Podcast appearances and mentions of Henry Fonda

Two films about books about female empowerment. One of these films is more empowering than the other.   Sex & The Single Girl Year: 1964 Screenplay by: Joseph Heller and David R. Schwartz Story by: Joseph Hoffman Based on the book by: Helen Gurley Brown Uncredited writer: Leslie H. Martinson Directed by: Richard Quine Stars: Tony Curtis, Natalie Wood, Henry Fonda, Lauren Bacall   Down With Love Year: 2003 Written by: Eve Ahlert and Dennis Drake Directed by: Peyton Reed Stars: Renée Zellweger, Ewan McGregor, Sarah Paulson, David Hyde Pierce   Show notes: This month compare and despair returns to the Rom Com Rewrite! The plot summaries for these films take up a good portion of the beginning of this episode. If you would like to skip them you can spool forward a little over 23 minutes into the episode.   In this episode we mention the films: The Pink Panther (1963) (https://www.imdb.com/title/tt0057413/) What's Up Doc (1972) (https://www.imdb.com/title/tt0069495/) How to Lose a Guy in 10 Days (2003) (https://www.imdb.com/title/tt0251127/) Bridget Jones's Diary* (2001) (https://www.imdb.com/title/tt0243155/) Chicago (2002) (https://www.imdb.com/title/tt0299658/) Moulin Rouge (2001) (https://www.imdb.com/title/tt0203009/)   And the TV series: The Judy Garland Show (1963-1964) (https://www.imdb.com/title/tt0056767/)   And also the book Sexual Personae by Camille Paglia (1990) (https://en.wikipedia.org/wiki/Sexual_Personae).   *Films marked with an asterisk have previously been featured on the podcast.   If you would like to suggest films for future episodes, you can tweet Lisa: @LisaStowaway. We record these episodes over the internet. Sometimes the audio is not perfect. We apologise for that.   Music in this episode is by Martin Zaltz Austwick (martinzalzaustwick.com). Artwork is by Lisa Findley.   Thank you for listening! 

I put a jaunty bow on Heroes Month with another multi-movie episode. For #742, I'm mostly talking about John Ford's My Darling Clementine, but there's a bit at the end about John Sturges' Gunfight At The O.K. Corral and George Cosmatos' Tombstone. Clementine stars Henry Fonda as the stoic marshal Wyatt Earp and Victor Mature as the uber-talented but sickly Doc Holliday. Linda Darnell is in the mix too and they're all surrounded by a smorgasbord of character actors. Doc, Wyatt and his brothers team up to take on the Clantons in what's considered to be one of the greatest westerns. Then it's onto a much-shorter analyses of Gunfight and Tombstone, where I got to do what so many have done for 33 years: rave about Val Kilmer. So let's go, boys, to where they keep the horses and draw some guns as I give you my 3 takes on the world of Wyatt and Doc. Well, Actually: Elia Kazan was the one who took over directing Pinky after Ford was fired. Also, Dana Wheeler-Nicholson is the name of the actress in Tombstone who plays Wyatt's wife Mattie. Subscribe to Have You Ever Seen in your app. Rate my show and write up a short review (or a long review). Follow me on Twitter (@moviefiend51) and/or Bluesky (ryan-ellis) and also Letterboxd (RyanHYES). And I certainly read emails: haveyoueverseenpodcast@gmail.com.

Meteor (1979)  AIP Production #7809 Jeff and Cheryl prepare for a disaster of epic proportions in Meteor.  Screenplay by Stanley Mann and Edmund H. North  Story by Edmund H. North  Produced by Arnold Orgolini and Theodore Parvin  Directed by Ronald Neame Starring:  Sean Connery as Paul Bradley  Natalie Wood as Tatiana Donskaya  Karl Malden as Harry Sherwood  Brian Keith as Dr. Dubov  Martin Landau as General Adlon  Trevor Howard as Sir Michael Hughes  Richard Dysart as Secretary of Defense  Henry Fonda as The President A Sandy Howard / Gabriel Katzka / Sir Run Run Shaw PresentationReleased by American International / A Filmways Company View the Meteor trailer here.Stream Meteor on Tubi or Fawesome, or rent it on Prime Video or Apple TV+ Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

Nationa Bar B Q day, Entertainment 1960.1st person known to have died from AIDS, Root Beer invented, Espresso Machine invented, Todays birthdays - Henry Fonda, Liberace, Pierce Brosnan, Richard Page, Debra Winger, Mare Winningham, Janet Jackson, Ralph Tresvant, Tracy Gold, Rick Trevino, Megan Fox. Sammy Davis jr died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Good ol' barbq - Whisker BrothersStuck on you - Elvis PresleyPlease help me, I'm falling - Hank LocklinBirthdays - In da club - 50 Cent     http://50cent.com/I'll be seing you - LiberaceKyrie - Mr. MisterWhen I think of you - Janet JacksonMr. telephone man - New EditionBobby Ann Mason - Rick TrevinoCandy man - Sammy Davis jrExit - Chasin' whiskey down - Ben Carter Band       Ben Carter Band on Apple MusicHistory & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days - May Puzzle BookGrace & Grit Christian Country Radio

Most people underestimate the power of scent and weather to influence human behavior. Henry Fonda's chilling performance in "Summer Storm" reveals how a simple summer shower can unlock a deadly deception—and how the tiniest details can mean the difference between life and death. If you think you're in control, think again—this episode will show you how subtle cues and hidden truths can turn ordinary situations into deadly stakes.In this gripping suspense story, you'll discover how a seemingly innocent storm becomes the backdrop for murder, deception, and a desperate struggle for survival. We break down the psychological tension, masterful storytelling, and the critical moments that keep you guessing. From the key moments when panic mounts to the small cues that reveal the truth, you'll see how close danger lurks behind everyday facades.You'll explore:How weather and environment serve as powerful metaphors in storytelling, heightening suspense.The subtle signs that reveal a character's true nature under pressure.The psychological tactics used to build tension and mislead the audience.The real risks of ignoring small details when stakes are high.Why paying attention to the little things can mean life or death in both stories and real life.This episode is perfect for fans of psychological thrillers, writers seeking to craft tension, or anyone curious about how stories manipulate perception. If you want to see the hidden layers behind classic suspense, this is essential listening. Because in the dark, it's often the smallest things that kill.Henry Fonda, star of many legendary roles, delivers a masterclass in suspense as a man caught in a web of secrets. His performance exemplifies how subtlety and atmosphere turn a summer storm into a psychological battleground.Get ready to rethink what you know about tension and storytelling—because sometimes, the storm isn't just weather. It's a trigger for the worst instincts in us all.

This week on So Many Sequels, Golden Oldies Month continues with John Ford's 1940 adaptation of The Grapes of Wrath.Josh, Garrett and David dig into the film's Dust Bowl-era Oklahoma roots, its connection to John Steinbeck's landmark novel, and why a movie released more than 80 years ago still feels uncomfortably current in 2026.We talk Henry Fonda's Tom Joad, Jane Darwell's Oscar-winning performance as Ma Joad, the film's depiction of poverty and displacement, and the way its story exposes systems that keep working people desperate, divided and disposable. We also get into Oklahoma's place in the story, the case for a modern remake, and why any new version better actually film in Oklahoma.It's a classic for a reason — and maybe a warning we still haven't fully listened to.Watch, listen and subscribe wherever you get podcasts.More at somanysequels.com and follow us on Instagram at @somanysequelspod.

Send us Fan MailSeason 17's second four from a hack director concludes this week with the final film by Edward Dmytryk under discussion, a color saddles-and-stirrups flick WARLOCK (1959).   Arguably a better title of ≪L'Homme aux colts d'or≫ in its French-language release, Warlock as a two-hander Western covers the entry into the unincorporated community of Warlock by Henry Fonda's Clay Blaisedell, a legendary gunslinger who owns a pair of golden six-shooters and, separately, the evolution of Richard Widmark's Johnny Gannon from reluctant outlaw cowpuncher to sheriff of Warlock whose prominent citizens earlier lacking a sheriff had contracted Blaisedell to clean up. Homoerotic tensions arise between Blaisedell and Anthony Quinn's Tom Morgan when Blaisedell decides to pursue romance with a significantly younger woman in lieu of their money-making vigilante partnering ways. Sheriff Gannon's character also finds a love interest as the movie builds toward its final act, a post-shootout shootout between Blaisedell and Gannon with no Morgan to watch the former's back. And no plot summary would be complete without mention of Star Trek TOS's very own DeForest Kelley as “Curley” Burne, a member of Gannon's former gang with some magnetism remaining in the character's moral compass.  This week, Thomas expands on a list of movies whose misleading titles lead to disappointment; Ken expresses he's not fonda Fonda in this film; and Ryan soft-shoes the homoerotic tension.   We're taking a week off before shifting gears and entering the demolition derby that will be our next four in the 4x4 starting with Ron Howard's debut film Grand Theft Auto.   THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Send us Fan MailIt's calm seas and second helpings of strawberries this week as the TGTPTU boys cover their third of four curated Edward Dmytryk films, the multiple Oscar-nominated picture THE CAINE MUTINY (1954).  Saving its then “issues” producer (and subsequent to this movie an issues director) Stanley Kramer's bacon, Dmytryk delivered a bona fide hit picture adapting the already popular book by Herman Wouk about a fictional mutiny during WWII among American seaman upon the titular Caine. Deviating from the Broadway courtroom play starring Henry Fonda (who'll show up in next week's Dmytryk film), the movie hews closer to the novel depicting on screen and in glorious Technicolor events aboard the ship leading to the mutiny, leaving the theatrical adaptation's courtroom drama for the third act. The movie would also add Yosemite National Park as a romantic getaway between its Ivy League, very mid, blonde protagonist and POV character Ensign Willie Keith played by a now relatively unknown Robert Francis who died tragically at age 25 after a plane crash and his character's fiancée May Wynn played by May Wynn who changed her stage name to that of her character on the recommendation of Kramer. And for more on the plot, there's IMDB, Wikipedia, and further resources on the World Wide Web if you don't have a great-grandpa around to ask.   The film would have seven Academy Awards nominations and no wins, with Bogart losing out to Brando (and Kramer to Spiegel) for On the Waterfront.     This episode Ken and his metaphor get sweaty towards the ep's end; Ryan reveals the thuggish life of Joan Didion; and Gen Z'ers Jack and Thomas settle the TGTPTU style guide dispute over how to pronounce “gif.”   And now for an important announcement:Despite what your lying ears have heard, there has never been a recorded mutiny on TGTPTU. The truths of each episode lie not in their incidents, but in the way these three hosts in the battle for the Pacific Northwest meet the crisis of their lives. Now sound the Star Trek Original Series whistle, we're coming onboard.   THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Because lineworkers are heroes and first responders, they have been celebrated in songs, books and movies. For this episode of the T&D World Line Life Podcast, we are featuring an interview with William Wister Haines, Jr., the son of the author of Slim and the companion book, High Tension. During this episode, William shares the story of how his father's book, inspired by his work in the line trade, became not only a national bestseller, but also a Hollywood movie starring Henry Fonda. Years later, he continued his father's legacy by bringing both books back into print. He now personally inscribes and ships copies to training programs and lineworkers nationwide. To order a copy of the books, go to his website. 

