Podcast appearances and mentions of Ben Frost

Ben Frost talks about the nature of composition, some anonymized tales of difficulty on the bandstand, and being a side musician versus a leader. This is Ben's second appearance on the show, the previous one having been hosted back in December 2022 by Will Chernoff.Ben and I will play together as a duo at Is That French? next Thursday, March 27; at the UNIT/PITT Society with Miles Wong on drums on March 28; and in Karl Silveira's band at Tyrant Studios on April 18.Become a member for free today at rhythmchanges.ca. You'll get the free weekly email with upcoming events from the gig list, plus artists, events, or recordings for you to enjoy and share. Sent every Tuesday morning at 6:00 AM Pacific Time.Hosted by Chris Fraser. Edited and mixed by Will Chernoff. A Chernoff Music podcast. Theme music: "Lutin" by William Chernoff.

Ben Frost grew up working in his parents' gift shop. Much like how they produced gifts to be displayed and sold, Frost does the same, only with paintings. His style is bold, in-your-face, and instantly recognizable, but to find that style, Ben had to branch out from his home in Australia and see the world.Collect our Limited Edition Prints: https://myartisreal.com/product-category/print/available/?orderby=dateSupport us on Patreon: https://www.patreon.com/myartisrealBen Frost Website: https://www.benfrostisdead.com/ Music Credits: CUE Shop, Xylo-Ziko - Osmosis, Podington Bear - Starling,

Esta semana, dedicamos la sesión de Rebelión Sónica, a la música del productor, compositor y diseñador de sonido australiano-islandés Ben Frost, con material de dos de sus álbumes: el nuevo “Scope Neglect” y su antecesor de 2017, “The Centre Cannot Hold”. “Scope Neglect” fue publicado por el sello Mute el 01 de marzo de 2024 y está integrado por ocho composiciones, que combinan elementos de metal y el minimalismo, bajo el alero estilístico general de la electrónica que define el trabajo de Frost. El disco incluye contribuciones de Greg Kubacki de la banda mathcore estadounidense Car Bomb y de Liam Andrews de los australianos My Disco. En una declaración sobre “Scope Neglect”, el músico australiano-islandés señaló: “Siempre hay una forma y un sentido de proporción que estoy buscando. Y con estos elementos, intentaba recalibrar algunas mecánicas familiares con la esperanza de crear algo nuevo”. Por su parte, en el Bandcamp puede leerse que “(…) esta música que desafía el género -la electrónica- parece alimentarse de una materia oscura invisible. Separadas de su entorno nativo, las formas de las guitarras rugen a través de espacios negativos cuya dimensión sólo se revela a través de las sombras proyectadas sobre ellas. Lo que queda es el andamio exterior de estructuras desmanteladas hace mucho tiempo y que ya no podemos ver. En otras palabras, lo que Frost quiere que escuchemos no es frecuentemente lo que quiere que sintamos”. Al final del programa, viajamos al pasado en la obra de Frost, para escuchar material de “The Centre Cannot Hold”, su quinto álbum de 2017 producido por el fallecido Steve Albini y también editado por Mute. Rebelión Sónica sale al aire por radio Rock

