Podcasts about dekmantel

@fadimohem is right at the heart of contemporary techno. He brings his own twist on the classic sound - deep, rhythmic and atmospheric. He's a Berghain resident whose first contact with the genre came at the hallowed club, and since then, he has blazed his own trail on the most influential labels in the scene, including his own Mohem imprint. This year, he plays twice at Dekmantel Festival, once as part of WSNWG Live and once on the Radar stage. Ahead of that, he has put together an exclusive one-hour live set comprised only of unreleased music. It's a masterclass in control that embodies just what you get from Fadi in the club: deep techno planted firmly on the floor but always going somewhere. As dubbed out low ends, glitchy textures and more tripped out melodies come and go, the tension ramps up while both body and mind stay locked.

NIKS (@niksbad) is as dedicated as anyone to furthering dance music culture. Hailing from south-east London via Bath, NIKS has long proven her curatorial skills with radio shows on BBC Radio 1, Rinse, and NTS. Her idiosyncratic blends of ‘90s groovy, rhythmic sounds and forward-thinking, underground-leaning soundscapes have brought her to some of the world's most revered clubs. After contributing music to various compilations, last year she explored bass-heavy sounds with her first solo EP on Or:la's Céad label. Beyond her work as a musician, NIKS also co-founded the Black Artist Database, a crowd-sourced list of Black-owned labels, artists, and producers designed to amplify and uplift talent. Ahead of her debut at the Dekmantel Festival this year, NIKS serves up a 90-minute window into her current musical world, including her own forthcoming productions in a deep, dub-infused journey into hypnotic techno and house rhythms that intertwine to create a warm, supple soundscape. Its seamless flow takes in sounds from the past, present, and future, and they all encourage you to move and meditate in equal measure."

South London's @angeldlite is a musical thrill-seeker. Her colourful take on rave is all about big moments, big energy, and big love. The newly installed High Hoops resident effortlessly straddles genres. From piano house to emotive trance, always delivering uplifting moods and euphoric drops that turn her dance floors into spaces of pure joy. This June, she'll be closing down the Poppy area at Lentekabinet. Ahead of that, she serves up one of her signature sessions for our series: a jam-packed ride through every corner of rave culture. Expect strobe-lit synths, rapturous vocals, thumping bass, and playful twists. It's the perfect soundtrack for the road to Het Twiske—and a summer full of fun.

@oscarmulero is one of those artists whose sound is immediately identifiable. It has had an unwavering depth, headiness and atmospheric richness to it for more than 30 years, which is a remarkable achievement few can match. A famous non-conformist, the Spaniard's top-tier three-deck mixing skills and ability to distil techno to its most hypnotic form have also long stood him apart, as have his Polegroup and Warm Up labels. Mulero's consistency of sound means you know what you're going to get with this mix: spaced-out, layered and deep techno brilliance. Whether more dubby and roomy or glitchy and intense, it's music for both mind and body from one of the scene's most low-key but high-class veterans. Turn it up loud and look forward to more of the same when he plays at Dekmantel Festival later this year.

Bristol-based @k_means operates at the fringes of electronic music. It's not tempo and genre that unites their sound, but more an exploration of mood and texture underpinned by bass-heavy low ends and hypnotic rhythms. The Noods, Rinse FM and Kiosk Radio regular is also resident at Bristol's Psychotherapy Sessions and will debut at Dekmantel Festival where you should fully expect to be taken into plenty of unknown musical territory. It is the same with their mix for us this week - a wild trip into futuristic drum patterns and interplanetary sounds that melt the mind and contort the body. There is a constant push and pull between the organic and the synthetic with tribal percussion and warped vocals brushing up with bleeping synth modulations and experimental minimalism. It's a magnetic selection that's as much an imaginary movie soundtrack as it is a dance floor escape.

Forever evolving and progressing her sounds, Nadia Struiwigh's ear and passion for coaxing out the best from her array of studio gear always results in tracks with a certain je ne sais quoi. Through emotionally charged ambient releases like Pax Aurora on Nous'klaer, or Birds of Paradise on Dekmantel, her artistic freedom is a key factor that provides a freshness to her music. Like the musical yin and yang, from Ambient to the dancefloor, Nadia's adeptness at creating special tracks doesn't end at the beatless border. Her live sets are stories of twisting techno, you know the kind that makes you shake your head at how well all the elements combine into one cohesive track. In line with this is her forthcoming release on the storied British imprint, Blueprint Records. Titled X1 Shift, the four tracker joins Voxis Ohlun (2024) as her second, masterclass in hardware driven techno. Glimmerfall arrives immediately with warm waves of undulating synths bouncing and shifting in the background. Punchy kicks and a breakish pattern keep things moving along, while Nadia's arrangement and various element choices elevate the track even more as a testament to her sequencing skills. We'll certainly be hearing this out in many a set, and club, rightfully so. Glimmerfall and the rest of Nadia's X1 Shift release will be out on the 4th of April. @nadiastruiwigh @jamesruskin-blueprint www.instagram.com/nadiastruiwigh/ Write up by @huedj Follow us on social media: @itsdelayed linktr.ee/delayed www.delayed.nyc www.facebook.com/itsdelayed www.instagram.com/_____delayed www.youtube.com/@_____delayed Contact us: info@delayed.nyc

The next Dekmantel mix is a wild melting pot of dark, murky techno grooves by @mattikk. A pillar of the Amsterdam underground, the Garage Noord resident has a long history of DJing in the city and is closely connected to your favorite techno labels. He's the mind behind Delsin Records' Mantis series, collaborating with artists like Forest Drive West, Konduku, Lemna, and Dino Sabatini. Drawing on UK sound system culture, his selections always carry an experimental edge, whether diving into deep Italian techno or ambient. Usually, he crafts mixes for immersive listening pleasure, but here he makes a rare turn to the dance floor, inspired by his closing set on the UFO2 stage at last year's Dekmantel Festival. Over an hour of powerful, driving grooves and subtle details, sprinkled with new tunes and some personal favorites that span low-end-heavy electro and broken beats.

