Podcast appearances and mentions of art kane

A picture that is well known to those in jazz and beyond was taken August 12th  1958 for esquire Magazine by Art Kane. we discuss it in this episode. The documentary is available hereThis is our website This is our InstagramThis is our Facebook group

Musicians who appeared in Art Kane's iconic 1958 photograph, celebrating the golden age of jazz.  Musicians include: Oscar Pettiford, Maxine Sullivan, Jimmy Rushing, Dizzy Gillespie, Thelonius Monk, Sonny Rolling, Count Basie and Lester Young. 

In the summer of 1944, a handpicked group of young GIs—including such future luminaries such as Bill Blass, Ellsworth Kelly, Arthur Singer, Victor Dowd, Art Kane, and Jack Masey—landed in France to conduct a secret mission. From Normandy to the Rhine, the 1,100 men of the 23rd Headquarters Special Troops, known as the Ghost Army, conjured up phony convoys, phantom divisions, and make-believe headquarters to fool the enemy about the strength and location of American units. Every move they made was top secret and their story was hushed up for decades after the war's end.The unit's official US Army history noted that “its complement was more theatri¬cal than military,” and “It was like a traveling road show that went up and down the front lines imperson¬ating the real fighting outfits.” They pulled off twenty-one differ¬ent deceptions and are credited with saving thousands of lives through stagecraft and sleight of hand. They threw themselves into their impersonations, sometimes setting up phony command posts and masquerading as generals. They frequently put themselves in danger, suffering casualties as a consequence. After holding Patton's line along the Moselle, they barely escaped capture by the Germans in the Battle of the Bulge, and in March 1945 they performed their most dazzling deception, misleading the Germans about where two American divi¬sions would cross the Rhine River.To explore the story of this forgotten subterfuge is today's guest, Rick Beyer, author of “The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery.” We look at how a traveling road show of artists wielding imagination, paint, and bravado saved thousands of American lives.

In this episode, I discuss author Rick Beyer his book "The Ghost Army of World War II". In the summer of 1944, a handpicked group of young GIs—artists, designers, architects, and sound engineers, including such future luminaries as Bill Blass, Ellsworth Kelly, Arthur Singer, Victor Dowd, Art Kane, and Jack Masey—landed in France to conduct a secret mission. From Normandy to the Rhine, the 1,100 men of the 23rd Headquarters Special Troops, known as the Ghost Army, conjured up phony convoys, phantom divisions, and make-believe headquarters to fool the enemy about the strength and location of American units. Every move they made was top secret, and their story was hushed up for decades after the war's end.Princeton Architectual Press

In the summer of 1944, a group of artists, visual designers and sound engineers--all of them GIs--began a series of secret operations in occupied France. Their mission: to deceive German forces about the location and size of U.S. military units, using a combination of inflatable vehicles, sound recordings, and “actors” posing as officers. The ranks of the “Ghost Army” included future stars of the worlds of art and design, including Ellsworth Kelly, Bill Blass, Arthur Singer, Victor Dowd, Art Kane, and Jack Masey. Journalist Rick Beyer has chronicled their ingenious exploits in a book and a documentary. December marks the 80th anniversary of the order that created the unit, which remained secret for decades. Shane Harris talked with Beyer about its creation, its success, and the ghost army's role in the storied history of intelligence deceptions. Among the works mentioned in this episode:The Ghost Army bookhttps://www.chroniclebooks.com/products/ghost-army-of-world-war-ii The Ghost Army documentary https://shop.pbs.org/WC3752.html The Ghost Army Legacy Project https://ghostarmy.org/ Smithsonian magazine feature https://www.smithsonianmag.com/history/how-the-ghost-army-of-wwii-used-art-to-deceive-the-nazis-180980336/ The National WWII Museum https://www.nationalww2museum.org/visit/exhibits/traveling-exhibits/ghost-army-combat-con-artists-world-war-ii Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

