Podcast appearances and mentions of Robert Benton

Norman Buckley is a prolific director whose work spans various networks, genres, and styles. Most recently, he executive produced and edited the short film STORAGE FEES. He is currently the co-executive producer/producing director on the Netflix show SWEET MAGNOLIAS. His previous credits include NCIS: HAWAII, PRETTY LITTLE LIARS, CHARMED, IN THE DARK, ZOO, QUANTICO, RIZZOLI AND ISLES, CHUCK, GOSSIP GIRL, AND THE OC. He was co-executive producer/producing director on PRETTY LITTLE LIARS: THE PERFECTIONISTS.After editing the pilot episode of THE OC in 2003, he began his directing career by helming six episodes of that series. He has gone on to direct over 140 episodes of television since then. His television movie THE PREGNANCY PROJECT won Best Primetime Program (Special or Movie of the Week) and Best Actress (Alexa Vega) at the 2012 Imagen Awards. His episode of THE OC “The Metamorphosis” was chosen by Entertainment Weekly magazine as one of the five best episodes of the series. His episode of GOSSIP GIRL “The Handmaiden's Tale” was chosen by Newsweek Magazine as one of the top ten television episodes of 2007.Buckley began working in the industry as an assistant editor on the Oscar-nominated films TENDER MERCIES, SILKWOOD, and PLACES IN THE HEART. He continued editing for a number of years on many films, television series, and TV movies. He worked with many outstanding directors, including Bruce Beresford, Robert Benton, Mike Nichols, Rob Reiner, Michael Lindsay-Hogg, Richard Donner, J.S. Cardone, McG, Doug Liman, and Robert M. Young. He also learned the editing craft from some of the best film editors in the business, including Carol Littleton, Sam O'Steen, William Anderson, and Bob Leighton.He worked as an editor on many independent films at the Sundance, Toronto, and Telluride film festivals, including HAPPY, TEXAS, which he also associate-produced. Beginning in 2000, Buckley edited several television pilots, all of which were picked up to series, which led to his regular work in television.He has been nominated twice for an American Cinema Editors award: in 2003 for JOE AND MAX, for best-edited motion picture for non-commercial television, and he won the award in 2008 for the pilot of CHUCK, for best-edited one-hour series for commercial television.Buckley grew up in Fort Worth, Texas and studied history at the University of Texas at Arlington, before moving to Los Angeles where he would later graduate from the University of Southern California with a degree in Cinema/Television.He was an adjunct professor at the University of California Los Angeles film school, teaching both graduates and undergraduates.Norman Buckley was married to the late artist Davyd Whaley and he established The Davyd Whaley Foundation (davydwhaleyfoundation.org) to carry on Davyd's legacy by supporting emerging artists with annual grants. Most recently the Foundation has funded scholarships at the Art Students League in New York and the film school at UCLA, as well as providing funding for Art Division, Art of Elysium, and the Brentwood Art Center in Los Angeles. 

There were no movies starring the late Gene Hackman that were released in the US in 1999, but two of his films released in the US in 1998 – Tony Scott's Enemy of the State and Robert Benton's Twilight – were released in Europe in 1999. So because plenty has been said about the former, we are taking a look today at the latter. Directed by Kramer and Kramer writer and director Robert Benton and written by Benton and novelist Richard Russo, who also teamed up with star Paul Newman on 1994's adaptation of Russo's Nobody's Fool, Twilight stars Newman with a supporting cast of Gene Hackman, Susan Sarandon, James Garner, Stockard Channing, Reese Witherspoon, Margo Martindale, John Spencer, Live Shrieber, the dying body of M. Emmet Walsh, and Giancarlo Esposito. Twilight was a box office failure and was met with a lukewarm reception by critics, but it is a very good case study in the question as to whether or not some actors - like Hackman - could be good in absolutely anything.

In movies like “Million Dollar Baby,” "August: Osage County,” “Blow The Man Down,” and series like "The Americans,” “Justified,” and “Sneaky Pete,” “esteemed character actress Margo Martindale” loves to play people much different from herself. And she's been so good at it for so long that she only started to get truly recognized for her work in her 60s. Three Emmys later, she's able to pick and choose what she wants to do. Her latest, the Amazon series “The Sticky,” finds her number one on the call sheet and having a blast playing the bombastic maple syrup farmer Ruth Landry. On this episode she explains why the first step in her preparation process is knowing where a character was born and raised. She talks about feeling most free when she's able to “play” like she did in her backyard, what makes Alexander Payne and Robert Benton great directors, why it took some time for her to settle in to sit-com acting, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

We're taking a short break for some personal stuff, but for now, enjoy this unlocked episode from our Patreon feed. If you like what you hear, consider subscribing for just $5/month, and receive 2 monthly bonus episodes ---------------------------------------- It's our final Lion's Gate production this episode (Remember My Name is this week so that's the other one we're doing lol). This time it's THE LATE SHOW written/directed by ROBERT BENTON - we've got Lily Tomlin and Art Carney as a couple of LA wackos trying to solve a caper. It's a ton of fun; we're really in the chit-chat joke zone on this episode so come join us for some fun talk on Altman's sound technology, edible underwear, Ryan's oven, and perhaps a special sneak peek on something cool that we're gonna be doing soon. It's all here on ALTMANIA PREMIUM. Articles Mentioned: A True Pioneer in Recording Overlapping Dialogue - Cinemontage Interview With Robert Altman - Roger Ebert The Late Show - AFI catalog, 1893 - 1993 Robert Altman: Jumping Off the Cliff, a biography of the great American director by Patrick McGilligan Robert Benton: Character Determines Action - GreenCine

Robert Benton's 1979 interior drama turned out to be one of the biggest films of the 70s. While we might appreciate Dustn Hoffman now more often than we watch his movies, this marked another example of him owning the decade. It's his movie, despite the attempt to give balance to the two Kramers fighting for the legal and moral right to raise their son. If you haven't seen this since it played in theaters for months and then became a cable-TV staple, it's worth rewatching; if you've never seen it, give it a look. Either way, be sure to listen to our conversation (and debate) about it once you finish. Kramer vs. Kramer was adapted from Avery Corman's bestselling novel, found here. Follow us on X and Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Also check out Dan's new Substack site, Pages and Frames, for more film-related material. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Robert Benton's 1979 interior drama turned out to be one of the biggest films of the 70s. While we might appreciate Dustn Hoffman now more often than we watch his movies, this marked another example of him owning the decade. It's his movie, despite the attempt to give balance to the two Kramers fighting for the legal and moral right to raise their son. If you haven't seen this since it played in theaters for months and then became a cable-TV staple, it's worth rewatching; if you've never seen it, give it a look. Either way, be sure to listen to our conversation (and debate) about it once you finish. Kramer vs. Kramer was adapted from Avery Corman's bestselling novel, found here. Follow us on X and Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Also check out Dan's new Substack site, Pages and Frames, for more film-related material. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Peter Sobczynski joins Erik Childress again to talk physical media. This week you can go an early, personal work from Martha Coolidge and the debut western from Robert Benton. They talk thrillers that were ultimately remade with Amber Heard and Josh Hartnett plus the baffling dark comedy from Danny DeVito. Generational favorites range from an animated film from the ‘80s and a teen comedy from the ‘90s, but also don't forget one of the great conspiracy films of the '70s with some timely real-world publicity. Wes Craven delivers one of his leanest thrillers and Michael Ritchie has, arguably, the most messed up film of his career with Lee Marvin up against Gene Hackman. 0:00 - Intro 2:30 – Criterion (Not a Pretty Picture) 8:18 - Fun City (Bad Company 4K) 20:50 – Shout Factory (The Last Unicorn 4K, Death to Smoochy) 39:11 – Sony (The China Syndrome, Can't Hardly Wait 4K) 1:01:26 – Universal (Let Him Go, Tremors 7-Film collection) 1:10:29 - Paramount (Red Eye) 1:19:02 - Kino (And Soon the Darkness/Sudden Terror, The Apartment (1996), Prime Cut 4K) 1:39:20 – New Blu-ray Announcements

