Podcasts about Dirty Projectors

A classically trained guitarist who studied composition at The New School for Jazz and Contemporary Music, Manhattan native Ben Greenberg is a prolific record producer, engineer, songwriter, and performer who coheres conservatory training with a deep history across many different genres of underground music.Known as a founding member of respected industrial/metal group Uniform and a former member of The Men, Zs, and many more, Greenberg has been described by Ben Ratliff of the New York Times as “a good musician [...] and boss of his own one-man guitar project, Hubble.” Ben's rich and varied performance history ranges from over two decades touring with bands to performing for legendary composers like Glenn Branca and Terry Riley.In the year 2000 Greenberg began assisting Grammy-award winning engineer Mike Marciano at Systems Two Recording in Ditmas Park, Brooklyn. It was here that he learned the fundamentals of recording on 2” tape alongside early Pro Tools systems. He would go on to build his own recording studio in Brooklyn (Python Patrol) and work out of world-class studios all around the globe (Electrical Audio, The Magic Shop, Strange Weather, The Pool, Sonic Ranch). Greenberg's studio credits include Danny Elfman, Depeche Mode, Drab Majesty, Wicca Phase Springs Eternal, Junglepussy, Show Me The Body, Drew McDowall, Black Marble, and Christeene, among many others. His process attends to the essence of the artist's vision and exacts a cultivated philosophy of sound upon them. The result is something between organic and synthetic: A magic that locks in the music's emotional resonance with the listener.Since the 2010s, Greenberg has produced and mixed award-winning scores for film and television. He is the principal engineer to the scores of composer Brian McComber (ex-Dirty Projectors), including the A24 productions It Comes At Night and Krisha, as well as Kingdom of Silence (Showtime), 16 Shots (Showtime), Little Woods (Neon), Mickey and The Bear (Utopia), and Fair Play (Netflix), among others. Greenberg was Randall Dunn's mix assistant for the Jóhann Jóhannsson score to Panos Cosmatos' 2018 film, Mandy (SpectreVision), and Dunn's co-engineer for the 2022 score to Julio Torres' Problemista (A24). Greenberg has also mixed Ella Van Der Woude's scores for Something You Said Last Night (Elevation Pictures) and Silver Haze (EMU Films), and in 2024 he won a Cinema Audio Society award for Outstanding Achievement in Sound Mixing - Documentary, for his stereo and surround mixes of JD Samson's score for Sam Green's 32 Sounds (DofMP).IN THIS EPISODE YOU'LL LEARN:Starting music production at a young ageFinding jobs in the music industryDealing with parents who might not understand your passionsWorking on metal, jazz, and everything in betweenSwitching your workflow for different genresUnderstanding what to listen for with compressionHow to approach a new mixWhy volume and panning are your most important toolsDetermining when plugins are worth purchasing Working with Danny ElfmanPurposely doing lessTo learn more about Ben Greenberg, visit: https://circularruin.com/Ben-GreenbergLooking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join:https://masteryourmix.com/amplitude/ Want additional help with your music productions?For tips on how to improve your mixes, visit: https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint:

This week, we're joined by artist and composer, David Longstreth of Dirty Projectors. Known for his genre-defying work and singular creative vision, David sits down with Jeremy to talk about scoring the new A24 film The Legend of Ochi and the process behind his latest album, Song of the Earth—a sweeping collection of orchestral songs that blurs the line between the classical and the contemporary. The two dive into the rhythms of fatherhood, the unexpected joy of sharing a stage with Bernie Sanders, and the simple pleasures of swimming and meditating. It's a wide-ranging, thoughtful conversation with one of music's most curious minds.*Sponsored by Bezel - the trusted marketplace for buying and selling your next luxury watch 

On today's episode, I talk to musician Maia Friedman. Originally from Los Angeles, Maia's family moved around to different California locales, and eventually after college Maia ended up in New York. She formed the band Uni Ika Ai in 2016, joined Dirty Projectors in 2018 and began the band Coco around 2020. As a solo performer, she's released two albums, her first Under the New Light in 2022 and her latest, Goodbye Long Winter Shadow just came out on Last Gang Records, and it's great! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

...y más nuevas canciones de [VVV]TrippinYou, Dirty Projectors y Black Country, New Road.Escuchar audio

Alle Links in den Shownotes. >> Djrum – Under Tangled Silence (Houndstooth) Felix Manuel mit einem neuen Album voll wunderschöner bleepy Electronica. Getrieben von klassischen Elementen, seiner Piano-Arbeit und einem Cello vermischen sich zarter Ambient-Techno und hibbeliger IDM. Heraus kommt eines der besten Alben des Jahres. >> Physalia – Oniria (okum produzioni) Die Italienerin schwebt mit ihrem Mix aus Kammerpop mit Piano-Einsatz und Dream-Pop wie auf ihrem Albumcover durch ein Meer aus Atmosphäre. Das soll ihr Debüt sein? >> Deradoorian – Ready For Heaven (Fire) Dub, Disco, No Wave, Post Punk – und das alles eiskalt vorgetragen. Deradoorian, die schon mit den Dirty Projectors und Kate NV immer eine Sonderausfahrt aus dem Pop genommen hat, groovt sich gekonnt durch ihre beste Solo-Platte. >> Tennis – Face Down in the Garden (Mutually Detrimental) Der musikalische Abschiedsbrief des Dream-Pop-Ehepaars erzählt von kleinen wie intimen Geschichten. Sind diese überhaupt für unsere Ohren gedacht? >> Hypochondrische Ängste – Real Authentic Berlin Street Love (Viel Erfolg mit der Musik) Spoken-Word-Stream-Of-Consciousness-Post-Alles-Musik. Songs sind das nur, wenn man will. Rhythmus, Melodie, Takt, Text – zusammen umzingeln sie das, was man für Songstruktur hält, kreisen ein, beobachten lieber von außen. Hochgradig assoziativ, fließend, überfordernd und doch in sich schlüssig. Wir reviewen außerdem neue Musik von Maria Somerville, Molly Nilsson, Elaine Howley, Any Other, Heavy Lungs, Penelope Trappes u. v. m. **Setlist:** - [00:00:00] Intro + Zuletzt gehört: ESC und Animal Collective - [00:07:30] **Djrum - Under Tangled Silence (Houndstooth)** - [00:18:51] Playlist Part 1: Elaine Howley, Molly Nilsson, Heavy Lungs, LDS - [00:24:18] **Physalia – Oniria (okum produzioni)** - [00:31:13] **Deradoorian - Ready For Heaven (Fire)** - [00:38:42] Playlist Part 2: Penelope Trappes, Maria Somerville, Introversion, Molecular - [00:43:08] **Tennis - Face Down in the Garden (Mutually Detrimental)** - [00:51:47] **Hypochondrische Ängste - Real Authentic Berlin Street Love (Viel Erfolg mit der Musik)** - [00:59:38] Playlist Part 3: Borez, Wishy, Audiojack, Any Other - Jetzt auf Spotify abonnieren. Neue Songs für die Playlist: Djrum - Let Me Elaine Howley - Hold Me In A New Way Molly Nilsson - Il Peggio Bar Di Caracas Heavy Lungs - Caviar LDS - mud zu Physalia - Devoured by the Sun Deradoorian - Any Other World Penelope Trappes - Sleep Maria Somerville – Spring Introversion - Found Footage Molecular - Got Game Tennis - 12 Blown Tires Hypochondrische Ängste - Ryanshair Borez - Rubber Eater Wishy - Fly Audiojack - JOY Any Other - Lazy