In the summer of 1944, a group of artists, visual designers and sound engineers--all of them GIs--began a series of secret operations in occupied France. Their mission: to deceive German forces about the location and size of U.S. military units, using a combination of inflatable vehicles, sound recordings, and “actors” posing as officers. The ranks of the “Ghost Army” included future stars of the worlds of art and design, including Ellsworth Kelly, Bill Blass, Arthur Singer, Victor Dowd, Art Kane, and Jack Masey. Journalist Rick Beyer has chronicled their ingenious exploits in a book and a documentary. December marks the 80th anniversary of the order that created the unit, which remained secret for decades. Shane Harris talked with Beyer about its creation, its success, and the ghost army's role in the storied history of intelligence deceptions. Among the works mentioned in this episode:The Ghost Army bookhttps://www.chroniclebooks.com/products/ghost-army-of-world-war-ii The Ghost Army documentary https://shop.pbs.org/WC3752.html The Ghost Army Legacy Project https://ghostarmy.org/ Smithsonian magazine feature https://www.smithsonianmag.com/history/how-the-ghost-army-of-wwii-used-art-to-deceive-the-nazis-180980336/ The National WWII Museum https://www.nationalww2museum.org/visit/exhibits/traveling-exhibits/ghost-army-combat-con-artists-world-war-ii Hosted on Acast. See acast.com/privacy for more information.

In the summer of 1944, a handpicked group of young GIs—including such future luminaries as Bill Blass, Ellsworth Kelly, Arthur Singer, Victor Dowd, Art Kane, and Jack Masey—landed in France to conduct a secret mission. Armed with truckloads of inflatable tanks, a massive collection of sound-effects records, and more than a few tricks up their sleeves, their job was to create a traveling road show of deception on the battlefields of Europe. The Ghost Army of World War II describes a perfect example of a little-known, highly imaginative, and daring maneuver that helped open the way for the final drive to Nazi Germany. It is a riveting tale told through personal accounts and sketches along the way—ultimately, a story of success against great odds. Learn more during the TRAVEL ITCH RADIO Veterans Day special, Thursday Nov. 9 at 8p EST, when author Richard Beyer visits the show. Listen live on iTunes or BlogTalkRadio.com as Dan Schlossberg, a veteran himself, and co-host Maryellen Nugent Lee interview him live. You can also check out the archived show on the TRAVEL ITCH RADIO Facebook page. This will be show #529 in our 12th season.  

It's 65 years since aspiring photographer Art Kane persuaded 58 of the biggest names in jazz, including Count Basie, Dizzy Gillespie and Thelonious Monk to line up for a photo outside a townhouse in Harlem. The resulting photo officially called Harlem 58 became known as 'A Great Day in Harlem' and appeared in Esquire magazine's Golden Age of Jazz edition. But making it wasn't easy. Jonathan Kane, Art Kane's son, tells Vicky Farncombe the obstacles his late father had to overcome to create the iconic image. (Photo: Harlem 58. Credit: Art Kane)

En este episodio voy a contaros la historia de una fotografía de 1958 que firmó Art Kane y a la que se conoce como "A Great Day in Harlem". Aquella imagen se convirtió en una imagen histórica e icónica. Retrató a 57 músicos, muchos ya consagrados como Thelonious Monk, Charles Mingus, Count Basie, Sonny Rollins, Lester Young, Art Blakey, Horace Silver, Dizzy Gillespie, Coleman Hawkins, Pero también a los entonces prometedores Benny Golson, Marion MacPartland, Mary Lou Williams y Art Farmer. En esa fotografía, están algunos de los músicos más influyentes del siglo XX, una muestra representativa de personas y estilos musicales que comprendieron la evolución del jazz en el siglo XX. Es la historia de un momento que reunió a casi 6 decenas de estos gigantes en una sola foto, y captó el punto de inflexión en el que ese jazz estaba inmerso. Escucharemos la música de los dos únicos músicos que aún están vivos. Sonny Rollins y Benny Golson. Playlist: 1, Duke Ellington & His Orchestra, Ivie Anderson - It Was a Sad Night in Harlem 2, Milt Jackson and Wes Montgomery - Stablemates 3, Antonio Adolfo - Killer Joe 4, Art Blakey & The Jazz Messengers - Along Came Betty 5, Art Farmer, Benny Golson Jazztet - I Remember Clifford 6, One For All - Whisper Not 7, Lee Morgan - Mesabi Chant 8, Sonny Rollins - St. Thomas 9, Miles Davis - Airegin (RVG remaster) 10, Miles Davis - Doxy (RVG remaster) 11, Sonny Rollins Quartet - Paul's Pal 12, Louis Van Dijk & The Rosenberg Trio - Oleo

Spin Master Entertainment president and Paw Patrol producer Jennifer Dodge tells us how the popular animated kids series became a Canadian success story, and why now was the time to let these puppies loose on the big screen in Paw Patrol: The Movie. The Simpsons writer Tim Long shares how growing up in the small town of Exeter, Ont., inspired his first feature film, The Exchange, about a socially awkward teen who decides to import a mail-order best friend from France. Legendary saxophonist Sonny Rollins and former Esquire magazine art director Robert Benton take us back to a day in 1958 when Art Kane's iconic jazz photo, A Great Day in Harlem, was shot in New York. Grammy-winning producer Narada Michael Walden reflects on his hitmaking career with Aretha Franklin, Whitney Houston and Mariah Carey, revealing the one special thing they all had in common that made them masters of their craft.

