Podcasts about urbanomic

BACK with some of the world's foremost experts on NOISE: Mattin & Inigo Wilkins.Relevant links include:The Noise Research Union (NRU) which involves both Mattin and Inigo alongside founding members Cécile Malaspina, Martina Raponi, Miguel Prado, and Sonia de Jager.Mattin's AWESOME book Social Dissonance (out on Urbanomic).Mattin's podcast Social Discipline.Inigo Wilkin's UPCOMING book, which is obviously going to be amazing, which will be released on Urbanomic: Irreversible Noise (here's a sneak peak from an interview with Nina Protocol).

BIBLIOTECA SUBMERSA é a nova série de episódios do Podcast da Raphus Press, uma ironia bastante séria com o conceito de canônico e marginal, de popular e elitista, de aceito e não aceito, a partir das obras de autores que, aparentemente, tinham alguma influência (ou relevância) de certas obras ou autores no passado e que, hoje, parecem ausentes das livrarias, cadernos culturais, canais de vídeo na Internet. Nossa inspiração é Jorge Luis Borges e uma conhecida citação de Virginia Woolf: “Livros usados são selvagens, destituídos; surgem em grandes bandos de penas variadas e possuem certo encanto que falta aos volumes domesticados de uma biblioteca.” Episódio de hoje: Abismos dentro de outros abismos (Michael Uhall e o horror filosófico) Obras citadas: “The Frost Crabs of Friedrich Wilhelm Nietzsche”, Michael Uhall (Mount Abraxas, 2024); “Diante da dor dos outros”, Susan Sontag (Companhia das Letras, 2003); “Aristote et les pirates tyrrhéniens (A propos des fragments 60 Rose du Protreptique)”, Jacques Brunschwig (in Revue Philosophique de La France et de l'Étranger, vol. 153, 1963); “The Corpse Bride: Thinking with Nigredo”, Reza Negarestani (in Collapse IV: Concept Horror, Urbanomic, 2012). O texto de Jacques Brunschwig pode ser encontrado na JSTOR: https://www.jstor.org/stable/41089288 Última chance de Mügle! https://www.catarse.me/mugle_late_pledge Entre para a nossa sociedade, dedicada à bibliofilia maldita e ao culto de tenebrosos grimórios: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html). Nosso podcast também está disponível nas seguintes plataformas: - Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs - Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4 - Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus. Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html. Nossos livros também estão no Sebo Clepsidra: https://www.seboclepsidra.com.br/marca/raphus-press.html

This week Amy Ireland and Maya B. Kronic joined Cooper and Taylor to discuss their collaborative project, Cute Accelerationism. Amy Ireland is a theorist and experimental writer based in Melbourne, Australia. Her research focuses on questions of agency and technology in modernity, and she is a member of the techno-materialist trans-feminist collective, Laboria Cuboniks. Maya B. Kronic (they/them) is a philosopher and Head of Research and Development at the publisher Urbanomic, which aims to engender interdisciplinary thinking and production. The Agent, patient, and product of ongoing research project on gender hyperstition and cute accelerationism. Links: Book: https://www.urbanomic.com/book/cute-accelerationism/ Support us on Patreon: https://www.patreon.com/muhh Twitter: @unconscioushh

