Podcast appearances and mentions of drew mcdowall

A classically trained guitarist who studied composition at The New School for Jazz and Contemporary Music, Manhattan native Ben Greenberg is a prolific record producer, engineer, songwriter, and performer who coheres conservatory training with a deep history across many different genres of underground music.Known as a founding member of respected industrial/metal group Uniform and a former member of The Men, Zs, and many more, Greenberg has been described by Ben Ratliff of the New York Times as “a good musician [...] and boss of his own one-man guitar project, Hubble.” Ben's rich and varied performance history ranges from over two decades touring with bands to performing for legendary composers like Glenn Branca and Terry Riley.In the year 2000 Greenberg began assisting Grammy-award winning engineer Mike Marciano at Systems Two Recording in Ditmas Park, Brooklyn. It was here that he learned the fundamentals of recording on 2” tape alongside early Pro Tools systems. He would go on to build his own recording studio in Brooklyn (Python Patrol) and work out of world-class studios all around the globe (Electrical Audio, The Magic Shop, Strange Weather, The Pool, Sonic Ranch). Greenberg's studio credits include Danny Elfman, Depeche Mode, Drab Majesty, Wicca Phase Springs Eternal, Junglepussy, Show Me The Body, Drew McDowall, Black Marble, and Christeene, among many others. His process attends to the essence of the artist's vision and exacts a cultivated philosophy of sound upon them. The result is something between organic and synthetic: A magic that locks in the music's emotional resonance with the listener.Since the 2010s, Greenberg has produced and mixed award-winning scores for film and television. He is the principal engineer to the scores of composer Brian McComber (ex-Dirty Projectors), including the A24 productions It Comes At Night and Krisha, as well as Kingdom of Silence (Showtime), 16 Shots (Showtime), Little Woods (Neon), Mickey and The Bear (Utopia), and Fair Play (Netflix), among others. Greenberg was Randall Dunn's mix assistant for the Jóhann Jóhannsson score to Panos Cosmatos' 2018 film, Mandy (SpectreVision), and Dunn's co-engineer for the 2022 score to Julio Torres' Problemista (A24). Greenberg has also mixed Ella Van Der Woude's scores for Something You Said Last Night (Elevation Pictures) and Silver Haze (EMU Films), and in 2024 he won a Cinema Audio Society award for Outstanding Achievement in Sound Mixing - Documentary, for his stereo and surround mixes of JD Samson's score for Sam Green's 32 Sounds (DofMP).IN THIS EPISODE YOU'LL LEARN:Starting music production at a young ageFinding jobs in the music industryDealing with parents who might not understand your passionsWorking on metal, jazz, and everything in betweenSwitching your workflow for different genresUnderstanding what to listen for with compressionHow to approach a new mixWhy volume and panning are your most important toolsDetermining when plugins are worth purchasing Working with Danny ElfmanPurposely doing lessTo learn more about Ben Greenberg, visit: https://circularruin.com/Ben-GreenbergLooking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join:https://masteryourmix.com/amplitude/ Want additional help with your music productions?For tips on how to improve your mixes, visit: https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint:

In very loose terms, James K's (@jamesk_1 music operates at the fringes of the pop world. It is experimental and industrial, packed with hooks and riddled with dreamy textures that show off her mastery of synths. She has released it in album form with Dial and Incenso, dropped EPs on AD 93 and collaborated with the likes of Drew McDowall and Stefan Maie, and always manages to imbue her adventurous arrangements with real-world emotions and anxieties. This year she will join us at Dekmantel Festival but not before serving up this week's podcast. It's the sort of rhythmically thrilling workout that has always stood James apart: jittery drum patterns and kinetic grooves that unfold at 100 miles an hour as a barrage of caustic motifs, hypnagogic melodies and hyper-real colours all bounce about the mix. There is an ever-present sense of tension in the way things are assembled - it's as if they might implode or explode at any minute, and it all sounds fantastically futuristic.