@noizar's sound goes far beyond conventional house or techno. The Ukrainian DJ, who is now based in Amsterdam, has long since proven this with countless closing sets as resident at Kyiv's legendary Closer club. It was there where he stood out for unearthing minimal techno treasures in places no one else looks. As such, you can always be sure that wherever Noizar mixes crop up online, they will be flooded with cheeky "ID?" requests, and quite often you will find they come on his vinyl-only Wicked Bass label. For his Dekmantel Mix he offers a perfect snapshot of what he does in the booth: carefully dug out delights that don't really fit in usual categories. But they do tap into a specific deepness and groove that is rooted in Kyiv's minimal scene and the dance floor of Closer club. It results in a tight, taught hour of body music that perfectly balances function and form.

Modern hypnotics from a new techno star. It's a tale as old as time: techno DJ moves to Berlin to chase a dream. Philippa Pacho is part of the latest wave of talent to tread that familiar path. But don't let that fool you. She's one of the classiest artists around—no TikTok gimmicks here. Pacho's formative years were spent in her native Stockholm, navigating a vibrant DIY party scene that included warehouse raves and illegal parties. She eventually took up a long-standing residency at beloved local club Under Bron and the experience, as she details in this week's Q&A, sharpened her technical skills, teaching her to handle every type of set—whether opening with patience, supporting a headliner or closing with finesse. She also played with countless touring DJs, from Answer Code Request to Antony Parasole, which ultimately inspired her move to Berlin. That relocation has firmly paid off. It's a testament to Pacho's talent that you'll find her playing pretty much every big club and festival across Europe, from Berghain and Dekmantel to FOLD and Monument (we were exhausted just looking at her upcoming listings on RA). Other recent highlights include closing out Bassiani's tenth birthday, and back-to-backs with Fadi Mohem and Sandrien. Pacho's RA Podcast showcases her preference for classy, hypnotic techno, striking a balance between muscle and subtle groove. Her aptitude for what makes dance floors tick is also evident on her two labels—Phorum Records and positivesource (co-run with Blue Hour)—both of which mirror her DJ style, blending intensity with delicate textures. positivesource has released several standout records, including this year's "Psycho" by BLANKA and Phil Berg's "Psyckik" (which you'll hear on this mix). Spanning 70 minutes, RA.980 is a window into Pacho's thoroughly modern sound (the oldest track is from 2018). And yet it retains a refined, sweeping quality. Give it a spin and you'll soon twig why she's in demand on dance floors worldwide. @philippapacho Read the interview and find the tracklist at ra.co/podcast/980

@eli-verveine is a musical chameleon who can do it all from banging peak time sets to pensive warm-ups via weird and wonderful hour hours sessions. She has proven that over the years in many of the scene's most cultured clubs whether playing solo, B2B as Among Trees with Andrey Pushkarev or live with Gwenan as Gin & Tonic. On top of all this, she has a well-formed discography that delves further into her versatile sounds. This week's mix reflects her musical malleability as she draws on plenty of diverse tempos and textures to craft a lively trip. There are moments of blissful deepness next to more nuanced rhythms, futuristic bass explorations and cosmic electro sojourns that keep things moving at pace, but always with great control and expert selections.

"It starts within yourself." The DJ, vocalist and producer talks about self-improvement, moving to rural Portugal and working alongside long-time partner Steffi. There may be no voice as rich, vibrant or easily distinguishable in today's house and techno scene than that of Virginia. The Brazilian-German DJ, producer and singer has earned a name for herself as a hybrid house vocalist and a resident at Panorama Bar, where she plays sets featuring her own live vocals. Born in Munich to a family of musicians, she became enamoured with the soulful singing of artists like Sade, Whitney Houston and Tracy Chapman, who became her early guiding lights. It wasn't until her adolescence, when her sister took her to a nightclub, that it crossed her mind to begin blending these two musical worlds. By the mid-2010s, Virginia had relocated to Berlin to earnestly pursue a career in electronic music and create a new, house-focused musical vocabulary that's become completely her own. It was around this time that Virginia met her long-time partner, fellow DJ and producer Steffi. In this week's Exchange, she speaks with Chloe Lula about their personal and creative relationship, and their love of collaborating together in the studio and behind the decks. After more than two decades in Berlin, the couple relocated to rural Portugal in 2020, a move that's opened up a world of abundant rest and opportunity. They opened up a studio and residency called Candy Mountain (so called for its veritable candy shop of synthesizers and hardware), where they've found a new appreciation for taking things slow: going on walks in the countryside, engaging in botany and inviting friends and collaborators over to work on music. She reflects on what it means to step away from the demands of Berlin's bustling music industry and why her voice has remained such a powerful source of energy and inspiration over the course of her career, and her forthcoming album with Steffi on Dekmantel, Patterns of Vibration. Listen to the episode in full. -Chloe Lula

Remma is a DJ and founder of the DIY station ITMOTR Radio, which has played a significant role in shaping the music culture of the outer Eastern corner of the Netherlands. Remma has played at institutions such as Dekmantel, Garage Noord and had multiple appearances at De School, where he was selected to play one of the final sets at the legendary ‘Het Einde' closing party. For MNMT 458 the young virtuoso shows skills and finesse behind the decks like that of a seasoned veteran, weaving together obscurities from by-gone eras with the freshest cuts into one seamless trip. No big hits, nothing obvious, just pure heads-down hypnotism. Follow: https://soundcloud.com/remma0 https://www.instagram.com/_____remma/ https://hetarchief.deschoolamsterdam.nl/sets/14-01-2024_sunday_het-einde_remma_de-club/

Milan-based Piezo (@piezopz) sits at the heart of the current club sounds. He has long had an obsession with sound system music and that defines what he does today: mutant and beguiling club tracks with meticulous sound design and thrilling energy, heavy low ends and a real dose of UK influence from d&b to garage, grime and techno. He kicked off the year by dropping his genre-busting Ecstatic Nostalgia EP on our Dekmantel-UFO sub-label and now returns with a podcast that is just as fresh. It's a futuristic mix of bleeping machines and lurching rhythms with bright synth designs and deep space ambience. Over the course of 90 minutes, the pace picks up and you're whisked along a variety of rhythms from broken to dubby, head spinning to minimal. It feels utterly spontaneous but is also a fully coherent mix from this restless innovator.