For this month's episode we've gone back to ten years, only a few years before the podcast began to talk about our favourite songs of 2014, including trve kvlt black metal, avant garde noise, sparkly pop bangers, swedish alt country, & kraut influenced post rock. We also discuss whether Elbow make suitable gym music, global conspiracy theories involving giant stone owls, and songs that sound like you're about to be burned in a wicker man.We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - Alcest, Alvvays, Babymetal, Devandra Banhart, Beck, Charly Bliss, Elbow, EMA, First Aid Kit, Ben Frost, Grouper, Ben Howard, King Creosote, Jenny Lewis, Stephen Malkmus & The Jicks, J Mascis, Mayhem, Mogwai, Opeth, Public Service Broadcasting, Röyksopp & Robyn, Run The Jewels, Svalbard, Swans, Taylor Swift, Thou, Ultimate Painting, Sharon Van Etten, Warpaint, & James Yorkston.Find all songs in alphabetical order here - https://open.spotify.com/playlist/2juBbBjb0YxzF6VMAvNIEi?si=4334ba0599c44034Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next month or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Twitter – https://twitter.com/wedigmusicpcast/Instagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Los primeros registros de la observación de Marte se remontan a la era de los antiguos astrónomos egipcios en el II milenio a. C. Más tarde, aparecieron los primeros registros chinos sobre los movimientos de Marte antes de la fundación de la dinastía Zhou (1045 a. C.). Los astrónomos babilónicos realizaron observaciones detalladas sobre la posición de Marte, que sirvieron para desarrollar técnicas aritméticas que predecían la posición futura del planeta. Los antiguos filósofos griegos y los astrónomos helenísticos desarrollaron un modelo geocéntrico para explicar los movimientos del planeta. Las mediciones del diámetro angular de Marte se pueden encontrar en antiguos textos griegos e indios. En el siglo XVI, Nicolás Copérnico propuso un modelo heliocéntrico para el sistema solar en el que los planetas siguen órbitas circulares alrededor del Sol. Esto fue revisado por Johannes Kepler, que pudo ajustar la órbita elíptica de Marte a los datos observacionales. La primera observación telescópica de Marte fue realizada por Galileo Galilei en 1610. Un siglo después, los astrónomos descubrieron distintas características del albedo del planeta. Fueron capaces de determinar su período de rotación y la inclinación axial. Estas observaciones se hicieron principalmente durante los intervalos de tiempo en el que el planeta estaba situado en oposición al Sol, en los cuales Marte se acercó más a la Tierra. A principios del siglo XIX las innovaciones en la fabricación de los telescopios permitieron empezar a mapear Marte. El primer mapa de Marte fue publicado en 1840, seguido por mapas más refinados a partir de 1877 en adelante. Cuando los astrónomos creyeron equivocadamente que habían detectado agua en la atmósfera marciana, la idea de la existencia de vida en Marte se popularizó entre el público. Percival Lowell creía que se podía ver una red de canales artificiales en la superficie de Marte.​ Estas características lineales demostraron posteriormente ser una ilusión óptica, y se demostró que la atmósfera era demasiado delgada para soportar un entorno parecido a la Tierra. Se han observado nubes amarillas en Marte desde la década de 1870. Eugène Antoniadi sugirió que se debían a arena o polvo que era soplado por el viento. Durante la década de 1920 se midió el rango de temperatura de la superficie marciana: de –85 a 7°C. Se encontró que la atmósfera planetaria era árida con indicios de oxígeno y agua. En 1947 Gerard Kuiper demostró que la fina atmósfera marciana contenía mucho dióxido de carbono; aproximadamente el doble de la existente en la atmósfera de la Tierra. Desde la década de 1960, múltiples ingenios espaciales robóticos han sido enviados para explorar Marte desde su órbita y su superficie. Antarctic Wastelands & Dear Gravity, God Body Disconnect, Helsinki Project, Spacecraft, Spectrum Vision, Ascendant, A.e.r.o. & Unusual Cosmic Process, Meg Bowles, Ben Frost, latome2, Reid Willis, Erez Yaary, Antarctic Wastelands & Ether Valley, Michael Neil, Nhung Nguyen, Neuromanter, Blue Is Nine. El playlist detallado: lostfrontier.org/space.html#1030.Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

Diesmal begrüßt Olaf Zimmermann in der ersten Stunde der "elektro beats" den Ex-Kraftwerk-Musiker Karl Bartos. Nach seiner Autobiografie "Der Klang der Maschine" hat Karl Bartos jetzt den Stummfilmklassiker "Das Cabinet des Dr. Caligari" neu vertont. Dieser expressionistische Film von Robert Wiene hatte vor genau 104 Jahren in Berlin seine Premiere. Im Gespräch mit Karl Bartos geht es u.a. um seine persönliche Faszination für dieses Film-Meisterwerk, seine Visionen für die Neuvertonung, Handlungs-Details und nicht zuletzt Aufführungen des Films mit dem aktuellen Score von Karl Bartos. Nach der gefeierten Premiere an der Frankfurter Oper kommt diese Aufführung im April für zwei Termine nach Berlin. Stunde präsentiert dann u.a. Musik von Sofia Kourtesis, Squarepusher, Nabihah Iqbal, dem Projekt Chocolate Hills (Alex Paterson/The Orb & Paul Conboy/Bomb The Bass), Lucie Antunes, Ben Frost, Karyyn, Jeff Mills und Hagen von Bergen.

Brìghde Chaimbeul, Rhodri Davies, Sam Amidon and Linda Buckley discuss the roles of tradition and place in music, and what they might think about when performing.Brìghde Chaimbeul is a Gaelic musician, composer and bagpipe player. Her music stems from traditional Gaelic material, particularly sourced from archival recordings, of songs, stories and music from the Highlands and islands of Scotland. It also explores wider musical influences, such as a variety of global piping traditions from eastern Europe, Cape Breton and Ireland. She has collaborated with artists including Ross Ainslie, Gruff Rhys, Martin Green, Carlos Nunez and Allan MacDonald. Last year she released the album Carry Them With Us in collaboration with Colin Stetson, weaving together textural drones, trance atmospheres and instrumental folk traditions.Rhodri Davies is a Welsh musician who plays harp, electric harp and live electronics, as well as building harp installations. He started playing the harp at the age of 7 and is classically trained on the orchestral pedal harp; he also plays harps from a range of different cultures, modifying their sounds with different techniques and pushing the boundaries of how the instrument can sound. He's released seven solo albums and regularly works with groups such as Hen Ogledd, Cranc, the Sealed Knot and Common Objects. Sam Amidon is an American singer, songwriter, and multi-instrumentalist from Vermont. He plays the fiddle, guitar and banjo, and is a member of the Icelandic music collective/record label Bedroom Community. He has released a string of acclaimed albums, ranging in theme from interpretations of traditional Irish fiddle pieces to old-time melodies and tales from traditional American folk history. His collaborators include classical composer Nico Muhly, experimental composer/producer Ben Frost, composer/violinist Eyvind Kang, guitar legend Bill Frisell and veteran jazz drummer Milford Graves.Linda Buckley is an Irish composer and musician who creates electronic and acoustic music working across many disciplines, most notably film, and drone and dark ambient music. She's worked in many collaborative contexts, including scoring films such as Nothing Compares by Kathryn Ferguson and To The Moon by Tadhg O'Sullivan. Recent collaborators include Liam Byrne and Crash Ensemble, Gudrun Gut and Andrew Zolinsky.

