Podcasts about dune part two

Bienvenidos, una vez más, a vuestro podcast favorito. Y si es la primera vez que nos escuchas, bienvenido a tu próximo programa favorito. En Buscadores de la Verdad hemos abordado el cine en más de una ocasión. No es casualidad. Dentro de nuestro blog técnico —preocupado.com— creamos una sección llamada Vídeos Es Clave, cuyo título es un guiño a aquel mítico programa llamado La Clave, donde se hablaba de cine… y de sus circunstancias. Muy lejos de la televisión basura actual, La Clave era un espacio donde reinaban la reflexión y el contenido de calidad. Porque el cine, amigos, no es simplemente entretenimiento. Como anunciamos en el título de este episodio: el cine es mucho más. Es un arte que trasciende la distracción, una herramienta narrativa que nos permite reír, llorar, reflexionar y soñar. Nos conecta con lo más profundo de nuestra psique, nos transporta a mundos imposibles y, al mismo tiempo, nos confronta con las realidades más crudas. Es espejo, es mapa, es lenguaje de lo humano. Cada película es un lienzo donde se proyectan culturas, ideologías y anhelos. Pero también, y esto es clave en nuestra mirada, el cine puede ser —y muchas veces es— un medio de programación y control social. En manos equivocadas, se convierte en un instrumento de adoctrinamiento y control. En el gran hermano de Orwell que no solo observa sino que manipula a su antojo las mentes débiles. Hablamos aquí de un concepto tan inquietante como real: la programación predictiva. A través de narrativas cuidadosamente elaboradas, el cine puede sembrar en el inconsciente colectivo ideas, escenarios y valores destinados a normalizar conductas futuras, erosionando el pensamiento crítico y preparando a la sociedad para aceptar lo inaceptable. Y con esa mirada hemos analizado ya varias películas en esta sección de nuestro proyecto. La primera fue El destino de Júpiter (Jupiter Ascending), una cinta de ciencia ficción escrita y dirigida por las hermanas Wachowski, las mismas creadoras de Matrix. La película se centra en una humilde muchacha (Mila Kunis) que se gana la vida limpiando baños, y se entera de que tiene un gran destino genético. En esta película habría tres capas, la primera y más obvia que muestra simplemente un cuento de hadas espacial, una intermedia donde se nos hablaría de entidades no humanas y se las relacionaría con civilizaciones ancestrales de la Tierra; y una tercera, aún más críptica, en la que se abordan temas como la soberanía personal, la ley marítima y las entidades legales representadas en letras mayúsculas. Un auténtico puzzle simbólico En la segunda película que analizamos, 12 monos, hablamos de como el satanismo era la capa mas profunda que nos mostraba la película. Toda la película es una burla a la creencia cristiana y de otras religiones monoteístas en un único Dios todopoderoso. En una escena clave, el personaje sugiere la existencia de una jerarquía de seres malignos que operan como secretarios de entidades superiores. Se dice sin ambages: “Ademas ya he avisado, ya se ocupan de mi. ¿Qué quieres decir?- pregunta Bruce Willis He contactado con ciertos subordinados, espíritus malignos, secretarios de secretarios y otros varios servidores que contactaran con mi padre. Y cuando mi padre sepa que estoy en un sitio asi para que me trasladen a uno de esos tugurios elegantes…” Termina diciendo “Mi padre es Dios… yo venero a mi padre”. Una inversión blasfema de la cosmovisión cristiana. La película, lejos de ser una simple historia de ciencia ficción distópica, es una crítica velada y perversa a la fe monoteísta. La tercera película elegida fue Blade Runner, una de mis favoritas, desde luego un claro referente dentro del mundo de los universos distópicos y de los mundos post apocalípticos. Esta película no recibió toda la atención que hubiera merecido por dos motivos; el primero es que se estreno dos semanas mas tarde del debut en taquilla de E.T., el extraterrestre, ocurrido el 11 de junio de 1982. El segundo motivo es que lo que realmente esconde esta película no debía ser promocionado a las masas como el tema ET que empiezo a ser ampliamente difundido en la década de los 80 a través de películas y series. Pero Blade Runner no es una película cualquiera: es una meditación profunda sobre el transhumanismo, la eugenesia, y el anhelo de trascendencia. En sus capas más profundas se esconde una búsqueda mística de Dios, la llamada “iluminación”. Una pregunta filosófica sobre lo que significa ser humano en boca de un ser artificial. El análisis de Eyes Wide Shut, la inquietante última película de Kubrick, fue tan profundo que dio origen a mi segundo libro: Ojos bien abiertos. Muchos se quedan en su superficie de thriller erótico o crítica elitista, pero nosotros vamos más allá. Esta obra revela rituales, símbolos y estructuras de poder que operan en la sombra. Desde los Rothschild hasta el programa MK Ultra, pasando por referencias al orfismo, el camino del druida y del mago: esta película es una llave hacia lo oculto. Nuestros análisis van más allá de la superficie de la pantalla, desentrañando significados ocultos que el director ha tejido en capas más profundas, invisibles a simple vista. Consideramos que esta obra se estructura en tres niveles principales, de lo más evidente a lo más enigmático: la primera capa revela conspiraciones de grupos de poder ocultos, como los Rothschild, que operan en las sombras; la segunda explora la operatividad de estos grupos, incluyendo técnicas de control como el MK Ultra y rituales de sexo y sangre; finalmente, la tercera capa, la más profunda, nos sumerge en el camino del druida, el poeta y el mago, evocando el misticismo del orfismo. Esta estructura invita a una reflexión crítica sobre las intenciones subyacentes de la narrativa y su impacto en la percepción del espectador. La quinta película que hemos analizado en nuestra sección Videos Es Clave ha sido El Hoyo. Aqui analizamos el simbolismo esotérico de los personajes llegando a la conclusión de que tanto Goreng como Trimagasi eran arquetipos del Quijote: Goreng (Don Quijote) y Trimagasi (Sancho Panza) que representaban a un iniciado y a un maestro masón respectivamente, de origen español. Que además Trimagasi podría simbolizar a Hermes Trismegisto, personaje con nombre griego y sincrético del dios egipcio del conocimiento Toth, creador del hermetismo (Tabla esmeralda) así como de Hermes el dios olímpico mensajero, de las fronteras y los viajeros que las cruzan, del ingenio y del comercio en general, de la astucia, de los ladrones y los mentirosos, y el que guía las almas al inframundo, al Hades, posteriormente llamado Mercurio en la mitología romana. (Caduceo). No es casualidad que el caduceo aparezca en más de un lugar en el film. Este análisis lo hicimos junto a Jordi que en paz descanse y podéis encontrar los videos sobre todas estas películas en la descripción de este podcast en Ivoox. También hemos analizado otras películas como una sobre la trata infantil llamada Sound of Freedom cuyo análisis dejaba en claro que tan solo pretendían colocar un velo entre la triste verdad que rodea el abuso ritual infantil y lo que se muestra en la película, que un traficante de drogas de poca monta era el malo malísimo detrás de los secuestros y abusos de niños. Lejos de exponer la verdad cruda del abuso ritual, parece más bien funcionar como una cortina de humo: un entretenimiento anestésico que disfraza la verdadera magnitud del problema. Y por si fuera poco, me atreví incluso con Rashōmon, la obra maestra de Kurosawa, dejando un pequeño hilo sobre su carga simbólica. Porque hasta en los silencios del cine japonés hay gritos que invitan a la verdad. Amamos el arte. Amamos el cine. Y amamos hablar de lo que se oculta tras la cámara. Por eso, hoy nos acompaña Carlos, más conocido como Cinefilia Cult, un experto apasionado por un arte que no puede ni debe medirse en números. Puntuar una película es reducirla a una estadística. El cine se vive, se siente, se analiza. Pero no se cuantifica. El cine es uno de los lenguajes de la imaginación, donde cada fotograma, sonido o silencio lleva una intención que no puede cuantificarse sin perder su magia. En lugar de números, el cine merece ser explorado a través de conversaciones, interpretaciones y experiencias personales, que capturan mejor su riqueza y profundidad inefable. Bienvenido, Carlos, a Buscadores de la verdad. Hoy, más que cine. ………………………………………………………………………………………. En tu perfil vemos que tu película favorita es Ran (1985) otra película de Kurosawa, junto a clásicos como el film de Kapra “Vive como quieras” (1938) y Los amantes crucificados una película de culto japonesa (1954) ¿Qué elementos te conectan con estos films y qué te atrae de esa época cinematográfica? ………………………………………………………………………………………. Has marcado 363 películas vistas, con 60 este año ¿Hay algún tema o tendencia en tu cine de 2025 que te haya sorprendido especialmente? ………………………………………………………………………………………. En 2024 dejaste una reseña de Dragonkeeper, una coproducción España‑China, destacando su “impecable factura visual”. ¿Podrías profundizar en cómo ves la evolución de la animación internacional y su integración en el cine español actual? ………………………………………………………………………………………. También vi que puntúas Dune: Part Two con un comentario crítico sobre el montaje y el tratamiento a los personajes ¿Qué crees que quedó por hacer bien en esta continuación y qué opinas que aún funciona del estilo de Villeneuve? ………………………………………………………………………………………. Nuestros análisis en Buscadores de la Verdad destacan las capas profundas en películas como Blade Runner o Eyes Wide Shut. ¿Tú también empleas este enfoque de mirar “tras la superficie” en las películas que ves y reseñas? Y si es así ¿Puedes darnos un ejemplo reciente? Hay quienes consideran la cinefilia (cinephilia) una forma de vida. ¿Qué significa para ti ser cinefílico? ¿Qué te aporta esta comunidad? ………………………………………………………………………………………. ¿Cómo equilibras tu gusto por producciones clásicas con tu pasión por descubrir simbologías ocultas en el cine moderno? ………………………………………………………………………………………. Sueles escribir críticas detalladas —por ejemplo, dijiste de Pearl (2022) que “puedes casi percibir los olores”. ¿Cuál es tu proceso a la hora de redactar una reseña: cómo sintetizas lo sensorial y lo narrativo? ………………………………………………………………………………………. Explicanos un poco que es eso de Letterboxd y por que lo utilizas. Con tu uso intensivo de Letterboxd —más de 300 películas, reseñas y listas—, ¿qué consejos darías a quienes empiezan a usar la plataforma para profundizar en el cine? ………………………………………………………………………………………. Algunas de las películas recomendadas en el podcast la noche eterna Politecnica Incendies Cuando llega el otoño El nadador ………………………………………………………………………………………. Conductor del programa UTP Ramón Valero @tecn_preocupado Canal en Telegram @UnTecnicoPreocupado Un técnico Preocupado un FP2 IVOOX UTP http://cutt.ly/dzhhGrf BLOG http://cutt.ly/dzhh2LX Ayúdame desde mi Crowfunding aquí https://cutt.ly/W0DsPVq Invitados Dra Yane #JusticiaParaUTP @ayec98_2 Médico y Buscadora de la verdad. Con Dios siempre! No permito q me dividan c/izq -derecha, raza, religión ni nada de la Creación. https://youtu.be/TXEEZUYd4c0 …. Cinefilia Cult @cinefiliacult Sigo descubriendo cine. Algunos me llaman Cult, otros Carlos. Si no hay respeto, no somos nada Contacto: cinefiliacult94@gmail.com https://letterboxd.com/cinefiliacult/ ………………………………………………………………………………………. Enlaces citados en el podcast: AYUDA A TRAVÉS DE LA COMPRA DE MIS LIBROS https://tecnicopreocupado.com/2024/11/16/ayuda-a-traves-de-la-compra-de-mis-libros/ VIDEOS ES CLAVE https://tecnicopreocupado.com/videos/videos-es-clave/ ES CLAVE 1 DESENTRAÑAMOS EL DESTINO DE JÚPITER https://tecnicopreocupado.com/2018/09/07/es-clave-desentranamos-el-destino-de-jupiter/ ES CLAVE 2: REVELAMOS LA BURLA AL CRISTIANISMO EN 12 MONOS DIC 21, 2018 https://tecnicopreocupado.com/2018/12/21/es-clave-2-revelamos-la-burla-al-cristianismo-en-12-monos/ ES CLAVE 003: BLADE RUNNER https://tecnicopreocupado.com/2019/08/12/es-clave-003-blade-runner/ ES CLAVE 004 EYES WIDE SHUT https://tecnicopreocupado.com/videos/videos-es-clave/es-clave-004/ ES CLAVE 005 ANÁLISIS SIMBÓLICO DE LA PELÍCULA»EL HOYO»(2019) PRIMERA PARTE https://tecnicopreocupado.com/2021/08/15/analisis-simbolico-de-la-peliculael-hoyo2019-primera-parte/ ANÁLISIS SIMBÓLICO DE LA PELÍCULA»EL HOYO»(2019) SEGUNDA PARTE https://tecnicopreocupado.com/2021/08/30/analisis-simbolico-de-la-peliculael-hoyo2019-segunda-parte/ Simbología en Rashōmon, película japonesa producida en 1950 por el director Akira Kurosawa https://x.com/tecn_preocupado/status/1692865238960341296 Hilo película “Sound of Freadom” https://x.com/tecn_preocupado/status/1679893602980311043 ………………………………………………………………………………………. Música utilizada en este podcast: Tema inicial Heros Epílogo Luis Eduardo Aute - Cine, Cine https://www.youtube.com/watch?v=iYi4CBNhCxE

