, well, maybe it wasn't an all improv, certainly he was driven.   [00:19:04] Miko Lee: Mm-hmm.    [00:19:04] Jeff Chang: He was incredibly ambitious and he was incredibly driven and he knew where he wanted to go. Absolutely 2000%, I think he entered this journey, like all of us in our journeys, you know, like we're maybe packed for the journey, but we might find along the way that we don't have what we need. I was attuned to the points where that narrative would break down. To all of the vulnerabilities that he was feeling in different moments. and especially because I got to talk to folks, who knew him, who maybe hadn't necessarily been interviewed in like, the years. His very close Asian American friends, the folks who knew him, off the martial arts training floor. the folks who thought he was weird and kind of corny, folks at UW. All of these folks knew him at the University of Washington. And the, the common thing was, this guy's goofy. He's just had a one track mind. Like, he just wants to like show us like. Like Gung fu things all the time. Like who does that?    [00:20:08] Miko Lee: Like Bruce stop already. We heard that.    [00:20:10] Jeff Chang: right, right. Like punch me like, you want me to punch you? That was funny. You know, I was just, and that was sort of also a mind shift, you know, like    [00:20:19] Miko Lee: Yeah.   [00:20:19] Jeff Chang: It was like, oh, so there was a time before    [00:20:21] Miko Lee: he was revered,    [00:20:22] Jeff Chang: the cool guy. Yeah, before he was the cool guy. Then before he was the guy that was like super suave and like all the, whatever all the ladies wanted and all the guys wanted to be like, that's been the Bruce narrative. So I was attuned to those parts and what strikes me is how much at the end he stuck to his guns. Like folks will read this in the last section of the book, and I don't want to give it away, but this is when Destiny kicks in and Bruce rises to the top and he makes another dragon. He becomes this global star and it was meant to happen. And I was like, no. He was actually fighting every step of the way. Like every day of his life. He felt like this thing was gonna fall apart. At one time, he boycotted his own movie because they weren't giving him what he wanted. Some of his closest friends say the real thing that killed him. People talk about the coroner's report conspiracy, like evil spirits that, but what he really did was like sacrifice himself in a way. That's how a lot of his friends talk about it, you know? From a sense of this deep personal loss of somebody whom they loved so much and who was like there one day and suddenly gone the next, And so, you know, to deal too with that, question of the melancholia that comes with what we experience when we're the survivors of someone we love, who suffers a premature death. In that regard, like I feel like the last part of the book too was deeply informed by. All of the stuff that's come before, with the Black Lives Matter movement. You know, and understanding, that these came from deep sources of grief and mourning and loss. Thinking about what it's meant for Asian Americans to have to look at two generations before we get to the things that Bruce was fighting for representationally    [00:22:14] Miko Lee: Yeah.    [00:22:14] Jeff Chang: You know, before we can get to everything everywhere, all at once. And Michelle Yeoh, receiving the Oscar for that. Like it took two generations. It took Brandon passing away one generation after his father, and then it took a whole bunch of other work that, a lot of folks needed to do in order for us to be able to. Get the kinds of representations that we hoped that we might see after, another dragon. and that, something that, has produced a melancholia in us, you know?    [00:22:48] Miko Lee: Yeah. Yeah.    [00:22:49] Jeff Chang: So.    [00:22:50] Miko Lee: You are talking a little bit about the people that you interviewed and there's so many clearly that you did, and when I was reading it, the backstory of Taki, that was when I thought, oh, this is an Asian American author. I mean, I know you, but it like, including that whole backstory I thought was so powerful and actually helped to build out the story of who he is, who his friends were and how he worked with them. I'm wondering if there's an interview that you didn't get.    [00:23:14] Jeff Chang: So many. So many.    [00:23:16] Miko Lee: Oh really?    [00:23:17] Jeff Chang: Yeah. I mean, I haven't gone back to look at the original contract and the date because so many people passed away. I got started on this, I had three other books that I had to complete from my, publisher at the time this book was signed out of, those contracts. I had had a full-time job then, and then when the, pandemic and BLM sort of reached that inflection point, it was a much more than full-time job. I didn't have time to be able to actually devote the book that I really needed to. I did research over a very long course of time. I did interviews over a very long course of time, but I started the interviews too late, so I couldn't interview Taki.    [00:23:54] Miko Lee: oh wow. Okay.    [00:23:55] Jeff Chang: I couldn't, yeah. Taki, was, alive. He lived to a very old age, but Alzheimer's. Um,    [00:24:01] Miko Lee: oh wow.    [00:24:02] Jeff Chang: Took him, you know? By the time I started reaching out, it was a little bit like too late. I spoke to his son instead at great length. and a lot of other folks around, him. There wasn't just one, there were a million interviews. I didn't get. Taki, I didn't interview Jesse Glover. I would've loved to have interviewed some of his friends From Hong Kong, but we couldn't access them because of the pandemic. I had an amazing researcher on the ground, Winnie Fu who, did a lot of amazing work there and was able to source a lot of stuff for us. There was so many people, and even now, like I was just up in Seattle for the unveiling of the Bruce Lee postage stamp, and I got to meet a friend of his from high school, and so I'm gonna sit down. I've been talking with Shannon's, cousin, Bruce's niece who has been keeping the genealogies of the family. We've been talking a lot. I'm gonna go back and interview her, and so hopefully maybe by the time the paperback edition comes around, I might be able to have some new information that I might be able to throw in in that edition.    [00:25:03] Miko Lee: Yeah. What surprised you most about the research?    [00:25:06] Jeff Chang: I think that Bruce was vulnerable. He felt very lonely a lot of the time. he had set himself out like this huge impossible dream in some ways. he knew his destination. He had no idea how he was gonna get there. That's where I talk about it was all improv. and at different points he despaired. I don't know if these folks are really seeing me, I don't think they really understand me. After the Green Hornet, he couldn't get a job. That he felt was befitting him, you know? So he's taking whatever work he can get. He's working as a fight choreographer for Nancy Kwan. And, just doing what he can and he's relying upon people to put him on. He's doing Gung FU training of a lot of the Hollywood top brass. So he can reach out to them, but even they don't believe in him. They don't believe in him like that. That's why he decides he has to leave. But it takes him literally four years to realize, oh, they don't see me as a main character. They don't see me the way I see myself. Yeah. So I gotta go. Even then he's still trying to get on the TV show, Kung fu. When that door slams and they cast David Carradine yellow face, he's like, oh, that, and that's when the ice cube moment really sets in for him. Like, that's how they see me. That's how they really understand me. After that, he's fighting this battle to try to get back to Hollywood. That's, one of the things he feels like he really wants to do. his thought is that I need to build up as much capital as I possibly can in order to be able to negotiate from a point of, strength. It's just very hip hop. It's very wutang clan. He's able to kind of get there. But he's still gotta fight these battles at the end. They just wanted him to shut up and kick. They gave him a black CoStar and a white CoStar because they were afraid that an Asian lead wouldn't make it. They wanted to name the movie Hans Island. Not Enter the Dragon because, Oriental villains were easier to understand than an Asian American male lead. So    [00:27:00] Miko Lee: that's such a horrible title too.    [00:27:02] Jeff Chang: Oh my God. How can you imagine we would not be talking about Hans Island.    [00:27:07] Miko Lee: I don't know how they thought that was a good idea.    [00:27:10] Jeff Chang: Yeah, it's true.    [00:27:11] Miko Lee: Is there anything else that you would like your audiences that to understand about Bruce Lee?    [00:27:16] Jeff Chang: What I tried to do is portray him in the context that he actually lived in, We've got the legend of Bruce, we've got the stories, of Bruce that have kind of burnished the legend. What I tried to do was to try to put him back as a human being, as a young person walking through Hong Kong streets and the streets of China, you know, down Grant and then, down King Street in Seattle. making it up to the studios, in Hollywood. and what that meant, for him to, actually accomplish all this kind of stuff. Because when we take away the legend, and this is one of the things I was worried about too, back in the late 2000 tens when I was like, I don't know what I'm gonna write. When you take away the legend. I was worried that people were gonna be like, oh, you just want to drag down this guy? And you're like the guy that's just throwing water on our hero. But what I'm, really understanding now is. when you look back at what he went through and what he overcame, he actually becomes even more heroic, to all of us. He wasn't a perfect person. but I think he remains a hero like more than a half century after his passing because of the things that he did.    [00:28:28] Miko Lee: I think that's right and I think you do an amazing job in the book of incorporating this powerful Asian American history and putting, his experience in a time and place that helps the broader world understand what an icon he is and remains. And I really appreciate you for writing this book and taking this time and the amount of energy it took to Percolate really pays off.    [00:28:52] Jeff Chang: Thanks so much. I so appreciate you.   [00:28:55] Miko Lee: So I'm gonna be interviewing NAKASEC on their new study on Asian American Men in the Manosphere. Are you familiar about this?   [00:29:02] Jeff Chang: Oh, I can't wait to read this. I cannot wait to read this. It's so,    [00:29:06] Miko Lee: do you know about this? No. To this report.    [00:29:08] Jeff Chang: I didn't know about it. I didn't know about it. I'm, I'm glad somebody's doing it.    [00:29:11] Miko Lee: Yeah. So they did a whole survey and they found that there is a lot of Asian American men that are part of the manosphere. Mm-hmm. And I'm wondering for you, who's written about Asian American male identity, if you have thoughts about this?    [00:29:26] Jeff Chang: So many thoughts. I was very much thinking about the Asian American manosphere as I was writing this book, because these are my cousins, these are my friends, these are, folks who I've sparred with.   [00:29:39] Miko Lee: Right.   [00:29:40] Jeff Chang: These are conversations I'm having with folks, at the bar over a meal. I'm really interested in seeing how we're able to understand what the appeal of the far right has been around questions, of masculinity in this moment and to win these folks back. I've also seen on the flip side, shifts and changes, around, how Asian American masculinity is displayed sea on social media in this era of a crackdown in immigration.    [00:30:19] Miko Lee: Yeah.    [00:30:20] Jeff Chang: We really do need solidarity. We really do identify with, what Latinos, are going through. What I worry about is that, the Asian American left, our first in instinct would be just to be like, ah, I can't talk to them. it's Gonna like upset me too much. I can't deal with this. Somebody has to,, because that, those are our folks and we've lost them over the last, five years or so and we've gotta get 'em back.   [00:30:45] Miko Lee: And are there folks that you know of that are working specifically on ways to pull this community back?    [00:30:50] Jeff Chang: I imagine that there's a lot of work on the ground that's happening. because this is the, world that I'm in, I look to the folks who are, doing podcasts or doing social media work and, who are, often, men who. Are, you know, kind of like me, like troubled by this development and trying to find a way to speak to their folks as well. I'm monitoring that. I'm not, deep within it, but, like I said, I wrote this book, understanding that, that particular subset of our community. those are the folks that, are the Bruce Lee fans.    [00:31:22] Miko Lee: Yeah.    [00:31:23] Jeff Chang: and are the folks who are, involved in, mixed martial arts and, involved in, athletics and, all these other kinds of things. And, and they're not too far away.    [00:31:33] Miko Lee: Yeah. It feels like there's a disconnect between that kind of loving of Bruce Lee and that world, and interaction with politics, interaction with the current events and how that's impacting them and their families.    [00:31:48] Jeff Chang: Well, I think it's. Yeah. I put that down to the fragmentation of the way that we receive media.    [00:31:54] Miko Lee: Mm-hmm.    [00:31:55] Jeff Chang: You know, and also, of course, the ways in which social media is geared towards the extremes. The way it's geared towards the extremes and towards lifting up the. Loudest crudest voices sometimes. Mm-hmm. That's exactly where the manosphere originates from. Right? That's where it    [00:32:15] Miko Lee: lives.    [00:32:15] Jeff Chang: Yeah. That's where it lives, is inside that pocket. It's about again, trying to get inside of that and what's causing that. What's the melancholia that's behind that? What is generating this rage, this fury, and being able to channel that, fury, that anger into, ways that will actually help not just all of us, but specifically them.    [00:32:39] Miko Lee: Yeah.    [00:32:40] Jeff Chang: That's an organizing problem that we have to take up.   [00:32:43] Miko Lee: Thank you for sharing. I'm gonna send you the research, the report so you can read it and,    [00:32:48] Jeff Chang: uh, I can't wait to break this open. Oh,    [00:32:52] Miko Lee: okay. I appreciate you. Thanks so much.   [00:32:54] Jeff Chang: Thank you.   [00:32:55] Miko Lee: Next up I speak with Rachel Kelzer, the communications director for NAKASEC, about their new study of Asian American men and the manosphere.Welcome Rachel Koelzer, communications Director for NAKASEC. Welcome to Apex Express.    [00:33:12] Rachel Koelzer: Hi. Thank you so much for having me today.    [00:33:15] Miko Lee: Can you first explain for our audience, your organization that you work with NAKASEC    [00:33:19] Rachel Koelzer: So NAKASEC is short for the National Korean American Service and Education Consortium. We are a national network of five affiliated organizations in six states.   [00:33:32] Miko Lee: Thank you. I wanna start with the question I ask all of my guests, which is, who are your people and what legacy do you carry with you?   [00:33:41] Rachel Koelzer: This is a great question. My people are the dreamers. They are the community rooted, change makers who believe that we are accountable and responsible to each other. For our collective wellbeing, our collective liberation, and our collective joy and care for each other. My people are also Korean adoptees, part of the Asian diaspora, and people who have survived challenges of life and still seek joy and to thrive.   [00:34:23] Miko Lee: Thank you so much for sharing. Through your work at NAKASEC, you recently released this report with a big old title, Asian Men, the Manosphere and Social Media, an Inflection Point for Asian American Advocacy and American Democracy. Wow. Can you first talk about what inspired this study?   [00:34:43] Rachel Koelzer: I became aware that there was this ongoing trend and challenge that we were having of not reaching young Asian men. Our followers were predominantly non men. Based on gender and significantly more women following us. Something like 70 30, 80 20. I talked with other organizations who also do advocacy and community based work who also faced similar challenges. I just wondered why. What is it that is preventing us from effectively reaching this large portion of our community that we serve? So from there we went and partnered with Dr. Tom Wong, and really started to dive into exploring the reasons behind it.    [00:35:34] Miko Lee: So let's back up for a second. Can you explain for our audience what the manosphere is?    [00:35:40] Rachel Koelzer: The manosphere in kind of simplified terms, it's a loosely connected network, of online communities, influencers and content creators who focus on men's issues, masculinity, dating, health and fitness, financial wealth, and gender dynamics. It includes this wide spectrum of content, that range from like the more everyday fitness self-help. To more controversial topics, like anti-feminism, traditional gender roles and critiques of modern women in society. The common thread across these, loosely connected, communities and spaces is this underlying thread of traditional gender norms and expectations.    [00:36:30] Miko Lee: So is the manosphere inherently misogynistic?    [00:36:34] Rachel Koelzer: Yes.    [00:36:35] Miko Lee: Well that was a really quick response. Yes. No question.    [00:36:38] Rachel Koelzer: [Laughter] I being real here, you know? Yeah. It is.    [00:36:46] Miko Lee: Okay.    [00:36:46] Rachel Koelzer: So within the broader manosphere, there's also men's rights activists. Some more like toxic masculine type views. There is a little bit of a range, but yes, inherently, there's deep rooted misogyny.   [00:36:58] Miko Lee: So how did you find people for your Study were they self-described people that participated in the manosphere?   [00:37:06] Rachel Koelzer: We partnered with Dr. Tom Wong, who is at the University of California, San Diego to conduct this survey. He used the voter file. They are self-identified Asian men and we set the parameters to be between the ages of 18 to 45. They identified across political ideology, across political party, and started with more general questions around their social media use. What platforms were they on? What, were the reasons that they were on social media. Who did they follow? To get a baseline understanding of where and what they're consuming. We know that they're online. There were questions about engagement with the manosphere.   [00:37:52] Miko Lee: What did this study reveal? What was surprising to you?    [00:37:57] Rachel Koelzer: What was really shocking is that one in five young Asian men are regularly engaging with manosphere content. That's 20% one in five.   [00:38:07] Miko Lee: That's a huge number.    [00:38:08] Rachel Koelzer: It's a huge number. Yeah. They're engaging with this content that is, starting off pretty innocuous like, you want to look better, you want to feel better, you want to have better relationships. What's being embedded in that to varying degrees of, subtlety are these values of more traditional expectations and roles. It's alarming that this that this many young Asian men are regularly engaging with it. We defined engaging, as, commenting, following, sharing. There were questions about how often they're seeing it across their feed, whether or not they're looking for it or not. We found that 35% of young Asian men are encountering manosphere content on their social media feeds several times a week.   [00:39:00] Miko Lee: Are they identifying it as manosphere content?    [00:39:04] Rachel Koelzer: They identified it, yes. In the survey we did provide a definition. Beforehand of what the manosphere was, and so anything within that would have to fall under this category.   [00:39:17] Miko Lee: Are most of those influencers and content creators, Asian American men also?    [00:39:23] Rachel Koelzer: That's a really good question. When both Dr. Wong and our team, NAKASEC team, were doing some research there, we didn't actually come across when we were looking at like the bigger names, right? Tens of thousands, upwards of millions followers. We didn't really come across many of those large followers that are Asian men. The men that are perpetuating it, regardless of their race or ethnic background. I think what that points to, you mentioned white supremacy earlier, but there's this idea and value that's perpetuated of colorblindness. And so in this space, the gender kind of supersedes the race. What was really curious is, later on in the study we also asked, about early childhood experiences and lessons, from the adults in their lives around masculine values, around showing and expressing emotions, and around representation of asian men in the media. A large portion agreed that the overall representation of Asian men is harmful. We know for those of us who have been interrogating our experiences in the world for a while. We know that Asians and Asian men in particular, we're stereotyped, we're troped in a lot of ways, right, of these feminine, unattractive, nerdy, geeky, or you've got the other side, you've got the Bruce Lees, you've got the Jackie Chans, right? There's a flattening that happens and . I think that is where the manosphere is dangerous and potentially even more appealing to communities who feel that they've been overlooked and undervalued, because it offers answers and those answers are really harmful to other communities, but they're still providing answers.   [00:41:28] Miko Lee: Can we speak a little bit more about the perceptions of Asian Americans in the media There's the stereotypes around women being either the dragon woman or the sexual exotic kind of play toy. Asian men, as you were pointing out, it's either the kung fu guy or the nerdy guy or the effeminate guy. Right. There's like not that much distinction. Is that your perception as well?    [00:41:57] Rachel Koelzer: Yes. I think there's been, even from when I was a child and growing up, over the past 30 years, there's been, improvements. But I think overall yes.   [00:42:08] Miko Lee: When I grew up, the only images were movies and television, and there just was not that much. So we did have those stereotype visions, but it was so limited in scope and content. There just was not as much content. Now it's everywhere. There's content in your phone, there's all these different social media apps, there's all these different channels you can watch. I'm wondering how that has impacted Asian Americans men's perspectives on how they see themselves and if that. Just looking at social media and the manosphere and how that impacted, the reason why you did the study and the outcomes of the study.   [00:42:46] Rachel Koelzer: The study showed that 26.7% of the men who were surveyed feel that Asian men are portrayed favorably in social media. That's actually still a very low percentage. 71.6% agree that Asian men are often underrepresented or stereotyped in media and popular culture. Even though yes, there's still greater representation, that there's still the portrayals and the quality and caliber or what that representation actually is, or how it's developed is still significantly lacking. What the manosphere offers, one, it offers answers as to how you might get away from, from those, right? You might be able to get out of that, which is to be this hyper quote unquote, masculine, dominating, character. It points the blame directly away from systems like patriarchy and white supremacy. It doesn't really interrogate what internalized misogyny, internalized racism, looks like and is doing. It's saying. You know what the problem is actually that women are becoming too independent. The problem is that, men are becoming too effeminate, and so there's this combination of race blindness and naming another villain in a way that punches down.   [00:44:32] It's a combination of looking for genuine insight and information to better understand their experiences and they're finding answers, but the quality of those answers and the ways that they're getting pushed to those are very problematic, very concerning. Not just for what that means for women in queer rights and immigrant rights and marginalized communities rights. These kinds of values that are being espoused and normalized. But what that means for, , how someone starts to view themselves and, their role in the world and the impact that that has on the systems, and structures of our society.    [00:45:13] Miko Lee: There's so many interesting things that you said. I heard you say the men are finding a sense of belonging in the manosphere, and they're getting answers and the answers being right wing propaganda, which is being fed to them. Is that right?   [00:45:26] Rachel Koelzer: Yeah, I think that's right. The problem is the quality of the answers that they're receiving. The values that are embedded within that, whether or not they're being explicitly named, it's not. There are, again, if you go further, deeper, there are folks that are very proud to be part of the manosphere. That is a known and a shared identity as far as like we are part of the manosphere.Then there are those, I think Joe Rogan himself is like, I'm not part of that, but if you listen to his content and his messages, right? There's a lot of those traditional right wing, very violent and misogynistic roots that are coming out in there.   [00:46:13] It starts off very innocuously looking for answers, looking to better understand your life, your experiences, and what you can do about it. That's innocuous enough. Right. And there's even, like, there's a lot to be said about that kind of,, what's the word I'm trying to think of,, initiative, right? To better understand and seek resources and things. But unfortunately through a combination of the algorithm. Through investments into these kinds of content creators, , and spaces we're seeing that those proliferating a lot more. And so whether or not young Asian men are intentionally seeking this type of content, they're being fed it regularly.   [00:46:54] Miko Lee: I also heard you this comment about race blindness. I get that it because it's like men, men, men we're men and we're bounding together. But race blindness feels like a rube, if you will, for, white supremacy and misogyny. It's this way of saying we are all one, but very much targeting, specific folks that are not in positions of power and control.   [00:47:21] Rachel Koelzer: Yeah, absolutely. It flattens and erases the experiences of people who have been marginalized through, our laws, our policies, and it stops the need. It stops the self-reflection and interrogation too that is asked of us otherwise, which is to reflect on what power do I hold and what is my responsibility with that power, whether it's, having more privilege because I'm a citizen. Having privilege because you are a man. Even if you are also, historically and presently marginalized because of your race as an Asian person, it reduces that depth and again, that responsibility for self-reflection and interrogation.   [00:48:22] Miko Lee: So given all that, your report says this is a warning sign, which clearly it is and an opportunity. I wonder if you could talk a bit more about what is the opportunity here as we're in this time of great change. Great revolution, the year of the fire horse. Talk about how we can actively disrupt that pipeline to radical extremism.    [00:48:46] Rachel Koelzer: It's an important question and it's an important conversation that we need to have. There needs to be an awareness and an understanding of what it is that, is threatening the health and wellbeing of our community and of our country. What this study showed is we're at an inflection point. The percentages, the numbers, we're not so far down the rabbit hole, but we're like right on the edge. We're like at this tipping point, and so intervention is necessary now. This is a great opportunity for organizations, for community leaders to be having these conversations. To be engaging in political education with their community members to be, educating and informing and connecting with members of their community, particularly young Asian men. And it's an opportunity for these in-person spaces and these digital spaces to be countering the manosphere with our own answers.   [00:49:51] I think that's one of the biggest things, especially when we're talking about a digital space, to be investing in content creators, to be investing in artists, to be investing in doing the work of putting out our own answers and solutions. Explanations and analysis of what is happening. It's a call to action and an opportunity for funders, donors for people who have the ability, to put money behind these kinds of spaces online. There's just this significant disparate investment. It's an opportunity to be really investing in community, really investing in recreating spaces, building out spaces, I'm thinking particularly again, community-based organizations who can be understanding what the risks and threats are and understanding their communities where they are, and not necessarily adding to, but, with this threat in mind, how does that inform the spaces that you're creating or the strategies that you are engaging?Whether it's online or in person.   [00:51:13] Miko Lee: We need to gather up our brothers, our nephews, our uncles, gather 'em all up, talk about our real, Asian American history of resistance, our power, our ability to move forward, connect with that in person, pull them outta the manosphere, connect all together so that we could move forward as a community in solidarity with each other.   [00:51:37] Rachel Koelzer: Absolutely. There's opportunities across the board regardless, of where your particular position is. Even if you're not a part of a community organization or you're a teacher, a parent. One of the things that also came up in this study was that across ideologies, across the political spectrum and across age groups, there was a significant number. It was like close to 70 or over 70% had shared experiences, of being discouraged from showing emotions, from being, from seeing, modeled from the men in their lives, examples of stoicism. Of, more traditional masculinity, more traditional gender norms. And so there is this also aspect of, yeah, bringing in folks, bringing in our nephews, our brothers, our cousins, our friends, our uncles, and a reflection upon what can we do to be, raising our next generations, our current and our next generations, to value themselves and those around them who are different. To be able to express emotions, be able to have deep, reciprocal relationships, , and to have respect and understand what it means to reflect on one's privilege that comes as a result of, an identity in this very hierarchical world, whether it's, as a man under patriarchy or white, under white supremacy. These are skills that can be taught and can be learned. I think that this is also an opportunity to be reflecting on how we as a society understanding these    [00:53:33] Miko Lee: Well, Rachel Koelzer, thank you so much for joining me and sharing about your report. How can people find out more about your work?   [00:53:42] Rachel Koelzer: Thank you so much for having me. You can follow NAKASEC on most social media platforms. Visit our website. We've got tons of resources and information there and check out our local affiliates. You can find out more about them on our website and on our socials. If you are, you know, in the area, would love to see you.    [00:54:01] Miko Lee: Thank you so much.    [00:54:03] Rachel Koelzer: Thank you.   [00:54:04] Miko Lee: Thank you so much for joining us. Just a note that Apex Express will be off air for fundrive until May 28th, but we wanna acknowledge that May is Asian American, native Hawaiian and Pacific Islander Heritage Month, and there are film festivals and cultural events happening all around the country that celebrate our diverse experiences. One Bay Area one to note is CAAMFEST. It's back! The center of Asian American media returns for its 44th year and its festival from May 7th through the 10th is at the Kabuki Theater, a MC in San Francisco with an amazing program of impressive filmmakers. Check it out, maybe I'll see you there and happy AANHPI month. Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night..    The post APEX Express – 4.30.26 – Bruce Lee and the Manosphere appeared first on KPFA.