The in-demand US DJ unfurls dubby, dance floor poetry. Where does sentimentality fit on the dance floor? For Liv Klutse, AKA livwutang, the answer is everywhere. The New York-based DJ is guided by a deep desire to stir connection, finding themes and points of correspondence across an impressively broad range of sounds, tempos and eras. This emotional intuition lends Klutse's sets a depth few others can match. Her selections can seem unpredictable, rooted in an appreciation for feeling over genre—hard and soft sounds are carefully balanced with surrealism and bursts of nostalgia (for instance, the Lazy Dog bootleg edit of Everything But The Girl's "Tracey In My Room"). But as versatile as she is, a few signature traits colour her style, such as a love for dubwise music and rhythms from across the Black diaspora, alongside a refreshingly introspective energy that invites dancers to find moments of meditation—even during peak time. A former staffer at our New York office, Klutse has long merited an RA Podcast. Her slow-burning blends and mystical selections have graced near-enough every major festival and club out there, from Dekmantel and Sustain-Release to Nowadays, where she's been a resident since 2022. Despite this cross-continental touring schedule, she still plays plenty of grassroots venues—testament to her days with TUF collective and Orphan Radio in Seattle, as well as her enduring belief in the power of DIY, community-orientated dance music. "How did you come down off life?" James Massiah asks at the beginning of RA.975. Across nearly 90 minutes, Klutse's downright beautiful mix seeks answers to this question, reflecting on hedonism in times of political decay. She's in full-on dub mode, moving through meditative bassweight, glitchy house and flat-out weirdo techno with a deftness we've come to expect from one of the most promising, singular voices in dance music right now. She's got there all on her own terms—and we couldn't be prouder. @livwutang Read more and find the tracklist ra.co/podcast/975

Nadia Struiwigh is a producer, live artist, DJ and resident of Tresor. Her music spans ambient, electro and techno and has been featured on labels like Nous'klaer Audio, Dekmantel and Central Processing Unit. In 2024 she founded the label Distorted Waves focussing on hardware-centered, more experimental works. Her DJ sets explore driving and psychedelic techno, while also delving into deeper sounds, while her live sets are known for their unique sonic improvisation. “An ode to the sounds and storytelling I'll continue to explore from here on out. After the pandemic, I felt a bit unmoored. Spending time in Australia distanced me from the European scene, and I found myself feeling quite lost. Once I returned, I initially focused on Techno, but soon realized my true foundation has always been experimental music and narrative-driven performances—whether in my own productions, live sets, or DJ sets. I'm grateful to have rediscovered my creative center, and I'm excited to share this next chapter. I'm fully back, with more jungle and ambient experimental releases on the way! Thanks for your support, love always x ” Follow https://soundcloud.com/nadiastruiwigh https://www.instagram.com/nadiastruiwigh https://www.facebook.com/NadiaStruiwigh/

"If a record is falling apart at the seams, I'll probably like it." Recorded live at Houghton 2024, our latest Playing Favourites episode sees the London artist discussing the beautiful leftfield music that's soundtracked his life. British DJ and producer Call Super brings some colour to the depths of winter with this week's RA Exchange. The multifaceted artist has released music on Houndstooth, Hessle Audio, fabric, Dekmantel and the label he co-runs with Parris, can you feel the sun, becoming known for a deep yet always party-ready sound that combines house, UK funky, tech house and plenty more besides. In this interview, recorded at last year's Houghton Festival, he talks to RA's managing editor, Carlos Hawthorn, as part of our flagship live series, Playing Favourites. Among his choices are the music he listened to as a child; the record that inspired his passion for DJing; an artist who changed his perspective on music at large; and more practical songs he deploys in sets to refresh a crowd. The territory he covers is huge, from tech house and acid house to contemporary classical, experimental leftfield, abstract percussion and choral music. There are some tracks, he claims, that only work in certain contexts, but if played at the right time, "they send people." Listen to the episode in full. – Chloe Lula

"If a record is falling apart at the seams, I'll probably like it." Recorded live at Houghton 2024, our latest Playing Favourites episode sees the London artist discussing the beautiful leftfield music that's soundtracked his life. British DJ and producer Call Super brings some colour to the depths of winter with this week's RA Exchange. The multifaceted artist has released music on Houndstooth, Hessle Audio, fabric, Dekmantel and the label he co-runs with Parris, can you feel the sun, becoming known for a deep yet always party-ready sound that combines house, UK funky, tech house and plenty more besides. In this interview, recorded at last year's Houghton Festival, he talks to RA's managing editor, Carlos Hawthorn, as part of our flagship live series, Playing Favourites. Among his choices are the music he listened to as a child; the record that inspired his passion for DJing; an artist who changed his perspective on music at large; and more practical songs he deploys in sets to refresh a crowd. The territory he covers is huge, from tech house and acid house to contemporary classical, experimental leftfield, abstract percussion and choral music. There are some tracks, he claims, that only work in certain contexts, but if played at the right time, "they send people." Listen to the episode in full. – Chloe Lula

"I'm like a collector—everything I come across makes it into my music." The dance music don talks about the music that shaped him and his recent L.B. Dub Corp album on Dekmantel. Luke Slater, the British DJ, producer and occasional drummer, has been making music under a slew of monikers since the '80s: Planetary Assault Systems, L.B. Dub Corp, LSD, The 7th Plain, Clementine—the list goes on. While he's put out an excellent range of dynamic analogue music that runs the gamut of house, acid, breakbeat, electro and even spoken word, he's probably best known for his productions and live shows that focus on sleek and solid techno, as showcased on Ostgut Ton and his own imprint, Mote-Evolver. In the latest instalment of our flagship live series Playing Favourites, Slater unpacks the tracks that, for him, best illustrate the history of techno at large, as well as the records that define his creative process and career trajectory. He speaks with Chloe Lula live from Polifonic festival about his love of Detroit and Underground Resistance, as well as the abiding influence of hip-hop on his early work and his love of intentionally integrating mistakes in his music. He also reflects on how he became the first non-German artist to release on Berghain's esteemed record label, as well as discussing his most recent release, Saturn to Home, for Dekmantel. The double LP saw him return to his drumming practice and introduce surprising and powerful collaborations from electronic music contemporaries and vocalists like Kittin and the poet Benjamin Zephaniah. Listen to the episode in full.

