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9 episodes with Henry Fonda
7 episodes with Henry Fonda
8 episodes with Henry Fonda
16 episodes with Henry Fonda
6 episodes with Henry Fonda
5 episodes with Henry Fonda
3 episodes with Henry Fonda
5 episodes with Henry Fonda
5 episodes with Henry Fonda
Alexander Horwath's Henry Fonda for President stands among the most notable releases of a still-young year, is certainly the most lauded essay film in recent memory, and was assuredly of personal interest when my friend Zach Lewis offered his approval. As adventurous and open-minded a cinephile as any I know, Zach has equal-parts interest in both the films of Henry Fonda and essayistic, landscape-centered cinema––some Thom Anderson or Harun Farocki come to mind with the former, James Benning the latter––in which Horwath is trading here. I couldn't have been happier to connect with him to discuss the film, and hope our chat is fruitful for you in turn.
El año pasado ganó el Oscar por su papel en “Oppenheimer”, en los últimos tiempos ha liderado varios años la lista de los actores mejor pagados del cine americano y acaba de cumplir 60 años. Nos referimos a Robert Downey Jr que es también la estrella del episodio de esta semana. Hemos preparado un reportaje sobre sus primeros años de carrera, el camino que le llevó a convertirse en lo que es hoy. Un camino, en su caso, bastante tortuoso. Aprovechando el estreno de la película “Peter Pan, pesadilla en Nunca Jamás” le damos un repaso a todas las adaptaciones al cine que ha tenido este personaje. “Tierra de audaces”, la película protagonizada por Tyrone Power y Henry Fonda sobre las aventuras de Jesse James y su hermano Frank, es el western que nos trae esta semana Jack Bourbon. Y hemos charlado también con Pedro Piñeiro, director del Ecozine, un festival centrado fundamentalmente en películas de temas socio ambientales que se celebra estos días en Zaragoza y otras localidades de Aragón y Navarra.
Welcome to It's A Wonderful Podcast!A deep dive into a handful of underseen and under-discussed Alfred Hitchcock movies on the main show this month, displaying some of the hidden best of both his British movies, and his high profile Hollywood career!The series finale sees a surprisingly quiet, personal, noirish drama as Hitchcock tackles a true story movie for the only time! Henry Fonda is the man falsely accused of a series of stick ups whose life turns upside down, and Vera Miles is his wife who blames herself and who it mentally affects even more as Morgan and Jeannine discuss THE WRONG MAN (1956)!Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & Morehttps://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vowThe It's A Wonderful Podcast Theme by David B. Music.Donate:https://www.buymeacoffee.com/ItsAWonderful1Join our Patreon:https://www.patreon.com/ItsAWonderful1IT'S A WONDERFUL PODCAST STORE:https://www.teepublic.com/user/g9designSub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:https://twitter.com/ItsAWonderful1Morgan:https://twitter.com/Th3PurpleDonJeannine:https://twitter.com/JeannineDaBean_Keep being wonderful!!
This Academy-award-winning 80s Flick is a captivating, emotionally charged drama that beautifully captures the complexities of love, aging, and family. Set in the tranquil, golden hues of a New England lake, the film brings together screen legends Henry Fonda and Katharine Hepburn in a final, unforgettable collaboration. Fonda portrays Norman Thayer, a witty but grumpy elderly man facing the challenges of growing older, while Hepburn shines as his vibrant and supportive wife, Ethel. When their daughter and her fiancé arrive for a summer visit, the peaceful lake becomes the backdrop for deep reflections and heartwarming moments of reconciliation. So power up the motorboat, grab your fishing poles, and watch out for the rocks in Pergatory Cove as Tim Williams and guest co-hosts, Ben Carpenter and Bethany Wells, discuss “On Golden Pond” from 1981 on this episode of the 80s Flick Flashback Podcast.Here are some additional behind-the-scenes trivia we were unable to cover in this episode:Leftover footage of Henry Fonda and Katherine Hepburn driving through the countryside of New Hampshire, as shown in the opening credits, was incorporated for the beginning of the 1982-1990 CBS sitcom "Newhart".Sources:Wikipedia, IMDB, Box Office Mojohttps://www.encyclopedia.com/arts/educational-magazines/golden-pondhttps://www.afi.com/news/afi-movie-club-on-golden-pond/Some sections were composed or edited by ChatGPT We'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media. Your opinions are incredibly valuable to us, and we'd be so grateful to know what you enjoyed about our show. If we missed anything or if you have any suggestions for 80s movies, we'd love to hear them too! If you're feeling extra supportive, you can even become a subscription member through "Buy Me A Coffee". For more details and other fun extensions of our podcast, check out this link. Thank you for your support!https://linktr.ee/80sFlickFlashback
My Darling Clementine starring Peter FondaAnother presentation of The Lux Radio Theater, this adaptation aired on April 28, 1947.
The Ox-Bow Incident directed by William A. Wellman and starring Henry Fonda, Dana Andrews, and Harry Morgan.Episode Roundup: The Cowpunchers are once again up against a town of assholes. Amy finds a movie that does, indeed, begin as most Western do. Stu finds much in this movie's message that could be applied to today.