Because lineworkers are heroes and first responders, they have been celebrated in songs, books and movies. For this episode of the T&D World Line Life Podcast, we are featuring an interview with William Wister Haines, Jr., the son of the author of Slim and the companion book, High Tension. During this episode, William shares the story of how his father's book, inspired by his work in the line trade, became not only a national bestseller, but also a Hollywood movie starring Henry Fonda. Years later, he continued his father's legacy by bringing both books back into print. He now personally inscribes and ships copies to training programs and lineworkers nationwide. To order a copy of the books, go to his website. 

Any Bonds Today - Henry FondaBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

What happens when Alfred Hitchcock, Manhattan ghost stories, and a family legend collide? In this episode, debut novelist John McDermott reveals how he crafted The Last Spirits of Manhattan from a true event where Hitchcock rented his ancestor's decaying house for a celebrity-studded party. McDermott shares insights into the fiction writing process, navigating permissions for historical fiction featuring real figures, and why he added actual family ghosts to crash Hitchcock's 1956 soiree. From his publishing journey with Simon and Schuster to teaching undergraduates at Stephen F. Austin State University, McDermott offers invaluable lessons on creative writing and perseverance. Tune in to hear the chilling opening of The Last Spirits of Manhattan where Snug, a ghost trapped in the coal room, stirs as a new venture begins.What You'll Learn in This Episode: How to balance historical fiction writing accuracy with poetic license when featuring real celebrities like Alfred Hitchcock, Henry Fonda, and Charles Addams as characters in your supernatural fiction.The importance of literary research in crafting authentic period pieces, including navigating copyright permissions, advertising archives, and biographical sources when developing your novel.Strategies for incorporating family history and personal anecdotes into creative writing, as demonstrated by McDermott's transformation of a Manhattan ghost story family legend into a publishable manuscript.The reality of the publishing journey, including the persistence required through finding the right agent and working with major publishers like Simon and Schuster.Subscribe to Reenita's Storytelling Den on Substack for free at https://substack.com/@reenitahora and to her YouTube channel to watch the video version of this episode! https://www.youtube.com/@reenymal.Check out her website to stay up-to-date on events, book releases and more! https://reenita.com/.TIMESTAMPS:  00:00 A story inspired by Alfred Hitchcock's 1956 party at John McDermott's great aunt's Manhattan house 02:30 Discussion of McDermott's family roots from Wisconsin to Texas and his role at Stephen F Austin State University's creative writing program04:48 Exploring the marriage plot as an inciting incident and how poetic license shapes historical fiction writing 06:03 Navigating permissions and copyright issues when featuring deceased celebrities like Henry Fonda and Charles Addams in fiction09:45 The addition of supernatural fiction elements, including family ghost stories and getting this novel published 15:32 An excerpt from The Last Spirits of Manhattan prologue introducing the blue girl ghost who hangs out in the coal roomKEY TAKEAWAYS: Historical fiction success requires extensive literary research to capture authentic voices and settings, but the magic happens when authors blend documented facts with imaginative storytelling through careful poetic license.The publishing journey for a debut novel often spans decades with multiple manuscript attempts. McDermott's 20-year persistence and four complete manuscripts before finding success with Simon and Schuster demonstrate that timing, craft improvement, and presenting the right idea to the right people all matter.Creative writing drawn from family history creates deeply personal and compelling narratives. By weaving real family members who died from the Spanish influenza into his Manhattan ghost stories, McDermott transforms historical research into emotionally resonant supernatural fiction.ABOUT THE GUEST: John A. McDermott was born and raised in Madison, Wisconsin. He now serves on the board of directors for the Writers' League of Texas and teaches creative writing at Stephen F. Austin State University. Before teaching, he worked as an actor, bartender, house painter, and advertising copywriter. He lives in Nacogdoches with his wife and teenage daughter.RESOURCES MENTIONED: John A McDermott - WebsiteJohn A McDermott - LinkedInJohn A McDermott - FacebookThe Last Spirits of Manhattan - InstagramBook Shop - WebsiteAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

“BETTE vs MIRIAM: WHEN STARS COLLIDED” - 3/30/2026 (133) What would Hollywood be without a good, old fashioned rivalry. It's well documented that BETTE DAVIS and JOAN CRAWFORD were not exactly besties. But did you know that Davis had another rivalry that was even uglier and more intense? That's right, the rivalry between Davis and her co-star in The Old Maid (1939) and Old Acquaintance (1943) was one for the ages. Completely different in upbringing, temperament, and acting styles, these two grand dames of the silver screen kept the gossip columnists' tongues wagging with their petty, mean-spirited one-upmanship. And while Davis ended up the victor in the long run, as she had a longer and more successful career, Hopkins could give as good as she could take. This week, we explore the long-standing feud between these two great divas.  SHOW NOTES:  Sources: Miriam Hopkins: Life and Films of a Hollywood Rebel (2018), by Allan R. Ellenberger; The Lonely Life, An Autobiography (1962), by Bette Davis; This'n That, An Autobiography (1987), by Bette Davis with Michael Herskowitz; “Whatever I Did, I Did: The Obstinate Life of Bette Davis,” November 6, 2020, by Hadley Hall Meares, Vanity Fair; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Oscars.org; Movies Mentioned: The Old Maid (1939), starring Bette Davis, Miriam Hopkins, George Brent, & Jane Bryan; Jezebel (1938), starring Bette Davis, Henry Fonda,. George Brent, & fay Bainter; Dark Victory (1939), starring Bette Davis, George Brent, Geraldine Fitzgerald, Ronald Reagan, & Humphrey Bogart; All This, and Heaven Too (1940), starring Bette Davis, Charles Boyer, Barbara O'Neil, Jeffrey Lynn, & Virginia Weidler; The Private Life of Elizabeth and Essex (1939), starring Bette Davis, Errol Flynn, Olivia de Havilland, Alan Hale, & Vincent Price; We Are Not Alone (1939), starring Paul Muni & Jane Bryan; Virginia City (1940), starring Errol Flynn & Miriam Hopkins; The Little Foxes (1941), starring Bette Davis, Teresa Wright, Herbert Marshall, Patricia Collinge, & Dan Duryea; The Old Acquaintance (1943), starring Bette Davis & Miriam Hopkins; The Heiress (1949), starring Olivia de Havilland, Montgomery Clift, Ralph Richardson, & Miriam Hopkins; The Children's Hour (1961), starring Shirley MacLaine, Audrey Hepburn, James Garner, Miriam Hopkins, Fay Bainter, Karin Balkin, & Veronica Cartwright; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jane Fonda will be in town for a big rally on Saturday. That may turn off a lot of people, but you have to admire her acting career points out Rusty Gatenby. Listen to his take on the two time Oscar winner on Rusty's Review. Part of the WCCO Morning News with Vineeta Sawkar.

Jane Fonda will be in town for a big rally on Saturday. That may turn off a lot of people, but you have to admire her acting career points out Rusty Gatenby. Listen to his take on the two time Oscar winner on Rusty's Review. Part of the WCCO Morning News with Vineeta Sawkar.

