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2 episodes with diamanda gal
2 episodes with diamanda gal
2 episodes with diamanda gal
2 episodes with diamanda gal
4 episodes with diamanda gal
Diamanda Galás (1955-present) is a musician and vocalist whose singular, shocking—and sometimes downright satanic—vocal style has captivated fans and critics alike for decades. Through her music, she seeks to give voice to the suffering of marginalized groups throughout history. For Further Reading: A Guide to Diamanda Galás’ Work Diamanda Galás Gives Voice to Unbearable Pain, Once More - The New York Times Tone Glow 153: Interview with Diamanda Galás November: Diamanda Galás Interview This month we're talking about Outsiders -- women who marched to the beat of their own drum and rejected stereotypes about what women "should" be. They are aesthetic pioneers, norm-benders, and often the only woman in their field. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins. Original theme music by Brittany Martinez. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.
Myriam Leroy vs Gorian Delpature À votre avis, quelle est la plus belle chanson de tous les temps selon votre adversaire ? Quelle chanson incarne un rêve que vous avez abandonné ? Vous n'en pouvez plus de la vie avec votre conjoint. Vous lui laissez un post-it sur la table de la cuisine. Sur lequel est écrit uniquement le titre d'une chanson. Laquelle ? Quelle est la plus belle chanson d'un artiste dont le nom commence par la lettre B ? Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...) Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Haley Fohr returns to discuss Halo on the Inside by Circuit des Yeux, stylish, warm hats and accessories, the end of a long-term relationship and how women and men are treated differently when they create diaristic art, exploring new music technology and song ideas in the middle of the night, her four-octave voice, existentialism and cathexis, honesty and artifice, Diamanda Galás and having a sense of humour, her exciting live show, improvisation and Bill Nace, other future plans, and much more. EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Win a Circuit des Yeux Prize Pack in April 2025!Ep. #955: Bonnie TrashEp. #947: FACSEp. #874: Mdou MoctarEp. #855: Mikey DayEp. #731: Bill NaceEp. #643: Circuit des YeuxSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Emmalia Bortolon-Vettor and Sarafina Bortolon-Vettor from Bonnie Trash are back to discuss their new album Mourning You, the narrative aspects of Emma's instrumental pieces, Sara's personal lyrics, and track list typography on Mourning You, how to get revenge on death, Diamanda Galás, comedy in horror, and kissing symbolism, Emma Howarth-Withers and Dana Bellamy joining as the rhythm section, Sara's octopad liberation but not yet performing like Michael Stipe and Eddie Vedder, touring, writing new songs, other future plans, and much more.Support vish on Patreon! Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #954: Peter Ames Carlin on R.E.M.Ep. #734: Bonnie TrashEp. #628: The OBGMsEp. #334: Change of HeartEp. #308: Bonnie TrashSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
Exuma - "Metastophaliese" - Reincarnation Duet Emmo - "A.N.C." - Or So It Seems Violent Onsen Geisha - "Going Up the Country" - Nation Of Rhythm Slaves Jim French (with Diamanda Galás & Henry Kaiser) - "Flag Day" - If Looks Could Kill Byrds - "promo spot for Notorious Byrd Brothers" - none Kunio Miyauchi - "事件発生" - Tokusatsu Original BGM Collection Kaettekita Ultraman no Sekai Langley Schools Music Project - "Band on the Run" - Innocence and Despair Merycful Fate - "Into the Coven" - Melissa LIEUTENANT CARAMEL - "Five Minutes to Obliterate Silence" - Risveglio Di Una Citta (In Memory Of Luigi Russolo) v/a Marcelle Deschênes - "Le Bruit Des Ailes" - Petit Big Bangs Claude Larson & His Computer Controlled Oscillators - "Highway E1" - Electronic Toys vol.1 Ken Nordine - "Looks Like It's Going to Rain" - Best of Word Jazz vol.1 Robert Turman - "Mind Melting (excerpt)" - Distant Dosage Frankie Stein - "In a Groovy Grave" - Monster Sounds And "Boppin" Tracks Vol.1 https://www.wfmu.org/playlists/shows/146126
Nesta edição, Cleber Facchi (@cleberfacchi), Renan Guerra (@_renanguerra) e Érika Paixão (@_paixaoerika) discutem como a música e a cultura pop LGBTQIA+ está diretamente relacionada com a política e como esses temas devem sim dialogar. Apoie a gente: https://apoia.se/podcastvfsm Não Paro De Ouvir ➜ Toro Y Moi https://tinyurl.com/p6ykzknm➜ Nubya Garcia https://tinyurl.com/js7zb3ed➜ The World Is A Beautiful Place https://tinyurl.com/2n4nmwmn➜ Pom Poko https://tinyurl.com/37zkv6zd➜ NxWorries https://tinyurl.com/2abpw89u➜ EBBB https://tinyurl.com/2n2bxrra➜ Moses Sumney https://tinyurl.com/5abtee2z➜ ANOHNI https://tinyurl.com/6kpxzmdh➜ Uana & Idlibra https://tinyurl.com/4yyc2p26➜ Dead Can Dance & Las Bibas https://tinyurl.com/3zw7p64f➜ Victin https://tinyurl.com/yu5nnyfm➜ Paulete Lindacelva➜ Katy da Voz e As Abusadas https://tinyurl.com/vtjathna➜ Diamanda Galás https://tinyurl.com/26py6ssy➜ John Grant https://tinyurl.com/yb468uan➜ Quartabê https://tinyurl.com/y7rktaau➜ Jamie XX & Robyn https://tinyurl.com/4z9v8cvw➜ Murcielago https://tinyurl.com/m7kpuva3➜ Burial https://tinyurl.com/5n6unp6y➜ Anna Prior https://tinyurl.com/2j6n9h3w➜ John Cale https://tinyurl.com/yc7jwce4➜ Skee Mask https://tinyurl.com/bdzcf6zv➜ Raveena https://tinyurl.com/5ytswajz➜ James Blake https://tinyurl.com/bde4dnjj➜ ARTMS https://tinyurl.com/yyv52znd Você Precisa Ouvir Isso ➜ Wunderhorse https://tinyurl.com/4hcv7vnh➜ Os Melhores Discos de 2024 https://tinyurl.com/2kbjjxfk➜ Good Place (Netflix)➜ Divertidamente (Cinemas)➜ The Boys (Prime Video) Playlist Seleção VFSM: https://bit.ly/3ETG7oEContato: sobremusicavamosfalar@gmail.com
Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Meat Beat Manifesto, "Echo In Space Dub (feat. DJ Collage) (DJ Wally remix)" (Echo In Space Dub / Retrograde Pt. 2 Dub We R 1) 2004 Run 2. Ceremony, "Close To Hell" (Lovesick) 2023 self-released 3. Scraping Foetus Off The Wheel, "Satan Place" (Hole) 1984 Self Immolation 4. Nonconnah, "Simultaneous Jesus And Fate Destroyer Of Worlds" (Shadows From The Walls Of Death) 2023 Cruel Nature 5. Jarboe, "Dear 666 (Sexpartite Quartered remix by Thread)" (Dissected - A Collection Of Remixes) 2000 The Living Jarboe 6. Danielle Dax, "Brimstone in a Barren Land" (Inky Bloaters) 1987 Awesome / 1993 Biter of Thorpe 7. The Bug, "Demon (feat. Irah)" (Fire) 2021 Ninja Tune 8. Current 93, "The Descent Of Long Satan And Babylon" (Thunder Perfect Mind) 1992 Durtro 9. Multiple Transmission, "Antichrist" (Earthloop) 1995 Alphaphone 10. Natural Snow Buildings, "Curse Of The Devil" (Peasant Magik Presents) 2010 Peasant Magik 11. Bob Mould, "Lucifer and God" (Patch The Sky) 2016 Merge 12. The Legendary Pink Dots, "Damien" (From Here You'll Watch the World Go By) 1995 Soleilmoon 13. Pan Sonic, "Hades" (Gravitoni) 2010 Blast First Petite 14. Miranda Sex Garden, "Inferno" (Suspiria) 1993 Mute 15. The Magnetic Fields, "You've Got a Friend in Beelzebub" (Quickies) 2020 Nonesuch 16. Tiny Vipers, "Entering Charon's Boat" (Laughter) 2017 Ba Da Bing! 17. Diamanda Galás, "Let My People Go (live)" (At Saint Thomas the Apostle Harlem) 2017 Intravenal Sound Operations 18. In The Nursery, "Underworld" (Asphalt) 1997 ITN Corporation 19. Aleister Crowley, "The Pentagram" (1910-1914 Wax Cylinder Recordings) 2018 Fantôme Phonographique 20. Germania/Laibach, "Who Killed The Kennedys?" (Sympathy For The Devil) 1988 Mute # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com
A lo largo de la historia musical, han sido muchas las mujeres capaces de crear un universo sonoro profundamente personal, oscuro y emocionante. Desde Nina Simone, pasando por Lisa Gerrard hasta llegar a Diamanda Galás o la propia PJ Harvey, el listado sería inmenso. Pero en esta ocasión, Him ha querido poner el foco en el presente que vivimos,recopilado una colección de artistas femeninas contemporáneas imprescindible, unas más conocidas que otras, pero todas poseedoras de un magnetismo instintivo a la hora de pasearnos por los recovecos más oscuros e inhóspitos del alma. Desde el ethereal wave hasta llegar al doomgaze, o deteniéndonos en el dark folk o el bedroom pop, el viaje proceloso y fascinante que propone el podcast este mes se antoja capaz de remover los cimientos más ocultos y salvaguardados de nuestro interior.
Love har - med Patreon-donatorernas hjälp - tagit ett kliv uppåt i bostadskarriären och samtidigt blivit en ofri man. Vi inleder mycket akustiskt med Fureys, Peelers, Joanna Newsom (alias "Pernilla Wahlgren som Pippi på LSD") och Spirogyra (ej att förväxla med Spyro Gyra). Robert har gjort en mycket cursed mashup inspirerad av en felstavad progrock-mem. Cardiacs, Shirley Collins och Modrý Efekt fuckar alla med rytmer. I Roberts Last.fm-historik har vi kommit till de svåra åren 2015/2016 och går in mot mörkrets hjärta med Kayo Dot. Vi avslöjar vilken röstkonstnär som krattat manegen för såväl Diamanda Galás, Meredith Monk, Yoko Ono och Patty Waters som Klaus Nomi och Tim Buckley (åtminstone enligt Allmusic.com). Robert framför en bisarr DJ-mix som ger oss höjdpunkterna ur genren/affärskonceptet "song poems". Och så har Love gjort en extra lång och bra låt. Dessutom: Ben Folds, Tom Lehrer och irländska asfaltsläggare. Gör oss sällskap på Discord: https://discord.gg/Cywtq7vaqZ Gilla, kommentera och recensera på The Facebook: https://facebook.com/musikensmaktpodcast/ Bidra till Loves fysiska överlevnad och få lite bonusmaterial: https://www.patreon.com/musikensmakt
Love har - med Patreon-donatorernas hjälp - tagit ett kliv uppåt i bostadskarriären och samtidigt blivit en ofri man. Vi inleder mycket akustiskt med Fureys, Peelers, Joanna Newsom (alias "Pernilla Wahlgren som Pippi på LSD") och Spirogyra (ej att förväxla med Spyro Gyra). Robert har gjort en mycket cursed mashup inspirerad av en felstavad progrock-mem. Cardiacs, Shirley Collins och Modrý Efekt fuckar alla med rytmer. I Roberts Last.fm-historik har vi kommit till de svåra åren 2015/2016 och går in mot mörkrets hjärta med Kayo Dot. Vi avslöjar vilken röstkonstnär som krattat manegen för såväl Diamanda Galás, Meredith Monk, Yoko Ono och Patty Waters som Klaus Nomi och Tim Buckley (åtminstone enligt Allmusic.com). Robert framför en bisarr DJ-mix som ger oss höjdpunkterna ur genren/affärskonceptet "song poems". Och så har Love gjort en extra lång och bra låt. Dessutom: Ben Folds, Tom Lehrer och irländska asfaltsläggare.