Dana and Tom with 13x guest, Kieran B (Host and Creator of the Best Picture Cast; @bestpicturecast) discuss the adaptation of John Steinbeck's famous novel, The Grapes of Wrath (1940) for its 85th anniversary: directed by John Ford, written by Nunnally Johnson, ainematography by Gregg Toland, music by Alfred Newman, starring Henry Fonda, John Carradine, and Jane Darwell.Plot Summary: The Grapes of Wrath, directed by John Ford and based on John Steinbeck's novel, follows the Joad family, struggling to survive during the Great Depression. After being evicted from their Oklahoma farm, they journey west to California in search of work and a better life. Led by Tom Joad (Henry Fonda), the family faces hardship, exploitation, and disillusionment as they encounter the harsh realities of migrant labor. Despite suffering immense loss, their resilience endures, with Ma Joad (Jane Darwell) embodying the family's unwavering hope. The film is a poignant exploration of poverty, injustice, and the strength of the human spirit.Guest:Kieran B (10x Member Club)Host and Creator of the Best Picture Cast; @bestpicturecast on X, IG, Letterboxd - BPC, Letterboxd - PersonalPrevious Episodes: Cat on a Hot Tin Roof (1957), Lost in Translation (2003), Gran Torino (2008), Stalag 17 (1953), Shane (1953), A Fistful of Dollars (1964), The Best Years of Our Lives (1946) Revisit, 12 Angry Men (1957) Revisit, The Shawshank Redemption (1994) Revisit, Saw (2004), Up in the Air (2009), Bad Day at...
Fue una de las pelirrojas míticas del cine clásico, como Katharine Hepburn, Maureen O'Hara o Rita Hayworth. Una gran actriz que era especialista en melodramas aunque cultivó casi todos los géneros. Nos referimos a Susan Hayward. Este 14 de marzo se han cumplido 50 años de su muerte y en este episodio recordamos su vida y su carrera. También vamos a repasar todas las adaptaciones al cine que se han hecho del personaje de Blancanieves, ya que dentro de unos días se estrena una nueva versión del cuento de la princesa, su madrastra y los siete enanitos. Charlamos con Luisa Ezquerra una veterana actriz de doblaje que acaba de estrenar su primera película como protagonista. Y en la sección dedicada al western tenemos esta semana “Hasta que llegó su hora” de Sergio Leone, la película que convirtió a Henry Fonda en un canalla sin escrúpulos.
Forrest, Conan Neutron, and Kristina Oakes talk about Sidney Lumet's 12 Angry Men!!! Produced by Henry Fonda and written by Reginald Rose who wrote it for Westinghouse Studio One originally Sidney Lumet's directorial debut tells the story of a jury who are arguing the guilt or innocence of a young kid accused of murdering his father. Starring Henry Fonda, Lee J. Cobb, Joseph Sweeney, Martin Balsam, Ed Begley Sr., Jack Warden, Jack Klugman, John Fielder, E.G. Marshall, Edward Binns, Robert Webber, and George Voskovec With implications about McCarthyism and the paranoid 1950s, Twelve Angry Men has been hailed as one of the greatest courtroom films by AFI. #12angrymen #henryfonda #orion #sidneylumet #dogdayafternoon #network #juryduty #jury #leejcobb #hollywood #unitedartists #mccarthy #moviepodcast #filmpodcast #drama #trial
Are you ever going to text me?WARNING: This episode has an excess of impersonations.Jason, Jim, and Joseph list their favorite Supporting Actor winners.Jim asks the important question of determining the different types of Okies.Iris: it's not so much a great movie as it is a preventer of recognition for bad Oscar performances. It's the Chicago Rock Way.Hey Friendo.Jason cleverly sneaks past the “no complaining” policy of Oscar nominees.Joseph admits that a little bullying can bring out the best in people. What actor suffered PTSD from too much cowbell?How in the hell did a Henry Fonda impression make it into this show?