Richard Fleischer ist ein Regisseur, der nie wirklich berühmt wurde – im Gegensatz zu einigen seiner Filme wie zum Beispiel 20.000 MEILEN UNTER DEM MEER oder SOYLENT GREEN. Thomas und Gast Patrick Torma von journalistenfilme.de haben sich THE BOSTON STRANGLER ausgesucht. Die Verfilmung einer wahren Kriminalgeschichte. 13 Frauen wurden im Raum Boston in den 1960er Jahren vom „Boston Strangler“ ermordet. Bereits 1966 erschien ein Buch von Gerold Frank und schon 1968 der darauf basierende Film von Fleischer. Ein kurzer zeitlicher Abstand – mit Folgen. Der Mörder schien gefunden, aber vieles war noch nicht geklärt.Und so ist THE BOSTON STRANGLER mehr eine Interpretation als eine möglichst akkurate Wiedergabe eines echten Falls (wie zum Beispiel Finchers ZODIAC). Albert DeSalvo (Tony Curtis) wird gezeigt als ein Mörder mit Persönlichkeitsstörung, der erst in den Vernehmungen der Polizei ahnt, dass in ihm der Mörder steckt.Erst einmal nimmt sich der Film die Zeit, die mühsame und wenig erfolgreiche Ermittlungsarbeit zu zeigen – gerade hier wird sichtbar, dass der Film aus einer Zwischenzeit stammt: Die 1950er mit ihrem klaren Weltbild sind vorbei, es ist zu spüren, dass die Welt sich ändern wird, aber die „Revolutionen“ kommen erst noch. Die Polizisten (stark: Henry Fonda und George Kennedy) sind die Soldatengeneration des Zweiten Weltkriegs. Jetzt ist der Feind viel schwerer zu erkennen und zu finden.Im Podcast diskutieren wir die Stärken und Schwächen des Films, besprechen die Aufteilung des Films in zwei doch sehr unterschiedliche Hälften und Patrick erklärt en detail die beeindruckenden Split Screens.Über den Regisseur: Richard Fleischer gehört zu den Regisseuren, deren Filme berühmter sind als sie selbst. Vier Jahrzehnte hat er in Hollywood gearbeitet und dabei sehr verschiedene Genres bedient. Zu seinen Werken gehören unter anderem DIE WIKINGER mit Kirk Douglas, CONAN DER ZERSTÖRER und RED SONJA, der aufwändige Abenteuerfilm 20.000 MEILEN UNTER DEM MEER, DOCTOR DOLITTLE, der Kriegsfilm TORA! TORA! TORA! und der dystopische und erschreckend aktuelle Science-Fiction-Film SOYLENT GREEN. Unter dem Titel „Soylent Screen“ widmen wir uns in unregelmäßigem Abständen diesem SF-Meilenstein. Richard Fleischer starb im Alter von 89 Jahren vor 20 Jahren – am 25. März 2006 – in Los Angeles.

In 12 Angry Men, the entire story unfolds in a single jury room—but somehow it becomes one of the most gripping films ever written. This week, the So Many Sequels crew dives into Sidney Lumet's 1957 courtroom classic and asks why this film continues to top “greatest movies ever” lists.Josh, Garrett, and David break down the brilliance of its minimalist storytelling, from Henry Fonda's calm but stubborn Juror #8 to the film's exploration of bias, prejudice, and mob mentality. They also discuss the movie's unusual production history, its Oscar nomination for Best Adapted Screenplay, and how a 90-minute conversation between twelve jurors manages to feel as tense as any blockbuster thriller. Plus: jury duty stories, the 1997 remake with Jack Lemmon and George C. Scott, and why this film still resonates decades later.Follow So Many Sequels for more movie discussions, leave us a review if you enjoy the show, and join the conversation with us on social media.

Movie reviews #58
it's happening now.
1 (Bed and Board 1970) AKA that Francis Truffaut film with the douche and the flowers in the courtyard.
2 (The city 1971) AKA The first hispanic mayor tries to do his job, also he wants to bridge the generation gap, he doesn't want to change his campaign poster, annnnnnnd he hates talking elevators.
3 (The Season of the Witch 1972) AKA That one where Joan is an unhappy and mistreated housewife, who sees a real witch that is showcased at a dinner party and thinks, yes, absolutely YES.4 (The Sting 1973) AKA that one where a grifter invokes the grifter community sighting grifter code 320 and they all go in on a long con against a ruthless crime boss. 
5 (Jeanne Dielman, 23 quasi du Commerce, 1080 Bruxelles 1975) That one heavy French film with the slooooow intensity rising. 
6 (The Great Smokey Roadblock 1977) That one where Henry Fonda will do anything for the love of his truck!
Folks, them the reviews and we are out. Please engage with us, won't you, we do work hard and hope you enjoy our stuff.Movie reviews #58
it's happening now.

Welcome back to Gnostic Insights and the Gnostic Reformation on Substack. It’s been a few weeks since I recorded a live episode, and here I am. Now, I don’t have any particular Gnostic insights for you today. However, I do have some interesting news to share and a very strange experience I had a couple of days ago. So, let’s start with the news. One of the reasons I don’t have a new episode for you this week, in particular a philosophical episode, is because I’ve been working on a stage play called A Midwife’s Trial. I wrote this play about 15 years ago, and I pulled it out of the drawer a couple weeks ago and decided to polish it and get it on its feet. I went with a friend to a little theater a few weeks ago, and they were putting on 12 Angry Men. Now, if you’ve never seen the movie 12 Angry Men, the original, there’s a newer movie, really bad, but the old classic movie starring Henry Fonda and 11 other very well-known actors of the black and white movie era—it’s a great movie. You should see it. It’s the story of the jurors in a deliberation room. They’ve just watched a trial, and they’re in the deliberation room. The entire movie or play takes place around the deliberation table, and they are the 12 Angry Men, the jury. My play is also a trial story, but it’s the trial side of it, so it makes like a nice bookend to 12 Angry Men. So, that’s why it reminded me to get my play back out and try it again. I had sent it around to play festivals and whatnot about 15 years ago. It made one final round, but didn’t win any prizes, so I put it away. It’s based upon my doctoral dissertation, The Trial of a California Midwife, and it is an enactment of actual trial testimony from a couple of midwives, an obstetrician, and then the two attorneys, one for the prosecution and one for the defense, and of course the judge. Those are all the characters. And then it cuts back and forth to a reenactment of this difficult birth that is the subject of the trial. So, it’s a very interesting play. I think it’s fascinating personally, and I’m hoping that audiences will too. I went ahead and contacted the creative director of the theater where I watched 12 Angry Men, and he says, yeah, sounds good. We’ll get you on the schedule for August. So, now it looks like I’m going to have a stage play staged in the town of Phoenix, Oregon. It’s between Ashland and Medford in southern Oregon. I’m going to produce and direct the play myself, which means that for the first time in my theater experience, I will have the power of casting, which is very exciting as well. Anyway, so that’s a little piece of exciting news for me, but it’s been taking up my mind and it’s been taking up my writing time. So, that’s my excuse for not having any new Gnostic Insights episodes for you. And if you live in the southern Oregon area or northern California, I do hope you will come and see the play. I’m also in the process of having the Children of the Fullness: A Gnostic Myth children’s book turned into an animated video. That’s very exciting. I got together with a fellow on LinkedIn, and he’s done a great job of animating these still pictures that are in the children’s book. So, we’re in the final polishing stage of that also. That should be available before too long on YouTube or wherever I can figure out it should go. Logos Falls What I mainly want to tell you about today is a very strange experience I had this week, day before yesterday. In November, my insurance coverage changed, and my primary care provider was not going to be covered by the insurance company that I had been with. So, I had to look for a new primary care provider, and it just so happens I don’t live very far from the VA hospital in White City, Oregon. It used to be an Army base in World War II, and then they changed it into a Veterans Administration hospital. And, by the way, part of the reason I linked into them, is because I actually live in one of the barracks from White City. My historic home is two parts. Half of the house is an 1875 farmhouse. That’s a two-story farmhouse, and I rent out that part of the house as an Airbnb rental, and it can accommodate parties of six pretty easily. The other side of my house is a set of Army barracks that were stuck onto the farmhouse around 1949, after the war was over, and White City was disassembling itself as an Army base, and people bought the old barracks as scrap lumber. So, the man that lived in my house in the 1940s bought two Army barracks and stuck them on the side of this farmhouse, and I live in one of those Army barracks. The other barracks is the garage. I like living in the barracks. It’s a very nice space, very cabin-y feeling, built in the 1930s, all local wood. So, I signed up with the VA to be my primary care physicians, and I have to tell you, very nice people. I’ve been to a chiropractor, an acupuncturist, and a primary care person there at the VA over the last couple of months. All three of them from other countries. That’s kind of funny to me. From Bulgaria, from Sri Lanka, and I didn’t even ask where the acupuncturist is from, but he sounds Eastern European. Very nice people and very competent care providers. Well, anyway, back to the weird part of the story. Day before yesterday, I went out to White City, my first appointment with their chiropractor. The VA hospital complex there, is made up of old two-story brick buildings. I think they probably replaced what must have been earlier wooden buildings when World War II was going on, and so these are really boring-looking boxes of brick buildings, two-story boxes, and they’re all right near each other and connected by corridors or breezeways. My appointment was in the upper floor of building 209, but you enter through the lower floor of 201, and there are like eight buildings you’ve got to get through to get to 209, and they’re all connected. That’s the way you get to building 209. The parking lot’s in front of building 201. So, I had brought a book with me, a library book, a very good library book that I’m enjoying reading that my brother Bill had recommended. He’s loving it. It’s called Culpability, and it’s about a car crash and who was at fault. Very well written and philosophical at the same time, and it includes AI and all kinds of stuff, self-driving automobiles and whatnot. So, I wanted to bring the book with me to read in the waiting room. Not that I’ve ever had to wait, because here’s the peculiar thing about this VA facility that I’ve been going to—I seem to be the only patient. It’s like I’m in one of those Reddit spaces called Mall World or Liminal Spaces, if any of you have ever been into any of those types of Reddit discussion groups, because there’s hardly any patients. Then the only people I see as I’m walking, and it takes, honestly, it takes about 20 minutes or a half hour to get from where I walk in to get back there to the chiropractor’s office. Maybe I saw three patients in all of that time. Corridor after corridor after corridor with empty waiting rooms, and the only people you see is glancing into office rooms, on the right and left, where people are working at their computers on whatever the heck they’re working on, because I never see patients there. It’s very strange. So, that in itself is very much like this place called Liminal Space or Mall World on Reddit. Anyway, I had brought my dog. He was waiting for me in the car. He’s a small dog, and so he has basically a high chair set up in the passenger seat, and he sits there to be able to see out the window as we drive along. Well, I know he likes to get in the driver’s seat and lay down when I’m doing errands and out of the car, so I set my book down on the roof of the car and straightened out a towel on the driver’s seat, and then I went into the building. Now, I lost the book somewhere. It’s a library book. I lost a library book. I don’t know if I left it on the roof of the car or if somewhere between 201 and 209. I did use a ladies room, and it had a couple of stalls in there, and it had a window with windowsill. I didn’t want to leave my purse out there on the windowsill, but I didn’t mind leaving the library book on the windowsill, so I took the purse into the stall with me, and then I came out. And by the time I got to the chiropractor’s office—of course, I was the only patient there—I didn’t have the book anymore. At first I thought I’d left it on the roof of the car when I was straightening the towel for the dog, so I said to the corpsman who was helping the chiropractor, oh darn, I left my book on the roof of the car. I hope nobody steals it. When the appointment was over and I made my long way back to the car, there was no book on the roof of the car, so either someone had stolen it, I figured, or I had left it in the bathroom on the windowsill instead. I wasn’t sure whether I left it on… I know I set it on the roof of the car, but perhaps I picked it up and took it into the bathroom. So I went back into the building and attempted to retrace my steps between 201 and 209 to look for, first, the stairwell I had taken—and that’s another thing that figures in these liminal spaces stories–stairwells. The stairwell I had taken from the first floor to the second floor in one of those buildings, I don’t know which one, had yellow daisies. It was a yellow flower motif painted on the stairwell walls. All of the stairwells have different motifs. So I was looking for the yellow stairwell that I took to the second floor and I couldn’t find it. So I went back and forth all this time looking for that yellow stairwell, couldn’t find it, and I’m passing through these empty hallways, and when I say there were very few patients, the weird thing about White City VA, of course, is that it seems that most of the patients that I’ve seen there are Vietnam or Korean veterans because they’re very elderly and usually in wheelchairs or walkers. I myself am not a spring chicken, but I can walk pretty good. Well, anyway, so that’s the other weird thing about it. The only people you see are elderly. So I’m looking for the yellow stairwell. I can’t find it, and I opened all those doors. I could not find the right ladies room, either, and I, of course, didn’t see the book. So I spent probably an hour and a half combing the hallways of 201-209 looking for a stairwell I couldn’t find and looking for a restroom I couldn’t find and looking for this book that I lost. But here’s the weird thing about the whole experience—I mean, I spent all this time—it was just like a dream. I do have a repetitive dream where I’m searching for something that I can’t find. So I thought to myself, oh my god, this is just like my dream, only it was for real. And it’s true. I couldn’t find it. Here’s how I would characterize it: I lost an object day before yesterday in a very confusing place in a room that I could not locate accessed by a stairwell that apparently doesn’t exist. So that was one weird experience. I wanted to share that with you for some reason. I figured, oh no, this is really going to trigger my dream, but I haven’t had that dream in the last two days. I just had the actual experience. If this prompts anything in you, please share it with us. I’d love to hear back from you. God bless us all, and onward and upward.