It's the second part of our talk with Drew McDowall and we discuss joining Coil and the albums he helped create and finish with his recent solo work. Drew provides fantastic insight about the creation of these classic albums and describes some of the process of curating his solo box set. Another great first-hand industrial history lesson!

UK industrial history class is in session. Drew McDowall sat down with us for a long candid discussion covering his entire history. For this first of two episodes, Drew tells us about his beginnings in the 70s to falling in with Psychic TV and eventually Coil. It's an incredible first hand account of the early industrial days. In part 2, we get into Drew joining Coil and go all the way thru to his current solo output.

Key Clef is a Berlin based, italian dj and producer with strong passion for analogue instruments, founder of the label Ipnotica Erotica. After experiencing the last years of the flourishing rave scene in Rome and accomplishing a degree in sound engineering her creative process evolved into different directions from club music, to performance art and electro acoustics. In 2013 she released her first digital EP followed by releases on Love Blast, KKY, MinimalRome, BlackWater, DelirioRec, Mitten and Undersound Rec. In her own world music is a continuous dialogue between styles and hybridization. During the pandemic she founded the ACXS collective, a new concept of collaboration between brand sponsorship and artists from the electronic scene through the creation of sample packs. The project includes artists such as Neel, Silent Servant, The Lady Machine, Drew Mcdowall and many others, forming a respectable roster. Her music productions as well her live performances include synth, drum machines and analogue effects reflecting her ethereal trajectory while her dj sets show the full prism of her music taste and knowledge of the dance floor. Key Clef sound doesn't hit the surface but instead aims to channel emotions and contact between her music and the audience. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

.at/on Ukrainian experimental producer .at/on presents a selection of dark and shuddering electronics, marking his return to the studio and in turn introduces his new album. Bedroom Community's Ben Frost, Valgeir Sigurðsson, and Heliochrysum feature. With music from Roly Porter, Shackleton, Subtext, Puce Mary, Drew McDowall, Paul Jebanasam, OAKE, and Croatian Amor, together w/ a cut from his album - around the 32 minute mark. Tracklist & more available at Darkfloor.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Hollow Tree by Arthur Russell on Another Thought (Point Music) 3′08″ Leaving Dreaming by Ellen Arkbro on Sounds while waiting (self-released) 11′38″ "Pipe Inversions" by Kali Malone on The Harmonic Series II (Important Records) 26′54″ Nouvelle Mode Des Modalités: For Well-Tuned Fender and Sine Wave Drone by Catherine Christer Hennix on Selected Early Keyboard Works (Empty Editions) 44′45″ Agalma I by Drew McDowall and Maralie Armstrong-Rial on Agalma (Dais Records) 51′38″ Statues Crumble, Heroes Fall by Tashi Dorji on Stateless (Drag City) Check out the full archives on the website.

Welcome Back to Stereo Dust. John and Keith, return to the studio to speak with Ryan Martin of Dais Records. In Episode 11, Part1, The guys discuss the intimate relationships ryan has fostered with the artists on the label, and how those connections played a major role in helping shape what the label is today. Get to know Ryan as a musician and a passionate cultivator of a diverse music scene. Ryan discusses some of Dais's incredible reissues, and how some of the releases would never been possible without family, friends, and fans collaborating on the effort. Take a behind the scenes glimpse into how the label operates and discover a rich history of intricacies behind the labels conception.“I was turned onto Dais Records several years ago by a good friend in a noisy pizza bar, over a skunked glass of Pisano. The labels catalog of  music and unparalleled roster of artists has been a huge source of pleasure and musical inspiration ever since… Ryan agreeing to be on the show was not only cool as sh*t , but a chance to hopefully turn some folks onto Dais as well.”  - JThanks for listening, enjoy! (If you are looking to hear something specific, we added chapters for your pod-surfing pleasure)Episode Links: Websites: www.stereodust.comwww.daisrecords.comInstagrams: Ryan Martin Dais RecordsStereo Dust Records: Getting The Fear - Death is Bigger Coil - Time MachinesGenesis P-Orridge  - Early WormDrew Mcdowall - The Third HelixSupport the show (https://www.buymeacoffee.com/stereodustpod)