In this episode, we break down Dune: Part Two and how Denis Villeneuve masterfully crafted Paul Atreides' rise to power. We explore the psychological depth that make his journey so compelling. From the intense performances to the jaw-dropping visuals and layered storytelling, we analyze how this sequel elevates the saga into something truly epic. Whether you're a fan of the book or just discovering Arrakis through the films, this conversation dives deep into what makes Dune: Part Two a cinematic triumph.Chapters:00:00:00 Intro Convo00:01:34 How Denis Villeneuve builds Paul into a powerful character00:06:19 What makes Paul's speech such a compelling step into power00:12:37 Scene breakdown: Paul's speech Part 100:18:01 In defense of Zendaya 00:24:35 Scene Breakdown: Paul's speech Part 200:32:28 Was Paul always playing the Fremen?00:39:16 How Denis builds power through status changes00:41:57 Breaking down the Paul vs Feyd fight00:48:32 Only one other person could've pulled off Feyd Rautha00:49:58 The small details Denis adds into the movie for depth00:52:10 Touching on how good the books are00:56:45 Scene breakdown: The Sandworm Scene01:09:58 Our rating01:17:02 Final thoughts01:18:58 Cue the music

Neuer Block IMDb. Wir besprechen die Western Once Upon a Time in the West und Django Unchained. Sowie den Charlie Chaplin Klassiker City Lights. Hoffentlich das letzte mal Dune Part Two sowie die Animationsperle Wall. Wir wünschen viel Spass mit der Folge und freuen uns wieder auf spannende Diskussionen.