Guido Harari started out in the early Seventies as a music photographer and journalist, also exploring reportage, fashion, advertising and corporate photography. He has shotrecord covers for Kate Bush, David Crosby, Bob Dylan, B.B. King, Ute Lemper, Paul McCartney, Michael Nyman, Lou Reed, Simple Minds and Frank Zappa.  In Italy he has collaborated with all major stars, including Andrea Bocelli, Paolo Conte, Fabrizio De André, Maestro Riccardo Muti and La Scala Philharmonic Orchestra, Gianna Nannini, Luciano Pavarotti, PFM, Vasco Rossi and Zucchero.  His work has been the subject of many books and numerous exhibitions: his most recent retrospective show, called "Wall Of Sound", was exhibited in 2016 at the Rockheim Museum in Trondheim, Norway, in 2018 in Perugia at the Galleria nazionale dell’Umbria, and in 2019 in Pesaro at Museo Nazionale Rossini.He had two joint exhibitions with Bowie's main lensman Masayoshi Sukita, called "Rock Icons", at Blitz Gallery in Tokyo, Japan.  In 2011 he launched in Alba, Italy, where he's been living for many years now, his own photo gallery, also called Wall Of Sound. Guido also publishes the WOS exhibition catalogues and lavish limited edition books: his most recent are "The Kate Inside" with his photographs of Kate Bush, Frank Stefanko’s "Bruce Springsteen. Further up the Road" and "Art Kane. Harlem 1958".