Meghan Lamb is the author of COWARD (Spuyten Duyvil, 2022), Failure to Thrive (Apocalypse Party, 2021), All of Your Most Private Places (Spork Press, 2020), and Silk Flowers (Birds of Lace, 2017). She served as the Philip Roth Writer-in-Residence at Bucknell University, and teaches creative writing through the University of Chicago, Story Studio, and GrubStreet. Her work has appeared in Quarterly West, DIAGRAM, Redivider, and Passages North, among other publications. She runs the shadow text reading series Significant Others, a project dedicated to elevating new books and the “behind-the scenes” texts that inspired them. She is the fiction editor for Bridge (a Chicago-based arts publication) and the nonfiction editor for Nat. Brut, a Whiting Award-winning journal of art and literature dedicated to advancing inclusivity in all creative fields. She is also the frontwoman of Kill Scenes, an 80s cinema-inspired band described as "a beguiling combination of The Cure, Depeche Mode, and Tangerine Dream fronted by an unholy conflation of Siouxsie Sioux, Kate Bush, and Diamanda Galás."Something Rather Than Nothing
S01E08Pour ce nouvel épisode La Queenterview, c'est Diamanda Callas @diamanda.callas qui me fait l'horreur (jeux de mots, mots de jeux) d'être la nouvelle invitée du podcast.Avec Diamanda nous allons parler de tout son parcours jusqu'au drag.De son enfance dans la banlieue de Toulouse, jusqu'au Cabaret Madame Arthur, vous saurez tout.On va parler chant, Graines de Star, Evanescence, C.U.N.T., de Diamanda Galàs, il y'aura même un jeu !Laissez vous envouter par la voix suave de Diamanda, dans ce podcast certes un peu plus long que d'habitude, mais certes j'ai pas la chute de cette phrase.Le podcast est disponible sur toutes les plateformes de podcast. Artistes cité.es dans l'épisode :@grand.soir@charlyvoodoo.official@veida_shimmy (comme toujours)@minima_geste@evanescenceofficial@spleenfactoryMerci @madamearthur pour l'accueil Et aussi à@loamercury AKA @lamoinscherdubois2__@odiledemainville_mariondhombre@fursy_von_colmarLes recommendations de Diamanda CallasLa filmographie de Greg ArakiKELYBOY et son album POKEDEX - @kelyboy_music Remerciements :Mia pour les questions.Tintin et Léa pour la réalisation.Ry'm pour le générique.@artugolini pour la pochette.@laqueenterview.podcast Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Intw / Entrevista Parte 2: Diamanda Galás Abrimos por primera vez el Cuarto de Invitados para que las voces de músicos y artistas de cualquier faz del arte visiten esta casa embrujada para nutrirnos de su propuesta y visión en sus propias palabras. Un recorrido de pensamientos y música que iluminan ciertas noches La Casa de la Bruja con invitados; algunos macabros, algunos frágiles pero en su mayoría directos y únicos. Inauguramos estas visitas con una de la mas grandes voces que no permite una etiqueta; extrema y clara en su pensamiento. Sentada ante esa chimenea imaginaria, su persona transita por lo delirante que devuelve su fortaleza a la risa o al llanto, pero cuyo conjuro siempre envuelve en un maravilloso hechizo. La Gran Diva Diamanda Galás Entrevista para Hexen y La Casa de la Bruja en 2 partes, transmitida originalmente en vivo en Marzo 2023 y realizada en Diciembre del 2022 en relación a su producción Broken Gargoyles Hexen El Libro Negro es un programa de radio dedicado a la subcultura obscura. Conducido por Clauzzen Hernández Jueves 22hrs Reactor 105.7. Imer. México Playlists : https://clauzzen.org/hexen/playlists/ La Casa de la Bruja & Hexen: Tw : https://twitter.com/clauzzen FB : https://www.facebook.com/clauzzen.hernandez Instagram & Threads : @clauzzenhernandez Diseño y Contacto de Monstruos Hexen & La Casa de la Bruja : mike.rauda@gmail.com Instagram & Threads : @mikerauda Tw: https://twitter.com/MikeRauda Encuéntranos también en la dimensión real de Hexen y La Casa de la Bruja en: El Scary Oslo 3 Zona Rosa. Cdmx El Scary Witches: Bar-Pub-Restaurante-Gabinete de Atrocidades. Viernes y Sábado 2pm a 1am FB https://www.facebook.com/elscarywitches/ Instagram : @elscarywitches
Intw / Entrevista Parte 1: Diamanda Galás Abrimos por primera vez el Cuarto de Invitados para que las voces de músicos y artistas de cualquier faz del arte visiten esta casa embrujada para nutrirnos de su propuesta y visión en sus propias palabras. Un recorrido de pensamientos y música que iluminan ciertas noches La Casa de la Bruja con invitados; algunos macabros, algunos frágiles pero en su mayoría directos y únicos. Inauguramos estas visitas con una de la mas grandes voces que no permite una etiqueta; extrema y clara en su pensamiento.Sentada ante esa chimenea imaginaria, su persona transita por lo delirante que devuelve su fortaleza a la risa o al llanto, pero cuyo conjuro siempre envuelve en un maravilloso hechizo. La Gran Diva Diamanda Galás Entrevista para Hexen y La Casa de la Bruja en 2 partes, transmitida originalmente en vivo en Marzo 2023 y realizada en Diciembre del 2022 en relación a su producción Broken Gargoyles Hexen El Libro Negro es un programa de radio dedicado a la subcultura obscura. Conducido por Clauzzen Hernández Jueves 22hrs Reactor 105.7. Imer. México Playlists : https://clauzzen.org/hexen/playlists/ La Casa de la Bruja & Hexen: Tw : https://twitter.com/clauzzen FB : https://www.facebook.com/clauzzen.hernandez Instagram & Threads : @clauzzenhernandez Diseño y Contacto de Monstruos Hexen & La Casa de la Bruja : mike.rauda@gmail.com Instagram & Threads : @mikerauda Tw: https://twitter.com/MikeRauda Encuéntranos también en la dimensión real de Hexen y La Casa de la Bruja en: El Scary Oslo 3 Zona Rosa. Cdmx El Scary Witches: Bar-Pub-Restaurante-Gabinete de Atrocidades. Viernes y Sábado 2pm a 1am FB https://www.facebook.com/elscarywitches/ Instagram : @elscarywitches
Alien Territory: Radical, Experimental, & Irrelevant Music in 1970s San Diego (Billingsgate Media, 2023) is the untold story of a sleepy Navy town that became the unlikely gathering point for some of the most innovative, unclassifiable American artists of their time. The late 60s arrival of Harry Partch -- hobo composer, iconoclast and inventor of instruments such as the Harmonic Canon and Quadrangularis Reversum -- jump started a revolution that was as much social as it was musical, drawing on the occult, self-realization and radical political movements of 70s Southern California. Artists as diverse as Partch, Pauline Oliveros, Kenneth Gaburo, Roger Reynolds, Diamanda Galás, Warren Burt, David Dunn, Robert Turman and Master Wilburn Burchette may have pursued different paths -- Sonic Meditations, compositional linguistics, microtonal scales, invented instruments, cutting edge electronics, underwater synthesizers, Tibetan throat singing, environmental sound, pure noise -- but they also sought to dismantle the systems of American life and replace them with a radically inclusive and socially responsive aesthetic that looked to the future even when it sometimes referenced a distant, idyllically imagined past. In their pursuit of "Irrelevant Music" -- Kenneth Gaburo's term for an untainted music free of constraint and compromise -- these disparate artists constitute a shadow history of American experimental music far removed from the European and East Coast models of the time. Bill Perrine is the director of the documentaries Children of the Stars, It's Gonna Blow!!! San Diego's Music Underground, 1986-96, and Why Are We Doing This In Front of People? Bill's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Alien Territory: Radical, Experimental, & Irrelevant Music in 1970s San Diego (Billingsgate Media, 2023) is the untold story of a sleepy Navy town that became the unlikely gathering point for some of the most innovative, unclassifiable American artists of their time. The late 60s arrival of Harry Partch -- hobo composer, iconoclast and inventor of instruments such as the Harmonic Canon and Quadrangularis Reversum -- jump started a revolution that was as much social as it was musical, drawing on the occult, self-realization and radical political movements of 70s Southern California. Artists as diverse as Partch, Pauline Oliveros, Kenneth Gaburo, Roger Reynolds, Diamanda Galás, Warren Burt, David Dunn, Robert Turman and Master Wilburn Burchette may have pursued different paths -- Sonic Meditations, compositional linguistics, microtonal scales, invented instruments, cutting edge electronics, underwater synthesizers, Tibetan throat singing, environmental sound, pure noise -- but they also sought to dismantle the systems of American life and replace them with a radically inclusive and socially responsive aesthetic that looked to the future even when it sometimes referenced a distant, idyllically imagined past. In their pursuit of "Irrelevant Music" -- Kenneth Gaburo's term for an untainted music free of constraint and compromise -- these disparate artists constitute a shadow history of American experimental music far removed from the European and East Coast models of the time. Bill Perrine is the director of the documentaries Children of the Stars, It's Gonna Blow!!! San Diego's Music Underground, 1986-96, and Why Are We Doing This In Front of People? Bill's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Alien Territory: Radical, Experimental, & Irrelevant Music in 1970s San Diego (Billingsgate Media, 2023) is the untold story of a sleepy Navy town that became the unlikely gathering point for some of the most innovative, unclassifiable American artists of their time. The late 60s arrival of Harry Partch -- hobo composer, iconoclast and inventor of instruments such as the Harmonic Canon and Quadrangularis Reversum -- jump started a revolution that was as much social as it was musical, drawing on the occult, self-realization and radical political movements of 70s Southern California. Artists as diverse as Partch, Pauline Oliveros, Kenneth Gaburo, Roger Reynolds, Diamanda Galás, Warren Burt, David Dunn, Robert Turman and Master Wilburn Burchette may have pursued different paths -- Sonic Meditations, compositional linguistics, microtonal scales, invented instruments, cutting edge electronics, underwater synthesizers, Tibetan throat singing, environmental sound, pure noise -- but they also sought to dismantle the systems of American life and replace them with a radically inclusive and socially responsive aesthetic that looked to the future even when it sometimes referenced a distant, idyllically imagined past. In their pursuit of "Irrelevant Music" -- Kenneth Gaburo's term for an untainted music free of constraint and compromise -- these disparate artists constitute a shadow history of American experimental music far removed from the European and East Coast models of the time. Bill Perrine is the director of the documentaries Children of the Stars, It's Gonna Blow!!! San Diego's Music Underground, 1986-96, and Why Are We Doing This In Front of People? Bill's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Alien Territory: Radical, Experimental, & Irrelevant Music in 1970s San Diego (Billingsgate Media, 2023) is the untold story of a sleepy Navy town that became the unlikely gathering point for some of the most innovative, unclassifiable American artists of their time. The late 60s arrival of Harry Partch -- hobo composer, iconoclast and inventor of instruments such as the Harmonic Canon and Quadrangularis Reversum -- jump started a revolution that was as much social as it was musical, drawing on the occult, self-realization and radical political movements of 70s Southern California. Artists as diverse as Partch, Pauline Oliveros, Kenneth Gaburo, Roger Reynolds, Diamanda Galás, Warren Burt, David Dunn, Robert Turman and Master Wilburn Burchette may have pursued different paths -- Sonic Meditations, compositional linguistics, microtonal scales, invented instruments, cutting edge electronics, underwater synthesizers, Tibetan throat singing, environmental sound, pure noise -- but they also sought to dismantle the systems of American life and replace them with a radically inclusive and socially responsive aesthetic that looked to the future even when it sometimes referenced a distant, idyllically imagined past. In their pursuit of "Irrelevant Music" -- Kenneth Gaburo's term for an untainted music free of constraint and compromise -- these disparate artists constitute a shadow history of American experimental music far removed from the European and East Coast models of the time. Bill Perrine is the director of the documentaries Children of the Stars, It's Gonna Blow!!! San Diego's Music Underground, 1986-96, and Why Are We Doing This In Front of People? Bill's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west