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Orchid House by Marja Ahti on Still Lives (Students Of Decay) 2′30″ Maratea by Andrew Pekler & Giuseppe Ielasi on Palimpsests (Shelter Press) 4′40″ From the Opened Red Lips by Contrastate on False Fangs for Old Werewolves (Tesco Distribution Germany) 7′40″ The Thinning by AJA on Slug (Opal Tapes) 9′30″ The Lord Is My Sheperd by Diamanda Galás on You Must Be Certain of the Devil (Diamanda Galás) 11′40″ Phlebotomy by Dear Laika on Pluperfect Mind (NNA Tapes) 14′32″ Ourselves by Innere Tueren on Welten (Kann) 16′52″ Mr. Speaker by Grand River on Blink a Few Times to Clear Your Eyes (Editions Mego) 20′52″ Tonglen In Vain by Circuit des Yeux on -io (Matador) 21′21″ 2 Versions by hunterc44t & Finlay Clark on Dana Rosa - EP (Primordial Void) 26′00″ Metempsychosis by X Harlow on Cathars (Sweat Equity) 28′00″ Kantubek (Moor Mother Remix) by Galya Bisengalieva on Aralkum Aralas - EP (One Little Independent) 31′00″ Awake by Kölsch on Isopolis (Ipso) 32′50″ Chardonnay and Jello Salad by Ava on Angels In the Sand - EP (Slagwerk) 38′20″ Graveyard by Sonja Tofik on Anomi (Moloton) 40′20″ Agalma II (feat. Caterini Barbieri) by Drew McDowall on Agalma (Dais Records) 45′10″ Die Motte des Theta-Schlafs by Thorsten Soltau & Emerge on Acker Und Seche (aufabwegen) 47′55″ Wood For the Trees by Flora Yin-Wong on Holy Palm (Modern Love) 50′00″ Cloaked by Ravens Wings by Laura Cannell, Kate Ellis & Chris Watson on October Sounds (feat. Adrian Crowley, Milene Larsson & Chris Watson) - EP (Brawl Records) 53′16″ Hold Gem Cut by Leif on 9 Airs (AD 93) 55′40″ Vertical Misunderstanding by Magda Drozd on 18 Floors (Präsens Editionen) 57′24″ A Clearing (In Empty Space) by Tristan Arp on Sculpturegardening (Wisdom Teeth) 59′40″ Sheogorath (feat. Levan Shanidze & Asio Otus) by Galen Tipton on Ungoliant (Orange Milk) 65′45″ Ouverture Pt. 1 by Berk Icli on Glimpses of an Eternal Bloom (Zel Zele Records) 67′40″ Apparitioner by X Harlow on Cathars (Sweat Equity) 70′20″ Night in Tijuana II by Kelman Duran on Night in Tijuana (Kelman Duran) 74′15″ One by Marina Rosenfeld on Joy Of Fear (Room40) 76′05″ Ephemeroptera by Cicada Shell on Dream Catalogue Singles, Summer 2020 (Dream Catalogue) 80′38″ Move the World's Clock by Mana on Asa Nisi Masa (Hyperdub) 84′20″ Phantasmagoria! 千燈幻景 by Yikii on Crimson Poem 深紅之詩 (Danse Noire) 88′25″ Outro (feat. The Mensah Imaginary Band) by Aho Ssan on Simulacrum (Subtext Recordings) 92′25″ Something I Can't Show by Ulla on Tumbling Towards a Wall (Experiences Ltd) 96′04″ Vapor Of Prayer by Natalie Beridze on Mapping Debris (Monika Enterprise) 99′55″ Time to the Sun (feat. Yehaiyahan) [Silvia Kastel Remix] by Howie Lee & Silvia Kastel on Birdy Island (Remixes) - EP (Mais Um Discos) 104′40″ Transience by David Granström on Empty Room (Hallow Ground) 108′35″ Amu (Disk•Mod) by Iglooghost on Lei Line Eon (Gloo) 112′04″ 51 Endless Pulses by Lapalux on Esrevoinma - EP (Brainfeeder) 114′55″ Jump In the Line by Harry Belafonte on Very Best of Harry Belafonte (BMG Entertainment) Check out the full archives on the website.