"I'm like a collector—everything I come across makes it into my music." The dance music don talks about the music that shaped him and his recent L.B. Dub Corp album on Dekmantel. Luke Slater, the British DJ, producer and occasional drummer, has been making music under a slew of monikers since the '80s: Planetary Assault Systems, L.B. Dub Corp, LSD, The 7th Plain, Clementine—the list goes on. While he's put out an excellent range of dynamic analogue music that runs the gamut of house, acid, breakbeat, electro and even spoken word, he's probably best known for his productions and live shows that focus on sleek and solid techno, as showcased on Ostgut Ton and his own imprint, Mote-Evolver. In the latest instalment of our flagship live series Playing Favourites, Slater unpacks the tracks that, for him, best illustrate the history of techno at large, as well as the records that define his creative process and career trajectory. He speaks with Chloe Lula live from Polifonic festival about his love of Detroit and Underground Resistance, as well as the abiding influence of hip-hop on his early work and his love of intentionally integrating mistakes in his music. He also reflects on how he became the first non-German artist to release on Berghain's esteemed record label, as well as discussing his most recent release, Saturn to Home, for Dekmantel. The double LP saw him return to his drumming practice and introduce surprising and powerful collaborations from electronic music contemporaries and vocalists like Kittin and the poet Benjamin Zephaniah. Listen to the episode in full.

Chloe Lula is a resident DJ and releasing artist at Tresor. She's played at Berghain, Boiler Room, Radion, Movement weekend in Detroit, and countless clubs, festivals and parties across Asia, Europe, and, North and South America. Chloe has released on Tresor Records, Blueprint Falling Ethics. In addition to her career as a DJ and producer, Chloe is a cellist—her debut instrumental full-length was released in November 2024—and Chloe is also the senior producer of Resident Advisor, where she hosts and curates talks and music workshops at festivals like Nuits Sonores, Dekmantel, Unsound, Wire, and many more. Follow https://soundcloud.com/chlo-lula https://www.instagram.com/chloe.lula/ https://www.facebook.com/chlolula/

The Dekmantel favourite kicks off 2025 in an exploratory mood. Since her breakout in 2017, Thorsing has built an enviable CV: a debut release on Nous'klaer Audio, an album on Dekmantel and a residency at former Amsterdam clubbing institution De School. Over these years, she's honed a singular sound, navigating wild variations in tempo and mood that dance along the edges of techno, IDM and drum & bass (we could list many more, but you know the drill). Her creative arc has seen her delve into ever more abstract concepts, such as 2024's ambient-leaning album, Strange Meridians, exploring the interplay between synthetic and natural textures through drumless experimentations. As she explained in her 2018 RA Breaking Through profile, "I just want to hear the weirdness in the music." Thorsing's RA Podcast showcases exactly why she's one of the most consistently adventurous names in dance music. Describing it as "a mix with a narrative," the former landscape architecture student flexes her ability to build sonic environments, beginning in a landscape more akin to a swamp than a club. Across 90 minutes, she moves through numerous layered terrains, exploring everything from Skee Mask's lucid, beatless techno to the piercing acid of Mike Parker. Unfolding with a restless sense of curiosity, RA.970 captures an artist challenging the boundaries of electronic music, ever upward. @upsammy Read more at ra.co/podcast/970

Kicking off 2025 in the best company as Tokyo-born, Amsterdam-based don Wata Igarashi takes over with a masterclass in pulsating futuristic techno and widescreen sonics. Through a flurry of top-of-the-range releases for the likes of Dekmantel, Kompakt, Figure and his own imprint, WIP, the Japanese producer has been cementing his position as a true innovator of techno music. His unparalleled knack for crafting big-room-ready tunes that engineer a complex cocktail of cutting-edge elegance, modular intuitivity and hi-impact punch has logically made him a much sought-after talent in the scene. Not departing from that polymathic approach, his RYC mix, recorded at PURE G x FINAL in Taipei on December 7, treats us to a storm of shape-shifting grooves and brutalist fractals of sound. Beware, high voltage. 

The beloved DJ unpacks his most influential records in our flagship live series, Playing Favourites, recorded at Dekmantel in August. Palms Trax, the beloved British DJ and producer considered a "veteran" of the scene at only 33 years old, hit it big with a career breakout back in 2015. Since then, he's become known for his long-running radio show and record label, Cooking With Palms Trax, where he releases new music, reissues and more. His style is soulful, gravitating towards low-BPM house, disco, zouk and everything in between. Recorded at Dekmantel in August, this RA Exchange is the latest edition of our flagship live series, Playing Favourites, where we invite artists to curate and dissect some of the records that shaped their approach to music. Palms Trax speaks to RA editor Gabriel Szatan about the song that acted as a gateway to his musical education; the track that turned him onto the idea of making music; and the band that he considers to be the "coolest of all time," as well as forthcoming music on his own label. What unites these releases, Palms Trax says, is a powerful, ageless and immediately accessible sensibility. They aren't about technical mastery but about feeling. As music-making has become easier with the advent of perfectly engineered online samples, there's more and more appeal in music with humanity and character. Listen to the episode in full.

The beloved DJ unpacks his most influential records in our flagship live series, Playing Favourites, recorded at Dekmantel in August. Palms Trax, the beloved British DJ and producer considered a "veteran" of the scene at only 33 years old, hit it big with a career breakout back in 2015. Since then, he's become known for his long-running radio show and record label, Cooking With Palms Trax, where he releases new music, reissues and more. His style is soulful, gravitating towards low-BPM house, disco, zouk and everything in between. Recorded at Dekmantel in August, this RA Exchange is the latest edition of our flagship live series, Playing Favourites, where we invite artists to curate and dissect some of the records that shaped their approach to music. Palms Trax speaks to RA editor Gabriel Szatan about the song that acted as a gateway to his musical education; the track that turned him onto the idea of making music; and the band that he considers to be the "coolest of all time," as well as forthcoming music on his own label. What unites these releases, Palms Trax says, is a powerful, ageless and immediately accessible sensibility. They aren't about technical mastery but about feeling. As music-making has become easier with the advent of perfectly engineered online samples, there's more and more appeal in music with humanity and character. Listen to the episode in full.