"MARY BETH HUGHES - CLASSIC CINEMA STAR OF THE MONTH" - 3/03/2025 For those of you who don't know the charms of MARY BETH HUGHES, when she was under contract at MGM, she was dubbed "the poor man's LANA TURNER." It was a rather unfair assessment since MGM gave Lana all the plum roles, and Mary Beth got her hand-me-downs. But still, Mary Beth had great comic chops, and no one played bitchy, hard-boiled blondes as well as she. Despite her beauty and talent, she never managed to get out of B-pictures. She did have small parts in great films like The Women (1939) and The Ox-Bow Incident (1942). She played the good girl as often as she played the bad girl, but when she played bad....you were in for a treat. Her pouty lips, snappy dialogue, and petulant attitude lit up many a lackluster production. This week, we celebrate her as our Star of the Month. SHOW NOTES: Sources: The Official Mary Beth Hughes Website; “Mary Beth Hughes, Born in Alton, Benign Groomed for Stardom in Movies,” January 4, 1939, Alton Evening Telegraph; “Mary Beth Hughes,” October 1971, by T.P. Turton, Films in Review; “Mary Beth Hughes Stars In A New Shampoo,” December 20, 1976, People Magazine; Mary Beth Hughes: She Never Gave Up,” December 2015, by Dave White, Classic Images; “The Look of Mary Beth Hughes,” June 6, 2019, www.grandoldmovies.com; http://www.briansdriveintheater.com/marybethhughes.html Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: The Women (1939), starring Norma Shearer, Joan Crawford, & Rosalind Russell; The Ox-Bow Incident (1942), starring Henry Fonda, Harry Morgan, Dana Andrews, MBH, & Anthony Quinn; Broadway Serenade (1939), starring Jeanette MacDonald & Lew Ayres; Dancing Co-Ed (1939), starring Lana Turner & Richard Carlson; These Glamour Girls (1939), starring Lana Turner & Lew Ayres: Fast and Furious (1939), starring Franchot Tone & Ann Sothern; Free, Blonde & 21 (1940), starring Lynn Bari, MBH, & Joan Davis; Star Dust (1940), starring Linda Darnell & John Payne; Four Sons (1940), starring Don Ameche, Alan Curtis, Eugenia Leontivich, & MBH; Lucky Cisco Kid (1940), starring Cesar Romero, Dana Andrews, & MBH; The Great Profile (1940), staring John Barrymore & MBH; Sleepers West (1941), starring Lloyd Nolan & MBH: Ride on Vaquero (1941), starring Cesar Romero & MBHs; Charlie Chan In Rio (191410, starring Sidney Toler & MBH; Dressed To Kill (1941), starring Lloyd Nolan & MBH; Design For Scandal (1941), starring Rosalind Russell & Walter Pidgeon; The Cowboy and The Blonde (1941), starring MBH & George Montgomery; Blue, White, and Perfect, (1942), starring Lloyd Nolan & MBH; The Night Before The Divorce (1942), starring Lynn Bari, Joseph Allen, & MBH; Orchestra Wives (1942), starring Ann Rutherford & George Montgomery: Over My Dead Body (1942), starring Milton Berle & MBH; Timber Queen (1944), starring Richard Arlen & MBH; Men On Her Mind (1944), starring MBH; I Accuse My Parents, (1944), starring MBH & Robert Lowell; The Lady Confesses (1945), starring MBH & Hugh Beaumont; The Great Flamarion (1945), starring Erich von Stroheim, MBH, & Dan Duryea; Holiday Rhythm (1950), starring MBH & David Street; Young Man With A Horn (1950), starring Kirk Douglas, Lauren Bacall, & Doris Day; Highway Dragnet (1954), starring Richard Conte & Joan Bennett; Loophole (1955), starring Barry Sullivan, Charles MacGraw, & Dorothy Malone; Gun Battle At Monterey (1957), starring Sterling Hayden & MBH; How's Your Love Life? (1971), starring John Agar, Leslie Brooks, Grant Willians, & MBH; The Working Girls (1974), starring Sarah Kennedy, Laurie Rose, & Cassandra Peterson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we take a look at the only Alfred Hitchcock movie that was based on fact. The Wrong Man stars Henry Fonda as a night club musician who gets mistakenly identified as an at-large armed thief.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.Details: A Warner Brothers Picture, produced and directed by Alfred Hitchcock. Written by Maxwell Anderson and Angus MacPhail, based on The True Story of Christopher Emmanuel Balestrero by Maxwell Anderson. Starring Henry Fonda, Vera Miles, Anthony Quayle, Esther Minciotti. Cinematography by George Tomasini. Music by Bernard Herrmann. Ranking: 21 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines The Wrong Man got 1,881 ranking points.
TVC 679.1: TV Confidential remembers actor, author, playwright, and decorated U.S. Army veteran James McEachin (Tenafly, Matlock, The Perry Mason Mysteries, Play Misty for Me, The Heroin Factor, Farewell to the Mockingbirds, The Alpha Caper, Above the Call: Beyond the Duty, Reveille, Swing Low, My Sweet Chariot: The Ballad of Jimmy Mack) by bringing you an encore presentation of a conversation with James that originally aired in February 2013. James McEachin passed away on Jan. 11, 2025 at the age of ninety-four. At the time we spoke with James in February 2013, he had just released the audiobook edition of Tell Me a Tale: A Novel of the Old South that delves into the many issues of slavery during the Civil War era while also offering a better understanding of the white man's view of the times. James' reading of the Tell Me a Tale audiobook ”is so good,” said Peter Bart of Daily Variety, “it would make Morgan Freeman a fan.” Topics this segment how James originally wrote Tell Me a Tale in 1965, and how the novel generated interest from both Henry Fonda and Hal Holbrook. TV Confidential spoke to James McEachin a second time in November 2014. That conversation is available for listening on demand for free by clicking here.
Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.