Benjamin Bratton writes about world-spanning intelligences, grinding geopolitical tectonics, “accidental megastructures” of geotechnical cruft, the millienia-long terraforming project through which humans rendered an earth into a world, and the question of what global-scale order means in the twilight of the Westphalian nation-state.Candidly, if either of us were to recommend a book to help you understand the present state of ‘politics' or ‘technology', we'd probably start with Bratton's The Stack — written 10 years ago, but still very much descriptive of our world and illuminative of its futures.If the first 10 minutes are too “tech industry” for you — just skip ahead. The whole conversation is seriously fire, and it spikes hit after hit of takes on privacy, bias, alignment, subjectivity, the primacy of the individual … all almost entirely unrepresented within the Discourse.Some references:We briefly talk about EdgeML, which essentially means the execution of ML models on small computers installed in a field location.Benjamin mentions his collaboration with renowned computer scientist and thinker Blaise Agüera y Arcas, whose work on federated learning is relevant to this stage of the conversation. Federated learning involves a distributed training approach in which a model is updated by field components who only transmit changes to a model therefore retaining the security of local training sets to their own environments only. Also - here's a link to their collaboration on “The Model is the Message."Benjamin calls himself a bit of an “eliminative materialist” “in the Churchland mode,” meaning someone who believes that “folk psychologies” or “folk ontologies” (theories of how the mind works from metaphysics, psychoanalysis, or generalized psychology) will be replaced by frameworks from cognitive science or neuroscience.Benjamin calls out a collaboration with Chen Quifan. Check out Waste Tide — it's excellent sci-fi.The collaboration with Anna Greenspan and Bogna Konior discussed in the pod is called “Machine Decision is Not Final” out on Urbanomic.Shoshana Zuboff is a theorist who coined the term “surveillance capitalism,” referring to capital accumulation through a process of ‘dispossession by surveillance.' The implicit critique of “surveillance capitalism” in this episode hinges on its overemphasis on individual sovereignty.“Tay” was the infamous AI Twitter Chatbot Microsoft rolled out for 16 hours before pulling back for its controversial content.Antihumanism refers to a rejection of the ontological primacy and universalization of the human afforded to it through the philosophical stance of “humanism.” An “antihumanist" is someone who challenges the stability of the concept of the “human” or at very least its salience in cosmic affairs.Check out Benjamin's new piece on Tank Mag (Tank.tv), it's fire. And check out Anna Kornbluh's AWESOME “Immediacy, or The Style of Too Late Capitalism” on Verso.

Luciana Parisi has produced some of the 21st century's most daring and bold work in the theories of cybernetics, information, and computation. Her work has had a major impact on both Marek and Roberto's artistic practices, specifically her early work in the inorganic components of human reproduction. Just a brief content note — we mention some complex topics including consent and suicide at the top of the pod, specifically in the context of David Marriott's concept of “Revolutionary Suicide”. These concepts are not extensively discussed throughout, but are nonetheless heavy topics. We strongly recommend three texts in parallel with this conversation:Probably Marek's favorite piece of theory: Abstract Sex: Philosophy, Biotechnology and the Mutations of DesireA book more specifically scoped to the subject of this conversation, which attacks the biophysicalist metaphors at the ground of how AI research markets itself: Contagious Architecture: Computation, Aesthetics, and SpaceThe essay: The Alien Subject of AI.Some references from the conversation that are likely interesting to any listener:If you haven't read Octavia Butler's Xenogenesis (renamed Lilith's Brood), we strongly recommend these amazing pieces of science fiction.If you're unfamiliar with the CCRU, play around on the CCRU website and buy this unhinged compendium from our friends at Urbanomic (they have a super sexy new edition just out now). If you haven't read Sadie Plant's Zeroes + Ones: Digital Women and the New Technoculture, it's seriously an essential read if you're interested in computation.We briefly make fun of the feature film “The Creator”, which it looks like you can stream on major platforms. We mention this in the context of Delueze and Guattari's “War Machine” — we recommend their “Nomadology: The War Machine” (if you follow Marek on Instagram, you'll note that he's obsessed with the exteriority of war machines from the state).When we start to talk about information theory, Luciana mentions Claude Shannon (one of the fathers of modern information theory), Cecile Malaspina (“An Epistemology of Noise”), and Karen Barad (“What is the Measure of Nothingness?”).Francois Laruelle is a major influence to Luciana here, in her chapter in Choreomata, and elsewhere. His corpus of work is famously intractable, but her chapter in Choreomata is a good way in.Luciana mentions Holly Herndon's work (we strongly recommend Holly+ and https://haveibeentrained.com/, alongside her and Mat Dryhurst's podcast, which was a huge inspiration to us when starting Disintegrator).Everyone should read Hito Steyerl's work “Mean Images” on NLR as they should Sylvia Wynter's “Towards the Autopoetic Turn/Overturn, its Autonomy of Human Agency and Extraterritoriality of (Self-)Cognition”.