@sunjuhargun is based in Thailand and has been bringing all new energy to the Asian scene for more than 20 years. He has Indian heritage and Japanese roots which inform his mystic sound and the music he releases via the the label he co-founded, Siamese Twins Records. As he proved when he played our festival back in summer, he transcends musical and cultural borders to bring everything from, warm and percussive tribal grooves to more psychedelic sounds, acid textures and mind altering techno. Sunju explains his approach to this week's mix. "I wanted to capture a special memory using records picked up during my trips between Amsterdam and Japan over the past few years. The result is a selection that blends the past, present, and future. As with every mix, I approach things naturally, with spontaneity. Live recordings have a unique energy that you can only feel in person, but sometimes that feeling can get lost when making a mix at home. This here is 60 mins of a raw, spontaneous reflection of friends in my living room, just hitting record and going for it. No filter, no perfection—just creativity with a limited selection.”

"I was surrounded by all walks of life." Live from Dekmantel, the New York native talks about how the Bronx shaped her taste in music, her long-time love of radio and blowing up on the international DJ circuit. Gabrielle Kwarteng is a rising talent that you may have seen on stages at major festivals and clubs around the world. Her unique sound is dynamic and house-heavy, incorporating elements of acid, techno and everything in between. In this interview recorded live at Dekmantel, she discussed her upbringing in a Ghanaian household in the Bronx, and how that environment (and the neighborhood itself) moulded her taste in music. The community she grew up in was culturally diverse, filled with the sounds of reggaeton, bachata, merengue and freestyle from Puerto Rico, the Dominican Republic and beyond. As both of her parents moved from West Africa, she was introduced to a diet of highlife music and jazz from a young age. Kwarteng's taste began to expand when she began exploring New York's record stores. Fast forward to university, and the aspiring DJ became deeply involved in her school radio station, which she describes as a turning point and a revelation. She speaks movingly about the abiding power that radio has had in her life—she continues to be involved with stations like Refuge Worldwide and The Lot, and soon NTS Radio, where she'll hold a residency beginning in 2025. She also talks about what it's like to be a female minority in the music industry, the experience of having her career take off at such rapid speed upon relocating to Europe and the importance of summoning optimism no matter the circumstances. Listen to the episode in full.

"I was surrounded by all walks of life." Live from Dekmantel, the New York native talks about how the Bronx shaped her taste in music, her long-time love of radio and blowing up on the international DJ circuit. Gabrielle Kwarteng is a product of her diverse musical environment. The Berlin-based New Yorker has a unique sound that's dynamic and house-heavy, incorporating elements of acid, techno and everything in between. In this interview recorded live at Dekmantel, she discussed her upbringing in a Ghanaian household in the Bronx, and how that environment (and the neighborhood itself) moulded her taste in music. The community she grew up in was culturally rich, filled with the sounds of reggaeton, bachata, merengue and freestyle from Puerto Rico, the Dominican Republic and beyond. As both of her parents moved from West Africa, she was introduced to a diet of highlife music and jazz from a young age. Kwarteng's taste began to expand when she began exploring New York's record stores. Fast forward to university, and the aspiring DJ became deeply involved in her school radio station, which she describes as a turning point and a revelation. She speaks movingly about the abiding power that radio has had in her life—she continues to be involved with stations like Refuge Worldwide and The Lot, and soon NTS Radio, where she'll hold a residency beginning in 2025. She also talks about what it's like to be a female minority in the music industry, the experience of having her career take off at such rapid speed upon relocating to Europe and the importance of summoning optimism no matter the circumstances. Listen to the episode in full.

A warm welcome to our new SPND20 guest @salome

Laksa's (@laksauk) contribution to techno is as vital as it is hard to define. The London-based Bristolian never sits still in one stylistic niche and is as likely to ramp up the techno as he is slow then down. His meticulously designed grooves have come on tasteful labels like Hessle Audio, Timedance and Ilian Tape, always with a focus on dance floor dynamics. Further creative outlets come in the form of the re:lax label, club night and NTS show he runs with with re:ni. Most recently he has cooked up the WONDA EP which includes a vocal collaboration with Nyege Nyege-affiliated Phelimuncasi The podcast he serves up for us is, in his own words, "a mix of hype and hypnotism" and it includes some tasty unreleased music from the man himself as well as the likes of Ma Sha, Siu Mata, Erik Luebs and Crespi Drum Syndicate. The 90 minutes are as wide-ranging as you might expect with bass-heavy grooves, trance-inducing synths, broken techno workouts and tribal rhythmic explorations all making sure both head and body are catered for in style.

Whatever Jennifer Loveless (@jenniferloveless) turns her attention to, she always looks to find real human emotion. The Berlin-based, Australian-born multidisciplinary artist works across a wide musical realm as a DJ, producer and top-line writer who also scores for the screen. In the club, she is all about big energy, warmth and colour as she flits between future sounds and euphoric nostalgia all while dropping plenty of big tunes on labels like Sex Tags UFO, Planet Euphorique and Future Classic. Over the last decade-plus, she has proven herself adaptable in the DJ booth and just as able to lock in a heady crowd at Panorama Bar as she is making her mark on festival stages like Horst. Across 90 minutes in this week's mix, Loveless draws on all of that experience to lay down a silky smooth trip that touches on deep techno and lush electronic minimalism before delving into more menacing atmospheres, jacked-up house and feel-good sunrise sounds.