This time we hear a swansong mix from Frankfurt producer Avbvrn. Avbvrn's music has an almost haptic quality, making him a perfect fit for Air Max 97's boundary pushing Decisions label, as well as Leipzig's PH17. His contribution to the show marks the end of a chapter, as he retires his longstanding moniker for his new project Lorica. Dive into a mix that juxtaposes aggressive percussive works amongst textural ambient. *Lorica/Avbvrn* Slowdive – Ambient Guitar Avbvrn – Contours Ivorian Doll – Body Bag William Basinski – Tear Vial Christina Vantzou – Marmara Beach II DJ Plead – RT6 Poly Armour & DVDV – Disbelief Lorica – ??? Yaka – Heaven x On The Bed - Do x Flagalova (Tears suppressed by Yaka) Lorica – ??? Flora Yin–Wong – Bitterness Sophia Loizou – Sylphonia The Bug & Dis Fig – No Return Lorica – ??? Kelman Duran – TOWER HILL, BLACK RAIN Lorica – ??? Nazar & Citizen Boy – 2 African Sickos Slikback – LEI Pa Salieu – My Family (feat. Backroad Gee) Aho Ssan – Simulacrum IV Lorica – ??? Code Walk – Choke Shapednoise – Moby Dick (feat. Drew McDowall)

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ You Can Make Me Feel Bad by Arthur Russell on Calling Out of Context (Audika) 1′49″ Seca by Lucrecia Dalt on No era sólida (RVNG Intl.) 4′15″ Finsbury Park: May 8th, 1.35pm (I'll See You in Another World) [excerpt] by Nurse with Wound on Second Pirate Session (Durtro) 10′44″ Radiance III by Basic Channel on Radiance (Basic Channel) 26′08″ Les corps glorieux, I/20: II. Les eaux de la grâce by Olivier Messiaen, Olivier Latry on Olivier Messiaen: Complete Organ Works (Deutsche Grammophon) 30′23″ Agalma II by Drew McDowall (feat. Caterina Barbieri) on Agalma (Dais) 34′56″ Low Tide and High Tide by Berke Can Özcan on Mountains Are Mountains (bohemain drips) 40′05″ Wave Train, for electronics [excerpt] by David Behrman on Source: Music Of The Avant Garde - Source Records 1-6, 1968-1971 (Pogus) 53′45″ Don't Go Home With Your Hard-On by Leonard Cohen on Death of a Ladies' Man (Columbia) Check out the full archives on the website.

  Stream Ryuichi Sakamoto - Async – Remodels - Andata (Oneohtrix Point Never Rework)John Monkman - ASRIEL - Pause36 - Revisionist History (Compilation Works) - Two DoorsDrew McDowall, Caterini Barbieri - … - Agalma II (ft. Caterina Barbieri)Mary Lattimore - Silver Ladders - Til A Mermaid Drags You UnderLau Nau - Själö (OST) - DecennierSaffronkeira - In Origine: The Field Of Repentance - GhostsBistro Boy, Nico Ueno - Ambient Theory Of Dreaming - Chapter 06Subheim - ΠΟΛΙΣ - Daughter (feat. Hecq)Bistro Boy, Kikuchi Giovanni - Ambient Theory Of Dreaming - Chapter 02Ian William Craig, Daniel Lentz - In a Word - PoireChristopher Bissonnette - Wayfinding - OvertureChristopher Bissonnette - Wayfinding - Consequenc "Guardar Link Como" - "Save Link As"Right Mouse Button Click For Save (Last Show October 18th) O pássaro exaustoentre a dança de sombras, mistério no centro do voo, corposPorque tudo o que não conhecemosé eternidade,para lá dos céusNem o peixe conhece a redeNem a estação sabe o que se segue  Poema | Poem by - Ana Freitas ReisFotografia | Photo by - Alípio Padilha