NFT, BTC, DAO, ETH, WAGMI, HODL. It would have been hard to avoid these acronyms only a year ago. The hype around cryptocurrencies and blockchain art was almost as annoying as the glee with which crypto sceptics welcomed the sudden onset of the crypto winter. But for all the popularity of Bored Apes and Ponzi scheme stories, there seems to have been little serious engagement with the philosophical, political, and aesthetic implications of the blockchain. The academy appears to have dismissed the crypto world out of hand, citing its financial unviability and the deeply 'problematic' philosophical foundations of its technology. Rhea Myers is a crypto artist, writer, and hacker who searches for faces in cryptographic hashes, follows a day in the life of a young shibe in the year 2032, and patiently explains why all art should be destructively uploaded to the blockchain. Her engagement in the technical history and debates in blockchain technology is complemented by a broader sense of the crypto movement and the artistic and political sensibilities that accompanied its ascendancy. Remodelling the tropes of conceptual art and net art to explore what blockchain technology reveals about our concepts of value, culture and currency, Myers's work has become required viewing for anyone interested in the future of art, consensus, law, and collectivity. Rhea Myers speaks to Pierre d'Alancaisez about art's role in mapping and shaping the emergent properties of blockchain technologies, the crypto-libertarian, anarchy-capitalist nexus, and the enduring legacy of the conceptual art movement. Proof of Work brings together annotated presentations of Myers's blockchain artworks with essays, reviews, and fictions—a sustained critical encounter between the cultures and histories of the artworld and crypto-utopianism, technically accomplished but always generously demystifying and often mischievous. PostScript Viruses, 1993 Portrait of V.I. Lenin With Cap, in the Style of Jackson Pollock III by Art & Language Furtherfield Gallery Is Art, 2014/15, Art Is, 2014/17 Certificate of Inauthencity, 2020 Rhea Myers is an artist, writer, and blockchain developer and activist. Now an acknowledged pioneer whose work has graced the auction room at Sotheby's, Myers focussed on blockchain tech in 2011, becoming one of the first artists to enter into creative, speculative, and conceptual engagement with ‘the new internet'. Proof of Wok: Blockchain Provocations 2011-2021 Rhea Myers Published by Urbanomic, 2022ISBN 9781915103048 ************* Find many more interviews, projects, and my writing at https://petitpoi.net/ You can sign up for my newsletter at https://petitpoi.net/newsletter/ Support my work: https://petitpoi.net/support/

In the three-part podcast series Listening to the In-Between we highlight different aspects of Pauline Oliveros's Deep Listening® practice. We do so by providing backgrounds, practical listening exercises, and by exploring theoretical notions connected to Deep Listening.   In part I researcher and music journalist Joep Christenhusz explored Deep Listening, together with Ed McKeon and Ximena Alarcón, who are well-experienced deep listeners. Alarcón described the INTIMAL App© that she has developed over the last years.   In the second episode, Deep Listener Sharon Stewart invited us to participate in embodied rituals of attention, a practice of listening to or sensing aspects of power and powerlessness in the world that surrounds us. This reconnected her to the ground-breaking work of Audre Lorde, “Uses of the Erotic: The Erotic as Power”. In this third and final instalment, 'Thinking with our Ears', Joep Christenhusz returns to Ed McKeon and Ximena Alarcón, featuring Sharon Stewart as well. They consider Oliveros's Deep Listening practice from several theoretical perspectives, thereby taking into account that theory and practice are always closely intertwined in Oliveros's work.    Starting from the Extreme Slow Walk, an exercise in sonic awareness, they navigate a fluid in-between space, where conventional binaries like theory-practice, self-other, active-passive and subject-environment start to dissolve. This outward and inward journey results in embodied knowledge about, among other things, the nature of attention and concentration, our relation to our environment and our experience of self.   The second part of this episode consists of a conversation with Ximena Alarcón on the notions of the in-between, sonic migrations, and the migratory experience, and reflections on the role of language in the presence and experience of self.   Show Notes In the podcast you hear the following audio fragments: Pauline Oliveros, Stuart Dempster, Panaiotis, Album Deep Listening, track 1, ‘Lear', reproduced by permission of PoP and MoM Publications. (Pauline Oliveros Publications & Ministry of Maåt). All Rights Reserved. Members ASCAP References Meditation number 5, ‘Native', from: Pauline Oliveros (1971). Sonic Meditations. PoP and MoM Publications (Pauline Oliveros Publications & Ministry of Maåt).   Commentary Oliveros on the Extreme Slow Walk, from: Pauline Oliveros (1971), Sonic Meditations. PoP and MoM Publications. (Pauline Oliveros Publications & Ministry of Maåt).   Francois Bonnet (2016). The Order of Sounds, A Sonorous Archipelago, Urbanomic. Pauline Oliveros (2005), Deep Listening, a Composer's Sound Practice, iUniverse Pauline Oliveros (1984/2015). Software for People, Smith Publications/CreateSpace Ximena Alarcón (2014). Networked Migrations: Listening to and Performing the In-Between Space. (99+) Networked Migrations: listening to and performing the in-between space | ximena alarcon - Academia.edu Marianna Ortega (2008). Multiplicity, Inbetweeness, and the Question of Assimilation Multiplicity, Inbetweeness, and the Question of Assimilation (researchgate.net) Gloria E. Anzaldúa (1987). Borderlands/La Frontera: The New Mestiza,   Previous episodes and related materials Listening to the In-Between Part 1: Introducing Pauline Oliveros and Deep Listening (artez.nl) Listening to the In-Between Part 2: Sensing Traces of Power(lessness) (artez.nl) Ed McKeon,“Moving Through Time,” published on APRIA in September.   5 Oct. 2022, ArtEZ Zwolle, Sophiagebouw and Conservatory: Extreme Slow Walk – Listening to the In-Between.