For today's episode, I am joined by Maia Friedman to discuss her brand new album Goodbye Long Winter Shadow, a collection of meticulously crafted songs about the cyclical nature of life and the personal tragedies and new beginnings that inspired the trajectory of the album. ✨ MORE ABOUT MAIA FRIEDMAN ✨Maia Friedman is an artist based in Brooklyn, known for her work with the Dirty Projectors and Coco. Coming off the heels of her 2022 solo debut Under The New Light which was crafted through improvisational sessions, her sophomore effort Goodbye Long Winter Shadow, was the result of intensive and rigorous writing sessions. The record is available now on all DSPs. ✨ CONNECT WITH IZZY ✨Blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://agrrrlstwosoundcents.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/agrrrlstwosoundcents/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/grrrlsoundcents⁠⁠⁠⁠⁠

David Longstreth is here to discuss David Longstreth's Song of the Earth, Performed by Dirty Projectors and s t a r g a z e, life in Los Angeles in a tumultuous ecological era, working with s t a r g a z e and the influence of Gustav Mahler, the revenge of the Earth, orcas, and using gardens as a metaphor, despair and the Beatles, why Phil Elverum from Mount Eerie might be the poet laureate of nature, working with Steve Lacy, loving Stephen Malkmus and Pavement, production ideas, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Ep. #951: Mark Ibold, Scott Kannberg, Jeffrey Lewis Clark, Jed I. Rosenberg & Brian Thalken on ‘Louder Than You Think: A Lo-Fi History of Gary Young and Pavement'Ep. #933: Alex Ross Perry, Scott Kannberg, and Robert Greene on ‘Pavements'Ep. #924: Lance Bangs and Bob Nastanovich on ‘Pavements'Ep. #918: Mount EerieEp. #910: The Hard QuartetEp. #481: David BermanEp. #114: Nat Baldwin of Dirty ProjectorsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, I talk to musician David Longstreth. Originally from Southbury, CT, David recorded his first album The Graceful Fallen Mango after dropping out of college. After returning to finish his degree, he began recording under the name Dirty Projectors, and in 2003, Western Vinyl released their first album The Glad Fact. They continued to record albums and slowly built a name for themselves in the thrumming Brooklyn music scene of the aughts. In 2009, Domino released their album Bitte Orca to a great deal of acclaim, and in all, the band has released 20 albums and EPs; their latest, Song of the Earth, is a collaboration with the German orchestral group s t a r g a z e, and it's fantastic! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

durée : 00:55:03 - Very Good Trip - par : Michka Assayas - Hier soir, nous étions à Pompéi avec Pink Floyd, ce soir nous retournons dans le présent, un présent qui, une fois n'est pas coutume, ouvre des perspectives chatoyantes et poétiques. - réalisé par : Stéphane Ronxin

Hey folks, welcome to the latest episode of the Ecosystem Member podcast. This is our first episode of a new set of recordings after a little break. I recorded a bunch of episodes at the end of 2024 to get us to March. I used that break to write a fiction book exploring a lot of themes from this podcast and I'm really proud of the result. I put my whole heart into the story so I am hoping we'll be able to get published soon. If you know a literary agent or publishing house exec, send them my way.Today's episode though, is also something I'm really proud of. I try to be really thoughtful about the people who I invite to be guests on the podcast and often times I send agents or publicists an email and I hear nothing back, so I was ecstatic what I actually heard back from the representatives of today's guest. Dave Longstreth is a songwriter, composer and band leader you probably know best from his most widely known work with the band he created - Dirty Projectors. I came across an article in The New Yorker about Dave's latest project ‘Song of the Earth' and I knew I had to have him on the podcast. As we talk about in the episode, the piece is ultimately an affirmation and optimistic, but it explores some challenging elements of our relationship with nature, including using a passage from David Wallace-Wells book ‘The Uninhabitable Earth' in a song to illuminate some shocking truth about how we treat Planet Earth.In addition to exploring the tensions and ideas in ‘Song of the Earth', we talk about one of his most well-known collaborations with the Icelandic singer Björk on the album Mount Wittenberg Orca. As Dave talks about in the episode, this music was written with the idea of the singers as a pod of whales with Björk being the mother whale. I remember hearing it when it came out in 2011, but the meaning and impact expanded in the context of the themes of the podcast when I re-listened to it to prepare for this episode. Toward the end, we also discuss the new film Dave scored called The Legend of Ochi. As of this recording it hasn't hit my local theater, but it is backed by A24, so I think we can safely assume that it is definitely worth checking out. Dave is a super smart and thoughtful dude and I hope you appreciate his openness in discussing his work and experiences as much as I did during the conversation. LinksSong of the Earth on Bandcamp Dirty Projectors on Substack Dirty Projectors Creates a Symphony for a Burning World (The New Yorker) "The Legend of Ochi" Ecosystem Member Substack

durée : 00:04:08 - L'autre Chant de la Terre des Dirty Projectors - par : Max Dozolme - Max Dozolme nous parle du dernier album du groupe de rock indé Dirty Projectors. Comme son nom l'indique, "Song of the Earth" est un hymne à la nature qui puise son inspiration dans une œuvre classique éponyme que l'on connaît bien sur France Musique…