“Sound is life for me.” The latest installment of the Earth.fm podcast, Wind Is the Original Radio, finds curator Melissa Pons in conversation with sound recordist and expedition leader George Vlad. You can listen to and read George's work elsewhere on the site - and you may already have heard recordings of his in high-profile projects such as Dune: Part Two and Mufasa: The Lion King, as well as various documentaries, TV series, podcasts, and audiobooks. The love of George's life, as a recordist and collector of sounds, is to be among wildlife sounds, trying to understand them, and getting to share them. Though he confesses to being initially fastidious about avoiding anthropophony, he explains that he has become more understanding and flexible, given how reductive it is to imagine that nature is separate from humans (and vice versa): “We are moving forward, whether we like it or not; progress happens: people need to travel and use power tools.” However, though he has become more open to recording people, he draws a line at combustion engines. He also shares about his journey from being a sound designer, when he originally saw field recordings as purely “tools or assets”, with no appreciation for the ecosystems they originated from. However, informed by his experience of growing up in the Romanian countryside - which taught him the value of loving nature and of living with it rather than trying to control it - he subsequently came to appreciate and take enjoyment from their beauty. Additional topics addressed during the episode include: The “heavy question” of decolonising sound recording and working ethically as a recordist outside of one's home culture. And, how working respectfully with locals can provide information that, as an outsider, he wouldn't otherwise be privy to - but also the importance of choosing what to share, considering the importance of certain areas to Indigenous peoples “Being careful, being mindful, trying not to create tension and problems; this is just being a human, being a nice person, having common sense - it's not just about sound recording.” Where some recordists cause damage, ignore local taboos, or go chasing after animals, George has learned to be more mindful, preferring to work with passive-recording drop-rigs, which are not only easier for him, but less disruptive for wildlife Fellow recordists who see going back to camp and having a cup of tea as ‘cheating' and consider suffering to add value to the work. While George has taken part in extreme expeditions (for example, in Sumatra and Gabon), “It was tough; I got a bunch of diseases, and it was painful, and I had to come back and spend two months taking antibiotics and trying to get better - but that didn't make the sound recordings better.” Alternatively, sometimes you're in air-conditioned lodges and being driven around (where it's unsafe to walk) - but that this is equally valid. Being attracted to the 'extremeness' of the experiences is ultimately only a way of making everything about yourself, and “that's just focusing on the wrong aspect; the soundscapes and the sound recordings are more valuable than the effort you put in, or the leeches that suck your blood” Things that George is afraid of in the field - which turns out to not be a lot, something he puts down to being brought up around cats, which can transmit Toxoplasma gondii to humans: a parasitic infection which reduces fear responses and increases risk-taking. However, he does fear losing his kit on a job Memorable field-recording experiences, including “sleeping on the edge of an active volcano in Ethiopia, without having taken any precautions” against the silica suspended in its gaseous emissions, which can cut up the lungs like broken glass… On the advise of a geologist who turned out not to have any experience of volcanoes How to incorporate study and research into a busy practice - not a problem when you “find it hard not to read”, and when research fuels excitement about new destinations. Also: recommendations of books for burgeoning recordists - not just ones on the subject of field recording itself, but useful adjacent ones, like learning to drive off-road, climb trees, or take up photography How to support conservation - not only in the form of international NGOs like WWF, but also tiny three-person initiatives where donations more appreciably go further (as long as you check that they're doing what they say they're doing!). Plus, training others in sound recording, who can potentially continue to record in their local environments when itinerant recordists have moved on What George would like to see in the future of sound recording - not just for sound recordists to be properly compensated, but for this work to become established as an valued art form in its own right, with more courses, teachers, and the corresponding improvement in people's ability to listen and pay attention to the world around them. Plus! The importance of making jam, playing video games, and reading Jules Verne. George would be delighted if you'd like to engage with his work, so feel free to follow him on his YouTube channel. “Sound is life for me.” The latest installment of the Earth.fm podcast, Wind Is the Original Radio, finds curator Melissa Pons in conversation with sound recordist and expedition leader George Vlad. You can listen to and read George's work elsewhere on the site - and you may already have heard recordings of his in high-profile projects such as Dune: Part Two and Mufasa: The Lion King, as well as various documentaries, TV series, podcasts, and audiobooks. The love of George's life, as a recordist and collector of sounds, is to be among wildlife sounds, trying to understand them, and getting to share them. Though he confesses to being initially fastidious about avoiding anthropophony, he explains that he has become more understanding and flexible, given how reductive it is to imagine that nature is separate from humans (and vice versa): “We are moving forward, whether we like it or not; progress happens: people need to travel and use power tools.” However, though he has become more open to recording people, he draws a line at combustion engines. He also shares about his journey from being a sound designer, when he originally saw field recordings as purely “tools or assets”, with no appreciation for the ecosystems they originated from. However, informed by his experience of growing up in the Romanian countryside - which taught him the value of loving nature and of living with it rather than trying to control it - he subsequently came to appreciate and take enjoyment from their beauty. Additional topics addressed during the episode include: The “heavy question” of decolonising sound recording and working ethically as a recordist outside of one's home culture. And, how working respectfully with locals can provide information that, as an outsider, he wouldn't otherwise be privy to - but also the importance of choosing what to share, considering the importance of certain areas to Indigenous peoples “Being careful, being mindful, trying not to create tension and problems; this is just being a human, being a nice person, having common sense - it's not just about sound recording.” Where some recordists cause damage, ignore local taboos, or go chasing after animals, George has learned to be more mindful, preferring to work with passive-recording drop-rigs, which are not only easier for him, but less disruptive for wildlife Fellow recordists who see going back to camp and having a cup of tea as ‘cheating' and consider suffering to add value to the work. While George has taken part in extreme expeditions (for example, in Sumatra and Gabon), “It was tough; I got a bunch of diseases, and it was painful, and I had to come back and spend two months taking antibiotics and trying to get better - but that didn't make the sound recordings better.” Alternatively, sometimes you're in air-conditioned lodges and being driven around (where it's unsafe to walk) - but that this is equally valid. Being attracted to the 'extremeness' of the experiences is ultimately only a way of making everything about yourself, and “that's just focusing on the wrong aspect; the soundscapes and the sound recordings are more valuable than the effort you put in, or the leeches that suck your blood” Things that George is afraid of in the field - which turns out to not be a lot, something he puts down to being brought up around cats, which can transmit Toxoplasma gondii to humans: a parasitic infection which reduces fear responses and increases risk-taking. However, he does fear losing his kit on a job Memorable field-recording experiences, including “sleeping on the edge of an active volcano in Ethiopia, without having taken any precautions” against the silica suspended in its gaseous emissions, which can cut up the lungs like broken glass… On the advise of a geologist who turned out not to have any experience of volcanoes How to incorporate study and research into a busy practice - not a problem when you “find it hard not to read”, and when research fuels excitement about new destinations. Also: recommendations of books for burgeoning recordists - not just ones on the subject of field recording itself, but useful adjacent ones, like learning to drive off-road, climb trees, or take up photography How to support conservation - not only in the form of international NGOs like WWF, but also tiny three-person initiatives where donations more appreciably go further (as long as you check that they're doing what they say they're doing!). Plus, training others in sound recording, who can potentially continue to record in their local environments when itinerant recordists have moved on  What George would like to see in the future of sound recording - not just for sound recordists to be properly compensated, but for this work to become established as an valued art form in its own right, with more courses, teachers, and the corresponding improvement in people's ability to listen and pay attention to the world around them. Plus! The importance of making jam, playing video games, and reading Jules Verne. George would be delighted if you'd like to engage with his work, so feel free to follow him on his YouTube channel.

"Dune: Prophecy" focuses on the early beginnings of the Bene Gesserit — a formidable order wielding immense social, religious, and political influence over Frank Herbert's "Dune" universe. The sci-fi series serves as a prequel to Denis Villeneuve's "Dune" and "Dune: Part Two," set roughly 10,000 years before the events of those films. Showrunner, writer, and executive producer, Alison Schapker, was kind enough to spend some time speaking with us about her work on the first season, which you can listen to below. Please be sure to check out the series, which is now available to stream on HBO Max. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Opening Credits: This week on Live Breathe Film with Doug and Murph...Feature Presentation: The Best of 2024 in Film - It's time for us to reveal our individual top 10 favorite films of 2024, while also sharing 20 films of 2024 that Corey saw and would vouch for. Note that there is a bit of overlap as all three of us loved Dune: Part Two, My Old Ass, and I Saw the TV Glow, while we're confident he'd have shared our adoration for Anora as well.End Credits: Please make sure to Like, Follow, and Subscribe to Live Breathe Film!

 With the year 1/4th over, it is time to finally stick a fork into 2024 movies, with our list of our favorite films... AND awarding the best films of the year. It's the coveted Deucie Awards, and for the 12th year in a row, Mikey, d$ and Dr. Earl are here to give out the best in Comedy, Drama, Cinematography, Animation, Documentary, Music, Screenplay, Sci-Fi/Horror, Brain Candy, and of course, the acting awards, direction, and Best Picture! The Brutalist has a record 8 nominations, with Civil War getting 7 noms, A Complete Unknown with 6, while Dune Part Two and Wicked each getting 5.  Can Denis Villeneuve get his 3rd Deucie Award of his career?  Can Saoirse Ronan get her third?  Or can Florence Pugh join Denis, Saoirse, and Adam Driver as the only movie makers to get 2?   Plus, what films impressed Dr. Earl, Mikey, and d$ that they end up on their respective Top Ten lists of the year?  And you'll recognize a lot of the voices you hear on this ep, as we get all of our faves to assist!

