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3 episodes with second woman
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2 episodes with second woman
2 episodes with second woman
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Seán's guest is about to undertake an extraordinary theatrical marathon during the Cork Midsummer Festival: performing a play for 24 hours!The Second Woman, starring Eileen Walsh, begins this Saturday, June 14th, at 4pm and will finish the following day at the same time. Tickets can be purchased for the entire 24-hour performance, or for shorter segments, at corkmidsummer.com.Actor Eileen Walsh joins to discuss.
Seán's guest is about to undertake an extraordinary theatrical marathon during the Cork Midsummer Festival: performing a play for 24 hours!The Second Woman, starring Eileen Walsh, begins this Saturday, June 14th, at 4pm and will finish the following day at the same time. Tickets can be purchased for the entire 24-hour performance, or for shorter segments, at corkmidsummer.com.Actor Eileen Walsh joins to discuss.
Queensland Greens Senator Larissa Waters has become the second woman in the party's history to lead the Greens. She was elected unopposed on 15 May during a meeting of the party's 11 senators and one MP in Melbourne. NSW Senator Mehreen Faruqi has been elected as the deputy leader, while South Australian Senator Sarah Hanson-Young — the longest-serving Greens member in federal parliament — will continue in her role as manager of business in the upper house.
Second woman accuses Shannon Sharpe of R*PE! Stephen A confirms ESPN FIRED Shannon Sharpe!
On top of the first story we heard form Miranda Baker about picking up a hitchhiking Brian Laundrie a second woman has now come forward and said she ALSO gave him a ride. Let's dive in.To contact me:bobbycapucci@protonmail.comSource:https://www.msn.com/en-us/news/us/brian-laundrie-manhunt-woman-in-wyoming-says-she-picked-him-up-hitchhiking/ar-AAOL1QB?ocid=uxbndlbing
'The second woman' es el nuevo reto de María Hervás. La actriz se enfrenta a una misma escena, repetida 100 veces, con 100 parejas diferentes, algunos actores profesionales, otros no, durante 24 hroas. Un día encerrada en un cubículo transparente y permitiendo al público disfrutar del plano general de la escena y de uno más en detalle, que filma y proyecta en directo un cámara mientras transcurre la acción. El objetivo es exponer ante el público los mecanismos del poder, del machismo... María ya se ha enfrentado a 'The second woman' en dos ocasiones. Y lo hará en unos días por tercera vez en Madrid, en los Teatros del Canal, con entradas agotadas. Escuchar audio
Buscant l'home perfecte o tastant el gust de l'amor. Crítica teatral de l'espectacle «The second woman». Cocreació de Nat Randall i Anna Breckon. Dramatúrgia: Anna Breckon i Nat Randall. Intèrpret: María Hervás. Direcció de vídeo: EO Gill i Anna Breckon. Operador de càmera: EO Gill. Disseny de la il·luminació: Amber Silk, Kayla Burrett. Composició del so: Nina Buchanan. Disseny de l'escenografia: Future Method Studio. Disseny original de maquillatge i perruqueria: Sophie Roberts. Producció: Performing Lines. Coordinació de participants: Eva García (comunArt). Producció executiva: Jenny Vila. Direcció de producció: Bitó. Coproducció del Grec 2024 Festival de Barcelona i Teatro Central de Sevilla. Grec 2024. Direcció: Anna Breckon i Nat Randall. Sala Fabià Puigserver, Teatre Lliure Montjuïc, Barcelona. 24 hores ininterrompudes del 6 al 7 de juliol 2024. Veu: Andreu Sotorra. Música: A taste o love. Interpretació: Den Harrow. Composició: Den Harrow. Àlbum: A Taste of Love, 2015.
Extra aandacht voor vreselijke afko's als roi, klantroutes en crm heeft het Holland Festival een frissere uitstraling en nieuw publiek gegeven. Blijkt uit deze podcast.Daarom dus eerst aandacht voor persberichten van enkele leden!
In The Second Woman speelt Georgina Verbaan honderd keer dezelfde scène, gedurende 24 uur, met steeds een andere tegenspeler. In de tien minuten durende scène ontmoeten twee geliefden elkaar, eten ze noodles, dansen ze, en gaan ze daarna weer uit elkaar.Georgina Verbaan vindt het concept van de voorstelling wel wat hebben van een nachtmerrie, vertelt ze in haar gesprek met Basje Boer. Waarom zei ze dan toch ja? En hoe bereidt ze zich voor op een voorstelling die van tevoren nog helemaal openligt?Luister alle Holland Festival Podcastafleveringen.Productie: Basje Boer, Gizelle Mijnlieff en Alma Apt.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.
Dumisani Qwebe of the Nyanga CPF speaks to John Maytham about the tragic shooting of a member on new year's eve. Nosipho Sopuwa is the second female crime fighter to be shot dead after being threatened. On 19 December, Lulama “Guffy” Dinginto, was gunned down in her Gugulethu home as well.See omnystudio.com/listener for privacy information.
Shona Murray, Europe Correspondent, Euro News & Vincent Durac, Associate professor in School of Politics and International Relations, UCD
In this episode, Seth reviews a video by Brett Cooper on the subject of whether or not men tend to marry the second woman they date. To access the sources for this episode, visit: https://www.youtube.com/watch?v=nxQYKNqZB70&list=PLqXPXGGcbW9e3LOL4pjZ_iN2I9KBx8qX-&index=34 To get your copy of Seth's latest book, visit: https://www.amazon.com/Deepen-Dance-Dependence-Prioritizing-Individualism/dp/B0892HX2H7/ref=sr_1_2?dchild=1&keywords=deepen+the+dance+of+dependence&qid=1595309176&sr=8-2 To become a subscriber of this podcast, visit: https://anchor.fm/seth-hensley/subscribe --- Send in a voice message: https://podcasters.spotify.com/pod/show/seth-hensley/message
