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En este episodio de La Clave Pop, Marysabel Huston conversa con Annasofia, cantante, compositora y productora colombiana, sobre el lanzamiento de su sencillo "Humo", el primer capítulo de un EP conceptual donde cada canción representa una etapa en la construcción emocional de una casa interior.En una charla íntima y poderosa, Annasofia comparte cómo pasó de sentirse perdida creativamente a reconocerse como la arquitecta de su propio proyecto. Nos habla del miedo a producir su propia música, de sanar heridas internas, de su proceso en Art House junto a Julio Reyes Copello, y de cómo artistas como Juanes terminaron colaborando en su música. También revela cómo su hermana dirige sus videos, la influencia de referentes como Yayoi Kusama y Salvador Dalí, y cómo la autenticidad se convirtió en su norte artístico.Una conversación imperdible para quienes están buscando su voz, dentro y fuera de la música.Sigue a Marysabel Huston en sus redes sociales: Instagram y Threads: @marysabelhuston TikTok: @marysabelhuston Facebook: Marysabel.HustonX (antes Twitter): @hustonmarysabelYouTube: Marysabel HustonCréditos: Producción ejecutiva, edición y mezcla por Marysabel HustonMúsica: Una producción de Techy Fatule
En el nuevo episodio de Empoderadas. Pioneras y valientes, conversamos con una artista que ha dejado una huella imborrable en la historia del flamenco y la cultura española: Maruja Garrido.Nacida en Caravaca de la Cruz (Murcia), Maruja se trasladó a Barcelona, donde su talento la llevó a brillar en el emblemático tablao Los Tarantos. Su poderosa voz y presencia escénica la convirtieron en una figura destacada del flamenco, fusionando tradición y modernidad con una autenticidad arrolladora.Uno de los momentos más icónicos de su carrera fue su colaboración con Salvador Dalí en el videoclip de “Es mi hombre”, dirigido por Valerio Lazarov para el programa de TVE A la española en 1971. En esta pieza, Maruja interpreta la canción mientras Dalí aparece como espectador fascinado, creando una obra que combina arte, música y surrealismo .En esta entrevista, Maruja nos comparte sus vivencias, desafíos y triunfos, ofreciendo una mirada íntima a su trayectoria y al papel de la mujer en el mundo del flamenco.Escucha el episodio completo en Empoderadas. Pioneras y valientes y déjate inspirar por la historia de una verdadera pionera.#MarujaGarrido #Flamenco #Empoderadas #MujeresValientes #CulturaEspañola #Podcast #ArteYEmpoderamiento
In which Robert and Amy wax philosophical about the profound fact that everything disappears in the dark ... and yet, it's still there. And every year has a Halloween ... and a Christmas (except when Christmas was banned). Happy Birthday to that punk rocker of fine art, Salvador Dalí. A Happy Mother's Day to mothers (literal, figurative, and metaphorical) everywhere! And we revisit Guilty Pleasures!
Writer's Voice: compelling conversations with authors who challenge, inspire, and inform. Episode Summary Michèle Gerber Klein discusses Surreal, her revelatory biography of Gala Dalí, the forceful and fascinating woman behind surrealist master Salvador Dalí. Gala emerges not just as a muse, but as a powerful shaper of modern art and identity. “She wasn't just a … Continue reading Muse, Myth & Murder: Michèle Gerber Klein on Gala Dalí and Anthony Horowitz on THE MARBLE HALL MURDERS →
En "Voces del Misterio", con Marcos Carrasco, hablamos de extrañezas y premoniciones en el Arte. La premonición en el arte se refiere a obras que, según los interpretadores, parecen predecir o anticipar eventos futuros. Un ejemplo notable es la obra "Construcción blanda con judías hervidas (Premonición de la Guerra Civil)" de Salvador Dalí, que se pintó meses antes del estallido de la Guerra Civil Española. Voces del Misterio: Extrañezas y premoniciones en el Arte.
UTP356 Serie oro. Iniciamos el viaje Acompáñennos en un viaje para mostrarte la Matrix. Durante 10 podcast os mostraremos el camino. ………………………………………………………………………………………. Conductor del programa UTP Ramón Valero @tecn_preocupado Canal en Telegram @UnTecnicoPreocupado Un técnico Preocupado un FP2 IVOOX UTP http://cutt.ly/dzhhGrf BLOG http://cutt.ly/dzhh2LX Ayúdame desde mi Crowfunding aquí https://cutt.ly/W0DsPVq ………………………………………………………………………………………. Enlaces citados en el podcast: AYUDA A TRAVÉS DE LA COMPRA DE MIS LIBROS https://tecnicopreocupado.com/2024/11/16/ayuda-a-traves-de-la-compra-de-mis-libros/ Los cuatro 1313 de Salvador Dalí https://www.youtube.com/watch?v=KVVTEJPk1qs ………………………………………………………………………………………. Música utilizada en este podcast: Intro serie oro Voz de Constantino Romero + musica de Matrix The Matrix Soundtrack Track 4. "Clubbed to Death (Kurayamino Mix)" Rob D https://www.youtube.com/watch?v=F4Br683kDVU Tema inicial Heros Epílogo LOVE MASACRE - 33 https://www.youtube.com/watch?v=lbR5BlB-2AM
What can we learn from one of the most complex AI projects in any museum today? What is the history of AI in museums? Can we add AI to our experiences without a complete renovation? How do you teach an AI about 775 different football teams? How can AI put visitors literally into a story? Is AI accurate enough for a museum? What about bias? Doesn't AI take away jobs? And how do you specify exactly what shade of college football orange you want to an AI — if you can only use words? Kimberly Beaudin (CEO, College Football Hall of Fame) and Geoff Thatcher (Founder & Chief Creative Officer, Creative Principals) discuss “A Museum Transformed with AI” with host Jonathan Alger (Managing Partner, C&G Partners | The Exhibition and Experience Design Studio). Along the way: Hypercinema, Salvador Dalí, and net promoter scores. Talking Points: 1. A College Football Museum Transformed with AI2. History of AI in Museums3. Adding, Not Redesigning4. Putting Visitors in the Story: Cheerleader, Coach, Player5. Accuracy, Inclusivity and Jobs6. What We Learned7. What Visitors Are SayingHow to Listen: Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311 Listen on Spotify: https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G Listen at Making the Museum, the Website: https://www.makingthemuseum.com/podcast Links to Every Podcast Service, via Transistor: https://makingthemuseum.transistor.fm/Guest Bios: Kimberly Beaudin is the Chief Executive Officer for the Chick-fil-A College Football Hall of Fame, one of Atlanta's top attractions, and college football's mecca. Beaudin joined the College Football Hall of Fame in June 2015 as the Vice President of Marketing and Communications. With over 20 years of experience in leading brand development and marketing strategy, she was later promoted to oversee the sales operations of the business in March 2016. In April 2020, Beaudin was appointed CEO of the Hall of Fame, making her the first female leader of the storied attraction. In her role as CEO, Beaudin focuses on strategic marketing initiatives, community and public relations, group sales and event sales as well as philanthropic development and partnership sales and activation. Geoff Thatcher is an experienced creative director who excels at leading projects from concept to reality. These projects are most often about creating world-class experiences in corporate visitor centers, executive briefing centers, museums, theme parks and live events.Great experiences are distinguished by great story telling. Whether it's interviewing executives about the future of health care in America, walking the Fort Worth assembly line of the F-35 Lightning II or listening to a seventh-generation Hawaiian play ukulele in her living room, it all begins with finding the story and translating it into memorable experiences. Geoff's passion and experience in leadership development is ultimately about creating an environment where great work can get done together.About Making the Museum: Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. MtM is a project of C&G Partners | The Exhibition and Experience Design Studio. Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode: Kimberly on LinkedIn:https://www.linkedin.com/in/kimberly-hartley-beaudin-a547933/ Kimberly by email:kbeaudin@cfbhall.com College Football Hall of Fame:https://www.cfbhall.com/Geoff on Linkedin:https://www.linkedin.com/in/geoffthatcher/ Geoff by email:gthatcher@creativeprincipals.com Creative Principals:https://www.creativeprincipals.com/Links for Making the Museum, the Podcast: Contact Making the Museum:https://www.makingthemuseum.com/contact Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn:https://www.linkedin.com/in/jonathanalger Email Jonathan Alger:alger@cgpartnersllc.com C&G Partners | The Exhibition and Experience Design Studio:https://www.cgpartnersllc.com/ Making the Museum, the Newsletter: Like the show? You might enjoy the newsletter. Making the Museum is also a free weekly professional development email for exhibition practitioners, museum leaders, and visitor experience professionals. (And newsletter subscribers are the first to hear about new episodes of this podcast.) Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips, and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management. Subscribe to the newsletter:https://www.makingthemuseum.com/
In 2017, he hung up the robe. He came to realize that voluntary poverty was keeping him from serving the world in the ways he felt called too, so he stepped into a new chapter and joined Long View Asset Management, a sustainability-focused B Corp, eventually becoming a partner where he helps to oversee more than $250 million in assets. From vows of poverty to portfolio management—he knows life has a sense of humor. Doug Lynam, Keynote Speaker, Celebrity Coach and Best-Selling Author has lived a life wilder than a roller coaster designed by Salvador Dalí on a sugar high. He started out as a Marine then took a radical turn becoming a Benedictine monk. For twenty years, he wore the habit while simultaneously leading the mathematics department at a prestigious private school. His education at St. John's College—the delightfully eccentric Great Books school in Santa Fe, New Mexico gave him both philosophical depth and analytical sharpness, a combination that's guided him through every twist and transformation.