The Tin Star directed by Anthony Mann and starring Henry Fonda, Anthony Perkins and Betsy Palmer. Also featuring Lee Van Cleef!Episode Roundup: The Cowpunchers want to know what you would name your barn full of pigeons. Stu and Mel are disappointed by the lack of Norman Bates jokes in this episode. Amy wants to see those pigeons!

Guns are drawn at the OK Corral and a legend of the west is born in My Darling Clementine, John Ford's classic dramatization of the life and times of Wyatt Earp. We'll hear three of the film's stars - Henry Fonda, who played Earp; Victor Mature, who co-starred as gambler and gunslinger Doc Holliday; and Linda Darnell, the old flame of Holliday's who gets in the middle of a feud that will turn bloody on the streets of Tombstone - in episodes of Suspense, plus a radio recreation of the film. Fonda stars in "Summer Storm" (originally aired on CBS on October 18, 1945); Mature headlines "Momentum" (originally aired on CBS on October 27, 1949); and Ms. Darnell is heard in "A Killing in Las Vegas" (originally aired on CBS on February 25, 1952). Then, Fonda and his screen co-star Cathy Downs recreate their roles on The Lux Radio Theatre (originally aired on CBS on April 28, 1947).

We are proud to announce our NEW Christmas Podcast A Very Shining Christmas! The podcast drops Black Friday at the Stroke of Midnight! Click this link to stay up to date on pre-order information! https://reviewinghistory.bandcamp.com/follow_me We also have limited edition Christmas merch available! https://www.reviewinghistorypod.com/merch Remember hearing stories about the Battle of the Bulge being fought in sunny and dry weather? Neither do we! This week we're celebrating Christmas by defending the Allied powers from a German offensive. Join us as we get talking all about 1965's The Battle Of The Bulge which was directed by Ken Annakin, and stars Henry Fonda, Robert Shaw, and Charles Bronson. Join us as we talk all about The Battle Of The Bulge! We are proud to announce our NEW Patreon is available: https://www.patreon.com/reviewinghistory LIKE AND SUBSCRIBE PLEASE! Please give us a rating and a review on ApplePodcasts or Spotify. It helps potential sponsors find the show! Sign up for @Riversidefm: www.riverside.fm/?via=reviewi... Sign up for @BetterHelp: betterhelp.com/reviewinghistory Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #tellemstevedave #tesd #ww2 #battleofthebulge #americanhistory #warfare #christmas #germany #movie #cinema #moviereview #filmcriticisms

12-15-2025. "HO! HO! HOLLYWOOD: SANTA CLAUSE IN CLASSIC CINEMA" (118) Long before special effects, CGI snowstorms, and big-budget holiday franchises, it fell to a small but memorable group of performers to embody the warmth, wonder, and whimsy of old St. Nick. Ever wonder about the actors who were called upon to portray Santa Claus in film and TV? These classic Santas weren't just men in red suits — they were character actors, vaudevillians, radio veterans, and Hollywood workhorses who brought their own unique spark to the role, shaping how generations of moviegoers came to imagine Father Christmas. From the twinkle-eyed charmers to the unexpectedly gruff curmudgeons, from the iconic to the nearly forgotten, we're unwrapping the stories behind the earliest portrayals that turned Santa into a cinematic tradition. So settle in with a mug of something warm, hang your stocking, and join us as we explore the jolly, joyful, and sometimes surprisingly complex history of Hollywood's first Santas. SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Ivanhoe (1913); Scrooge (1913); Santa Claus (1912), starring Leedham Bantok; 20th Century Fox Hour: Miracle on 34th Street (1955); starring Teresa Wright, Joseph Cotten, & Thomas Mitchell; Shadow of a Doubt (1943), starring Joseph Cotten & Teresa Wright;  Stagecoach (1939), starring John Wayne, Claire Trevor, & Thomas Mitchell; It's a Wonderful Life (1946), starring James Stewart, Donna Reed, & Thomas Mitchell; Gone With The Wind (1939), starring Vivien Leigh & Clark Gable; Theodora Goes Wild (1936), starring Irene Dunne; Mr. Smith Goes to Washington (1939), starring James Stewart & Jean Arthur; Our Town (1940), starring Martha Scott & Henry Fonda; High Noon (1952), starring Gary Cooper & Grace Kelly; Wild Flowers (1943), starring José Elias Moreno; Santa Claus (1959), starring José Elias Moreno; Santa Claus Conquers the Martians (1964), staring John Call; Fearless Fagan (1952), staring Janet Leigh & Keenan Wynn;  Boots Malone (also 1952), starring William Holden Don't Bother to Knock (1952), starring Marilyn Monroe & Richard Widmark; The Long, Long Trailer (1954), starring Lucille Ball & Desi Arnaz; The Anderson Tapes (1971), starring Sean Connery & Dyan Cannon; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week the boys head to 1936 to discuss “Dodsworth”, the film that may very well have catapulted William Wyler to the upper echelon of great directors of the time, and actors flocked to him- he'd be working with Bette Davis, Henry Fonda, and Lawrence Olivier within three years! Starring an incredible Walter Huston and Ruth Chatterton as a three-dimensional villainess of sorts, the scene work, art direction, and adult subject matters give us lots to discuss… while drinking. Crack open a tinny and give us a listen! linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 9:56 1936 Year in Review; 28:33 Films of 1936: “Dodsworth”; 1:13:35 What You Been Watching?; 1:20:05 Next Week's Episode Teaser Additional Cast/Crew: Sidney Howard, Sinclair Lewis, Alfred Newman, Robert Wyler, Paul Lukas, David Niven, Mary Astor, Gregory Gaye, Maria Ouspenskaya, Odette Myrtil, Spring Byington, Harlan Briggs, Samuel Goldwyn. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Welcome to Derry, Stranger Things, Sisu 2, The Abandons, Knives Out, The Abandons, I Like Me: John Candy, Planes, Trains, and Automobiles.  Additional Tags: Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg. 