Jason Bahbek Mohaghegh joins us to discuss Omnicide 2, out soon from Urbanomic.From Urbanomic/MIT Press: An infernal catalogue of manic visionaries, inspired by the poetry of the Middle East.In a new work in which conceptual elaboration, storytelling, and poetics are fused in the infernal heat of the desert, the cycle of Omnicide draws to a close with a philosophy of doom, deception, and the game, plunging headlong into the inevitable, the fatal, and the infinite.A series of controlled combustions fuelled by fragments drawn from the poetry and literature of the Middle-East, Omnicide II introduces us to a new cast of manic visionaries, from the Selemaniac to the Crystallomaniac, the Bibliomaniac to the Aeromaniac. Amid war cries and lullabies, mages, wolves and pelicans, sabers and crystals, drones and soul-stealers, and in settings ranging from opium dens to Qatari luxury hotels, Mohaghegh's unique style and methodology, dizzying breadth of references, and implacable will to follow the most deranging lines of thought and evoke the most startling images, draw the reader into territories disturbing and unfamiliar, atmospheres delicate and grotesque, moods morbid yet life-affirming.The utterly absorbing music of Mohaghegh's writing both lulls and disquiets—a contemporary Necronomicon, an inexhaustible treasury of recipes for disaster, catastrophe, ruination and destruction, all in the name of the most intense creation.The book: https://mitpress.mit.edu/9781733628167/omnicide-ii/*EVENTS*November 23, 2022 Watkins Books (London): "The Philosopher's Tarot" tarot readings with Acid HorizonNovember 23, 2022 TenderBOOKS (London): "Tarot & Acid Communism"  with Acid HorizonSupport the podcast:Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastMerch: http://www.crit-drip.comPreorder 'The Philosopher's Tarot': https://repeaterbooks.com/product/the-philosophers-tarot/Subscribe to us on Apple Podcasts: https://tinyurl.com/169wvvhiHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Revolting Bodies (Will's Blog): https://revoltingbodies.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/Support the show

Adam performs a reading of the essay "Cybernetic Culture" by CCRU, which can be found in the essay compilation #ACCELERATE published by Urbanomic.Support the podcast:Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastMerch: http://www.crit-drip.comPreorder 'The Philosopher's Tarot': https://repeaterbooks.com/product/the-philosophers-tarot/Subscribe to us on Apple Podcasts: https://tinyurl.com/169wvvhiHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.comDestratified (Matt's Blog): https://destratified.com/​Revolting Bodies (Will's Blog): https://revoltingbodies.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/Support the show