How would Salvador Dalí have used generative AI? This week in the News Roundup, Oz and Karah dig into this year’s most common uses for generative AI, the rise of code editor, Cursor, and how Google DeepMind’s Veo2 interprets a surrealist screenplay. On TechSupport, The Washington Post’s staff writer, Naomi Nix, discusses the first week of Meta’s antitrust trial.See omnystudio.com/listener for privacy information.
Propiedades, empresas, campos vitícolas, ferraris, maquinaria agrícola, actividades turísticas, pinturas de Salvador Dalí. Estos son los tipos de bienes que incauta a la mafia italiana la Agencia de Administración y Destinación de los Bienes Secuestrados y Confiscados a la Criminalidad Organizada. Estos decomisos han permitido que miles de activos salgan del circuito ilícito .
Propiedades, empresas, campos vitícolas, Ferraris, maquinaria agrícola, actividades turísticas, pinturas de Salvador Dalí. Estos son los tipos de bienes que confisca a la mafia italiana la Agencia de Administración y Destinación de los Bienes Secuestrados y Confiscados a la Criminalidad Organizada. Creada en el 2010, las incautaciones de esta agencia han permitido que miles de bienes salgan del circuito ilícito y regresen a las manos de la sociedad civil transformando territorios asediados por la mafia. Este modelo es considerado como un ejemplo en la lucha contra el crimen organizado en Europa y más allá. La legislación antimafia en Italia remonta a los años 60 para tratar de frenar la violencia. Pero la verdadera revolución "llegó con la ley Latorre del 82, porque fue la primera que intentó dar una definición de asociación mafiosa y también confiscar los bienes de la mafia", explica la doctora en geografía especializada en el estudio del crimen organizado, Claudia Palermo.Al definir la asociación mafiosa se puede a la vez definir el proceso de confiscación "que es bastante largo y necesita pasar por diversas etapas". El proceso también puede ser preventivo "cuando se busca evitar que los bienes sean destruidos".Las autoridades se preguntaban qué hacer con todo lo que se recuperaba. Es ahí cuando la sociedad civil se movilizó para que esos bienes tan diversos pudieran ser nuevamente útiles. Todo cambió con la ley 109 86 "impulsada por la Asociación Libera, que se ocupa de antimafia"."Esta ley estableció que esos bienes tenían una importancia y tenían que volver a la sociedad, a la comunidad, para convertirse en algo positivo. Confiscar un bien no es solo una acción económica es una acción social", explica Claudia Palermo, que estudió de cerca el caso de dos ciudades: Bari en el sur y Lecco en el norte de Italia.Desde el 2010, la Agencia de Administración y Destinación de los Bienes Secuestrados y Confiscados a la Criminalidad Organizada rastrea las actividades ilícitas para pegarle en el bolsillo a la mafia. Existen diversas tipologías como bienes inmuebles, empresas y cada tipo de bien se procesa de manera distinta. En el caso de un terreno agrícola por ejemplo, las asociaciones, tiene que presentar un proyecto de utilización social: "Tenemos ejemplos de campos donde dan empleo o servicio para la comunidad". Recuperar el territorio de las manos de la mafia"Lo interesante es que la confiscación no es solo un componente punitivo sino también simbólico, porque con la confiscación vamos a tomar el poder territorial de la mafia y de lo criminal. Francesco Inzerillo, un jefe mafioso en 2007, durante una conversación con su sobrino en la cárcel de Torino, dijo 'no hay cosa peor que la confiscación de bienes. Lo mejor es marcharse.' Esta reflexión muestra que la importancia de este dispositivo", agrega la investigadora, que insiste en la baja significativa de la violencia gracias a este método puesto que el control territorial es uno de los pilares de la estructura de las mafias.Las cuatro más conocidas en Italia -la siciliana Cosa Nostra, la calabresa 'Ndrangheta, La Camorra de Nápoles y la Sacra Corona Unita de Apulia- extienden sus redes en el territorio italiano y mucho más allá. Es particularmente cierto en el caso de la 'Ndrangheta, cuyos lazos con carteles latinoamericanos han sido establecidos. De hecho, recientemente Italia y México firmaron un convenio de cooperación para luchar contra el tráfico de drogas. Ante la internacionalización de las organizaciones criminales, el modelo italiano se exporta. Es el caso en Argentina donde a finales del 2024 organizaciones llevaron ante el congreso el proyecto de ley "Bien Restituido", inspirado en la distribución social italiana. "Es un ejemplo muy importante, dice Palermo, porque busca adaptar el modelo italiano al contexto argentino. Pero tenemos que decir que en Argentina no tenemos una legislación que quiere definir o dar una definición de asociación criminal o asociación mafiosa." Lo que es indispensable para legislar.La reutilización también se aplica en 19 países en Europa y en Colombia, cada vez adaptando el concepto a la realidad del país y al tipo de actividad de los grupos porque no es lo mismo una mafia, un cartel o el crimen organizado. Si los avances en Italia han sido gigantescos, el precio que ha pagado la sociedad italiana ha sido alto. Basta con enumerar a las personalidades que viven bajo protección policíaca o que han perdido la vida al oponerse al sistema mafioso. Ahora, Italia y toda Europa tienen el desafío de seguir el ritmo frenético de la actividad criminal que se adapta rápido y sabe borrar las fronteras entre las actividades lícitas e ilícitas. #EscalaenParís también está en redes socialesUn programa coordinado por Ana María Ospina, Florencia Valdés. Realizado por Yann Bourdelas, Souheil Khedir, Vanessa Loiseau.