This week we abandon our original idea to cover the utterly insane 1987 Karate Kid ripoff Karate Warrior with something with a little more meat on the bone, Tentacles. The 70's was an embarrassment of riches, and in many case just plain embarrassing when it came to the animal attack cash-grabs that arose from the titanic success of Jaws. This is one such movie, a unique twist on American International Pictures' typical process of working with foreign films. Rather than import some cheap Italian movies they hired Italian producer Ovidio Assonitis to make a movie here in America with an Italian crew and a star-studded cast of Oscar winners who couldn't say no to a fast paycheck and a little bit of that California sun.Starring John Huston, Bo Hopkins, Henry Fonda, and more, this blatant Jaws ripoff treads water for 90 minutes, peppering its story with strange asides and bon mots, with characters who trot into each scene to ad-lib and keep their scene partners guessing until it comes time to take on the film's big bad villain, a giant octopus that can't keep its tentacles off anything that swims into its proximity. Is mankind to blame for its feeding frenzy? Maybe? Who can say, really? There's a rich industrialist whose underwater construction project may have something to do with it but this is AIP and it's asking way too much for anyone to answer any questions ever. Just go with it.Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

It's actual auction madness at The Stuff Dreams Are Made Of, but your ever-loyal writer-collectors are bringing you all the news, scoops and gossip. This week they're trawling through Heritage's monster December 9-10 entertainment sale and it's a doozy. They have everything from the Wicked Witch's original flying hat (!), to original King Kong photos and paperwork, to more Bob Peak (take a peek), to Tom Jung's original Star Wars half-sheet and program art, to Terminator arms (and costumes), to the Say Anything trenchcoat, to Lawrence of Arabia blasters, to Henry Fonda hats, to the incredible Fred Roos archive, to the greatest Frank Frazetta painting ever to come to public auction. It's going to be an expensive December, True Believers! Email: dreamsaremadeofpodcast@gmail.com SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Bluesky https://bsky.app/profile/propspodcast.bsky.social SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

SCTV's Dave Thomas talks about making bold life choices, growing up in Canada, Shakespeare saving his ass, choosing between big money success as an ad man or being a broke improviser at Second City, becoming head writer on SCTV, Martin Short, Dan Aykroyd, Harold Ramis, John Candy, Catherine O'Hara, Eugene Levy, Joe Flaherty, Andrea Martin, Grace Under Fire, running an animation studio, turning to dramas like Bones and The Black List, going to Ukraine, Thailand, Mad Magazine, The McKenzie Brothers, Chester Hope, and how, to make it in Hollywood, you need at least two of these three things, Talent, Drive, & Luck. Bio: David William Thomas was born May 20, 1949, in St. Catharines, Ontario. He is the eldest son of British parents, Moreen Duff Muir (May 4, 1928 – May 18, 2022), a church organist for thirty years originally from Glasgow, Scotland and composer of church music, and John E. Thomas (1926–1996), a medical ethicist from Merthyr Tydfil, Wales who was head of the Philosophy Department at McMaster University, and the author of several books. Dave's younger brother, Ian Thomas, is a Canadian singer-songwriter. The family moved temporarily to Durham, North Carolina, where his father attended Duke University and earned a PhD in philosophy. The family moved back to Dundas, Ontario, in 1961, where Dave attended Dundas District high school, and later graduated with an honours Bachelor of Arts degree in English literature from McMaster University in Hamilton, Ontario.[1]  Starting his career as a copywriter at ad agency McCann Erickson in 1974, Thomas became the head writer of the Coca-Cola account in Canada within a year. After watching a Second City stage show in Toronto, and while suffering from self-described "boredom" in his advertising work, he auditioned for the Second City troupe and was chosen as a performer.[2] He was a cast member of the Toronto production of Godspell, along with Victor Garber, Martin Short, Eugene Levy, Gilda Radner, and Andrea Martin.[3] Paul Shaffer was the musical director.[3 He first achieved fame as a cast member of the Canadian TV comedy series SCTV, joining Godspell castmates Levy, Martin and later Short, plus Rick Moranis, John Candy, Harold Ramis, Catherine O'Hara and others. Notable characters on the show include Doug McKenzie of beer-swilling brothers Bob and Doug McKenzie, editorialist Bill Needle, Scottish scone-chef/bluesman Angus Crock, motor-mouthed TV ad announcer Harvey K-Tel, Lowery organist/curio pitchman Tex Boil and the "Cruising Gourmet". Thomas's first film role was in Home to Stay, directed by Delbert Mann, in which Thomas played in a scene with Hollywood legend Henry Fonda. He then wrote, co-directed, and starred in the Bob & Doug McKenzie feature film Strange Brew. Soon after, he wrote for and acted in The New Show, produced by Lorne Michaels during his hiatus from Saturday Night Live. Short-lived, this show featured a powerhouse writing staff including Thomas along with Buck Henry, George Meyer, Jack Handey, Al Franken, Tom Davis, Valri Bromfield and Steve Martin. Thomas tried his hand at network television hour-long shows in 1986 when he wrote and co-executive produced Steel Collar Man for CBS. The pilot was produced but did not go to series. He co-wrote Spies Like Us (1985) with Dan Aykroyd.  In 1988, Thomas wrote another hour long show for CBS, B Men, which was back ordered, but Thomas took a directing job at Paramount, which caused the network to drop the series. He reportedly introduced John Travolta and Kelly Preston while directing them in the Paramount film The Experts.  He wrote for, produced, and starred in The Dave Thomas Comedy Show (1990). In 1991, he starred in the Showtime comedy, Public Enemy #2. In 1992, he tried his hand at reality TV and co-executive produced ABC's America's Funniest People with Vin Di Bona, but left after thirteen weeks to appear in the film Coneheads.  In 1993, he co-starred in ABC's Grace Under Fire with Brett Butler and Tom Poston and continued with the show for 5 seasons. In 1995 Thomas starred in the ABC television film Picture Perfect with Mary Page Keller and Richard Karn. In 1995 Thomas produced a pilot of a game show called Family Challenge for ABC. When ABC did not pick up the series, Thomas sold Family Challenge to the Family Channel, where he produced 144 episodes of the show spread over 2 seasons. In 1996, Thomas played the title role in the Fox television film Mr. Foster's Field Trip aka Kidz in the Wood with Julia Duffy. In 1996, he wrote the book SCTV: Behind the Scenes (McClelland & Stewart, publishers). From 1999–2002, he voiced various roles on the animated series Mission Hill. Thomas co-starred in the Paramount feature Rat Race. As of 2001, Thomas has been the Executive Creative Director of Animax Entertainment, an animation studio based officially in Culver City, California. In 2001–2002 Thomas appeared with Eugene Levy and Martin Short on Short's show Primetime Glick as Bob Hope (an impression he had first developed for SCTV with great success). In 2002, he co-starred with Jason Priestley, Dave Foley, and Ewen Bremner in Fancy Dancing. The next year he played a lead role in Beethoven's 5th. In 2003, he directed a hospital comedy feature film entitled Whitecoats, which he also wrote. As of 2004, Thomas was on the official Advisory Committee for the Comedy program at Humber College, the only such diploma program in the world. In 2004, he and Moranis again worked together voicing Rutt and Tuke, two moose based on the McKenzie Brothers, in Disney's animated feature Brother Bear.[4]  Thomas has had a long career doing voices for animation including Animaniacs, Duckman, CatDog, The Adventures of Tarzan, Justice League and multiple roles on The Simpsons, King of the Hill and Family Guy. In 2005, he had a guest stint as Charlize Theron's "Uncle Trevor" on Fox's Arrested Development. In 2006, he reprised his voice role in Brother Bear 2 and appeared as himself in the feature film The Aristocrats. He began production on ArnoldSpeaks.com, a video blog, as the voice of Arnold Schwarzenegger; Animax Entertainment won an Emmy for a broadband animated series produced for ESPN, Off Mikes.  In 2007, Thomas and Rick Moranis reprised their roles as Bob and Doug McKenzie in a one-hour special, Bob & Doug McKenzie's Two-Four Anniversary, for CBC Television. The show featured cameos from McKenzie celeb fans like Ben Stiller, Dave Foley, Tom Green, Paul Shaffer, Andy Dick, Matt Groening, Barry Pepper, Martin Short, and Geddy Lee. Former Prime Minister of Canada Paul Martin was the host. In 2008, Thomas revived Bob and Doug McKenzie in a new animated series, Bob & Doug. While Thomas reprises the character of Doug in the new series, Moranis chose not to voice the character of Bob, which instead is voiced by Dave Coulier. Moranis is, however, involved in the series as an executive producer.[5]  In November 2009, Thomas received an Honorary Doctor of Letters from his alma mater McMaster University and gave the fall convocation speech. In 2010 Animax continued to produce branded entertainment, advertising and digital shorts for corporations like Disney, Warner Brothers, NBC Universal, and Kodak. In 2011, Thomas's company Animax produced another animated show for MTV entitled Big Box along with numerous Internet shorts such as Life With Dad.[6][7]  In 2012 and 2013 Thomas guest starred in the dramatic shows Perception and Bones as well as comedy shows Comedy Bang! Bang! and How I Met Your Mother. In addition in 2013 Thomas voiced the recurring role of Jeff Foxworthy's father Jesco in the CMT show Bounty Hunters.  Thomas joined the writing staff of the Fox crime drama television series Bones beginning in 2013. Thomas worked for two seasons on Bones, writing several episodes and working on staff as consulting producer for two seasons.[8]  In 2015 Thomas joined the writing staff of NBC's The Blacklist as a consulting producer. In 2020 life-sized statues of Thomas and Rick Moranis as their characters Bob and Doug McKenzie were put in place at the ICE District Sports Arena in Edmonton, Alberta.[9] Also in 2020, the Governor-General of Canada announced that Thomas was being appointed to the Order of Canada,[10] Canada's highest civilian award. In 2021, Thomas and Max Allan Collins teamed to write a sci-fi mystery novel, The Many Lives of Jimmy Leighton.

TVC 714.6: Actor and musician Les Lannom shares a few memories about working with Peter Falk in Columbo Goes to College (ABC, 1990), with James Garner in the miniseries Space (CBS, 1985), with Henry Fonda in the acclaimed made-for-TV movie Gideon's Trumpet (CBS, 1980), and with Dennis Weaver in the epic miniseries Centennial (NBC, 1978-1979).

TVC 714.3: Ed welcomes Les Lannom, the actor known around the world as Lester Hodges on Harry O (ABC, 1974-1976), and a man who has worked with such movie and TV legends as Lee Marvin, Gene Hackman, Henry Fonda, Robert Mitchum, Joe Don Baker, Sissy Spacek, Dennis Weaver, Pat Hingle, James Garner, David Carradine, and David Janssen in the course of his career. Topics this segment include the appeal of the smell of a good pipe, the merits of pipe smoking versus cigar smoking, and the bad experience that Les had while smoking a cigarette in 1971 during production of Prime Cut, his first film credit as an actor.