London's Moxie (@djmoxie) has always embodied a fearless approach to DJing. Her sets are driven by her famously eclectic taste and can go from deep Detroit techno to face-melting bass via loved-up disco in an instant. She made her name as one of the earliest hosts on NTS Radio but is now a favourite of the global underground who has often impressed at our own events. Her "Moxie Presents" compilations have shown her dedication to championing forward-thinking artists and have helped make her a genuine new school tastemaker. This week Moxie has put together a breezy jaunt through many different facets of her sound. There are balmy summer pads and carefree house beats to start with then things head indoors for deeper, darker sounds but always saved up with plenty of warmth and emotion. This mix is a perfect encapsulation of how Moxie can take you from the early evening to late into the night without you even noticing.

Effervescent club cuts from one of Southeast Asia's rising DJ stars. In Indonesia, the term santai (relaxed) is more than just an adjective—it's a lifestyle, one endearingly embodied by DITA. The Bandung-born, Bali-rooted DJ's breezy attitude to life is reflected in dreamy, blissful euphoria. DITA's RA Podcast is a window into both her disposition and sound, blending wiggly breakbeat into tweaking acid, Detroit house into Spanish electro, Balearic to '90s house and some grittier club fare, too. Her sets are rooted in a feel-good philosophy that allows her to freely play with energy and mood. Don't just take our word for it: DJ Harvey is a major fan and hand-picked DITA to be a resident at his new club Klymax, nestled within the world-renowned Potato Head Bali, where DITA is also Head of Music. With gigs at everywhere from Panorama Bar (the first Indonesian woman to play) to Rainbow Disco Club and Dekmantel under her belt, the world is now taking notice of DITA's killer groove. A breakout 2025 surely beckons. @dita-putri-widyanti @headstream Read more at ra.co/podcast/959

FAUZIA (@djfauzia) is an artist who is always evolving. The UK DJ, producer and live act first broke through as a DJ who played fast music be it techno, electro, IDM or bass-heavy breaks. Her famous NTS has always shown a different side, where anything from soul to jazz can be called upon to tell a story. As a producer since 2020, she has tended to mine a more emotive side with releases that explore dub, ambient and jungle. She has also done pop collabs with Kelela and sings ever more on her own material. Basically, she is anything but easy to categorise, and instead works in many different worlds with equal style and skill. For this week's mix, FAUZIA focuses on the dance floor with a thrilling 90-minute selection. The scene is first set with some escapist ambience, deep and beatless jungle and spine-tingling vocals but then some serious breakbeats arrive. They come thick and fast and take on many forms from heavy and apocalyptic to blissed out and astra. FAUZIA's own voice occasionally arrives to lend them a personal, intimate quality while the mix grows faster and more futuristic. It's a showcase that's as brilliant in taste as it is in technique.

Sound Metaphors (@sound-metaphors) is Nemo Ripoll and Castro Moore, but it is also the name of their famously well-curated label and record shop in Berlin. As such the pair has been helping to define the sound of the underground on many different fronts - electric DJ sets, cult events and even through the custom-made sound systems built for customers worldwide. With a vast musical knowledge between them and a never-ending supply of their own unreleased edits and DJ tools, they are able to tell musical stories that draw from all across all genres and many different eras. That plays out in the superb mix they have put together for us this week. It's a full-bodied selection that shows off their love of contrasting styles - loose, percussive house music brushes up with deep and dubby cuts, dark acid grooves sit next to '80s synth sounds before a disco finish goes from stomping to funky. The exuberance of it all is infectious and leaves you wanting more.

MCMLXXXV (@thetruemcmlxxxv) is a co-founder and resident at Berlin's celebrated queer party Herrensauna. Though it has gone from being a local underground favourite to a globe-travelling brand, it always remains true to its mission of empowering people though music and community. The soundtrack is hard and dark and comes from across the electro, techno, EBM and industrial spectrum but for every bit of grit, there is always a hint of seduction. MCMLXXXV was a real highlight when he closed down Dekmantel Festival '22 at the UFO stage with his fellow residents so we're delighted to welcome him back to the podcast series. And he doesn't disappoint across a high-octane hour. The slick selections are in a rush to get you moving and once you start you won't be able to stop. The rhythms are elastic but bumping with earth-quaking bass down low and everything from tribal percussion to liquid synths via sleazy vocals up top. It's a perfect display of MCMLXXXV's ability to blend the physical with the sensual into colourful and contemporary soundtracks that really bang.

Victor's (@victormgcpwr) superpower is his ability to adapt. He is a famously versatile selector who can impress a niche crowd at his Blitz Club residency in Munich, or light up cult festivals like Nachtdigital. The diversity of his solo sets is matched by his skill for finding common ground with other selectors, which is why he famously loves playing back-to-backs. From syncopated, break-riddled techno to ambient dub and everything in between, his selections are unified by their diversity. Victor also heads up his own Main Power label and this week plays Dekmantel Selectors in Croatia. As a warm-up for that, he has put together a superb 75-minute mix that starts with one of his traditionally atmospheric and beatless openers before taking flight on lithe club rhythms. Genres are meaningless in his hands as the German transitions between deft percussive workouts, swinging drums and dubbed-out soundscapes that are always on the move, never easy to predict, but completely absorbing for both mind and body.

Chinese-German artist @samgoku has a distinctive take on techno that draws on his own Asian heritage and blends it with contemporary electronics. Across two sublime albums for Atomnation and Permanent Vacation, he has infused his fluid rhythms with gorgeous melodies and ambient haze, traditional Eastern instruments and ethereal moods. This summer, he debuted on the Dekmantel label with four tracks of unconventional techno that marry the physical with the emotional in exceptional style. There are plenty of similar contrasts in this week's mix, which is an almost two-hour dive into his sound world. It is a deep and compelling blend of supple rhythms that are always subtly shifting. His pristine selections take in dubby and cavernous grooves, tripped-out minimal details and stylish techno cuts that always come with plenty of colour and high-definition designs which lend the whole thing a futurist edge but very human soul.