Propiedades, empresas, campos vitícolas, Ferraris, maquinaria agrícola, actividades turísticas, pinturas de Salvador Dalí. Estos son los tipos de bienes que confisca a la mafia italiana la Agencia de Administración y Destinación de los Bienes Secuestrados y Confiscados a la Criminalidad Organizada. Creada en el 2010, las incautaciones de esta agencia han permitido que miles de bienes salgan del circuito ilícito y regresen a las manos de la sociedad civil transformando territorios asediados por la mafia. Este modelo es considerado como un ejemplo en la lucha contra el crimen organizado en Europa y más allá. La legislación antimafia en Italia remonta a los años 60 para tratar de frenar la violencia. Pero la verdadera revolución "llegó con la ley Latorre del 82, porque fue la primera que intentó dar una definición de asociación mafiosa y también confiscar los bienes de la mafia", explica la doctora en geografía especializada en el estudio del crimen organizado, Claudia Palermo.Al definir la asociación mafiosa se puede a la vez definir el proceso de confiscación "que es bastante largo y necesita pasar por diversas etapas". El proceso también puede ser preventivo "cuando se busca evitar que los bienes sean destruidos".Las autoridades se preguntaban qué hacer con todo lo que se recuperaba. Es ahí cuando la sociedad civil se movilizó para que esos bienes tan diversos pudieran ser nuevamente útiles. Todo cambió con la ley 109 86 "impulsada por la Asociación Libera, que se ocupa de antimafia"."Esta ley estableció que esos bienes tenían una importancia y tenían que volver a la sociedad, a la comunidad, para convertirse en algo positivo. Confiscar un bien no es solo una acción económica es una acción social", explica Claudia Palermo, que estudió de cerca el caso de dos ciudades: Bari en el sur y Lecco en el norte de Italia.Desde el 2010, la Agencia de Administración y Destinación de los Bienes Secuestrados y Confiscados a la Criminalidad Organizada rastrea las actividades ilícitas para pegarle en el bolsillo a la mafia. Existen diversas tipologías como bienes inmuebles, empresas y cada tipo de bien se procesa de manera distinta. En el caso de un terreno agrícola por ejemplo, las asociaciones, tiene que presentar un proyecto de utilización social: "Tenemos ejemplos de campos donde dan empleo o servicio para la comunidad". Recuperar el territorio de las manos de la mafia"Lo interesante es que la confiscación no es solo un componente punitivo sino también simbólico, porque con la confiscación vamos a tomar el poder territorial de la mafia y de lo criminal. Francesco Inzerillo, un jefe mafioso en 2007, durante una conversación con su sobrino en la cárcel de Torino, dijo 'no hay cosa peor que la confiscación de bienes. Lo mejor es marcharse.' Esta reflexión muestra que la importancia de este dispositivo", agrega la investigadora, que insiste en la baja significativa de la violencia gracias a este método puesto que el control territorial es uno de los pilares de la estructura de las mafias.Las cuatro más conocidas en Italia -la siciliana Cosa Nostra, la calabresa 'Ndrangheta, La Camorra de Nápoles y la Sacra Corona Unita de Apulia- extienden sus redes en el territorio italiano y mucho más allá. Es particularmente cierto en el caso de la 'Ndrangheta, cuyos lazos con carteles latinoamericanos han sido establecidos. De hecho, recientemente Italia y México firmaron un convenio de cooperación para luchar contra el tráfico de drogas. Ante la internacionalización de las organizaciones criminales, el modelo italiano se exporta. Es el caso en Argentina donde a finales del 2024 organizaciones llevaron ante el congreso el proyecto de ley "Bien Restituido", inspirado en la distribución social italiana. "Es un ejemplo muy importante, dice Palermo, porque busca adaptar el modelo italiano al contexto argentino. Pero tenemos que decir que en Argentina no tenemos una legislación que quiere definir o dar una definición de asociación criminal o asociación mafiosa." Lo que es indispensable para legislar.La reutilización también se aplica en 19 países en Europa y en Colombia, cada vez adaptando el concepto a la realidad del país y al tipo de actividad de los grupos porque no es lo mismo una mafia, un cartel o el crimen organizado. Si los avances en Italia han sido gigantescos, el precio que ha pagado la sociedad italiana ha sido alto. Basta con enumerar a las personalidades que viven bajo protección policíaca o que han perdido la vida al oponerse al sistema mafioso. Ahora, Italia y toda Europa tienen el desafío de seguir el ritmo frenético de la actividad criminal que se adapta rápido y sabe borrar las fronteras entre las actividades lícitas e ilícitas. #EscalaenParís también está en redes socialesUn programa coordinado por Ana María Ospina, Florencia Valdés. Realizado por Yann Bourdelas, Souheil Khedir, Vanessa Loiseau.
"The Good Listening To" Podcast with me Chris Grimes! (aka a "GLT with me CG!")
Send us a textMike McCartney opens the door to his extraordinary life with warmth, humor, and profound insight in this captivating conversation. The renowned photographer, musician, and cultural storyteller shares intimate tales of growing up in post-war Liverpool, revealing how losing his mother at age twelve pushed him toward creativity as both salvation and expression.With classic Liverpudlian wit, Mike recounts discovering photography through a failed attempt to capture "giant seagulls" with the family box camera, leading to a self-taught journey that would eventually see his work acquired by the National Portrait Gallery. Parallel to this, we hear the origin story of The Scaffold and their hit "Thank You Very Much," which became an unexpected royal favorite (though the Queen Mother might have misheard a Liverpool FC reference as a tribute to herself).Between laughter and occasional moments of raw emotion, Mike illuminates the cultural revolution of the 1960s, describing how art confronted class divisions and opened minds. His stories meander through chance encounters with figures like Marlon Brando, Salvador Dalí's surrealist influence, and pivotal moments that altered his trajectory—including breaking his arm, which led to his brother Paul taking over his drum kit.The conversation deepens as Mike reflects on legacy, suggesting that bringing joy to others through creative work may be our most meaningful contribution. His philosophy emerges: seek what you love, embrace serendipity, and never underestimate the power of gentle subversion—like hiding anti-war sentiment in a cheerful pop song that reached number four in the charts.Discover the remarkable story behind the man who documented a generation while helping shape its soundtrack. Mike's upcoming limited edition photography book "Mike McCartney's Early Liverpool" and the Scaffold box set releasing in April promise to further preserve this vital cultural legacy.Tune in next week for more stories of 'Distinction & Genius' from The Good Listening To Show 'Clearing'. If you would like to be my Guest too then you can find out HOW via the different 'series strands' at 'The Good Listening To Show' website. Show Website: https://www.thegoodlisteningtoshow.com You can email me about the Show: chris@secondcurve.uk Twitter thatchrisgrimes LinkedIn https://www.linkedin.com/in/chris-grimes-actor-broadcaster-facilitator-coach/ FaceBook Group: https://www.facebook.com/groups/842056403204860 Don't forget to SUBSCRIBE & REVIEW wherever you get your Podcasts :) Thanks for listening!
Amb alumnes de l'escola Les Ferreries. podcast recorded with enacast.com
La cantante Mónica Naranjo ha pasado por Madrid Directo con Nieves Herrero para presentar su tour Greatest hits por los 30 años que cumple en la música y con conciertos en varias ciudades españolas, entre las que está Madrid donde hará parada en el Movistar Arena el próximo 15 de diciembre. Mónica Naranjo ha dicho que “Salvador Dalí me dio uno de los mejores consejos, pero con 14 años no sabía lo que significaba”. ha destacado que “siento que he aprendido más de las cosas duras que de las buenas que me han pasado, y que “los premios varían mucho dependiendo de quien te los otorgue, guardo un buen recuerdo del que me entregó Montserrat Caballé”.