This episode was originally released on July 4, 2017. Listen to help prep for the next episode of our new season, The Old Man is Still Alive. Jean Seberg made her first two films, Saint Joan and Bonjour Tristesse, for director Otto Preminger, a tyrannical svengali character whose methods would traumatize Jean for the rest of her life and career. No wonder she rebelled against this bad dad figure by marrying a handsome French opportunist. Meanwhile, Jane Fonda moves to New York, joins the Actors Studio, takes up with her own hyper-controlling male partner, and tries to define herself as something other than Henry Fonda's daughter. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Patrick celebrates the heroic act of a young boy defending his sister with a slingshot and discusses current moral and societal issues like gun control and immigration. He highlights the wonder of the Ignatius Study Bible and its impact on faith. Plus, hear from callers sharing their thoughts and questions, and explore the solace found in sacred music through the Relevant Radio app. Syl (X) - You applauded the young boy who shot the would-be attacker who thwarted the kidnapping of his little sister. How is this different from the father who's trying to save his family from the Nazis knocking at their door and wanting to take them away? (00:31) Bobby – The Ignatius Bible you recommended is easy to read and it has great footnotes. (06:02) Addison - Do you think that Nazi twitter comment was related to immigration? (10:43) Statement of Bishop Burbidge on President Trump’s In Vitro Fertilization Executive Order (15:22) Health and Human Services releases a statement confirming human life begins at conception Michael - There was a movie called Spencer's Mountain with Henry Fonda that inspired The Walton’s (22:53) Maximillian (email) - What President Trump is doing regarding IVF isn't worth us getting all upset about (24:40) Liz – My book study in church mentions God's name in vain. (29:38) Julie - I really love the Sacred music app on Relevant Radio! Can I use it during Confession? (44:19) Mary – The priest at my parish has 1st assignment that keeps his eyes closed and head down while lay people are doing the readings.
Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.
Tim Matheson's Hollywood career spans nearly seven decades. From working alongside Lucille Ball and Henry Fonda in 1968's Yours, Mine and Ours, to his iconic role in the classic 1978 comedy Animal House, to the record-breaking hit Netflix series, Virgin River, Tim Matheson has done it all. Listen as Shannon and Tim discuss Tim's new book, Damn Glad to Meet You: My Seven Decades in the Hollywood Trenches, and what inspired Tim to write his book: the Classic Hollywood legends he was privileged to work with, and what he learned from them.
Today, we're diving into Hollywood history with a true legend—actor, director, and producer Tim Matheson! You may know him as the charming Eric "Otter" Stratton from National Lampoon's Animal House, or from his Emmy-nominated role as Vice President John Hoynes on The West Wing. From classic films to hit TV shows like Hart of Dixie, Burn Notice, and Criminal Minds, Tim has done it all—both in front of and behind the camera. With a career that started at just 13 years old, voicing Jonny Quest and starring alongside Hollywood greats like Lucille Ball and Henry Fonda, Tim has shaped decades of entertainment. He even co-owned National Lampoon, proving his creative genius goes beyond acting. In this episode, we talk about his incredible journey, the evolution of Hollywood, and the lessons he's learned along the way. So, without further ado, let's welcome the legendary Tim Matheson! How you can stay in touch with Linda: Website Facebook Twitter Instagram Pinterest YouTube SoundCloud "Proud Sponsors of the Sisterhood of S.W.E.A.T" Essential Formulas
Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.
If you have a good marriage, everything else feels perfect. But a tense and stressful marriage sours almost everyyhing else in your life. Two fairytales; one is how the world REALLY works, while the other is bilgewater. Henry Fonda, John Gutfreund former CEO of Salomon Brothers Bank, the Sultan of Brunei, Benjamin Netanyahu, and Vladimir Putin all married airline stewardesses. Explore the wonderful world of the Happy Warriors community www.WeHappyWarriors.com What the U.S. Census Bureau reveals about how people pair up. In most marriage counseling, I need to speak only to the husband. That day my wife tried to eat half my steak. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you have a good marriage, everything else feels perfect. But a tense and stressful marriage sours almost everyyhing else in your life. Two fairytales; one is how the world REALLY works, while the other is bilgewater. Henry Fonda, John Gutfreund former CEO of Salomon Brothers Bank, the Sultan of Brunei, Benjamin Netanyahu, and Vladimir Putin all married airline stewardesses. Explore the wonderful world of the Happy Warriors community www.WeHappyWarriors.com. What the U.S. Census Bureau reveals about how people pair up. In most marriage counseling, I need to speak only to the husband. That day my wife tried to eat half my steak.
This week Gary and Iain review and discuss, 12 Angry Men (1957) by Director, Sidney Lumet. Starring, Henry Fonda, Lee J. Cobb and Ed Begley. For more Off The Shelf Reviews: Merch: https://off-the-shelf-reviews.creator-spring.com https://www.youtube.com/channel/UChWxkAz-n2-5Nae-IDpxBZQ/join Podcasts: https://offtheshelfreviews.podbean.com/ Follow us on Twitter: https://twitter.com/@OTSReviews Youtube: https://www.youtube.com/c/OffTheShelfReviews Facebook: https://www.facebook.com/OffTheShelfReviews Support us: http://www.patreon.com/offtheshelfreviews Twitch: https://www.twitch.tv/offtheshelfreviews Discord: https://discord.gg/Dyw8ctf
Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.