The film writers Robert Rubsam and Corey Atad join the show for a discussion of two apocalyptic nuclear thrillers, Sidney Lumet's Fail-Safe (1964) and Kathryn Bigelow's brand new Netflix production A House of Dynamite.Both Dr. Strangelove and Fail-Safe were released by Columbia Pictures within months of each other in 1964 (as the result of a lawsuit stemming from the respective novels the films were based on). The two films depict an accidental nuclear crisis from the perspective of command-and-control rooms helpless to prevent the impending bombing but Lumet's version is a serious critique of Game Theory from a humanist perspective, with the participation of creatives who had been caught up in the Hollywood Blacklist during the Cold War.Bigelow's modern version of such a tale of nuclear crisis, by contrast, has a lot less to say about the subject. We compare its structural shortcomings to Lumet's stark masterpiece, a film more plugged in to its zeitgeist than this new Netflix production is.Over 30% of all Junk Filter episodes are only available to patrons of the podcast. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/junkfilterFollow Corey Atad on Twitter and Bluesky and visit coreyatad.comFollow Robert Rubsam on Twitter and Bluesky and visit robertrubsam.comTony Schwartz's “Daisy” commercial for LBJ's 1964 Presidential election campaignTrailer for Fail-Safe (Sidney Lumet, 1964)Promo for the live tv broadcast on CBS of Fail-Safe (Stephen Frears, 2000)Trailer for Henry Fonda for President (Alexander Horwath, 2024)Trailer for A House of Dynamite (Kathryn Bigelow, 2025)

Westerns and Romance on a ThursdayFirst,  a look at this day in History.Then, Gunsmoke starring William Conrad, originally broadcast November 13, 1955, 70 years ago, the Preacher.  Seth Tandy, a preacher who's lost his faith, is beaten to a pulp by Sam Keeler. Keeler's the biggest, meanest, red-head ever seen in Dodge! Followed by Have Gun Will Travel starring John Dehner, originally broadcast November 13, 1960, 65 years ago, The Map.  Paladin is hired by the army to recover a $90,000 payroll by impersonating one of the robbers. Then, Saunders of the Circle X, originally broadcast November 13, 1941, 84 years ago, The Dam.   Singapore Bill has a showdown with sneaky Mr. Dinnell about his illegal dam. Followed by Theatre of Romance, originally broadcast November 13, 1945, 80 years ago,  Casanova Brown starring Henry Fonda.    A man kidnaps his own baby to keep his ex-wife from putting him up for adoption.Finally. Claudia, originally broadcast November 13, 1947, 78 years ago, A Sick Kitten.    A feline fever.   Kathryn Bard and Paul Crabtree star.Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! Find the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

EPISODE SUMMARY: Acclaimed actor Gary Sandy reflects on his remarkable career in television and theater, sharing insights from his TV and Broadway experience including his iconic role as Andy Travis on WKRP in Cincinnati. Sandy will be honored as an LABF Giant of Broadcasting this November.Sandy will be among those honored this fall as Giants of Broadcasting by the Library of American Broadcasting Foundation at the 2025 Giants of Broadcasting & Electronic Arts luncheon and awards ceremony on November 14th at Gotham Hall in New York City.On this episode of Chachi Loves Everybody, Chachi talks to Gary Sandy about:Growing up in Dayton, Ohio and aspiring to be an actorMoving to New York and working odd jobs before becoming getting his break playing  soap opera bad boysWhat it was like broadcasting live for 50 million people in As the World TurnsHow he landed the role of Andy Travis on WKRP in CincinnatiWhat went on behind the scenes of WKRP and his favorite moments from the showThe demanding but fulfilling life acting on Broadway and national toursPerforming a one man show at the Grand Ole OpryAdvice for breaking into the TV businessAnd More!ABOUT THIS EPISODE'S GUEST: Gary Sandy is a gifted and beloved actor whose extraordinary career has spanned stage, screen, and television, earning him a lasting place in the hearts of audiences across the country.Born on Christmas Day in Dayton, Ohio, Gary attended Wilmington College of Ohio and the American Academy of Dramatic Arts in New York City. He began his professional career in daytime television with a role created for him on As the World Turns, which launched a successful seven-year run of memorable performances in Another World, Somerset, and his personal favorite, The Secret Storm. The impact these roles played on his later career cannot be underestimated. According to Sandy, “The pressure of performing in front of a live audience or live tape made everything else a little easier. Ït was 40 or 50 million people RIGHT NOW!  You were not allowed to make a mistake. Nothing else could be more terrifying.”Best known for his unforgettable portrayal of Andy Travis, America's favorite Program Director, in the classic sitcom WKRP in Cincinnati. Gary brought life to the role of a young leader navigating the unpredictable world of a struggling radio station with charm, wit, and authenticity. His natural charisma and comedic instincts helped make WKRP a cultural touchstone and a beloved part of American television history.Beyond WKRP, Gary received acclaim for his role in Norman Lear's All That Glitters and made memorable guest appearances on many hit shows, including Murder, She Wrote, F.B.I: The Untold Story, The Young Riders, L.A. Law, and Diagnosis Murder. His television film credits include Melvin Purvis: The Kansas City Massacre, Shell Game, For Lovers Only, and Nashville Grab.On the big screen, Gary's range shone through in films such as Hail to the Chief, Some of My Best Friends Are, Troll, and The Last of the Cowboys, where he starred alongside the legendary Henry Fonda. He also appeared in the Oscar-nominated film The Insider, further establishing his reputation as a skilled and versatile actor.A dedicated stage performer, Gary has starred in more than 100 theatrical productions. He made his Broadway debut in Saturday, Sunday, Monday, directed by Franco Zeffirelli, and went on to take on leading roles in Broadway productions like The Pirates of Penzance (as the Pirate King) and the Broadway revival of Arsenic and Old Lace (as Mortimer). His stage credits also include standout performances in Barnum, Sweet Bird of Youth, The Foreigner, and A Streetcar Named Desire.His musical theater work has been equally impressive, with standout roles as Billy Flynn in Chicago, Albert Peterson in Bye Bye Birdie, and Sheriff Ed Earl Dodd opposite Ann-Margret in the national tour of The Best Little Whorehouse in Texas. Gary's performance as Harold Hill in The Music Man has become a signature role, earning praise in seven different productions.Gary's Off-Broadway and regional theater work includes The Children's Mass (produced by Sal Mineo), and innovative adaptations such as Sheba (based on Come Back, Little Sheba), Luv, and Windy City (a musical version of The Front Page). In recent years, he's received acclaim for his work in live radio drama, bringing a fresh energy to a classic medium.From his unforgettable turn as Andy Travis on WKRP in Cincinnati to his commanding stage presence in theaters across the country, Gary Sandy's body of work reflects a lifetime devoted to storytelling, craft, and connection with audiences.ABOUT THE PODCAST: Chachi Loves Everybody is brought to you by Benztown and hosted by the President of Benztown, Dave “Chachi” Denes. Get a behind-the-scenes look at the myths and legends of the radio industry.PEOPLE MENTIONED:Henry FondaDeborah ParentiJohn Cameron SwayzeRobert RedfordJean ArleyJoe ManettaDavid MuirAlexander ScourbyMary Tyler MooreGordon JumpLonnie AndersonHoward HessemanFrank BonnersRichard SandersTim ReidJan SmithersKevin KleinAnna MargaretShirlee Mae AdamsJane FondaErnest ThompsonLois NettletonChuck McCannNorman LearJoe AllenFrank BonnerLoni AndersonStacy KeachTootsie BessDolly PartonLesley VisserRick DeesDick FergusonRoy ScheiderGene HackmanABOUT BENZTOWN: Benztown is a leading international audio imaging, production library, voiceover, programming, podcasting, and jingle production company with over 3,000 affiliations on six different continents. Benztown provides audio brands and radio stations of all formats with end-to-end imaging and production, making high-quality sound and world- class audio branding a reality for radio stations of all market sizes and budgets. Benztown was named to the prestigious Inc. 5000 by Inc. magazine for five consecutive years as one of America's Fastest-Growing Privately Held Companies. With studios in Los Angeles and Stuttgart, Benztown offers the highest quality audio imaging work parts for 23 libraries across 14 music and spoken word formats including AC, Hot AC, CHR, Country, Hip Hop and R&B, Rhythmic, Classic Hits, Rock, News/Talk, Sports, and JACK. Benztown's Audio Architecture is one of the only commercial libraries that is built exclusively for radio spots to provide the right music for radio commercials. Benztown provides custom VO and imaging across all formats, including commercial VO and copywriting in partnership with Yamanair Creative. Benztown Radio Networks produces, markets, and distributes high-quality programming and services to radio stations around the world, including: The Rick Dees Weekly Top 40 Countdown, The Todd-N-Tyler Radio Empire, Hot Mix, Sunday Night Slow Jams with R Dub!, Flashback, Top 10 Now & Then, Hey, Morton, StudioTexter, The Rooster Show Prep, and AmeriCountry. Benztown + McVay Media Podcast Networks produces and markets premium podcasts including: IEX: Boxes and Lines and Molecular Moments.Web: benztown.comFacebook: facebook.com/benztownradioTwitter: @benztownradioLinkedIn: linkedin.com/company/benztownInstagram: instagram.com/benztownradio Enjoyed this episode of Chachi Loves Everybody? Let us know by leaving a review!