Welcome back everyone! Ok, so on this week's show we're diving deep into the world of DSP, algorithmic production, and sound design. This is definitely one for the nerds! So let's do this right now, this is BL_K NOISE Radio! TRACKLIST: 00:00 DJ Skymall 01:20 Ben Peers – Mona https://bpeers.bandcamp.com/album/doubled 04:43 Beatrice Dillon - Clouds Strum https://beatricedillon.bandcamp.com/album/workaround 09:02 Mark Fell & Gabor Lazar - Untitled 1 https://bleep.com/release/60484-mark-fell-gabor-lazar-the-neurobiology-of-moral-decision-making 10:26 Second Woman - //// https://spectrumspools.bandcamp.com/album/s-w 13:13 DJ Skymall 15:12 Atom tm - Whereweleftoff (remix) https://kid606.bandcamp.com/album/ps-you-love-me-2001 19:06 Amaranth Todd - Aspriate https://geometriccorruption.bandcamp.com/album/abyssal 24:06 User Friendly - Heck It https://userfriendly1.bandcamp.com/album/sickle 27:09 Errorsmith - Most Elastic https://errorsmith.bandcamp.com/album/2 32:45 Dino Felipe - Untitled (unreleased) https://dino-felipe.bandcamp.com/ 35:26 Alva Noto - Uni Blue https://noton.info/product/n-045/ 39:37 VoltageCtrlR - Under The Nu Moon https://voltagectrlr.bandcamp.com/album/ancient-circuitry 42:06 DJ Skymall 44:25 Pan Sonic - Pan Finale https://bleep.com/release/25210-pan-sonic-gravitoni 46:42 Kindohm - Infographic Meme https://newyorkhaunted.bandcamp.com/album/nyh101-kindohm-starter-pack-meme 49:30 Kulakostas - Post Truth https://inodi.bandcamp.com/album/lost-found-ep-vol-2 53:30 Formen - Hertz https://formen.bandcamp.com/album/impulse 55:56 DJ Skymall 57:18 CRRNT - -.- https://111records.bandcamp.com/album/crrnt-grit 60:06 End. https://blknoise.bandcamp.com https://www.instagram.com/blknoise https://twitter.com/blknoisemusic https://www.instagram.com/ed_skymall
On est un peu benêts chez Amplitudes, du coup on s'est dit qu'on allait mettre en avant un sujet à la hauteur de nos quelques neurones survivant dans une matière grise en impesanteur : les titres de pistes qui n'ont aucun sens. Enfin, d'après nous, parce qu'évidemment, les artistes à leurs origines ont forcément des raisons plus ou moins obscures de nommer des morceaux de cette façon ; mais à notre niveau, on se contentera de les prononcer comme ils s'éternuent. Beaucoup d'IDM du coup, cependant le genre n'a pas le monopole du charabia, donc vraiment pas que ça au final. Bonne écoute. Tracklist : Richard Devine - Rusx Fee (Asect:Dsect, 2003) Legiac - Gliese581c (The Faex Has Decimated, 2015) ⣎⡇ꉺლ༽இ•̛)ྀ◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ੂ࿃ूੂළඕั✧✧ı̴̴̡ ̡̡͡|̲̲̲͡ ̲̲̲͡͡π̲̲͡͡ ɵੂ≢࿃ूੂ೧ູఠీੂ ඊູཀ ꐑ(ʅ͡͡͡͡͡͡͡͡͡͡͡(ƟӨ)ʃ͡͡͡͡͡͡͡͡͡͡ (ʅ͡͡͡͡͡͡͡͡͡͡͡(ƟӨ)ʃ͡͡͡͡͡͡͡͡͡͡ ꐑ (ཀ ඊູ ఠీੂ೧ູ࿃ूੂ✧ළඕั࿃ूੂ࿃ूੂੂ࿃ूੂළඕั✧ı̴̴̡ ̡̡͡|̲̲̲͡ ̲̲̲͡͡π̲̲͡͡ ɵੂ≢࿃ूੂ೧ູఠీੂ ඊູཀ ꐑ(ʅ͡͡͡͡͡͡͡͡͡͡͡(ƟӨ)ʃ͡͡͡͡͡͡͡͡͡͡, 2019) Alva Noto et Ryuichi Sakamoto - Trioon I (Vrioon, 2002) Grischa Lichtenberger - 0319 06 FUENF b Sh (Thinking From the Future) (re: phgrp (Reworking »Consequences« by Philipp Gropper's Philm), 2019) ttttttttttttttttttttt - ttttttt (ttttttttttttttttttttt, 2008) Oberman Knocks - Knamleck Forms Gumsun Dack Gumsun (Conder-Rhyptic, 2022) Second Woman - 100407jd7 (Second Woman, 2016) Aphex Twin - Cock/ver10 (Drukqs, 2001) SHXCXCHCXSH - SsSs (SsSsSsSsSsSsSsSsSsSsSsSsSsSsSs, 2016) Material Object - x6x (Telepath, 2023) T.e.s.o. - Ghdjsk85394-003 (No.3 Obliate, 2015) Iuengliss - AEFIresqd004 (Blank Matter, 2011) Plastre - 5-HT2A (Fatigue de la Lumière, 2022) Vladislav Delay - Rakkn (Rakka II, 2021) Le Berger - sfojg=owfE (Music for Guitar et Patience, 2015) Photo : La Pierre de Rosette, image corrigée, Hans Hillewaert (2007)
We're excited to tell you that this week's guest is Ruth Wilson, the multiple-award winning British actress who's about to star in an extraordinary theatrical event at The Young Vic on 19th May. ‘The Second Woman' is going to incorporate one electrifying 24-hour performance, involving one scene, one woman and 100 men. Ruth plays Virginia and will be on stage for a full 24 hours as 100 different men star opposite her while she performs over and over again a scene between a man and woman in a failing relationship. You can buy a ticket for the full 24 hours or just stay a few minutes. Listen in to hear what made Ruth take on this role and how she's preparing herself for this epic marathon performance. We also find out about her new TV series that will be out in the autumn.
Sun writer Kevin Simpson sat down with Gen. Laura Richardson, the second woman to earn promotion to four-star general in the Army's nearly 250-year history, when she returned last week to visit her Colorado roots.See omnystudio.com/listener for privacy information.
On est un peu benêts chez Amplitudes, du coup on s'est dit qu'on allait mettre en avant un sujet à la hauteur de nos quelques neurones survivant dans une matière grise en impesanteur : les titres de pistes qui n'ont aucun sens. Enfin, d'après nous, parce qu'évidemment, les artistes à leurs origines ont forcément des raisons plus ou moins obscures de nommer des morceaux de cette façon ; mais à notre niveau, on se contentera de les prononcer comme ils s'éternuent. Beaucoup d'IDM du coup, cependant le genre n'a pas le monopole du charabia, donc vraiment pas que ça au final. Bonne écoute. Tracklist : Richard Devine - Rusx Fee (Asect:Dsect, 2003) Legiac - Gliese581c (The Faex Has Decimated, 2015) ⣎⡇ꉺლ༽இ•̛)ྀ◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ੂ࿃ूੂළඕั✧✧ı̴̴̡ ̡̡͡|̲̲̲͡ ̲̲̲͡͡π̲̲͡͡ ɵੂ≢࿃ूੂ೧ູఠీੂ ඊູཀ ꐑ(ʅ͡͡͡͡͡͡͡͡͡͡͡(ƟӨ)ʃ͡͡͡͡͡͡͡͡͡͡ (ʅ͡͡͡͡͡͡͡͡͡͡͡(ƟӨ)ʃ͡͡͡͡͡͡͡͡͡͡ ꐑ (ཀ ඊູ ఠీੂ೧ູ࿃ूੂ✧ළඕั࿃ूੂ࿃ूੂੂ࿃ूੂළඕั✧ı̴̴̡ ̡̡͡|̲̲̲͡ ̲̲̲͡͡π̲̲͡͡ ɵੂ≢࿃ूੂ೧ູఠీੂ ඊູཀ ꐑ(ʅ͡͡͡͡͡͡͡͡͡͡͡(ƟӨ)ʃ͡͡͡͡͡͡͡͡͡͡, 2019) Alva Noto & Ryuichi Sakamoto - Trioon I (Vrioon, 2002) Grischa Lichtenberger - 0319 06 FUENF b Sh (Thinking From the Future) (re: phgrp (Reworking »Consequences« by Philipp Gropper's Philm), 2019) ttttttttttttttttttttt - ttttttt (ttttttttttttttttttttt, 2008) Oberman Knocks - Knamleck Forms Gumsun Dack Gumsun (Conder-Rhyptic, 2022) Second Woman - 100407jd7 (Second Woman, 2016) Aphex Twin - Cock/ver10 (Drukqs, 2001) SHXCXCHCXSH - SsSs (SsSsSsSsSsSsSsSsSsSsSsSsSsSsSs, 2016) Material Object - x6x (Telepath, 2023) T.e.s.o. - Ghdjsk85394-003 (No.3 Obliate, 2015) Iuengliss - AEFIresqd004 (Blank Matter, 2011) Plastre - 5-HT2A (Fatigue de la Lumière, 2022) Vladislav Delay - Rakkn (Rakka II, 2021) Le Berger - sfojg=owfE (Music for Guitar & Patience, 2015) Photo : La Pierre de Rosette, image corrigée, Hans Hillewaert (2007)