This month's episode welcomes Reykjavik based Australian producer, composer, and sound artist @BenFrost. Early albums like Theory of Machines, By The Throat, and Solaris established Ben Frost as a frontrunner in conceptual, boundary-pushing, and sometimes aggressive electronic music — echoed in his earth shaking live performances, which themselves are celebrations of spine tingling bass frequencies and volume. Not for the faint of heart, his music is inspired by punk rock guitar, minimalism, and in the case of his most recent album, heavy metal, often eschewing storytelling altogether in favour of a visceral, physical musical experience. And yet, his work in film and TV scoring, dance, and even opera suggests he's still interested in narrative artwork. In this conversation, Ben and I explore the different facets of storytelling, or lack thereof, as a musician, his new album Scope Neglect, and his approach to composition across these decidedly different fields. ++ Music: "Unreal in the Eyes of the Dead" - Ben Frost (2024) "Chimera" - Ben Frost (2024) "Ich Dachte, Ich Haette Mehr Zeit" - Ben Frost, from the Netflix series Dark (2019) "The Burning World" - Ben Frost (2022) ++ Follow AIR Instagram: https://www.instagram.com/_airpodcast/ Patreon: https://www.patreon.com/airpodcast Substack: https://airpodcast.substack.com/

New music from KHRUANGBIN, JONNY FROM SPACE, CHANTS, VORP, BEN FROST + more, on this ABSTRACT SCIENCE podcast, hosted by JOSHUA P FERGUSON + CHRIS WIDMAN. JOSHUA begins with laconic downtempo + cosmic trip hop, moving into broken beat, breakbeat + techno. WIDMAN follows with deconstructed club, 2 step, electro, drum n bass + experimental... The post absci radio 1206 – joshua p ferguson + chris widman appeared first on abstract science >> future music chicago.

Ian's back with a slate of savagery from all over the world of metal on today's show! We'll start with a taste of experimental noise composer Ben Frost's stunning new record Scope Neglect, then move into a decimating set of grindcore, highlighted by heavy hitters Escuela Grind, Pig Destroyer and Brutal Truth, plus a classic from Swedish grind legends Nasum. We'll also survey some of the best in the world of death metal with rippers from Slimelord, Tomb Mold and Vastum, while hyping next Saturday's March 30th show at the Rickshaw featuring Wake and Egregore! We'll also get into some new bandgers from traditional heavy metal masters with rippers from Judas Priest, Cirith Ungol and Haunt, and dig a classic track from Saxon out of the Graveyard!

"I often myself being responsible for a film's music, but also fighting for its absence." The composer discusses movie scoring, his love of opera and his new album, Scope Neglect, on Mute Records. The multidisciplinary Australian artist Ben Frost might best be known for his score work: he's soundtracked Netflix shows like Dark and its spinoff 1899, as well as a number of major motion pictures and video games. While his formal studies were in visual art, he started experimenting with music-making from an early age, homing in on a unique sound that is truly a melange of his influences in punk, black metal, classical and modern minimalism. His unique approach to composition has led him to some extreme places to capture field recordings, like the Democratic Republic of the Congo, the Amazon rainforest and the empty hulls of fishing boats docked on the banks of Icelandic port towns. Artists like Steve Albini, Björk, Brian Eno and the band SWANS have tapped Frost to work with them, and he's performed extensively as a solo performer and as part of an A/V outfit at the world's biggest festivals and art world circuits. In this episode of the RA Exchange, he sits down with senior producer Chloe Lula to discuss his latest venture, a full-length album, Scope Neglect, on Mute. It pulls heavily from his proclivity for guitar music and metal, but still nods to the cinematic minimalism that has become one of his work's primary tropes. Frost dissects some of the recording techniques he used to make the record—he borrowed from the methods used by Mark Hollis of the band Talk Talk—as well as his studio practice, his love of opera and his approach to writing scores. Listen to the episode in full.

My guest on Line noise this week is the Australian-Icelandic musician, composer, record producer, sound designer and director, Ben Frost. His excellent new album Scope Neglect is released in March and we spoke about that, about making shit music - and why he won't do it - Kurt Cobain's poetry, silence, Metallica's Black Album and - because I obviously couldn't resist - about Dark. Photo by Topper Komm.