"Photo Action per Torino"Guido Harariwww.photoactionpertorino.orgSuperati il lockdown e la prima fase dell'emergenza Covid-19, purtroppo permangono o emergono problematiche di lungo periodo. U.G.I. Onlus e Città della Salute e della Scienza di Torino le stanno affrontando con la creazione di un Fondo Straordinario Covid-19.Da oggi fino al 21 maggio “Photo Action per Torino”, il progetto ideato dai fotografi Guido Harari e Paolo Ranzani insieme a Wall Of Sound Gallery, vuol essere una “chiamata alle arti” per contribuire alla creazione del Fondo Straordinario Covid-19.All'appello hanno aderito più di 100 fotografi italiani e internazionali che a titolo gratuito hanno messo a disposizione del progetto una loro immagine che verrà stampata in un'edizione proposta per l'occasione alla cifra di 100 Euro.Si tratta di fotografie classiche e inedite, rese disponibili per la prima volta in una “collezione” esclusiva per “Photo Action per Torino” che include:- grandi icone del XX° secolo (Marilyn Monroe di Douglas Kirkland, David Bowie di Masayoshi Sukita, Salvador Dalì di Mimmo Dabbrescia, Maria Callas di Gianni Greguoli)- musica (Bruce Springsteen di Frank Stefanko, Eddie Vedder di Danny Clinch, Patti Smithe Robert Mapplethorpe di Norman Seeff, John Coltrane di Joe Alper, Ezio Bosso di Roberto Serra, Lucio Battisti di Gered Mankowitz, Mick Jagger di Robert Whitaker, Fabrizio De André di Luca Greguoli, Lou Reed e Laurie Anderson di Guido Harari, Pino Daniele di Cesare Monti, Lucio Dalla di Carlo Massarini, Liam Gallagher di Alessio Pizzicannella)- spettacolo (Federico Fellini di Franco Bellomo, Massimo Troisi e Pino Daniele di Luciano Viti, Robert De Niro di Adolfo Franzò, Johnny Depp di Maurizio Galimberti, Vittorio Gassman di Claudio Porcarelli, Tilda Swinton di Fabio Lovino, Hanna Schygulla di Fulvia Farassino, Luca Zingaretti di Marina Alessi, il teatro di Lelli e Masotti)- cultura (Eduardo De Filippo e Carmelo Bene di Angelo Turetta, Mario Rigoni Stern di Bruno Murialdo, Irvine Welsh di Alessandro Albert)- reportage e travel (Uliano Lucas, Paola Agosti, Francesco Radino, Franco Pagetti, Eric Meola, Cristina Arrigoni, Franco Carlisi, Paolo Verzone, Renzo Chiesa, Roger Corona, Enzo Obiso, Anna Rosati, Vittore Buzzi, Matteo Fantolini, Marco Turatti, Annalisa Vandelli, Valentina Tamborra, architettura industriale di Gabriele Basilico, vita rurale di Mario Giacomelli, tradizioni religiose di Mario LaPorta, il circo di Mauro Raffini, il subcomandante Marcos di Maki Galimberti)- moda (immagini di famose campagne internazionali e ricerche personali di Art Kane, Franco Turcati, Toni Thorimbert, Paolo Ranzani)- arte (Lello Esposito di Riccardo Piccirillo)- ricerca (nudi d'autore di Franco Fontana, Settimio Benedusi e Gabriele Rigon, scomposizioni fotografiche di Joe Oppedisano, reinvenzioni di celebri opere d'arte di Mauro Balletti, meditazioni visive di Simone Bramante, Oberto Gili, Piero Gemelli, Carlo Orsi, Maurizio Beucci, Maria Vittoria Backhaus, Sophie-Anne Herin, Bart Herreman, Peter Andrewartha, Efrem Raimondi, Laila Pozzo, Ottavio Maledusi).Un'opportunità unica per acquisire opere di grandi autori italiani e internazionali ad un prezzo speciale per sostenere insieme un progetto a scopo benefico.Durante le due settimane dell'iniziativa, da sabato 9 maggio un'intensa attività sulla pagina Instagram di “Photo Action per Torino” sarà arricchita da dirette giornaliere in cui Guido Harari e Paolo Ranzani dialogheranno a turno con diversi fotografi del progetto.IN QUALE MODO SI PUÒ DARE UN AIUTO?Accedendo al sito www.photoactionpertorinorino.org entro e solo fino al 21 maggio 2020, si potrà consultare l'archivio delle immagini e scegliere una o più stampe fine art donando 100 Euro ciascuna (più 10 Euro per spese di spedizione).Le stampe saranno realizzate in formato 21x29cm (A4) su Epson Premium Luster Photo Paper da Wall Of Sound Gallery. Saranno in edizione aperta con timbro a secco, certificate con un'apposita etichetta sul retro della stampa ma non firmate né numerate.L'intero ricavato della raccolta fondi “Photo Action per Torino” verrà devoluto a U.G.I. Onlus per il Fondo Straordinario Covid-19.IL FONDO STRAORDINARIO COVID-19Il Fondo Straordinario Covid-19 è destinato a sostenere le famiglie assistite da U.G.I. Onlus la cui situazione economica sia stata aggravata dall'emergenza sanitaria Covid-19 e ad erogare borse di studio per giovani medici impegnati nella unità di crisi Covid-19 della Città della Salute e della Scienza di Torino.Il Fondo, che ha una natura straordinaria, erogherà contributi una tantum a famiglie selezionate dal Comitato Assistenza di U.G.I. Onlus su proposta della Assistente Sociale che opera all'interno della Città della Salute con particolare attenzione al reparto di Oncoematologia pediatrica dell'ospedale Infantile Regina Margherita, diretto dalla professoressa Franca Fagioli. Quest'ultima segnalerà eventuali emergenze nell'ambito del team medico a cui destinare una borsa di studio.“PHOTO ACTION PER TORINO”I fotografi che hanno aderito offrendo una loro immagine a titolo gratuito:Paola AGOSTI / Alessandro ALBERT / Joe ALPER / Marina ALESSIAlberto ALIVERTI / Vittoria AMATI / Peter ANDREWARTHACristina ARRIGONI / ALEX ASTEGIANO / Maria Vittoria BACKHAUS / Isabella BALENA / Mauro BALLETTI / Erika BANCHIO Gabriele BASILICO / Franco BELLOMO / Maya BEN FREJ / Settimio BENEDUSI Maurizio BEUCCI / Niccolò BIDDAU / Simone BRAMANTE / Alberto BUZZANCAVittore BUZZI / Luca CACCIAPUOTI / Marianna CAPPELLI / Franco CARLISI Renzo CHIESA / Lorenzo CICCONI MASSI / Roberto CIFARELLI / Danny CLINCH Marco CORBO Roger CORONA Lucia COVI / Mimmo DABBRESCIAEnrico DE LUIGI / Matteo FANTOLINI / Fulvia FARASSINO / Barry FEINSTEIN Franco FONTANA Adolfo FRANZÒ / Ugo GALASSI / Maki GALIMBERTIMaurizio GALIMBERTI Piero GEMELLI / Mario GIACOMELLI / Oberto GILIElena GIVONE / Gianni GREGUOLI / Luca GREGUOLI /Guido HARARI / Sophie Anne HERIN / Bart HERREMAN / Claudio ISGRÒ Raymond JACOBS / Art KANE / Douglas KIRKLAND / COSMO LAERAMario LAPORTA / LELLI e MASOTTI / Cristina LE NOCI / Fabio LOVINOUliano LUCAS / Laura MAJOLINO / Ottavio MALEDUSIGered MANKOWITZ / Carlo MASSARINI / Eric MEOLA Margherita MIRABELLA Cesare MONTI / Bruno MURIALDO / Patrizia MUSSA / Zoltan NAGY / Pino NINFA Enzo OBISO / Joe OPPEDISANO / Carlo ORSI / Franco PAGETTI / Gianni PEZZANIRiccardo PICCIRILLO / Alessio PIZZICANNELLA / Claudio PORCARELLILaila POZZO / Francesco RADINO / Mauro RAFFINI Efrem RAIMONDIPaolo RANZANI / Maurizio REBUZZINI / Ugo RICCIARDI / Gabriele RIGON Patrizia RIVIERA Sylvie ROMIEU / Anna ROSATI / Norman SEEFFRoberto SERRA / Frank STEFANKO / Masayoshi SUKITA / Valentina TAMBORRAAllan TANNENBAUM / Toni THORIMBERT / Marco TURATTI / Franco TURCATI Angelo TURETTA / Annalisa VANDELLI / Paolo VERZONE / Luciano VITIRobert WHITAKER / Mattia ZOPPELLAROLink Ufficiale: www.photoactionpertorino.orgInstagram photoactionpertorinoPer info su “Photo Action per Torino”, sulle stampe in acquistoe per richieste di interviste e foto: info@wallofsoundgallery.comPer info su Città della Salute e della Scienza di Torino:Per info su Città della Salute e della Scienza di Torino: www.cittadellasalute.to.itwww.cittadellasalute.to.itAddetto stampa:Addetto stampa: Pierpaolo BerraPierpaolo BerraPer info su U.G.I. ONLUS e i suoi progetti: www.ugi-torino.itIL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.it