Uma comitiva técnica da Secretaria de Estado da Cultura do Paraná (SEEC) está em Paris até domingo (16) para tratar do projeto de construção do Museu Internacional de Arte de Foz do Iguaçu, em parceria com o Centre Pompidou. O projeto da primeira filial do tradicional centro cultural francês no continente americano terá um investimento previsto de R$ 200 milhões e a obra deve ficar totalmente pronta em 2027, de acordo com o Governo do Paraná. A RFI Brasil conversou com Luciana Casagrande Pereira, secretária estadual da Cultura paranaense para saber mais detalhes sobre a iniciativa. Maria Paula Carvalho, da RFI em ParisA comitiva brasileira desembarcou na capital francesa na segunda-feira (10) para reuniões, workshops e visitas técnicas com equipes do Centre Pompidou para troca de experiências, planejamento e diretrizes de concepção do novo espaço dedicado à arte no oeste do Paraná. As negociações com a instituição francesa começaram em 2022. O museu brasileiro será um espaço pluridisciplinar, abrangendo artes visuais, cinema, música e dança, consolidando-se como um centro cultural dinâmico no país. “Para a gente, é uma grande oportunidade. É uma visibilidade para os nossos artistas. É uma entrada no circuito internacional de arte e é importante para a população ter acesso a esse acervo importante que o Pompidou tem, mas sempre dialogando com o nosso território”, destaca Luciana Casagrande Pereira, secretária da Cultura do Paraná. “Não é um Pompidou que chega exatamente como o da França e se instala na nossa região. O projeto científico foi concebido entre a nossa equipe e a equipe do Pompidou, mas ele nasce do zero. Sobre as exposições, o que vai ser apresentado, ainda estamos iniciando essa construção”, explica. O projeto arquitetônico da primeira sucursal de um dos mais famosos espaços de arte moderna e contemporânea de Paris na América terá a assinatura do arquiteto paraguaio Solano Benítez. “Ele é um arquiteto internacional, que já ganhou o Leão de Ouro na Bienal de Arquitetura de Veneza e que conhece a nossa região”, diz Luciana Casagrande Pereira sobre a escolha do autor. “Ele respeita muito o território, entende a nossa cultura, como nos comportamos ali”, acrescenta. “Tenho certeza de que será um orgulho não só para nós paranaenses e brasileiros, mas para os países vizinhos também”, completa. A ideia é de que a natureza seja um elemento central no conceito arquitetônico do edifício, que ficará a cerca de 10 minutos de carro do Parque Nacional do Iguaçu, onde estão as famosas cataratas do Iguaçu. “Solano Benítez tem um estilo. Ele trabalha com o tijolo, que é um material milenar, que não tem nada de inovador, mas a técnica que ele usa é muito inovadora”, revela a secretária de Cultura. “Nós não vamos importar material de nenhum outro país. Nós vamos construir com a nossa matéria-prima, que é a terra”, comenta. A construção será feita em um terreno de 24 mil metros quadrados cedido pela CCR Aeroportos, empresa responsável pela administração do aeroporto de Foz do Iguaçu. “Eu não digo que é complexo, eu digo que é desafiador, é instigante”, afirma Luciana Casagrande Pereira. “Tem o projeto arquitetônico, mas você tem a preparação da cidade, da região, a sensibilização das pessoas, da comunidade, para receber. Tem a questão jurídica, financeira, tudo que um projeto deste tamanho envolve. Mas temos obtido muito sucesso em todos esses desafios e estamos muito animados”, acrescenta. “É um projeto grande, de 10.000 metros quadrados e nós estamos planejando as inaugurações em algumas fases. Pretendemos entregar o museu completo em 2027, mas em 2026 nós já teremos uma algumas partes abertas”, antecipa. A secretária de Cultura explica por que Foz do Iguaçu foi escolhida para abrigar a nova sede do Centre Pompidou. “Eu acho que há o interesse pela região de tríplice fronteira. Além disso, o Paraná passa por um momento de muita segurança jurídica”, continua. “Nós somos o primeiro estado em educação, o que é bem importante. É uma região muito fértil, onde nós estamos plantando este projeto. Então, acho que é uma somatória de valores”, conclui. O avanço na concretização do museu acontece em um ano chave para o Centre Pompidou de Paris, que fechou as portas, na segunda-feira à visitação nas salas de exposição permanentes para passar por uma grande reforma que deve durar cinco anos. Até setembro de 2025, o local abrigará ainda pequenas exposições temporárias, antes de interromper totalmente o seu funcionamento para a realização de um projeto colossal de restauração, cuja remoção do amianto será a parte mais demorada. A previsão é de reabertura em 2030. “Neste período de metamorfose do Pompidou estaremos ainda mais presentes no Brasil e no Paraná, será um momento crucial para todos nós, estamos muito felizes com este projeto”, afirma Laurent Le Bon, presidente do Centre Pompidou, citado pela equipe paranaense presente em Paris. Uma comitiva do centro de artes francês, incluindo o presidente da instituição, esteve no Brasil em julho do ano passado para conhecer o espaço e definir detalhes do projeto de construção. Na ocasião, também foi feita a assinatura de parceria de colaboração técnica para a construção do museu no Paraná. Para Alice Chamblas, chefe de desenvolvimento internacional do Centre Pompidou, o Paraná tem uma paisagem cultural muito rica, especialmente na capital Curitiba. “Mas entendemos que é um desejo do Governo do Estado equilibrar essa paisagem, fortalecendo a cultura em outras regiões e o projeto do Museu Internacional de Arte de Foz do Iguaçu vem exatamente a esse encontro”, afirma a francesa, também citada pela equipe brasileira. Carolina Loch, diretora de implantação do Museu Internacional de Arte de Foz do Iguaçu, explica que o acervo do museu estará muito conectado ao território onde o prédio será construído. Porém, os visitantes irão encontrar peças importantes da coleção francesa. “O museu terá um foco muito grande na América Latina, em especial nos países da tríplice fronteira, ao mesmo tempo em que teremos trabalhos que já são apresentados ao público na Europa, a partir da coleção do Pompidou, estabelecendo novas narrativas”, explica Loch. A vinda da missão paranaense à Paris ocorre em um momento simbólico, já que 2025 marca o Ano do Brasil na França e o Ano da França no Brasil. “Eu acho que dá mais destaque. Ele não foi pensado para isso. Mas certamente é uma grande ação, tanto para o Brasil quanto para França”, afirma a secretária de Cultura do Paraná. Sobre o Centre Pompidou Mais do que um museu de arte em Paris, o Centre Pompidou é um complexo cultural efervescente, que abriga biblioteca, ateliê de escultura, cinema, dança e um centro de estudos musicais e acústicos. O edifício, localizado no coração da cidade, chama a atenção pelos traços da construção, como a tubulação colorida, escadas rolantes visíveis e vidro e aço que cercam a estrutura, com vista para diversos cartões postais da capital francesa. O projeto imaginado pelos arquitetos Renzo Piano e Richard Rogers, a pedido do então presidente francês Georges Pompidou, destoa do resto da arquitetura em uma região conhecida por seus prédios que datam de outro século e chegou a ser chamado de “máquina horrível” durante a sua construção. Inaugurado em 1977, o Beaubourg, como é carinhosamente conhecido, possui um rico acervo de arte moderna e contemporânea de cerca de 140 mil obras, de 1905 até à atualidade. Considerado um dos principais espaços de exposição de arte moderna e contemporânea do mundo, o Pompidou compete com o MoMA de Nova York para saber quem tem a maior coleção do planeta. O complexo cultural abriga peças de artistas como Pablo Picasso, Joan Miró, Salvador Dalí, Frida Kahlo e Francis Bacon. Com o fechamento temporário, uma parte de sua impressionante coleção será exibida no Grand Palais, também em Paris, assim como nas filiais do Pompidou fora da capital francesa, como na cidade de Metz, no leste da França, ou no exterior, como em Málaga, na Espanha, em Xangai, na China e, em breve, em Bruxelas, na Bélgica. Outra parte das obras será exposta em um polo artístico previsto para ser inaugurado em 2026, em Massy, a 30 minutos ao sul de Paris.
Barcelona – Costa Brava Artist ResidencyNeuroaesthetics, Art & the Mediterranean Spirit
Programa conducido por Darío Lavia y Chucho Fernández.Ilustraciones: Gustavo Adolfo Bécquer, José Casado del Alisal, Salvador Dalí, Lee Brown Coye, Carl Rottman.Fotografías: Josef Sudek, Gabor Magyar.Acto I: "Al ver mis horas de fiebre" de Gustavo Adolfo Bécquer por Natán Solans 0:02:24Acto II: "Cómo pasé mis vacaciones de verano" de Maurice E. Proulx por Darío Lavia 0:07:39Acto III: "Las ratas del cementerio" de Henry Kuttner por Chucho Fernández 0:17:37 Fuentes de los textos: "Rimas y leyendas", Gustavo Adolfo Bécquer (Aguilar, 1967)"How I Spent My Summer Vacation", Maurice Proulx en "Lambda" vXII #1, periódico estudiantil de Students of Laurentian University (09/1973)"The Graveyard Rats", Henry Kuttner en "Weird Tales" (03/1936)Imdb:https://www.imdb.com/title/tt35961637/Web de Cineficción:http://www.cinefania.com/cineficcion/Fan Page de Cineficciónhttps://www.facebook.com/revista.cineficcion/
La Fundación Mapfre nos invita a reflexionar sobre la influencia del primer manifiesto surrealista, redactado por André Breton en 1924. Lo hace con una exposición que destaca que, a pesar de su situación periférica respecto a los centros de la vanguardia artística europea, España contribuyó al movimiento con grandes representantes del surrealismo como Salvador Dalí u Óscar Domínguez. El proyecto se centra también de manera especial en el trabajo de creadores menos populares como Nicolás de Lekuona, Amparo Segarra y José Alemany, que trabajaron al margen del discurso dominante desde España y América Latina, así como en la aportación de algunas mujeres al grupo, entre las que destacan Remedios Varo y Maruja Mallo.