“JAMES WONG HOWE: THE MAN WHO PAINTED WITH LIGHT” - 3/16/2026 (132) Today, we're going to step behind the camera and shine a spotlight—quite literally—on one of the most brilliant craftsmen Hollywood has ever seen. A man who helped shape the way movies look. If you've ever admired the stark black-and-white photography in Hud, the shadowy nighttime streets of Sweet Smell of Success, or the striking boxing scenes in Body and Soul, then you've already seen the artistry of cinematographer JAMES WONG HOWE. And whether you realized it or not, you were looking at the work of someone who had a huge influence on the visual language of film. Join us as we examine the life and career of this technical master.  SHOW NOTES:  Sources: James Wong Howe: The Camera Eye (2010), by Alain Silver; “Focusing In On James Wing Howe,” May 31, 2024, TriviaMafia.com; “James Wong Howe: Unsung Hero of Golden Age Hollywood,” April 27, 2022, by Nicholas Rapold, The Financial Times; “James Wong Howe: Master of Lights,” December 14, 2012, by Roger Ebert; RogerEbert.com; “James Wong Howe Dies; Noted Cinematographer,” July 16, 1976, by Robert Hanley, New York Times; Oscars.org Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: Hud (1963), starring Paul Newman, Patricia Neal, and Melvyn Douglas; The Sweet Smell of Success (1957), starring Burt Lancaster, Tony Curtis, & Susan Harrison; Body & Soul (1947)l starring John Garfield, Lilli Palmer, Anne Revere, Hazel Scott, & Canda Lee; Male and Female (1919), starring Gloria Swanson; The Spanish Dancer (1923), starring Pola Negri; Peter Pan (1924); Shanghai Express (1932)l starring Marlene Dietrich & Anna May Wong; Manhattan Melodrama (1934), starring Clark Gable, Myrna Loy, William Powell, & Mickey Rooney; The Thin Man (1934), starring William Powell & Myrna Loy;  Little Lord Fauntleroy (1936), with Freddie Bartholomew; The Prisoner of Zenda (1937), starring Madeleine Carroll & Douglas Fairbanks Jr,;   Algiers (1938), starring Charles Boyer & Hedy Lamarr:   Abe Lincoln in Illinois (1940), with Raymond Massey; Fantasia (1940); The Strawberry Blonde (1941), starring James Cagney, Olivia de Havilland, & Rita Hayworth; King's Row (1942), starring Ann Sheridan & Ronald Davis;  Yankee Doodle Dandy (1942), starring James Garfield & Joan Leslie; The Hard Way (1943), starring Ida Lupino & Joan Leslie; The North Star (1943), starring Dana Andrews & Anne Baxter; Air Force (1943), with John Garfield; Confidential Agent (1945), starring Charles Boyer & Lauren Bacall;  Nora Prentiss (1947), starring Ann Sheridan:  He Ran All the Way (1951), with John Garfield & Shelley Winters; The Baron of Arizona (1950) starring Vincent Price & Ellen Drew; The Rose Tattoo (1955) starring Anna Magnani, Burt Lancaster & Marisa Pavan; Seconds (1966), starring Rock Hudson; Go, Man, Go (1954), starring Dane Clark & Sidney Poitier; Funny Lady (1975), starring Barbra Streisand; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate International Women's Day in March, hear a very special story of a very special star, a free-thinking girl who was determined to overcome all odds in her search for stardom... ⁠To hear more stories just like this one, sign up now at PATREON and open up a whole new world of Hollywood drama Learn more about your ad choices. Visit megaphone.fm/adchoices