EPISODE 108 -  “HOLLYWOOD ROYALTY: GLENN FORD & ELEANOR POWELL, REMEMBERED BY SON PETER FORD” - 10/06/25 PETER FORD was born into Hollywood royalty. As the son of MGM dancing sensation ELEANOR POWELL, and rugged leading man GLENN FORD, he was born into a world stat few can imagine. He lived in a mansion in Beverly Hills with a staff of 8. He called RITA HAYWORTH “Aunt Rita,” was babysat by JAMES MASON, had his first martini (at 10!) thanks to FRITZ LANG, and often had luminaries like HENRY FONDA, BARBARA STANWYCK, and CLARK GABLE at his dining room table. Peter once wrote, “I was sent by Central Casting to play the role of the perfect Hollywood son in this idyllic world of make-believe. I was great and performed flawlessly. It was hard work but I was underpaid!” Join us as Peter offers a fascinating, honest, and informative discussion of his loving, but complicated relationship with his parents, and what it was like to grow up surrounded by icons.  SHOW NOTES:  Sources: Glenn Ford: A Life (2011), by Peter Ford; “Peter Ford, A Star's Son: The Hardest Job in the World,” April 2011, by Charles Ziarko, Classic Images;  www.PeterFord.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Gilda (1946), starring Glenn Ford & RitaHayworth; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; Heaven With The Barbed Wire Fence (1939), starring Glenn Ford, Jean Rogers & Richard Conte; So Ends the Night (1941), starring Fredric March, Glenn Ford & Margaret Sullavan; The Loves of Carmen (1948), starring Glenn Ford & Rita Hayworth; The Man From Colorado (1948), starring Glen Ford, William Holden & Ellen Drew; The Blackboard Jungle (1955), starring Glenn Ford, Sidney Poitier & Anne Francis; Interrupted Melody (1955), starring Glenn Ford & Eleanor Parker; 3:10 to Yuma (1957), starring Glenn Ford & Van Heflin; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The film Henry Fonda for President is showing this Thursday, October 2 at Duke University. Please join us if you are in the area!https://cinematicarts.duke.edu/screensociety/screenings/henry-fonda-president-alexander-horwath-2024More than any other individual, Henry Fonda was a symbol for better, more leftist, more social democratic America, from The Grapes of Wrath to 12 Angry Men. He even played an English professor who faced cancellation for teaching anarchist literature!Then in the 1960s, he was the literal father figure that New Left Hollywood figures Jane and Peter Fonda were rebelling against. And Henry let himself be used as a villain in Sergio Leone's Once Upon a Time in the West, playing the embodiment of rapacious American capitalism.Alexander Horwath weaves together all these threads into his essay film Henry Fonda for President. As we live in a world haunted by 50 years of neoliberal decay, the America Fonda represented seems further away than ever, even as his films still crackle with righteous rage against injustice. Alex and I talk about all these issues and more - I hope you enjoy the conversation, and see the film when you have a chance!

In Jezebel, Bette Davis plays a sassy Southern belle who pushes prudish fiancé Henry Fonda away. And it's all over a red dress. Jezebel is a movie about manners, propriety and stubbornness in the Antebellum South (courteous though they are, they DO have plenty of slaves) with the looming threat of Yellow Fever. William Wyler's romance in and around New Orleans isn't an all-time classic, but Bette and Fay Bainter both won Oscars for their good, if not quite fantastic work. So coyly pull the back of your extra-long dress up with a riding crop and then spend a year or two being a semi-villain before you make a hard about-face into the land of self-sacrifice. The 688th episode of Have You Ever Seen politely awaits. Before you engage in a stupid duel, make a point of subscribing. Rate and review the show in your app. Let others know about this podcast too. Contact options: email (haveyoueverseenpodcast@gmail.com) and the socials: ryan-ellis on Bluesky and @moviefiend51 on Twi-X. Also, look for me on Letterboxd (RyanHYES). I just started posting reviews on September 28th, although don't be fooled. I didn't actually watch any of those movies on the 28th. My angle with Letterboxd write-ups is to try to come up with something out of left field to make you giggle or go “oh yeah, I never thought of that!”

June 6, 1944 - a day history will never forget. After taking much of mainland Europe, wrecking havoc on civilian populations and propgating the largest genocide in history, Nazi Germany thinks itself nigh invincible. But on that stormy day in an area of France no one could contemplate, the biggest mililtary invasion in modern warfare changed the course of the war and the very future of planet Earth. John Wayne was also there (in spirit). Next week: escape! Questions? Comments? Suggestions? You can always shoot us an e-mail at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠forscreenandcountry@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Full List: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/forscreenandcountry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.twitter.com/fsacpo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠d⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our logo was designed by the wonderful Mariah Lirette (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/its.mariah.xo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) The Longest Day stars John Wayne, Mel Ferrer, Robert Mitchum, Robert Ryan, Eddie Albert, Rod Steiger, Richard Beymer, Peter Lawford, Richard Burton, Sean Connery, Red Buttons, Sal Mineo, Roddy McDowall, George Segal, Robert Wagner, Paul Anka, Fabian, Richard Dawson and Henry Fonda; directed by Ken Annakin, Andrew Marton and Bernhard Wicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textGeorge Feltenstein joins us to discuss four classic films releasing on Blu-ray from Warner Archive on October 28th, following the previously announced October 14th releases. These restorations showcase Warner Archive's commitment to preserving cinema history with pristine 4K scans from original negative elements whenever possible.• Manhattan Melodrama (1934) - The first on-screen pairing of William Powell and Myrna Loy, with Clark Gable, restored from preservation elements with rare Ted Healy and His Stooges shorts as extras• Out of the Fog (1941) - John Garfield and Ida Lupino star in this pre-WWII drama about fascism, featuring a 4K scan from original camera negative• The Mad Miss Manton (1938) - Barbara Stanwyck and Henry Fonda's first pairing in this screwball comedy from RKO, beautifully restored from the camera negative• The Master of Ballantrae (1953) - Errol Flynn's final Warner Bros. swashbuckler, shot in stunning Technicolor by Jack Cardiff on location in England and Scotland• All releases include period-appropriate cartoon shorts and theatrical trailers when available• Warner Archive continues to prioritize physical media, offering film collectors pristine versions of classic cinemaLook for pre-order information on our Facebook page and in the Warner Archive Facebook group. The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

Happy 4th Anniversary to Everyday Anarchism! For this year's anniversary episode, Ruth Kinna comes on to talk about a couple of Hollywood Westerns: Fort Apache (John Ford, 1948) and Rancho Notorious (Fritz Lang, 1952).Hollywood Westerns are about law and order, violence and vigilantism, community and individualism, savagery and civilization, and imperialism and resistance. They're perfect for illustrating political ideals - and that's just what Ruth and I do!Look forward to an episode all about the activism and idealism of Henry Fonda with the director of Henry Fonda for President at some future date.Thanks again to Ruth, but above all thanks to everyone for listening for the past four years!

EPISODE 104 -  “MEMORABLE MINUTES: JOHN DILEO ON ACTORS WHO MADE THE MOST OF LESS” - 9/08/25 Back by popular demand! This week we welcome author and friend of the podcast JOHN DILEO who will talk about his 2022 book THERE ARE NO SMALL PARTS: 100 OUTSTANDING FILM PERFORMANCES WITH SCREEN TIME OF 10 MINUTES OR LESS, a fun, insightful look at the incredible actors who made the most with the limited screen time they were given. From GLADYS GEORGE in “The Hard Way” (1943) to RUBY DEE in “American Gangster” (2007), we cover the gamut!  SHOW NOTES:  Sources: There Are No Small Parts: 100 Outstanding Film Performances With Screen Time of 10 Minutes or Less (2022), by John DiLeo; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Sharp Shooters (1938), starring Brian Donlevy & Lynn Bari; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Harry Morgan, & Mary Beth Hughes; Mr. Deeds Goes to Town (1936), staring Jean Arthur & Gary Cooper; Blossoms In the Dust (1941), starring Greer Garson & Walter Pidgeon; My Favorite Wife (1940), starring Cary Grant, Irene Dunne, Gail Patrick, & Randolph Scott; The Hard Way (1943), starring Ida Lupino, Joan Leslie, Dennis Morgan, & Jack Carson; Now, Voyager (1942), starring Bette Davis, Paul Henreid, Claude Rains, & Gladys Cooper; Body & Soul (1947), starring John Garfield, Lilli Palmer, & Anne Revere; It's A Wonderful Life (1946), starring James Stewart & Donna Reed; Strangers on a Train (1951), starring Robert Walker, Farley Granger, & Ruth Roman; The Bishop's Wife (1947) starring Cary Grant, Loretta Young, & David Niven; The Last Picture Show (1971), starring Timothy Bottoms, Jeff Bridges, Cybill Shepherd, Ellen Burstyn, Ben Johnson & Cloris Leachman; American Gangster (2007), staring Denzel Washington, Lymari Nadal, & Russell Crowe; Network (1976), starring William Holden, Faye Dunaway, & Peter Finch; Stagecoach (1939), starling John Wayne & Claire Trevor; Gone With The Wind (1939), starring Vivien Leigh & Clark Gable; The Wizard of Oz (1939), starring Judy Garland, Ray Bolger, Jack haley, & Bert Lahr; The Letter (1940), starring Bette Davis & Herbert Marshall; Mrs. Miniver (1942), starring Greer Garson & Walter Pidgeon; State Fair (1945), starring Jeanne Crain & Dana Andrews; The Birds (1963), starring Tippi Hedren & Rod Taylor; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the 50th anniversary of one of Gilbert's favorite 70s movies, the Gene Hackman-starrer "Night Moves" (released in summer, 1975) by revisiting this discussion from back in 2015. Also in this episode: Kenneth Mars! "Prime Cut"! Arthur Penn tries his hand at film noir! Henry Fonda brings order to the Old West! And Gilbert remembers classic movie posters! (but not the name of his own podcast). Learn more about your ad choices. Visit megaphone.fm/adchoices