Kelsi and Trey count down and critically discuss our picks for the 30 best movies of 2024—an unpredictable, wildly entertaining, and emotionally resonant year for cinema. From studio epics like Dune: Part Two and Furiosa, to international gems like La Chimera and I'm Still Here, to genre-benders like Challengers, The Substance, and Red Rooms, we break down what made these films stand out—formally, politically, emotionally, and narratively. We talk auteur swings, star turns, and cinematic risks, and reflect on what these movies reveal about our current moment. Some spoilers involved, but you can enjoy a mostly non-major spoiler discussion!The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

A MINECRAFT MOVIE has one, SNOW WHITE has one, BARBIE had one, DUNE: PART TWO had a famous one... but, if you could go back in time and buy a popcorn bucket, what movie would it be for.... and what would it look like? Let's talk about it...

Do you know how much of A Real Pain it is to keep the years straight with us straddling three different global release windows? We do! We got Caught by the Tides and are a little late with this one but nevertheless, join our Conclave for the fifth (!) time as we huddle around the Ghostlight to talk about the films of the last year! We cover award-winning films (Anora, The Brutalist, No Other Land), notable blockbusters (Dune: Part Two, Wicked), blitz through some honorable Challengers to our top picks, and then Look Back on our personal top fives. You know podcast favorite Luca Guadagnino is going to feature in Wilson's favorite films… but how Queer will it be?? If you're A Different Man, you'll have different faves, so enter our Red Rooms and tell us your favorite 2024 films on our FREE patreon, discord server, and our socials @ www.deepcutpod.comLinks:Ben's 2024 ListEli's 2024 ListWilson's 2024 ListTimestamps:(00:00:00) Intro(00:03:21) 2024 in general(00:17:06) Obligatory mentions(00:17:28) Anora (dir. Sean Baker)(00:22:55) Conclave (dir. Edward Berger)(00:25:14) The Brutalist (dir. Brady Corbet)(00:33:53) Nickel Boys (dir. Ramell Ross)(00:36:53) Hit Man (dir. Richard Linklater)(00:39:45) All We Imagine as Light (dir. Payal Kapadia)(00:43:02) Flow (dir. Gints Zilbalodis) (00:46:14) Emilia Perez (dir. Jacques Audiard)(00:50:29) Sing Sing (dir. Greg Kwedar)(00:52:01) The Substance (dir. Coralie Fargeat)(00:55:26) Wicked (dir. Jon M. Chu)(00:59:09) Deep Cut Coverage of 2024(00:59:20) All Shall Be Well (dir. Ray Yeung)(01:00:19) The People's Joker (dir. Vera Drew)(01:02:37) Happyend (dir. Neo Sora)(01:05:13) Deep Cut Upkeeps of 2024(01:08:55) Honorable mentions(01:08:57) Megalopolis (dir. Francis Ford Coppola)(01:12:43) Trap (dir. M. Night Shyamalan)(01:14:13) An Unfinished Film (dir. Lou Ye)(01:14:26) The Monk and the Gun (dir. Pawo Choyning Dorji)(01:16:02) Hard Truths (dir. Mike Leigh)(01:17:41) Not Friends (dir. Atta Hemwadee)(01:19:08) Fly Me to the Moon (dir. Sasha Chuk)(01:20:38) Black Box Diaries (dir. Shiori Ito)(01:24:06) A Traveler's Needs / By the Stream (dir. Hong Sang-soo)(01:25:56) Look Back (dir. Kiyotaka Oshiyama)(01:27:34) The Room Next Door (dir. Pedro Almodovar)(01:30:10) Didi (dir. Sean Wang)(01:31:22) Last Summer (dir. Catherine Breillat)(01:32:33) Hundreds of Beavers (dir. Mike Cheslik)(01:33:43) The Diarrhea Brothers Save the Day (dir. Joel Haver)(01:35:09) Rap World (dir. Conner O'Malley)(01:37:11) Janet Planet (dir. Annie Baker)(01:38:43) Ben's #5(01:41:06) SKIP ELI'S BIT!!(01:42:19) Wilson's #5(01:46:33) Eli's #5(01:50:14) Ben's #4(01:52:54) Wilson's #4(02:00:50) Eli's #4(02:01:47) Ben's #3(02:03:16) Wilson's #3(02:08:22) Eli's #3(02:12:30) Ben and Wilson's #2(02:23:46) Eli's #2(02:27:19) Ben's #1(02:31:50) Wilson's #1(02:38:39) Eli and ???'s #1(02:43:34) Upcoming from Deep Cut(02:46:32) Outro

Spring has sprung and so has a new SHUDcast theme! Courtesy of Lucas we take a sample of his “Purple Flavored Kool-Aid” as we dive into Cult Movies aka movies about cults with his selection of THE SACRAMENT. Along the way we talk Magic, our 2025 horror movie draft successes and failures so far, The Monkey, and a whole lot about Jonestown.   Come join us on our Patreon where you get access to our Discord, full videos, and bonus episodes! More us! https://www.patreon.com/c/shudcast   00:00 - 18:40ish - Intros: Tons of Magic: The Gathering talk, nerd cultures, our 2025 horror movie draft.   18:40ish - 1:12:00ish - The other stuff we watched this time!   Cody - Anora, The Apprentice, Heart Eyes, The Gorge, Raiders of the Lost Ark, Indiana Jones and the Temple of Doom, Indiana Jones and the Last Crusade, Evil Dead 2, The Straight Story, The Substance, The Monkey,    Curtis - Anora, The Gorge, The Straight Story, The Monkey, Eyes Wide Shut, Captain America: Brave New World, Captain Kronos: Vampire Hunter, Spring, Inland Empire, Happy Together, The Dead Thing, The Assassin   Austin - Sing Sing, Companion, The Brutalist   Lucas - Anora, Interstellar, Dune Part Two, Pain & Gain, Bunraku, Last Seen Alive, Den of Thieves, What Did Jack Do?   1:12:00ish - 1:53:00ish - THE SACRAMENT - SHUDdown and discussion!   1:53:00ish - The next selection in “Purple Flavored Kool-Aid” sponsored by Cody! 

Isaac, Juzo, and Cameron return to discuss David Lynch's Dune (1984), an ambitious ane infamous adaptation of Frank Herbert's sci-fi epic. Starring Kyle MacLachlan as Paul Atreides, the film blends interesting visuals with Lynch's signature style, making it a perplexing and divisive entry in the Dune legacy. We compare Lynch's take to Denis Villeneuve's Dune: Part One (2021) and Dune: Part Two (2024), exploring how each filmmaker approaches Herbert's expansive universe. Don't miss this continued acesion into Lynch's cinematic mark! Cinema Spectator is a movie podcast hosted by Isaac Ransom and Cameron Tuttle, with frequent appearances from film expert Juzo Greenwood. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored at SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as an experienced creative, digital marketer, and product manager. Isaac is the student. The podcast is a passion project between two longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.

David discusses the movies he's been watching lately, including The Seed of the Sacred Fig, All About Lily Chou-Chou, Dune: Part Two, Flowing Gold, The Lady Eve, Strangers on a Train, The Clock, The Light at the Edge of the World, Dodsworth, Manoeuvre, Il Grido, Every Which Way but Loose and Nickel Boys.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, Jesús and Carlos break down the highlights and surprises from the 2025 Oscars. They discuss the major acting wins, including Adrien Brody taking home Best Actor for The Brutalist, Mikey Madison winning Best Actress for Anora, and Kieran Culkin delivering a memorable speech after winning Best Supporting Actor for A Real Pain—though they argue Jesse Eisenberg or Guy Pearce should have won. They also debate whether Dune: Part Two was snubbed for Cinematography and Original Score, The Substance deserved Best Editing, and A Real Pain should have taken Best Original Screenplay.The duo ranks the Best Picture nominees, placing Dune: Part Two at the top, followed by The Substance and The Brutalist, while questioning whether Anora and A Complete Unknown deserved their spots. They wrap up with final thoughts on the night's biggest wins, surprises, and personal favorites before thanking listeners for their support.Want to become a financial supporter? Visit https://www.patreon.com/mustycreative and become a patron today!Interested in our creative endeavors? Look no further!Watch our feature film, Illusory, here:https://www.amazon.com/gp/video/detail/B0B8TRNTPR/ref=atv_dp_share_cu_rPlay our mobile game, Fat Roll, here:https://fatrollgame.com Listen to our podcast, The Musty Creative, here:https://podcasts.apple.com/us/podcast/the-musty-creative/id1437014048Follow us:https://www.tiktok.com/@themustycreative https://www.instagram.com/themustycreativehttps://www.threads.net/@themustycreativehttps://www.facebook.com/mustycreativeFollow Michelle:https://www.tiktok.com/@michellebnoland https://www.instagram.com/michellebnolandhttps://www.threads.net/@michellebnolandhttps://www.facebook.com/michellebnoland Follow Jesús: https://twitter.com/mustyzeus