Your heroes travel back in time to watch Superman: The Movie!In this episode we share our feelings the original superhero film, break it down into the three major acts, and of course talk about the crazy use of Superman's powers at the end of the film.Superman: The Movie is directed by Richard Donner; written by Mario Puzo, David Newman, Leslie Newman, and Robert Benton; and stars and stars Marlon Brando, Gene Hackman, Christopher Reeve, Margot Kidder, and Ned Beatty.Follow ComiClub on Instagram @ComiClubPodcastComiClub is hosted by Blaine McGaffigan and Adam Cook.

He started in advertising in 1979, became a pioneering ad filmmaker, broke new ground in Indian television, and is the managing trainee of his own life. Sanjiv Sharma joins Amit Varma in episode 390 of The Seen and the Unseen to share his frameworks for living. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Sanjiv Sharma on Instagram, Twitter, IMDb and LInkedIn. 2. Divya Prakash Dubey on Instagram, Wikipedia, LinkedIn, IMDb, Twitter, Amazon and his own website. 3. The Surface Area of Serendipity -- Episode 39 of Everything is Everything. 4. Deepak VS and the Man Behind His Face — Episode 373 of The Seen and the Unseen. 5. Mansoor Khan on Wikipedia, Amazon and IMDb. 6. Umberto -- Mansoor Khan. 7. American Cinematographer. 8. Idhar Udhar. 9. Chalti Ka Naam Antakshari. 10. Khul Ja Sim Sim. 11. The Evolution of Cricket -- Episode 97 of The Seen and the Unseen (w Harsha Bhogle). 12. Television Price Controls -- Episode 27 of The Seen and the Unseen (w Ashok Malik). 13. Yeh Meri Life Hai. 14. Urban Discoveries for Ford Ecosport. 15. Crime Patrol Season 2. 16. Comedy Circus Season 1. 17. My Cancer is Me -- Vijay Bhat and Nilima Bhat. 18. Sakshi. 19. The Rakshin Project. 20. Smita Bharti interviewed by Radio One. 21. We Should Celebrate Rising Divorce Rates (2008) — Amit Varma. 22. Profit = Philanthropy — Amit Varma. 23. Rohini Nilekani Pays It Forward — Episode 317 of The Seen and the Unseen. 24. The Double ‘Thank You' Moment — John Stossel. 25. Lectures by Swami Sarvapriyananda: 1, 2, 3, 4 plus a full series of them here. 26. Spiral Bound -- Screenwriting with Boman Irani. Sanjiv's Recommendations: Movies 1. One Flew Over the Cuckoo's Nest -- Miloš Forman. 2. As Good as It Gets -- James L Brooks. 3. Roman Holiday -- William Wyler. 4. Anne of the Thousand Days -- Charles Jarrott. 5. Kramer vs Kramer -- Robert Benton. 6. The Shawshank Redemption -- Frank Darabont. 7. The Godfather -- Francis Ford Coppola. 8. Oppenheimer -- Christopher Nolan. 9. The Dark Knight -- Christopher Nolan. Sanjiv's Recommendations: Books1. The Covenant of Water -- Abraham Verghese. 2. The Untethered Soul -- Michael A Singer. 3. The Craving Mind -- Judson Brewer. 4. The Ascent of Humanity -- Charles Eisenstein. 5. Essence of the Upanishads -- Eknath Easwaran. 6. The Mind Illuminated -- Culadasa (John Yates). 7. Same as Ever -- Morgan Housel. 8. The Ascent of Money -- Niall Ferguson. 9. The Ending of Time -- Jiddu Krishnamurti. Amit's newsletter is active again. Subscribe right away to The India Uncut Newsletter! It's free! Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. Episode art: ‘Sailing' by Simahina.

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about Bruce Willis, one of our great American movie stars. A man with perfect angles and a perfectly imperfect hairline. The man who spoke up for Seagram's Golden when nobody else would. It's wet and it's dry. Play that harmonica, Bruno! Our guest today is the great Jen Johans, host of the Watch With Jen podcast. Our B-Sides include In Country, Mortal Thoughts, Disney's The Kid, and Richard Donner's final film, 16 Blocks. We discuss Willis' early career, his propensity to try new things, and the sad and unfair dismissal of Hudson Hawk. We examine how his acting chops evolved throughout a very turbulent ‘90s decade, culminating in an incredible run of success birthed from a controversial, canceled movie called Broadway Brawler. There's a lot of love for the underrated crime comedy Bandits, that song he did with June Pointer (seek out the album The Return of Bruno and the companion “documentary” if you get a few free minutes today), and the lovely Robert Benton picture Nobody's Fool. And then there's that opening car chase in Striking Distance. Incredible work there. Oh, and that cameo in The Player. And finally, in honor of our subject, please go to https://aphasia.org/ and donate if you are so inclined. Here's to you Bruce, you're one of one. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.

durée : 00:04:06 - Capture d'écrans - par : Dorothée Barba - Arte rediffuse le film de Robert Benton sorti en 1979. "Kramer contre Kramer" ou la confrontation, devant la caméra et hors champ, entre Dustin Hoffman et Meryl Streep.

En la edición de hoy de El ContraPlano, el espacio dedicado al cine dentro de La ContraCrónica, los contraescuchas nos traen los siguientes títulos: – «La odisea de los giles” (2019) de Sebastián Borensztein - https://amzn.to/3V2HnyM – «Lawrence de Arabia» (1962) de David Lean - https://amzn.to/3Tf48xX – "Ni un pelo de tonto" (1994) de Robert Benton - https://amzn.to/49XS5uD - "Al caer el sol" (1998) de Robert Benton - https://amzn.to/49Dflyi Consulta en La ContraFilmoteca la selección de las mejores películas de este espacio - https://diazvillanueva.com/la-contrafilmoteca · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #lawrence #giles Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In this episode of Since Sliced Bread, Robert Benton, retired executive vice president of network optimization for Flowers Foods, speaks to how working his way up through the ranks led to plant designs and builds that will impact the baking industry for years to come. Listen to this episode to hear the lessons Benton learned over his 40-year career.

In this episode we discuss Places in the Heart, Danny Glover's stirring turn as Moze, Robert Benton's semi-autobiographical script, and Sally Field's second Oscar win. We also discuss Sally Field's career up to this point in history, her start in television, her shift to movies, and her business savvy in creating her successful career. -- Instagram: https://www.instagram.com/thanktheacademypodcast X: https://www.twitter.com/thankacademypod Email us your thoughts: thanktheacademypod@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/thank-the-academy/support

“Jack Ames couldn't get blood out of a sock with a washing machine and a bottle of Clorox.” Twilight (1998) directed by Robert Benton and starring Paul Newman, Susan Sarandon, Gene Hackman, Reese Witherspoon, Stockard Channing, James Garner and Giancarlo Esposito. Next Time: Mo' Better Blues (1990)

It's Popzara's Movie Time! Podcast, where our in-house movie nerds Ethan Brehm and Nate Evans take you on an unscripted journey yakking and chatting about some of their favorite movie moments and cinematic scenes, from past and present, presented without snark and snobbery for your listening pleasure. On this episode are two films harkening back to a simpler time, both cinematically and narratively, about imperfect men becoming unlikely role models. These are the type of films favoring essence over spectacle, characters over caricatures. And did we mention the snow? First up is 1994's Nobody's Fool, directed by Robert Benton and starring Paul Newman in an Oscar-nominated performance as Donald “Sully” Sullivan, a man still learning to grow up at the age of 60. Based on Richard Russo's novel (of which was recently expanded into a trilogy), it's the ultimate character study of both actor and role. Next is 2023's The Holdovers, director Alexander Payne's expressed throwback to 1970s style film-making starring Paul Giamatti in his own Oscar-nominated performance as an unlikable professor realizing just how much he still has to learn about life. Our hosts dive into both films like book nerds into great literature, and with surprising results. Listen and learn the shocking similarities between Paul Newman and Tom Cruise, and how Paul Giamatti's attempt to break into action films didn't go as planned. If they really “don't make films like they used to”, then what did we just watch?

On Episode 146 of the RETROZEST podcast, Curtis engages on a celebration of the 45th Anniversary of the premiere of SUPERMAN: THE MOVIE! This is a 1978 superhero film based on the DC Comics superhero Superman, played by Christopher Reeve. It is the first of four installments in the Superman film series starring Reeve as Superman. It was directed by Richard Donner based on a screenplay by Mario Puzo, David Newman, Leslie Newman, and Robert Benton. In addition to Reeve, the film features an ensemble cast including Marlon Brando, Gene Hackman, Jeff East, Margot Kidder, Glenn Ford, Phyllis Thaxter, Jackie Cooper, Trevor Howard, Marc McClure, Terence Stamp, Valerie Perrine, Ned Beatty, Jack O'Halloran, Maria Schell, and Sarah Douglas. Assisting Curtis in this endeavor with an exclusive interview is DIANE SHERRY CASE, the actress who portrayed Smallville cheerleader and Clark Kent's teen crush Lana Lang in the film. In addition to her role in Superman, Diane is known for her work on the films Hawaii (1966) and Pretty Maids All in a Row (1971). She also played Bing Crosby's daughter in the TV. series The Bing Crosby Show, and appeared in numerous other series, as well as two Superbowl commercials. More recently, Diane has published numerous short stories and authored two novels. With a grant from the American Film Institute, she wrote and directed two short films, Spa-tel and Valentine's Day. Her digital series House Poor, which she also wrote and directed, is a available on Amazon Prime. Be sure and check out Diane's Facebook , Twitter (X) and Instagram pages! Incidentally, you may help the RetroZest podcast by purchasing a unique RETRO-THEMED T-Shirt or two (many different designs and colors!) from our store at store.retrozest.com/home. You may also help the RetroZest Podcast by purchasing a Celebrity Video Message gift for a friend/family member from CelebVM! Choose from celebrities like Barry Williams, Gary Busey, Ernie Hudson, Robert Fripp, Right Said Fred, etc.! Simply enter their website through our portal store.retrozest.com/celebvm, and shop as you normally would; it's no extra cost to you at all! Contact Curtis at podcast@retrozest.com, or via Facebook, Twitter or Instagram. Also, check us out on TikTok!

We're joined again by our music sponsor DASEIN aka Brandon Say to head back to film school in a discussion of the great Bonnie and Clyde (1967) after a spoiler-free mini review of The Equalizer 3 (2023). This drinking podcast was recorded as the second episode of a back-to-back, so we were feeling loose and having some fun! While much has been written about Bonnie and Clyde, the direction, the writing, the incredible performances, and so much more, we talked about what it felt like seeing this iconic movie for the 20th time or the 1st time.   Find all of our Socials at: https://linktr.ee/theloveofcinema.  
Our phone number is 646-484-9298, it accepts texts or voice messages.  0:00 Intro/The Equalizer 3 mini review; 13:30 1967 in film + Bonnie and Clyde Movie Discussion; 1:15:03 What You Been Watching? Additional Cast/Crew: Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, Estelle Parsons, Gene Wilder, Arthur Penn, Charles Strouse, Robert Towne, Robert Benton, David Newman, Warner Bros Pictures, Burnett Guffey, Dede Allen, . Additional Tags: Kennedy, Grassy Knoll, The Depression, Netflix, Amazon Prime, Spotify, Better Help, Apple+, Apple TV, Netflix, Amazon Prime, TikTok, Twitch.

Seconda puntata della sesta stagione di J-TACTICS, la rubrica di radiomegliodiniente.com, dedicata alla vecchia signora bianconera."Kramer contro Kramer", è un film del 1979 diretto da Robert Benton e interpretato da Dustin Hoffman, Meryl Streep e Justin Henry, adattamento dell'omonimo racconto scritto da Avery Corman nel 1971.Joanna, insoddisfatta della sua vita di madre, moglie e casalinga, un giorno abbandona suo marito Ted e il loro figlioletto Billy per ritrovare se stessa. Ted, pubblicitario in carriera, si ritrova a dover essere anche "mamma" e cerca di non far mancare niente al piccolo Billy.Qualche mese dopo, però, Joanna torna in città decisa ad ottenere l'affidamento di suo figlio.Da quel momento prende il via una battaglia legale senza esclusione di colpi che mette a dura prova la coppia e non risparmia neppure il piccolo Billy.Facendo la nostra solita trasposizione dalla cinematografia al mondo del calcio, ed in modo particolare alle vicende juventine, potremo utilizzare il titolo e le vicende narrate nella pellicola per analizzare il travagliata separazione dell'ormai ex capitano Bonucci e la vecchia signora bianconera.Un addio amaro, polemico sfociato infine in una richiesta di risarcimento danni del giocatore alla sua ex squadra.Uno scontro che porterà i due contendenti in un aula giudiziario, proprio come i due protagonista della pellicola che da il titolo all'odierna puntata di J-TACTICS, "Kramer contro Kramer", appunto.La lunga storia d'amore, ben 12 anni intervallati dalla breve parentesi al Milan, tra Leonardo Bonucci e la Juventus non è finita nel migliore dei modi.Il difensore viterbese, che a metà luglio era stato messo ai margini e all'ultimo giorno di mercato è stato ceduto in Germania, all'Union Berlino, ha deciso di citare in giudizio il club bianconero.L'ex capitano cita la Juve e vuole un risarcimento danni causati, a detta dei legali del calciatore, dalla mancanza di adeguate condizioni di allenamento e di preparazione per Bonucci, che inoltre ha subito danni di natura professionale di immagine.Il difensore sostiene di aver dovuto effettuare degli allenamenti serali in orari differenti rispetto a quelli dei compagni e di non aver mai incontrato lo staff tecnico, e inoltre che gli sia stato negato l'accesso alla palestra, alla piscina, al ristorante del centro sportivo della Juventus.Praticamente un separato in casa, un ospite mal sopportato.L'ormai ex centrale bianconero ha fatto sapere che l'eventuale somma ottenuta dal risarcimento verrebbe destinata a Neuroland, un'associazione che sostiene le famiglie dei bambini ricoverati nel reparto di neurochirurgia pediatrica dell'Ospedale Infantile Regina Margherita di Torino, nonché a "Live Onlus", altra associazione benefica.Un epilogo a dir poco triste, una storia d'amore finita a suon di carte bollate, come si suol dire, proprio come Dustin Hoffman e Meril Streep protagonisti del film diretto da Robert Benton.Per quanto controverso e non amato da tutti, Leo è stato protagonista di una parte importante della pluricentenaria storia juventina, come componente imprescindibile di uno dei pacchetti arretrati più forti e completi della storia del calcio mondiale, la cd. BBC.In 12 stagioni, non consecutive, Bonucci ha vinto 8 scudetti, con due finali di Champions League giocate, per un totale di 502 partite con la Juve, condite da 35 gol.Poche settimane fa l'addio e una causa che rende più amaro l'addio.Kramer contro Kramer, Bonucci contro la Juve.Non mancherà naturalmente un'analisi dell'altra spina nel fianco della dirigenza bianconera, Pogba, quasi mai protagonista in campo, lo è nuovamente fuori dal rettangolo di gioco.Il francese è risultato positivo ai controlli antidoping a sorpresa effettuati dopo il match contro l'Udinese.Paul Pogba sarebbe risultato positivo ai metaboliti del testosterone.Le controanalisi fissate per il 20 settembre, sono slittate al 5 ottobre.Dovesse essere confermata la positività al test antidoping effettuato dopo Udinese-Juventus, il francese rischia una squalifica fino a 4 anni, praticamente una pietra tombale sulla sua carriera.Di questo ed altro parleremo in questa puntata!Diteci la vostra, interagiremo con voi in chat live!Ecco i link dei nostri social:CANALE TELEGRAM:https://t.me/+TYOn7FZAQwet7MAtINSTAGRAM:https://instagram.com/jtactics_?igshid=YmMyMTA2M2Y=TWITTER:https://twitter.com/RadioMDN?t=woKQltSFRUTw9qibbRZaJA&s=09

Bienvenidos a Podcastwood. El hogar de las estrellas, el podcast sobre los pilares del cine y donde solo las películas consideradas como obras maestras del séptimo arte son analizadas e invitadas a esta selecta hora de la podcastfera cinéfila española. 2️⃣✖0️⃣3️⃣ | BONNIE AND CLYDE Dirigida por Arthur Penn y protagonizada por Faye Dunaway y Warren Beatty, hablando de una banda de jóvenes delincuentes, encabezados por la pareja formada por Bonnie Parker y Clyde Barrow, recorre los Estados Unidos asaltando bancos, favoreciendo a los humildes y ridiculizando a las autoridades. La Warner Bros y Seven Arts Pictures producen este film con guion de Robert Benton, David Newman que cuenta una historia basada en hechos reales en la época de la Gran Depresión. ¿Sabías que está basada en una historia real?. ¿Conoces cómo fue la adaptación al cine?. ¿Qué sabes sobre su edición de sonido?. ¿Es una película antisistema? Camina junto a Fran Maestra y Gonzalo Cuélliga por El Paseo de la Fama escuchando este podcast de cine clásico que homenajea a Bonnie & Clyde. SECCIONES ▪️ Contexto ▪️ Historia real de dos forajidos ▪️ La adaptación al cine ▪️ Edición de sonido antológica ▪️ ¿Es una película antisistema? ➖➖➖➖➖➖➖➖➖➖➖➖ LISTA DE PELÍCULAS CITADAS EN EL PROGRAMA: https://letterboxd.com/podcastwood/list/2x03-podcastwood-bonnie-and-clyde/ ➖➖➖➖➖➖➖➖➖➖➖➖ ⭐ ÚNETE AL PASEO DE LA FAMA DE PODCASTWOOD Si te gusta Podcastwood y quieres ayudarnos a seguir progresando con este proyecto convertirte en fan y parte de nuestra comunidad activando el botón "APOYAR" en ivoox. Con ello recibirás las siguientes ventajas: ▪️ Acceso al grupo privado de Telegram de Podcastwood ▪️ Acceso en ivoox a los programas exclusivos para fans ▪️ Capacidad para elegir contenidos para los programas exclusivos para fans ▪️ Enlaces privados para asistir a las grabaciones de los programas para fans ▪️ Críticas semanales de los estrenos de la semana en salas y/o servicios de streaming Comparte día a día tu pasión por el cine junto a nosotros y otros amigos cinéfilos enamorados del séptimo arte. Acomódate, ¡te estábamos esperando! ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN TWITTER: @podcastwood @fran_maestra @gcuelliga INSTAGRAM: podcastwood BLOGGER: podcastwood.blogspot.com ✉ CONTACTANOS EN podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ DISFRUTA DE LA BSO DE PODCASTWOOD EN SPOTIFY: https://open.spotify.com/playlist/2FYBsPmqMxvs9gtgrUtQ62 ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️Producción: Fran Maestra y Gonzalo Cuélliga ▪️ Redacción: Fran Maestra y Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Fran Maestra y Gonzalo Cuélliga ▪️ Locución: Marta Navas Podcastwood | 2023

Director:  Arthur Penn Producer:  Warren Beatty Screenplay:  David Newman, Robert Benton, Robert Towne Photography:  Burnett Guffey Music:  Charles Strouse Cast:  Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, Estelle Parsons Rotten Tomatoes:  Critics: 90%/Audience: 88%

CHILDHOOD BATTLES: Join me and filmmaker Dianna Ippolito (The Obscured), as we talk Kramer v. Kramer and Marriage Story, two films about divorce and child custody battles.   “What law is it that says a woman is a better parent simply by virtue of her sex?” Groucho Marx is said to have said, “Marriage is the chief cause of divorce”…Sounds like it's time for Episode 106 of Pop Art, where we find the pop culture in art and the art in pop culture. It's the podcast where my guest chooses a movie from popular culture, and I'll select a film from the more art/classic/indie/foreign side of cinema with a connection to it. For this episode, I am happy to welcome as my guest, writer/director/producer Dianna Ippolito, who has chosen as her film Robert Benton's groundbreaking Kramer vs.Kramer, while I have chosen Noah Baumbach's more contemporary take, Marriage Story, both films about a couple going through a divorce and the custody battle that ensues.   And in this episode, we answer such questions as: Who was Laura Dern's character based on? What was the relationship like between Streep and Hoffman on Kramer v. Kramer? What is it about Adam Driver's looks anyway? How did Streep prevent Kramer v. Kramer from becoming misogynistic? What is incorrect when Charlie says he's "taken a residency at UCLA. I'm directing two plays at REDCAT”? Why did Meryl Streep wear a raincoat in the final scenes of Kramer v. Kramer? Whose marriage did Noah Baumbach base Marriage Story on? What is incorrect about the legal proceedings in Kramer v. Kramer? And what is it about these sorts of movies anyway?   Check out Dianna's IMDB page at https://www.imdb.com/name/nm2074778/?ref_=nv_sr_srsg_0_tt_0_nm_5_q_dianna%2520ippolito   Check out my blog at https://howardcasner.wordpress.com/   My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss   Be sure to like, follow or comment on my podcast. I'd love to know what you think. And check out the other episodes. --- Support this podcast: https://podcasters.spotify.com/pod/show/howard-casner/support

Dana and Tom with returning guest, Shane Rogers (Comedian and Host of Midnight Facts for Insomniacs), discuss Superman: The Movie (1978): directed by Richard Donner, screenplay by Mario Puzo, David and Leslie Newman, Robert Benton, starring Christopher Reeve, Marlon Brando, Gene Hackman, Ned Beatty, and Margot Kidder.Plot Summary: "Superman" follows the legendary tale of the Man of Steel's journey from the distant planet Krypton to becoming Earth's greatest protector.The film begins with the destruction of Krypton, where Jor-El, a scientist, sends his infant son Kal-El to Earth in a small spaceship to escape the planet's demise. Kal-El crash-lands in Smallville, Kansas, and is found and raised by the Kent family. As he grows up, Kal-El, now named Clark Kent, discovers his incredible superhuman abilities, which include super strength, flight, and heat vision. Following the guidance of his adoptive parents, Jonathan and Martha Kent, Clark learns to conceal his powers while developing a strong sense of moral responsibility.Upon reaching adulthood, Clark decides to move to Metropolis and takes on the role of the mild-mannered reporter at the Daily Planet. At the newspaper, he forms a connection with the fearless journalist Lois Lane and butts heads with the tough-talking editor, Perry White. Meanwhile, criminal mastermind Lex Luthor is plotting a nefarious plan to create an earthquake that will allow him to gain control over valuable land. Superman must use his powers to thwart Luthor's scheme, rescuing Lois and preventing widespread devastation. Throughout his heroic efforts, Superman captures the admiration and adoration of the public, becoming a symbol of hope and justice.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/superman-the-movie-1978For the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios

My guest this week is Terry Lindvall, the C.S. Lewis Chair of Communication and Christian Thought at Virginia Wesleyan University. Terry talks about his seminary background, looking at religion and popular culture, and we find out about Terry's academic history and his work in history, theology and communications. We discuss how both of us have been influenced by H. Richard Niebuhr's seminal work on Christ and Culture, as well as the role of censorship and why, as Terry attests, the church should be using movies as they employ parables. He talks about the importance of showing film clips to his students, e.g. Pixar films, in terms of disclosing the divine. We also talk about Roger Ebert's learned film reviewing. Terry discusses how he looks at the role of prayer in film in relation, for example, to the films of Robert Benton, and the spiritual journeys that other filmmakers are on. Terry also reflects on how agents tend to stop people like us from getting through to filmmakers. Terry was born in Basel, Switzerland, and his father studied under Karl Barth. There are Swedish antecedents, too, and the young Terry would visit that side of the family at Christmas. We talk about historicity vs. fantasy in relation to Tim Burton's Big Fish and we consider how the past is sometimes wilder in actuality than it was in our imagination. Terry talks about how he writes his books for his students, that his father was an Assembly of God chaplain in the military, back in the days when movies were frowned upon, and we find out how Terry got into films and especially international animation. His most recent book is on animated parables. We find out why animation and comedies are especially key for Terry. He has taught church history, also, especially with respect to helping Terry understand about laughter and satire. Terry talks about why the worst moments of our lives can also be our best and why we need to go through crisis in order to appreciate the gifts that life can bring. We learn about how he was given a C.S. Lewis endowed Chair, about the value of comedy including in the context of funerals and about the relevance of our personal stories in the way we address people. Then, at the end of the interview, we discover why Terry thinks it is important to focus on the present.

Kramer v. Kramer (1979) and Marriage Story (2019) reflect major shifts in the legal and social landscape around marriage, divorce, and child custody over the last four decades.  Kramer v. Kramer, written and directed by Robert Benton, and starring Dustin Hoffman, Meryl Streep, and Jane Alexander, captured the zeitgeist of its era, becoming the top grossing film of 1979 and sweeping the Oscars; Marriage Story, written and directed by Noah Baumbach, and starring Adam Driver, Scarlet Johansson, Laura Dern, Alan Alda, and Ray Liotta, offers a gripping depiction of the disintegration of a marriage in America today.  We are joined by Solangel Maldonado, a professor at Seton Hall Law School and leading expert on family law in the United States. Timestamps:0:00     Introduction3:28     What's changed and what hasn't since Kramer v. Kramer6:46     The legal challenges for fathers seeking custody circa 197912:01   Why Ted Kramer lost the court case (the tender years presumption)18:59   How Kramer v. Kramer captured the zeitgeist23:47  Nicole's (Scarlett Johansson's) decision move to LA in Marriage Story28:10   The role of the lawyers in Marriage Story35:55   A failed attempt at mediation40:52   Divorce lawyers see good people at their worst 42:00   How views of fathers and mothers have and have not evolved 45:05   Advice for Noah Baumbach: clarify the jurisdictional issuesFurther Reading:Asimow, Michael, “Divorce in the Movies: From the Hays Code to Kramer v. Kramer” 24 Legal Studies Forum, 221 (2000)Breihan, Tom, “Four decades before ‘Marriage Story,' a quintessential divorce drama swept the Oscars,” A.V. Club (Feb 7, 2020)Eggert, Brian, “Kramer v. Kramer,” Deep Focus Review (Sept. 12, 2019) Emery, Robert E., Op-ed, “How Divorced Parents Lost Their Rights” N.Y. Times (Sept. 6. 2014)Maldonado, Solangel, Cultivating Forgiveness: Reducing Hostility and Conflict After Divorce, 43 Wake Forest L. Rev. 441 (2008), http://wakeforestlawreview.com/wp content/uploads/2014/10/Maldonado_LawReview_4.08.pdf Gordinier, Jeff, “Noah Baumbach Had to Live and Love Before He Made ‘Marriage Story,'” Esquire (Dec. 6. 2019)Rebouché, Rachel, A Case Against Collaboration, 76 Md. L. Rev. 547 (2017), https://digitalcommons.law.umaryland.edu/mlr/vol76/iss3/2/  Searles, Jourdain, “‘Kramer v. Kramer' v. ‘Marriage Story,'” N.Y. Times (Nov. 12, 2019), https://www.nytimes.com/2019/11/12/opinion/marriage-story-kramer-vs-kramer.html  Tobias, Scott, “'Kramer vs Kramer' at 40: a flawed film that remains a deserving classic,” The Guardian (Dec. 11, 2019)Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/faculty/full-time/jonathan-hafetz.cfmYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilm

This week we take another look at the Best Picture winner from 1979, Kramer vs. Kramer. Meryl Streep and Dustin Hoffman headline this divorce drama directed by Robert Benton. It falls at #49 on our Best Picture Countdown.* Let us know what you think! *What is this list? We explain it in more detail in our Trailer and its Description, but as a high-level answer: we aggregated several different lists that rank the ninety-four winners of the Best Picture Academy Award in a rough attempt to get a consensus. It is not intended to be rigorous or definitive. It's just a framework to guide our journey through cinema history.

The boys don't rob banks but they will see movies where other people do so it was bound to happen that they would run across the classic bank robbers in love movie, Bonnie and Clyde.  Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Bank Robbery Boom of 1967 https://www.newspapers.com/image/333538762/?terms=bank%20robber&match=1 Northlake Bank Robbery https://www.newspapers.com/image/376575374/?terms=Northlake%20bank%20robbery&match=1 What to Know About the Real Crimes Behind Bonnie and Clyde https://time.com/4886236/bonnie-and-clyde-50-history/ Bonnie and Clyde movie review (1967) | Roger Ebert https://www.rogerebert.com/reviews/bonnie-and-clyde-1967 Bonnie and Clyde - Wikipedia https://en.wikipedia.org/wiki/Bonnie_and_Clyde

In the fifth episode of Season 8 (Coming-of-Ages) Kyle is joined by screenwriter David Gutierrez and musician Ben Childs to discuss the unforgiving and sad coming-of-age lessons of ambiguous moral discovery in the wild west in Robert Benton's revisionist western Bad Company (1972).

Roy Scheider plays a newly divorced New York psychiatrist named Sam Rice, who discovers that George Bynum (Josef Sommer), one of his prominent patients, has been murdered. Bynum was the curator of antiquities for Crispin's, a high-scale auction house, who engaged in a sexual affair with Brooke Reynolds (Meryl Streep), a younger woman who worked with him. During his counseling sessions, Bynum told Sam all about Brooke in such vivid detail that Sam thinks he might have fallen for Bynum's mistress himself. Those feelings get reinforced when Brooke visits Sam's office to hand him Bynum's wristwatch he left in her apartment the night of his death. Sam becomes infatuated with Brooke, but as he pursues her romantically, he's also frightened of her because she might be Bynum's murderer. As the police press him for evidence, Sam begins following Brooke to learn more, only to feel she might already be stalking him as her potential next kill. Robert Benton writes and directs.

STREEPS OF FIRE: STILL OF THE NIGHT and A CRY IN THE DARK/EVIL ANGELS Join Ken, Jack, Thomas and Andi for two very important pieces in the Streep mosaic.Streep in the 1980s was a marvel of A-list perfection, starring in drama after drama, garnering awards like crazy and generally gathering a reputation as a highbrow accent technician. This week we start with the last movie Streep made before ascending to the A-list as the finest actress of her generation, 1982's STILL OF THE NIGHT, which came out months before SOPHIE'S CHOICE. Reuniting with Robert Benton, who directed Streep to her first Oscar in Kramer vs. Kramer, Night is a clear Hitchcock pastiche/homage with Roy Scheider as a shrink who gets in over his head with the mistress of a dead patient, played by Streep, who may be a murder. As we learn in the episode, Streep was not a fan of the genre or the movie itself, doing it mostly on the fumes of her wonderful experience on Kramer (even replicating getting to write her character's monologue late in the film, like her courtroom speech in Kramer). After Sophie's Choice Streep would star in a string of dramas, until...1988's A CRY IN THE DARK/EVIL ANGELS, the infamous Australian true story of a woman who claimed a dingo ate her baby and started off a public and social firestorm that still resonates today. This is a fine movie and a bookend with Still of the Night as Streep would purposely go on after this to broaden her reputation with comedies and, years later, even action movies.  It's not that Dark's failure at the box office (not because it isn't good) but she was in a rut and becoming typecast in somber dramas.  The next 4 years would see her in She-Devil, Postcards From The Edge, Defending Your Life and Death Becomes Her, a string of very purposeful comedies (of varying degrees of success). Streep's turn from A-list Drama Lady to comedienne after A Cry in the Dark was remarkable at the time and still is today. Streep knew what she needed and went for it. Note: Wed do explain the two titles for this film in the podcast. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralJack: jackk1096

Greg Mottola's new CONFESS, FLETCH has so far flown under the radar in a modern-day moviegoing landscape to which it is not particularly suited, but we were won over by Jon Hamm's take on the character first portrayed by Chevy Chase, who here takes on a slacker-detective persona more reminiscent of the protagonist of Robert Altman's THE LONG GOODBYE. We're joined once again by longtime friend of the show and longer-time FLETCH quoter Noel Murray to dissect what makes this new iteration tick, before bringing Altman's film back into the picture to consider what these protagonists share, and what distinguishes them, in their ability to enter spaces uninvited, their propensity for comedic asides meant for an audience of themselves, and the supporting cast of quirky characters who surround them. Plus, Keith offers some follow-up viewing with his Your Next Picture Show pick, Robert Benton's THE LATE SHOW. Please share your comments, thoughts, and questions about THE LONG GOODBYE, CONFESS, FLETCH, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, leaving a short voicemail at 773-234-9730, or commenting on our Patreon (patreon.com/NextPictureShow), where you can also find bonus episodes and more.  Outro music: Hank Mobley, “This I Dig of You” Next Pairing: David Lean's BRIEF ENCOUNTER and Park Chan-wook's DECISION TO LEAVE Learn more about your ad choices. Visit megaphone.fm/adchoices

The Movies That Made Me… Episode 6: Trial By Jury Luke Sorba wrote and directed his first movie on Super 8 when he was 18 years old. "The Mirror Within" won in the Novice Category at Streatham and Norwood Amateur Film Club's Annual Awards. He only made one more (apart from some YouTube sketches) but he has since watched 6000 movies made by other people and owns 1600 on DVD. He spent more teenage hours at the National Film Theatre and the Electric Cinema than anywhere else, and is currently on first name terms with staff at Peckhamplex. Over two hundred books on cinema fill his shelves and he has a complete collection of Monthly Film Bulletin magazines (incorporated in Sight and Sound since 1990) going back to 1964. As an actor and writer, as well as a teacher of story telling Luke brings professional experience to his observations but it his status as a super-fan that sets him apart. He is rare among enthusiasts in that there is no period nor genre nor country whose movies he is not curious about. From Intolerance to Inception, The St Valentine's Day Massacre to The Belles of St Trinian's, Do the Right Thing to Dr Dolittle, Zombieland to Nomadland, Superfly to Superman, Tod Browning to Todd Haynes, Federico Fellini to The Fast and Furious, Monika Treut to Monica Bellucci, there is a place for everyone in The Movies That Made Me. Luke Sorba and Andrew Paine previously collaborated on the online improvised comedy show "Unmute". Together they make up Picard Productions. Episode 6 features…  Lee Apsey is an award-winning writer, director, producer and performer across film, theatre and digital media. His accomplishments range from critically acclaimed feature films and TV pilots to multiple sold-out runs at the Edinburgh Fringe, Brighton Fringe and Leicester Square Theatre atop a multi-million viewership across online projects.  As an improviser he has taught and performed in the UK, Europe, Asia and United States for over a decade. He is the co-founder of CSI: Crime Scene Improvisation (“A Spectacular must see” - ☆☆☆☆☆ Bunberry Magazine) as well as currently performing Your Flaws: The Musical and freestyle rap show Slice of Rhyme. Susie Labinjoh is a civil liberties and human rights solicitor. She specialises in: civil actions against the police and other public bodies; related human rights claims;  compensation claims for victims of miscarriage of justice and public law challenges related to these areas.  In her spare time she enjoys film, theatre and podcasts amongst other things! Trials By Jury... JESUS CHRIST SUPERSTAR (2000) d Gale Edwards Possibly the most famous miscarriage of justice, this time presented as a rock opera. Made washing your hands in public a trope 2000 years before Covid. Contrasts: Jesus Christ Superstar (1973) d Norman Jewison; The Passion of the Christ (2004) d Mel Gibson; The Last Temptation of Christ (1988) d Martin Scorsese MRS DOUBTFIRE (1993) d Chris Columbus Alongside Aladdin. and Good Morning Vietnam a fantastic platform for the comedic talent of Robin Williams. And by no means as sentimental as some of Williams' subsequent films. Contrasts: Kramer vs Kramer (1979) d Robert Benton; Tootsie (1982) d Sydney Pollack TO KILL A MOCKINGBIRD (1962) d Robert Mulligan A classic movie (adaptation of Harper Lee's classic book) which is particularly interesting to revisit with a post-Black Lives Matter perspective. Racism, justice, community – all through the gaze of a child. Contrast: In the Name of the Father (1993) d Jim Sheridan JUST MERCY (2019) d Destin Daniel Cretton Jamie Foxx reminds us how incredibly versatile he is in this searing true story about a black man falsely convicted of a murder that takes place in the Harper Lee's home town. Contrast:  A Few Good Men (1992) Rob Reiner A MATTER OF LIFE AND DEATH (1946) d Michael Powell and Emeric Pressburger A wonderfully rich film that is both truly of its time – just after World War 2 – and yet its playing with form and dealing with diversity are so relevant today. Contrast: The Day the Earth Stood Still (1951) d Robert Wise TWELVE ANGRY MEN (1957) d Sidney Lumet The quintessential movie about a jury which actually started out as a TV drama ( and you can literally see why). The group is all ready to condemn and to punish… until a single individual quietly suggests they take one more look. Contrast: Lord of the Flies (1963) d Peter Brook End Credits Luke Sorba: Host Twitter: LukeSorbaLabour Andrew Paine: Producer & Audio Engineer Twitter: ItPainesMe

Benvenuti nella raccolta in formato Podcast delle puntate di #CloseUp, a cura di Matteo Righi, aka Houssy. #CloseUp è la rubrica di recensioni cinematografiche in onda su Radio Italia Anni 60 Emilia-Romagna.

In our fourth installment of F'ed Up Family February, The Ringer's Bill Simmons, Sean Fennessey, and Mallory Rubin cannot eat ice cream until they finish rewatching Robert Benton's 1979 Best Picture-winning drama ‘Kramer vs. Kramer,' starring Dustin Hoffman, Meryl Streep, and Justin Henry. Producer: Craig Horlbeck Learn more about your ad choices. Visit podcastchoices.com/adchoices

For the sixth episode of our special retrospective season, we're looking back to our season on the awesome movie year of 1967 to feature another of Jason's personal picks, Arthur Penn's Bonnie and Clyde. Directed by Arthur Penn from a screenplay by David Newman and Robert Benton and starring Warren Beatty, Faye Dunaway, Gene Hackman, Michael J. Pollard and Estelle Parsons, Bonnie and Clyde was nominated for 10 Oscars and won two. The post Bonnie and Clyde (Bonus 1967 Jason's Pick) appeared first on Awesome Movie Year.

The Mike's are taking a look at what makes Paul Newman such an amazing actor again by taking a look at the 1994 film Nobody's Fool, directed by Robert Benton and also starring Bruce Willis, Jessica Tandy, and Melanie Griffith. Listen in as Mike Butler and Mike Field discuss the ease and understatement of Paul Newman's acting. It's so real and so under the radar that it becomes underrated and under talked about because it's just so natural. The Mikes will also discuss the film's themes of responsibility and how Newman's character of Sully has taken on more and more responsibilities throughout the town as he's gotten older to make up for the responsibility of raising his son (played by Dylan Walsh), who he walked out on as a child. The themes of the film are great, the dialogue is fantastic, the supporting cast is amazing, and although this is a character piece about responsibility and growing up, there is a surprising amount of humor to the film and a breeziness to it as well. So grab your popcorn and soda, please notice the exits to the left and right of you, and settle down for https://www.forgottencinemapodcast.com/ (Forgotten Cinema).  Head on over to https://www.bestclassicsever.com/welcome?redirect=%2F (Best Classics Ever) and sign up for their newsletter. Enter to win their Holiday giveaways and contests starting December 3rd!

This week, we take a look at the work of decorated American screenwriter and director Robert Benton (b. 1932). After working as an art director at Esquire and a writer on classics like Bonnie & Clyde and What's Up, Doc?, Benton tried his hand at directing in the early 70s and helmed some gems like the acid western Bad Company, the neo-noir mystery The Late Show, and family drama Kramer vs. Kramer. Join us as we celebrate these great works and more from this 3-time Oscar winner. Kisses many.

Listen to Ian and Maggie cover 1979's Kramer vs. Kramer. Though both our hosts went in with skepticism, Kramer vs. Kramer managed to impress with it's deft character development and surprisingly modern views on marriage and divorce.

On this episode, we discuss the fifty-second Best Picture Winner: “KRAMER VS KRAMER.”"Kramer vs Kramer" follows Manhattan advertising executive Ted Kramer who lands the biggest account of his career, and on the same day, learns that his wife, Joanna, is leaving him and their young son, Billy. Forced to raise his son alone, Ted loses his job but gains a stronger relationship with his child with the help of another single parent, Margaret. When Joanna returns to claim custody of Billy, the ensuing court battle takes a toll on everyone concerned. Directed by Robert Benton, the film stars Dustin Hoffman as Ted Kramer, Meryl Streep as Joanna Kramer, Jane Alexander as Margaret Phelps and Justin Henry as Billy Kramer.Here on The Envelope, we discuss & review every Best Picture Winner in the Academy Awards History. You can reach anyone here at TheEnvelopePodcast.com – Just go there to email us, check our bios, and keep up with the latest episode.

The Unenthusiastic Critic is contemplating divorce—not for the first time—as we sit down for her first viewing of Robert Benton's Christmas-tangential classic on its 40th anniversary.

Superman (stylized as Superman: The Movie) is a 1978 superhero film directed by Richard Donner, supervised by Alexander and Ilya Salkind, produced by their partner Pierre Spengler, written by Mario Puzo, David Newman, Leslie Newman, and Robert Benton from a story by Puzo based on the DC Comics iconic character. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information.

David Greathouse, the multi-talented film producer, joins The Brink of Midnight Podcast with John Brenkus.   It's Oscars week! The pinnacle of the year in film. We are so excited to bring you today's guest, the multi-talented film producer, David Greathouse. Dave and his wife also happen to be some of our closest friends. We've shared lots in the world of entertainment and endured agonizing training together for endurance events.   The timing of this conversation is special because Dave was the executive producer for multi-Oscar award-winning film, “Hacksaw Ridge”, which was directed by Mel Gibson. In the world of entertainment, there are a lot of folks known for their larger than life presence and Dave possesses a unique mix of humility, wisdom, and insight while having a larger than life imagination. He's worked with some of the very best in Hollywood. He got his start at Disney and then learned under the mentorship of Scott Rudin. He's worked with legend Robert Benton and special effects innovator Sam Winston. He's most recently worked with Kevin Smith and Mel Gibson. His upcoming film “Icebox”, a powerful and moving movie centered on the topic of immigration should be on your radar.   Dave is like a Swiss Army knife meets savvy finance executive meets strong and accomplished endurance athlete. He's completed three full Ironman triathlons, multiple Tahoe Death Rides, and does things like ride his bike from San Francisco to Santa Barbara for the heck of it. He favors the journey and process over the destination in all that he does.   Sit back and enjoy these stories, simple joys, and adventures with Dave…and how it all began with Star Wars in a small town in Texas.   For full show notes, visit: www.brinkofmidnight.com | Contact: info@brinkofmidnight.com | Connect: @brinkofmidnight on socials

FXF_S03EP04: ROBERT-BENTON: TOM FLEISCHMAN, BOB REITANO and MICHAEL JACOBIPLAY PODCAST A soft-spoken, young writer from Texas, Robert Benton broke onto the feature film scene with his debut screenplay, Bonnie and Clyde for which he was nominated for an Academy Award. Developing into a writer/director, he won Oscars for Kramer vs Kramer and Places in the Heart. Here, we gather with collaborators, re-recording mixer, Tom Fleischman, picture editor, Bob Reitano and ADR Supervisor, Michael Jacobi, describe the New York scene that gave birth to Robert Benton's best collaborations and their part in creating films like Places In The Heart and Billy Bathgate. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild. Produced by Isabel Sadurni and Ben Baker.

FXF_S03EP04: ROBERT-BENTON: TOM FLEISCHMAN, BOB REITANO and MICHAEL JACOBIPLAY PODCASTA soft-spoken, young writer from Texas, Robert Benton broke onto the feature film scene with his debut screenplay, Bonnie and Clyde for which he was nominated for an Academy Award. Developing into a writer/director, he won Oscars for Kramer vs Kramer and Places in the Heart. Here, we gather with collaborators, re-recording mixer, Tom Fleischman, picture editor, Bob Reitano and ADR Supervisor, Michael Jacobi, describe the New York scene that gave birth to Robert Benton's best collaborations and their part in creating films like Places In The Heart and Billy Bathgate. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild. Produced by Isabel Sadurni and Ben Baker.

Superman (stylized as Superman: The Movie) is a 1978 superhero film directed by Richard Donner, supervised by Alexander and Ilya Salkind, produced by their partner Pierre Spengler, written by Mario Puzo, David Newman, Leslie Newman, and Robert Benton from a story by Puzo based on the DC Comics iconic character. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. --- Send in a voice message: https://podcasters.spotify.com/pod/show/tradepaperbacks/message --- Send in a voice message: https://podcasters.spotify.com/pod/show/rangerryan/message

Robert Benton is the winner of three Academy Awards for writing and directing Kramer vs. Kramer and Places in the Heart. This week, our Big Screen team talks with the Waxahachie native, who's in town to open the Dallas International Film Festival with the first movie he ever wrote – Bonnie and Clyde.

It's time for another Listener's Choice episode! This time, 2015 Pony Prize winner Ben Lott gets to select and he chose Peter Bogdanovich's 1972 screwball comedy “What's Up, Doc?” Join us – Pete Wright and Andy Nelson – as we delve into one of Ben's favorites. We talk about our initial expectations and experiences of this movie and how this film improves with conversation and when watched with a group of friends. We chat about the nature of screwball comedy and how it can be very difficult to jump back into an old genre but how well the writers David Newman, Robert Benton and Buck Henry pull it off here. We discuss our issues with the daffy dame played by Barbra Streisand and how she really compares to a psychopath or thief, despite the fact that once you get past the setup of the film, she really is a fun character that we grow to love. We chat about the other performers in the film, notably Ryan O'Neal and Madeline Kahn, and discuss what they bring to the table. And we talk about the nature of the comedy in the film and look at several sequences that stand out as the highlights. It's a really fun movie that we're glad to have seen, so thanks, Ben! So check out the movie then tune in to the conversation!

It's time for another Listener's Choice episode! This time, 2015 Pony Prize winner Ben Lott gets to select and he chose Peter Bogdanovich's 1972 screwball comedy “What's Up, Doc?” Join us – Pete Wright and Andy Nelson – as we delve into one of Ben's favorites. We talk about our initial expectations and experiences of this movie and how this film improves with conversation and when watched with a group of friends. We chat about the nature of screwball comedy and how it can be very difficult to jump back into an old genre but how well the writers David Newman, Robert Benton and Buck Henry pull it off here. We discuss our issues with the daffy dame played by Barbra Streisand and how she really compares to a psychopath or thief, despite the fact that once you get past the setup of the film, she really is a fun character that we grow to love. We chat about the other performers in the film, notably Ryan O'Neal and Madeline Kahn, and discuss what they bring to the table. And we talk about the nature of the comedy in the film and look at several sequences that stand out as the highlights. It's a really fun movie that we're glad to have seen, so thanks, Ben! So check out the movie then tune in to the conversation!

Meryl Streep won the first of her three Oscars for her supporting role in Robert Benton's 1979 film “Kramer vs. Kramer.” Of course, as of this episode, it's the second nomination for her out of nineteen nominations — more nominations than any other actor. And when you watch “Kramer vs. Kramer,” it's hard not to wonder why she won for supporting actress rather than actress. Sure, her screen time is much less than Dustin Hoffman, her co-star, but her role has an equal importance in the film (and if we're using the Hannibal Lecter argument, she clearly should have been nominated for Best Actress). Join us — Pete Wright and Andy Nelson — as we continue our Meryl Streep series, looking at some early films for which she received Oscar nominations, and this week talking about Benton's film. We chat about how this film hit us when we last saw it in college compared to how it hit us this go-around. Hint: much stronger now. We talk about the brilliant and honest performance from all of the actors, notably Streep, Hoffman, Justin Henry, Jane Alexander, Howard Duff and just a hint of JoBeth Williams. We discuss why this story works so well and what interesting topics it hits on. We chat about Benton and his career, and we touch on Néstor Almendros' beautiful cinematography. And we talk about how the film did at a time when big blockbuster films were all the rage. It's a film we love that also broke both of us. Watch it — everyone should see it — then tune in to this week's show.

Meryl Streep won the first of her three Oscars for her supporting role in Robert Benton's 1979 film “Kramer vs. Kramer.” Of course, as of this episode, it's the second nomination for her out of nineteen nominations — more nominations than any other actor. And when you watch “Kramer vs. Kramer,” it's hard not to wonder why she won for supporting actress rather than actress. Sure, her screen time is much less than Dustin Hoffman, her co-star, but her role has an equal importance in the film (and if we're using the Hannibal Lecter argument, she clearly should have been nominated for Best Actress). Join us — Pete Wright and Andy Nelson — as we continue our Meryl Streep series, looking at some early films for which she received Oscar nominations, and this week talking about Benton's film. We chat about how this film hit us when we last saw it in college compared to how it hit us this go-around. Hint: much stronger now. We talk about the brilliant and honest performance from all of the actors, notably Streep, Hoffman, Justin Henry, Jane Alexander, Howard Duff and just a hint of JoBeth Williams. We discuss why this story works so well and what interesting topics it hits on. We chat about Benton and his career, and we touch on Néstor Almendros' beautiful cinematography. And we talk about how the film did at a time when big blockbuster films were all the rage. It's a film we love that also broke both of us. Watch it — everyone should see it — then tune in to this week's show.