My guest on Line noise this week is the Australian-Icelandic musician, composer, record producer, sound designer and director, Ben Frost. His excellent new album Scope Neglect is released in March and we spoke about that, about making shit music - and why he won't do it - Kurt Cobain's poetry, silence, Metallica's Black Album and - because I obviously couldn't resist - about Dark. Photo by Topper Komm.

In 2019 we were lucky enough to interview the great Australian-Icelandic musician, composer, record producer, sound designer and director Ben Frost about his soundtrack to Dark - AKA the best series ever put to film. Frost has a new album coming out in March, called Scope Neglect. It is his first studio album in seven years, so it seemed like a time to rewind to this 2019 interview we did for Sprung, our daily show on Radio Primavera Sound. I hope you enjoy it.

In 2019 we were lucky enough to interview the great Australian-Icelandic musician, composer, record producer, sound designer and director Ben Frost about his soundtrack to Dark - AKA the best series ever put to film. Frost has a new album coming out in March, called Scope Neglect. It is his first studio album in seven years, so it seemed like a time to rewind to this 2019 interview we did for Sprung, our daily show on Radio Primavera Sound. I hope you enjoy it.

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This Friday's broadcast features new Valerio Camporini F., Manongo Mujica, Ben Frost, N/Bu.d.d.A, Deep Dive Sound, Vince Clarke (Erasure), Conflux Coldwell, and Sonologyst.

Matt speaks with Ben Frost, renowned for his audacious and thought-provoking work often using pharmaceutical packaging. Frost opens up about his creative process, sharing insights on using imagery like children's books, mixing things up with different media, and his organic approach to art that bypasses digital mock-ups. The conversation also delves into sustaining a career over 20 years, the struggle between innovation and expectation, and the often-unspoken fear of stepping out of the comfort zone. If you've ever wondered what's behind those captivating paintings on packages or how an artist keeps the passion alive, don't miss this engaging chat! Listen to the full episode now.

Matt speaks with Ben Frost, renowned for his audacious and thought-provoking work often using pharmaceutical packaging. Frost opens up about his creative process, sharing insights on using imagery like children's books, mixing things up with different media, and his organic approach to art that bypasses digital mock-ups. The conversation also delves into sustaining a career over 20 years, the struggle between innovation and expectation, and the often-unspoken fear of stepping out of the comfort zone. If you've ever wondered what's behind those captivating paintings on packages or how an artist keeps the passion alive, don't miss this engaging chat! Listen to the full episode now.

Esta semana dedicamos una nueva edición de Rebelión Sónica a la banda estadounidense liderada por Michael Gira, Swans, con música de dos de sus discos: “The Beggar” de 2023 y “To Be Kind” de 2014. “The Beggar”, el decimosexto álbum en estudio del grupo experimental, fue lanzado por los sellos Mute y Young God Records el 23 de junio y es el sucesor de “Leaving Meaning” de 2019. Gira señaló que “después de numerosas cancelaciones de giras inducidas por la pandemia para el álbum anterior de Swans “Leaving Meaning”, un aparente pozo sin fondo de espera, espera, espera y la extraña desorientación que vino con este repentino pero interminable aislamiento forzado, decidí que era hora de escribir canciones para un nuevo álbum de Swans y olvidarme de todo lo demás”. El cantante, guitarrista y compositor, agregó que los temas “vinieron con relativa facilidad, siempre informados por la sospecha de que estos podrían ser los últimos. Cuando finalmente pude viajar, con las canciones en la mano, a Berlín para trabajar con mis amigos grabando este disco, la sensación fue similar al momento en El mago de Oz cuando la película cambia de blanco y negro a color. Ahora me siento bastante optimista. Mi color favorito es el rosa. Espero que disfruten el álbum”. “The Beggar” fue grabado y mezclado en el estudio Candy Bomber de Berlín, Alemania, por el ingeniero Ingo Krauss y fue masterizado por Doug Henderson en Micro-Moose, también en Berlín. El álbum fue escrito y producido por Michael Gira y presenta contribuciones de miembros históricos y recientes de Swans y de Angels Of Light, la otra banda de Gira: Kristof Hahn, Larry Mullins, Dana Schechter, Christopher Pravdica y Phil Puleo, así como también las voces de apoyo de Jennifer Gira, Lucy Kruger y Laura Carbone. Además, como invitado especial a la banda, está el reconocido compositor, productor discográfico y diseñador de sonido australiano-islandés, Ben Frost en guitarra, sintetizadores y manipulaciones de sonido. En la parte final del programa, viajamos al pasado en el catálogo de Swans, para escucharlos con material del álbum “To Be Kind” de 2014, el decimotercero de su trayectoria.