Tune in as Connor Kujawinski (@connorkuj) teams back up with Arthur to recap the momentous occasion that is the 2025 Oscars! This past awards season has been brimming with a particularly high amount of chaos and toxicity, and now it's finally reached its conclusion, allowing people to take a rest from all of this awards hubbub for some time. There was certainly plenty of that hubbub within the Oscars ceremony itself, which gets Arthur and Connor discussing the cringey singing, the wish for Timothée Chalamet to have earned a nomination for Dune: Part Two instead of A Complete Unknown, frustrations with Yuval Abraham's Oscars speech, the suspicious facets of Sean Baker, and more on this episode.The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI)'s position on No Other LandAnora allegation from @crewstoriesigCreate your podcast today! #madeonzencastrHere's how you can learn more about Palestine and IsraelHere's how you can keep up-to-date on this genocideHere's how you can send eSIM cards to Palestinians in order to help them stay connected onlineGood Word:• Connor: Shoot ‘Em Up• Arthur: DandadanReach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello!Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms!Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18Follow Arthur on Bluesky: @arthur-ant18Follow the podcast on Twitter: @two_centscriticFollow the podcast on Instagram: @twocentscriticpodFollow Arthur on GoodreadsCheck out 2 Cents Critic LinktreeCover art credit: Connor Kujawinski

In this special annual episode, Tim and Tay highlight a few notable scenes from 2024. Not necessarily the best or our favourites, but certainly worth seeing!Links:THR Director Roundtable: Brady Corbet, Coralie Fargeat, Denis Villeneuve, Ridley Scott & More'Dune: Part Two' Director Denis Villeneuve Breaks Down the Sandworm Scene | Vanity FairAs always, please leave us a review on iTunes and spread the word to your friends!This month: The Coen Brothers!Follow: SSC on Instagram Tim on Letterboxd

In an age of pristine, digitally clinical imagery, cinematographers are increasingly drawn to imperfection—the swirl of a bokeh, the dreamlike haze of vintage glass. The Soviet-era lenses that once defined an era of photography are experiencing a rebirth through IronGlass, a Ukrainian company turning vintage optics into modern cinema glass. Hosts Peter Pascucci and Ava Benjamin Shorr sit down with Alan Besedin to discuss how IronGlass, despite the challenges of war and supply shortages, has built a dedicated following. From their early rehousings to supplying lenses for The Batman and Dune: Part Two, the conversation explores how artistry, resilience, and innovation converge in the pursuit of the perfect image.If you are enjoying the podcast, please consider supporting our efforts on Patreon.Alan Besedin's/IronGlass Instagram | WebsitePeter Pascucci's Instagram | WebsiteAva Benjamin Shorr's Instagram | WebsiteThis episode is sponsored by Fujifilm, Sandisk and TCP Insurance.

Hot on the heels of Anora winning five Oscars, the Alternate Ending crew is here with our thoughts on the ceremony and winners. Tim is joined by Cameron and Caleb to discuss the best and worst outfits, the relative merits of musical performances at the Academy Awards, the etiquette of the In Memoriam montage, and what we lost when the Academy refused to stage a face-off between Dune: Part Two and Furiosa. Your Movie Rocks with Mandy Albert has been postponed for a week. Look for the next episode of that series on Tuesday, March 11!

This week on Rise of the Gay Cinephiles, it's our Academy Awards 2025 special and we're discussing Anora, The Brutalist, A Complete Unknown, Conclave, Dune Part Two, Emilia Pérez, I'm Still Here, Nickel Boys, The Substance and Wicked. You can expect discussions on what won, what we think should've won and films that we think should have been nominated as well as bits of general gossip about the ceremony itself.  You can find us on Instagram and Threads over at @gaycinephilesrise and on Twitter over at @gaycinesrise. If you'd like to contact us, message us on Instagram or Twitter; alternatively, email us at riseofthegaycinephiles@gmail.com. Our theme song is Katie by Gary's old band, One Week Stand—you can check them out on all online music streaming platforms.

In this episode of Born to Watch, we take a wild ride back to 1985 for a Weird Science (1985) Review, where two geeky teens somehow manage to create the perfect woman with a little help from a computer, some questionable science, and a whole lot of 80s magic. But does this John Hughes cult classic still hold up today, or is it a relic best left in the past? Whitey, G Man, and Damo break it all down—the absurd plot, the unforgettable performances, and the film's impact on pop culture.From Oingo Boingo's legendary theme song to the iconic Kelly LeBrock taking nerd wish-fulfillment to a whole new level, Weird Science is packed with classic 80s energy. But how does it fare when viewed through a modern lens? We debate the film's over-the-top humor, its place in the John Hughes cinematic universe, and whether it's truly a teenage fantasy or just plain ridiculous. And speaking of ridiculous—how about that scene-stealing performance from Bill Paxton as Chet? He might just be one of cinema's most unforgettable older brothers.And here's a question for the real movie buffs: Did Mad Max 2 inspire Weird Science? With Vernon Wells reprising a very familiar role, it's hard to ignore the similarities. We dig into the connections between the two films and how a Mad Max villain somehow ended up in this teenage comedy.Of course, it wouldn't be Born to Watch without some heated debates. Are Ian and Max the worst dweeb bullies in movie history? Did this film get overlooked in a stacked year of 80s cinema? And what was up with Gary's infamous bar scene—comedic genius or a joke that went on way too long?We also bring back the fan-favorite Hit Sleeper Dud segment, uncovering forgotten 1985 gems and taking a closer look at No Retreat, No Surrender, Fortress, and the bizarre misfire that was Mad Max Beyond Thunderdome. Plus, we read some hilarious listener comments and break down why one fan thinks our Fight Club episode might just be the Dune: Part Two of our podcast.And don't miss the return of Whitey's Kick Arse Credit Theme Song, only a quality jingle could make Gow's song this week better.

Tonight, big blockbuster films Dune: Part Two and Wicked are competing against critic favorites like The Brutalist, Nickel Boys and The Substance at the Academy Awards. With so many films out there it's hard to keep up, but the team at Pop Culture Happy Hour has seen them all and they are joining us today to share their predictions for who will be the big winners at this evening's ceremony.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

We're talking Wicked, A Complete Unknown, The Substance, The Brutalist, Anora, Nickel Boys, Emilia Perez, I'm Still Here, Conclave, and Dune: Part Two! We also just launched a free tier to patreon so encourage your friends to sign up and sign up by going to www.patreon.com/micahmccaw and clicking "join for free" and check out our first post!

Join Frank, Mitch, and Matt as they finally reach the summit of Mitch's Movie Mountain and delve into the final three Best Picture nominees for 2025: "Anora," "Nickel Boys," and "Dune: Part Two!" They discuss each film, share listener insights, and unravel the themes and narratives that define this year's Oscar contenders. There are also surprises! One of the boys does a big song, and the tables are turned when Frank and Matt have to share their Movie Mountains as well. Then the boys cast their votes for the Oscars ahead of Sunday's ceremony. It's the episode we've all been waiting for! Wow, very cool, yeah, I love it!Full spoilers for all discussed films! You have been warned.11:30 - NICKEL BOYS46:30 - DUNE1:18:30 - ANORA1:56:00 - Final Movie Mountains2:05:00 - Our Oscars Picks

This week is part 2 of our 9th Academy Awards episode. We'll be covering the winners from last week.The nominees are: Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, I'm Still Here, Nickel Boys, The Substance, and Wicked.Notes: SPOILERS - we talk through the full plots of all the movies we cover.Timestamps are approximate:2:30 - A Complete Unknown9:25 - The Brutalist24:15 - Nickel Boys32:05 - Conclave46:25 - I'm Still HereBest Picture Discussion59:55 - What Should Win Best Picture1:01:10 - What Else We Watched This Year1:08:35 - What We Think Will Win (Note: We recorded this episode on 02/08 before some of the relevant precursors aired).1:12:20 - Conclusions1:18:45 - Next Time--------------------------Want to know what episode we're currently prepping and suggest non-nominees that we should watch? Check us out on instagram at oscarswrongpodPlease leave us a rating and/or review on your podcast app of choice.