Chaque semaine dans Destination RTL, Bernard Sabbah vous accompagne avec ses meilleurs conseils et vous inspire pour vos futurs voyages. Dans ce nouvel épisode, direction Perpignan, la "capitale catalane" française ! Découvrez une ville aux influences françaises et espagnoles, comme en témoigne son patrimoine avec son emblématique Castillet, le Palais des Rois de Majorque et la mythique gare, qualifiée de "Centre du Monde" par Salvador Dalí.
Por primera vez, . Desde esta semana en Delhi, la gente puede ver más de 200 de sus dibujos y pinturas
William D. Higginson: A Canadian Surrealist Visionary William D. Higginson is a Canadian surrealist painter whose evocative works have captivated audiences worldwide. A professional artist since 2007, Higginson explores a vast array of mediums and genres, creating pieces that resonate on both emotional and intellectual levels. His art is held in private collections across the globe and has been featured in numerous prestigious solo exhibitions. Notable showcases include sellout shows at The Space An Art Gallery (2023 and 2017), The Chali Rosso Art Gallery (2019, alongside works by Salvador Dalí), and The Vancouver Club (2016). Higginson's accolades highlight his exceptional talent: he claimed 1st place in the Surrealize International Art Competition (2022), two consecutive Golden Brush First Place awards (2011 and 2012), and an Award of Excellence from the Canadian Federation of Artists (2011). These accomplishments are a testament to his skill, vision, and dedication to his craft. His life story is as compelling as his art. Diagnosed with life-threatening liver failure and leukemia at age 11, Higginson spent three years confronting his mortality. During his hospital stay, a request for pencils and paper marked the beginning of a profound artistic journey. “Living with such conditions changes your perspective on life,” Higginson reflects. This early brush with mortality informs much of his work, often blending humor, surrealism, and deeply personal revelations. Beyond his individual achievements, Higginson has made a significant impact on the art community. As the owner of Impressions Live Art since 2007, he pioneered live painting performances, bringing art to audiences in dynamic and interactive ways. He co-founded Direct2Artist, a global initiative supporting thousands of artists in over 80 countries, and served as its Community Director (2013–2019). His roles as Membership Chair for the Federation of Canadian Artists (2013–2016) and Owner/Operator of Art Battle Vancouver (2013–2014) underscore his commitment to fostering artistic talent and community. Higginson's artistic philosophy centers on emotional engagement and introspection. “My dreams and imagination conjure imagery that I forever strive to render as clear on canvas as in my mind,” he says. This relentless pursuit of creative excellence has made his work a source of inspiration for collectors, art enthusiasts, and aspiring artists alike. Whether mentoring young talents or refining his own craft, Higginson's passion for art remains unyielding. His journey from hospital bed to international acclaim is a testament to the transformative power of creativity and perseverance. Discover more at: www.williamhigginson.com Instagram https://www.instagram.com/william.d.higginson/
La catedrática de Arte Contemporáneo de la Universidad Complutense de Madrid, ensayista y académica Estrella de Diego hace un recorrido por su trayectoria vital e intelectual en diálogo con el director del Museo de Bellas Artes de Bilbao, Miguel Zugaza, en una nueva sesión del formato Autobiografía intelectual. La protagonista ha comisariado exposiciones como la representación española en la 22ª Bienal de São Paulo y en la 49ª Bienal de Venecia y muestras monográficas sobre Andy Warhol y Gala y Salvador Dalí. En 2011 recibió la Medalla de Oro al Mérito en las Bellas Artes.Más información de este acto
Hear the extraordinary life of Elsa Schiaparelli. From her rebellious youth and surrealist collaborations to her iconic designs like the lobster dress and shocking pink, discover how Schiaparelli redefined fashion as art and left a legacy of daring innovation, with guest and fashion enthusiast, Darrian Wright._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Shocking: The Surreal World of Elsa Schiaparelli by Marie-Sophie Carron de la Carrierehttps://www.schiaparelli.comPodcast — Dressed: The History of Fashion on SchiaparelliAbout ElsaElsa Schiaparelli was the ultimate rebel of fashion, a designer who turned shocking ideas into art. Born in 1890 to an aristocratic family in Rome, Elsa's life was anything but conventional. As a child, she released a box of fleas under her parents' dinner table and later staged a hunger strike to escape a Swiss convent. After a whirlwind marriage to a charming con man, she found herself as a single mother in New York, scraping by while mingling with avant-garde artists like Marcel Duchamp and Man Ray. It wasn't until she moved to Paris and met legendary designer Paul Poiret that she discovered her true calling: inventing fashion. From surrealist collaborations with Salvador Dalí to creating her signature shocking pink, Schiaparelli defied norms, blending wit, art, and bold femininity. She gave us iconic designs like the lobster dress, the shoe hat, and the first wrap dress. A pioneer who refused to play by the rules, Elsa didn't just make clothes—she made statements.Follow Darrian@iamdarrian ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod
Esta semana el escritor Juan Manuel de Prada analiza la vida y obra del gran pintor surrealista del siglo XX: Salvador Dalí, con sus luces y sus sombras.
We meet artist Carsten Höller for some perceptual playtime to celebrate New Year's Day! We explore Höller's collection of odd tasks and mischievous game-play.Carsten Höller invites readers to disrupt their daily lives with 336 mind-expanding diversions. They can be played alone, in pairs or in teams, in the street, in bed, on a train, wherever. No props or materials are needed. Just one body, all senses and a willingness to try something new, that's possibly conceptually or physically challenging, but guaranteed to entertain and to widen the player's horizons.Some games are more obviously daring than others – unexpectedly shouting ‘bang!' when your driver's reversing into a parking space is sure to elicit a reaction – but that's absolutely the point. Other games involve covertly dropping strange phrases into conversation, executing somersaults (without practice), or plucking hairs from your opponent's head while they stay poker-faced.Höller's scientific professional background informs his keenness to create what he calls Influential Environments. He wants to tease the brain while testing its limitations, through activity and passivity, agency and inertia. He conceived his first game with a group of friends in 1992, during a tedious dinner after an exhibition opening. Since then, he has collected and invented ideas, inspired by friends, life, the Surrealists, and Arthur Rimbaud. All games are illustrated with commissioned or pre-existing artworks and photographs. We find portraits by Inez van Lamsweerde & Vinoodh Matadin, August Sander, and Nan Goldin next to paintings by Salvador Dalí; snapshots of Joseph Beuys plus son and Donna Haraway plus dog next to appointed pieces by Christine Sun Kim and Anri Sala; film stills by Chantal Akerman, extracts from Shakespeare as well as treasures from Höller's personal archive—and his mother's.Edited by Stefanie Hessler and Hans Ulrich Obrist, this book encourages readers to engage in playful yet cerebral experiments that will leave them with a sense of wonder, disorientation, and a subtle smirk on their face.As an artist, Carsten Höller conducts radical experiments. His “Influential Environments” explore alternative scenarios, reimagining possibilities for human behavior and interaction and have been shown in major installations and solo exhibitions internationally over the last two decades. In 2022, he opened his restaurant Brutalisten in Stockholm and presented the third iteration of The Double Club in Los Angeles in 2024. Born in 1961 in Brussels to German parents, Höller currently lives and works in Stockholm and Biriwa, Ghana.Follow @Carsten.Holler on Instagram. Hosted on Acast. See acast.com/privacy for more information.