Sharing some Easter/420-appropriate psychedelic religious music for the 8:30 throwback. Otherwise, your usual mix of ambient electronics, dream-pop, experimental tangents, and other sounds to start your week right. Hope you enjoy it!Playlist: Vega Trails - MurmurationsMiyauchi Yuri - hukk reworkTest Card - Looking back like hours for fools (Octophonic remix)Kara-Lis Coverdale - DazeVarious Artists, featuring Britton Judd - Caterpillar TreehouseWume - RavelWarrington Runcorn New Town Development Plan - All You Need In Five Minutes Brisk Walk8know8 - Make It WorkAshi Shonen - EntendreZachary Gray - Trippin' Drummachinemike RemixRachel Kitchlew, featuring SHOLTO, David Bardon - Opium LoungeVarious Artists, featuring Felbm - BloesemSnails - Sunny DayDana Gavanski - Hang in for Us BothNap Eyes - Dark Mystery Enigma BirdPulp - Spike IslandThe Electric Prunes - Holy Are YouThe Electric Prunes - General ConfessionalHermitess - Green BladeAdrian Younge - Esperando por VoceSAULT - I.L.T.S.Dirty Projectors, David Longstreth, stargaze - More ManiaThe Garrys - CakewalkPopulation II - CardinauxMelody's Echo Chamber - Norfolk HotelKairos Creature Club - ExileMen I Trust - Paul's ThemeOrange Crate Art - Mystery Clown Disturbing ChildrenBlack Country, New Road - Mary44th Move - AnthemTess Parks - SunnysideRyan Bourne - End of Story

durée : 00:27:39 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, de la musique, avec deux nouveaux albums : "Song of the Earth" de Dirty Projectors et "Glory" de Perfume Genius. - réalisation : Laurence Malonda - invités : Charles Arden Musicologue, Directeur des contenus d'Ôlyrix; Christophe Conte Journaliste; Carole Boinet Journaliste, directrice de la redaction des Inrockuptibles

durée : 00:15:05 - Les Midis de Culture - par : Marie Labory - Nos critiques discutent de "Song of the Earth", nouvel album du groupe Dirty Projectors, qui s'inspire de la symphonie éponyme de Mahler et transcende les genres en créant un nouveau langage musical. - réalisation : Laurence Malonda - invités : Christophe Conte Journaliste; Charles Arden Musicologue, Directeur des contenus d'Ôlyrix; Carole Boinet Journaliste, directrice de la redaction des Inrockuptibles

Con Franz Ferdinand, Mogwai, Sharon Van Ettten & the Attachment Theory, Japanese Breakfast, Perfume Genius, FKA twigs, Everything Is Recorded, Destroyer, My Morning Jacket, Panda Bear, Dirty Projectors, Tunde Abedimpe y Bon Iver.(Hoy, con Leyre Guerrero ocupando el puesto de Gustavo Iglesias)Escuchar audio

Llegamos a tiempo, justo al final del programa, de estrenar el nuevo single de la banda de Jarvis Cocker, avanzando 'More', su nuevo álbum... ¡¡¡24 años después del anterior!!!También sonaron nuevas canciones de Craig Finn, My Morning Jacket, Hamilton Leithauser, Paul Zinnard, Jayco Jr. y Dirty Projectors.Escuchar audio

In this episode of Reverberations, host Majel Connery talks to David Longstreth about his album, Song of the Earth, an orchestral song cycle featuring Longstreth and his band The Dirty Projectors along with a host of other collaborators, including the commissioning ensemble, s t a r g a z e. Beginning with the album's titular inspiration, Mahler's Song of the Earth, Connery and Longstreth discuss the surprising proximity of Mahler and the Beach Boys; the courage to write a triad; Longstreth's affinity for echo chambers; and what it means to try to write music about the environment. Of the album's penultimate song he says: “[Given] the legitimate despair that...the record conjures, to summon the opposite, to summon hope, didn't feel easy. It did feel insane. It's an insane way to end the record.”Support the show

DJ St. Paul spreekt in de albumrubriek een uitgebreid gesprek met I Am Oak over Rise Above van Dirty Projectors.Benieuwd naar de tracklist en shownotes? Check ze via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tivolivredenburg.nl/studio/podcast/st-pauls-boutique⁠⁠⁠⁠⁠⁠⁠⁠Meer podcasts van TivoliVredenburg ontdekken? Ga naar⁠⁠⁠⁠⁠⁠⁠⁠ tivolivredenburg.nl/podcast

DJ St. Paul spreekt in de albumrubriek een uitgebreid gesprek met I Am Oak over Rise Above van Dirty Projectors.Benieuwd naar de tracklist en shownotes? Check ze via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tivolivredenburg.nl/studio/podcast/st-pauls-boutique⁠⁠⁠⁠⁠⁠⁠⁠Meer podcasts van TivoliVredenburg ontdekken? Ga naar⁠⁠⁠⁠⁠⁠⁠⁠ tivolivredenburg.nl/podcast

...y más nuevas canciones de The New Pornographers, Bruce Springsteen, The Moonlandingz, Panchiko, Vraell y Dirty Projectors.Escuchar audio

David Longstreth on Dirty Projectors, Orchestral Experimentation, and the Radical Psychedelia of FatherhoodDavid Longstreth stands at a fascinating creative crossroads. For twenty years, he's been the driving force behind Dirty Projectors, crafting music that defies easy categorization while earning collaborations with icons like Björk, Rihanna, and Paul McCartney. Now, with his ambitious new orchestral song cycle "Song of the Earth," Longstreth explores our shifting relationship with nature while processing what he calls "the radical psychedelia of fatherhood."Speaking from his California home studio (formerly a kitchen, before that a garage that "bloomed with mold"), Longstreth reveals how this project emerged from conversations with his longtime friend Andre de Ritter, conductor of the Berlin-based ensemble Stargaze. Drawing inspiration from Gustav Mahler's "Das Lied von der Erde," Longstreth initially set out to write nature poems, only to discover his feelings about the natural world had "gotten weird" – reflecting our collective anxiety about climate change.The beauty of Longstreth's approach lies in his embrace of uncertainty. Throughout our conversation, he repeatedly describes putting himself in musical situations "beyond what I'm capable of," allowing the learning curve itself to become part of the creative process. This has been his method since recreating Black Flag's "Damaged" album from memory for Dirty Projectors‘ 2007 "Rise Above" (deliberately avoiding revisiting the original) through to this orchestral collaboration that marries environmental themes with deeply personal transformation.Perhaps most captivating is Longstreth's description of how parenthood has fundamentally altered his perception. Watching his three-year-old daughter experience the world for the first time has made him question everything he knows, creating a profound sense of renewal that directly influences the emotional landscape of "Song of the Earth." Twenty years into his career, Longstreth has found a way to make music that feels simultaneously ambitious and intimate, political and personal – a rare achievement worth celebrating.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Dirty Projectors on Instagram Dirty Projectors Official StoreFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