Carson Breber and Jokic Joestar give their takes on all the 2025 Oscar Nominations, breaking down why Dune 2 rocks, Emilia Pérez reeks in a truly unique way, and Sing Sing was the most under-appreciated movie of this Oscar cycle. Timestamps: 0:20 Seasons Talk 7:55 This Year in Movies 10:50 Biggest Snubs 26:08 Nickel Boys 31:27 Anora 38:55 Emilia Perez 53:35 A Complete Unknown 59:10 I’m Still Here 1:03:52 Wicked 1:07:52 The Substance 1:15:05 The Brutalist 1:29:14 Conclave 1:36:57 Dune: Part Two 1:46:00 Best Picture Picks 1:49:20 Best Actor 1:57:20 Best Actress 1:58:34 Supporting Actor 2:01:55 Supporting Actress 2:04:05 All Other Award Picks #VolumeSee omnystudio.com/listener for privacy information.

Opening Credits: This week on Live Breathe Film with Doug and Murph...Feature Presentation: Spreading the Oscar Love - While we do agree on who we'd vote for in a majority of categories at this year's Academy Awards (step right up for another funny acceptance speech this season, Kieran Culkin), it was always going to be largely due to our mutual passion for Dune: Part Two and The Wild Robot once the nominations were announced. At the same time we do have a near equal amount of disagreement on each of our imaginary ballots even if it's mostly between winners and runner-ups. And as we each chose to abstain votes where we felt appropriate, there was only one pick where complete shenanigans were involved. It would make plenty of anonymous Academy voters proud!Yet somehow the shenanigans doesn't involve our individual or mutual bitterness with Hans Zimmer being deemed ineligible for his brilliant Dune: Part Two score, Trent Reznor & Atticus Ross being snubbed for their top-tier musical craftsmanship in multiple categories for Challengers, or Marren Morris being ignored for her beautiful song, “Kiss the Sky”, from The Wild Robot, which both captures the emotions of the film during a pivotal scene while complementing the nominated score. Needless to say, Best Sound, Best Original Score, and Best Original Song turned into a long vent session despite playing fair with our votes.End Credits: Please make sure to Like, Follow, and Subscribe to Live Breathe Film! 

Lisan al Gaib! La que para muchos al principio del año era la "front-runner", y luego se le fue olvidando a Hollywood poco a poco. "Dune: Part Two" nos cautivó desde que la vimos, y en esta ocasión Ken, Oscar y Nick se sentaron para hablar de cuánto más merecía esta película.

Diana and Rene (welcome to the pod, Rene!) dive into the 2025 Oscar nominations, breaking down key categories like Best Picture, Best Actress, and Best Actor. They discuss standout performances, share predictions, and explore potential snubs and surprises. The episode features reviews and insights on nominated films like Anora, The Brutalist, Dune: Part Two, and A Complete Unknown. Plus, they reveal their top movie recommendations and discuss favorite 2024 films that didn't receive nominations. Timestamps: ⏳ 00:00 – Introduction to the Oscar Nominations

Tonight on Damn You Hollywood, Mark Radulich, Robert Winfree, and Alexis Hejna take a deep dive into the 2025 Best Picture nominees ahead of this Sunday's Academy Awards. We'll be looking at all 10 nominated films—Anora, Emilia Perez, Wicked, Dune: Part Two, I'm Still Here, Nickel Boys, The Substance, Conclave, A Complete Unknown, and The Brutalist—breaking down their strengths, weaknesses, and debating whether or not they truly deserved a spot in the Best Picture race.In addition to our Best Picture discussion, Alexis will provide a brief overview of the Best Animated Feature nominees, analyzing which films stand out and predicting the likely winner. We'll also discuss major Oscar snubs, debate what films should have made the cut, and make our final picks for the biggest awards of the night.Join us for a critical, entertaining, and possibly argument-filled discussion on the state of cinema in 2024 and what to expect from the 2025 Oscars.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

We discuss the Saturday Night Live 50th anniversary schedule in detail, and comment on our favorite sketches and cameos. We also talk through various Best Picture nominees, including The Brutalist, Emilia Perez, and Dune Part Two. The NBA All-Star Weekend came and went without much fanfare or fan interest. Plus, "I Recommend", Beave reviews the new Guided By Voices album, Len receives his 100th anniversary issue of the New Yorker, and Newly Discovered Top 40 hits! More Paul Anka than you ever dreamed of! JAGBAGS!

Dana and Tom give you their picks for what should and will win at the 2025 Oscars, preview their annual Oscars picks bet, and then rank their Best Picture favorites in this special live-stream episode.Chapters:00:00 Introduction to the Oscars Special Edition02:47 Best Supporting Actress Predictions06:00 Animated Short Film Discussion09:56 Best Animated Feature Insights12:04 Screenplay Categories Overview15:58 Makeup and Hair Styling Analysis17:59 Production and Costume Design Breakdown22:03 International Film and Best Picture Predictions26:04 Best Supporting Actor Insights27:52 Visual Effects and Cinematography Discussion39:00 Best Live Action Short and Sound Categories40:43 Best Documentary and Final Thoughts43:41 Best Score Discussion45:08 Controversial Best Original Song Predictions49:30 Best Actor Insights54:32 Best Director Predictions55:36 Best Actress Controversies01:00:04 Oscars Bet and Tiebreaker Selection01:05:17 Best Picture Rankings01:17:20 Film Rankings and Expectations01:19:05 Diving into 'Conclave' and Its Reception01:22:29 Exploring 'A Complete Unknown' and Its Impact01:28:08 The Haunting Themes of 'I'm Still Here'01:31:41 The Significance of 'Nickel Boys'01:36:34 The Sci-Fi Experience of 'Dune Part Two'01:42:04 Analyzing 'The Brutalist'01:49:19 The Best Picture Contender: 'Anora'You can also catch the full episode on video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/oscars-preview-2025Keywords:Oscars, movie predictions, film analysis, awards, best picture, supporting actress, animated feature, screenplay, production design, cinematography, Oscars, Best Score, Best Original Song, Best Actor, Best Director, Best Actress, Oscars Bet, Best Picture, film reviews, movie rankings, Oscars 2025, cinematic analysis, film discussions, movie recommendations, best picture nominees, film critique, cinematic themes, movie insights, Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, I'm Still Here, Nickel Boys, The Substance, WickedRonny Duncan Studios

Join Matthew McQueeny, Tim Castano, and Jayme Alfano Mulhern for their 11th annual Mix-Minus Podcast Oscars special! Dive deep into the 2025 Academy Awards as our hosts explore each of the major categories and nominees. This year's Best Picture lineup includes "Anora," "The Brutalist," "A Complete Unknown," "Conclave," "Dune: Part Two," "The Substance," "Wicked," "Emilia Pérez," "I'm Still Here," and "Nickel Boys." For Best Actor, the contenders are Ralph Fiennes in "Conclave," Sebastian Stan in "The Apprentice," Timothée Chalamet in "A Complete Unknown," Colman Domingo in "Sing Sing," and Adrien Brody in "The Brutalist." The Best Actress race features Fernanda Torres in "I'm Still Here," Demi Moore in "The Substance," Karla Sofía Gascón in "Emilia Pérez," Cynthia Erivo in "Wicked," and Mikey Madison in "Anora." Supporting roles are fiercely contested with Zoe Saldana, Felicity Jones, Monica Barbaro, Ariana Grande, and Isabella Rossellini up for Best Supporting Actress, and Guy Pearce, Yuriy Borisov, Edward Norton, Kieran Culkin, and Jeremy Strong nominated for Best Supporting Actor. In the directing field, Coralie Fargeat for "The Substance," James Mangold for "A Complete Unknown," Sean Baker for "Anora," Jacques Audiard for "Emilia Pérez," and Brady Corbet for "The Brutalist" have captured nominations. The screenplay categories heat up with Jacques Audiard, Greg Kwedar, Clint Bentley, James Mangold, Jay Cocks, Jesse Eisenberg, Coralie Fargeat, Tim Fehlbaum, Moritz Binder, Alex David, Sean Baker, and Brady Corbet battling it out for top honors.  