Another dream-come-true interview for me here at the InfatuAsian Podcast! Michelle Krusiec has been acting since the 2000's. You've no doubt seen her in something: Star Trek DSN, Sweet Home Alabama, Monk, Cold Case, Grey's Anatomy, NCIS, Weeds, Dirty Sexy Money, Far North, Fringe, CSI, Hawaii 5-0, and dozens more. She was Wil Pang in Alice Wu's Saving Face, and Anna May Wong in Netflix's Hollywood. She has directed and written her own shorts as well. She's done and seen a lot in Hollywood over her prolific career, so she has lots of insight into the inner workings. It was a real joy to speak with her for an hour. Follow Michelle @michellekrusiec on social media. And keep your eyes out for her next projects.  As I always mention, you can write to us at: ⁠infatuasianpodcast@gmail.com⁠, and please follow us on Instagram and Facebook @infatuasianpodcast  Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by Invictus Quartet. Cover Art and Logo designed by Justin Chuan @w.a.h.w (We Are Half the World) #asianpodcast #asianamerican #infatuasian #aapi #representationmatters

canal.march.esEl expreso de Shanghai (Shanghai Express, 1932, EE. UU), de Josef von Sternberg, con Marlene Dietrich, Clive Brook, Anna May Wong y Warner Oland. Presentador: David Felipez Arranz Shanghai Lily (Marlene Dietrich) viaja a bordo del tren expreso de Pekín a Shanghai, entre cuyos pasajeros se encuentra el capitán Donald Harvey (Clive Brook), con quien vivió un romance apasionado y que ahora resurge como un amor prohibido para las convenciones de la época. Algunas escenas de violencia tuvieron que ser eliminadas antes del estreno y fue prohibida en China, además de que el filme escandalizó a William H. Hays, promotor del código de censura. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto canal.march.es

In this special episode, hear the story of Anna May Wong, cinema's first Chinese-American superstar, who turned disillusionment into a determination to create change... This episode is one of countless Hollywood stories available now by signing up at Patreon Signing up only takes a moment, and you'll get instant access to an entire world of storytelling! Learn more about your ad choices. Visit megaphone.fm/adchoices

Director:  Josef von Sternberg Producer:  Adolph Zukor Screenplay:  Jules Furthman Photography:  Lee Garmes, James Wong Howe Music:  Karl Hajos, W. Franke Harling, Rudolph G. Kopp, John Leipold Cast:  Marlene Dietrich, Clive Brook, Anna May Wong, Warner Oland, Eugene Pallette Rotten Tomatoes:  Critics: 96%/Audience: 79%

Anna's incredible life is characterized in a new book, "Not Your China Doll." Author Katie Gee Salisbury joins Chelsea Rose to discuss.

Anna's incredible life is characterized in a new book, "Not Your China Doll." Author Katie Gee Salisbury joins Chelsea Rose to discuss.