"Soundscapes reveal a lot about how people think and behave." The field recordist and musician talks about listening culture, repatriating African sounds and his new album with The Bug. Today's conversation moves away from the dance floor, focusing instead on the soft, ambient soundscapes of the Berlin-based musician Joseph Kamaru—AKA KMRU—whose work has been featured at festivals like CTM, Mutek, Atonal, Horst Music and Arts, Dekmantel, and Unsound; concert halls like The Barbican; and major galleries and site-specific installations around the world. Kamaru moved to Europe from Nairobi, where he first became interested in music production, and field recordings specifically. As a graduate student in the sonic arts, he learned that the majority of the discourse around sound art practices is specific to Western Eurocentric or occidental ways of thinking. He's since embarked on a mission to use field recording as a means of repatriating African identities that are often left out of institutional archives and grapple with the legacy of colonialism. In this RA Exchange, Kamaru reflects on the sociopolitical angle of his work, and his observation that listening, by its very nature, is never neutral. He also talks about how civilisation and technology has changed our collective listening habits; how sound sources beyond the human hearing range make their way into his work with the use of electromagnetic microphones; and his new album, Disconnect, made with the musician Kevin Richard Martin (AKA The Bug). Listen to the episode in full.

"Soundscapes reveal a lot about how people think and behave." The field recordist and musician talks about listening culture, repatriating African sounds and his new album with The Bug. Today's conversation moves away from the dance floor, focusing instead on the soft, ambient soundscapes of the Berlin-based musician Joseph Kamaru—AKA KMRU—whose work has been featured at festivals like CTM, Mutek, Atonal, Horst Music and Arts, Dekmantel, and Unsound; concert halls like The Barbican; and major galleries and site-specific installations around the world. Kamaru moved to Europe from Nairobi, where he first became interested in music production, and field recordings specifically. As a graduate student in the sonic arts, he learned that the majority of the discourse around sound art practices is specific to Western Eurocentric or occidental ways of thinking. He's since embarked on a mission to use field recording as a means of repatriating African identities that are often left out of institutional archives and grapple with the legacy of colonialism. In this RA Exchange, Kamaru reflects on the sociopolitical angle of his work, and his observation that listening, by its very nature, is never neutral. He also talks about how civilisation and technology has changed our collective listening habits; how sound sources beyond the human hearing range make their way into his work with the use of electromagnetic microphones; and his new album, Disconnect, made with the musician Kevin Richard Martin (AKA The Bug). Listen to the episode in full.

Londoner Josey Rebelle is 'just' a DJ. She doesn't make records, she plays them, but she plays them like no one else. Her impeccable taste and ability to join the dots between disparate genres in the club, on the radio and with the compilations she puts out has won her countless awards. She is known for drawing on her Caribbean roots as much as she is for the passion she pays with and the authenticity of her selections. Whether old or new, jungle or soul, a Josey Rebelle set is a thing of joy. And she proves that for us this week with an almost two-hour mix that traverses a dizzying amount of terrain. It's a club-focussed trip that fizzes with apocalyptic energy before taking off into worlds of cosmic techno, twitchy club music and supple jungle. The drama comes as much from the mixing as the tunes but one thing is for sure, there is no real way of knowing whether you're listening to sounds from the past, present or future.

Konduku (@kondukukonduku) is Dutch-born but with a proud Turkish heritage that colours the music he makes. It's impactful techno but with curious time signatures and minimalist percussive that draws on the rhythms of his ancestral homeland. As the son of a musician and Balkan folklore dancer, he was always set to spend his life in music and so far it's been a rich one that has included a standout debut album on Nous'klaer in 2018 and fresh EPs on the cult likes of Delsin, Bitta and Spazio Disponibile. This week's mix showcases exactly what he is all about with 80 minutes of supple and subversive techno. Liquid tracks from Jeff Mills, Donato Dozzy, Shackleton and plenty of his own all feature in this timeless trip where slick transitions and carefully threaded grooves constantly build mood and atmosphere. From deep and cosmic to dark and dystopian, there is an always underlying tension that keeps both mind and body utterly locked in.

My World My Way was the name of @e-saggila's album back in 2019. It perfectly encapsulates her brazen approach to sound which chews up and spits out everything from noise to breakcore to techno. The Iraq-born, Toronto-based artist has always revelled in the contrast between tempos, shocking rhythms and distorted textures. Part of the thrill of listening to it is the sense it could all collapse at any moment, whether releasing on her label Summer Isle or the likes of Opal Tapes, Hospital Productions, and Northern Electronics. This week she delivers an hour of pure electronic potency that brings to life her uniquely dystopian visions. Staring in what sounds like a haunted underground metro station, she then transitions into futuristic worlds of pulsating bass, squealing synths, scratchy melodies and hyper-driven percussive patterns that race along into the unknown. It's an abstract selection of sound that is cerebral and cinematic but will also cause utter carnage in a club setting.

 Hello, much soul, much love.Enjoy !Playlist :19th HouseLight Year (6:55) 125 BPMW&O Street Tracks;  2JoeskiNoche Como Ninguna (6:25) 125 BPMVIVa Music;  3Gettoblaster/Mikey VI Really Want You (extended mix) (6:40) 126 BPMSnatch!;  4CostelloString Theory (6:36) 127 BPMCOD3 QR;  5L.B. Dub CorpSaturn To Home (feat Miss Kittin) (6:05) 127 BPMDekmantel;  6Hawke/God WithinAcid Funk (Rabbit In The Moon's Tune instrumental mix) (7:21) 128 BPMDirtybird US;  7Yan CookRose (6:34) 130 BPMPlanet Rhythm;  8Deetron presents SoulmateFilter (Broken mix) (4:33) 134 BPMIlian Tape 9 Posij & Not Yes,Linchpin,Flexout Audio;  10Marco Resmann/FairplayLike It Is (original mix) (5:09) 126 BPMUpon You.   minimal show on iTunes minimal show rss feed   

Bogota-born, Berlin-based Tania Humeres Correa aka @thc_dj has perfected the art of high-energy sounds that get big room crowds close together. The Rinse FM host has her own party series La Noche with Byron Yeates and sibling DHC, and with the latter plays back-to-back as S-candalo. Acid, potent rave bangers, vocal gems and deeper delights all feature in her sets which always look to combine an unbridled sense of party with plenty of emotional nuance. This week's mix was recorded just after the start of festival season so is aimed at getting your summer started in style. Staying true to her signature house sounds with plenty of warmth, euphoria and rolling grooves, it's a perfect representation of her ideal dance floor soundtrack. While leaning towards the energy of the main stage and "anthemic vastness," her selections never forget about the all-important elements of intimacy and soul which help the beats make a lasting impression.