Lisan al gaib! Alex and Zach continue into the Best Picture race with their look at Dune: Part Two. We explore this modern epic, see where this sand worm soared compared to its Part One, and look at its chances on Oscar Sunday.TIME STAMPS:0:27 - Intro2:30 - General Discussion (Nominations, Popcorn Bucket, etc.)9:14 - Non-Spoiler Review16:00 - Concession Stand (Sweet, Salty, Refresher) - SPOILERS AHEAD31:38 - Awards Chances33:59 - OutroFollow us on Instagram @a.z_moviereview. Follow us on Twitter @a_z_moviereview.

Doves, welcome back to awards season. Grab your wormskin gowns and join us discussing the first half of the Best Picture 2025 nominees: ANORA, THE BRUTALIST, A COMPLETE UNKNOWN, CONCLAVE, and DUNE: PART TWO!   SWIMFANS ON PATREON SWIMFANS POD DOT COM

Beave and Len give you their annual Academy Awards preview episode for 2025. They go through nominees for Best Picture, Best Actor, Best Actress, Best Supporting Actor and Actress, Best Director, Best Animated Feature, and Best Documentary (before they grow too depressed). They assess each category and predict who may win and also who they want to win. Can Demi Moore break through and win? Will Kendall get the best of Roman once again in the Best Supporting Actor category? And who will win Best Picture? Tune in for Oscar talk!

Breaking Down the Oscars: The Substance, The Brutalist, A Complete Unknown & Dune 2 | Best Picture 2024The 2024 Oscars Best Picture race is heating up, and in this episode, we're breaking down four of the most talked-about nominees: The Substance, The Brutalist, A Complete Unknown, and Dune: Part Two!

Join Kyle, Kenny, Max, and Josh Doolin as we discuss Dune: Part Two, one of the biggest blockbuster movies of 2024, and maybe even the very best? Join us for oscar snubs, sand worms, spice, and a grand old time.You may notice this is a shorter episode. This is our Wednesday episode of our third week of "Oscars Schedule" where we'll release a Monday, Wednesday, and Friday episode each week as we dive into all 10 Oscar Best Picture nominees!—————

Table of Contents: CINEMATOGRAPHY01:38 - “The Brutalist” - Lol Crawley02:52 - “Dune: Part Two” - Greig Fraser04:36 - “Emilia Pérez” - Paul Guilhaume06:48 - “Maria” - Ed Lachman09:08 - “Nosferatu” - Jarin BlaschkeORIGINAL SCORE10:29 - “The Brutalist” - Daniel Blumberg11:18 - “Conclave” - Volker Bertelmann13:04 - “Emilia Pérez” - Clément Ducol and Camille14:20 - “Wicked” - John Powell and Stephen Schwartz15:39 - “The Wild Robot” - Kris BowersSOUND18:06 - “A Complete Unknown” - Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco19:41 - “Dune: Part Two” - Gareth John, Richard King, Ron Bartlett and Doug Hemphill20:57 - “Emilia Pérez” - Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta22:59 - “Wicked” - Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis24:26 - “The Wild Robot” - Randy Thom, Brian Chumney, Gary A. Rizzo and Leff LeffertsThis past year featured some of the most stunning, innovative, and groundbreaking work in the categories of Cinematography, Original Score, and Sound. And since we've been diligently interviewing the artists and teams who have received Academy Award® nominations in those categories, we offer you this special round-up episode — to help give some greater insight into how to cast your final votes. The soundbites in this episode are mere snippets from the discussions we've been conducting through the past several months. If you'd like to take a deeper dive:FULL EPISODES, BY CATEGORY:= CINEMATOGRAPHY =“The Brutalist”237 - Lol Crawley and the Cinematography of The Brutalist - Feb 10th, 2025YouTube: https://youtu.be/d342-st5dvgSpotify: https://open.spotify.com/episode/0Txxk3xNAcmItPwsm9GquPApple Podcasts: https://podcasts.apple.com/us/podcast/237-lol-crawley-and-the-cinematography-of-the-brutalist/id1549901182?i=1000690773442“Dune: Part Two”189 - Greig Fraser and the Cinematography of Dune: Part Two - March 5th, 2024YouTube: https://youtu.be/39p8wPkhmtMSpotify: https://open.spotify.com/episode/5WMtD1WbGGVBgrlQtSFzONApple Podcasts: https://podcasts.apple.com/us/podcast/189-greig-fraser-and-the-cinematography-of-dune-part-two/id1549901182?i=1000648108720“Emilia Pérez”220 - The Making of Emilia Pérez - Dec 4th, 2024YouTube: https://youtu.be/VZruPNqHv3wSpotify: https://open.spotify.com/episode/1YHHeGMGzBwdTIXlHKAgz2Apple Podcasts: https://podcasts.apple.com/us/podcast/220-the-making-of-emilia-p%C3%A9rez/id1549901182?i=1000679018480“Maria”236 - Ed Lachman and the Cinematography of Maria - Feb 7th, 2025YouTube:

Denis Villeneuve's massive sci-fi epic “Dune: Part Two” is up for best picture at the Oscars this year. Last year, around the film's Canadian premiere, the Quebecois filmmaker joined Tom Power to discuss his vision for the second installment, the challenges of shooting in the intense heat of the desert, and how politics and religion in Quebec play into the film more than you might think.

The Academy of Motion Picture Arts and Sciences have released their award nominations for 2025. As we look toward Oscar time, the Plugged In team discusses the nominees and how they fare in family-friendliness. Adam Holz then talks with Bret Eckelberry about the new Christian-adjacent movie Green and Gold. Connect with us! www.ThePluggedInShow.com Connect on Facebook Find us on Instagram EMAIL: team@thepluggedinshow.com PHONE: 800-A-FAMILY (800-262-3459) Read the full review: · Anora · The Brutalist · A Complete Unknown · Conclave · Dune: Part Two · Emilia Pérez · I’m Still Here · Nickel Boys · The Substance · Wicked: Part 1 · Green and Gold Check out the Plugged In blog! · The Plugged In Movie Awards 2025 The Plugged In Tech Guide Focus on the Family with Jim Daly Episode: How Your Family Can Manage Technology Well Part 1 How You Can Make Wise Entertainment Choices for Your Family Donate Now! We'd love to hear from you! Visit our Homepage to leave us a voicemail. If you've listened to any of our podcasts, please give us your feedback.

Erica's back with us, and her fresh perspective is the breath of fresh air we all need as we journey through the cinematic wonders of 2025. From the latest James Cameron's Avatar movie to groundbreaking projects by indie directors, we're exploring a colorful mosaic of storytelling magic. We even touch on the latest Academy Award nominations with a dash of humor, especially when Rachel Sennett and Bowen Yang turned an early morning announcement into a spectacle not to be missed.As the Oscar buzz echoes, we're diving headfirst into the chaos and controversy surrounding "Emilia Perez" in the Best Picture race. Awards bodies like SAG and the DGA are loving it, even if the public isn't quite so sure. The snubs are equally fascinating, and we couldn't help but voice our discontent over "Dune Part Two" being overlooked in some major categories. Our admiration for directors like Sean Baker and Brady Corbet keeps the conversation spirited as we ponder how the ranked voting might shake things up this year.Looking ahead, our anticipation for 2025's film releases is off the charts. Erica, Max, and I have a whole lineup that stretches from horror Westerns to neo-noir mysteries. Max shares his on-set adventures, while he reveals plans to get closer to the Hollywood action with a move to L.A. The discussion wouldn't be complete without a nod to TV and music, especially the upcoming season of "The Last of Us" and massive tours from top artists. Join us as we fuel your passion for film and pop culture in a year that promises to be unforgettable.Send us a textSupport the show

The Oscar nominations are finally here! The usual suspects made the cut, and Dune: Part Two landed a Best Picture nomination—but Denis Villeneuve was snubbed, as many predicted. Could Dune pull off an upset and take home the top prize? We break down all the Oscar nominees, including how Emilia Pérez leads the 2025 Academy Awards nominations with a record-breaking 13 nods, surpassing Crouching Tiger, Hidden Dragon and Roma. Following close behind are The Brutalist and Wicked, each securing 10 nominations. Other top contenders include A Complete Unknown and Conclave, both earning eight nods. These films will compete for Best Picture alongside Anora, Dune: Part Two, I'm Still Here, Nickel Boys, and The Substance. Big news in the acting categories as Demi Moore and Isabella Rossellini land their first-ever nominations, while Karla Sofía Gascón makes history as the first openly transgender performer to be nominated for Best Actress. Plus, Netflix leads all studios with 16 nominations. On today's show, we're diving deep into all the major categories, surprises, and snubs. Plus, big news outside the Oscars—Jon Bernthal joins The Odyssey, Robert Eggers takes on a werewolf movie, and more updates on The White Lotus. Is The Odyssey set to be Christopher Nolan's biggest hit yet? Join us as Kristian and Steph break it all down! Let us know your thoughts in the comments. #Oscars #OscarNominations #Dune #Dune2 #BestPicture #AcademyAwards #Wicked #Nolan #EmiliaPerez #HollywoodNews #LiveNews  OUR SPONSORS:  PROLON: Prolon is offering The Big Thing listeners FIFTEEN PERCENT off their 5-day nutrition program for your post-holiday glow-up when you go to http://www.ProlonLife.com/BIGTHING THIS EPISODE IS SPONSORED BY BETTERHELP: Visit http://www.BetterHelp.com/BIGTHING today to get 10% off your first month.