Dan and Is take a look at this 1965 blockbuster with John Wayne, Kirk Douglass, Patricia Neal, Henry Fonda and Burgess Meredith! Does it live up to the hype?!
Der Antiquar, der viral ging: Klaus Willbrand ist tot; Von Mut und Solidarität: Eine Ausstellug porträtiert afghanische Frauen; Ist das "Zensur"? Bibliotheken im Visier rechter Gruppen; Filmtipps: "Der Brutalist" und "Henry Fonda for President". Moderation: Ina Plodroch Von Ina Plodroch.
Leweke, Anke www.deutschlandfunkkultur.de, Fazit
Fischer, Sigrid www.deutschlandfunk.de, Corso
This week Harrison will review "War And Peace (1956)" starring Audrey Hepburn and Henry Fonda and directed by King Vidor #warandpeace #audreyhepburn #henryfonda #kingvidor #reelyoldmovies Join my Discord!: https://discord.gg/VWcP6ge2 Donate to my Streamlab here: https://streamlabs.com/sl_id_ff883caf-a8d0-3d7b-980b-9557565e1fe3/tip Social Media Links: https://linktr.ee/reelyoldmovies
Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.
"Never apologize. It's a sign of weakness."We know we're quite a ways into 2025, but Happy New Year everyone. Anders & Adam Holmes are back with a new trilogies episode! On this episode, the Holmes Brothers hop on their horses and ride out west to Monument Valley. They again discuss and analyse three favourite westerns from their childhood, two of which they saw a lot on VHS (remember those?). The movie trilogy they are looking at on this episode is: John Ford's The Cavalry Trilogy. It includes Fort Apache (1948), She Wore a Yellow Ribbon (1949) and Rio Grande (1950).All three films star John Wayne and feature regular members of Ford's acting troupe like Henry Fonda, John Agar, Harry Carey Jr, Ben Johnson, George O'Brien and Victor McLaglen. John Ford was very much in his mythical period when making these westerns. We hope you like this episode and do check out the films, if you have or haven't seen it. Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film on Collider.Also check out Anders's reviews on Robert Eggers's Nosferatu, Die Hard 4.0 and The Crow (2024).Follow us on our Instagram page. We're vacating our Twitter page and the site in general, for obvious reasons.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!Anders Hosted on Acast. See acast.com/privacy for more information.
Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.
El 9 de noviembre, día del nacimiento de Hedy Lamarr, se celebra en su honor el “Día Internacional del Inventor” y es que la actriz no solo brilló en el Hollywood de los años 40 sino que destacó, aún más si cabe, en su otra faceta, la de ingeniera e inventora. En este episodio os contamos su historia. Repasamos también la carrera del director Jaime Chávarri, elegido Premio Feroz de Honor de este año, los galardones que concede la Asociación de Informadores Cinematográficos de España a lo mejor del cine y las series españolas de 2024 y cuya ceremonia se celebrará el próximo sábado 25 de enero en Pontevedra. Hemos charlado con el doctor Cesar González Mousterini sobre los retoques estéticos a los que habitualmente se someten los actores y actrices y en “Diligencia hacia el Oeste” tenemos esta semana uno de los westerns más bellos de John Ford: “Pasión de los fuertes” protagonizado por Henry Fonda y estrenado en 1946.
Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely winters night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers Suspense is a radio drama series broadcast on CBS Radio from 1940 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theatre of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 still exist. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. Alfred Hitchcock Alfred Hitchcock directed its audition show (for the CBS summer series Forecast). This was an adaptation of The Lodger a story Hitchcock had filmed in 1926 with Ivor Novello. Martin Grams Jr., author of Suspense: Twenty Years of Thrills and Chills, described the Forecast origin of Suspense: On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites. Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution 1942–1962 In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) – each time with Moorehead. The popularity of the episode led to a film adaptation in 1948. Another notable early episode was Fletcher's "The Hitch Hiker" (aired September 2, 1942), in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road; however, the first performance of "The Hitch-Hiker" actually took place on The Orson Welles Show the previous year. "The Hitch-Hiker" was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944–1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948),[3] Autolite Spark Plugs (1948–1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman Macdonnell and Anton M. Leader were among the producers and directors. Suspense received a Special Citation of Honor Peabody Award for 1946. Second issue of the 1946 magazine tie-in The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication.[opinion] The writing was taut,[opinion] and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars – often playing against type – such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode "Backseat Driver", which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain.[opinion] At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series due to shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The series expanded to television with the Suspense series on CBS from 1949 to 1954, and again in 1962. The radio series had a tie-in with Suspense magazine which published four 1946–47 issues edited by Leslie Charteris. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. The final episode of Suspense was Devilstone, starring Christopher Carey and Neal Fitzgerald. It was sponsored by Parliament cigarettes.[5] Opening introductions There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" – "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! Recognition Suspense was inducted into the National Radio Hall of Fame in 2011. Since 2007, Radio Classics, on Sirius XM channel 82, has been airing episodes of Suspense. The show is also streamed nightly at 7 pm Pacific time on kusaradio.com from the original masters. Satire The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October–November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show called "Anxiety." Their character Commander Neville Putney told stories that were presented as dramatic but were intentionally mundane, with the opening line "A tale well designed to keep you in... Anxiety." In the “Chicken Heart” sketch on his Wonderfulness album Bill Cosby relates radio programs during his youth “that were scary.” One is Suspense. Theatre #sundaynightmystery For PowPAC, San Diego actor-director Robert Hitchcox mounted a 2006 stage production recreating two episodes of Suspense, complete with commercials, in a stage set designed like a CBS radio studio.