...y más nuevas canciones de Bon Iver, Quinquis, The Marías, Jess Kerber y Dirty Projectors.Escuchar audio

"Song of the Earth" est un album engagé et ambitieux du musicien américain David Longstreth, leader du groupe Dirty Projectors. Né après les incendies dévastateurs de Californie en 2020, le projet prend racine dans un retour à la nature en Alaska, mêlant émotion personnelle et conscience écologique. Il s'inspire fortement de l'œuvre symphonique de Gustav Mahler, Das Lied von der Erde, et fusionne rock indépendant et musique classique, en collaboration avec l'orchestre berlinois Stargaze. Composé de 24 morceaux, symbolisant les 24 heures d'un jour terrestre, l'album explore la beauté du vivant autant que ses menaces. L'un des titres est directement tiré du livre La Terre inhabitable de David Wallace-Wells, amplifiant le message environnemental. Salué par la critique, Song of the Earth a été présenté dans de grandes villes comme Hambourg, Amsterdam, Londres et Los Angeles avant son enregistrement studio. Œuvre sensible et visionnaire, elle touche autant par sa musicalité que par sa portée politique. Les morceaux cités dans cette chronique : - Our Green Garden - At Home -Uninhabitable Earth, Paragraph One Merci pour votre écoute N'hésistez pas à vous abonner également aux podcasts des séquences phares de Matin Première: L'Invité Politique : https://audmns.com/LNCogwPL'édito politique « Les Coulisses du Pouvoir » : https://audmns.com/vXWPcqxL'humour de Matin Première : https://audmns.com/tbdbwoQRetrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Retrouvez également notre offre info ci-dessous : Le Monde en Direct : https://audmns.com/TkxEWMELes Clés : https://audmns.com/DvbCVrHLe Tournant : https://audmns.com/moqIRoC5 Minutes pour Comprendre : https://audmns.com/dHiHssrEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Durante esta semana repasamos el nuevo álbum del músico estadounidense al frente de su banda y de la orquesta Stargaze, comentado por él mismo.En el programa de hoy también sonaron nuevas canciones de Rufus T. Firefly, Henko, Agost, Dark Libra, Alabaster DePlume, Scowl, L.A. Witch, Scott Evil y The Hives.Escuchar audio

Ian speaks with friend of the pod David Longstreth about his excellent new release "Song of The Earth," the muddy line between himself and Dirty Projectors, the past present and future of the Bay Area, the misery and rewards of writing, Rick Rubin, and much more. LISTEN TO "SONG OF THE EARTH" SUBSCRIBE TO "WELL-TEMPERED ZEALOT" READ THE NEW YORKER PROFILE

Durante esta semana repasamos el nuevo álbum del músico candiense Dan Bejar comentado por él mismo.En el programa de hoy también sonaron nuevas canciones de Yann Tiersen, Dirty Projectors, Loren Kramar, Tatuaje, Living Camboya, Pequeño Mal, Fermi, Minibús Intergalàctic, El Hombre Garabato y versiones de Los Planetas a cargo de Cala Vento y Alcalá NorteEscuchar audio

Aquí lo que importa es que sea fresco del día, en nuestro caso, de la quincena. En Radio Curie te ofrecemos una selección de novedades musicales del circuito alternativo internacional hecho con amor y todo el rigor posible. Durante una hora repasamos lo último de lo último, desde el folk a los sonidos más eclécticos de la electrónica, pasando por el postpunk o el hiphop. Aquí cabe casi todo. 1) Sex Week - Coat 2) loucey - alice 3) Bouvier Normal - Long Time 4) Ezra Furman - Jump Out 5) Dirty Projectors; David Longstreth; stargaze - Uninhabitable Earth, Paragraph One 6) Neev - I Put it in a Frame 7) Benjamin Clementine - Tempus Fugit 8) Deradoorian - Any Other World 9) Kae Tempest - Statue In The Square 10) caroline - Total euphoria 11) Wishy - Over and Over 12) KuleeAngee - Be Good 13) Tropical Fuck Storm - Bloodsport 14) The WAEVE; Graham Coxon; Rose Elinor Dougall - Love Is All Pain 15) SOFT PLAY; Kate Nash - Slushy - feat. Kate Nash 16) The Pill - Problem 17) Lauren Mayberry; Joe Talbot - Sorry, Etc, Etc (feat. Joe Talbot) 18) Rhys Langston; Open Mike Eagle - Ate the Tuning Fork While I Taxied in the Crepuscular 19) 23 Bees - Ok :) 20) The Null Club; E L U C I D - Frameshift

Durante esta semana repasamos el nuevo álbum de la banda británica comentado por uno de sus componentes, Rhys Webb.En el programa de hoy también sonaron nuevas canciones de Destroyer, Dirty Projectors, Ólafur Arnalds + Loreen, Grande Amore, Boynaka Kostova y Kiliki.Escuchar audio