Wave Arising (@wavearising) aka @69db aka Sebastian Vaughan has lived through many musical movements from hip hop to acid house, rave to hardcore. He began making his own as a drummer and drums remain at the heart of his weightless techno sounds all these years later. That was exemplified once more by his most recent album which is an exercise in rhythm that works equally on mind, body and soul. He has long been a part of several key techno collectives including Spiral Tribe, SP23, R-Zac and Dharma Techno and seeks to bring movement, trance and spirituality to the weightless sounds he makes and plays as Wave Arising alongside the dancer Kynsie. This week he has put together a special live mix that has been fully improvised in the studio as opposed to a standard DJ selection. It comes ahead of his performance as 69db at Dekmantel Festival this year and is a perfect example of the intense and ritualistic music he makes: it's a tribal soundscape constructed from supple, elongated and heavy rhythms, spaced-out ambient pads and experimental dub movements that are all doused in psychedelic overtones which consumes all your focus. Check Wave Arising's new album (The) Rooted Sky here: https://wavearising.bandcamp.com/album/the-rooted-sky

Not only is Polygonia (@polygonia) playing her first live show in the Amsterdam forest this summer, she also just delivered the 468th instalment of the Dekmantel Podcast. Under the Polygonia moniker, multidisciplinary artist Lindsey Wang (also: founder of QEONE and IO Records) moves between the worlds of techno, downtempo and ambient – heavily inspired by Mother Nature and her thorough knowledge of music theory and live instruments. Listen to our Soundcloud for 96 must-hear minutes that will equally comfort and challenge your senses.

Nick León (@NICKLEON) is an artful DJ and producer from Miami who has always operated at the experimental fringes of electronic music. Though he has always pushed at the boundaries he never fully loses sight of the dance floor while colliding reggaeton, techno, ambient, dubstep and hip-hop. He is a frequent collaborator and something of an album specialist who most recently took inspiration from Florida's diverse sub-aquatic ecosystems on his superb Projections of a Coral City album alongside Coral Morphologic. Nick will be joining us at Dekmantel Festival 2024 and this week's mix is a great way to keep you going until then. It's an hour of loose-limbed and largely genre-less rhythm with a naturalistic feel. There's a blend of filtered and futuristic voices and centuries-old dancing rituals that take you to the heart of an ancient rainforest, all with his signature Latin flavours and an undercurrent dembow-laced beats.

You have likely seen Jonathan Castro's work, even if you don't know his name. His influence on the contemporary design landscape is magnificent. The Amsterdam-based, Peruvian born former Metahaven and Studio Dumbar designer has a style all his own; one that has shapeshifted and continues to evolve daily. The through line is that his work constantly embraces the unknown spaces between art and design practice. Look no further than his latest massive endeavor, the design of Dekmantel's 10th anniversary branding and promotional materials (alongside Conor Campbell Studio). If you haven't seen his work, you've seen his sources of inspiration: rocks, cracks in pavement, dirt, garbage, the sky on a windy day, etc. He mines the tangential—the marginal—to create visual communication, and also to evoke and capture emotional resonance. Castro is at the forefront of a plea for design to be a form of visceral creative expression and emotional healing. And he seems to have settled in as organically as the work he's created. It feels natural, alive, incidental, and vital. Talking to him felt no different. To Castro there's no line between assemblage, recycling, readymades, and originality: it's all fair play.We spoke with Castro about growing up in Peru, his various influences and ideologies, his ongoing conversations with himself surrounding how and why he continues to make work, the concept of “Ambient Design” (did we coin this?!), and what it means to take the time to explore the margins of life, the margins of creativity, and to embrace those things that others may have ignored or glazed over. His interest in the totality of the human experience—the darkness with the lightness—is explicitly laid out in our conversation.We can't thank Jonathan enough for his time. It was truly a phenomenal conversation and we hope you enjoy it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit graphicsupportgroup.substack.com

American artist Introspekt (@sageintrospekt) has a sound rooted in the darker side of UKG but comes at it from a unique perspective that incorporates elements of US garage and ballroom. The LA-born, NYC-based talent has now made her mark in Europe as a DJ and a producer on labels like Eris Drew and Octo Octa's T4T LUV NRG. Her style blends heavy basslines, diva vocals and well-crafted broken beats into something that harks back to the sounds that once came out of the likes of Paradise Garage and Club Zanzibar, always with a focus on bringing up her own community. She says that the idea behind this week's mix was "to take the listener on a journey through tech-garage sonics and intergalactic dancehall rhythms." Tracks of her own and those from Skream, Holloway, Hatcha, Phuturistix and many more all plot a line through earth-shatteringly heavy rhythms from across the past, present and future of garage, dubstep and bass. It's a mix aimed at both body and head from this formidable talent and is a great taste of what to expect from her when she plays Dekmantel Festival later in the year.

Without people like Cashu (@carol-schutzer), São Paulo's queer community wouldn't be thriving in the way that it is. The Mamba Negra label collective, party and label co-founder has been working tirelessly to provide safe spaces, creative outlets and raise funds for the LGBTQIA+ community for many years. She closely intertwines politics and dancing at events that reclaim urban spaces and now enjoys an international DJ diary that sees her mixing up breaks, techno, dancehall and electro across Amsterdam, Berlin, and places like our own Dekmantel Selectors. She takes us on a similarly whirlwind tour with this week's mix, including some unreleased gems. It's a full-throttle party selection that fires through several house, club and techno rhythms - some bounce on big bass, some are twisted with raw percussion and some get stripped back to loopy drums and trippy sound designs. These global beats from the likes of DJ Wawa, Nick León, and Lewis Lowe add up to a colourful carnival atmosphere that sounds even better when the sun is shining.