Long, long before George Burns became the senior citizen movie star of films like "The Sunshine Boys" and "Oh God!" he was familiar to radio and television audiences across the country as the grounded half of the comedy couple Burns and Allen, with real-life wife (and vaudeville partner) Gracie Allen playing the ditzy dame of the duo. Theirs was a 25-year run on the airwaves, and now for Project Audion, Pete Lutz has penned a fresh new Burns and Allen script that recalls the best of their radio work during World War II, right down to their sponsor of the time, Swan Soap. Much like Bob Hope and Jack Benny did, we find the two of them at a naval base entertaining the troops, along with guest stars Henry Fonda and Chico Marx. You'll be entertained by Audion's transcribed-live transcontinental cast of delicious, delirious vocal talents: John Bell (as George) in Alabama Mel Rose (as Gracie) in Pennsylvania Dana Gonsalves (as Bill Goodwin) in Texas Les Marsden (as Chico Marx) in California Scott R. McKinley (as Henry Fonda) in New Jersey Pete Lutz (as Mel Blanc as PO2 Ferguson) in Texas Robert L. Mills (as Adm. Tarbottom) in California Larry Groebe supervised the production. Written and directed by Pete Lutz
Project Audion begins 2025 with a laugh! Pete Lutz has penned a fresh new Burns and Allen script that recalls the best of their radio work during World War II, right down to commercials for their sponsor of the time, Swan Soap. Much like Bob Hope and Jack Benny did, we find the two of them at a naval base entertaining the troops, along with guest stars Henry Fonda and Chico Marx. You'll be entertained by Audion's transcribed-live transcontinental cast of delicious, delirious vocal talents: Learn more about your ad choices. Visit megaphone.fm/adchoices
Project Audion begins 2025 with a laugh! Pete Lutz has penned a fresh new Burns and Allen script that recalls the best of their radio work during World War II, right down to commercials for their sponsor of the time, Swan Soap. Much like Bob Hope and Jack Benny did, we find the two of them at a naval base entertaining the troops, along with guest stars Henry Fonda and Chico Marx. You'll be entertained by Audion's transcribed-live transcontinental cast of delicious, delirious vocal talents: Learn more about your ad choices. Visit megaphone.fm/adchoices
Long, long before George Burns became the senior citizen movie star of films like "The Sunshine Boys" and "Oh God!" he was familiar to radio and television audiences across the country as the grounded half of the comedy couple Burns and Allen, with real-life wife (and vaudeville partner) Gracie Allen playing the ditzy dame of the duo. Theirs was a 25-year run on the airwaves, and now for Project Audion, Pete Lutz has penned a fresh new Burns and Allen script that recalls the best of their radio work during World War II, right down to their sponsor of the time, Swan Soap. Much like Bob Hope and Jack Benny did, we find the two of them at a naval base entertaining the troops, along with guest stars Henry Fonda and Chico Marx. You'll be entertained by Audion's transcribed-live transcontinental cast of delicious, delirious vocal talents: John Bell (as George) in Alabama Mel Rose (as Gracie) in Pennsylvania Dana Gonsalves (as Bill Goodwin) in Texas Les Marsden (as Chico Marx) in California Scott R. McKinley (as Henry Fonda) in New Jersey Pete Lutz (as Mel Blanc as PO2 Ferguson) in Texas Robert L. Mills (as Adm. Tarbottom) in California Larry Groebe supervised the production. Written and directed by Pete Lutz
Ron Howard, the Oscar-winning director behind films like 'Apollo 13' and 'A Beautiful Mind,' sits down with Guy to discuss his remarkable journey from child actor to Hollywood heavyweight. Ron's latest documentary – “Jim Henson: Idea Man” – about the creator of the Muppets, is available now on Disney Plus. Links from the Show: Ron playing Opie on The Andy Griffith ShowGrand Theft Auto, the first film Ron directed Ron's recent documentary “Jim Henson: Idea Man” Apollo 13CocoonHappy Days A Beautiful Mind Frost Nixon Splash on Disney+ For more conversations like this – with guests ranging from David Duchovny to Diplo – go to https://www.thegreatcreators.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Tim Matheson, Animal House,The West Wing, Bonanza + his new book CONTINUES... funny & raw interview! In this continuation of the first interview I did with Tim Matheson, he Tim recounts working and learning from legends like Henry Fonda, Jackie Gleason, and Bob Hope, and shares memorable moments playing ping pong with Dick Van Dyke and Debbie Reynolds ON Divorce American Style. He discusses taking control of his career, an altercation with Michael Landon on Bonanza as he becomes a regular cast member, and his odd experience with David Soul and and then dating David's ex-wife and working with Clint Eastwood on Magnum Force. Tim reflects on his experiences meeting Chris Farley as well as his impactful role as the VP on The West Wing. And again, go buy Tim's new book he just released, it is fantastic - Damn Glad to Meet You: My Seven Decades in the Hollywood Trenches, I loved it! Become a That's Classic! PATREON member including the opportunity to see Exclusive Bonus Footage: patreon.com/thatsclassic That's Classic! Merchandise: http://tee.pub/lic/2R57OwHl2tE Subscribe for free to That's Classic YouTube Channel: https://www.youtube.com/channel/UCBtpVKzLW389x6_nIVHpQcA?sub_confirmation=1 Facebook: facebook.com/thatsclassictv Hosted by John Cato, actor, voiceover artist, and moderator for over 20 years for the television and movie industry. John's background brings a unique insight and passion to the podcast. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-cato/support