In putting this podcast together, we had a whole range of fascinating conversations, not all of which fitted into the standard format for this series, where each episode is focused on a particular skill. One of those conversations was with Korn Ferry, the global consulting firm.  Korn Ferry works with companies and leaders to help them put in place the optimal structures, roles, and responsibilities, hire the right people to fill those roles, and advises them on how to reward and motivate their workforce. So as you can imagine, it's a company that has a huge amount of interest in, and expertise on, the subject of this podcast: how to future-proof your career. And they've kindly agreed to sponsor this special episode as well. Joining us from Korn Ferry for this episode to share their expertise are Ben Frost, who works with the company's clients on issues like pay and talent management, and Sue Simonett, who leads the company's technology practice. Listen in to find out what these two experts think about: What is driving the current skills crunch?How employers might respondThe impact of AI and automation on the present and future of workChanging expectations for employers and employeesWhat Ben and Sue think of our Three Cs - Curation, Creation, CommunicationHow to maximise your future career opportunities

Led by Revd Dr Sam Wells with music from St Martin's Voices directed by Olivia Tait and accompanied by Ben Frost. Christ the Lord is risen today – Eleanor Daley Regina Caeli a 4 – Francisco Guerrero Alleluia – Elaine Hagenberg Hallelujah – Leonard Cohen Hallelujah from ‘Messiah' – G.F. Handel   With thanks to the donors of the Spirit of St Martin's campaign for supporting this season of Great Sacred Music.

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This evening's show features FRANCESCO FABRIS / BEN FROST, AMP, MORIN HEIGHTS DOOM QUINTET, GIOVANNI LAMI, and MAYSSA JALLAD.

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This evening's show features SMALL CRUEL PARTY ('Do You Believe In A Pencil?'), WHISPERS OF UMBAR ('Schlafende Alpenwalder'), BEN FROST ('1899 (Music From The Netflix Series)'), and THE TAPES ('Nastri Dimenticati')

Ben Frost talks about his album Pixies, released exclusively to Bandcamp on December 2, 2022 featuring Noah Franche-Nolan on piano, Eli Davidovici on bass, and Mili Hong on drums. Ben is a trumpet player and composer from Vancouver. He's an avid rock climber, a generous and open soul, and for my money the best sheet music copyist in town with the most beautiful handwritten charts.Thank you to 12TH ST Sound for sponsoring this episode. New clients get 10% off from this recording studio in New Westminster at 12thst.ca/rcp.Become a member for free today at rhythmchanges.ca.

Dark Ambient Atmospheres Ep113 - Ethereal Instrumental - Avantgarde - Cinematic Mixhttps://www.youtube.com/c/DarkAmbientRadioSteve Roach & Byron Metcalf - Rite of PassagePeter Wright - RouletteAbandoned Toys - The Witch's Garden (prelude)Ben Frost & Daniel Bjarna - ReyjaBrian parnham - Relentless FlowAbel Korzeniowski - Right Behind YouSelaxon Lutberg - Remember or Forget?Simon Scott - RepulseAtrium Carceri - Ruins of DesolationLacrymosa Aeterna - Whispers

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This Friday's afternoon's broadcast features new Ulvtharm, Sun Dog, Morality Tables, Patrick Shiroishi, Ben Frost, Stefan Goldmann, and Daniel Avery.

A cura di Gigi Longo. Musiche: Main, Oval, Free Field, Mo Boma, Fennesz, Ben Frost, God is God, Paul Schütze, Hinako Omori, Silzedrek, So, O Yuki Conjugate.

.at/on Ukrainian experimental producer .at/on presents a selection of dark and shuddering electronics, marking his return to the studio and in turn introduces his new album. Bedroom Community's Ben Frost, Valgeir Sigurðsson, and Heliochrysum feature. With music from Roly Porter, Shackleton, Subtext, Puce Mary, Drew McDowall, Paul Jebanasam, OAKE, and Croatian Amor, together w/ a cut from his album - around the 32 minute mark. Tracklist & more available at Darkfloor.

Hosts Fr. Brandon Moravitz & Ben Frost visit with Bishop Cozzens from the Diocese of Crookston and Fr. Daniel Hammer!

Solénoïde (09.05.2022) - Le département météo du Solénopole annonce le passage d'un système dépressionnaire sur notre émission, un phénomène climatique inhabituel aux confluents des courants ambient, industriels et dubstep ! D'une durée de 55 minutes, ce phénomène singulier ne devrait toucher que l'Angleterre, la Bretagne, le Danemark, l'Islande, le Portugal, Berlin et Bruxelles.