SAN ONOFRE-15 Sombras se ciernen sobre nuestras onofritas cabezas cual espadas de Damocles Harto conscientes de la máxima que reza "hembra precavida vale por cuatro", SAN ONOFRE nos repantigamos hoy en cama de faqiir al objeto de darle vueltas a la entrevista de nuestra ordalía onofrita de la semana que viene al cuarteto de Music City, USA, Shadow 15. Lo haremos con paradas para repostar en Nashville, Tennessee, la Torrijos, Hellas, Castellar, Berlín, la California y en el infernal infierno. Amigas onofrizadas, vamos a ver, ¿qué demonios tien que ver Los Calchakis, Alice Coltrane y Benedcito? Todo esto y mucho menos, en el próximo episodio de SAN ONOFRE. Luzcan con orgullo mortal, pves, la máscara de la muerte roja, que una Diamanda es para siempre. Decía el bueno de Muhammad Ali que pasaba de ir a Vietnam a descerrajar tiros a Vietnamese Baby alguno, ya que "No Viet Cong ever called me a nigger". Bien dicho, hermano, pero Vietcong con su galego megáphono parecen llamarnos a nosotros de todo menos bonitos. https://libritosjenkins.bigcartel.com/product/angloentrevistas-traducidas-de-san-onofre
Klaus Lynggaard og Henrik Queitsch taler i dette afsnit af 'Rockhistorier' om det engelske pladeselskab Mute Records. Et artist-venligt pladeselskab hvis musikalske linje i høj grad blev drevet af grundlæggeren, Daniel Millers, intuitioner og personlige præferencer, og som repræsenterede navne som Depeche mode, Nick Cave og Moby.Playliste: The Normal: “T.V.O.D.” (single, 1978)Deutsch-Amerikanische-Freundsschaft : “Kebabträume” (single, 1980)Depeche Mode: ”New Life” (Speak and Spell, 1981)Yazoo: ”Situation – ”12 mix” (single, 1982)The Birthday Party: “Jenifers Veil” (Mutiny!, 1983)Fad Gadget: “Collapsing New People” (Gag, 1984)Erasure: “A Little Respect” (The Innocents, 1988)Laibach: ”Across the Universe” (Let It Be, 1988)Barry Adamson: “The Man with the Golden Arm” (Moss Side Story, 1989)Recoil: “Faith Healer” (Bloodline, 1992)Balanescu Quartet: “Computer Love” (Possessed, 1992)Anita Lane: “The World's a Girl” (Dirty Pearl, 1993)Diamanda Galás with John Paul Jones: “Do You Take This Man?” (This Sporting Life, 1994)Moby: “When It's Cold I'd Like to Die” (Everything Is Wrong, 1995)Einstürzende Neubauten: “Stella Maris (Ende Neu, 1996)Add N to (X): “King Wasp” (On the Wires of Our Nerves, 1998)Goldfrapp: ”Lovely Head” (Felt Mountain 2000)Nick Cave & the Bad Seeds: “Love Letter” (No More Shall We Part, 2001)
Trens i presos, l'amor i el GRAPO, acomiadar-se de mil maneres, alliberar-se de l'esclavitud mental, cameos de Marcus Garvey, Diamanda Galás i Verlaine, tiets i tietes cantant i picant de mans.
Metal and hard rock stars Diamanda Galás, Lamb of God's Randy Blythe, Inger Lorre and Malevolence frontman Alex Taylor discuss balancing the emotion with the noise, recording in Charlie Chaplin's studio, and how an artist's duty is to reflect the times. Alex Taylor is the lead singer of the heavy metal band Malevolence, from Sheffield in the UK. They're known for their ferocious sound and live shows, and have supported some of the biggest names in heavy metal including Trivium, Architects and Lamb of God. Singer, pianist and avant-garde luminary Diamanda Galás has gained a huge cult following for her violently compassionate music and stunning four-octave vocal range. American singer Inger Lorre fronted the seminal glam-punk band Nymphs in the 1990s. She is an underground icon and has worked with the likes of Jeff Buckley and Iggy Pop. Randy Blythe is a true legend of heavy metal who is the frontman of one of the genre's most important bands of the last 30 years, Lamb of God. His band have released 10 studio albums and taken their thunderous sound to sold-out stages across the world.
Podcast #616 is for the nature lovers like Stella Donnelly, Shoulder Season, Natalie Sweet & Brad Marino, The Prize, The Happy Somethings, Ryan Allen, Piggies, & Diamanda Galás.
Diamanda Galás has spent a lot of her life representing the underrepresented. While working on music, she also created work dealing with AIDS, genocide, and mental disease, as well as compositions for voice and piano set to the works of exiled poets. On this episode of LaunchLeft, Diamanda and Rain have a great conversation about her work, artist collaborations, and how she uses music and art to tell the stories and experiences of forgotten people. ----------------- LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft TWITTER https://twitter.com/LaunchLeft INSTAGRAM https://www.instagram.com/launchleft/ FACEBOOK https://www.facebook.com/LaunchLeft --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE: [02:30] Groups of people Diamanda has felt drawn to represent through her art. [06:00] Diamanda's work in her own terms- representing the underrepresented. [12:00] Collaborating with artists and the new ideas it can inspire. KEY TAKEAWAYS: Artists can draw inspiration from other artists' creative processes. Sharing the hard parts can help others to relate and see the end result of working out these situations. BIO: The San Diego-born Galás came up playing both classical and jazz music. She not only accompanied her Anatolian Greek father's gospel choir and joined his New Orleans-style band, but also performed as a piano soloist with the San Diego Symphony at the age of 14. She went on to play with various groups that included heavies of the new-jazz thing, such as a circa-'74 combo in Pomona, California, that included cornetist Bobby Bradford, sax man David Murray bassist Mark Dresser, and drummer Stanley Crouch. She made her first public performance in 1979, collaborating on an opera with Vinko Globokar and Amnesty International about the arrest torture, and assasination of a Turkish woman for treason. In 1982 she released her debut album, The Litanies of Satan, which showcased her early forays into unorthodox vocal expression and multiphonics, and which included an 18-minute performance piece titled “Wild Women With Steak Knives.” She has created work dealing with AIDS (including the recently re-mastered The Divine Punishment), genocide and mental disease, as well as compositions for voice and piano set to the works of exiled poets. She also collaborated with Led Zeppelin's John Paul Jones on the 1994 album The Sporting Life. RESOURCE LINKS Diamanda Galás Website Diamanda on IG Diamanda on Twitter Diamanda on FacebookSee omnystudio.com/listener for privacy information.
Austin Young is from Reno, Nevada and currently lives and works in Los Angeles. The foundation of his career is from studying at Parsons in Paris. Early in his career, Austin transferred his interests from traditional portrait painting towards a long celebrated career in portrait photography. In many ways, Austin is more accurately described as an image-maker: his projects illustrate the sublime qualities of character that make celebrated people unique. Based on a nuanced visual language of pop-culture iconography, his trademark style and techniques have captured a broad palette of musicians, artists and celebrities including Debbie Harry, Leigh Bowery and Margaret Cho, among others. In multiple bodies of work, Austin confuses personality and identity issues in confrontational and unapologetic image making about people who often split gender roles, stereotypical constraints and socially-constructed identities. Austin is co-founder and artist of Fallen Fruit, artist duo Austin Young and David Allen Burns, a contemporary art collective that uses fruit as a material for projects that investigate the hyper- qualities of collaboration. “Austin Young reconstructs tropes of pop art and pop culture into alarmingly brilliant new icons” - Shana Nys Drambot"Working with Austin Young is like being alone in a room with a spirit who wants to meet you. He is not interested in your mortality: he is interested in your immortality. [...] He reminds me of the great Hollywood portrait photographers from another era, of George Hurrell, in particular, who was interested in the painting, not the snapshot. There is always a place for the secular in journalism. Thankfully that place will not be in Mr. Young's studio." - Diamanda Galás"Austin Young is the best artist working in photography today. His work captures beauty at its most vital, carnal, visceral, alive! His exuberant intensity is matched by his innate sense of balance and upmost respect for glamour, in all of its many decent and indecent forms. His work will be seen as important historical reference for our times, and his name will be legend." - Margaret Cho"Austin's images are, like me, the best of both worlds. Flawless and perfect, they are dreamily artificial -- while somehow simultaneously remaining organic, genuine and very real." - Jackie Beat“I was beyond thrilled when Austin Young expressed interest in photographing Peaches Christ, not only because I knew Austin would create a gorgeously iconic Peaches image (which he did) but because it meant I'd be included in a brilliant body of work I've admired for years. Austin Young's subjects are my idols and his portraits pay glamorous tribute to the often over-looked world of dark divas, drag superstars, and underground film icons." - Peaches Christ“I'm pretty unabashed in my enthusiasm for Austin Young's work. I think he's the most original photographer to emerge in America since David LaChapelle.” -Richard Metzger
With Chris now off on tour with his rather excellent band, Outblinker, we decided to split our Diamanda Galas episode into two as both of the bois were passing each other like ships in the night this last fortnight. So this week Chris and Vicki dive deep into The Singer by Diamanda Galás and a whole lot more…
Diamanda Galás is the living definition of what it means to be avant-garde. An extraordinary and genre-bending vocalist, composer, pianist, performance artist, and activist, she has been creating uncompromising work that cries out against injustice for over 40 years. Her 12 studio albums include the classic 1986 collection “The Divine Punishment”—a masterwork created in response to the AIDS crisis—that was just remastered and re-released in June. And her brand new album “Broken Gargoyles,” inspired by the isolation of maimed WWI veterans, is coming out August 26. In this episode of BUST's “Poptarts” podcast, she reveals details about her reclusive life, teaches us how to shame our enemies into submission, and surprises us with her deep love of borscht belt comedians. (We didn't see that one coming!)