On est un peu benêts chez Amplitudes, du coup on s'est dit qu'on allait mettre en avant un sujet à la hauteur de nos quelques neurones survivant dans une matière grise en impesanteur : les titres de pistes qui n'ont aucun sens. Enfin, d'après nous, parce qu'évidemment, les artistes à leurs origines ont forcément des raisons plus ou moins obscures de nommer des morceaux de cette façon ; mais à notre niveau, on se contentera de les prononcer comme ils s'éternuent. Beaucoup d'IDM du coup, cependant le genre n'a pas le monopole du charabia, donc vraiment pas que ça au final. Bonne écoute. Tracklist : Richard Devine - Rusx Fee (Asect:Dsect, 2003) Legiac - Gliese581c (The Faex Has Decimated, 2015) ⣎⡇ꉺლ༽இ•̛)ྀ◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ੂ࿃ूੂළඕั✧✧ı̴̴̡ ̡̡͡|̲̲̲͡ ̲̲̲͡͡π̲̲͡͡ ɵੂ≢࿃ूੂ೧ູఠీੂ ඊູཀ ꐑ(ʅ͡͡͡͡͡͡͡͡͡͡͡(ƟӨ)ʃ͡͡͡͡͡͡͡͡͡͡ (ʅ͡͡͡͡͡͡͡͡͡͡͡(ƟӨ)ʃ͡͡͡͡͡͡͡͡͡͡ ꐑ (ཀ ඊູ ఠీੂ೧ູ࿃ूੂ✧ළඕั࿃ूੂ࿃ूੂੂ࿃ूੂළඕั✧ı̴̴̡ ̡̡͡|̲̲̲͡ ̲̲̲͡͡π̲̲͡͡ ɵੂ≢࿃ूੂ೧ູఠీੂ ඊູཀ ꐑ(ʅ͡͡͡͡͡͡͡͡͡͡͡(ƟӨ)ʃ͡͡͡͡͡͡͡͡͡͡, 2019) Alva Noto & Ryuichi Sakamoto - Trioon I (Vrioon, 2002) Grischa Lichtenberger - 0319 06 FUENF b Sh (Thinking From the Future) (re: phgrp (Reworking »Consequences« by Philipp Gropper's Philm), 2019) ttttttttttttttttttttt - ttttttt (ttttttttttttttttttttt, 2008) Oberman Knocks - Knamleck Forms Gumsun Dack Gumsun (Conder-Rhyptic, 2022) Second Woman - 100407jd7 (Second Woman, 2016) Aphex Twin - Cock/ver10 (Drukqs, 2001) SHXCXCHCXSH - SsSs (SsSsSsSsSsSsSsSsSsSsSsSsSsSsSs, 2016) Material Object - x6x (Telepath, 2023) T.e.s.o. - Ghdjsk85394-003 (No.3 Obliate, 2015) Iuengliss - AEFIresqd004 (Blank Matter, 2011) Plastre - 5-HT2A (Fatigue de la Lumière, 2022) Vladislav Delay - Rakkn (Rakka II, 2021) Le Berger - sfojg=owfE (Music for Guitar & Patience, 2015) Photo : La Pierre de Rosette, image corrigée, Hans Hillewaert (2007)
Time to meet a Kiwi making noise in the royal world. Sophie Gaulter is only the second woman to be included in the famed London Scottish Regiment band. This is the esteemed band known for performing at royal events and participated in the procession for the Queen's death. Sophie joined only a few months ago and Sophie Ggualter joined Kate Hawkesby. LISTEN ABOVE See omnystudio.com/listener for privacy information.
Merry Christmas everyone! First of a two part Christmas release, a look at the surviving Coventry Mystery plays. This play covers the Nativity through to the slaughter of the innocents. With Stephen Longstaffe as First Shepherd, Herod; Francis Cox as Second Shepherd, Second King; Eric Karoulla as Third Shepherd, Third King; Lois Potter as Gabriel, Second Woman; Liza Graham as Second Prophet, First Woman; Alan Scott as Prologue (Isaiah), Herald; Sarah Blake as Mary; Daniel Yabut as Joseph; Lynn Freitas as Angel (1st), Third Woman; Helen Good as Second Angel, Second Soldier; Valentina Vinci as First Prophet, First King, First Soldier. The host was Robert Crighton. First released on our YouTube channel - https://youtu.be/LksJtWk0IaI The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.
In this conversation with Mandy Hickson, author of An Officer Not a Gentleman, she talks about her experience as a Tornado GR4 combat pilot for the British Royal Air Force and how she has translated that experience to the business world as a motivational speaker. Mandy faced many of the challenges common to women in male-dominated fields with determination and humor. She also talks about how those moments seeded doubt and insecurity she might not have experienced otherwise, and how she overcame those feelings to become a successful pilot and leader. You can find her at her website, www.mandyhickson.com, and on social media @mandyhicksonspeaker.
Second woman comes out against Herschel Walker; Clayton Sheriff Victor Hill found guilty in federal civil rights trial; BlueStar Studios being built on former military base Fort Gillem in Forest Park; Cobb corrects ballot errors during early voting;
Second woman comes out against Herschel Walker; Clayton Sheriff Victor Hill found guilty in federal civil rights trial; BlueStar Studios being built on former military base Fort Gillem in Forest Park; Cobb corrects ballot errors during early voting;
Comprehensive coverage of the day's news with a focus on war and peace; social, environmental and economic justice UN weather agency says planet is headed in wrong direction, citing rise in greenhouse gas emissions President Biden takes action to rein in “junk fees” A second woman says Georgia Republican Senate candidate Herschel Walker pressured her into an abortion Los Angeles City Council unanimously censures former Council president and two current members in racism scandal Image: Rob Oo, CC BY 3.0 , via Wikimedia Commons The post Greenhouse gas levels in the atmosphere continue to rise; President Biden takes executive action to battle “junk fees”; A second woman says Georgia Republican Senate candidate Herschel Walker pressured her into an abortion appeared first on KPFA.
Comprehensive coverage of the day's news with a focus on war and peace; social, environmental and economic justice UN weather agency says planet is headed in wrong direction, citing rise in greenhouse gas emissions President Biden takes action to rein in “junk fees” A second woman says Georgia Republican Senate candidate Herschel Walker pressured her into an abortion Los Angeles City Council unanimously censures former Council president and two current members in racism scandal Image: Rob Oo, CC BY 3.0 , via Wikimedia Commons The post Greenhouse gas levels in the atmosphere continue to rise; President Biden takes executive action to battle “junk fees”; A second woman says Georgia Republican Senate candidate Herschel Walker pressured her into an abortion appeared first on KPFA.