We're going back to classic movies this week, and spending some time with John Ford. The Grapes of Wrath (1940) is based on the 1938 Steinbeck novel and follows a group of rural Oklahomans as they search for a better life in the west. Henry Fonda stars as Tom Joad, a former prisoner trying to better his life and take care of his family. Will Isaac like this movie, or will it be a snooze-fest for him? Cinema Spectator is a movie podcast hosted by Isaac Ransom and Cameron Tuttle, with frequent appearances from film expert Juzo Greenwood. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored at SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom is a professional creative, digital marketer, and product manager working full-time. Isaac is the student. The podcast is a passion project between two longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.
John Steinbeck wrote a letter to Carlton Sheffield about a conversation he'd had with his wife, Elaine.“Once I said to her, ‘I don't want the barbarity of funeral for myself.' And she said, ‘Don't be silly. A funeral isn't for the dead. You'll simply be a stage set for a kind of festival, maybe. And besides, you won't even be there.'”– Steinbeck: A Life in Letters, p 829Henry Fonda – one of the most famous actors of his generation – stood up at John Steinbeck's funeral and recited a piece of a poem by Robert Louis Stevenson:Bright is the ring of wordsWhen the right man rings them,Fair the fall of songsWhen the singer sings them.Still they are carolled and said –On wings they are carried –After the singer is deadAnd the maker is buried.– Robert Louis StevensonWe know Henry Fonda spoke those words because Elaine Steinbeck, John's wife, describes the scene in a letter to her friend, Jean Vounder-Davis.What will people say when you are gone? Will memories of you ring like bells in the hearts you left behind?How will you be remembered?You cannot build a reputation on what you intend to do.The saddest eulogy ever carved on a tombstone said, “He Had Potential.”Will you be remembered for having a lot of money?“You can have money stacked to the ceiling, but the size of your funeral will still depend on the weather.” – Chuck TannerWill you be remembered as a selfish person, or a generous one?“We make a living by what we get. We make a life by what we give.” – Winston ChurchillI have never seen a hearse pulling a U-Haul trainer.“We brought nothing into this world, and it is certain we can carry nothing out.” – Paul's letter to Timothy, ch. 6Will you be remembered as a critical person, or as an encourager?“People will forget what you said, people will forget what you did, but people will never forget how you made them feel.” – Maya AngelouThere is nothing standing in the way of you being a different person today than you were yesterday. Do you remember what I wrote to you in last week's Monday Morning Memo?“Escaping the past is easy. The hard part is choosing to start over.”If we make the right decision, we'll have more to be thankful for next Thanksgiving than we did this year.Ciao for Niao,Roy H. WilliamsDouglas Katz is a West Point graduate, a disabled Army veteran, and a culinary enthusiast (also known as a foodie.) Douglas, like many other people who suffer from limited mobility, struggled to use kitchen utensils that require upper extremity strength. Aided by an army of friends and military veterans, Doug retreated to his workshop to invent a new type of kitchen knife, the first in a series of “adaptive” kitchen products he plans to introduce. Doug is building a cutting-edge company (pun intended) dedicated to radical innovation and inclusive kitchen design. It's happening and it's happening right now, with roving reporter Rotbart and you at MondayMorningRadio.com.
We're going back to 1957 to discuss one of the greatest films ever made, Sidney Lumet's 12 Angry Men! We discuss favorite jurors, what we can learn from watching 12 dudes in a hot room, and discuss the evolving characte of Juror #8. Also, Nick sends an illuminating email on the context of Michael Jordan, Michelle gets inspired by the Dick Van Dyke show and Seth compares 12 Angry Men to a popular horror franchise. Check it out! For all of our bonus episodes and to vote on upcoming episodes check out our Patreon Patreon supporters help pick episodes, monthly themes and get access to all of our additional shows and our Patron exclusive Discord. It's only the price of a single cup of coffee ($5 a month!) Visit our website and send us an email! Follow Movie Friends on Twitter and Instagram You scrolled this far? That's impressive.