Good Times... oder Bad Times? Wie findet unser Rock-Experte Dominic Dillier die neue Led Zep-Doku «Becoming Led Zeppelin», die sich ausschliesslich um die Anfangsperiode der legendären Classic-Rocker dreht? Wir besprechen es in der neusten Sounds!-Episode zusammen mit Dominic Dillier... und hören dazwischen natürlich auch noch ein paar Classics der Band. «Becoming Led Zeppelin» ist ab sofort auf ausgewählten Deutschschweizer Kinoleinwänden zu sehen. +++ PLAYLIST +++ · 22:54 – CIRKL von LINDSTRØM · 22:50 – FLIGHT SIMULATOR von PRUNE CARMEN DIAZ · 22:48 – VERGISS DIE FINSTERNIS von TOCOTRONIC · 22:46 – PEACE REIGN von YUKIMI · 22:42 – RITUAL UNION von LITTLE DRAGON · 22:38 – EATING THE EGG WHOLE von WILD PINK · 22:34 – GOOD STUFF (EDIT) von BNNY & WILD PINK · 22:30 – VILLAIN von ANNAHSTASIA · 22:26 – FEELING von BILLIE MARTEN · 22:22 – GO LET IT OUT von OASIS · 22:18 – HAD TO von ESTHER ROSE · 22:13 – NEW MAGIC II von ESTHER ROSE · 22:10 – STATUE IN THE SQUARE von KAE TEMPEST · 21:54 – STILLNESS IS THE MOVE von DIRTY PROJECTORS · 21:49 – ANY OTHER WORLD von DERADOORIAN · 21:45 – TUANAKI ATOLL von BEIRUT · 21:42 – GETTING REMINDERS von EFTERKLANG FEAT. BEIRUT · 21:39 – RELATIONSHIPS von HAIM · 21:35 – ALBATROSS von THROWING MUSES · 21:31 – YOU'RE CLOUDS von THROWING MUSES · 21:27 – HALF A LIFETIME von MY MORNING JACKET · 21:23 – RAMBLE ON von LED ZEPPELIN · 21:14 – WHAT IS AND WHAT SHOULD NEVER BE von LED ZEPPELIN · 21:06 – GOOD TIMES BAD TIMES von LED ZEPPELIN

...y más nuevas canciones de Amaral, La Bien Querida, These New Puritans, Everything Is Recorded, Deerhof, Dirty Projectors, Beirut y Panda Bear.Escuchar audio

...y más nuevas canciones de Panda Bear, Squid, Mogwai, Miya Folick, The Weather Station y Japanese Breakfast.Escuchar audio

Proper polymaths have one guiding principle: love every genre you explore. And it's clear from the first note of any Olga Bell album she's dedicated to that rule. The classically trained pianist, electronic warlock and hip-hop connoisseur hasn't found a sound she can't warp and adore. At the beginning of the decade she toured with The Dirty Projectors and Chairlift and released Край an exceptionally ambitious project dedicated to the music of her native Russia. But a wondering spirit like Bell gets bored and her next album, Tempo, was an ode to dance music, bouncing from BPM to BPM and dance move to dance move. The opening song “Power User” was a stately mix of G-Funk, Beastie Boys brattiness, dancefloor empowerment and terrifyingly catchy synth-pop. So, listen to our interview with Bell, read up on “Power User” and see why we think it's one of the best of the 10s. “I think being an artist requires a certain amount of delusion and then checking that delusion. ” — Olga Bell

My guest today is Los Angeles-based Producer/Mixer/Engineer/Drummer Danny Reisch, who has worked on projects for Local Natives, Dirty Projectors, Khruangbin, Barns Courtney, White Denim, Other Lives, Shearwater, Sun June, Tele Novella, Intocable, Halo video game ( last 3 seasons), The Green Knight score (a24), Disney Peter Pan score, Interview With The Vampire score, Willie Nelson, Ed Sheeran, Lizzo, The Zombies, Counting Crows, Jimmy Cliff, Father John Misty and many more. In this episode, we discuss Dallas Childhood Memories Early Band Experiences Four Track Beginnings Michael Jackson Obsession Back to Future Influence Supportive Creative Family Unique School Experience Discipline College Music Degree Early Audio Awareness Atmos Mixing Insights Texas State University Touring and College Life Sound Design Job Band Experiences Takeaways Respect for Bands Working with Passionate Clients Good Danny's Studio Journey Early Studio Challenges Austin Music Scene Daytrotter Sessions Impact South by Southwest Frenzy Live Recording Skills Move to Los Angeles Pandemic Mixing Shift Film Score Mixing Financial Ecosystem Differences LA Studio Setup Challenges John Congleton's Advice Matt's Rant: What If? Links and Show Notes Danny on Instagram John Congelton on WCA Credits Guest: Danny Reisch Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith     

This California native pulled a stint in Dirty Projectors, and then formed the band Coco before striking out on her own.

Maia Friedman is a multi-instrumentalist and musician who plays in Coco, the Dirty Projectors, and releases solo music. Maia is a Scorpio Sun // Libra Moon // Aquarius Rising. Today we chat about the music and astrology of Leonard Cohen, Judee Sill, and Ludwig van Beethoven.What We Talked About: Coco - 2 (Album) // Coco - Self-titled (Album) // Coco - Mythological Man (Video) // Maia Friedman – First To Love (Video) // Judy Collins - Suzanne (Leonard Cohen Cover) // Judee Sill - The Kiss (Live Video) // Lost Angel: The Genius of Judee Sill (Doc Trailer) // Debussy - Clair de Lune (Song) // Willie Nelson - Stardust (Album) // Jozef van Wissem - A Priori (Album) // Mk.gee - Two Star & The Dream Police (Album) // Mannequin Pussy - I Got Heaven (Album) // Cheekface - It's Sorted (Album) // Coco - Precious Things (Song) ... Check out more of Maia's work! songofcoco.com // maiafriedman.com  // @maiafffff on Instagram.Our theme music is from the song, "Come & Get It" by Flamingosis. Follow us on Twitter and Instagram (@musicstr0l0gy) and check out our website at musicstrologypodcast.com.