With Mark currently whirling his way around Europe, this week's (and next week's) episode fell to Chris and Vicki. The choice is somewhat...strange, and in this episode they take a look into the wild career of Diamanda Galás and all that weird noise she makes.
Merrill Nisker (born 11 November 1966), better known by her stage name Peaches, is a Canadian electroclash musician and producer who burst into transcontinental favor with her very particular brand of cocksure rapping and groovebox beats. Peaches was an unlikely success story, making her musical mark after the age of 30 in a genre not commonly known for recognizing its female or its aging participants. Her unique rapping style and stage show brought her great popularity first in Europe and then in North America. Some of her lyrics and performances have been rejected due to them being potentially offensive, and a lot of her songs are themed on gender identity. Her work propagates sexual freedom and reversal of gender roles. In this episode Peaches selecting some of her favourite music for her Wise Women BBC Radio 6 Music takeover on December 2015. Lineup: A Taste Of Honey, Björk, David Bowie, Missy Elliott, PJ Harvey, L7, L'Trimm, Krisma, Suicide, Light Asylum, Laurie Anderson, Kate Bush, Planningtorock, Roberta Flack, M.I.A., Nire, Maluca, Nani Castle, Lafawndah, Kim Carnes, Savages, Lizzy Mercier Descloux, Sinéad O'Connor, Yma Sumac, Diamanda Galás, The Regrettes, TT The Artist, Althea And Donna
Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Diamanda Galás, "Die Stunde Kommt (Live at the Murmrr Theater Brooklyn 2017)" (Die Stunde Kommt (Live at the Murmrr Theater Brooklyn 2017)) 2021 Intravenal Sound Operations 2. ESP Summer, "Taishōgoto o ōkoku" (Kingdom of Heaven EP) 2021 Disciples 3. CALHAU!, "orioNorio (edit)" (orioNorio) 2021 Takuroku 4. Christina Vantzou, "Floating As A Preferred Mode Of Travel" (Releasing Spores) 2021 Slow Moves 5. xphresh, "xephon" (xephon) 2021 3 X L 6. Haco, "Pendulum Feelings" (Nova Naturo) 2021 Room40 7. Marsha Fisher, "Prayer" (New Ruins) 2021 Full Spectrum 8. More Eaze, "same name" (Two Futures) 2021 Full Spectrum 9. Ausschuss, "The Heights" (Cruise) 2021 MAL 10. Loraine James, "Self Doubt (Leaving The Club Early)" (Reflection) 2021 Hyperdub 11. Thank, "Good Boy" (Thoughtless Cruelty) 2022 Box 12. Duane Pitre, "Homage To Those Before Us" (Omniscient Voices) 2021 Important Records # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com
Music is an all encompassing but insular process. A different air. Space and place is important . The Creatures played blind mans buff with a map of the world. The amazing three day New Years eve! Budgie bought Heinz baked beans and some drum sticks to Hawaii. A sense of occasion. To go outside of the normal experience. You have to grow by being put in a different environment and then responding. You need to unravel. Life is about risking things. Lol found Love in Los Angeles. Punk gave us a kick. People work more with references now rather than their own experience. Constant access to music from references that was made from an idiosyncratic place. No to curation, it's not life! Zola is in this for the music not the industry which does not reward innovation. More gradient less algorithm. Weightlifting to the Dead Kennedys.She was a 6 year old opera singer. Resplendent in Red in Seattle like a zoo animal. Performing is a chance to let your ID go wild and lose control! Diamanda Galás as example. Budgie and Lol found our tribe in our youth. As did Zola growing up in Wisconsin in the woods. Feeling like an introverted outcast. Making music is like putting out the feelers to find people in common. That's what music community is about. Music holds communal catharsis. We are in a period of transition - pandemic, politics, change is coming. We're still hopeful after all these years!CONNECT WITH US:Curious Creatures: Website: https://curiouscreaturespodcast.com Facebook: @CuriousCreaturesOfficial Twitter: @curecreatures Instagram: @CuriousCreaturesOfficial Lol Tolhurst: Facebook: @officialloltolhurst Twitter: @LolTolhurst Instagram: @lol.tolhurst Budgie: Facebook: @budgieofficial Twitter: @TuWhit2whoo Instagram: @budgie646Zola Jesus:Facebook: @zolajesusofficialInstagram: @zolajesusTwitter: @zolajesusCurious Creatures is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app.
Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Meat Beat Manifesto, "Reanimator Pts 5-8" (Brainwaves 2008) 2008 Brainwashed 2. UMAN, "Lalala" (Chaleur Humaine) 1992 Buda Musique / 2021 Freedom To Spend 3. Edward Ka-Spel, "...Now You Don't" (Songs of Solitude) 2021 4MG 4. Current 93, "LAShTAL" (LAShTAL / Nature Unveiled) 1984 L.A.Y.L.A.H. Anti-Records / 2021 House of Mythology 5. Seekersinternational, "SoundTekOva" (Presents Ragga Preservation Society - Worldwide Sound) 2021 Disktopia 6. Sylvester Johnson, "Gimme Some (I Want A Taste Of Fonk)" (Foxy Brown) 1988 Shama / 2021 Numero Group 7. Makossiri, "Juicy Juicy" (Juicy Juicy) 2021 Hakuna Kuala 8. Diamanda Galás, "Panoptikon 2" (Diamanda Galás) 1984 Metalanguage / 2021 Intravenal Sound Operations 9. Brett Naucke, "Vanity Well" (Mirror Ensemble) 2021 American Dreams 10. Lina Filipovich, "Song Of Simeon" (Magnificat) 2021 Time Released Sound 11. Biluka y Los Canibales, "El Anacu de Mi Guambra" (The Paths of Pain - The CAIFE Label, Quito, 1960-68) 2021 Honest Jon's 12. Midori Hirano, "Collapsing Planet (feat. Atsuko Hatano)" (Soniscope) 2021 Dauw * Sendung vom 10. Oktober 2021 # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com
Peter and Dre come up to an album that's so scary and disturbing that they're not exactly sure how to describe it and where it belongs. It sure is intense, though. Diamanda Galás' 'Vena Cava' definitely has an impact. You can hear the album on your favorite streaming platform, or here: https://music.youtube.com/playlist?list=OLAK5uy_neiYwmOWQf-k6zXuAkDCeCsEXquZUcHVY&feature=share --- Send in a voice message: https://anchor.fm/diggin-peter/message
Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Orchid House by Marja Ahti on Still Lives (Students Of Decay) 2′30″ Maratea by Andrew Pekler & Giuseppe Ielasi on Palimpsests (Shelter Press) 4′40″ From the Opened Red Lips by Contrastate on False Fangs for Old Werewolves (Tesco Distribution Germany) 7′40″ The Thinning by AJA on Slug (Opal Tapes) 9′30″ The Lord Is My Sheperd by Diamanda Galás on You Must Be Certain of the Devil (Diamanda Galás) 11′40″ Phlebotomy by Dear Laika on Pluperfect Mind (NNA Tapes) 14′32″ Ourselves by Innere Tueren on Welten (Kann) 16′52″ Mr. Speaker by Grand River on Blink a Few Times to Clear Your Eyes (Editions Mego) 20′52″ Tonglen In Vain by Circuit des Yeux on -io (Matador) 21′21″ 2 Versions by hunterc44t & Finlay Clark on Dana Rosa - EP (Primordial Void) 26′00″ Metempsychosis by X Harlow on Cathars (Sweat Equity) 28′00″ Kantubek (Moor Mother Remix) by Galya Bisengalieva on Aralkum Aralas - EP (One Little Independent) 31′00″ Awake by Kölsch on Isopolis (Ipso) 32′50″ Chardonnay and Jello Salad by Ava on Angels In the Sand - EP (Slagwerk) 38′20″ Graveyard by Sonja Tofik on Anomi (Moloton) 40′20″ Agalma II (feat. Caterini Barbieri) by Drew McDowall on Agalma (Dais Records) 45′10″ Die Motte des Theta-Schlafs by Thorsten Soltau & Emerge on Acker Und Seche (aufabwegen) 47′55″ Wood For the Trees by Flora Yin-Wong on Holy Palm (Modern Love) 50′00″ Cloaked by Ravens Wings by Laura Cannell, Kate Ellis & Chris Watson on October Sounds (feat. Adrian Crowley, Milene Larsson & Chris Watson) - EP (Brawl Records) 53′16″ Hold Gem Cut by Leif on 9 Airs (AD 93) 55′40″ Vertical Misunderstanding by Magda Drozd on 18 Floors (Präsens Editionen) 57′24″ A Clearing (In Empty Space) by Tristan Arp on Sculpturegardening (Wisdom Teeth) 59′40″ Sheogorath (feat. Levan Shanidze & Asio Otus) by Galen Tipton on Ungoliant (Orange Milk) 65′45″ Ouverture Pt. 1 by Berk Icli on Glimpses of an Eternal Bloom (Zel Zele Records) 67′40″ Apparitioner by X Harlow on Cathars (Sweat Equity) 70′20″ Night in Tijuana II by Kelman Duran on Night in Tijuana (Kelman Duran) 74′15″ One by Marina Rosenfeld on Joy Of Fear (Room40) 76′05″ Ephemeroptera by Cicada Shell on Dream Catalogue Singles, Summer 2020 (Dream Catalogue) 80′38″ Move the World's Clock by Mana on Asa Nisi Masa (Hyperdub) 84′20″ Phantasmagoria! 千燈幻景 by Yikii on Crimson Poem 深紅之詩 (Danse Noire) 88′25″ Outro (feat. The Mensah Imaginary Band) by Aho Ssan on Simulacrum (Subtext Recordings) 92′25″ Something I Can't Show by Ulla on Tumbling Towards a Wall (Experiences Ltd) 96′04″ Vapor Of Prayer by Natalie Beridze on Mapping Debris (Monika Enterprise) 99′55″ Time to the Sun (feat. Yehaiyahan) [Silvia Kastel Remix] by Howie Lee & Silvia Kastel on Birdy Island (Remixes) - EP (Mais Um Discos) 104′40″ Transience by David Granström on Empty Room (Hallow Ground) 108′35″ Amu (Disk•Mod) by Iglooghost on Lei Line Eon (Gloo) 112′04″ 51 Endless Pulses by Lapalux on Esrevoinma - EP (Brainfeeder) 114′55″ Jump In the Line by Harry Belafonte on Very Best of Harry Belafonte (BMG Entertainment) Check out the full archives on the website.
Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. ## Halloween Special Edition 1. Foetus, "Halloween / Turbulence" (Soak) 2013 Ectopic Ents 2. Sir Richard Bishop, "Graveyard Wanderers" (Oneiric Formulary) 2020 Drag City 3. Peaches, "Trick Or Treat" (I Feel Cream) 2009 XL 4. Aural Exciters, "Spooks In Space" (Spooks In Space / Mutant Disco) 1979 Ze 5. Tino, "Vampire Circus Dub" (Tino's Breaks Volume 6: Hallowe'en Dub) 2002 Tino Corp 6. Michael Gira, "Mean Monster Mike" (I Am Singing To You From My Room) 2004 Young God 7. Kid606, "Mr. Wobble's Nightmare" (Shout at the Döner) 2009 Tigerbeat6 8. Scientist, "Cry of the Werewolf" (Rids the World of the Evil Curse of the Vampires) 1981 Greensleeves 9. Suicide, "Ghost Rider" (Suicide) 1977 Red Star 10. Nurse With Wound, "A Short Dip In the Glory Hole" (Brained By Falling Masonry) 1984 L.A.Y.L.A.H. Antirecords 11. Diamanda Galás, "Malediction" (You Must Be Certain of the Devil) 1988 Mute 12. The Legendary Pink Dots, "A Very Very Very Fine House" (The Legendary Pink Dots Hallowe'en Special 2020) 2020 self-released * Sendung vom 30. Oktober 2020 # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com
The Black Cat & Other Frightening Tales (Featuring a four hour Halloween presentation of Diamanda Galás reading Edgar Allen Poe's The Black Cat! Originally broadcast on 30 October 2010 on KPSU, and re-aired in 2015 and 2021.) Playlist & Footnotes: Join me for a special extended edition of Blasphuphmus Radio, just in time for the … Continue reading The Black Cat & Other Frightening Tales
The Black Cat & Other Frightening Tales (Featuring a four hour Halloween presentation of Diamanda Galás reading Edgar Allen Poe's The Black Cat! Originally broadcast on 30 October 2010 on KPSU, and re-aired in 2015 and 2021.) Playlist & Footnotes: Join me for a special extended edition of Blasphuphmus Radio, just in time for the … Continue reading The Black Cat & Other Frightening Tales
“Bisogna sempre essere se stessi, a ogni costo. È la forma più alta di moralità.” Questa frase di Candy Darling, icona transgender della Factory di Andy Warhol, morta a soli 29 anni, è la chiave che ci aiuta a comprendere l'arte creata nel pieno dell'esplosione dell'Aids, anni eccezionali e tormentati, anni in cui essere omosessuale voleva dire essere considerato un untore. In questa puntata, Costantino e Francesco raccontano la vita e le opere di artisti che hanno rivendicato, a costo della propria vita, la libertà di essere se stessi. Da Jack Smith a Robert Mapplethorpe, da Derek Jarman a Félix González-Torres.In questa puntata si parla di Candy Darling, Jack Smith, Cindy Sherman, John Waters, David Lynch, Maria Montez, Jonas Mekas, Robert Mapplethorpe, Antonio Canova, Dracula, Patti Smith, Sam Wagstaff, Mick Jagger, Rainer Werner Fassbinder, Michel Foucault, Peter Hujar, Richard Avedon, Susan Sontag, William Burroughs, Sylvester, The Cockettes, David Wojnarowicz, Félix González-Torres, Ross Laycock, General Idea (Felix Partz, Jorge Zontal, AA Bronson), Tom Cruise, Robert Indiana, Caspar David Friedrich, Keith Haring, Elio Fiorucci, Salvatore Ala, Vincent van Gogh, Hans Haacke, Jean-Michel Basquiat, Andy Warhol, Paul Morrissey, Paul Thek, Rudi Fuchs, Pontus Hultén, Harald Szeemann, Derek Jarman, Ken Russell, Sex Pistol, Thorbbing Gristle, The Smiths, Jack Birkett (Orlando), Caravaggio, Tilda Swinton, Apichatpong Weerasethakul, Friedrich Nietzche, Diamanda Galás e Phillip-Dimitri Galás.
Ça y est, nous voici enfin de retour dans les studios de Radio Campus Paris ! Il était temps de se réincarner en chair et en os à la place de nos spectres qui planaient au-dessus des consoles, essayant en vain de réaliser une émission aux transitions hasardeuses, aux reprises de parole improvisées et aux niveaux d’enregistrement déplorables. Mais cette fois-ci, c’est la bonne, et à défaut de se souvenir de la fonction de tous les boutons, y aura des bons micros pour entendre nos voix pleines de vie et d’excitation. Et quoi de plus logique pour une renaissance que de consacrer deux heures à parler d’esprits et de fantômes ? Émission garantie 100 % dérapages ésotériques, avec pas que des morceaux contenant « ghost » dans leur titre. N.B. : Comme on a encore géré le timing comme des rois, on en profite pour dire que Dead People’s Things était tout à fait indiqué en conclusion d’émission, par son illustration sonore des choses impalpables, de sa noirceur minimaliste, et de sa propension à étirer le temps comme ça doit peut-être l’être de l’autre côté du voile. Bonne écoute. Tracklist : Tape Loop Orchestra - Room 7 (All Machines Are Standing Still, 2019) Teresa Winter - Mother of Death (What the Night Is For, 2018) Atrium Carceri - Inner Carceri (Cellblock, 2003) Roly Porter - An Open Door (Kistvaen, 2020) Dreamsploitation - Alone, Watching Lovers Passing By (The In-Between Years: 1959-1963, 2014) Chris et Cosey - Dancing Ghosts (Elemental 7, 1984) James Murray - Grace (Killing Ghosts, 2017) Procer Veneficus - Greengrey Waters (Ghostvoices, 2005) Blakk Harbor - The Ghost of Paiute (Madares, 2018) Diamanda Galás - The Lord Is My Shepherd (You Must Be Certain of the Devil, 1988) Rufige Kru - Ghosts of My Life (Ghosts of My Life / Terminator II, 1993) Corder Ritger Yantis - Mirror Bound (Possession, 2015) Schloss Tegal - D.O.R. Manifestations (Oranur III "The Third and Final Report", 2012) Deathprod - Dead People's Things (Morals and Dogma, 2004) Photo : Foggy Walk Through the Park, Jesse Bowser (2015)
Ça y est, nous voici enfin de retour dans les studios de Radio Campus Paris ! Il était temps de se réincarner en chair et en os à la place de nos spectres qui planaient au-dessus des consoles, essayant en vain de réaliser une émission aux transitions hasardeuses, aux reprises de parole improvisées et aux niveaux d'enregistrement déplorables. Mais cette fois-ci, c'est la bonne, et à défaut de se souvenir de la fonction de tous les boutons, y aura des bons micros pour entendre nos voix pleines de vie et d'excitation. Et quoi de plus logique pour une renaissance que de consacrer deux heures à parler d'esprits et de fantômes ? Émission garantie 100 % dérapages ésotériques, avec pas que des morceaux contenant « ghost » dans leur titre. N.B. : Comme on a encore géré le timing comme des rois, on en profite pour dire que Dead People's Things était tout à fait indiqué en conclusion d'émission, par son illustration sonore des choses impalpables, de sa noirceur minimaliste, et de sa propension à étirer le temps comme ça doit peut-être l'être de l'autre côté du voile. Bonne écoute. Tracklist : Tape Loop Orchestra - Room 7 (All Machines Are Standing Still, 2019) Teresa Winter - Mother of Death (What the Night Is For, 2018) Atrium Carceri - Inner Carceri (Cellblock, 2003) Roly Porter - An Open Door (Kistvaen, 2020) Dreamsploitation - Alone, Watching Lovers Passing By (The In-Between Years: 1959-1963, 2014) Chris & Cosey - Dancing Ghosts (Elemental 7, 1984) James Murray - Grace (Killing Ghosts, 2017) Procer Veneficus - Greengrey Waters (Ghostvoices, 2005) Blakk Harbor - The Ghost of Paiute (Madares, 2018) Diamanda Galás - The Lord Is My Shepherd (You Must Be Certain of the Devil, 1988) Rufige Kru - Ghosts of My Life (Ghosts of My Life / Terminator II, 1993) Corder Ritger Yantis - Mirror Bound (Possession, 2015) Schloss Tegal - D.O.R. Manifestations (Oranur III "The Third and Final Report", 2012) Deathprod - Dead People's Things (Morals and Dogma, 2004) Photo : Foggy Walk Through the Park, Jesse Bowser (2015)
Ça y est, nous voici enfin de retour dans les studios de Radio Campus Paris ! Il était temps de se réincarner en chair et en os à la place de nos spectres qui planaient au-dessus des consoles, essayant en vain de réaliser une émission aux transitions hasardeuses, aux reprises de parole improvisées et aux niveaux d'enregistrement déplorables. Mais cette fois-ci, c'est la bonne, et à défaut de se souvenir de la fonction de tous les boutons, y aura des bons micros pour entendre nos voix pleines de vie et d'excitation. Et quoi de plus logique pour une renaissance que de consacrer deux heures à parler d'esprits et de fantômes ? Émission garantie 100 % dérapages ésotériques, avec pas que des morceaux contenant « ghost » dans leur titre. N.B. : Comme on a encore géré le timing comme des rois, on en profite pour dire que Dead People's Things était tout à fait indiqué en conclusion d'émission, par son illustration sonore des choses impalpables, de sa noirceur minimaliste, et de sa propension à étirer le temps comme ça doit peut-être l'être de l'autre côté du voile. Bonne écoute. Tracklist : Tape Loop Orchestra - Room 7 (All Machines Are Standing Still, 2019) Teresa Winter - Mother of Death (What the Night Is For, 2018) Atrium Carceri - Inner Carceri (Cellblock, 2003) Roly Porter - An Open Door (Kistvaen, 2020) Dreamsploitation - Alone, Watching Lovers Passing By (The In-Between Years: 1959-1963, 2014) Chris & Cosey - Dancing Ghosts (Elemental 7, 1984) James Murray - Grace (Killing Ghosts, 2017) Procer Veneficus - Greengrey Waters (Ghostvoices, 2005) Blakk Harbor - The Ghost of Paiute (Madares, 2018) Diamanda Galás - The Lord Is My Shepherd (You Must Be Certain of the Devil, 1988) Rufige Kru - Ghosts of My Life (Ghosts of My Life / Terminator II, 1993) Corder Ritger Yantis - Mirror Bound (Possession, 2015) Schloss Tegal - D.O.R. Manifestations (Oranur III "The Third and Final Report", 2012) Deathprod - Dead People's Things (Morals and Dogma, 2004) Photo : Foggy Walk Through the Park, Jesse Bowser (2015)
Mención dedicada a Diamanda Galás, una artista estadounidense muy interesante porque ha desarrollado planteamientos importantes que cuestionan la religión católica y se afirma como una mujer con una convicción atea.
con Paola De Angelis
Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ I Can't Hide (live 6/24/84) by Arthur Russell on Sketches for World of Echo June 25 1984 Live At Experimental Intermedia (Audika) 3′47″ Future Days by Can on Future Days (United Artists) 13′18″ My World Is Empty Without You by Diamanda Galás on Malediction And Prayer (Mute) 17′38″ Bells In the Distance by Caldwell/Tester on Little Flower (Astral Spirits) 25′43″ Annaline by Swans on Leaving Meaning (Young God) 31′08″ Carrefour de la Solitude by Catherine Ribeiro on L'Amour Aux Nus (Mantra) 36′09″ Down to Dust (2018, composed by Anthony Pateras) by Judith Hamann on Music for Cello and Humming (Blank Forms) 48′59″ Hors d'Oeuvres by Roy Harper on Stormcock (Harvest) 57′57″ Airs no. 4 by Loren Connors on As Roses Bow: Collected Airs 1992-2002 (Family Vineyard) Check out the full archives on the website.