Married at First Sight's Olivia Frazer and Jackson Lonie BEG fans for photos (pre-cheating scandal)! Have Love Island's Tina Provis and Mitch Hibberd RECOUPLED... again? The Bachelor's Britt Hockley CALLED OUT by a former colleague! Big Brother's Tully Smyth signs up for ANOTHER reality TV show! A photo has emerged of Big Brother's Lulu Oliveira and Layla Subritzy's mum from 2013! Two reality TV PESTS are looking for housemates! The Gold Logies guestlist: Which MAFS stars scored an invite and who has been SNUBBED? Evidence that suggests Olivia RECREATED the infamous 'glass smashing' scene from RHONJ! Ronnie Caceres and Turia Pitt's big BLOW UP on Celebrity Apprentice! Why Carla From Bankstown is the hero we deserve! The Big Brother $2MILLION lottery scandal! Did Joel Notley have a SECRET girlfriend whilst in the Big Brother house? The Bachelor(s)'s Jed McIntosh ALREADY in hot water! Are we getting ANOTHER bisexual Bachelor series this year? The MasterChef FINAL THREE! The kiss that stopped the nation: Fresh developments in the MAFS cheating scandal! A SECOND woman comes forward claiming Jackson also kissed her! Olivia FLEES the country! The tip-offs DURING MAFS that predicted this! Olivia says Hannah Hughes "took advantage" of "drunk" Jackson! PLUS LOTS MORE! Listen to 'the woman and sexual assault survivor Olivia DOXXED speaks out' on PATREON now! Want more of the latest gossip? So Dramatic! has a BRAND NEW podcast - 'So Dramatic! DAILY!' Listen now on SPOTIFY: https://spoti.fi/3ghmLwW Listen now on APPLE: https://apple.co/3ARKVaW Visit the SO DRAMATIC! ONLINEwebsite and sign up for our newsletter! Follow So Dramatic! on INSTAGRAM, FACEBOOK, TIK TOK, and join the PRIVATE FACEBOOK GROUP! For exclusive tea too hot for anywhere else, join the So Dramatic! PATREON! Got a hot tip, request, question, or receipts? Contact: tips@sodramaticmedia.com Got a media enquiry? Contact: hello@sodramaticmedia.com This is an independent podcast by entertainment journalist Megan Pustetto, who is dedicated to bringing you the hottest tea to your ears each week! The best way you can support So Dramatic! is by subscribing, leaving a (gushing!) review, (five star!) rating and super spreading the word on social media with your followers (or haters!) - you will be doing God's work! See omnystudio.com/listener for privacy information.
Showcasing left-field electronic music. TRACKLIST: 00:00 DJ Skymall 01:19 Yen Tech - Herd https://svbkvlt.bandcamp.com/album/assembler 04:56 Atsushi Izumi – TH https://opaltapes.com/album/houzan-archives 08:09 Selm - Nineteen Voices https://opaltapes.com/album/amateur-vampires 11:30 Ran Cap Duoi Collective - Images https://rancapduoi.bandcamp.com/album/ng-ng-y-ngay-ng-y-t-n-th 14:22 Sebastian Camens - Reality State https://nadarecs.bandcamp.com/album/asymmetry 19:18 DJ Skymall 21:45 Autechre - tt1pd https://autechre.bandcamp.com/album/nts-session-3 25:11 EPROM - Flex Acid https://eprom.bandcamp.com/album/acid-disk-2 28:18 Todas Las Anteriores - Control https://orislabel.bandcamp.com/album/amarillo-bugambilia 31:25 Pan Sonic - Voltos Bolt https://bleep.com/release/25210-pan-sonic-gravitoni 33:46 James Ginzburg - Light Evaporates https://jamesginzburg.bandcamp.com/album/crystallise-a-frozen-eye 36:58 DJ Skymall 38:56 Second Woman - 700353bc5 https://spectrumspools.bandcamp.com/album/second-woman 40:50 Daniel M Karlsson - Untraceable Bearer Bonds https://conditionalrecs.bandcamp.com/album/expanding-and-overwriting 44:04 Keith Fullerton Whitman - Retrograde (remix) https://keithfullertonwhitman.bandcamp.com/album/resonators-1 47:47 Beaunoise - Return {0xf8} https://beaunoise.bandcamp.com/album/nornstape 50:36 The Fear Ratio - Bronik https://blueprintrecords.bandcamp.com/album/light-box 54:19 Giorgio Sancristoforo - Untitled 6 https://giorgiosancristoforo.bandcamp.com/album/mellophonics 56:54 DJ Skymall 57:58 Aus - Stargazing https://precorecords.bandcamp.com/album/lang 62:36 End. https://blknoise.bandcamp.com https://www.instagram.com/blknoise https://twitter.com/blknoisemusic https://www.instagram.com/ed_skymall
On Monday of Holy Week, we join Sarah who has come to Jerusalem with her husband, a priest for the Passover. He recounts to her how he put his favourite question to a man named Jesus in the Temple that day.
There are fears Covid may be spreading undetected in Northland after a second woman who visited illegally from Auckland tested positive for the virus. She was tracked down by police officers last night and is now in a managed isolation facility where authorities have been interviewing her today. Another location of interest was revealed this afternoon - the Subway in Whangārei - but with other locations still under wraps, everyone is being urged to get a test to track any trace of the virus. Nita Blake-Persen reports.
On top of the first story we heard form Miranda Baker about picking up a hitchhiking Brian Laundrie a second woman has now come forward and said she ALSO gave him a ride. Let's dive in.To contact me:bobbycapucci@protonmail.comSource:https://www.msn.com/en-us/news/us/brian-laundrie-manhunt-woman-in-wyoming-says-she-picked-him-up-hitchhiking/ar-AAOL1QB?ocid=uxbndlbing
On top of the first story we heard form Miranda Baker about picking up a hitchhiking Brian Laundrie a second woman has now come forward and said she ALSO gave him a ride. Let's dive in.To contact me:bobbycapucci@protonmail.comSource:https://www.msn.com/en-us/news/us/brian-laundrie-manhunt-woman-in-wyoming-says-she-picked-him-up-hitchhiking/ar-AAOL1QB?ocid=uxbndlbing
Judoka Catherine Beauchemin Pinard talks to Andrew Carter about her experience at the Olympics.
The All Local, 6am Update, Saturday, 6/5/2021 See omnystudio.com/listener for privacy information.
A second woman has accused Gov. Andrew Cuomo of sexual harassment, according to a new report. Charlotte Bennett, a 25-year-old former aide to Cuomo, told The New York Times the governor asked her inappropriate personal questions and had told her he was open to relationships with women in their 20s. Please subscribe to my channel Cosmic Neighbors. Tomorrow our first episode will be posted and a new episode will be posted every Sunday. https://rumble.com/c/c-648533 Please like and share this video.
A harassed architect and a loyal CPA fall in love, but will our three hosts get dreamy-eyed over the movie about them or excited about the murder mystery that clouds their lives?
This week Laura Rogora becomes the second woman to climb 9b with her quick ascent of 'Ali Hulk Sit Extension Total'. We see another tick for the 8C+ counter and a super hard multi-pitch gets climbed in a one day push.
(10a) Coronavirus concerns and caller reactions; Stock market update; Second woman charged relating to Yates County midwife case; paper bag factory; announcement from Congressman Tom Reed's office Medal of Honor event March 20 @ 10AM; A monitor will be assigned to oversee Monroe County CPS
Reaction to 2nd woman accusing Antonio Brown of sexual misconduct. ANTONIO BROWN NEW ENGLAND PATRIOT JERSEY: https://amzn.to/2mkbiEe --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thisisyourlife/message Support this podcast: https://anchor.fm/thisisyourlife/support
04/01/2019 --- Support this podcast: https://anchor.fm/statuscoup/support
In this Medical News podcast, Rita Rubin interviews the second woman physician to serve in US Congress.
When thinking about the future it is better to envision it and then looking back than staring at it and not knowing how to reach one's goals. The Self Coaching process is taken from the book, Be Your Own Manager, and extended with the element of expectations from family and friends. The US Shutdown opened the doors of many museums and symphonies for US Public Servants who haven't been paid for weeks. Among the institutions offering free tickets are the Metropolitan Opera in New York and Seattle Symphony. The Ernst von Siemens Prize goes to British composer Rebecca Saunders, only the second woman since 1974 receiving it.
Living on contraceptive pills is not the solution life has easier solutions ..just hear me out once
President Trump called Senate Majority Leader Mitch McConnell on Saturday with an unmistakable message: Call the vote on Brett Kavanaugh’s nomination to the Supreme Court, and call it soon.