We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses. Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of social and mental distress, these theoretical insights are potential dynamite. Shifting his explorations from the sonic to the social, amplifying alienation and playing with psychic noise, artist and performer Mattin finally lights the fuse. The noise is here to stay. Alienation is a constitutive part of subjectivity and an enabling condition for exploring social dissonance—the territory upon which we already find ourselves, the condition we inhabit today. Mattin speaks (and sings) to Pierre d'Alancaisez about his performance score Social Dissonance, in which the audience is the instrument and the legacy of the Marxist theory of alienation. Mattin is an artist, musician and theorist working conceptually with noise and improvisation. Through his practice and writing, he explores performative forms of estrangement as a way to deal with structural alienation. Mattin has exhibited and toured worldwide. He has performed in festivals such as Performa and Club Transmediale and lectured in institutions such as Dutch Art Institute, Cal Arts, Bard, and Goldsmiths. Mattin is part of the bands Billy Bao and Regler and has over 100 releases on different labels worldwide. He co-hosts the podcast Social Discipline. Mattin took part in 2017 in documenta14 in Athens and Kassel. Information on the Social Dissonance concert at Documenta 14 A video recording of one of the performances Social Dissonance Mattin Published by Urbanomic, 2022 ISBN 9781913029814

This week we are joined by François J. Bonnet, recording artist (as Kassel Jaeger) and theoretician, Director of Groupe de Recherches Musicales of the National Audiovisual Institute (INA-GRM) in Paris, and producer on National French Radio France Musique. We talk with him about the recent publication of the english translation of his book "After Death" (2020, Urbanomic)in the context of the current pandemic and the general externalisation and disembodiment of death. We do end up divagating about improvisation, the sublime, romanticism and other meta-musical tropes in the direction of François' most recent book "The Music To Come" (2020, Shelter Press). https://www.urbanomic.com/book/after-death/ https://shelterpress.bandcamp.com/merch/fran-ois-j-bonnet-the-music-to-come-english-edition

We are back with original Xenofeminist Patricia Reed and speculative computer scientist Anil Bawa-Cavia to discuss their text 'Site as Procedure as Interaction'. We confront (with optimism? openness?) this second wave of abject worldings from the poor grasp of reality of GPT-3 to the U.K. outcry with A-levels algorithm debacle. Sonification of Anil courtesy of Roc Jiménez de Cisneros a.k.a EVOL Sonification of Patricia courtesy of Katrina Burch. Yoneda Lemma (a.k.a. You Need a Lemon, sometimes Yoni Dilemma) Mattin and Miguel do their thing. Read Patricia and Anil text (among many other friends of the pod) buying "Construction Site for Possible Worlds", published by Urbanomic in Sept 2020. https://www.urbanomic.com/book/construction-site-possible-worlds/

As the COVID era segues into something far more cursed, in this exclusive communiqué Anthony Nine drops a poetic-occultural dubplate mapping the fundamental lines of contemporary struggle in a world of politricksters. With a timely advocacy of the power and discipline of real magical practice against the insidious enchantments of ‘meme magic’ and the uncontrolled consequences of its tawdry cons, this impassioned reading touches on memory, the powers of bewilderment and misdirection, and our relation to life and death, past and future. Essential listening for survival in 21st Century Babylon. Anthony Nine is a writer and artist from the UK now based in Miami. His work explores intersecting themes of occultism, African Diaspora traditions, psychogeography, music and culture. The extended text version of 'Guns of Brixton' with additional content will be published in ‘Conjure Codex 4’ by Hadean Press this summer. He is the author of ‘Space Weather Report’, a colouring book account of the world of spirit, available from Revelore Press. His first novel, Dub Seance, a story of lived magic set in London, New Orleans and Miami, is forthcoming. He is also a contributor to Urbanomic’s book Audint—Unsound:Undead (2019). Follow Anthony Nine on Twitter @spaceweather9 With thanks to Allison Brice, Hewson Chen, and Davis White for technical help. Tracklist: Round Five, Barrington Levy/Scientist - Scientist King Tubby's Rockers - Roots Radics/King Tubby Braces Tower Dub - Augustus Pablo/King Tubby Rock a Dub - Al Campbell/Scientist Pulsar - Scientist Destruction Sound Battle - Prince Far I Dub With a View - King Tubby M16 - Roots Radics/Scientist The Mummy's Shroud - Scientist Tapper Zukie in Dub - Tapper Zukie/Philip Smart Dub the Right Way - Soul Syndicate/King Tubby Guns of Brixton - The Bug/Spaceape