EPISODE 86 -  “ANNA MAY WONG: CLASSIC CINEMA STAR OF THE MONTH” - 5/5/2025 Anna May Wong was once the most famous Chinese woman in the world. The trailblazing actress, philanthropist, and fashion icon appeared in over 60 films and was a celebrated star, yet, at the time, she was not allowed to kiss a Caucasian man on screen, which limited the roles she could take, and she was not allowed to buy a house in Beverly Hills. A strange dichotomy, indeed. In recent years, she has enjoyed a much-deserved resurgence. Known as a Trailblazer and a cultural icon, she paved the way for generations of Asian and Asian American actors by proving that talent and perseverance could transcend racist casting conventions. Her life and career continue to influence conversations about diversity, representation, and the politics of race in Hollywood. This week, she is our Star of the Month. SHOW NOTES:  AVA GARDNER MUSEUM: If you would like to make a donation to help support the Ava Gardner Museum in Smithfield, N.C. (Ava'a hometown!), please click on the following link: https://ava-gardner-museum.myshopify.com/products/donations Sources: Not Your China Doll (2924), by Katie Gee Salisbury; Anna May Wong: From Laundryman's Daughter to Hollywood Legend (2012), by Graham Russell Gao Hodges; Anna May Wong: A Complete Guide to Her Film, Stage, Television, and Radio Work (2010), by Philip Leibfried and Chei Mi Lane; Perpetually Cool: The Many Lives of Anna May Wong (2003), by Anthony B. Chan; “Anna May Wong: 13 Facts About Her Trailblazing Hollywood Career,” April 30, 2024, By Minhae Shim Roth; “Anna May Wong's Long Journey from Hollywood to the Smithsonian,” March 2024, by Ryan Lintelman, Natural Museum of American History; “Anna May Wong Will Be the First Asian American on US Currency,” October 18, 2022, by Soumya Karlamangla; “Anna May Wong is Dead At 54; Actress Won Movie Fans in '24; Appeared with Fairbanks in ‘Thief of Bagdad,' Made Several Films Abroad,” February 4, 1961, The New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Phantom Of The Opera (1943), starring Claude Rains, Eddy Nelson, & Suzanna Foster; The Spider Woman Strikes Back (1946), starring Gale Sondergaard & Brenda Joyce; White Savage (1943), starring Maria Montez, Jon Hall, and Sabu; Ali Baba and the Forty Thieves (1944), starring Maria Montez & Jon Hall; It Grows On Trees (1952), Irene Dunne & Dean Jagger; Impact (1949), starring Brian Donlevy, Ella Raines, Helen Walker, & Anna May Wong; The Red Lantern (1919), starring Alla Nazimova; The Toll of the Sea (1922), staring Kenneth Harlan & Anna May Wong; The Thief of Baghdad (1924), starring Douglas Fairbanks & Anna May Wong; Picadilly (1929), starring Gilda Gray & Anna May Wong; Daughter of the Dragon (1931), starring Anna May Wong and Warner Orland; Shanghai Express (1932), starring Marlene Dietrich & Anna May Wong; The Hatchet Man (1932), starring Loretta Young; The Mask of Fu Manchu (1932), starring Myrna Loy; The Son-Daughter (1932), starring Helen Hayes; Tiger Bay (1934), starring Anna May Wong; Chu Chen Chow (1934), starring Anna May Wong; Java Head (1934), starring Anna May Wong; Limehouse Blues (1934), starring George Raft, Jean Parker, & Anna May Wong; The Good Earth (1937), starring Paul Muni & Luise Rainer; Daughter of Shanghai (1937), starring Anna May Wong & Philip Ahn; King of Chinatown (1939), starring Anna May Wong & Sidney Toler; Dangerous to Know (1938), starring Gail Patrick & Anna May Wong;  Island of Lost Men (1939), starring Anna May Wong & J. Carrol Naish; Bombs Over Burma (1942), starring Anna May Wong; Lady From Chungking (1942), starring Anna May Wong; Portrait in Black (1960), starring Lana Turner, Anthony Quinn, & Sandra Dee; Learn more about your ad choices. Visit megaphone.fm/adchoices

✨ Welcome back to Zillennials Podcast! In this episode of the Kaylee and Lian discuss Not Your China Doll⁠⁠⁠⁠ by Katie Gee Salisbury. They share a summary of the author's background, delve into Anna May Wong's life and film career, and explore her influence as the first Asian American movie star.

Episode #235 hosts Dave Bossert and Aljon Go chat with author Derham Groves about his new book, "Walt Disney's Forgotten Australia: From Mickey's Kangaroo to Outback At Ya!" The hosts also answer listener e-mails and review the latest movies, streaming shows, and books. About the AuthorDerham Groves is a Senior Fellow in Architecture at the University of Melbourne, Australia. He has written extensively on popular architecture and design, including Anna May Wong, Arthur Purnell, feng-shui, George Johnston, letterboxes, Sherlock Holmes, television, The Monkees, and Walt Disney. Get the book HERE.Join us for a special screening of "The Puppetoon Movie," Newly Restored at the Fine Arts Theatre, Beverly Hills, April 20, 2025, 1 PM, Special 88th Anniversary Celebration as we salute the dazzling Oscar®-winning George Pal Puppetoons™. Special 25¢ admission! Tickets - ⁠⁠Fine Arts Theatre Beverly Hills.⁠⁠We are now on Patreon! Click this link to support the show -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Skull Rock Podcast | Join our crew! | Patreon. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Skull Rock Podcast is powered by Riverside.fm. Click⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and start making great podcasts today! Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠theoldmillpress.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Faceboook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠|⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X/Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Aljon Go (aljongo) - Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Aljon's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dining at Disney Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Sorcerer Radio - All Disney Music, All Day Long⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SRSounds.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - E-mail: aljon@skullrockpodcast.com ||⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dave Bossert (@dave_bossert) • Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Email dave@skullrockpodcast.com. For behind-the-scenes stories and articles, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠davidbossert.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Shop using our Amazon affiliate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The Skull Rock Podcast is one of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠best Disney podcasts you must follow (feedspot.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. LISTEN to Dave's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Tunes Behind the Toons" segment on Sirius/XM's Disney Hits channel 133⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Throughout April the New Beverly Cinema proudly presents a collection of film treasures projected in glorious 35mm, including a stunning new film print of Richard Kelly's cult classic Donnie Darko, a triple feature of rarities starring pioneering icon Anna May Wong, and a pair of Rosanna Arquette comedies celebrating their 40th anniversaries. Plus, ‘70s rock operas, Schrader & Spielberg, The Dead End Kids, world cinema favorites directed by Luchino Visconti and Catherine Breillat, midnights, matinees, and much, much more. Brian, Elric and Phil are here to talk about all of it! Check out all things New Beverly here: https://thenewbev.com/ If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts The show is now on BlueSky: https://bsky.app/profile/purecinemapod.bsky.social As are Brian: https://bsky.app/profile/bobfreelander.bsky.social Elric: https://bsky.app/profile/elrickane.bsky.social and the New Beverly: https://bsky.app/profile/newbeverly.bsky.social