Today's guest deejay is Jakob Lindhagen. Sofia Nystrand introduced me to several fantastic musicians after sharing her Vargkvint mix on Soundwave (you can listen to it here). Jakob was one of those musicians, and after I listened to some of his releases, I invited him to guest deejay. Jakob is an award-winning film composer based in Stockholm, Sweden. His most recent soundtrack is Ziba, a movie about an alienated upper-class housewife in today's modern Tehran. Jakob's soundtrack for Ziba will be released Thursday, May 12. You can listen to a single from the soundtrack here. It's a beautiful, moving piece. Speaking of soundtracks, I listened to Jakob's mix while playing the Call of Cthulhu roleplaying game on Roll20. It lent atmosphere to the game and heightened the experience. Before I leave you, Soundwave guest deejay Alex Haas has released his new album, STRING OF PIECES. His album has become part of my mourning routine as I start my workday. Listen to Alex's mix for Soundwave here. Join us next week when our guest deejay will be Andrew Tasslemyer. Aaron Martin & Dag Rosenqvist “Opening” CEEYS_Brueder Selke “Hiddensee” Jakob Lindhagen & Dag Rosenqvist “Östersjön” Hoshiko Yamane & Mikael Lind “Beyond The Hidden” AVAWAVES “Waves” Kinbrae “The River Awakens” Hydras Dream “The Little Match Girl” Jakob Lindhagen & Vargkvint “Bäckahäst” Ben Frost & Daníel Bjarnason “Simulacra II” Klangriket and Sjors Mans “Prinsengracht” Olec Mün and Michael Sarian “Manaas” John Hayes & Maxy Dutcher “Arrival” --- Send in a voice message: https://anchor.fm/soundwavemix/message

Hosts Fr. Brandon Moravitz & Ben Frost remember the life of Fr. John Doyle.

Welcome to Light On Light Through, Episode 263, in which I review the Raised by Wolves season 2 finale on HBO Max. written blog post review of this episode Further listening:  podcast review of Raised by Wolves 2.7 podcast review of Raised by Wolves 2.6 podcast review of Raised by Wolves 2.5 podcast review of Raised by Wolves 2.4 podcast review of Raised by Wolves 2.3 podcast review of Raised by Wolves 2.1-2.2 podcast review of Raised by Wolves 1-3 podcast review of Raised by Wolves 4-5 podcast review of Raised by Wolves 6-10 Further reading: Touching the Face of the Cosmos: On the Interaction of Space and Religion  

Today's meditation comes from The Book Of First John in The New Testament and from the writings of Ben Frost, with music by Acreage.

Our end of October Mixtape comes from Bedroom community's Heliocrysum. With a name that evokes the Latin for sunflower but also a healing tincture, the LA-based composer/sound designer duo have just recently presented their visceral, deep and exploratory debut album "We Become Mist". Reminiscence of their name too, their sound blends overlaid orchestration and distorted lightness, simplicity washed with emotional intensity, the remembered dreams of far-off, science-fictive discoveries. Heliochrysum is Michael Deragon and Daniel Lea in which collaboration becomes a sculpted journey into new aural and imaginative cosmology. "We Become Mist" uses analogue and digital processes to mine the depths of industrial and science fictional, psychedelic soundscapes, often cinematic in tone and texture. The album has been mixed by minimal ambient beast Ben Frost and mastered by Valgeir Sigurdsson. Within the melding of the analogue and digital, there was another element mixed: the album is tinged with psilocybin technology. As a listener, you can hear as you move through a psychedelic passage, like out of a state of lockdown into one of alien otherworldliness. Something that also seems to be tingeing the electronic music scenes throughout. Especially on the American west coast. For this mix the duo have selected a series of tracks filled with the atmospheres and textures they love and are inspired by and truly find moving: "there is something like an angelic quality or a spiritual depth to each of the tracks that we are always in search of. Heliochrysum for us is about layers, simple melodies and atmospheres moving towards an immersive experience that take the listener and us somewhere new, unknown and challenging. We also included some things we have made as Heliochrysum as well as other projects that we have been a part of because for us they are all one world and part of this journey". A blissful trip of warm sounds to fill our readers with autumnal feelings . Tracklist: 01. ALVA NOTO - XERROX SORA 1 02. SILVER MOUNT ZION - 13 ANGELS STANDING GUARD ROUND THE SIDE OF YOUR BED 03. MY BLOODY VALENTINE - TO HERE KNOWS WHEN 04. STEVE MOORE - THERE'S NO NEGOTIATING 05. HELIOCHRYSUM - HIVEMIND REMIX 06. L A N D - TRANSITION 07. M. DERAGON - A RADIANT SLEEP SHINE 08. CLINT MANSELL - WAVES CRASHING ON DISTORT SHORES OF TIME 09. HELIOCHRYSUM - LENS NOIR PART 2 10. HOWARD SHORE - MANSFIELD CRASH 11. BURIAL - NIGHTBUS 12. ALESSANDRO CORTINI - SCAPPA 13. HELIOCHRYSUM - ALIENA

Collage sonore - montage audio - cinéma pour l'oreille : On entend Ben Frost, Chris Marker, Fly Pan Am, David Lynch, Laibach et plusieurs autres films, cinéastes, musiques, voix, sons ou bruits qui s'entremêlent pour créer une atmosphère cinématographique dans ce voyage sonore de près de 45 minutes. Montez le volume, avalez votre pilule et laissez-vous porter.

Collage sonore - montage audio - cinéma pour l'oreille : On entend Ben Frost, Chris Marker, Fly Pan Am, David Lynch, Laibach et plusieurs autres films, cinéastes, musiques, voix, sons ou bruits qui s'entremêlent pour créer une atmosphère cinématographique dans ce voyage sonore de près de 45 minutes. Montez le volume, avalez votre pilule et laissez-vous porter.