Trigger warning! It was The Dirty Projectors! We talk about identifying and disabling your own triggers. What is a trigger? It's an unwanted emotional response to a "negative" stimulus. Ultimately, it's how people control us, and with practice, you can disable your own triggers, making you a valuable leader in a hyperbolic world. This week's readings were very triggering. Please be advised. The fire reading worried over STI fears. Earth talked about how religious judgments build walls of anger. Wind was a cluster # of ex energy. They want to talk. Water was a separation reading and zoomed in on an individual father that needs proper legal advice. Our readings start general and focus more specifically to help one person in particular. I'm really starting to understand that about my tarot reading style. The love note is to a leader, and it was hot. They can't wait to rip off your clothes. It's important for your identity to recognize your triggers and stop letting people guilt you into their bidding. It's time to go! Fire: 00:13:24 Earth:00:47:34 Wind:01:21:40 Water:01:21:40 Love Note: 02:07:08 ⚠️ These are performances and for entertainment purposes only. Make Good Decisions www.lovesexandtarot.com lovesexandtarot@gmail.com

On this week's Talkhouse Podcast we've got a very cool episode that was inspired by a very cool performance coming up in Los Angeles soon. It's David Longstreth in conversation with Phil Elverum. Longstreth is the focal point of the band Dirty Projectors, which formed about 20 years ago in Brooklyn, and was part of a scene that kind of elevated indie-pop into something more serious and timeless. It's been clear throughout the years that Longstreth is a musical searcher, having never been content to repeat himself. That's led to an incredibly varied catalog that can even border on pleasantly confusing, and the huge undertaking that he's in the midst of—and the starting point of this conversation—is no exception. About 10 years ago, Longstreth began working on what I'd guess you'd call a contemporary classical song cycle called Song of the Earth, which he performed with the ensemble stargaze a few years back. He's since been refining and reworking the piece, and along with Dirty Projectors and the world-renowned L.A. Philharmonic, he'll perform it on March 2 at the Walt Disney Concert Hall. That's a huge group of people and a massive undertaking—and not to be missed. At almost the opposite end of the spectrum will be that evening's opening act, Mount Eerie, aka renowned minimalist songwriter Phil Elverum. Elverum is almost a mythical figure in indie-rock, having forged a truly unique path over the past decade, first under the name The Microphones and later Mount Eerie. His music is often deeply personal, and he'll move from simply structured indie-folk into fully immersive lo-fi drones in ways that can confound and disarm. His catalog is wide and deep, though if you're unfamiliar with his music, a good place to start is 2001's The Glow Pt. 2. At this concert, he'll not only open the show for Dirty Projectors but he'll also—as you'll hear—participate a little bit, because Longstreth tapped Elverum to help out on a Song of The Earth piece called “Twin Aspens.” They were nice enough to give us a preview of the piece here, so check out a little bit of a not-quite-final version of “Twin Aspens,” composed by Longstreth and with some help from Elverum. As you'll hear in this conversation, these guys are deeply immersed in music, and certainly not just pop music. From hearing them chat I learned about Japanese Gagaku music, among other things. They also talk at length about Elverum's incredible album-length song “Microphones in 2020,” which is essentially a history of his own evolution, with a fascinating visual to go along with it. They also talk a lot about starting the creative process with a palette in mind, which I found fascinating as well. Enjoy the chat, and if you're in the L.A. area, I think there are a few tickets left for this once-in-a-lifetime performance on March 2. Enjoy.  Thanks for listening to the Talkhouse Podcast and thanks to David Longstreth and Phil Elverum for talking. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by the Range. Annie Fell has my eternal thanks for stepping in to record it at the last minute, too. See you next time!

Grammy-nominated mastering engineer, Joe Lambert, is originally from Western New York and attended Full Sail University in Orlando, Florida. He worked his way up at several NYC studios and eventually opened Joe Lambert Mastering in 2008. Currently in Westchester, Joe has a state-of-the-art room that clients love. He has worked with Moby, City and Colour, The National, Animal Collective, Sofi Tukker, Ryuichi Sakamoto, Dirty Projectors, and many, many more great artists. To learn more about Joe Lambert, visit: https://joelambertmastering.com/ IN THIS EPISODE, YOU'LL LEARN ABOUT: To niche down or not? Not putting your career in the hands of others Fitting your job to your personality His mastering process Why mastering should be simple Automating changes during the mastering process What level should you master to? The -14LUFS myth Setting your output levels What sample rates should you use to record? The key to monitoring your tracks accurately To learn more about Joe Lambert, visit: https://joelambertmastering.com/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Nicolas Vernhes is a Grammy award-winning producer, engineer and mixer, internationally recognized for his work with artists such as Animal Collective, Dirty Projectors and Deerhunter. Since 1995, Vernhes owned the beloved Brooklyn studio Rare Book Room, which spawned many critically acclaimed albums, from Silver Jews' American Water, Deerhunter's Microcastle, Animal Collective's Strawberry Jam, Spoon's Transference, Dirty Projectors' Bitte Orca and The War on Drugs' Lost In The Dream. He received a Grammy in 2018 for his work on The War On Drugs' A Deeper Understanding. He recently moved to the California desert near Joshua Tree, CA and has completed an upgraded mix room with a live room to follow in 2021. IN THIS EPISODE, YOU'LL LEARN ABOUT: Making space for each instrument Production decisions vs. what sounds best naturally Segmenting the songwriting from the production process Leaning into your musical influences vs. finding your unique sound The importance of headphone mixes Your job as a producer Creating ambiance in your recordings How to shape your reverb/effect tracks Automating compression controls Using saturation to create cohesion Avoiding option-paralysis To learn more about Nicolas Vernhes, visit: https://www.littleundergroundmanagement.com/nicolas-vernhes For tips on how to improve your mixes, visit https://masteryourmix.com/ Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Welcome to 2009. We're nearing the end of the main Hall of Songs canon, but don't fret, because here we have 12 songs that we think are potential Greatest of All Time nominees. It's a year when indie takes center stage thanks to artists like Animal Collective, Dirty Projectors, Japandroids, Drake, and Grizzly Bear, among many others. Listen to find out which indie songs made our top-12, and which big pop stars found themselves back in the Hall of Songs conversation.Website: http://www.hallofsongs.comSocial: http://www.twitter.com/hallofsongsPlease rate and review us on Apple Podcasts!https://podcasts.apple.com/us/podcast/hall-of-songs/id1550546067