Second woman is accusing Supreme Court Justice Brett Kavanaugh of sexual assault allegations after the first woman Dr. Christine Brausely Ford has accused him also of Sexual Assault. --- Send in a voice message: https://anchor.fm/thejeremiahpattersonshow/message Support this podcast: https://anchor.fm/thejeremiahpattersonshow/support
Naomi André’s innovative new book, Black Opera: History, Power, Engagement (University of Illinois Press, 2018) is an example of a concept she calls “engaged musicology.” Positioning herself within the book as a knowledgeable and ethical listener, André seeks to understand the resonances and importance of opera to today’s audiences, performers, and scholars. To do this, she focuses on seven works and two continents. André places opera in the United States in conversation with opera in South Africa, the only country in Africa that has a continuous operatic tradition from the nineteenth century until the present day. Her work in South Africa began when she traveled with renowned opera singers George Shirley and Daniel Washington to that country as part of a project through the African Studies Center at her home institution of the University of Michigan. There she found a rich operatic life that included the performance of new works, such as Winnie: The Opera by Bongani Ndodana Breen as well as new interpretations of canonical operas such as a South African reimagining of Bizet’s Carmen called U-Carmen eKhayelitsha, both of which she features in Black Opera. The other works she considers are From the Diary of Sally Hemings by William Bolcom and Sandra Seaton, Porgy and Bess by George Gershwin, along with Carmen and two American versions of that opera, Oscar Hammerstein’s Carmen Jones and the MTV production, Carmen: A Hip Hopera. André’s central concern is how the history of race relations and changing gender roles in both countries impacted the development, performance, composition, and reception of opera. To do this, she provides what she terms a “shadow history” of opera culture to help her readers understand “black operas” (that is operas by black and interracial compositional teams, about black subjects, and the issues around black opera singers) that have been hidden due to social, political, and economic reasons rather the quality of the works and performers. Nestled within the disciplines of musicology, ethnomusicology, African Studies, and cultural theory, this truly interdisciplinary monograph points to a new way to analyze music’s place in the past and the present. Naomi André is Associate Professor in the Department of Afroamerican and African Studies, Women’s Studies, and the Associate Director for Faculty at the Residential College at the University of Michigan. She received her B.A. from Barnard College and M.A. and Ph.D. from Harvard University. Her research focuses on opera and issues surrounding gender, voice, and race. Her publications are on topics including Italian opera, Schoenberg, women composers, and teaching opera in prisons. Her earlier books, Voicing Gender: Castrati, Travesti, and the Second Woman in Early Nineteenth-Century Italian Opera (2006) and Blackness in Opera (2012, co-edited collection) focus on opera from the nineteenth to the mid-twentieth centuries and explore constructions of gender, race and identity. In addition to serving on the Executive Committee for the Criminal Justice Program at the American Friends Service Committee (Ann Arbor, MI), she brings her expertise on race, politics, and opera to the public through numerous appearances on public panels and symposia, and in the popular press. Kristen M. Learn more about your ad choices. Visit megaphone.fm/adchoices
Naomi André’s innovative new book, Black Opera: History, Power, Engagement (University of Illinois Press, 2018) is an example of a concept she calls “engaged musicology.” Positioning herself within the book as a knowledgeable and ethical listener, André seeks to understand the resonances and importance of opera to today’s audiences, performers, and scholars. To do this, she focuses on seven works and two continents. André places opera in the United States in conversation with opera in South Africa, the only country in Africa that has a continuous operatic tradition from the nineteenth century until the present day. Her work in South Africa began when she traveled with renowned opera singers George Shirley and Daniel Washington to that country as part of a project through the African Studies Center at her home institution of the University of Michigan. There she found a rich operatic life that included the performance of new works, such as Winnie: The Opera by Bongani Ndodana Breen as well as new interpretations of canonical operas such as a South African reimagining of Bizet’s Carmen called U-Carmen eKhayelitsha, both of which she features in Black Opera. The other works she considers are From the Diary of Sally Hemings by William Bolcom and Sandra Seaton, Porgy and Bess by George Gershwin, along with Carmen and two American versions of that opera, Oscar Hammerstein’s Carmen Jones and the MTV production, Carmen: A Hip Hopera. André’s central concern is how the history of race relations and changing gender roles in both countries impacted the development, performance, composition, and reception of opera. To do this, she provides what she terms a “shadow history” of opera culture to help her readers understand “black operas” (that is operas by black and interracial compositional teams, about black subjects, and the issues around black opera singers) that have been hidden due to social, political, and economic reasons rather the quality of the works and performers. Nestled within the disciplines of musicology, ethnomusicology, African Studies, and cultural theory, this truly interdisciplinary monograph points to a new way to analyze music’s place in the past and the present. Naomi André is Associate Professor in the Department of Afroamerican and African Studies, Women’s Studies, and the Associate Director for Faculty at the Residential College at the University of Michigan. She received her B.A. from Barnard College and M.A. and Ph.D. from Harvard University. Her research focuses on opera and issues surrounding gender, voice, and race. Her publications are on topics including Italian opera, Schoenberg, women composers, and teaching opera in prisons. Her earlier books, Voicing Gender: Castrati, Travesti, and the Second Woman in Early Nineteenth-Century Italian Opera (2006) and Blackness in Opera (2012, co-edited collection) focus on opera from the nineteenth to the mid-twentieth centuries and explore constructions of gender, race and identity. In addition to serving on the Executive Committee for the Criminal Justice Program at the American Friends Service Committee (Ann Arbor, MI), she brings her expertise on race, politics, and opera to the public through numerous appearances on public panels and symposia, and in the popular press. Kristen M. Learn more about your ad choices. Visit megaphone.fm/adchoices
Naomi André’s innovative new book, Black Opera: History, Power, Engagement (University of Illinois Press, 2018) is an example of a concept she calls “engaged musicology.” Positioning herself within the book as a knowledgeable and ethical listener, André seeks to understand the resonances and importance of opera to today’s audiences, performers, and scholars. To do this, she focuses on seven works and two continents. André places opera in the United States in conversation with opera in South Africa, the only country in Africa that has a continuous operatic tradition from the nineteenth century until the present day. Her work in South Africa began when she traveled with renowned opera singers George Shirley and Daniel Washington to that country as part of a project through the African Studies Center at her home institution of the University of Michigan. There she found a rich operatic life that included the performance of new works, such as Winnie: The Opera by Bongani Ndodana Breen as well as new interpretations of canonical operas such as a South African reimagining of Bizet’s Carmen called U-Carmen eKhayelitsha, both of which she features in Black Opera. The other works she considers are From the Diary of Sally Hemings by William Bolcom and Sandra Seaton, Porgy and Bess by George Gershwin, along with Carmen and two American versions of that opera, Oscar Hammerstein’s Carmen Jones and the MTV production, Carmen: A Hip Hopera. André’s central concern is how the history of race relations and changing gender roles in both countries impacted the development, performance, composition, and reception of opera. To do this, she provides what she terms a “shadow history” of opera culture to help her readers understand “black operas” (that is operas by black and interracial compositional teams, about black subjects, and the issues around black