Readings from the collection Audint—Unsound:Undead (published by Urbanomic, https://www.urbanomic.com/book/unsoundundead/) as featured in PlaguePod Day 26. 0:00 Lisa Blanning, ‘Ghost In The Machine: Hikikomori And Digital Dualism’ (music: DVA [Hi:Emotions], NOTU_URONLINEU, on Hyperdub) 9:53 Steve Goodman, ‘Dossier 37: Unidentified Vibrational Objects on the Plane Of Unbelief’ 25:00 Lendl Barcelos, ‘2014: The Visual Microphone’ 32:35 Shelley Trower, ‘Peripheral Vibrations’ 38:22 Erik Davis, ‘Resonance’ 49:20 Charlie Blake, ‘Sonic Spectralities: Sketches for a Prolegomena to Any Future Xenosonics’ (Music: Haswell and Hecker, ‘Blackest Ever Black’ on Warner Classics) 55:50 Eleni Ikoniadou and Carolin Schnurrer. ‘The Lament’ 1:11:22 Nicola Masciandaro, ‘Purgatory’ (music: Bach, Wölfgang Rübsam, Prelude and Fugue in C Minor/Wo Soll Ich Fliehen hin, on Naxos) 1:23:37 Agnès Gayraud, ‘Glossolalia/Xenoglossia’ (closing music: Christophe, ‘Voix sans issue’, on Disques Motors). Check out our other Audint podcast, ‘Unsound Methods’ too.

For this PlaguePod, we’re joined by guests including Simon Sellars, author of ‘Applied Ballardianism‘, DJ producer and UIQ label boss Lee Gamble, and author and blogger Matt Colquhoun (Xenogothic) to talk about the psychological effects of the Coronavirus crisis and the ever more alarming prescience of Ballard’s tales of isolation and quarantine, social breakdown, inner space, and the psychologically debilitating yet possibly liberating liberating effects of living through catastrophe. With soothing ASMR readings from Sellars, Ballard, and others, crisis music, listener phone-ins, a reading from Reza Negarestani’s ‘Mortiloquist‘, and an exclusive unlive recording of the 2009 Urbanomic gig by Russell Haswell.

Live lockdown mix of abstract jungle and other socially-distanced music, readings from Urbanomic publications, phone-ins from around the world, and noise from Urbanomic HQ

In this live and chaotic podcast, socially-distanced Urbanomic-adjacent guests from across the planet join us from their respective lockdown cells to share personal and speculative views on the Coronavirus era. Plus some great jungle tunes. With Matt Colquhoun (Xenogothic), Amy Ireland, Nyx Land, Shaun Lewin, Robin Mackay, Mattin, Enrico Monacelli, Thomas Moynihan, Reza Negarestani, Katherine Pickard, Miguel Prado, Laura Tripaldi. CONTENT WARNING: FOUL LANGUAGE, DEGENERATE PHILOSOPHERS, COGNITIVE TURPITUDE, ACCELERATIONISM

In this recording of the November 2019 launch event for Agnès Gayraud’s book ‘Dialectic of Pop’, published by Urbanomic, Robin Mackay and the author discuss the problematic and major themes of the book. Music from the album Vie Future by La Féline: https://soundcloud.com/la-f-line https://www.urbanomic.com/book/dialectic-of-pop/

Unheard since its 1996 ‘performance’ at a conference at The Hacienda in Manchester, this recently rediscovered cassette tape of the audio version of ‘Swarmachines’, with the voices of Sadie Plant, Angus Carlyle, Mark Fisher, and Nick Land machinically integrated with some premium mid-90s jungle, is a very early production of the Cybernetic Culture Research Unit (CCRU). The text is available in Urbanomic’s collection #Accelerate. More details: https://www.urbanomic.com/podcast/swarmachines-rewind/ ‎

Audio Trailer for the book ‘Audint—Unsound : Undead’, edited by Steve Goodman, Toby Heys, and Eleni Ikoniadou, published by Urbanomic. https://www.urbanomic.com/book/unsoundundead/ Track listing here: https://www.urbanomic.com/wp-content/uploads/2019/04/unsoundmethods.pdf

Nicholas Knouf reads from #Accelerate: The Accelerationist Reader, edited by Robin Mackay and Armen Avanessian, published by Urbanomic. "Libraries burning in Babylon. Knowledge is decoded from its proprietary grid of occult encryption. The academy in flames."