In this episode of Scenecraft, we discuss our Top Ten films of 2024 as we head toward awards season! Drop us a line at contact@scenecraftpodcast.com, or follow us on Instagram, Threads, and Bluesky @scenecraftpodcast for the latest news on the show. — Show Notes — Top Ten Films of 2024 ~ 00:02:50 Mark — 10) Love Lies Bleeding 9) Snack Shack 8) Smile 2 7) A Real Pain 6) Dune: Part Two 5) Conclave 4) The Order 3) Problemista 2) The Substance 1) Civil War Connor — 10) My Old Ass 9) Rap World 8) A Real Pain 7) Snack Shack 6) Problemista 5) The Order 4) Civil War 3) Conclave 2) Nickel Boys 1) Dune: Part Two Cody — 10) Sing Sing 9) Conclave 8) Inside Out 2 7) The Substance 6) Problemista 5) Nickel Boys 4) The Order 3) Furiosa: A Mad Max Saga 2) Dune: Part Two 1) Civil War -- Thanks for listening!

Another year of cinema in the rear view as we count down our personal top tens of 2024. A year that highlighted the limits of accessibility for some of its best films, 2024 gave us the most varied lists we've ever had on the show with showings across all genres. What made Jeff, Derek, and Amir's lists? What were honorable mentions? Tune in and find out.

Lisan al-Gaib! Austin and Raymond get into Dune: Part Two this week! How much of this film is aesthetic versus substance? What does it say about power structures in our mythos? Does this film oversimplify revolution? Join us as we ask those questions! Join the SHOW ME THE MEANING! LIVESTREAM every Tuesday at 5 PM PST on the Wisecrack 2 channel! https://youtube.com/@wisecrack_2 Follow us on Twitter! @austin_hayden (Austin) @creamatoria (Raymond) and on Letterboxd! @SMTMPod @creamatoria @izbel (Henry) © 2024 Wisecrack / Enthusiast Gaming Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Dune: Part Two" was one of 2024's biggest films critically, financially, and now, awards-wise, as it's on a similar run as the first film was in 2021 through early 2022. "Dune" went on to receive 10 Oscar nominations and six wins: Best Cinematography, Best Film Editing, Best Production Design, Best Original Score, Best Sound, and Best Visual Effects. The second film impressively ups the scale, delivering one of the grandest big-screen achievements audiences have experienced in their lifetimes, and we're proud to have many members of the crew here to dive back into the sands of Arrakis with us as Oscar voting gets underway for the 97th Academy Awards. First, we have my interview with Academy Award-nominated Director, Co-Writer and Producer Denis Villeneuve, followed by Brendan Hodges's conversation with Academy Award-winning Cinematographer Greig Fraser, then we have Giovanni Lago's interview with Academy Award-winning Costume Designer Jacqueline West, then we have Dan Bayer's interview with Academy Award-winning Production Designer Patrice Vermette and Set Decorator Shane Vieau, followed by my interviews with Academy Award-winning Film Editor Joe Walker, Academy-Award winning sound team consisting of Supervising Sound Editor & Sound Designer Richard King, and Re-Recording Mixers Ron Bartlett and Doug Hemphill, and then we end on my conversation with Academy Award-winning Visual Effects Supervisor Paul Lambert. Please be sure to check out the film, which is now available to rent digitally from Warner Bros. Pictures or stream on HBO Max and is up for your consideration for this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott Yager reacts to the SAG nominations, and then the Mikes discuss the DGA Noms and BAFTA Longlists. SAG NOMINATIONS: (& sorry for sirens. Though it's just for 10 secs) Scott talks voting, campaigning and his membership - 2:11 Great Days for Last Showgirl, Wicked, Emilia Perez & A Complete Unknown - 4:56 Scott's pick in Ensemble - 14:33 Supporting Actress - 16:40 Supporting Actor - 19:43 Lead Actor - 27:18 Lead Actress - 35:06 Mike 1 rejoins for his SAG thoughts & how it affects our previous theories - 44:57 BEST DIRECTOR TALK: (& more Best Picture discussions) DGA Nomination Reactions, More on Picture + DGA Snubs - 50:54 The First Time Director DGA Category & BAFTA Long List for Director- 59:07 BAFTA LONG LISTS & THE BEST FILM CONTENDER RESUMES: Emilia Perez, Conclave, & The Brutalist - 1:00:32 The Substance & how it ultimately could play with both Academies - 1:04:45 A Complete Unknown & Wicked = stock up? - 1:08:02 Anora & Dune: Part Two = stock down? - 1:10:34 Kneecap & The Apprentice surprise in the BAFTA Long List Tallies - 1:14:22 The rest of the BAFTA Long List Film By Film Tallies - 1:16:47 OUTRO - We discuss our crazy upcoming recording schedule. Though here's an important scheduling note. The Academy announced a 2 day extension on the Oscar Nomination Voting AFTER we stopped recording tonight. So Oscar Nominations will be announced next Sunday. Of course, our hearts go out to those in Los Angeles, and we hope we can offer a distraction with our show to those in need. Scott and the Mikes all wish everyone health and safety during these terrible fires. Otherwise, make sure to follow Scott Yager and enjoy Challenge Mania. https://x.com/SHOTOFYAGER https://challengemania.live/ And follow us here: https://linktr.ee/mikemikeandoscar

We have arrived at that time of year once again - The Filmcast's Top 10 Films of 2024! David, Devindra, and Jeff start off 2025 by looking back at the biggest film news stories of 2024. Then, they count down their top ten films of the year. Tune in for all the twists and turns from their lists. We're making video versions of our reviews! Be sure to follow us on the following platforms: YouTube Tiktok Instagram Threads Shownotes (All timestamps are approximate only)    Stories of the Year (~00:03:25) Top Ten Films of 2024 (~00:28:26) Devindra's Top 10 Films of 2024 10. Furiosa: A Mad Max Saga 9. Love Lies Bleeding 8. The Fall Guy 7. Anora 6. All We Imagine As Light 5. The Brutalist 4. Sing Sing 3. Nickel Boys 2. No Other Land 1. I Saw The TV Glow Jeff's Top 10 Films of 2024 10. Orion and the Dark 9. The Fall Guy 8. Blink Twice 7. Conclave 6. Last Stop in Yuma County 5. Heretic 4. Ghostlight 3. Dune: Part Two  2. Anora 1. Challengers David's Top 10 Films of 2024 10. Anora 9. Hundreds of Beavers 8. Ghostlight 7. It's What's Inside 6. Skywalkers: A Love Story 5. The Order 4. Red Rooms 3. Dune: Part Two 2. Challengers 1. The Brutalist Support David's artistic endeavors at his Patreon and subscribe to his free newsletter Decoding Everything. Check out Jeff Cannata's podcasts DLC and We Have Concerns. Listen to Devindra's podcast with Engadget on all things tech. You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Credits: Our theme song is by Tim McEwan from The Midnight. This episode was edited by Noah Ross who also created our weekly plugs and spoiler bumper music. Our Slashfilmcourt music comes from Simon Harris. If you'd like advertise with us or sponsor us, please e-mail slashfilmcast@gmail.com. You can support the podcast by going to patreon.com/filmpodcast or by leaving a review on Apple Podcasts.

It is ✨ AWARD SEASON ✨ here at The Oblivion Bar! It's time for our 2024 Last Call Awards