Jlin is the recording alias of Jerrilynn Patton, an electronic music producer from Gary, Indiana. Initially associated with Chicago's footwork scene, her music evolved far beyond that style, exploring unheard rhythms and placing her in a category of her own. She quit her job as a steel mill worker to pursue music full-time. As one of the most acclaimed experimental electronic artists of the 2010's, she has shared the stage or collaborated with artists such as Björk, Ben Frost, Kyle Abraham, and William Basinski. Additionally, she has ventured into contemporary dance, composing the music for Wayne McGregor's Autobiography (Harry Potter, The Legend of Tarzan, etc.) In this episode, Jlin and Dan talk about using intuition while producing music, her live performance setup with Push 2, and many other things. Follow Jlin: Instagram @jlin_p Twitter Facebook This Episode Is Supported By Melodics.com Melodics is a desktop app that helps you build your skills playing MIDI keyboards, pad controllers, or electronic drums. Check out the free trial and start having more fun while practicing at Melodics.com Get a discount purchasing the latest version of Ableton Live LiveProducersOnline.com/BuyAbleton Join the newsletter and be the first to receive new podcast episodes, Ableton Live downloads, special events, and more: Liveproducersonline.com/newsletter

So stoked to open up Season 3 with a legend who embodies what life is about.More than anything else, Thor Harris inspires a life of positivity, a community builder for the many, not the few. Not just in his East Austin neighbourhood, but worldwide.He is a multi-instrumental musician – drums, percussion, xylophone, vibraphone, marimba, clarinet, oboe, orchestral bells. He's also a massively creative carpenter, plumber and artist and many, many more things.His Twitter is a riot of joy. He's played and collaborated with Swans, Shearwater, Bill Callahan, Shahzad Ismaily, Anna Rossi, Jarboe, Amanda Palmer and Ben Frost amongst others. His current collective, Thor & Friends, with Peggy Ghorbani and Sarah Gautier is a master class in improvisation, experimentation and community sharing.I Wanna Jump Like Dee Dee is a music podcast that does music interviews differently. I'm Giles Sibbald and I'm talking to extraordinary musicians, DJ's and producers about how they use an experimental mindset in their lives to amplify their own creativity, pursue new challenges, overcome fears and bounce back from mistakes.- brought to you by Hey Sunday, the mothership of the experimental mindset™.Podcast logo and art by Tide Adesanya, Coppie and Paste

Solénoïde (28.06.2021) - Défiez les lois de la pesanteur sonore en évoluant dans les espaces immersifs d'un programme entièrement teinté de musiques atmosphériques ! Parmi les 10 sélections qui composent la playliste de cette émission se retrouvent des paysagistes sonores tels que les italiens Alio Die et Lorenzo Montana, l'irano-allemand Dr Atmo, l'australien Ben Frost, l'anglais Lee Gamble ou encore les américains Steve Moore, Robert Rich et même le plus célèbre Moby !

dublab Intermission Studio brings together musicians, sound artists and writers from the Unsound LP & Book project ‘Intermission’. This second episode features a round table discussion between musicians Tim Hecker and Ben Frost with writer Andy Battaglia --- Support this podcast: https://anchor.fm/dublab-inconversation/support

On this episode of Everyday Is Sunday Podcast we talk about: The Pros & Cons to moving away from your hometown How to adapt in a new city Advice for anyone that would want to take that risk Start, Bench, Cut