opera singers) that have been hidden due to social, political, and economic reasons rather the quality of the works and performers. Nestled within the disciplines of musicology, ethnomusicology, African Studies, and cultural theory, this truly interdisciplinary monograph points to a new way to analyze music’s place in the past and the present. Naomi André is Associate Professor in the Department of Afroamerican and African Studies, Women’s Studies, and the Associate Director for Faculty at the Residential College at the University of Michigan. She received her B.A. from Barnard College and M.A. and Ph.D. from Harvard University. Her research focuses on opera and issues surrounding gender, voice, and race. Her publications are on topics including Italian opera, Schoenberg, women composers, and teaching opera in prisons. Her earlier books, Voicing Gender: Castrati, Travesti, and the Second Woman in Early Nineteenth-Century Italian Opera (2006) and Blackness in Opera (2012, co-edited collection) focus on opera from the nineteenth to the mid-twentieth centuries and explore constructions of gender, race and identity. In addition to serving on the Executive Committee for the Criminal Justice Program at the American Friends Service Committee (Ann Arbor, MI), she brings her expertise on race, politics, and opera to the public through numerous appearances on public panels and symposia, and in the popular press. Kristen M. Learn more about your ad choices. Visit megaphone.fm/adchoices
Naomi André’s innovative new book, Black Opera: History, Power, Engagement (University of Illinois Press, 2018) is an example of a concept she calls “engaged musicology.” Positioning herself within the book as a knowledgeable and ethical listener, André seeks to understand the resonances and importance of opera to today’s audiences, performers, and scholars. To do this, she focuses on seven works and two continents. André places opera in the United States in conversation with opera in South Africa, the only country in Africa that has a continuous operatic tradition from the nineteenth century until the present day. Her work in South Africa began when she traveled with renowned opera singers George Shirley and Daniel Washington to that country as part of a project through the African Studies Center at her home institution of the University of Michigan. There she found a rich operatic life that included the performance of new works, such as Winnie: The Opera by Bongani Ndodana Breen as well as new interpretations of canonical operas such as a South African reimagining of Bizet’s Carmen called U-Carmen eKhayelitsha, both of which she features in Black Opera. The other works she considers are From the Diary of Sally Hemings by William Bolcom and Sandra Seaton, Porgy and Bess by George Gershwin, along with Carmen and two American versions of that opera, Oscar Hammerstein’s Carmen Jones and the MTV production, Carmen: A Hip Hopera. André’s central concern is how the history of race relations and changing gender roles in both countries impacted the development, performance, composition, and reception of opera. To do this, she provides what she terms a “shadow history” of opera culture to help her readers understand “black operas” (that is operas by black and interracial compositional teams, about black subjects, and the issues around black opera singers) that have been hidden due to social, political, and economic reasons rather the quality of the works and performers. Nestled within the disciplines of musicology, ethnomusicology, African Studies, and cultural theory, this truly interdisciplinary monograph points to a new way to analyze music’s place in the past and the present. Naomi André is Associate Professor in the Department of Afroamerican and African Studies, Women’s Studies, and the Associate Director for Faculty at the Residential College at the University of Michigan. She received her B.A. from Barnard College and M.A. and Ph.D. from Harvard University. Her research focuses on opera and issues surrounding gender, voice, and race. Her publications are on topics including Italian opera, Schoenberg, women composers, and teaching opera in prisons. Her earlier books, Voicing Gender: Castrati, Travesti, and the Second Woman in Early Nineteenth-Century Italian Opera (2006) and Blackness in Opera (2012, co-edited collection) focus on opera from the nineteenth to the mid-twentieth centuries and explore constructions of gender, race and identity. In addition to serving on the Executive Committee for the Criminal Justice Program at the American Friends Service Committee (Ann Arbor, MI), she brings her expertise on race, politics, and opera to the public through numerous appearances on public panels and symposia, and in the popular press. Kristen M.
Naomi André's innovative new book, Black Opera: History, Power, Engagement (University of Illinois Press, 2018) is an example of a concept she calls “engaged musicology.” Positioning herself within the book as a knowledgeable and ethical listener, André seeks to understand the resonances and importance of opera to today's audiences, performers, and scholars. To do this, she focuses on seven works and two continents. André places opera in the United States in conversation with opera in South Africa, the only country in Africa that has a continuous operatic tradition from the nineteenth century until the present day. Her work in South Africa began when she traveled with renowned opera singers George Shirley and Daniel Washington to that country as part of a project through the African Studies Center at her home institution of the University of Michigan. There she found a rich operatic life that included the performance of new works, such as Winnie: The Opera by Bongani Ndodana Breen as well as new interpretations of canonical operas such as a South African reimagining of Bizet's Carmen called U-Carmen eKhayelitsha, both of which she features in Black Opera. The other works she considers are From the Diary of Sally Hemings by William Bolcom and Sandra Seaton, Porgy and Bess by George Gershwin, along with Carmen and two American versions of that opera, Oscar Hammerstein's Carmen Jones and the MTV production, Carmen: A Hip Hopera. André's central concern is how the history of race relations and changing gender roles in both countries impacted the development, performance, composition, and reception of opera. To do this, she provides what she terms a “shadow history” of opera culture to help her readers understand “black operas” (that is operas by black and interracial compositional teams, about black subjects, and the issues around black opera singers) that have been hidden due to social, political, and economic reasons rather the quality of the works and performers. Nestled within the disciplines of musicology, ethnomusicology, African Studies, and cultural theory, this truly interdisciplinary monograph points to a new way to analyze music's place in the past and the present. Naomi André is Associate Professor in the Department of Afroamerican and African Studies, Women's Studies, and the Associate Director for Faculty at the Residential College at the University of Michigan. She received her B.A. from Barnard College and M.A. and Ph.D. from Harvard University. Her research focuses on opera and issues surrounding gender, voice, and race. Her publications are on topics including Italian opera, Schoenberg, women composers, and teaching opera in prisons. Her earlier books, Voicing Gender: Castrati, Travesti, and the Second Woman in Early Nineteenth-Century Italian Opera (2006) and Blackness in Opera (2012, co-edited collection) focus on opera from the nineteenth to the mid-twentieth centuries and explore constructions of gender, race and identity. In addition to serving on the Executive Committee for the Criminal Justice Program at the American Friends Service Committee (Ann Arbor, MI), she brings her expertise on race, politics, and opera to the public through numerous appearances on public panels and symposia, and in the popular press. Kristen M. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Naomi André’s innovative new book, Black Opera: History, Power, Engagement (University of Illinois Press, 2018) is an example of a concept she calls “engaged musicology.” Positioning herself within the book as a knowledgeable and ethical listener, André seeks to understand the resonances and importance of opera to today’s audiences, performers, and scholars. To do this, she focuses on seven works and two continents. André places opera in the United States in conversation with opera in South Africa, the only country in Africa that has a continuous operatic tradition from the nineteenth century until the present day. Her work in South Africa began when she traveled with renowned opera singers George Shirley and Daniel Washington to that country as part of a project through the African Studies Center at her home institution of the University of Michigan. There she found a rich operatic life that included the performance of new works, such as Winnie: The Opera by Bongani Ndodana Breen as well as new interpretations of canonical operas such as a South African reimagining of Bizet’s Carmen called U-Carmen eKhayelitsha, both of which she features in Black Opera. The other works she considers are From the Diary of Sally Hemings by William Bolcom and Sandra Seaton, Porgy and Bess by George Gershwin, along with Carmen and two American versions of that opera, Oscar Hammerstein’s Carmen Jones and the MTV production, Carmen: A Hip Hopera. André’s central concern is how the history of race relations and changing gender roles in both countries impacted the development, performance, composition, and reception of opera. To do this, she provides what she terms a “shadow history” of opera culture to help her readers understand “black operas” (that is operas by black and interracial compositional teams, about black subjects, and the issues around black opera singers) that have been hidden due to social, political, and economic reasons rather the quality of the works and performers. Nestled within the disciplines of musicology, ethnomusicology, African Studies, and cultural theory, this truly interdisciplinary monograph points to a new way to analyze music’s place in the past and the present. Naomi André is Associate Professor in the Department of Afroamerican and African Studies, Women’s Studies, and the Associate Director for Faculty at the Residential College at the University of Michigan. She received her B.A. from Barnard College and M.A. and Ph.D. from Harvard University. Her research focuses on opera and issues surrounding gender, voice, and race. Her publications are on topics including Italian opera, Schoenberg, women composers, and teaching opera in prisons. Her earlier books, Voicing Gender: Castrati, Travesti, and the Second Woman in Early Nineteenth-Century Italian Opera (2006) and Blackness in Opera (2012, co-edited collection) focus on opera from the nineteenth to the mid-twentieth centuries and explore constructions of gender, race and identity. In addition to serving on the Executive Committee for the Criminal Justice Program at the American Friends Service Committee (Ann Arbor, MI), she brings her expertise on race, politics, and opera to the public through numerous appearances on public panels and symposia, and in the popular press. Kristen M. Learn more about your ad choices. Visit megaphone.fm/adchoices
AOTB Top 5 for July 29, 2018 – Interview with Justin Blau! 1. August 4, 2018: Blockchain –N- Grill with DJ Brigidope and hosted by DeBray Codes with four featured comedians and two performers! at Level 13 Ultra Lounge, Oakland, CA https://www.eventbrite.com/e/blockchain-n-grill-mixer-music-comedy-showcase-tickets-47941024896 … 2. Blockchain Beach – Los AngelETH Hackathon, July 28 & 29, 2018. Speakers include folks from Blockdaemon, HelloSugoi; http://Spl.yt . https://www.blockchainbeach.us/event-calendar/ 3. July 26 – 29, 2018 - Gray Area Festival – San Francisco – “A conference, performances, workshops, and an exhibition surveying culture through the lens of art and technology.” With myself, Rob Myers, Ruth Catlow, Pimavera De Filippi, Simon Denny, Second Woman, Machinedrum, Ingrid LaFleur, Sam Hart and more. https://grayareafestival.io/ 4. August 16 – 23, 2018 Forward Festival in Madison, Wisconsin. “Wisconsin’s largest technology and entrepreneurship festival.” They are having a Live Undiscovered Music (LUM) Launch party; 5X5X5 Pitch event; “Be Your Own Hero – Startup Stories from the World of Roller Derby” http://forwardfest.org/ 5. August 10, 2018 BitSong Blockchain Music Streaming platform issuing its Initial Coin Offering. Founder and CEO Angelo Recca and Founder – DJ/Producer Rosario Ticli. Ethereum blockchain and IPFS distributed file system. Artists can “produce songs in which an advertiser can attach advertisements and users can access from any device.” Authenticity note: Photo of Jimi Hendrix on their twitter page. https://bitsong.io/ Twitters: @ingridlafleur @yaoeo @hxrts @second_woman @Machine_Drum @blockchainbch @BlockchainNGril @BitSongOfficial @3LAU @OURMusicFest Tips welcome BTC: 1D3DYP4nBC5DqTm1g5GeKf1uWeemLipwpY ETH: 0x9Ac7Bc3D3933e83A3544b36A075d2d59fac1c405 Disclaimer – The AOTB podcast is not a recommendation or endorsement for any of businesses or services mentioned. AOTB is not advising anyone to invest or rely upon any statements made during this podcast. It is intended for entertainment purposes only. The views are our own.
Global News Crime Reporter Catherine McDonald joins Kelly to update us on the investigation and the continued search for more remains in the McArthur case.
This podcast is a selection by Irene Cassarini (1995) aka @guenterraler, a 23 years old producer, dj and sound designer based in Bologna, Italy. Guenter Råler 'This podcast is an overview of some of the music that inspired me in the past years and enriched my perspective on music. I choose a lot of different genres and styles, spacing from electroacou-stic music to IDM, from tribal rhythms to lo-fi dreamy arpeggios, but with a common ground between all the tracks, which is experimentation. I included artists from different parts of world and from a variety of cultures, languages and musical background. I really enjoy the diverse narratives coming from an eclectic mix, where a track from the 70s can sound as futuristic as some of the best IDM music we have now. To me, it’s a timeless evolution that needs to be discovered'. TRACKLIST: 1. Yosuke Nagao - Inori (Prayer) 2. Bernard Parmegiani - Étude Élastique 3. Oli XL - Stress Junkie 4. Lorn - set me free 5. Ossia - Tumult (Lurka Remix) 6. Cut Hands - The Claw 7. Evaa - Scheme 8. Princess Nokia - Brujas 9. DJ Nigga Fox - Lua 10. SND - 04:29:59 11. Second Woman - 300528mj1 12. Oneothrix Point Never - I Bite Through It 13. Denis Smalley - Névé 14. SSALIVA x SKYH1 - Rages 15. AbaddoNN - AE86 16. Kamixlo - Lariat 17. Aisha Devi - Inner State of Alchemy
In this evenings midweek Lenten Worship Service, we hear from two women who react to the events prior to the crucifixion The scriptural reading relating to the first woman is Matthew 21:1-11, 57-68 and the Second Woman in Mark 14:66-72. After each reading there is a brief monologue from each of them. Pastor Carpenter provides the introduction and postlude.
Episode 358: June 19, 2017 (guest artist Mark Van Hoen) playlist: Mark Van Hoen, "It's Not You (In A Way)" (It's Not Me) 2016 Geographical North Marker, "Follow It Down" (Marker) 2017 Medical Bill Orcutt, "The World Without Me" (Bill Orcutt) 2017 Palilalia Second Woman, "////\" (S/W) 2017 Spectrum Spools Drew McDowall, "Habitat" (Unnatural Channel) 2017 Dais Mark Van Hoen, "Real Love" (Playing With Time) 1998 Apollo Mark Van Hoen, "Truancy" (Electronic Music 1982-1987) 2017 Wayside and Woodland Locust, "Truth Is Born of Arguments" (Truth Is Born of Arguments) 1995 Apollo Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.
Second instalment of the Osiris Music Podcast series comes from the talented duo Dot Product - be sure to check out their new Album '2080' out now on Osiris Music. tracklist: 1. Dot Product - Reverie 2. Slowdive - Crazy For You 3. This Heat - 24 Track Loop 4. Future Sound Of London - The Final Inner Breath 5. Amon Duul ii - Kronwinkl 12 6. Throbbing Gristle - Dead on Arrival 7. Carter Tutti Void - f=(2.6.2) 8. The Aloof - Abuse 9. Manitoba - Lemon Yogurt 10. Second Woman - 100407jd7 11. Monty Adkins - Memory Box 12. Vangelis - Tales of the Future 13. Milton Bradley - Echoes of the Nameless 14. Wedge - Ground 15. KSP - Atomit 16. Killing Joke - Inside the Termite Mound 17. Dot Product - Time Slip www.dotproductsound.com www.osirismusicuk.co.uk Subscribe to the Osiris Music Podcasts on iTunes: https://itunes.apple.com/gb/podcast/osiris-music-podcast-01-simon-shreeve-m%C3%B8nic/id1214634505?i=1000382490038&mt=2
The radio station is fully snow-bound and so I'm now living here full-time. On the show tonight spiky brilliance from Nathan Fake, D Tiffany, Jlin remixing Second Woman and lots more. 'They're not Swedish, Mac. They're Norwegian.'
Episode 341: February 5, 2017 (guest artist Graham Lewis of Wire, Hox, He Said, Dome, and more) playlist: Wire, "Short Elevated Period" (Silver / Lead) 2017 Pink Flag Martial Canterel, "Geometry of Romance (Vol III)" (Navigations Volume I-III) 2017 Medical Cate Le Bon, "Rock Pool" (Rock Pool) 2017 Drag City Second Woman, "II E/P" (E/P) 2017 Spectrum Spools High Plains, "Hypoxia" (Cinderland) 2017 Kranky Hox, "Anthracite" (Duke Of York) 2015 Editions Mego Cupol, "Like This For Ages" (Like This For Ages) 1980 4AD Edvard Graham Lewis, "We've Lost Your Mind" (All Over) 2014 Editions Mego Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.