Tous les mois, Vikken vient partager ses plages secrètes dans une mixtape sensible et originale. Rendez-vous à 17h. Tracklist : "Gloomy Sunday" - Diamanda Galás "3001" - HERO "Both Together" - Saycet "Caregiver part 4" - Oliver Coates "Il fait chaud, c'est glacial" (Vikken Remix) - Mélodie Lauret "I Will Survive" - Anohni "Blooming In C Minor" - Niklas Paschburg "Oxbow B" - Lorn "Salv Goes To Hollywood" - Sega Bodega "VC/DC" - Corben "Idontknow" (7" version) - Jamie xx "Everything U Need" - Overmono "Lifetime" (Raxon Remix) - GusGus "Fast and Too Much" - Franky Gogo "Declare Independence" - Björk
My guest, Heba Kadry is a superb Mastering engineer now based in her brand new mastering facility in Brooklyn, NY. She's super busy so I'm really thankful she spared me some time to chat about her new room and some wild insights into the world of the mastering professional in 2020. She's worked with SO many talented people like Bjork, Slowdive, Ryuichi Sakamoto, Deerhunter, Beach House, Cate Le Bon, Alex G, Battles, John Maus, serpentwithfeet, Blonde Redhead, Diamanda Galás, Lightning Bolt, Black Lips, Lucy Dacus, Cass McCombs, Princess Nokia and The Mars Volta to name a few. In addition to mastering original soundtracks for films such as “Midsommar”, ” Jackie” (Oscar-nominated for best original score in 2017), “Paterson” and “The Dead Don't Die”. Check the discography and bio for full background. _______ Nitty 75 sees me making a max for live patch called “Dose of Clap” which aims to make available the Simmons Claptrap in modern form. It controls the playback of samples in a unique way that randomizes and spreads in time. it's available to my patrons so hop on if you're not on the good train. YES!!! Join my NEW Patreon for hanging out with audiophiles :) Get samples every 2 weeks, behind the scenes action, max for live patches… and searchable nittys as an inspirational audiobook in 75 chapters as it were. Plus you really help me out directly with some cash! Having a crew I can talk to for feedback and to directly share new ideas and music is the business! Let's hang. https://www.patreon.com/HOWA Links Kind sponsorship comes again from distrokid: click here for a TASTY 30% OFF deal exclusive to the show ! https://distrokid.com/vip/lidell ____________________ Music for EP75 comes from an EP called “Feet Of Clay” by Cephas Teom. It's coming from a new label check the links! Really good stuff! METR MUSIC Website | Soundcloud | Bandcamp
At the height of the AIDS crisis, Americans faced an uncertain future. Our healthcare system wasn’t prepared for a pandemic and Republicans in government were happy to watch people die. Sound familiar?During those heartbreaking times, artists made sense of the overwhelming despair by giving voice to the isolation people felt and they helped guide our communities forward through a world that had abandoned them.Today, performance artist Hereclitus Vernon joins us to talk about being one of the first people to come down with COVID-19 during the early days of the quarantine. Seven months later, Here is still dealing with the health consequences of the coronavirus.Listen as Here takes us on the journey for the fight of their life and how they used the power of art and meditation to help heal themselves.HERECLITUS HERE VERNON: https://linktr.ee/HereaclitusPlus- a look at the groundbreaking art made during the AIDS crisis of Diamanda Galás, Tim Miller, and Marlon Riggs whose film Tongues Untied almost got Republicans to shut down funding for Public Television.
Invece della "bella voce" che fa tanto "bel canto", un turbinio di voci di demoni ad ostentare la moltitudine che sfugge al suo annichilimento nella ossessione dell'Uno; questo è Diamanda Galàs, una delle voci più importanti della musica contemporanea. Tra citazioni di Baudelaire e Pasolini, seguitemi in questo labirinto e perdete voi stessi per un po'.
Krohm is a passionate for music since a young age who has always been attracted to all genders from Rap, Jazz, Flamenco with complex rhythm patterns different to 4x4. He has also been influenced by Psychedelic, Punk, Metal and Industrial music. At age 13 he discovered through mix-tapes other kind of sounds more sophisticated cut off from the dance floor/club. When it comes to proper Techno his biggest influences come from almost all around the World: UK, Japan, Detroit, East Europe, Germany, Sweden, Italy... He delivers sets with 2 or 3 turntables, nevertheless he also includes digital format and FX Units. He has played in many clubs from Barcelona and Catalonia such us La Cova, Moog, Zentraus, Slow Club, Sala One, Magia Roja, Kitty Club BDN or Valvula. Since the beginning of 2018 he collaborates with a collective from Barcelona, Structured (ES). tracklist__ 01 . H∑RM∑S - Enochian Rites - PI.002 (2017) 02 . Merovee - Love Call - LIT 003 (2017) 03 . Father Murphy - All The People Yelling Fire - FR54 (2015) 04 . Kollaps - Mechanical Christ - CSR269LP (2019) 05 . Nerve - Glass Fist (Reprise) - ACOLOUR 002 (2016) 06 . RAUM - Come Home - CDR-LP-025 (2018) 07 . WSR - Inner Oceans - CNTRT005 (2015) 08 . Diamanda Galás - Yιατί, Ó Θεός? - Stumm 27 (1986) 09 . Servadio/Hexn - Selftitled - HAN068/NPD008 (2018) 10 . Test Dept - Voice Of Reason - MOP 3 (1987) 11 . Giant Swan - Peace Fort Nine - KECK001CS (2019) 12 . Whitehouse - Daddo - SLA 005 (2016) 13 . SØS Gunver Ryberg - 1170 Siva (Bare Bones) - CNTRT06 (2016) 14 . Minimal Man - Two People - BFE 038 (2016) 15 . Tropic Of Cancer - Be Brave (Richard H Kirk Remix) - DO 08 (2011) 16 . Diversion Group - All Boys/No Girls - LINO 22 (1999) 17 . Ben Frost - Stomp - HVALUR2LP (2007) 18 . Scuba - Poppies (Substance Dub Version) - HFRMX003 (2008) 19 . Meze - Civil Eng - HMZ003 (2017) 20 . Cub - Teenage Fists - DNLP025 (2019) 21 . JK Flesh - Obedient Automaton - HHH666-236 (2013) 22 . Tommy Four Seven - The Trace - 47013 (2017) 23 . Iesope Drift - Sulkea - e-com 019 LP (1998) 24 . /beyond/ - Bowels - UL 002 (2016) 25 . Irrational Language - Druida - STRCTRD 01 (2019) 26 . RNXRX - High Rise - M.U.S.A.001 (2018) 27 . Oscar Croma - Suicida Esperanza - EDU001 (2006) 28 . Headless Horseman - Haunted - HDL 007 (2015) 29 . Mick Harris - Tap - SRV 103 LP (1996) 30 . RX-101 - Sys.rx.7.a009 - suction050 (2020) 31 . Kastil & I-Real - Black Birds All Over - ST184 (2019) 32 . Modeo - Damned In Black - HGLP01 (2017) 33 . Northern Structures - The Cut - SG1568 (2015) 34 . Voidloss - Dominion (The Truth In Your Eyes Version) - HCR004 (2019) 35 . Delusions - Visceral - BALLISTIC_07 (2019) 36 . Rhys Fulber - Fountain Of National Radio - SGLP06 (2019) 37 . Carrier - Suggestion - 47017 (2018) 38 . Desroi - Xanax - desroi002 (2018) 39 . Orphx - Pain Is A Teacher - SGD1886 (2018) 40 . Prurient - Chosen Books - HHH666-236 (2013) 41 . Orphan Swords - Hooker - DSR152 (2015)
Krohm is a passionate for music since a young age who has always been attracted to all genders from Rap, Jazz, Flamenco with complex rhythm patterns different to 4x4. He has also been influenced by Psychedelic, Punk, Metal and Industrial music. At age 13 he discovered through mix-tapes other kind of sounds more sophisticated cut off from the dance floor/club. When it comes to proper Techno his biggest influences come from almost all around the World: UK, Japan, Detroit, East Europe, Germany, Sweden, Italy... He delivers sets with 2 or 3 turntables, nevertheless he also includes digital format and FX Units. He has played in many clubs from Barcelona and Catalonia such us La Cova, Moog, Zentraus, Slow Club, Sala One, Magia Roja, Kitty Club BDN or Valvula. Since the beginning of 2018 he collaborates with a collective from Barcelona, Structured (ES). tracklist__ 01 . H∑RM∑S - Enochian Rites - PI.002 (2017) 02 . Merovee - Love Call - LIT 003 (2017) 03 . Father Murphy - All The People Yelling Fire - FR54 (2015) 04 . Kollaps - Mechanical Christ - CSR269LP (2019) 05 . Nerve - Glass Fist (Reprise) - ACOLOUR 002 (2016) 06 . RAUM - Come Home - CDR-LP-025 (2018) 07 . WSR - Inner Oceans - CNTRT005 (2015) 08 . Diamanda Galás - Yιατί, Ó Θεός? - Stumm 27 (1986) 09 . Servadio/Hexn - Selftitled - HAN068/NPD008 (2018) 10 . Test Dept - Voice Of Reason - MOP 3 (1987) 11 . Giant Swan - Peace Fort Nine - KECK001CS (2019) 12 . Whitehouse - Daddo - SLA 005 (2016) 13 . SØS Gunver Ryberg - 1170 Siva (Bare Bones) - CNTRT06 (2016) 14 . Minimal Man - Two People - BFE 038 (2016) 15 . Tropic Of Cancer - Be Brave (Richard H Kirk Remix) - DO 08 (2011) 16 . Diversion Group - All Boys/No Girls - LINO 22 (1999) 17 . Ben Frost - Stomp - HVALUR2LP (2007) 18 . Scuba - Poppies (Substance Dub Version) - HFRMX003 (2008) 19 . Meze - Civil Eng - HMZ003 (2017) 20 . Cub - Teenage Fists - DNLP025 (2019) 21 . JK Flesh - Obedient Automaton - HHH666-236 (2013) 22 . Tommy Four Seven - The Trace - 47013 (2017) 23 . Iesope Drift - Sulkea - e-com 019 LP (1998) 24 . /beyond/ - Bowels - UL 002 (2016) 25 . Irrational Language - Druida - STRCTRD 01 (2019) 26 . RNXRX - High Rise - M.U.S.A.001 (2018) 27 . Oscar Croma - Suicida Esperanza - EDU001 (2006) 28 . Headless Horseman - Haunted - HDL 007 (2015) 29 . Mick Harris - Tap - SRV 103 LP (1996) 30 . RX-101 - Sys.rx.7.a009 - suction050 (2020) 31 . Kastil & I-Real - Black Birds All Over - ST184 (2019) 32 . Modeo - Damned In Black - HGLP01 (2017) 33 . Northern Structures - The Cut - SG1568 (2015) 34 . Voidloss - Dominion (The Truth In Your Eyes Version) - HCR004 (2019) 35 . Delusions - Visceral - BALLISTIC_07 (2019) 36 . Rhys Fulber - Fountain Of National Radio - SGLP06 (2019) 37 . Carrier - Suggestion - 47017 (2018) 38 . Desroi - Xanax - desroi002 (2018) 39 . Orphx - Pain Is A Teacher - SGD1886 (2018) 40 . Prurient - Chosen Books - HHH666-236 (2013) 41 . Orphan Swords - Hooker - DSR152 (2015)
1. Diamanda Galás – Cris d'Aveugle2. Danny Elfman – Tales From the Crypt3. Ed Ivory & Ken Page – Oogie Boogie's Song4. Nick Cave & The Bad Seeds – Red Right Hand5. Kate Bush – Waking the Witch6. Siouxsie and The Banshees – Peek-a-Boo7. Screamin' Jay Hawkins – I Put a Spell On You8. The Cramps – I Was a Teenage Werewolf9. Rob Zombie – Living Dead Girl10. Misfits – Halloween11. The Murder City Devils – Midnight Service at the Mütter Museum12. Sonic Youth – Death Valley '69 (feat. Lydia Lunch)13. Bauhaus – Bela Lugosi's Dead14. Preservation Hall Jazz Band – Rattlin' Bones
John Giorno died last week, at age 82, at his home in Lower Manhattan, were he was living with his partner Ugo Rondinone. Poet and performer — a strong and suffering voice belonging to New York’s avant-garde milieu — in 1965 has founded the not-for-profit record label and organisation Giorno Poetry Systems with the aim of connecting poetry and related art forms to a larger audience using innovative ideas, audiovisual materials and experimental recording techniques. GPS released albums regularly until the late 1980s featuring recordings by artists such as Laurie Anderson and Philip Glass as well as unique performances by Frank Zappa, Diamanda Galás, Allen Ginsberg, John Cage, Brion Gysin, Giorno himself and William S. Burroughs. The episode features: John Giorno, Rose Lesniak, Anne Waldman, Cabaret Voltaire, Lydia Lunch and Clint Ruin, Richard Hell, John Cage, Laurie Anderson, Brion Gysin with Ramuntcho Matta and Psychic TV.