Mark de Paola was literally born into a photo studio on Cahuenga Blvd in Los Angeles and grew up splitting time between Los Angeles and New York. Mark's earliest recollections are of watching photo shoots and being completely immersed in the fashion books and periodicals of the time, Vogue and Harpers Bazaar. Mark's photographic foundation is the works of his father Alessio, Richard Avedon, Irving Penn, Bert Stern, and Art Kane. Mark's vision is best described as a combination of reportage, fashion, and beauty. It has always been Mark's objective to capture a natural beauty in a setting where a model's personality is allowed to flourish while a story is being told. Mark's very first assignment was a magazine cover image of actor Henry Fonda. While working in New York, Los Angeles, and Milano, Mark would go on to shoot countless campaigns, editorials, and covers, including those for Vogue Mexico and Vogue Spain. Mark's storytelling still style quickly translated to motion/ television commercials where Mark directed/shot several hundred spots including those for Anheuser-Busch (aired on Super Bowl), Giorgio Perfume (exhibited in Museum of Modern Art N.Y.), Donna Karan, Neutrogena, English Ideas Cosmetics, Sony Cybershot, Century 21 Real Estate, Ford Motorsports, Toyota, Ducati Motorcycles, Kawasaki Jet Skis, and many more; all with an eye for style and realism. De Paola continues to work with select clients around the world combining his artistic sensibilities. Mark's work is included in fine art photographic collections, both public and private, around the world.   Photographer Links:   Education Resources:   Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

In 1958, Art Kane, already a successful art director looking to jump-start his photography career, pitched the idea of a “class photo” for Vogue magazine’s annual jazz edition. In addition to individual photographs of jazz legends, he proposed a group portrait of musicians gathered on a stoop, in Harlem.  For music and photography aficionados, the photo, now commonly referred to as “A Great Day in Harlem,” is an iconic image, and on today’s episode of the B&H Photography Podcast we speak with Jonathan Kane—Art Kane’s son and an accomplished musician and photographer in his own right—about the creation and impact of this photograph. We also discuss the new book, Art Kane. Harlem 1958 - 60th Anniversary Edition, which provides context for the image's creation and never-before published outtakes. In the second half of the show, we welcome contemporary jazz photographer Clara Pereira, who is one-half of the team behind the blog Jazztrail.net. Pereira speaks on the nuts and bolts of jazz photography, including tips on gear, technique, settings, and lighting. We find out that her simple approach is very effective, as she explains how to keep a low profile while shooting, the differences between working a club and a concert hall, and between performance and portrait work. Join us for this enjoyable episode and take a listen to our earlier episode on the image, “A Great Day in Hip-Hop,” which was photographed at the same Harlem location as Art Kane’s masterpiece. Guests: Jonathan Kane and Clara Pereira Photograph © Clara Pereira