Join us for a festive dive into the curious world of Christmas art and design. We'll explore Salvador Dalí's unconventional... The post Festive Special: Avant-Garde Christmas Cards & Holiday Design Disasters ep 129 appeared first on .
Clémence Boulouque "Le sentiment des crépuscules" (Robert Laffont)Londres, 1938. Zweig présente Dalí à Freud.Londres, 19 juillet 1938. Stefan Zweig et Salvador Dalí rendent visite à Sigmund Freud, tout juste exfiltré de l'Autriche nazie. Proche de l'analyste, et lui aussi réfugié, Zweig a organisé ce rendez-vous sur l'insistance de son ami peintre, qui idolâtre Freud et trépigne de lui montrer une de ses toiles. Accompagnés de Gala, l'épouse de Dalí, et de son agent, ils sont accueillis par Anna Freud.Leurs échanges sont ponctués par les extravagances et facéties de Salvador qui mystifient l'assemblée. Puis, à mesure, tous se dévoilent : la rencontre autour de Freud agit comme un révélateur, confrontant chacun à ses démons et à ceux de l'époque.Mêlant biographie intime de figures d'exception et chronique de la fin d'un monde, Clémence Boulouque saisit ce moment suspendu, unique et méconnu, en un roman drôle et grave.Musique : Richard Strauss "La femme sans ombre"Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Federico Garcia Lorca, l'un des plus grands poètes espagnols du XXe siècle, est exécuté le 19 août 1936 par des phalangistes près de Grenade, dans le contexte de la guerre civile espagnole. Né en Andalousie dans une famille bourgeoise, il développe une sensibilité artistique inspirée par le folklore local et les minorités discriminées, comme les gitans. Proche de Salvador Dalí et Luis Buñuel, Lorca participe à un renouveau artistique audacieux à Madrid dans les années 1920. Engagé politiquement, il soutient la Seconde République espagnole et dirige La Barraca, un théâtre itinérant promouvant la culture dans les zones rurales. Son œuvre, marquée par la défense des opprimés, le place au cœur de la scène intellectuelle. Cependant, son homosexualité et son engagement républicain en font une cible des franquistes lors de la guerre civile. Son assassinat reste un symbole tragique de l'oppression et son héritage artistique perdure comme un pilier de la culture espagnole. Merci pour votre écoute Vous aimez l'Heure H, mais connaissez-vous La Mini Heure H https://audmns.com/YagLLiK , une version pour toute la famille.Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/22750 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : Un jour dans l'Histoire : https://audmns.com/gXJWXoQL'Histoire Continue: https://audmns.com/kSbpELwAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvVous aimez les histoires racontées par Jean-Louis Lahaye ? Connaissez-vous ces podcast?Sous le sable des Pyramides : https://audmns.com/rXfVppv36 Quai des orfèvres : https://audmns.com/eUxNxyFHistoire Criminelle, les enquêtes de Scotland Yard : https://audmns.com/ZuEwXVOUn Crime, une Histoire https://audmns.com/NIhhXpYN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
In this episode, I'm chatting with Crystal King, author of In the Garden of Monsters listed in the Visual Arts category on Art In Fiction.View the video on YouTube: https://youtu.be/WElAb9vxuAIThe genesis of In the Garden of Monsters and the decision to write a novel that incorporated elements of fantasy and the Gothic.Inspired by the sacro bosco (sacred wood) at Bomarzo in Italy and its relationship to the Surrealist artist Salvador Dalí in the 1950s and to the Hades and Persephone myth.Video of Salvador Dalí in Bomarzo made in 1954 - view it on Crystal's website at https://www.crystalking.com/.Deep dive into the life and work of Salvador Dalí and his problemmatical opinions - he'd be cancelled in two seconds today! But also, he was a brilliant artist.Role of pomegranates in the role and their relationship to the retelling of the Hades and Persephone myth.Summary of the original myth - Demeter, Hades, Persephone.The role of food in the novel; a downloadable cookbook is available from Crystal's website.Reading from In the Garden of Monsters.Role played by memory (or lack of) in the novel.Women artists and Dalí's opinions of them and his problemmatical relationship to women in general.One thing Crystal learned from writing this novel that she didn't know before.What Crystal is working on now.Press Play now & be sure to check out In the Garden of Monsters on Art In Fiction: https://www.artinfiction.com/novels/in-the-garden-of-monstersCrystal King's website: https://www.crystalking.com/Music CreditPaganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonThis website contains affiliate links.Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
In this episode, Phil & Laura look at Dali's unique take on the crucifixion, supposedly inspired by what Dali called his “cosmic dream” of the universe... Support the show
La primera parte del programa la dedicaremos a comentar la actualidad. Comenzaremos con un estudio publicado recientemente, que dice que la cantidad de territorio afectado por conflictos globales aumentó un 65 % en los últimos tres años. Después, hablaremos de la decisión de la Corte Penal Internacional de emitir órdenes de arresto contra los líderes de Hamas y de Israel. La sección de ciencia y tecnología tratará sobre un estudio que ha descubierto que las células adiposas recuerdan la obesidad pasada, dificultando la pérdida de peso. Y concluiremos la primera parte del programa de hoy con noticias del mundo del queso. Un queso de Portugal ha sido nombrado el mejor del mundo. En la segunda parte del programa de hoy, el primer diálogo tendrá multitud de ejemplos del tema de gramática de hoy: Uses of Estar. Y concluiremos el programacon un diálogo que ilustrará el uso de la expresión española de la semana: Morderse la lengua. Las zonas de guerra del mundo aumentaron en dos tercios durante los últimos tres años La Corte Penal Internacional emite órdenes de arresto contra los líderes de Hamas e Israel Un estudio descubre que las células adiposas recuerdan la obesidad pasada, dificultando la pérdida de peso Un queso de Portugal, nombrado el mejor del mundo El pico más alto de España Vida y personalidad del pintor surrealista Salvador Dalí
In the 1980's, artist and curator André Heller invited over thirty renowned visionaries including Salvador Dalí, Jean-Michel Basquiat, and Sonia Delaunay to design rides, games, and attractions for Luna Luna, which opened to the public in Hamburg, Germany, in 1987. However after its closure, the park's treasures were forgotten in storage in Texas for 36 years. Chief Creative and Experience Officer Michael Goldberg joins us to discuss the restoration of the materials and bringing Luna Luna back to life at The Shed. Luna Luna: Forgotten Fantasy will close in New York City on Jan. 5.