In this episode of Urbanomic's Yarncast series, Urbanomic director Robin Mackay and artist Paul Chaney talk about the ideas behind the project and some of the background to their work. Recorded at Bergen Academy of Art and Design. Yarncast is a series of podcasts produced by Urbanomic as a part of the research residency project The Ultimate Yarnwork at Bergen Kunsthall in January–February 2015 (www.urbanomic.com/event-uf34-details.php), and featuring in depth interviews with writers and thinkers from a variety of disciplines, centered around the concepts of plot and plotting.

In this episode of Urbanomic’s Yarncast series, artist Amanda Beech (www.amandabeech.com) discusses the compelling power of crime fiction, TV shows and movies, the materiality of language and image, and how her video work interrogates the subject-positions and theories of knowledge and power embedded in these popular narratives. Yarncast is a series of podcasts produced by Urbanomic as a part of the research residency project The Ultimate Yarnwork at Bergen Kunsthall in January–February 2015 (www.urbanomic.com/event-uf34-details.php), and featuring in depth interviews with writers and thinkers from a variety of disciplines, centered around the concepts of plot and plotting.

In this episode of Urbanomic’s Yarncast series, Norwegian crime writer Gunnar Staalesen, creator of the private detective Varg Veum (www.vargveum.no) discusses his career, how plots are constructed, and the influence of Norway, and especially his hometown of Bergen, on his brand of ‘nordic noir.’ With readings by Staalesen from the English-language translations of his Varg Veum novels. Yarncast is a series of podcasts produced by Urbanomic as a part of the research residency project The Ultimate Yarnwork at Bergen Kunsthall in January–February 2015 (http://www.urbanomic.com/event-uf34-details.php), and featuring in depth interviews with writers and thinkers from a variety of disciplines, centered around the concepts of plot and plotting.

In this episode of Urbanomic’s Yarncast series, strategist Benedict Singleton (www.benedictsingleton.com) discusses the longstanding suspicion of design as a practice of illicit manipulation, the concept of the trap, and the difference between plots and plans. Yarncast is a series of podcasts produced by Urbanomic as a part of the research residency project The Ultimate Yarnwork at Bergen Kunsthall in January–February 2015 (http://www.urbanomic.com/event-uf34-details.php), and featuring in depth interviews with writers and thinkers from a variety of disciplines, centered around the concepts of plot and plotting.

In this episode of Urbanomic’s Yarncast series, creative consultant Allison Evans tells us about her work developing and preparing visual presentations for the courtroom, transforming facts into a compelling plot that will bring the jury on side. Yarncast is a series of podcasts produced by Urbanomic as a part of the research residency project The Ultimate Yarnwork at Bergen Kunsthall in January–February 2015 (http://www.urbanomic.com/event-uf34-details.php), and featuring in depth interviews with writers and thinkers from a variety of disciplines, centered around the concepts of plot and plotting.

In this episode of Urbanomic’s Yarncast series, architect and theorist Eyal Weizman discusses his Forensic Architecture project (http://www.forensic-architecture.org/), and explains why the defence of victims of state violence demands a counterforensics that introduces new types of evidence, new modes of intervention, and operates outside the courtroom, generating new public forums. Yarncast is a series of podcasts produced by Urbanomic as a part of the research residency project The Ultimate Yarnwork at Bergen Kunsthall in January–February 2015(http://www.urbanomic.com/event-uf34-details.php), and featuring in depth interviews with writers and thinkers from a variety of disciplines, centered around the concepts of plot and plotting.

In this episode of Urbanomic’s Yarncast series, Professor Henry Turner, author of The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630, discusses how the modern concept of ‘plot’ emerged during the early modern era in the theatre, where playwrights such as Ben Jonson and Thomas Dekker inhabited an artisanal milieu galvanized by the popular diffusion of practical geometry. Yarncast is a aeries of podcasts produced by Urbanomic as a part of the research residency project The Ultimate Yarnwork at Bergen Kunsthall in January–February 2015 (http://www.urbanomic.com/event-uf34-details.php), and featuring in depth interviews with writers and thinkers from a variety of disciplines, centered around the concepts of plot and plotting.