Chapters00:00 - Introduction00:19 - Degree Importance02:52 - Hands On Training03:15 - Practise Working With Bands04:11 - Working With Modern Tech06:39 - Using The Resources Available 08:39 - Encouraging A Good Performance10:36 - Performance In Electronic Music11:48 - Working For Free13:55 - Self-Releasing Artists Budgeting15:02 - Intellectual Share Of Rights17:33 - Helpful Music Organisations18:49 - Sound Design Opportunities19:42 - Working With A Varied Skillset21:57 - EndingSteve Levine BiogStarting as a trainee tape-op at CBS Studios in 1975, Steve progressed to in-house engineer and worked with many now classic new wave and punk acts The Clash, The Jags, The Vibrators, XTC as well as many of CBS Records' pop acts, including Sailor. Beach Boy Bruce Johnson was to play an important part in Steve's early career, culminating with Steve producing an album for the Beach Boys several years later. Steve produced all of Culture Club's classic hits and the bands' three multi-platinum albums.Since then Steve has worked with a wide spectrum of artistes and composed a number of film scores. Artist collaborations include Honeyz, China Crisis, Gary Moore, Ziggy Marley, Louise, The Creatures, Lemmy & Motorhead, David Grant, Westworld, Mis-teeq, 911. He also produced and composed the score for the action video game Hyperbrawl.In his career, Steve has collected a number of prestigious awards including BPI Producer of the Year, Musicweek Top Singles Producer and a Grammy for his work with Deniece Williams. Plus a Sony Radio Award.Steve has also appeared on many radio and TV programs, and is a regular guest on BBC's 6 Music. His radio production company Magnum Opus Broadcasting produces several shows for the BBC; in particular The Record Producers, a radio documentary series for BBC Radio 2 and BBC 6 Music for which Steve received a Sony Radio Award for the 'Best Specialist Contributor'. This acclaimed documentary series focuses on the art of record production from the producer's perspective.Along with his radio and TV work, Steve is currently busy producing exciting new bands for his new label Hubris Records.Steve is a Director of PRS For Music, a member of the MU, PPL and The Music Producer's Guild, as well as a LIPA Companion (Liverpool Institute for Performing Arts).http://www.stevelevine.co.ukFelipe Gutierrez BiogFelipe is a BA Music Technology and Popular Music 2018 graduate from Huddersfield University.He carried out his course with a strong focus on music production and music for the moving image. During his placement year, Felipe worked at Warner Music as a marketing intern, but ever since graduating he has been working as a freelance sound engineer and composer.Some of the highlights of his career so far include working on Ben Frost's score of the second and third seasons of Netflix's hit series Dark, over at Soundgas Studios alongside Tony Miln and Ben Hirst; working with Yusuf Islam Foundation (founded by Yusuf / Cat Stevens) on a variety of projects.He has also worked as an assistant engineer for Kit Downes, as a recording and live sound engineer for the RIOT Ensemble, and has worked for American bassist and label-owner, Michael Janisch from Whirlwind Recordings. In addition to this, he is a writer and composer for The Nerve , a music library based in the UK.Currently Felipe lives in London and has started to get more involved in the studio circuit, working as a runner at RAK Studios.https://soundmusicuk.com/

2010–2019: DECADE IN FUTURE MUSIC part 3, featuring APHEX TWIN, BADBADNOTGOOD, BEN FROST, BURIAL, KAMASI WASHINGTON, LORD ECHO, MACHINEDRUM, MODERAT, NEAR THE PARENTHESIS, PRINS THOMAS, + many more on this special retrospective ABSTRACT SCIENCE podcast, hosted + mixed by JOSHUA P FERGUSON + LUKE STOKES. This is part 3 of a 3 part series looking... The post 2010–2019: decade in future music part 3 – absci radio [as1114] appeared first on abstract science >> future music chicago.

Pour clore l'année 2019 planete sauvage vous a préparé deux montages sonores de 20 minutes, l'un plongeant essentiellement dans le cinéma et l'autre essentiellement dans les séries télé, alliant dans son collage dialogues, voix, sons, bruits et musiques, tous puisés dans divers oeuvres audiovisuelles, afin de vous offrir du cinéma pour l'oreille dans une ambiance sonore qui vogue entre le drone, l'électronique ambiant, les percussions et les silences. The Lighthouse, Upgrade, Chernobyl, House of Hummingbird, Dark, The First, Colin Stetson, Ben Frost, Mark Korven, Jed Palmer...... . .  . .  .  .  .     .       .          .              .

BEST OF 2017, featuring BEN FROST, BICEP, THE BUG vs EARTH, CLARK, FEVER RAY, HODGE, FOUR TET, JLIN, MAX COOPER, SPECIAL REQUEST + 40 more selections, on this special extended year-end ABSTRACT SCIENCE podcast. co-hosts CHRIS WIDMAN, MR JOSHUA, LUKE STOKES + HENRY SELF mix 4 diverse hours of their future music favorites from 2017.... The post best of 2017 – absci radio [as1021-1022] appeared first on abstract science >> future music chicago.

GUY ANDREWS, CLAP! CLAP!, ZOMBY + EDAMAME are featured new music selections on this week's abstract science podcast, hosted by CHRIS WIDMAN + HENRY SELF. WIDMAN begins the program with STEVE ALBINI's rework of BEN FROST's latest (recorded at ALBINI's ELECTRIC AUDIO studio in chicago), followed by forthcoming HOUNDSTOOTH music from GUY ANDREWS, whose recent... The post absci radio [as1006] appeared first on abstract science >> future music chicago.

the best of 2014, including ADDISON GROOVE, APHEX TWIN, CARIBOU, D'ANGELO, FLYING LOTUS, TAYLOR MCFERRIN, MOODYMANN, BEN FROST, TEEBS, TODD TERJE + more, are featured on this special double episode (with all 4 selectors contributing). it was a year of loss–RIP FRANKIE KNUCKLES, MARK BELL, DJ RASHAD + SPACEAPE–and a year of creative renewal. house,... The post best of 2014 – radio show [as0887-0888] appeared first on abstract science >> future music chicago.

JUSTIN REED guest mix + new music from CLARK, LAKKER + ROBERT HOOD are featured selections for this week's program. the howling wolves of BEN FROST kick off WIDMAN's set, an intro to menacing techno from LAKKER + BRITISH MURDER BOYS, before settling into a detroit techno + chicago house groove. the first hour wraps... The post justin reed – radio show [as0878] appeared first on abstract science >> future music chicago.