Send us a textRHOBH- Surreal Revelations and Real Emotions The Real Housewives of Beverly Hills Season 14 kicks off with lavish parties, emotional revelations, and shifting relationships. Sutton dives into planning a Salvador Dalí-inspired surrealism party while reconciling with Kyle after a fallout. Meanwhile, Dorit opens up about her separation from PK, revealing years of struggles with his sobriety and their complex dynamic. Erika, redecorating her home, serves as a confidant but warns against taking her advice on relationships.Kyle is adjusting to life post-reunion, grappling with independence after Mo's move-out, and questioning her identity in confessional moments. Garcelle balances her career in Atlanta and motherhood while reconnecting with her son. Kathy Hilton makes her entrance at Sutton's party with signature flair, adding humor to a tense gathering.The surrealism party becomes a setting for vulnerability, awkward silences, and a mix of poignant and lighthearted moments, culminating in a performance by Yellacat and an unexpected confessional from newcomer Boise about her unique journey.TakeawaysThe friendships in reality TV can be complex and multifaceted.Public scrutiny can significantly impact personal relationships.Wealth and status often create a facade that may not reflect reality.The dynamics of friendships can shift dramatically over time.Sutton and Jennifer Tilly's friendship showcases a unique bond.Erica's journey of self-discovery is a central theme this season.Kyle's struggles with independence highlight the challenges of change.Garcelle's career achievements reflect her growth beyond the show.Dorit's separation from PK raises questions about their relationship dynamics.The cast's interactions reveal deeper issues of insecurity and authenticity. The importance of humility in the face of fame.Reality TV often showcases absurdity and over-the-top events.New cast members can bring fresh dynamics to the show.Personal struggles can lead to unexpected growth and resilience.Fashion can be a form of self-expression, even if it's ridiculous.Friendships can be tested under the pressures of public scrutiny.Family conversations are crucial during times of personal change.Public figures don't owe the audience explanations for their personal lives.Innovative solutions can emerge from personal challenges.https://www.theperfectlift.com/shopSupport the showhttps://www.wewinewhenever.com/
Alright folks? Hope you're well. Hope your pets are doing OK. It's Guy Fawkes Night here in England so that means plenty of fireworks. Not too dissimilar to our very first show 9 years ago.We thought for our birthday we'd play some normal music. Hits, some might say. And SPOILER ALERT no drones. We know, we've shocked ourselves. Have we sold out? Does it matter? Will a poppier sound make us more popular? Time will tell. For now, get onboard The Party Train and enjoy the ride. Choo Choo.Get in touch with requests, recommendations and guest mix inquiries!https://www.instagram.com/radionighttrain/https://bsky.app/profile/thenighttrain.co.ukWe're also available for family functions, weddings, funerals, boat launches and more.SHOW NOTESGloria — Van Morrison's song became an anthem for punky young singershttps://ig.ft.com/life-of-a-song/gloria.htmlRainbow Chasers: how 60s duo Nirvana caught Salvador Dalí's attention | Louderhttps://www.loudersound.com/features/rainbow-chasers-how-60s-duo-nirvana-caught-salvador-dalis-attention
Comenzaremos el programa comentando la actualidad. Hablaremos de una gran cumbre organizada por Putin en Rusia. Después, debatiremos los motivos por los que el hombre más rico del mundo apoya a Trump. ¿Qué quiere exactamente Elon Musk? A continuación, discutiremos el aumento del consumo eléctrico de la IA, que ahora rivaliza con el uso de la energía nuclear. Concluiremos la primera parte del programa charlando sobre un reto que es tendencia en las redes sociales, la terapia del rechazo, y por qué está atrayendo tanta atención. En la sección Trending in Spain del programa hablaremos de contradicciones. En la primera noticia, comentaremos los desequilibrios que producen los pisos turísticos y cómo su proliferación afecta el precio de la vivienda. En la segunda noticia discutiremos dos efemérides relacionadas con el pintor surrealista Salvador Dalí: el 120 aniversario de su nacimiento y el 50 aniversario de la inauguración de su Teatro-Museo. Ambas celebradas con exposiciones, una en Barcelona y la otra en Figueres. Putin recibe desafiante a los países BRIC y a otros líderes globales Surgen interrogantes sobre los motivos del apoyo de Elon Musk a la campaña de Trump El consumo eléctrico de la IA exige potenciar la energía nuclear El reto de la terapia del rechazo gana popularidad en las redes sociales Manifestación: la vivienda es un derecho y no un negocio La Barcelona de Dalí, un itinerario daliniano en fotografías
Salvador Dalí orientó estratégicamente un espejo para que, cada mañana, el primer rayo solar incidiera directamente en su cama. El pintor de Figueras se preciaba de ser el primer peninsular en ver amanecer. La luz de Portlligat, la aldea de Cadaqués donde construyó la casa que compartía con Gala, lo era todo para el maestro surrealista. Y no fue el único creador que sucumbió a los encantos del extremo noreste de la España continental. Picasso, Magritte o Hamilton, junto con intelectuales de la talla de Josep Pla, Paul Éluard, Luis Buñuel o Federico García Lorca, encontraron la inspiración en este rincón de la comarca gerundense del Alt Empordà. Para comprender el efecto de Cadaqués paseamos con el escritor Hugo Scoccia, que nos conduce desde el simbólico faro del Cap de Creus hasta su lugar favorito del municipio: las rocas de la playa de Sa Conca. Por el camino disfrutamos de los parajes y caprichosas formaciones pétreas esculpidas por la tramontana en compañía de Ponç Feliu, director del parque natural. La jefa de comunicación de la Fundació Gala-Salvador Dalí, Imma Parada, nos espera en la casa del pintor. Después, con la ayuda de la guía local Mercè Donat, buscamos algunos de los inmuebles más notables de Cadaqués, como las casas Pont y Serinyana, o la sorprendente iglesia de Santa María. Antes de marcharnos conocemos la obra de Alicia Cayuela, la artista multidisciplinar que retrata los monstruos y el resto de seres que habitan este pueblo blanco; para muchos, el más bonito del Mediterráneo.Escuchar audio
Five Tarot Cards for Interesting times: Salvador Dali reading. Tarot reading, a little nature, plus a very big discount offer. See tiffanyleebrown.com/shoppe
Atmos is an ambient music producer, progressive rock songwriter, ink artist, free verse poet, abstract photographer, and fantasy fiction author known for being an animal welfare and mental health advocate, mindfulness practitioner, environmentalist, reincarnationist, activist, and empath.Atmos is focused on a mission of inspiring others, building meaningful relationships, and promoting positive change amidst the inevitable challenges of life.Inspired by the works of Pink Floyd, Tool, Rumi, Alex Grey, and Salvador Dalí, Atmos' diverse creative artistry lends itself to his creative projects, resulting in a unique fusion of music, art, literature, philosophy, spirituality, science, and world culture. Atmos – Vegan Multipotentialite (@atmos.ig) • Instagram photos and videos Poetry for the Blind — Store | Atmos | Musician, Artist, Photographer, Author, and Music Tutor | Coventry
C.Z. Guest was an American socialite, author, and fashion icon whose effortless style and grace defined an era. From her early beginnings in Boston to her rise as a muse to legendary fashion designers, C.Z. Guest's life was a blend of high society, horticulture, and timeless elegance. We'll dive into her friendships with the likes of Truman Capote and Salvador Dalí, her contributions to garden writing, and how she became a trendsetter who influenced decades of fashion. Join us as we uncover the fascinating story of a woman whose legacy continues to inspire the worlds of fashion and lifestyle today. Follow us on IG: @homance_chronicles Connect with us: linktr.ee/homance Send us a Hoe of History request: homancepodcast@gmail.com
Ever wondered what makes your eyes pop when you see someone attractive? In this rib-tickling episode of Join the Docs, our dynamic duo, Professor Jonathan Sackier and Doctor Nigel Guest, dive deep into the eye-opening world of dilated pupils and attraction. The Docs hilariously dissect how Renaissance women, in their quest for beauty, resorted to using atropine extracted from the belladonna plant to dilate their pupils. Imagine the scene: women with eyes wide open, stumbling around like they've just walked out of a funhouse mirror maze, thanks to the atropine-induced blurred vision. Talk about beauty being in the eye of the beholder—if only they could see clearly!Why did Renaissance women risk it all for dilated pupils? The Docs paint a vivid and comical picture of these women accumulating bruises while endeavouring to look alluring. Picture them trying to navigate a crowded marketplace, squinting at apples and mistaking them for oranges, or worse, bumping into their crush and mistaking him for a lamppost. It's a wonder they didn't end up with more than just a few bruised egos! The lengths people go to for beauty—it's enough to make you blink twice.What about the modern uses of this eye-popping substance? Jonathan and Nigel don't just stop at the Renaissance; they fast-forward to today, where atropine is still making waves, albeit in a more controlled manner. The Docs discuss its role in eye exams, where it helps doctors get a good look at the back of the eye, and in treating certain types of poisonings. Imagine going to the eye doctor and having your pupils dilated, only to walk out feeling like you've just stepped into a Salvador Dalí painting.But wait, there's more! The Docs also delve into the psychology behind why dilated pupils are considered attractive. They explain that larger pupils can signal arousal and interest, making a person appear more appealing. Jonathan and Nigel can't resist poking fun at the idea, imagining a world where everyone walks around with artificially dilated pupils, leading to a society of perpetually surprised and overly interested individuals.In the end, Join the Docs isn't just about learning; it's about laughing and seeing the world through a slightly more dilated lens. So, whether you're a history buff, a science geek, or just someone who loves a good laugh, this episode is sure to leave you with a twinkle in your eye and a chuckle in your heart.—--DISCLAIMER: The views and opinions expressed on Join the Docs are those of Dr. Nigel Guest, Jonathan Sackier and other people on our show. Be aware that Join the Docs is not intended to be medical advice, it is for information and entertainment purposes only - please, always take any health concerns to your doctor or other healthcare provider. We respect the privacy of patients and never identify individuals unless they have consented. We may change details, dates, place names and so on to protect privacy. Listening to Join the Docs, interacting on our social media, emailing or writing to us does not establish a doctor patient relationship.To Contact Us: For a deeper dive on this episode's issue, merchandise and exclusive content, head to www.jointhedocs.comFollow us on youtube.com/JoinTheDocs Follow us on instgram.com/JoinTheDocsFollow us on tiktok.com/JoinTheDocsFollow us on: facebok.com/JoinTheDocsFollow us on: x.com/JoinTheDocs
Ir a Teruel y no rememorar la figura de Luis Buñuel, uno de los directores de cine más influyentes del siglo XX, es como ir a Cadaqués y no acordarse de Salvador Dalí. Desde el programa, lo haremos entrevistando a Pimpi López Juderías, el creador del "Desafío Buñuel: VII Rally Cinematográfico". Un concurso inédito y muy loco que consiste en un rally cinematográfico en el que varios equipos de filmación, realizan cada uno de ellos un cortometraje en tan sólo 48 horas, a partir de unas bases establecidas y en la que el pueblo turolense tiene un gran protagonismo. Además, nuestros maduritos de siempre, también aprovecharán para repasar la vida y trayectorias de Fernando Rey, un actor con el que trabajó mucho el cineasta turolense y del que se cumplen 107 años de su nacimiento, y Sofia Loren. Escuchar audio
Gala Dalí, geboren am 7.9.1894, ist kein hübsches Püppchen an der Seite eines Künstlers. Sie ist ein Mythos, Muse und Managerin. Von Andrea Klasen.