To listen to ZULI's We Are All Anemic mix is to be confronted by decay. Sliding across an arid terrain, its sounds move, but with a momentum that is staggered, labored. The force of entropy is taking hold. Rough trenches wound its territory, their depths unthinkable. In the air whorl clouds of sonic debris: old computers, satellite parts, strange alloys. Across an hour of sound, we toggle between depth and surface, contemplation and distraction interwoven in noise, bearing witness to a fading geography. I first listened to ZULI's mix on a train to Glasgow. In the city, I listened to Denise Ferreira da Silva talk quantum physics and Leibniz's concept of the plenum. She wondered how we could come to perceive the world otherwise, how we could loosen the constraints of coloniality, its ways of knowing and being. I wondered: could listening — hearing — provide us with a way out? Does sound not move us away from the concept? When we listen to ZULI's mix, do we need to know? Or can we not simply enter into its moods, inhabit its structures, and leave with our perceptions altered? In Glasgow, I heard Fred Moten and Nathaniel Mackey talk about debris and decay as a way of getting out from what keeps us under. They wanted an aesthetic of breakage, against wholeness. They want to register history as the sounding of decay, or decay as the sound of history. No smooth lines, but jaggedness, wear and tear. In From a Broken Bottle Traces of Perfume Still Emanate, his epistolary novel, whose interlocutor he names "Angel of Dust," Mackey writes: Dear Angel of Dust, I'm enclosing a tape of my latest composition. I call it "Not of Rock, Not of Wood, Not of Earth" and (here you can say you told me so again) I got the inspiration for it from the work of an artist named Petlin who works in pastels. I saw a canvas of his at the house of a friend not too long ago and was instantly struck by how he manages to make texture constitute itself of its own erosion, infuses color with a certain aura of captured ruin. It seemed he'd worked the powderiness of the medium so as to have it collapse into a capacity for infiltration, that a spectral choir of massed incursions chromatically cloaked itself in vows, in conceptual hoods of deprivation. I was surprised to find myself so moved (and moved to music no less), especially in light of my letter to you a few months back. But what I saw to be the tactile or coloristic counterpart of hoarseness proposed a scratchiness of voice, a self-seeding smudge with overtones of erasure as a possible arc along which our music might pass. I tend to pursue resonance rather than resolution, so I glimpsed a stubborn, albeit improbable world whose arrested glimmer elicited slippages of hieratic drift. Listen to ZULI's We Are All Anemic mix for us below: Forces - "Frontiers of Freedom City & i.o. - "Anxiety Object" Daniel Ruane - "IV (CF BD)" Selm - "Nineteen Voices" xin - "Myopia" YYYY - "lo que hay detras del miedo" First Tone - "Reaction 2" Cy An - "FINALFLIGHT(M)" Shapednoise - "Moby Dick" ft Drew McDowall & Rabit SDEM - "Mitherer" FAKE - "solid scenario" 1127 - "Fragmented. Thought Train" Emptyset - "Blade" 0N4B - "S7" Rainer Veil - "Third Sync" Katsunori Sawa - "Hatsushimo" The Fully Automatic Model - "Long Forgotten Oxids" Constant-Pattern Solutions - "A General Situation" Renick Bell & Fis - "Tchae Eh" Youthman - "29-300" Broshuda - "Leg"

Gibby Miller and Ryan Martin In Conversation with Jenny NONO Tune in for a special broadcast celebrating the 10th anniversary of one of dublab’s favorite record labels, Dais Records. Founders, Gibby Miller and Ryan Martin joined Jenny NONO to discuss the beginnings of Dais, the artists they work with, and future plans. Dais Records, a label started in 2007 by Gibby Miller and Ryan Martin, operating out of both Los Angeles and Brooklyn, has spent the past decade releasing over one hundred releases, including introductory records by respected acts such as Cold Cave, Iceage, King Dude, Youth Code, Drew McDowall and Drab Majesty. To compliment its roster of genre-bending new artists, Dais Records has also curated reissues of previously unreleased and hard-to find rarities by 70’s performance art group COUM Transmissions, ambient minimalist Ragnar Grippe, French avant-garde vocalist Ghedalia Tazartes and industrial legends Hunting Lodge and Maurizio Bianchi. In Conversation is produced by dublab. Sound editing and theme music are by Matteah Baim. Due to rights reasons music from the original broadcast has been shortened. To hear more, please visit dublab.com.