This week, Al takes a break from the usual format to revisit nine previous episodes where the guest changed the way that he thinks about or listens to music. Al groups the excerpted discussions into the two groups: guests who helped him to give artists he had neglected a more careful listen and guests who taught him to think about music in new ways.Al is on Twitter at @almelchiorBB, and this show has accounts on Twitter and Instagram at @youmealbum. Be sure to follow @youmealbum to find out in advance about upcoming guests and featured albums for this podcast.Subscribe for free to You, Me and An Album: The Newsletter and participate in weekly chats about this podcast's featured albums! https://youmealbum.substack.com/If you are interested in supporting this podcast, please check out the show's Patreon site, https://www.patreon.com/youmealbum. Your contributions are greatly appreciated and keep this show going.0:17 Al explains why he is revisiting some past episodes on this episodeInsights into Artists Al Didn't Get3:58 Peter Case on Bob Dylan's self-titled album (Ep. 114)7:04 Rain Perry on Bruce Springsteen's Nebraska (Ep. 65)11:33 Sam Coomes on Velvet Underground's White Light/White Heat (Ep. 98)18:35 Anita Lee Elliott on Ace Frehley's self-titled album (Ep. 71)24:14 Michael Peter Olson on Van Halen's 1984 (Ep. 111)The Different Ways We Listen To Music28:48 Greg Saunier on Atrium Musicae de Madrid's Music of Ancient Greece (Ep. 103)38:07 Glen Phillips on Dirty Projectors, Lamp Lit Prose (Ep. 64)44:31 Kristin Hanggi on India.Arie, SongVersation: Medicine (Ep. 87)49:05 Kelley Deal on Julian Cope, Droolian (Ep. 100)Support the show

Nesta edição, Cleber Facchi (@cleberfacchi), Isadora Almeida (@almeidadora), Renan Guerra (@_renanguerra) e Nik Silva (@niksilva) conversam sobre o impacto cultural e mercadológico dos ringtones na história da música. Apoie o nosso podcast: https://bit.ly/3ohnUck Playlist Seleção VFSM: https://bit.ly/3ETG7oE Não Paro De Ouvir ➜ Everything But The Girl https://bit.ly/3Lg5KDJ➜ Hayden Pedigo https://bit.ly/3V31N8K➜ SBTRKT https://bit.ly/41L5LVo➜ Björk & Dirty Projectors https://bit.ly/3V8REqX➜ Mala Rodríguez https://bit.ly/41UzN9j➜ O Kannalha https://bit.ly/41CCSLs➜ Puterrier https://bit.ly/3n0DonA➜ Belagio https://bit.ly/41Qse3H➜ Two Internet Ghosts https://bit.ly/3HemIQp➜ Bixarte https://bit.ly/3oEIXZw➜ Julie Byrne https://bit.ly/3L7C22i➜ Os Tincoãs https://spoti.fi/3aqMkXk➜ Mac DeMarco https://bit.ly/3mPdPWB➜ NOIA https://bit.ly/41W4nPX➜ ÀIYÉ https://bit.ly/3N521dp Você Precisa Ouvir Isso ➜ Beau Tem Medo (Cinemas)➜ Morte Morte Morte (HBO Max➜ Michael Haneke- Violência Gratuita (1997)- O Sétimo Continente (1989)- Caché (2005)- A Fita Branca (2010)- A Professora de Piano (2000)- Amor (2012)➜ Bar Italia https://bit.ly/3Lp9jrb➜ Jazzbois https://bit.ly/3LDdgZH Contato: sobremusicavamosfalar@gmail.com

Chip Auchincloss is a Monitor Engineer and Backline Tech based in Brooklyn, N.Y., who's spent the last 20 years living his dream of working in the live sound industry. I met with Chip at his Brooklyn studio where we dove deep into his upbringing in Philadelphia, his obsession with concerts, and the crazy coincidence of our family connection. Over the years he has toured with artists ranging from Dirty Projectors, Silversun Pickups, The New Pornographers, Regina Spektor, and many more. He's also worked as a house engineer at several venues including Sony Hall, World Stage, Webster Hall, and B.B. King's Blues Club, where he got his start. Subscribe to the Podcast:  Apple: https://podcasts.apple.com/us/podcast/roadie-free-radio/id1115332289 Spotify: https://open.spotify.com/show/61e24ZD5A3oBTxO36WHQXq?si=38cac6d09f3f4fea

Chip Auchincloss is a Monitor Engineer and Backline Tech based in Brooklyn, N.Y., who's spent the last 20 years living his dream of working in the live sound industry.     I met with Chip at his Brooklyn studio where we dove deep into his upbringing in Philadelphia, his obsession with concerts, and the crazy coincidence of our family connection.     Over the years he has toured with artists ranging from Dirty Projectors, Silversun Pickups, The New Pornographers, Regina Spektor, and many more. He's also worked as a house engineer at several venues including Sony Hall, World Stage, Webster Hall, and B.B. King's Blues Club, where he got his start.     Subscribe to the Podcast:      Apple: https://podcasts.apple.com/us/podcast/roadie-free-radio/id1115332289     Spotify: https://open.spotify.com/show/61e24ZD5A3oBTxO36WHQXq?si=38cac6d09f3f4fea

Wie war's bei der Uroma? Wieso kritisieren sich Mütter gegenseitig so scharf? Gibt's in der Viel Spaß GmbH mehr Anjas als Männer? Und warum müssen Blindenhunde vor der Ausbildung erstmal rutschen? Diesen und weiteren spannenden Fällen gehen Hazel und Thomas heute nach. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/hoererlebnis Hazel Live: https://hazelbrugger.com/#aktueller-tourplan Hazels Insta: @hazelsgonnahaze Thomas' Insta: @spitzer_thomas Hazel Thomas Linktree: https://linktr.ee/hazelthomas Inhalt: 1:46 Halbmarathon in Holland 7:21 Besuch bei Thomas' Oma 25:52 Windelfrei-Training 28:54 Unangenehmes Kitzeln & Kuscheln lernen 31:59 Currywurst-Trauma? 39:24 Energie durch Musik 43:17 “Nuhr im Zweiten” 49:40 Feedback zur Schlaf-Folge 1:05:02 Tipps gegen Verstimmungen 1:12:42 Linkshänder & Blindenhunde 1:19:55 Gemeinsame Zeit als Paar Die Zeitstempel können variieren Thomas empfiehlt: Succession, Babylon - Rausch der Ekstase, Album „Swing Lo Magellan“ von den Dirty Projectors

The Hunks discuss the 2012 release.