Stupid News Extra 8-29-2024 …Oh, I forgot I had a signed Salvador Dalí Painting
"Axxon N, the longest-running radio play in history..." Part One: Salvador Dalí Pour Homme by Salvador Dalí (1987) + Wrappings by Clinique (1990) + Red Door by Elizabeth Arden (1989) + Trésor by Lancôme (1990) + David Lynch's Eraserhead (1977) + The Elephant Man (1980) + Twin Peaks (1990-91, 2017) + Twin Peaks: Fire Walk with Me (1992) + Blue Velvet (1986) + Wild at Heart (1990) with Zane, Ortant Aper, Jugs, Ty E, and The Surfing Violinist 11/6/19, 11/13/19, 4/27/20, 5/14/22 S1E43, S1E44, S2E15, and S4E22 Part Two: Dune by Christian Dior (1991) + Comme des Garçons 2 by Comme des Garçons (1999) + Encre Noire by Lalique (2006) + Woodhue by Fabergé (1944) + David Lynch's Dune (1984) + Dune by Frank Herbert (1965) + David Lynch's Lost Highway (1997) + Mulholland Drive (2001) + The Straight Story (1999) with Ortant Aper, Jugs, and The Ellroy Boys 3/6/19, 4/25/21, 10/4/21, 8/1/24 S1E5, S3E15, S3E34, and S6E54 8/1/24 S6E55 Runtime: 968 minutes To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon.
Take some time alone with the Holy Spirit today. Tell him you want to feel his presence and spend time with him. Consider asking him some questions to get to know him better, like: SUBSCRIBE to our sister podcasts:Your Daily Prayer: https://www.lifeaudio.com/your-daily-prayer/Your Daily Bible Verse: https://www.lifeaudio.com/your-daily-bible-verse/ Full Transcript Below: Soul Brother By Deidre Braley I studied abroad in Spain for one semester of college. One weekend, my friends and I made a short, cheap trip to Barcelona, where we spent most of our time hunting for free sightings of Salvador Dalí's work and staying in a crummy hostel. And while I remember very little about where we ate, what we saw, or even how we afforded to get there, I'll never forget the way I felt when I met a fellow traveler one evening as we were leaving our room. This person was from England, and with a group of friends who were also traveling for the weekend. By chance, we'd all happened to exit our rooms at the same time, and as we bumbled through the narrow hallway we introduced ourselves, talking about where we were from and feeling quite jovial that we could drop our subpar Spanish skills and simply communicate in English for a while. Have you ever met a total stranger whom you feel an instant connection with, as though you've known them your whole life? This is how I felt with one of the members of this group. On the outside, it would appear we had nothing in common, except that we spoke the same language. But on the inside, I felt my soul coming alive with recognition. I had the rare sensation of being completely seen and known—as though this person and I were kindred spirits, or that maybe we'd been cut from the same cloth when God was spinning us into existence. By the end of the night, we were strolling down the streets of Barcelona arm-in-arm, talking conspiratorially about inside jokes only we seemed to understand. I never saw that person again, but thinking about that night reminds me that there is another who we can have this kind of soul connection with: Jesus. I often find myself daydreaming about what it will be like to meet Jesus for the first time. I wonder what he'll look like and what he'll smell like, what he'll say and how he'll smile. But if there's one thing I know for sure, it's that he will feel like a soul brother. 1 John 4:13 says, “This is how we know that we live in him and he in us: He has given us of his Spirit.” See, when we accept Jesus as Lord and Savior of our lives, we don't have to spend the rest of our time earthside waiting to meet him. He puts his Spirit inside of us, enabling us to connect with him on the most intimate of levels. “In Christ you also were sealed with the promised Holy Spirit when you heard the word of truth, the gospel of your salvation, and when you believed,” Ephesians 1:13-14 reads. “The Holy Spirit is the down payment of our inheritance, until the redemption of the possession, to the praise of his glory.” In this way, we can hear, know, and commune with his Spirit even as we wait for the fulfillment of our inheritance and our redemption. I imagine that the time we spend with the Holy Spirit in this life will prepare us for that familiar feeling of reunion with Jesus in the next. As we wait and long to meet Jesus face-to-face one day, we needn't wonder what he'll be like. Rather, we can turn to the Spirit that he's placed inside us and begin getting to know him better today. And when we do finally open a door and bump into Jesus one day? Why, he won't feel like a stranger. He'll be a soul brother—and we'll be linking arms and exchanging secrets in no time. Intersecting Faith & Life: Take some time alone with the Holy Spirit today. Tell him you want to feel his presence and spend time with him. Consider asking him some questions to get to know him better, like: What makes you smile? What would you like me to know about you? What do you ask of me today? Then, allow yourself to sit in silence and solitude. Record any specific impressions you feel, any words you hear, or any pictures you see in your mind. As you grow in this practice, you will likely grow in your awareness of his presence—and also your ability to hear and understand him. Further Reading: Romans 8 Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.
Through art, film, fashion, collecting, and now music, Daphne Guinness has been a creative force and industry muse second to none. On this season finale of The Grand Tourist, Dan speaks with Guinness about her new album “Sleep,” what it was like collaborating with legendary producer Tony Visconti, the unconventional summers of her youth with Salvador Dalí, her memories of Alexander McQueen and Isabella Blow, her thoughts on AI and the future of creativity, and more. Hosted on Acast. See acast.com/privacy for more information.
People have all different kinds of animals as pets: dogs, cats, hamsters, gerbils, pigs, you name it. The famous artist Salvador Dalí even had a pet lobster that he took for walks on a leash! But when did humans first start craving animal companionship? We asked anthropologist David Ian Howe to help us find the answer.Got a question that you want to ask right meow? Send it to us at BrainsOn.org/contact, and we'll unleash the answer.