Episode 395: October 21, 2018 playlist: Chris Corsano and Bill Orcutt, "Love and Open Windows" (Brace Up!) 2018 Palilalia Future Museums, "Closed Eye" (Rosewater Ceremony Part II: Guardian of Solitude) 2018 Holodeck Kristin Hersh, "No Shade In Shadow" (Possible Dust Clouds) 2018 Fire Low, "Tempest" (Double Negative) 2018 Sub Pop The Fall, "Kurious Oranj" (I Am Kurious Oranj) 1988 Beggars Banquet Stereolab, "Golden Atoms" (Aluminum Tunes) 1995 Duophonic Janek Schaefer [for Robert Wyatt], "Tree at the end of the world" (What Light There Is Tells Us Nothing) 2018 Temporary Residence Beak), "Brean Down" ()))) 2018 Temporary Residence Papa M, "Maniaco" (Badtime Stories EP) 2018 self-released Drew McDowall, "Rhizome" (The Third Helix) 2018 Dais Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

It's time to dig into the mailbag on the latest episode of We Have A Techincal! Idieyoudie.com's readers and listeners have sent questions which range from the curatorial to the ethical to the decidedly personal. The Senior Staff are taking up each of these questions plus discussing the recent Drew McDowall show on this week's episode of the podcast that Considers Darker Alternatives.

Episode 358: June 19, 2017 (guest artist Mark Van Hoen) playlist: Mark Van Hoen, "It's Not You (In A Way)" (It's Not Me) 2016 Geographical North Marker, "Follow It Down" (Marker) 2017 Medical Bill Orcutt, "The World Without Me" (Bill Orcutt) 2017 Palilalia Second Woman, "////\" (S/W) 2017 Spectrum Spools Drew McDowall, "Habitat" (Unnatural Channel) 2017 Dais Mark Van Hoen, "Real Love" (Playing With Time) 1998 Apollo Mark Van Hoen, "Truancy" (Electronic Music 1982-1987) 2017 Wayside and Woodland Locust, "Truth Is Born of Arguments" (Truth Is Born of Arguments) 1995 Apollo Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

"Life (Pt. 1)" by Dan Friel from Life; The title track from Anoxia by L A N D; "Dayz Up North" by Yung H33m from Abundance, Vol 6; "Physis" by Majeure from Union of Worlds; "Barrow in Furness (Open Thy Hand Wide)" by Philip Jeck from Cardinal; The title track from Glass Ceiling Universe by Apprentice Destroyer; "Shadow Hand" by Zombi from Shape Shift; "A Wind from All Directions" by Inventions from Maze of Woods; "Loving of Leaving (Instrumental)" by King Midas Sound and Fennesz from Edition 1; "Each Surface of Night" by Drew McDowall from Collapse; "Repletion" by Berber Ox from Lye.

"Life (Pt. 1)" by Dan Friel from Life; The title track from Anoxia by L A N D; "Dayz Up North" by Yung H33m from Abundance, Vol 6; "Physis" by Majeure from Union of Worlds; "Barrow in Furness (Open Thy Hand Wide)" by Philip Jeck from Cardinal; The title track from Glass Ceiling Universe by Apprentice Destroyer; "Shadow Hand" by Zombi from Shape Shift; "A Wind from All Directions" by Inventions from Maze of Woods; "Loving of Leaving (Instrumental)" by King Midas Sound and Fennesz from Edition 1; "Each Surface of Night" by Drew McDowall from Collapse; "Repletion" by Berber Ox from Lye.