Join photographer and director Mark de Paola as he discusses his unique approach to art, emphasizing bravery and individuality. He shares insights into his creative process, his respect for women in his work, and anecdotes about photographing iconic figures like Henry Fonda and Sammy Davis Jr. Mark also highlights his popular photography classes at Leica, where he encourages students to develop their own artistic thumbprint.Show Clip from The Paris Chong Show with Mark de Paolahttps://youtu.be/uH3PRc212Kohttps://www.theparischongshow.com

The GGACP team celebrates the birthday of their late, great colleague Mike "McBeardo" McPadden (b. August 21) by revisiting this deep-dive into Mike's favorite taglines from classic (and non-classic) horror films. Also in this episode: The cinema of Marjoe Gortner! “Humanoids from the Deep”! Henry Fonda goes slumming! And Elvis' favorite Christmas flick! Learn more about your ad choices. Visit megaphone.fm/adchoices

Paris Chong sits down with acclaimed photographer and director Mark de Paola to discuss his diverse career and upcoming projects. Mark, known for his fashion photography and commercial directing, reveals he is currently focusing on motion pictures, with two films, *A Stab at Heaven* (starring Ema McKie) and *Better Than Dead*, in development for release, plus a third big film. He also shares insights into his unique teaching philosophy at Leica, where he encourages students to be "brave" and find their individual artistic voice rather than simply replicating others' work.The conversation delves into Mark's personal history and influences, including his strong feminist perspective, which he attributes to his mother's involvement in the women's rights movement. He recounts a pivotal early career experience photographing Henry Fonda and Sammy Davis Jr., which teaches him a valuable lesson about intellectual property rights. Mark also discusses his upcoming photography exhibitions in Tokyo and San Francisco, highlighting his continued passion for photography alongside his ventures into filmmaking.Later in the episode, Ema joins the discussion to talk about her starring role in Mark's film, *A Stab at Heaven*. Ema shares the deeply personal and challenging story behind the film, which is based on her real-life experience with the suicide of a loved one. Both Mark and Ema emphasize the film's artistic and impactful nature, aiming to portray a universal truth about loss and grief without dictating audience emotions. The film also features Emma's daughter, Ona, whom Mark describes as a natural on set.Show Notes:www.theparischongshow.com/episodes/mark-de-paola-from-fashion-photography-to-filmmaking-the-art-of-being-brave-with-ema-mckieChapters:(00:00:00) Intro(00:00:25) Mark de Paola(00:05:11) The New Film(00:08:48) Mark's First Assignment(00:14:25) Encyclopedia(00:17:08) Shows Coming Up(00:18:53) How often do you photograph?(00:22:27) When are the movies coming out?(00:30:33) Photgraphy Advice(00:34:07) Philosophies(00:37:18) Paris the Rockstar(00:40:19) Ema McKie(00:41:40) The Movie(00:45:41) Ona's Movie Role(00:47:32) A way to Heal(00:50:15) Private Screening(00:54:47) What was his name?(00:57:50) What's next?(01:01:11) Ona(01:03:13) Outro

It's time for a new season! We're back to our roots with classic films Kevin really should have seen by now... that somehow Dan also hasn't seen.Up first: 12 Angry Men; perhaps the ultimate bottle episode. Let's put twelve men, their biases, masculinity, and the American judicial system in a pressure cooker and see what comes out.You can shoot us an email at whatisamoviepod@gmail.com

This second week in Have You Ever Seen's month of funny films has Ryan covering the more sweet than hilarious WWII war comedy Mister Roberts. The legendary director John Ford and his co-director Mervyn LeRoy had a strong cast to work with, although Ford's mean-spirited temper comes up often in this episode. Henry Fonda is not at his very best in the title role, but he's still awfully good. James Cagney plays the ship captain, William Powell is likably charming as the doctor and Jack Lemmon won his 1st Oscar for playing Ensign Pulver with plenty of panache. So dive into our 676th episode as it pieces through the goofy hijinks and the occasionally powerful emotion of Mister Roberts. Have faith that an enemy pilot doesn't fly his plane into you while you drink Sparkplug Coffee...but order plenty of it whether he might do that or not! Sparkplug gives our listeners a onetime 20% discount. Those who use our "HYES" promo code get that. The website: sparkplug.coffee/hyes. We'd love if you would subscribe to Have You Ever Seen in your podcast app...and on YouTube, for that matter (@hyesellis in your browser). Rate, review, comment, you know the deal. Email us: haveyoueverseenpodcast@gmail.com. Socials? We're @moviefiend51 and @bevellisellis on Twi-X and ryan-ellis and bevellisellis on Bluesky.

With July 4th right around the corner, we've got a quartet of radio mysteries involving great figures and moments of American history. Henry Fonda recreates his role of Young Mr. Lincoln in a radio version of the classic film on Academy Award (originally aired on CBS on July 10, 1946). Honest Abe is a lawyer who must clear his wrongfully accused clients of murder. Lee Bowman plays Allan Pinkterton, one of America's most celebrated detectives, as he investigates a case of robbery and murder in “The Pinkerton Man” from The Cavalcade of America (originally aired on NBC on November 18, 1946). A recently released convict falls in with a gang that forges correspondence from historical figures in “Letters from Aaron Burr” from The Whistler (originally aired on CBS on November 20, 1949). And “the man with the action-packed expense account” hunts for a stolen original copy of the Gettysburg Address. Bob Bailey stars as Yours Truly, Johnny Dollar in “The Meek Memorial Matter” (AFRS rebroadcast from March 3, 1957).

Len Testa reviews Epcot's swanky new GEO82 Lounge—crab cakes, price tags, and time limits included—while Jim Hill breaks down the surprisingly tangled history of film companies at Disney Parks. Plus, thoughts on the reimagined Rivers of America concept art, Disney trains going backwards, and how one bear-loving park ranger is making a comeback. The show ends with Part 2 of the wild saga behind Journey into Imagination's 2002 reopening, featuring a side of Art Linkletter, Henry Fonda, and bitter corporate rivalries. First thoughts on Disney's new Piston Peak National Park concept art The EPCOT GEO82 Lounge: gorgeous views, high prices, strict timers Disney trains to run in reverse—literally Why a DVC rental checkbox could be tied to speculative booking issues The forgotten film war: Kodak, Polaroid, and the $10M that didn't pay off How Art Linkletter turned a favor into Disneyland's most profitable deal Whether you're craving peanut brittle from a charcuterie plate or just here for vintage theme park trivia, this episode has you covered. ⁠SHOW NOTES⁠ Support Our Sponsors DVC Resale Market Thinking about joining Disney Vacation Club or selling your contract? DVC Resale Market is the leader in the secondary market, with over 70,000 satisfied DVC members. Their expert team of 21 former DVC Cast Members brings unparalleled knowledge and experience to every transaction, making buying or selling DVC simple and stress-free. Learn More DVC Rental Store Dreaming of deluxe Disney accommodations at a fraction of the cost? The DVC Rental Store connects guests with incredible savings on Disney Vacation Club resorts. Whether you're a DVC member looking to rent your points or a guest looking to stay in style, the DVC Rental Store offers a seamless process for both. Don't forget—they also offer exciting point swaps for unforgettable experiences like cruises and adventures! Learn More Be Our Guest Vacations Planning your next Disney vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices

Len Testa reviews Epcot's swanky new GEO82 Lounge—crab cakes, price tags, and time limits included—while Jim Hill breaks down the surprisingly tangled history of film companies at Disney Parks. Plus, thoughts on the reimagined Rivers of America concept art, Disney trains going backwards, and how one bear-loving park ranger is making a comeback. The show ends with Part 2 of the wild saga behind Journey into Imagination's 2002 reopening, featuring a side of Art Linkletter, Henry Fonda, and bitter corporate rivalries. First thoughts on Disney's new Piston Peak National Park concept art The EPCOT GEO82 Lounge: gorgeous views, high prices, strict timers Disney trains to run in reverse—literally Why a DVC rental checkbox could be tied to speculative booking issues The forgotten film war: Kodak, Polaroid, and the $10M that didn't pay off How Art Linkletter turned a favor into Disneyland's most profitable deal Whether you're craving peanut brittle from a charcuterie plate or just here for vintage theme park trivia, this episode has you covered. ⁠SHOW NOTES⁠ Support Our Sponsors DVC Resale Market Thinking about joining Disney Vacation Club or selling your contract? DVC Resale Market is the leader in the secondary market, with over 70,000 satisfied DVC members. Their expert team of 21 former DVC Cast Members brings unparalleled knowledge and experience to every transaction, making buying or selling DVC simple and stress-free. Learn More DVC Rental Store Dreaming of deluxe Disney accommodations at a fraction of the cost? The DVC Rental Store connects guests with incredible savings on Disney Vacation Club resorts. Whether you're a DVC member looking to rent your points or a guest looking to stay in style, the DVC Rental Store offers a seamless process for both. Don't forget—they also offer exciting point swaps for unforgettable experiences like cruises and adventures! Learn More Be Our Guest Vacations Planning your next Disney vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices

Dave and Alonso plunge into a broad cross-section of the current cinema. Subscribe (and review us) at Apple Podcasts, follow us @linoleumcast on Bluesky, Instagram, and Facebook, your heart your heart your heart your heart will fly away. Join our club, won't you?

This episode was originally released on July 4, 2017. Listen to help prep for the next episode of our new season, The Old Man is Still Alive. Jean Seberg made her first two films, Saint Joan and Bonjour Tristesse, for director Otto Preminger, a tyrannical svengali character whose methods would traumatize Jean for the rest of her life and career. No wonder she rebelled against this bad dad figure by marrying a handsome French opportunist. Meanwhile, Jane Fonda moves to New York, joins the Actors Studio, takes up with her own hyper-controlling male partner, and tries to define herself as something other than Henry Fonda's daughter. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices