Podcast appearances and mentions of bergen kunsthall

Episode 476 / Zak PrekopZak Prekop (b. 1979, Chicago) is a Hudson Valley-based painter known for his intricate, nonrepresentational works. He holds an MFA from The School of the Art Institute of Chicago and a BFA from Carnegie Mellon University. Prekop has had solo exhibitions at Maxwell Graham Gallery, New York; Galería Marta Cervera, Madrid; Shane Campbell Gallery, Chicago; and Hagiwara Projects, Tokyo. His work is held in collections at the Walker Art Center, the Columbus Museum of Art, the Museum of Modern Art and the Carnegie Museum of Art. Notable group exhibitions include File Under Freedom at Bergen Kunsthall; Painter, Painter at the Walker Art Center and Greater New York at PS1. Prekop's first museum exhibition opens at the Aldrich Contemporary Art Museum in Ridgefield, CT in June.

Ep.156 features Thaddeus Mosley (b. 1926, New Castle, PA), a Pittsburgh-based artist whose monumental sculptures are crafted with the felled trees of Pittsburgh's urban canopy, via the city's Forestry Division. Using only a mallet and chisel, Mosley reworks salvaged timber into biomorphic forms. With influences ranging from Isamu Noguchi to Constantin Brâncuși—and the Bamum, Dogon, Baoulé, Senufo, Dan, and Mossi works of his personal collection—Mosley's sculptures mark an inflection point in the history of American abstraction. These “sculptural improvisations,” as he calls them, take cues from the modernist traditions of jazz. “The only way you can really achieve something is if you're not working so much from a pattern. That's also the essence of good jazz,” Mosley says of his method. Mosley is the recipient of the 2022 Isamu Noguchi Award. His work has been exhibited and acquired by major museums and foundations since 1959, including the Mattress Factory Museum, Pittsburgh, Pennsylvania (2009); the Carnegie Museum of Art, Pittsburgh, Pennsylvania (2018); Harvard Business School, Boston, Massachusetts (2020); Sculpture Milwaukee, Milwaukee, Wisconsin (2020); Baltimore Museum of Art, Baltimore, Maryland (2021); Bergen Kunsthall, Bergen, Norway (2022) and Art + Practice, Los Angeles, California (2022). His work is held in public collections including the Baltimore Museum of Art, Baltimore, Maryland; the Art Institute of Chicago, Chicago, Illinois; High Museum of Art, Atlanta, Georgia; Whitney Museum of American Art, New York, New York; Brooklyn Museum, New York, New York; Carnegie Museum of Art, Pittsburgh, Pennsylvania; and the Colby College Museum of Art, Waterville, Maine. His traveling solo exhibition Forest, previously at the Baltimore Museum of Art, Baltimore, and Art+Practice, Los Angeles, will continue on to the Nasher Sculpture Center, Dallas May 2023. Photo credit: the gallery Karma karmakarma https://karmakarma.org/artists/thaddeus-mosley/ NYTimes https://www.nytimes.com/2023/02/17/arts/design/thaddeus-mosley-photographer.html Dallas News https://www.dallasnews.com/arts-entertainment/visual-arts/2023/05/25/thaddeus-mosleys-rugged-wooden-sculptures-explore-balances-of-forces-at-the-nasher/ Artforum https://www.artforum.com/picks/thaddeus-mosley-82787 Sculpture Magazine https://sculpturemagazine.art/thaddeus-mosley-2/ Touchstone Center for Crafts https://touchstonecrafts.salsalabs.org/mosleystudiotour/index.html Pitt Magazine https://www.pittmag.pitt.edu/news/wood-work WSJ https://www.wsj.com/articles/a-modern-vision-henri-matisse-etta-cone-claribel-cone-collecting-thaddeus-mosley-forest-sculpture-baltimore-museum-of-art-11636142617 Carnegie Museums (1997) https://carnegiemuseums.org/magazine-archive/1997/mayjun/feat3.htm Noguchi Museum https://www.noguchi.org/museum/support/special-events/benefit/2022-11-17/ Nasher Sculpture Center https://www.nashersculpturecenter.org/press/press-releases/news/id/221 https://www.nashersculpturecenter.org/art/exhibitions/exhibition/id/1981?thaddeus-mosley-forest United States Artist https://www.unitedstatesartists.org/fellow/thaddeus-mosley/ Colby Museum https://museum.colby.edu/2022/08/05/art-break-directional-by-thaddeus-mosley-2/ Baltimore Museum of Art https://artbma.org/exhibition/thaddeus-mosley-forest ARTnews https://www.artnews.com/list/art-news/artists/paris-plus-sites-best-installations-1234643842/alicja-kwade/ A+P https://artandpractice.org/exhibitions/exhibition/thaddeus-mosley-forest/ Ocula https://ocula.com/art-galleries/karma/exhibitions/thaddeus-mosley-recent-sculpture/ Wikipedia https://en.wikipedia.org/wiki/Thaddeus_Mosley Mattress https://mattress.org/works/sculpture-studio-home/

- Jeg tenker at det eneste riktige å gjøre er å gå for det man brenner mest for, sier billedkunstner Ole Martin Lund Bø (48). De siste årene har hans kunstpraksis hatt et tydelige skifte i både form og metode. Før jobbet han konseptbasert med skulpturelle installasjoner og fotografi, mens han de siste årene har brukt tiden sin på å male abstrakte malerier. Ole Martin har hatt en aktiv kunstnerkarriere helt siden han gikk ut fra Kunstakademiet i Bergen for 20 år siden. Han har en rekke utstillinger bak seg, blant annet på Astrup Fearnley museet, Bergen Kunsthall, Fotogalleriet, Kunstnerforbundet og Melk. Verkene hans er kjøpt inn av blant annet Stavanger kunstmuseum, Kode, og Kulturrådet. Christina snakker med ham om å konstant tenke på kunst, om den skapende prosessen som de kommer frem til at minner om en trapp, om motgang og grubling og om å si ja til ting man ikke kan. Episoden er laget i samarbeid med Oslo Open, en årlig Oslo-happening hvor nesten 400 kunstnere ønsker publikum velkommen inn i aterlierene sine. I 2022 skjer det helgen 23-24 april. Intervjuet av Christina Skreiberg Foto: Privat

"dear fellow settler colonizer," is a Minus Plato series, rebroadcast on Broken Boxes for STTLMNT Digital Occupation as resource archive directed towards education of settler ancestors who may like to more relationally engage with work created by and centering Indigenous artists, such as with the STTLMNT project. “The show will explore the transformative work of contemporary global Indigenous artists from the explicitly problematic perspective of the settler colonizer. By critically examining our complicity in ongoing structures of colonial violence, the show offers tools for settler colonizers to engage with Indigenous artmaking beyond positions of exploitation, appropriation and other harmful moves to innocence.” "This episode will discuss approaches to curriculum for global Indigenous arts from within and beyond the settler institutions of the university and the museum. In addition to an ongoing conversation on this topic with Cannupa Hanska Luger, concept artist of STTLMNT: Indigenous Digital Occupation, the episode centers on a narrative by Jaime Morse, educator for Indigenous Programs and Outreach at the National Gallery of Canada, Ottawa. Focusing on her experience as an educator at the two large-scale exhibitions of global Indigenous art, Sakahàn (2013) and Àbadakone (2019), Morse describes the work of Sámi architect and artist Joar Nango (Sámi Architectural Library, 2019) at the latter as a space of gathering and knowledge exchange, not only for other artists in the exhibition, but also for Indigenous community members. At the beginning and end of the episode are two spoken word pieces by writer, artist and curator Taqralik Partridge, of Inuit, Scottish and Canadian heritage: ‘Decolonisation is a Pyramid Scheme' and ‘Untitled'. The former was included in a TV show created by Joar Nango and Ken Are Bongo called Post-Capitalist Architecture TV for Bergen Kunsthall, while the latter was included in NIRIN: 22nd Sydney Biennale, curated by Brook Andrew. ‘Untitled' was originally written following a performance by Indigenous Brazilian artist Denilson Baniwa in Toronto and Partridge agreed for it to be included in today's episode with a request for donations to support the South American Indigenous Network Emergency Fund – here is the link to donate: www.gofundme.com/f/south-american…k-emergency-fund " -Minus Plato

"dear fellow settler colonizer," is a Minus Plato series, rebroadcast on Broken Boxes for STTLMNT Digital Occupation as resource archive directed towards education of settler ancestors who may like to more relationally engage with work created by and centering Indigenous artists, such as with the STTLMNT project. “The show will explore the transformative work of contemporary global Indigenous artists from the explicitly problematic perspective of the settler colonizer. By critically examining our complicity in ongoing structures of colonial violence, the show offers tools for settler colonizers to engage with Indigenous artmaking beyond positions of exploitation, appropriation and other harmful moves to innocence.” "This episode will discuss approaches to curriculum for global Indigenous arts from within and beyond the settler institutions of the university and the museum. In addition to an ongoing conversation on this topic with Cannupa Hanska Luger, concept artist of STTLMNT: Indigenous Digital Occupation, the episode centers on a narrative by Jaime Morse, educator for Indigenous Programs and Outreach at the National Gallery of Canada, Ottawa. Focusing on her experience as an educator at the two large-scale exhibitions of global Indigenous art, Sakahàn (2013) and Àbadakone (2019), Morse describes the work of Sámi architect and artist Joar Nango (Sámi Architectural Library, 2019) at the latter as a space of gathering and knowledge exchange, not only for other artists in the exhibition, but also for Indigenous community members. At the beginning and end of the episode are two spoken word pieces by writer, artist and curator Taqralik Partridge, of Inuit, Scottish and Canadian heritage: ‘Decolonisation is a Pyramid Scheme' and ‘Untitled'. The former was included in a TV show created by Joar Nango and Ken Are Bongo called Post-Capitalist Architecture TV for Bergen Kunsthall, while the latter was included in NIRIN: 22nd Sydney Biennale, curated by Brook Andrew. ‘Untitled' was originally written following a performance by Indigenous Brazilian artist Denilson Baniwa in Toronto and Partridge agreed for it to be included in today's episode with a request for donations to support the South American Indigenous Network Emergency Fund – here is the link to donate: www.gofundme.com/f/south-american…k-emergency-fund " -Minus Plato

We discuss: definition of Kunsthall, Arts funding in Norway, political art, collectable art, how he finds new artists, professional networks, artist statements, art should encourage conversation.   People + Places mentioned: Julia Stoschek Collection - https://www.jsc.art Friedrich Christian Flick Collection - http://www.fcflick-collection.com/why-berlin   3 artists he is looking at: Joar Nango - https://www.kunsthall.no/?k=1&id=26&aid=3057&ark=1&aar=2020&arrtID=6&ArrLokID=1&index=2 Sandra Mujinga - https://www.sandramujinga.com Martine Syms - https://martinesy.ms   https://www.kunsthall.no   Hosted by Matthew Dols http://www.matthewdols.com   Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway https://eeagrants.org             and we appreciate the assistance of our partners in this project: Hunt Kastner - https://huntkastner.com Kunstsentrene i Norge - https://www.kunstsentrene.no               Transcript available: https://wisefoolpod.com/transcript-for-episode-177-director-of-bergen-kunsthall-axel-wieder-norway/  

We discuss: definition of Kunsthall, Arts funding in Norway, political art, collectable art, how he finds new artists, professional networks, artist statements, art should encourage conversation.   People + Places mentioned: Julia Stoschek Collection - https://www.jsc.art Friedrich Christian Flick Collection - http://www.fcflick-collection.com/why-berlin   3 artists he is looking at: Joar Nango - https://www.kunsthall.no/?k=1&id=26&aid=3057&ark=1&aar=2020&arrtID=6&ArrLokID=1&index=2 Sandra Mujinga - https://www.sandramujinga.com Martine Syms - https://martinesy.ms   https://www.kunsthall.no   Hosted by Matthew Dols http://matthewdols.com Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway https://eeagrants.org and we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no   Transcript available: http://wisefoolpod.com/transcript-for-episode-177-director-of-bergen-kunsthall-axel-wieder-norway/  

What's Love Got To Do With It? is a three-part podcast series about Radical Love. In the second episode, poets Alice Notley and Precious Okoyomon converse together for the first time to discuss how they tune into interconnectedness, why dreaming together might forge collective states of belonging, and ask each other how love moves them and the world. Sharing their poetry and its rootedness in their personal histories – as well as their hopes for the future – Notley and Okoyomon render visions of intergenerational lives in continuous acts of translation. What’s Love Got To Do With It? is programmed and curated by Beatrice Gibson, produced by Alannah Chance, and features unique compositions by Crystabel Riley and Seymour Wright. It is a commission by Bergen Kunsthall; Camden Art Centre, London; KW Institute for Contemporary Art, Berlin; and Mercer Union, a centre for contemporary art, Toronto.

What's Love Got To Do With It? is a three-part podcast series about Radical Love. The final episode of this podcast series is a conversation between two friends: Ariana Reines and Sophie Robinson, poets and educators who look to spaces of hospitality for connection and kinship. Sharing their poetry and the experiences that shaped its writing, the pair discuss possibilities for care despite institutional cruelty, getting sober as an act of radical love, and how the Sun and Moon communicate very different and sometimes uncomfortable truths to Reines and Robinson respectively. What’s Love Got To Do With It? is programmed and curated by Beatrice Gibson, produced by Alannah Chance, and features unique compositions by Crystabel Riley and Seymour Wright. It is a commission by Bergen Kunsthall; Camden Art Centre, London; KW Institute for Contemporary Art, Berlin; and Mercer Union, a centre for contemporary art, Toronto.

What's Love Got To Do With It? is a three-part podcast series about Radical Love. In this first episode, CAConrad and LeAnne Howe share an intensely personal conversation with one another about First Lady Mary Todd Lincoln, who insisted she was tormented by an Indigenous Spirit – a reminder that her husband’s record on racial equality is fraught with violence and oppression; AIDS and loving during the Reagan years; and the new horizons created by the Black Lives Matter movement. Please note: this episode contains sensitive content from the start. What’s Love Got To Do With It? is programmed and curated by Beatrice Gibson, produced by Alannah Chance, and features unique compositions by Crystabel Riley and Seymour Wright. It is a commission by Bergen Kunsthall; Camden Art Centre, London; KW Institute for Contemporary Art, Berlin; and Mercer Union, a centre for contemporary art, Toronto.

Nymaterialisme er et it-ord på kunstscenen for tiden. Men hva betyr det egentlig? Kunsthistoriker Stephanie Serrano Sundby forklarer at denne teorien egentlig kan ses på som en form for konseptkunst, ikke nødvendigvis forankret i materialer. Vi snakker om utstillingen Earth, Wind, Fire, Water på Galleri F 15 i Moss og Joar Nangos Festspillutstilling i Bergen Kunsthall som begge problematiserer naturen på forskjellig vis. Kunstkritiker Mona Pahle Bjerke ser røde tråder mellom begge utstillingene. Forfatter Ánne Márjá Guttorm Graven forteller om samisk kulturs nydelige sameksistens med naturen – og det triste faktum at samene nå må gå mot sin natur for å faktisk få en historie. See omnystudio.com/listener for privacy information.

Episode 6. Martin Clark is a curator and the director of Camden Art Centre in London. Art has taken Martin all over the world. From the Arnolfini in Bristol and Tate St Ives in Cornwall to the Bergen Kunsthall in Norway. Sharing his love of new art and artists is what drives Martin every day. The Botanical Mind: Art, Mysticism and The Cosmic TreeThis exhibition just opened at https://camdenartcentre.org/ (Camden Art Centre) in London – on until December 23. The Botanical Mind brings together the work of over 50 artists, spanning more than 500 years, to investigate the ongoing significance of the plant kingdom to human life, consciousness & spirituality. Listen to this episode to hear Martin Clark speak about the inspiration behind this show. Plus the necessary twists and turns brought on by a certain… worldwide pandemic. Not something you're expecting to happen right when an exhibition is scheduled to open! Art & The Environment:A more sustainable global perspective. Yes, we can still be committed to internationalism. But how can the art world be more sustainable? Artist residencies and virtual exhibition walkthroughs are just a couple of possibilities. Foster local creativity but still reach out and celebrate our multicultural world. Finding creative solutions. There's loads of work still to be done as we all consider the environmental impact of our businesses, our lives. Does that mean less flying? Fewer big exhibitions travelling the world? Let's all find ways to continue to explore, make connections and celebrate the diverse world we live in. Further Inspiration:https://www.theguardian.com/books/2020/mar/30/funny-weather-art-in-an-emergency-olivia-laing-review (Olivia Laing: Funny Weather) A fantastic collection of essays on art and artists. http://olivialaing.co.uk/lonely-city (Olivia Laing: The Lonely City) A different take on loneliness: “that loneliness could be a really productive, creative and special space, particularly for art and the making of art”. https://norwegianrain.com/ (Norwegian Rain) Made in Bergen. “The philosophy is simple. Hard core functional and waterproof outerwear that does not compromise on style. The hi-tech is hidden”. Gorgeous rainwear to make you welcome the rain! Seasonal Colour Analysis:Ever wondered why certain colours suit you more than others? Discovering your true colours is a transformative experience. It's like having a face lift… but better. Wearing your true colours evens out your complexion, makes you look more youthful and energetic, and is a brilliant confidence booster. Wearing your true colours is also likely to get the compliments flowing. What to know a little secret? It's all about your skin tone. And how colour reflecting close to your face reacts with your skin. Colour analysis is a powerful blend of genetics, science and psychology. Alexandria helped Martin discover his true colours shortly before the pandemic hit the UK. Have a listen to this episode to hear more about Martin's experience. Full show notes for this episode: https://alsoinpink.com/6-martin-clark/ (visit our official site) And, wherever you get your podcasts: https://ratethispodcast.com/alsoinpink (Rate & Review ALSO in PINK) Thank you for your support!

The Renaissance Society is a contemporary art space that has a very strong character when it comes to architectural design. Artist David Maljković describes it as a “monumental space that is one dimensional with a really particular condition of light.” The vinyl floors are so present—not concrete or plastic—they are tactile. Known for his collaborative approach to curation and attention to details, Maljković worked with Renaissance Society curator Karsten Lund for the exhibit “Also on View,” to select works that complement the space. The Weekly’s Manisha AR, sat down with both artist and curator to go behind the scenes of the exhibit and talk about the ways in which the space inspired the show. You can read the review of the show here: https://southsideweekly.com/look-dont-touch-david-maljkovic-renaissance-society/ Croatian-born David Maljković has lived in many cities in Europe. He currently lives and works in Zagreb, Croatia. He has presented solo exhibitions at Palais de Tokyo in Paris; Van Abbe museum, Eindhoven; Bergen Kunsthall, Norway; BALTIC Centre for Contemporary Art, UK; Museo Reina Sofía, Madrid; MoMA PS1, New York; and several other museums and galleries. His work has been included in prominent group exhibitions around the world such as the 56th Biennale di Venezia, 29th Sao Paulo Biennial, and two of the Istanbul Biennials, among many others. Chicago-based curator Karsten Lund has been with the Renaissance Society for the past three years and curated multiple shows in the space. Prior, he worked as a Curatorial Assistant at the Museum of Contemporary Art Chicago and as a Research Fellow and Guest Curator with the Museum of Photography. “Also on View” is open until April 7, 2019. There will be an exhibition walk-through with curator Karsten Lund, at 3pm on Saturday April 6th. For more information visit http://renaissancesociety.org. Music heard during this episode is “Ambient Documentary Build Up #02” by tyops (CC BY 3.0). For more news, visit www.southsideweekly.com.

En samtale mellom Eileen Myles og CAConrad. Hvordan praktiserer man poesi? Og hvordan ser et liv i poesiens tjeneste ut? Vi har invitert de poetiske superstjernene Eileen Myles og CAConrad til en samtale om poetisk praksis og kunsten å leve et vilt og poetisk liv. Eileen Myles er en av USAs største nålevende poeter. Hun har utgitt over tyve bøker i ulike genre. CAConrad kommer fra Pennsylvania, USA. Hans poesi utforsker blant annet grensene for selvet og de andre. Eileen Myles er en av hans viktigste inspirasjonskilder. Arrangementet er et samarbeid mellom Bergen Kunsthall og Litteraturhuset i Bergen i forbindelse med Beatrice Gibsons utstilling I Couldn't Sleep in My Dream, 25. januar–31. mars, Bergen Kunsthall. Utstillingen viser Gibsons nye film Hope I'm Loud When I´m Dead (2018) som er et portrett av de amerikanske poetene CAConrad og Eileen Myles.

Hvordan praktiserer man poesi? Og hvordan ser et liv i poesiens tjeneste ut? Vi har invitert de poetiske superstjernene Eileen Myles og CAConrad til en samtale om poetisk praksis og kunsten å leve et vilt og poetisk liv. Eileen Myles er en av USAs største nålevende poeter. Hun har utgitt over tyve bøker i ulike genre. CAConrad kommer fra Pennsylvania, USA. Hans poesi utforsker blant annet grensene for selvet og de andre. Eileen Myles er en av hans viktigste inspirasjonskilder. Arrangementet er et samarbeid mellom Bergen Kunsthall og Litteraturhuset i Bergen i forbindelse med Beatrice Gibsons utstilling I Couldn’t Sleep in My Dream, 25. januar–31. mars, Bergen Kunsthall. Utstillingen viser Gibsons nye film Hope I'm Loud When I´m Dead (2018) som er et portrett av de amerikanske poetene CAConrad og Eileen Myles.

German curator and writer Axel Wieder visits Brisbane for the first time, speaking at the IMA. Wieder is currently the director of Bergen Kunsthall in Norway and was previously the director of Index— the Swedish Contemporary Art Foundation in Stockholm (2014-2018), and head of program at Arnolfini Centre of Contemporary Arts in Bristol (2012-2014). In this talk he discusses his time working on past projects, speaking specifically about the city as field of resonance, exhibitions as activities, and his experiences at both smaller and larger institutions.

In our third episode in this series, we feature artists Stine Janvin Motland, Kususm Normoyle and Mette Rasmussen in a live recording from Bergen Kunsthall. Combining a panel discussion and live performances, this episode explores how the artists find and continue to search for their sound, the use of the body to create these sounds, the materiality of sound, and the nature of collaboration. The episode is presented in the playlist below where you will also find full recordings of the evening's performances—Stine Janvin Motland's presentation of Fake Synthetic Music, an exercise imitating an electronic instrument, and Kusum Normoyle and Mette Rasmussen's premiere improvisational performance, a culmination showcasing their two week journey through the Norwegian landscape.

Vi gir deg vår mening om DNS nye hovedoppsetning, Underlandet som hadde premiere på lørdag. I ordklubben prøver vi en ny vri hvor vi leser opp litt enkle sangtekster og prøver å gi de litt mer kulturell tyngde. I tillegg har hele skummagjengen vært og sjekket ut HEX på Bergen Kunsthall. Masterutstillingen til KHiB som åpnet fredag. I studio: Ina, Mari og Samantha Produsent: Ann-Kristin Korneliussen

I dagens sending har vi mange gjester! Vi snakker med Hooman Sharifi og Magnus Myhr fra Carte Blanche, som skal ha en danseaksjon på KODE fra 19-22 nov. Eirik Hitland Johannessen og Ann-Kristin Stølan kommer fra Bergen Art Book Fair for å snakke om art books og festivalen de arrangerer på Bergen Kunsthall i helgen. I tillegg har Andrea snakket med forfatter, Marit Eikemo om hennes nye bok, Alt Inkludert. I studio: Ina, Julian og Samantha. Produsent: Kasper Valestrand

"So I was obsessed with smoke on a number of levels and I had to smoke like 20 cigarettes an hour in order to produce these pictures which was supposedly going to help me quit." Eileen Quinlan's photographic work explores the history, the tradition, and the boundaries of the medium itself. She has had amazing success as a working artist, Eileen is represented by Campoli Presti in London and Miguel Abreu in New York. She and her husband, Cheney Thompson, moved to Brooklyn to an old garage that they shared with friends to help pay for the rent and then eventually purchased the building to use as their studio. They live and work in Brooklyn. Check out her work at: http://eileenquinlan.com Hosts: Michael Chovan-Dalton and Kai McBride Mentioned during the show: - Campoli Presti Gallery: http://www.campolipresti.com/eileen-quinlan-@/artists.html?artist=10&page=images - Miguel Abreu Gallery: http://miguelabreugallery.com/EileenQuinlan.htm - Cheney Thompson: http://www.andrewkreps.com/artist/cheyney-thompson - Wols - Alfred Otto Wolfgang Schulz http://www.tate.org.uk/art/artists/wols-alfred-otto-wolfgang-schulze-2164 - The Chapman Brothers: http://jakeanddinoschapman.com - The upcoming January show, "Image Support", at Bergen Kunsthall in Norway is with fellow artists, Ann Cathrin November Høibo, Marieta Chirulescu, and Lucas Black. Visit www.thephotoshow.org Follow us on Twitter twitter.com/realphotoshow and on Instagram instagram.com/realphotoshow/ Like us on Facebook www.facebook.com/realphotoshow Music by @pataphysics-1 on Soundcloud

In this episode of Urbanomic's Yarncast series, Urbanomic director Robin Mackay and artist Paul Chaney talk about the ideas behind the project and some of the background to their work. Recorded at Bergen Academy of Art and Design. Yarncast is a series of podcasts produced by Urbanomic as a part of the research residency project The Ultimate Yarnwork at Bergen Kunsthall in January–February 2015 (www.urbanomic.com/event-uf34-details.php), and featuring in depth interviews with writers and thinkers from a variety of disciplines, centered around the concepts of plot and plotting.

In this episode of Urbanomic’s Yarncast series, artist Amanda Beech (www.amandabeech.com) discusses the compelling power of crime fiction, TV shows and movies, the materiality of language and image, and how her video work interrogates the subject-positions and theories of knowledge and power embedded in these popular narratives. Yarncast is a series of podcasts produced by Urbanomic as a part of the research residency project The Ultimate Yarnwork at Bergen Kunsthall in January–February 2015 (www.urbanomic.com/event-uf34-details.php), and featuring in depth interviews with writers and thinkers from a variety of disciplines, centered around the concepts of plot and plotting.

In this episode of Urbanomic’s Yarncast series, Norwegian crime writer Gunnar Staalesen, creator of the private detective Varg Veum (www.vargveum.no) discusses his career, how plots are constructed, and the influence of Norway, and especially his hometown of Bergen, on his brand of ‘nordic noir.’ With readings by Staalesen from the English-language translations of his Varg Veum novels. Yarncast is a series of podcasts produced by Urbanomic as a part of the research residency project The Ultimate Yarnwork at Bergen Kunsthall in January–February 2015 (http://www.urbanomic.com/event-uf34-details.php), and featuring in depth interviews with writers and thinkers from a variety of disciplines, centered around the concepts of plot and plotting.

In this episode of Urbanomic’s Yarncast series, strategist Benedict Singleton (www.benedictsingleton.com) discusses the longstanding suspicion of design as a practice of illicit manipulation, the concept of the trap, and the difference between plots and plans. Yarncast is a series of podcasts produced by Urbanomic as a part of the research residency project The Ultimate Yarnwork at Bergen Kunsthall in January–February 2015 (http://www.urbanomic.com/event-uf34-details.php), and featuring in depth interviews with writers and thinkers from a variety of disciplines, centered around the concepts of plot and plotting.

In this episode of Urbanomic’s Yarncast series, creative consultant Allison Evans tells us about her work developing and preparing visual presentations for the courtroom, transforming facts into a compelling plot that will bring the jury on side. Yarncast is a series of podcasts produced by Urbanomic as a part of the research residency project The Ultimate Yarnwork at Bergen Kunsthall in January–February 2015 (http://www.urbanomic.com/event-uf34-details.php), and featuring in depth interviews with writers and thinkers from a variety of disciplines, centered around the concepts of plot and plotting.

In this episode of Urbanomic’s Yarncast series, architect and theorist Eyal Weizman discusses his Forensic Architecture project (http://www.forensic-architecture.org/), and explains why the defence of victims of state violence demands a counterforensics that introduces new types of evidence, new modes of intervention, and operates outside the courtroom, generating new public forums. Yarncast is a series of podcasts produced by Urbanomic as a part of the research residency project The Ultimate Yarnwork at Bergen Kunsthall in January–February 2015(http://www.urbanomic.com/event-uf34-details.php), and featuring in depth interviews with writers and thinkers from a variety of disciplines, centered around the concepts of plot and plotting.

In this episode of Urbanomic’s Yarncast series, Professor Henry Turner, author of The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630, discusses how the modern concept of ‘plot’ emerged during the early modern era in the theatre, where playwrights such as Ben Jonson and Thomas Dekker inhabited an artisanal milieu galvanized by the popular diffusion of practical geometry. Yarncast is a aeries of podcasts produced by Urbanomic as a part of the research residency project The Ultimate Yarnwork at Bergen Kunsthall in January–February 2015 (http://www.urbanomic.com/event-uf34-details.php), and featuring in depth interviews with writers and thinkers from a variety of disciplines, centered around the concepts of plot and plotting.

I dagens sending har vi hatt besøk av direktør ved Bergen Kunsthall, Martin Clark, Jarand har besøkt 3,14 og snakket med Angelica Dass, og vi har tatt for oss den vanlige kulturkalenderen. I studio: Jarand Waaland , Runa Falck Langaas og Ina Hilton.

Skumma Kulturs sending fra 28. januar 2013 Skumma Kultur tar for seg Bergen Kunsthall og gjenåpningen av Landmark. Til anledningen har Magnus blant annet fått snakke med Bergen Kunsthalls daglige leder Stein Inge Århus og kurator Steinar Sekkingstad. Karoline har tatt en nærmere titt på utstillingen "Plastic Reef" av Maarten Vanden Eynde på Hordaland Kunstsenter, og "Endre leser" er Endres nye spalte hvor mannen bak spalten leser opp en fargerik historie eller et poetisk dikt. I studio: Runa, Karoline og Endre. Innslag: Magnus, Karoline, Endre.

I desse dagar er det Brecht premiere både i Bergen, Oslo og Trondheim med sine antikapitalistiske teaterstykke. Vi har anmeldt "Mor Courage og hennes barn" på DNS. Hvordan fange kompleksiteten i det sør-afrikanske samfunn under og etter apartheid? Bergen Kunsthall gir deg svaret med årets første hovedustilling, Chasing Shaddows av Santu Mofokeng. Hvordan bli mer kreativ i året 2012? Kjenenr du til Austin Kleon? Litteratur gjennom sosiale medier. I studio: Fredrik Longva, Sunniva Rebbestad og Magnus Romslo Lindvik (Bidragsytere: Fredrik Longva, Sunniva Rebbestad og Magnus Romslo Lindvik)

Barneteater, bøker og videokunst er tema for denne sendingen. Magnus har sett "Snehvit og de syv dvergene", mens Kristina har beveget seg under overflaten på "Blå Jakt" på DNS. Thea Janssen ved Bergen Offentlige Bibliotek forteller om prosjektet "Bergen leser", mens Ingrid Margrethe Thorvaldsen har vært på Bergen Kunsthall og lært seg hva kunstfilm egentlig er. Ta en lytt!

Skumma kultur har heile tre gjester å skilte med denne sendinga; Linda Børnes frå Proscen, Paula Crabtree frå Kunsthøgskulen i Bergen og Stein-Inge Århus frå Bergen kunsthall. I tillegg mimrar me litt frå 2009 og tar med oss bokrulletten inn i det nye tiåret.