Since his violent death in 1975, Pier Paolo Pasolini remains internationally renowned as a filmmaker, but less known as a poet, journalist, critic and activist outside his native Italy. This week, Juliet talks to Italian author Daniela Cascella about Pasolini’s varied artistic practice, the persecution he suffered as an outspoken leftist and openly gay man, and the context of post-fascist, post-war Italy. SELECTED REFERENCES WORKS BY PASOLINI Articles ‘I Know’ (1974) - https://overland.org.au/2012/03/what-is-this-coup-detat-i-know/ Novels Hustlers (1955) A Violent Life (1959) Petrolio (1992) – http://movies2.nytimes.com/books/97/03/23/reviews/970323.23eberstt.html Films Accattone (1961) La Ricotta (1962) – http://www.alphavillejournal.com/Issue7/HTML/ArticleMurphy.html The Gospel According to Matthew (1964) – https://www.lrb.co.uk/v35/n06/michael-wood/at-the-movies Love Meetings (1965) – https://en.wikipedia.org/wiki/Love_Meetings Theorem (1968) Medea (1969) Porcile (Pigsty, 1969) The Decameron (1971) The Canterbury Tales (1972) Arabian Nights (1974) Salò: 120 Days of Sodom (1975) – https://mubi.com/notebook/posts/the-lost-pasolini-interview Poems ‘Gramsci’s Ashes’ (1954) – https://gramsciintheworld.files.wordpress.com/2013/03/gramscis-ashes.pdf ‘The PCI to Young People’ (1968) – https://www.jacobinmag.com/2018/06/pier-paolo-pasolini-pci-communist-party Bernardo Bertolucci Maria Callas ITALO CALVINO, Invisible Cities (1973) – https://www.newyorker.com/books/page-turner/the-letters-of-italo-calvino-day-v DANIELA CASCELLA, ‘Faint Signals’ - https://minorliteratures.com/2018/09/07/faint-signals-of-the-imaginal-and-the-aural-of-speaking-with-the-dead-and-their-books-for-impossible-writing-daniela-cascella/ Ernesto de Martino – https://en.wikipedia.org/wiki/Ernesto_de_Martino MARQUIS DE SADE, 120 Days of Sodom (1785) – https://www.odaha.com/sites/default/files/120_days_of_sodom.pdf FYODOR DOSTOYEVSKY, Demons (1872) – https://en.wikipedia.org/wiki/Demons_(Dostoevsky_novel) Death in Venice (dir. Luchino Visconti, 1971) – https://www.theguardian.com/film/2010/oct/20/death-venice-arthouse DARIO FO, Accidental Death of an Anarchist (1970) – https://www.youtube.com/watch?v=TqKfwC70YZI Fuori! (Turin gay collective) Diamanda Galás, ‘Supplica a mia madre’ - https://www.youtube.com/watch?v=mh4D3Gxk_jk André Gide Jean-Luc Godard Ugo Gregoretti Jacques Lacan Roberto Longhi – https://en.wikipedia.org/wiki/Roberto_Longhi La Lotta Continua (publication) - https://bigflameuk.wordpress.com/2009/05/30/lotta-continua MARIO MIELI, Elements of a Homosexual Critique – https://www.plutobooks.com/blog/mario-mieli-keep-treasure-in-my-arse Marianne Moore Alberto Moravia Nights of Cabiria (dir. Federico Fellini, 1957) – https://www.imdb.com/title/tt0050783 Ezra Pound – http://www.openculture.com/2012/12/pier_paolo_pasolini_talks_and_reads_poetry_with_ezra_pound_1967_.html Stefano Rodotà – https://en.wikipedia.org/wiki/Stefano_Rodotà RoGoPaG (various directors, 1963) – https://www.imdb.com/title/tt0056171 Roberto Rossellini Jean-Paul Sartre August Strindberg Giovanni Tiso – https://bat-bean-beam.blogspot.com Lars von Trier Wu Ming Foundation – https://www.versobooks.com/blogs/2719-the-police-vs-pasolini-pasolini-vs-the-police
A guest mix we did for Dublab that aired on 05/03/18 - http://dublab.com/events/63659/john-kennedy-guest-session 01. Diamanda Galás - O Death [Intravenal Sound Operations] 02. Library Tapes - Feelings For Something Lost In Two Parts (Pt. 2) [Resonant] 03. Joshua Abrams - By Way Of Odessa [Eremite] 04. Michael O'Shea - Guitar No. 1 (Take I) [Dome] 05. Tranceonic - Criminal Energy [Dark Entries] 06. Peter Cusack - Power Cable Crackle [ReR Megacorp] 07. Jean-Baptiste Favory - Unisono 1 [Entr'acte] 08. Valerio Tricoli - As For The Crack [Pan] 09. Shore - Components [Mister Saturday Night] 10. Mary Epworth - Me Swimming [Sunday Best] 11. Geoffrey Landers - Brian's Having A Party [Music From Memory] 12. Pere Ubu - Prison Of The Senses [ Cherry Red] 13. Tav Falco - The Drone Ranger [Blang] 14. Kid Congo & The Pink Monkey Birds - Spider Baby [In The Red] 15. Powell - Dogs On Acid [Diagonal?] 16. John Zorn - Midnight Flight [Tzadik] 17. John Maus - Bennington [Upset! The Rhythm] 18. Markey Funk - The Brew [Delights] 19. Harold Budd & Hector Zazou - Autre Django [Crammed Discs] 20. Stark Reality - Traveling [Now-Again] 21. Wendell Austin (And The Country Swings) - LSD [The Iron Mountain Analogue Research Facility] 22. Allah-Las - Fish On The Sand [Mexican Summer] 23. Edgar Broughton Band - There's No Vibrations, But Wait! [Harvest] 24. ZYX - Trust No Woman [Dark Entries] 25. Delfsch Wormenkoor - The Image Of The Evershy Boy [Delftsch Wormen Tapes] 26. Unhappybirthday - Kraken [Wave Tension] 27. Max Von Sydow - Cardboard Pope [Höga Nord] 28. Cybe - Can You Hear The Rooster Crow [STROOM ?] 29. Electro Keyboard Orchestra - The Soaring Sea Gull [Shibuya Jazz Classics] 30. Rare Silk - Storm [Palo Alto] 31. Nancy Sinatra - Kinky Love [Private Stock] 32. Lesley Duncan - Love Song [Columbia] 33. The Beach Boys - 'Til I Die [Caribou]
Diamanda Galás creates haunting gospels of despair and redemption, and is one of the most startling artists of our time. Join her in a conversation with Owen Pallet about her life and work.
Diamanda Galás creates haunting gospels of despair and redemption, and is one of the most startling artists of our time. Join her in a conversation with Owen Pallet about her life and work.