  Jody Britt is an experienced art sales consultant and business driver having worked in the fine art world for over a decade. She is the founder and head of Britt Fine Art Consulting. Motivated, connected and personable, she is a proven curator in fine art photography representing over 200 photographers, including leading photographers Terry O'Neill, Baron Wolman, Mick Rock and Art Kane. Experienced in creating dynamic photographic exhibitions, including securing guest curators Alec Baldwin, Dita Von Teese and Chef Daniel Humm. Jody is committed to outstanding client service, developing close relationships with business partners, artists and buyers worldwide. Her first hand knowledge of the artistic process helps Jody bring a passion and strong appreciation for all artwork, which translates as enthusiasm and commitment to any client she works with. Jody has been able to work closely with the best pop culture photographers worldwide and enjoys marrying their great work with her broad clientele base. Jody connects with Lou at one of the newer buildings she's procured artwork at in New York City (Exhibit Downtown - 60 Fulton Street).  Click here to see a short video of Jody and Lou and a glimpse of some of the artwork at this location.  

This year marks the anniversary of the shooting date of two iconic photographs, taken at the same location, forty years apart. In 1958, Art Kane created the image that has come to be known as “A Great Day in Harlem.” The photo presented fifty-seven of the world’s greatest jazz musicians gathered on a stoop on East 126th Street, in Harlem, New York City. Over time, this photo has become legendary: a movie was made about it, and many recreations have been staged around the world, but none as interesting as the photo that was made by the great Gordon Parks, on September 29, 1998, on the same stoop. On that day, organized by the editors of XXL Magazine, almost two-hundred hip-hop artists gathered to be part of a photograph that was called “The Greatest Day in Hip-Hop.”  With the 20th anniversary of the 1998 photo approaching, on today’s episode of the B&H Photography Podcast we will discuss the making of that image. We speak with two of the people responsible for producing the photo: the editor-in-chief of XXL at the time, Sheena Lester, and writer Michael Gonzales.  We also welcome back journalist and author Vikki Tobak to the show, whose upcoming book, Contact High: A Visual History of Hip-Hop, discusses the making of this image and, finally, we are joined by artist Fab 5 Freddy, who was a participant in the photo and shares his recollection of that incredible day in Harlem. Also, in the weeks to come, we hope to publish a bonus episode with Jonathan Kane, son of photographer Art Kane, who will bring his insight to the making of and the legacy of his father’s original photo. Guests: Vikki Tobak, Sheena Lester, Michael Gonzales, Fab 5 Freddy Photograph © Gordon Parks. Courtesy of The Gordon Parks Foundation

Art Kane joins Craig this hour as he sits in for Peter BoylesSee omnystudio.com/listener for privacy information.

Timm fotografiert mit Leidenschaft, und interessiert sich sonst kaum für bildende Kunst. Alina interessiert sich sehr für die, aber wenig für Fotografie. Wie gehen wir an das Medium Foto heran, und wie an andere Kunstformen? Lassen sich, was unsere persönlichen Kriterien für "gefällt mir, gefällt mir nicht" angeht, die gleichen an ein Foto legen wie an ein gemaltes Bild? Ist es wichtig, dass man das Handwerk dahinter versteht? Was ist Form und was Inhalt? Die Sonne über Altona findet in weniger als einer halben Stunde mal wieder unantastbare Antworten. Ungeklärt – schläft Alina während Timms sechsminütigem Monolog? Foto von Art Kane: Timm dachte an Apartheid, unter diesem Link zu finden

On the heels of Paris Photo, this week we’re talking about inspiration and how art is too often priced for collectors, rather than fans. Is taking great pictures enough to be a great photographer? Also, making art doesn’t always have to be a painful experience. Plus, Art Kane is our Photographer of the Week.

On the heels of Paris Photo, this week we're talking about inspiration and how art is too often priced for collectors, rather than fans. Is taking great pictures enough to be a great photographer? Also, making art doesn't always have to be a painful experience. Plus, Art Kane is our Photographer of the Week.