"IT'S FATAL: WHAT IS FILM NOIR?" (PART III) (080) 3/24/2025 Welcome to the third and final installment of our series on Film Noir. As we have previously discussed the technical elements of noir and met the typical character's of noir, we will now take a look at the creative aspects of the genre that help create that special brand of dark, sexy, deadly movies. We'll discuss dialogue, and clever devices like voice overs, flashbacks, and dream sequences that enhance these dark, moody films. We'll also look at the fatalistic themes that reigned supreme throughout the genre.  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; Gilda (1946), starring Rita Hayworth & Glenn Ford; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Brother's Rico (1957), starring Richard Conte, Diane Foster, & James Darren; D.O.A. (1950), starring Edmond O'Brien; Cape Fear (1962), starring Robert Mitchum, Gregory Peck, and Polly Bergen; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Clash By Night (1952), starring Barbara Stanwyck, Robert Ryan, & Paul Douglas; The Man I Love (1947), starring Ida Lupino & Robert Alda; The Maltese Falcon (1941), starring Humphrey Bogart & Mary Astor; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Detour (1945), starring Tom Neal & Ann Savage; Laura (1944), starring Gene Tierney & Dana Andrews; City That Never Sleeps (1953), starring Gig Young & Mala Powers; Sunset Boulevard (1950), starring Gloria Swanson & William Holden; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Great Flamarion (1945), starring Erich von Stroheim & Mary Beth Hughes; The Locket (1946), starring Laraine Day, Robert Mitchum, & Brian Aherne; The Invisible Wall (1946), starring Don Castle & Virginia Christine; The Strange Love of Martha Ivers (1946), starring Barbara Stanwyck, Van Heflin, Lizabeth Scott & Kirk Douglas; The Dark Past (1948), starring William Holden, Nina Foch, & Lee J. Cobb; Murder My Sweet (1945), starring Dick Powell & Claire Trevor; The Woman On The Beach (1947), starring Robert Ryan & Joan Bennett; Spellbound (1945), starring Ingrid Bergman & Gregory Peck; Manhandled (1949), starring Dorothy Lamour, Sterling Hayden, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Moonrise (1948), starring Dane Clark & Gail Russell; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Episode Website Link: https://frombeneaththehollywoodsign.com Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 78 - “FILM NOIR - Part 1 - WHAT IS NOIR?” - 3/10/2025 Have you ever wondered what exactly is film noir? TCM's EDDIE MULLER describes it this way: “Film Noir is all about treachery, deceit, and paranoia. You're never quite sure what is going on, who you can trust, or what dreadful pitfall waits around the corner.” This dark and twisted film genre popped up after WWII as a quiet cynicism began to creep into the national consciousness. In film noir, there is always an underbelly of darkness that comes out to play. And within the darkness, the shadows, and the neon lights, lie many stories of crime, dishonesty, adultery, murder, and mayhem. This week, we present the first in a special three-part series that delves into the darkest of genres where crooked cops, gangsters, torch singers, barflies, and other seedy character's live, love and kill. Join us as we discuss Film Noir!  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Leave Her To Heaven (1945), starring Gene Tierney, Cornell Wilde, & Jeanne Crain; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; Niagara (1953), starring Joseph Cotten, Jean Peters, & Marilyn Monroe; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, & Zachary Scott; Johnny O'Clock (1947), starring Dick Powell, Evelyn Keyes, & Ellen Drew; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Strangers On A Train (1951), starring Farley Granger, Robert Walker, & Ruth Roman; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, & Laird Cregar; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; Phantom Lady (1944), starring Ella Raines, Alan Curtis, & Franchot Tone; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Spiral Staircase (1946), starring Dorothy McGuire, George Brent, & Ethel Barrymore; Suspicion (1941), starring Cary Grant & Joan Fontaine; The Amazing Mr. X (1948), starring Turban Bay, Lynn Bari, Cathy O'Donnell, & Richard Carlson; Two O'Clock Courage (1945), starring Tom Conway & Ann Rutherford; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; The Third Man (1949), starring Jospeh Cotten, Orson Welles, & Alida Valle; Kiss Me Deadly (1955), starring Ralph Meeker & Cloris Leachman; The Narrow Margin (1952), starring Charles McGraw, Marie Windsor, & Jacqueline White; The Dark Mirror (1946), starring Olivia de Haviland & Lew Ayres; The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; The Lady In The Lake (1947), starring Robert Montgomery & Audrey Totter; The Lady From Shanghai (1947), starring Rita Hayworth & Orson Welles; Night of The Hunter (1955), starring Robert Mitchum, Shelley Winters, & Lillian Gish; The Naked City (1948), starring Howard Duff & Barry Fitzgerald; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; ‘ He Walked By Night (1948), starring Richard Basehart, Scott Brady & Jack Webb; Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; The Asphalt Jungle (1950), starring Sterling Hayden & Jean Hagen; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nasty Women Return! Karen Pearlman on Breaking Plates and Smashing the Patriarchy • Rhea Combs on Oscar Micheaux: The Complete Collection • Katie Gee Salisbury, author of Not Your China Doll: The Wild and Shimmering Life of Anna May Wong (92:56)

Episode #167 of the Last Call Trivia Podcast kicks off with a round of general knowledge questions. Then, we're falling for today's theme round of Autumn Trivia!Round OneThe game begins with a Video Games Trivia question about a popular franchise with a title character named after F. Scott Fitzgerald's wife.Next, we have a Television Trivia question that asks the Team to identify a popular sitcom based on several actors who starred in it.The first round concludes with a People Trivia question about Anna May Wong, the first Chinese-American movie star in Hollywood.Bonus QuestionToday's Bonus Question is a follow-up to the People Trivia question from the first round.Round TwoDoes the air feel crisper to you? Perhaps it's today's theme round of Autumn Trivia setting the ambiance!The second round begins with a Beverages Trivia question about a popular seasonal drink that is tweeted about thousands of times a day during the fall.Next, we have a Holidays Trivia question about the precursor to Veterans Day. Round Two concludes with a History Trivia question that asks the Team to identify a radio drama that caused panic among listeners.Final QuestionWe've reached the Final Question of the game, and today's category of choice is Presidents.The Trivia Team is given five U.S. states and asked to name the only U.S. president who was born in each of them.Visit lastcalltrivia.com to learn more about hosting your own ultimate Trivia event!

In PX127 our guest is architect, former academic and author Dr Derham Groves.  He studied architecture at Deakin University and the Royal Melbourne Institute of Technology and art history at the University of Minnesota. He taught architecture at RMIT from 1985 to 1997 and the University of Melbourne from 1999 to 2019 and was a Senior Fellow in the Faculty of Architecture, Building, and Planning at the University of Melbourne from 2020 to 2024. Derham is the author of many articles and books about popular culture, architecture, and design, including, Feng-Shui and Western Building Ceremonies (1991), You Bastard Moriarty (1996), Mail Art: The D-I-Y Letterbox from Workshop to Gatepost (1998), TV Houses: Television's Influence On the Australian Home (2004), Mask: Pro Hart's Frankenstein Monsters (2006), There's No Place Like Holmes: Exploring Sense of Place Through Crime Fiction (2008), Victims and Villains: Barbie and Ken Meet Sherlock Holmes (2009), Anna May Wong's Lucky Shoes: 1939 Australia Through the Eyes of an Art Deco Diva (2011), Out of the Ordinary: Popular Art, Architecture and Design (2012), Hopalong Cassidy: A Horse Opera (2017), Monkeemania in Australia: Celebrating the 50th Anniversary of The Monkees' Australian Tour in 1968 (2019), Arthur Purnell's “Forgotten” Architecture: Canton and Cars (2020), Sherlock in the Seventies: A Wild Decade of Sherlock Holmes Films (2021), Australian Westerns in the Fifties: Kangaroo, Hopalong Cassidy on Tour, and Whiplash (2022), and Homicide on Hydra: George Johnston's Crime Novels (2023). His latest book, Walt Disney's Forgotten Australia: From Mickey's Kangaroo to Outback At Ya! has been released in February 2025. Derham agrees with the Austrian architect Hans Hollein that ‘Everything is architecture,' and the American designer Charles Eames who said, ‘Eventually everything connects—people, ideas, objects.'  Episode released 10 February 2025.

This week we interview Katie Gee Salisbury, author of Not Your China Doll: The Wild and Shimmering Life of Anna May Wong, a new biography of the first Asian American movie star. […]

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we spoke with author Yunte Huang about his book "Daughter of the Dragon: Anna May Wong's Rendezvous with American History". A trenchant reclamation of the Chinese American movie star, whose battles against cinematic exploitation and endemic racism are set against the currents of twentieth-century history.

Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theatre, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinised due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career. In To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World (University of California Press, 2024), Dr. Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labour of performance, creating critical study of Wong's cross-media and transnational career. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labour as the bedrock of the entertainment industries. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theatre, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinised due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career. In To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World (University of California Press, 2024), Dr. Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labour of performance, creating critical study of Wong's cross-media and transnational career. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labour as the bedrock of the entertainment industries. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theatre, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinised due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career. In To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World (University of California Press, 2024), Dr. Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labour of performance, creating critical study of Wong's cross-media and transnational career. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labour as the bedrock of the entertainment industries. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theatre, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinised due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career. In To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World (University of California Press, 2024), Dr. Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labour of performance, creating critical study of Wong's cross-media and transnational career. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labour as the bedrock of the entertainment industries. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theatre, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinised due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career. In To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World (University of California Press, 2024), Dr. Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labour of performance, creating critical study of Wong's cross-media and transnational career. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labour as the bedrock of the entertainment industries. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Campbell Playhouse | (19) The Patriot (starring: Anna May Wong) | Broadcast: April 14, 1939: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

Recorded live at NCORE (National Conference on Race & Ethnicity in Higher Education) in Honolulu! Jeff and Phil welcome Katie Gee Salisbury, author of Not Your China Doll, a biography on the life and career of movie star Anna May Wong. They discuss the "golden age" of Hollywood, the enduring popularity of film sleuth Charlie Chan (who was inspired by real-life Honolulu police detective Chang Apana), The Good Earth, the legacy of yellowface and performance/perception of Chinese-ness.

Saturday on PBS News Weekend, how the lasting effects of George Floyd's death continue to shape the city of Minneapolis four years later. Then, a front-line report as depleted Ukrainian forces struggle to contain Russia's advances. Plus, the hidden history of Anna May Wong, considered to be the first Asian American movie star, and her struggles with Hollywood's racism. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Anna May Wong was a pioneering actress considered to be the first major Asian American film star, despite the limits imposed by Hollywood's racism. As this year's Asian American, Native Hawaiian and Pacific Islander Heritage Month draws to a close, we bring you her story as part of our "Hidden Histories" series. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

UCLA Chancellor Gene Block will testify before a House committee about antisemitism on campus. USC's response to student protests has not cost the university donors. Keepsakes of actress Anna May Wong will be displayed in Chinatown. Plus, more. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com.   Support the show: https://laist.com

Get to know inventor Ann Makosinki, who brought us the story of movie star Anna May Wong. Ann talks about how she became a young inventor, and how we can become inventors ourselves. And she explains why the story of Anna May Wong is so important to her, especially as an Asian-American woman today.

[This episode originally aired May 2021.] Hailed as the first Asian American movie star, Anna May Wong's groundbreaking career spanned from the silent film era to 1950s TV, when she starred in her own television show. Though bound by the racist and sexist stereotypes of Hollywood in the 1900s, including laws forbidding on-screen interracial relationships, Anna May Wong carved a path for herself in Hollywood and beyond, eventually appearing in 60+ films and performing on stages around the globe. About the Narrator Ann Makosinski is a 23 year old Filipina-Polish Canadian inventor, global keynote speaker, and aspiring writer. She is best known for her invention of the Hollow Flashlight, a flashlight that runs off the heat of the human hand, and the eDrink, a coffee mug that harvests the excess heat of your hot drink and converts it into electricity to charge your phone. Ann has given 5 TEDx talks, is one of Forbes Magazine's 30 Under 30, Times Magazine's 30 Under 30 World Changers, Entrepreneur Magazine's Young Millionaires, and Glamour Magazine's College Women of the Year. She recently completed her work on a line of children's toys that run off of green energy.  Credits This podcast is a production of Rebel Girls. It's based on the book series Good Night Stories for Rebel Girls. This episode was produced by Isaac Kaplan-Woolner, sound designed and mixed by Camille Stennis. This episode was written by Alexis Stratton. Proofread by Ariana Rosas. Executive Producer is Katie Sprenger. A special thanks to the whole Rebel Girls team, who make this podcast possible! Original theme music was composed and performed by Elettra Bargiacchi. For more, visit www.rebelgirls.com.

In 2022, the U.S. Mint released the first batch of its American Women Quarters series, celebrating the achievements of U.S. women throughout its history. The first set of five included Maya Angelou, Sally Ride…and Anna May Wong, the first Asian-American to ever appear on U.S. currency. Katie Gee Salisbury takes on Anna May Wong's life in her book Not Your China Doll: The Wild and Shimmering Life of Anna May Wong (Dutton, 2024). The biography takes readers through Wong's life, from her start in Hollywood's early days, her struggles against prejudiced studio executives unwilling to give her the spotlight, through to her groundbreaking trip to China. In this interview, Katie and I talk about Anna May Wong's life, her struggles against censorship, and what films you should watch to understand Wong as an actress. A fifth-generation Chinese American from Southern California, Katie has spoken and written about Anna May Wong on MSNBC, in the New York Times and in Vanity Fair. She also writes the newsletter Half-Caste Woman. She was a 2021 Jerome Hill Artist Fellowship finalist and gave the TED Talk “As American as Chop Suey.” Follow on Instagram at @annamaywongbook and on Twitter at @ksalisbury. Other links: —Katie on writing Anna May Wong's biography, for Lithub —An excerpt of Not Your China Doll, for PBS You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Including its review of Not Your China Doll. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 2022, the U.S. Mint released the first batch of its American Women Quarters series, celebrating the achievements of U.S. women throughout its history. The first set of five included Maya Angelou, Sally Ride…and Anna May Wong, the first Asian-American to ever appear on U.S. currency. Katie Gee Salisbury takes on Anna May Wong's life in her book Not Your China Doll: The Wild and Shimmering Life of Anna May Wong (Dutton, 2024). The biography takes readers through Wong's life, from her start in Hollywood's early days, her struggles against prejudiced studio executives unwilling to give her the spotlight, through to her groundbreaking trip to China. In this interview, Katie and I talk about Anna May Wong's life, her struggles against censorship, and what films you should watch to understand Wong as an actress. A fifth-generation Chinese American from Southern California, Katie has spoken and written about Anna May Wong on MSNBC, in the New York Times and in Vanity Fair. She also writes the newsletter Half-Caste Woman. She was a 2021 Jerome Hill Artist Fellowship finalist and gave the TED Talk “As American as Chop Suey.” Follow on Instagram at @annamaywongbook and on Twitter at @ksalisbury. Other links: —Katie on writing Anna May Wong's biography, for Lithub —An excerpt of Not Your China Doll, for PBS You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Including its review of Not Your China Doll. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 2022, the U.S. Mint released the first batch of its American Women Quarters series, celebrating the achievements of U.S. women throughout its history. The first set of five included Maya Angelou, Sally Ride…and Anna May Wong, the first Asian-American to ever appear on U.S. currency. Katie Gee Salisbury takes on Anna May Wong's life in her book Not Your China Doll: The Wild and Shimmering Life of Anna May Wong (Dutton, 2024). The biography takes readers through Wong's life, from her start in Hollywood's early days, her struggles against prejudiced studio executives unwilling to give her the spotlight, through to her groundbreaking trip to China. In this interview, Katie and I talk about Anna May Wong's life, her struggles against censorship, and what films you should watch to understand Wong as an actress. A fifth-generation Chinese American from Southern California, Katie has spoken and written about Anna May Wong on MSNBC, in the New York Times and in Vanity Fair. She also writes the newsletter Half-Caste Woman. She was a 2021 Jerome Hill Artist Fellowship finalist and gave the TED Talk “As American as Chop Suey.” Follow on Instagram at @annamaywongbook and on Twitter at @ksalisbury. Other links: —Katie on writing Anna May Wong's biography, for Lithub —An excerpt of Not Your China Doll, for PBS You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Including its review of Not Your China Doll. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Anna May Wong was an international star who appeared in some of Hollywood's biggest movies in a career that spanned from the silent films of the 1920s, through the advent of talkies in the 30s, to television in the 1950s, despite all the obstacles in her path. A new biography, Not Your China Doll, examines how against all the odds Anna May Wong found international fame and became a trailblazer for Asian American actors. The English folk singer and guitar virtuoso Martin Simpson performs material from his new album - his 24th - Skydancers. The title track, commissioned by naturalist Chris Packham, highlights the plight of the Hen harrier. Simpson talks about his love of birds, of traditional song, of writing his own, the influence on him of American music, and a lifetime playing the guitar and banjo. Some leaders of classical music organisations say that the attitude to funding by the Arts Councils in England and Wales is undermining excellence, and putting inclusion before professionalism. We hear from a range of voices, including Sir Antonio Pappano, Chief Conductor at the London Symphony Orchestra and music director of the Royal Opera House; John Gilhooly, director of the Wigmore Hall and chair of the Royal Philharmonic Society; Kathryn McDowell, Managing Director of the London Symphony Orchestra and a former music director at Arts Council England; and Michael Eakin, Chief Executive of the Royal Liverpool Philharmonic Orchestra and former Executive Director of the Arts Council Northwest. Presenter: Samira Ahmed Producer: Julian May

Front Row Classics welcomes author Katie Gee Salisbury this week. Katie has just penned a wonderful book on one of the 20th century's greatest pioneers of film, Anna May Wong. "Not Your China Doll: The Wild and Shimmering Life of Anna May Wong" is a page turning exploration of Wong's life set against the Jazz Age and early days of Hollywood. Salisbury shines a spotlight on Anna May's glamourous life along with her rebellious personal life & fight for less stereotypical roles. "Not Your China Doll: The Wild and Shimmering Life of Anna May Wong" is available from Dutton Publishing wherever books are sold. Katie Gee Salisbury is the author of Not Your China Doll, a new biography of Anna May Wong, the first Asian American movie star. Her work has appeared in the New York Times, Vanity Fair, The Ringer, the Asian American Writers' Workshop, and elsewhere. She was a finalist for the Jerome Hill Artist Fellowship in 2021 and gave the TED Talk “As American as Chop Suey.” She also writes the newsletter Half-Caste Woman. A fifth-generation Chinese American who hails from Southern California, she now lives in Brooklyn.