Final part of the best and most frequently played music from 2017 on Free Association. Om Shanti, Alice ColtraneWorld Spirituality Classics 1: The Ecstatic Music of Alice Coltrane Luaka Bop Swimming with Stina, Thor & FriendsThe Subversive Nature of Kindness LM Dupli-cation Spindrift, Colin Stetson All This I Do For Glory Forestwall Timewalk, Nicole MitchellMandorla Awakening II: Emerging Worlds FPE Records Venga Jaleo, BarbezFor Those Who Came After Pushpulling, Jasper String QuartetUnbound New Amsterdam Island 4, Glenn Jones & Matthew Azevedo Waterworks Thrill Jockey Records Hibernal, Arve HenriksenTowards Language Rune Grammofon You Don’t Know What Love Is, Diamanda GalásAll the Way Intravenal Sound Operations You’re My Thrill, Cécile McLorin SalvantDreams and Daggers Justin Time / Fontana North back there benjamin, The CaretakerThe Caretaker - Everywhere At The End Of Time - Stage 3 History Always Favours The Winners Ohio Bell Mystery, Raymond ScottThree Willow Park (Electronic Music from Inner Space 1961–1971) Basta Music Domino Sugar (Demo), Raymond ScottRaymond Scott - Three Willow Park: Electronic Music From Inner Space, 1961–1971 Basta The Land Whale Choir Sinks the Albert Hall, Sxip ShireyA Bottle of Whiskey and a Handful of Bees VIA Records Sublime beyond loss, The CaretakerThe Caretaker - Everywhere At The End Of Time - Stage 3 History Always Favours The Winners
Today we're surveying the front lines of musical sensibilities. Avant garde singer, pianist, composer, and painter Diamanda Galás isn't your everyday rom-com soprano. With a voice that's been known to induce fear in a single note, bolstered by a three-and-a-half octave range, Diamanda's followers range from fringe jazz cats to left field metalheads. Let's let the work speak for itself; in this case, the work consists of peculiar re-workings of traditional jazz tunes… with a couple of surprises as well. The album is called All the Way, borrowed from its titular track, a cover of the familiar Frank Sinatra tune. Follow the originals with the provided playlist! We'll explain them as we go. Also stick around for a discussion on the necessity of surveying all sides of the spectrum---good/bad, ugly/beautiful, moral/immoral---for only then do we have sufficient context for passing judgement. Continue reading
”Sätter en läkare ett stetoskop mot mitt hjärta så föreställer jag mig att det låter så här”, säger Erik Danielsson medan han lyssnar på Sepulturas skabbiga åttiotalslåt ”Morbid visions”. Erik startade Watain, Sveriges främsta black metal-band, som 15-åring hemma i Uppsala. De har turnerat över hela världen och blev det första bandet i sin genre att vinna en grammis. Nu är Erik äntligen hemma hos Strage för att prata om bandtröjor, grisblod och exploatering av subkulturer. På Sonos-anläggningen spelas mörka och magiska toner av bland andra Diamanda Galás, Das Ich och The Devil's Blood. See acast.com/privacy for privacy and opt-out information.
Döden. Utan krusiduller. Programmet tar avstamp i en bilolycka i Zimbabwe och leder vidare in till textens förmåga att trösta, musikens oumbärliga sätt att läka, via ilskans kraft och slutar i en jazzbegravning i New Orleans. Vi låter den vackra, fula och sorgesamma musiken breda ut sig i alla sina olika former och vi lyssnar på just döden. Ett personligt program där också programmakaren Sara Parkmans erfarenheter tar sin plats. Alexander Alvina Chamberland Svenskamerikansk performanceartist, författare och transaktivist som i detta program berättar om en av hens favoritkonstnärer och musiker- Diamanda Galás. Galás gestaltade AIDS-epedmien under tidigt 90-tal genom hennes verk Plague mass”. Ylva Eggehorn Sveriges mest uppskattade psalmtextförfattare som bland annat samarbetat med Benny Andersson. Har skrivit psalm 256 "Var inte rädd" som har sjungits under de flesta av Sveriges kollektiva sorgehögtider, bl a under Tsunamikatastrofen och mordet på Anna Lindh. Deltar i programmet om död och pratar om textens betydelse i sorgearbetet. Ricky Ricardi Arkivarie på världens största arkiv för en enskild jazzmusiker, Louis Armstrong house museum. Berättar om begreppet "Jazz funerals", en företeelse som har sitt ursprung i det tidiga 1900-talets New Orleans där jazzmusiker spelade glad jazz för att hedra den döda. Sara Parkman har gjort programmet, David Silva har varit producent och Munck är produktionsbolaget.
The Black Cat & Other Frightening Tales (Featuring a four hour Halloween presentation of Diamanda Galás reading Edgar Allen Poe’s The Black Cat! Originally broadcast on 30 October 2010 on KPSU, and re-aired in 2015.) Playlist & Footnotes: Join me for a special extended edition of Blasphuphmus Radio, just in time for the Holidays! That’s … Continue reading The Black Cat & Other Frightening Tales
"In 1913 Futurist Luigi Russolo developed several noise machines, which he named ‘intonarumori’. In his manifesto, The Art of Noise, Russolo argued that musical instruments could no longer satisfy man's thirst for sounds. Almost 100 years later, people are still exploring the possibilities of sound. This is what I tried to capture in this mix - testing the limits of sound, from shrieking highs to almost imperceptible lows, finding new ways of interpreting and portraying life through the medium of sound. Despite including over 100 artists, the mix by no means represents a completist viewpoint; so many perhaps important artists in the development of 'noise' were left out. It was not my intention to do a 'who's who' of noise music, but rather to show how the exploration of sound has developed over time and how fascinating these explorations are. I did at times take into account the historical significance of the piece/artist when choosing tracks, although I was steered mainly by what was sonically interesting to me. Well that's it - the mix should speak for itself. If you are interested in digging deeper please follow the links provided. Listen at maximum volume and enjoy." Marolo, January 2007 Tracklisting: Luigi Russolo – Risveglio Di Una Cita (1913) Marcel Duchamp – La Mariée Mise À Nu Par Ses Célibataires, Même John Cage – Imaginary Landscape 1 (1939) John Cage – Imaginary Landscape (1942) Halim El-Dabh – Wire Recorder Piece (1944) Pierre Schaeffer – Etude Aux Chemins De Fer (1948) Hugh Le Caine – Dripsody (1949) Edgar Varese – Interpolation, 3rd Interpolation (1954) John Cage – Radio Music (1956) 15 minutes Iannis Xenakis – Diamorphoses (1957) György Ligeti – Continuum, Glissandi (1957), Artikulation (1958) György Ligeti – Pièce Électronique #3 (1958) Edgard Varèse – Poème Electronique (1960) Stockhausen – Kontakte (1960) Tod Dockstader – Four Elementary Tapes ¾ (1963) Stockhausen – Telemusik (1966) Beatriz Ferreyra – Demeures Aquatiques (1967) AMM – Ailantus Glandulosa (1966) Wozard Of Iz – Blue Poppy (1968) Pierre Henry – Prologue (1968) Jean-Claude Risset – Flight & Countdown (1968) Delia Derbyshire / John Peel – Voice Treatment (1969) La Monte Young – The Volga Delta (1969) 30 minutes Morton Subotnick – Wild Bull Part 2 (1968) Jean-Claude Risset – Mutations (1969) François Bayle + Robert Wyatt + Kevin Ayers – It (1970) Iannis Xenakis – Hibiki-Hana-Ma (1970) Luc Ferrari – Presque Rien (1971) Yoko Ono – Toilet Piece (1971) Laurie Spiegel – Sediment (1972) La Monte Young – From Poem For Chairs, Tables, Benches, Two Sounds Faust – 11 (1973) Throbbing Gristle – Whorls of Sound (1975) Alvin Lucier – The Duke Of New York (1976) BBC Radiophonic Workshop – Central Control Room In Exillon City, Styre's Scouting Machine, Atomic Reactor Runs Wild (1978) Chrome – Inacontact / I am the Jaw (1979) Whitehouse – Politics (1980) Maurizio Bianchi – Industrial (1980) 45 minutes Merzbow – Music Concret/Tape Dada (1980) NON – Pagan Muzak Loops (1980) Frieder Butzmann – Tales of Death (1981) Esplendor Geometrico – PIE (1981) MB – Treblinka (1981) Throbbing Gristle – Medicine (1982) Borsig – Zu Den Anderen Gerollt Werden/Helmut (1982) E.g Oblique Graph – Black Cloth (1982) Esplendor Geometrico – Disco Rojo (1982) Consumer Electronics – Keloid (1982) SPK – War of Islam (1983) Alison Knowles – Assemblage (1984) Diamanda Galás – Panoptikon (1984) Controlled Bleeding – Knees And Bones (1985) Zoviet France – Signal (1986) Butthole Surfers – Hay (1987) 1 hour Merzbow – Chopin is Dead (1987) Hanatarash – Frogirl (1988) Esplendor Geometrico – Mekano-Turbo (1988) John Watermann – Still Warm (1989) Voice Crack & Borbotomagus – Untitled (1991) Jackofficers – Flush (1991) Iannis Xenakis – S.709 (1992) Scanner – Untitled (1993) Melvins - Magic Pig Detective (1994) Merzbow - Ananga-Ranga (1994) Fennesz – 3 (1995) Vromb – Facteur Humaine iii (1996) Mike Patton - I Killed Him Like a Dog, Screams Of The Asteroid, Porno Holocaust, Catheter, Raped On A Bed Of Sand (1996) 1 hour 15 minutes Restgeraeusch – 1H / 1Min (1996) Oval – Shop in Store (1996) Lucien Monbuttou – Kpiele, I Find The Enemy (1997) Jonathan Azande – Opaque Misery (1997) Francis Dhomont – Scherzo (1997) Aube – Vent Finalzinho (1997) Electricity – Dunia Wanja Wa Fujo, Indlela Yababi (1997) National Bird – Wakar Uwa Mugu (1997) Godfrey J Kola – Somalia! (1997) Mbuti Singers - Massacre Rite (1997) Jim O’Rourke – There As (1997) Toys’r’us – Untitled (1997) Fraughman – Of The Elements (1998) Boredoms – Super Shine (1998) Merzbow – Munchen (1998) 1 hour 30 minutes Merzbow – Soft Water Rhinoceros (1998) Scalpel – 2.08 (1998) Dumb Type – Zero Radius (1998) ATR – Brixton Academy (1999) Merzbow & Genesis P-orridge – Flowering Pain (1999) Voice Crack – Green Ellipse/Red Square (1999) Shizuo – Untitled (1999) Maldoror – Baby Powder on Peach Fuzz (1999) Zipper Spy – Untitled (2000) Dolores Dewberry – Paragraph (2000) Diane Nelson – Dissected Insect (2000) Winterkälte – Toxic Hotspot (2000) Signal – Centrum (2000) Massimo - Hey Babe, Let Me See Your USB And I'll Show You My Firewire (2001) 1 hour 45 minutes DJ Smallcock – YinYue (2001) Ryoji Ikeda – 00010 (2001) Cyclo – C4 C9 (2001) Tripod Sardine – TV (2000) Speedranch – Halfway up the Stairway of Mucus (2001) Fennesz / Jim O'Rourke / Peter Rehberg – We Will Diffuse You (2002) Huren – Satem (2002) Vromb – Subréalité (2002) Coh – Hurt Later / Terra Beyond / In Spaces Between (2002) Massimo – 6-1-8 (2002) Merzbow – Tadpole / Forgotten Land (2002) Merzbow – Black Gun Red (Kim Cascone mix) (2003) Wlliam Basinski – Disintegration Loops DLP4 (2003) KK Null – Andromeda 2 (2003) Space Machine – 4 (2004) Chessmachine – 16 Move (2004) 2 hours Zeena Parkins & Ikue Mori – Miura (2004) Otomo Yoshihide - Where There's Smoke, There's Weapons (2004) The Lappetites – Funeral (2005) Merzbow – Merzbuta track 4 (2005) Zeena Parkins – 16 Feet + Cello (2006) Drifting Stranger – Oh Daddy Love Me Good (2007)
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