Idiot ModeBUY TICKETS TO JOKERMEN LIVE AT ZEBULON ON JUNE 18thFOLLOW JAKE AND DAVID ON INSTAGRAMLISTEN TO DIRTY PROJECTORS AND MOUNTAIN BREWS ON SPOTIFYSUSCRIBE TO JOKERMEN ON PATREONLISTEN TO NOTHING IS REVEALED: JOKERMEN SELECTS THE 60s ON SPOTIFYFOLLOW JOKERMEN ON TWITTER AND INSTAGRAM AND SUBSCRIBE ON YOUTUBE See acast.com/privacy for privacy and opt-out information.

The Jokermen are joined by brothers Jake and David Longstreth for what is surely the only podcast to ever discuss Blood on the Tracks, Super Mario Sunshine, and Karl Ove Knausgård. Just go with us on this one.BUY TICKETS TO JOKERMEN LIVE AT ZEBULON ON JUNE 18thFOLLOW JAKE AND DAVID ON INSTAGRAMLISTEN TO DIRTY PROJECTORS AND MOUNTAIN BREWS ON SPOTIFYSUSCRIBE TO JOKERMEN ON PATREONLISTEN TO NOTHING IS REVEALED: JOKERMEN SELECTS THE 60s ON SPOTIFYFOLLOW JOKERMEN ON TWITTER AND INSTAGRAM AND SUBSCRIBE ON YOUTUBE See acast.com/privacy for privacy and opt-out information.

Michael Lawrence is the founder of Mike Lawrence Law. His practice focuses on the areas of general business and entertainment law in the music, film, and information technology industries. He has worked not only with countless musicians and entertainers, but also, managers, and film directors. Michael has worked with the representatives of high profile pop stars like Norah Jones. He represents music venues in New York that have hosted appearances from cutting-edge indie rock bands like Foals, Deerhunter, and Dirty Projectors. Michael is an experienced lawyer and has deep roots in the New York DIY community. Michael's approach to counseling clients is one that recognizes that his role is not to stifle the pursuit of outcomes when the inevitable roadblocks occur but to help clients find solutions that work from a business and legal perspective. He is passionate about applying his legal training and skills to help musicians and other creative professionals support themselves through their artistic talents. Prior to starting his own practice, Michael represented investors who suffered losses due to corporate fraud. He helped secure over a billion dollars in settlement awards for these clients.  In this episode, we discuss: - Surrounding yourself with creatives can help balance your practice and your inner passion for the job. - This can also help you get out of the mindset of thinking there is only one solution. Creatives help you think outside the box.  - Developing friendships and connections with former clients through meaningful work together. - Senior counsels being stuck in their ways; maybe it's time to rethink how you're doing things if it's been a while.  - Artists don't often have a lot of people to speak up for them; by doing so, it can create a lasting difference for the firm and your practice. Please let me know your thoughts!  Connect with Mike Lawrence: Website: https://mikelawrencelaw.com/  Connect with Cindy Watson: Wesbite: https://watsonlabourlaw.com/  Facebook: https://www.facebook.com/womenonpurposecommunity/  Twitter: https://twitter.com/WomenOnPurpose1  Instagram: https://www.instagram.com/womenonpurposecoaching/  YouTube: https://www.youtube.com/channel/UCCHOGOsk0bkijtwq8aRrtdA?view_as=subscriber  Learn more about your ad choices. Visit megaphone.fm/adchoices

Glen Phillips from Toad the Wet Sprocket pays Al a visit to talk about Dirty Projectors' ninth and most recent album, Lamp Lit Prose. Glen explains why he loves this album, what lessons he takes from it for his own work and what's in store for him in the studio and on the road. He also talks about other artists he admires, other albums he thought about discussing here and a past project of his that Al just discovered.Al's notes:As I mentioned on this episode, Glen was Brian Koppelman's guest on his podcast, The Moment, several years ago. It's a great conversation, and they get deeper into Glen's career than he and I did on this podcast. Check it out here: https://podcasts.apple.com/us/podcast/glen-phillips-9-6-16/id814550071?i=1000519286763Glen made reference to “the Bob Schneider songwriting game.” I admit I had to look this up after recording the episode. Glen described it well here, but if you want to know more about it, this article is a good place to start. https://www.npr.org/2013/11/24/246755925/for-a-few-musicians-beating-songwriters-block-is-all-in-the-gameWebsites:http://www.glenphillips.com/https://toadthewetsprocket.com/.https://toadthewetsprocket.bandcamp.com/Though Glen said he doesn't use social media much, you can still give him a follow on Twitter at @glenphillips. You can access his weekly livestream concerts there or on YouTube at https://www.youtube.com/c/glenphillipsofficial.Al is on Twitter at @almelchiorBB, and this show has accounts on Twitter and Instagram at @youmealbum. Be sure to follow @youmealbum to find out in advance about upcoming guests and featured albums for this podcast.Al has recently launched You, Me and An Album: The Newsletter. You can subscribe for free to get Al's monthly posts, but paid subscriptions give you access to weekly posts and much more. Please consider trying a paid subscription as it also helps to support this podcast! https://youmealbum.substack.com/1:03 Glen joins the show1:32 Glen talks about how he has been influenced by Talk Talk and Peter Gabriel3:03 Glen discusses his EP, Secrets of the New Explorers5:21 Glen has known Brian Koppelman since his late teens6:16 Glen and Al talk about how much they love Talk Talk9:52 Glen lists other albums he thought about picking for this episode12:11 Glen talks about how he got into Dirty Projectors14:51 Al shares his reaction to Lamp Lit ProseReactions to selected tracks:15:43 That's a Lifestyle20:53 I Feel Energy23:54 I Found It In U24:46 Zombie Conqueror (and a discussion of drummers who play out of the pocket)31:01 Right Now38:03 Al talks about exploring other Dirty Projectors albums40:56 Right Now (cont., and a discussion of hocketing)44:23 Break-Thru48:13 Glen talks about how different his songwriting approach is compared to David Longstreth's51:24 Glen considers whether Dirty Projectors has influenced his music56:59 Glen also admires the work of Bjork and tUnE-yArDs58:45 One of Glen's favorite musicians almost never performs1:01:14 Glen enjoys leading a community choir1:05:18 Al explains why he dug further into this album than others discussed on this podcast1:06:33 Glen talks about the solo project he's been working on and the upcoming Toad the Wet Sprocket tourOutro music is from “The Best of Me” by Toad the Wet Sprocket (featuring Michael McDonald).