Last September we had the pleasure of interviewing actor, writer and director Michelle Krusiec. Her IMDB page displays an impressive list of acting roles dating back to 1992. Related Links: https://talkingtaiwan.com/michelle-krusiec-acclaimed-actor-writer-and-director-talks-about-dealing-with-institutional-racism-and-her-sources-of-inspiration-ep-279/ We talked about the different phases of her career starting with her one-woman show, Made in Taiwan, which earned her much critical acclaim. She wrote, directed and acted in it in her 20s. Then there was her first main character role in a feature film, Saving Face, a film that put her on my radar and so many others' in 2004. In 2020 she portrayed the legendary Anna May Wong in the Netflix series Hollywood. Stepping into that role helped her to rethink the institutionalized racism that she's experienced as an actor. Michelle also talked about her directorial projects, and expressed her thoughts on the SAG-AFTRA strike, and so much more. March is Women's History Month and so we thought this would be the perfect time to release the first episode of the Trailblazing Taiwanese Women's series sponsored by NATWA, the North America Taiwanese Women's Association, which was founded in 1988. To learn more about NATWA visit their website: www.natwa.com     Here's a little preview of what we talked about in this podcast episode: ·       How she got on the path of acting ·       The stereotypical Asian roles she took on early in her career ·       The struggles she's faced in her acting career ·       How playing the role of Anna May Wong helped her to rethink the institutional racism that she's faced as an actor ·       Her first leading role in a feature film (Saving Face) ·       How she grew up she didn't see many people who looked like her on television and longed to change that ·       How Michelle prepared for her role in Saving Face by going to Taiwan to learn Mandarin ·       How Michelle prepared for her role as Anna May Wong in the Netflix series Hollywood ·       Michelle's directing projects ·       Michelle's one woman show Made in Taiwan and how it opened doors for her and got her a deal with ABC TV ·       How anti-Asian hate became more prevalent during the pandemic but was around long before ·       Her upbringing and how it impacted her early career ·       Michelle's Washington Post op ed piece ·       How a fortune teller impacted Michelle's adoption ·       The connection between Made in Taiwan and Michelle's short film, Bite ·       Michelle's short film Nian ·       Michelle's thoughts on motherhood and parenthood ·       The writing/directing projects that Michelle is working on ·       Michelle's thoughts on the SAG-AFTRA strike ·       Michelle's support for SB 805, a bill that supported funding for nonprofit theaters ·       How Michelle was affected by the BLM (Black Lives Matter) demonstrations that arose during the pandemic ·       Michelle's advice to others who want to pursue acting or directing ·       Michelle's connection to Taiwan   Related Links: https://talkingtaiwan.com/michelle-krusiec-acclaimed-actor-writer-and-director-talks-about-dealing-with-institutional-racism-and-her-sources-of-inspiration-ep-279/

Attaboy Clarence returns with a bumper edition of Old Hollywood treasures, including... ...music from Rosemary Clooney, Judy Garland and George Sanders! ...reviews of two movies - a blissful 1938 romantic comedy that's as soothing as a bowl of ice cream, and an Anna May Wong thriller from 1939 that sees our intrepid hero as a doctor fighting to save the life of a crime kingpin! ... special guest, comedian and author Ian Moore joins the show to discuss the endless talents of everyone's best pal, David Niven! ...and two sterling radio appearances from Niven himself. First, his tender reading of one of history's great love letters. Secondly, Niven's in villain mode as he plays a fraudster out to net a fortune at the expense of an elderly lady for Suspense! To gain instant access to an entire universe of bonus extras sign up NOW at https://www.patreon.com/attaboysecret Learn more about your ad choices. Visit megaphone.fm/adchoices

We're joined today by Katie Gee Salisbury, author of the new Anna May Wong biography Not Your China Doll: The Wild and Shimmering Life of Anna May Wong. Katie helps guide us through a discussion of Anna May Wong's life from childhood through Hollywood and European stardom, her trip to China, and her final comeback era. Learn more about Katie and her book at notyourchinadoll.com Click here to order Not Your China Doll from bookshop.org (North America) and click here to order from uk.bookshop.org (UK) ---- Get 15% off all the gorgeous jewellery and accessories at common.era.com/vulgar or go to commonera.com and use code VULGAR at checkout -- Get Vulgar History merch at vulgarhistory.com/store (best for US shipping) and vulgarhistory.redbubble.com (better for international shipping) -- Support Vulgar History on Patreon  -- Vulgar History is an affiliate of Bookshop.org, which means that a small percentage of any books you click through and purchase will come back to Vulgar History as a commission. Use this link to shop there and support Vulgar History. Learn more about your ad choices. Visit megaphone.fm/adchoices

UC Santa Barbara English Professor Dr. Yunte Huang recently published the final book in his "Rendezvous With American History" trilogy. Following the ones about the real and fictional detective Charlie Chan and the unbelievable one about the Siamese twins Chang and Eng Bunker, Huang has now researched and written a thoroughgoing book about Hollywood's first Asian American movie star Anna May Wong. How did the daughter of a laundryman in LA's Chinatown get bit by the acting bug? Have the rumors about her sexuality been confirmed? Why did she suddenly depart for Germany after starring in her most successful film? When she returned to America, had the racist attitudes and restrictions in Hollywood improved at all? Had all that time in front of cameras stolen her soul, as her parents first warned her?

On October 24th, 2022, the U.S. Mint issued a quarter with the image of movie star and trailblazer Anna May Wong, making her the first Asian American featured on U.S. currency. Wong wasn't supposed to be in the movies. Her laundryman father was dead set against it. And Hollywood preferred white actors in "yellow face" for Asian characters. But Wong knew what she wanted. Mo talks with comedian Margaret Cho, actress Rosalind Chao and best-selling author Lisa See about the woman who is finally getting her due. This episode originally aired on Mobituaries in February 2020 and was honored with a Gracie Award from the Alliance for Women in Media Foundation.See omnystudio.com/listener for privacy information.

In August, Florida Governor Ron DeSantis announced the arrests of several people accused of illegally voting in the 2020 election. But newly released police body camera footage from some of those arrests debunk DeSantis' claims of mass election fraud.Women-led protests in Iran following the death of Mahsa Amini are in their second month, and have become the biggest challenge to the Islamic Republic in a decade. Jasmin Ramsey, the deputy director of the Center for Human Rights in Iran, tells us what her group is hearing from activists and ordinary Iranians.And in headlines: Russian President Vladimir Putin declared martial law in four illegally annexed Ukrainian territories, British Prime Minister Liz Truss faced more calls to resign, and actress Anna May Wong will become the first Asian American to appear on U.S. currency.Show Notes:Center for Human Rights in Iran – https://iranhumanrights.org/Vote Save America: Every Last Vote – https://votesaveamerica.com/every-last-vote/Crooked Coffee is officially here. Our first blend, What A Morning, is available in medium and dark roasts. Wake up with your own bag at crooked.com/coffeeFollow us on Instagram – https://www.instagram.com/whataday/For a transcript of this episode, please visit crooked.com/whataday