Kirk talks with legendary Animal House/Fletch actor Tim Matheson about his seven decade long Hollywood career, working with legendary figures like Chris Farley and Henry Fonda, and his new book "Damn Glad To Meet You: My Seven Decades in the Hollywood Trenches." Get "Damn Glad To Meet You: My Seven Decades in the Hollywood Trenches" here: https://www.amazon.com/Damn-Glad-Meet-You-Hollywood/dp/0306832933You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kminshow
Episode 308 - A Long Distance Dedication, Shedding A Tear For Snuggles RUNDOWN Mitch and Hotshot Scott, travel through Grand Island, Nebraska, the birthplace of Henry Fonda and home to the Nebraska State Fair. From "On Golden Pond" and TV personality Dick Cavett, to "American Top 40," the guys reminisce on some true icons such as Casey Kasem. The Seattle Seahawks' recent performance against the Atlanta Falcons 34-14 takes them to first place in the NFC West. Highlights include Gino Smith's performance and his ability to evade pressure and make key plays. Diving deeper into the Seahawks Falcons blowout, Mitch, Jacson, and Brady discuss the improved performance of the Seahawks' defense, which held the Falcons to just 14 points despite allowing over 150 yards rushing and struggling with tackling, especially against Falcons' running back Bijan Robinson. The Seahawks' defense also created key turnovers, including a game-changing strip sack and defensive touchdown. Mitch and CBS College Football Analyst Rick Neuheisel discuss Alabama's struggles, though Rick maintains his confidence in their ability to reach the SEC Championship game, acknowledging they'll need to avoid turnovers and rely on defensive leadership. He also addresses Texas's recent loss, suggesting they need to prove themselves after facing tougher competition. The conversation shifts to officiating, with Rick expressing frustration over inconsistent calls and advocating for a centralized officiating system for college football. Rick also comments on the Army-Navy rivalry, noting the possibility of the teams playing back-to-back in the AAC Championship and then the Army-Navy game, which he finds unusual. Mitch and Christian Capel discuss the University of Washington Huskies' football season under Coach Jedd Fisch, focusing on their 4-3 record. The conversation touches on Fisch's coaching style, which Christian describes as more professional and NFL-like compared to former coach Kalen DeBoer. They also address Fisch's open comments on NIL deals and the financial disparities between schools like Ohio State, Oregon, and others. GUESTS • Seahawks No-Table | Brady Henderson (ESPN Seahawks Insider) & Jacson Bevens (Cigar Thoughts) • Rick Neuheisel | CBS College Analyst • Christian Caple | On Montlake TABLE OF CONTENTS 0:08 | Grand Islands, Nebraska and Henry Fonda. 4:39 | Fun with Audio, a clip that we reference more than anything. A long distance dedication. 12:32 | Mitch announces; BEAT THE BOYS password 16:19 | From the Menendez Brothers to Seahawks. We made it work. 30:50 | GUEST: Seahawks No-Table: Brady Henderson (ESPN.com Seahawks insider), Jacson Bevens (Cigar Thoughts) - the Hawks blast the Falcons on the road 34-14 to get back in the win column. The guys discuss a bounce back defensive performance, another strong Geno outing and a win that propels the Seahawks into first place in the NFC West. Buffalo is next. 52:27 | GUEST: Rick Neuheisel - CBS College Football Analyst - Former UW coaches have a tough weekend - Sark and DeBoer. Can Huskies win at Indiana at 9am on Sunday? Will Army and Navy actually play one another in back-to-back weekends? Is it time to do away with conference championship games? 1:23:05 | GUEST: Christian Caple - On Montlake - summarizing the first 7 games of the Jedd Fisch era. Ups and downs. What about the visor and the yellow sweatshirt? Will the Dawgs get to 6 wins and bowl eligible? 1:45:36 | Other Stuff Segment: • Tony Bennett, Virginia coach, quits unexpectedly before the season. • Discussion on the current state of college sports, including NIL, transfer portal, and agent involvement. • Dallas Cowboys Struggles - Jerry Jones threatens radio show hosts after a bad Cowboys loss. • Deshaun Watson suffers an Achilles injury, and fans boo him as he is carted off. • Canadian Olympic Snowboarder Ryan Wedding involved in drug trafficking and wanted by the FBI. • 2025 Apple Cup, Announcement of the Apple Cup's date and location in Pullman, Washington. • Former NFL quarterback Jay Cutler involved in a DUI incident with firearms in his car. • Former NFL player Eddie Lacy's DUI with a BAC four times the legal limit. • RIPs: Tony Ventrella, Liam Payne • Humorous news headlines including a man falling in Trump Tower, a couple wanting a grandchild through surrogacy using frozen semen, privacy concerns with QR codes in bathrooms, and a deceased man with three penises.
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