Ce soir, Adrien et François sont accompagnés d'un invité surprise : Raphaël, déjà chroniqueur sur SeekSickSound. Un peu de nouveauté au programme, à commencer par un remix footwork de Second Woman. Techno et raw house sont également présentes, agrémentées de belles escapades ambient - on remercie chaudement That Special Record pour l'inspiration. Bonne écoute. Tracklist : Second Woman - VII (Jlin (E/P, 2017) Kinetic Electronix - DewDroppinn II (Music for Beings, 2016) Imaginary Softwoods - Cloud Damage / Positive Ruin Court Garden (Annual Flowers in Color, 2016) Arandel - Aleae I (Aleae, 2017) Julian Perez - The Unspoken Thing (Solemnity, 2016) SW - Untitled B3 (Untitled, 2016) Biosphere - Le grand dôme (Cirque, 2000) R Beny - Full Blossom of the Evening (Full Blossom of the Evening, 2016) Gigi Masin - Desert Radio (Plays Hazkarà, 2016) MMMD - Az Álmok Itt Érnek Véget (Rész 2) (Schattenspieler, 2016) Michael Vallera - Drug (Vivid Flu, 2017) Slowdive - Star Roving (Slowdive, 2017) Photo : The Fossils of Intention, par R Beny
Ce soir, Adrien et François sont accompagnés d'un invité surprise : Raphaël, déjà chroniqueur sur SeekSickSound. Un peu de nouveauté au programme, à commencer par un remix footwork de Second Woman. Techno et raw house sont également présentes, agrémentées de belles escapades ambient - on remercie chaudement That Special Record pour l'inspiration. Bonne écoute.Photo : R BenyTracklist :Second Woman - 7 (Jlin Remix) [Spectrum Spools]Kinetic Electronix - Dewdroppin II [Mood Hut]Imaginary Softwoods - Cloud Damage + Positive Ruin Court Garden [Mineral Disk]Arandel - I [Infiné]Julian Perez - The Unspoken Thing [Father et Sons Production]SW - untitled B3 [SUED]Biosphere - Le grand dôme (2000)R Beny - Full Blossom Of The Evening [self released]Gigi Masin - Deser Radio [13 / Silentes]MMMD - Az álmok itt érnek véget (rész 2) [Antifrost]Michael Vallera - Drug [Denovali]Slowdive - Star Roving [Dead Oceans]
Ce soir, Adrien et François sont accompagnés d'un invité surprise : Raphaël, déjà chroniqueur sur SeekSickSound. Un peu de nouveauté au programme, à commencer par un remix footwork de Second Woman. Techno et raw house sont également présentes, agrémentées de belles escapades ambient - on remercie chaudement That Special Record pour l'inspiration. Bonne écoute. Tracklist : Second Woman - VII (Jlin (E/P, 2017) Kinetic Electronix - DewDroppinn II (Music for Beings, 2016) Imaginary Softwoods - Cloud Damage / Positive Ruin Court Garden (Annual Flowers in Color, 2016) Arandel - Aleae I (Aleae, 2017) Julian Perez - The Unspoken Thing (Solemnity, 2016) SW - Untitled B3 (Untitled, 2016) Biosphere - Le grand dôme (Cirque, 2000) R Beny - Full Blossom of the Evening (Full Blossom of the Evening, 2016) Gigi Masin - Desert Radio (Plays Hazkarà, 2016) MMMD - Az Álmok Itt Érnek Véget (Rész 2) (Schattenspieler, 2016) Michael Vallera - Drug (Vivid Flu, 2017) Slowdive - Star Roving (Slowdive, 2017) Photo : The Fossils of Intention, par R Beny
Ce soir, Adrien et François sont accompagnés d'un invité surprise : Raphaël, déjà chroniqueur sur SeekSickSound. Un peu de nouveauté au programme, à commencer par un remix footwork de Second Woman. Techno et raw house sont également présentes, agrémentées de belles escapades ambient - on remercie chaudement That Special Record pour l'inspiration. Bonne écoute. Tracklist : Second Woman - VII (Jlin (E/P, 2017) Kinetic Electronix - DewDroppinn II (Music for Beings, 2016) Imaginary Softwoods - Cloud Damage / Positive Ruin Court Garden (Annual Flowers in Color, 2016) Arandel - Aleae I (Aleae, 2017) Julian Perez - The Unspoken Thing (Solemnity, 2016) SW - Untitled B3 (Untitled, 2016) Biosphere - Le grand dôme (Cirque, 2000) R Beny - Full Blossom of the Evening (Full Blossom of the Evening, 2016) Gigi Masin - Desert Radio (Plays Hazkarà, 2016) MMMD - Az Álmok Itt Érnek Véget (Rész 2) (Schattenspieler, 2016) Michael Vallera - Drug (Vivid Flu, 2017) Slowdive - Star Roving (Slowdive, 2017) Photo : The Fossils of Intention, par R Beny
Considérez cette émission comme une invitation à la méditation "sensuelle". Faites en sorte d'être dans un environnement sain, ni trop chaud, ni trop froid, aussi calme que possible, sans toutefois verser dans l’isolation totale. Si vous êtes en colère, si vous débordez d’énergie, prenez le temps de revenir au calme, de vous détendre et de retrouver l’apaisement relatif. Appuyez sur lecture et lorsque vos sens se développeront, un nouvel univers de synesthésie s'ouvrira à vous. Tracklist Aphex Twin - Lichen [1994] Japanese Synchro System - Pure Finger In Deep River [2006] CFCF - It Was Never Meant To Be This Way (Piano Version) [2010] James Ruskin - Cast Down [2012] Second Woman - 100407jd7 [2016] Phil Stroud - Flow [2016] Michel Magne - Voyage en Eau Profonde [1980] Joan Bibiloni - Sa Fosca [1989] Kreng - Petit Grimoire [2011] Vancouver - Exosphere [2004] Venetian Snares - Mentioning It [2007] Swami Lateplate - Frank And The Girl [2007] Sköwl
Joshua Eustis is one of the busiest and most focused people you'll run across. From his many recording/performance entities and collaborations (Telefon Tel Aviv, Second Woman, Sons of Magdalene) or his work with mainline acts (Puscifer, Nine Inch Nails), Josh's influence is woven throughout electronic music. And you know what? Good for us! If you aren't familiar with Telefon Tel Aviv's music, take a listen - it's among my favorite music at the moment. Doing a little research will help you understand the difficulties surrounding that project - including the heartbreak surrounding the death of Charlie Cooper, Josh's collaborator with Telefon. But there's a lot more to talk about: what was it like touring with Puscifer - or NIN? What works better for Josh's work: hardware or software? And what are some of the tricks that he uses in order to keep up his aggressive playing and release schedule? All this and more... I'm really grateful that Josh would take the time to chat with us, and thanks to Tom Hall for making the introduction. And make sure you keep up to date with Telefon Tel Aviv's activities as well as his other project, and keep an eye for a gig near you. Enjoy!
Le traditionnel best of de l'année achevée. Manon, Grégoire et François partagent disques marquants et morceaux oubliés de ce cru 2016. Tracklist : Leafar Legov - Years (Talk, 2016) D. Towärds - Untitled (Spade, 2016) Prince of Denmark - Tool 517 (8, 2016) Ran Slavin - Dubai Dawn (Bittersweet Melodies, 2016) Matt Elliott - Feast of St. Stephen (The Calm Before, 2016) Radiohead - Decks Dark (A Moon Shaped Pool, 2016) Christine Ott - No Memories (Only Silence Remains, 2016) I Am Just a Pupil - Untitled B5 (More Like I Am Just a Lost Soul, 2016) Thomas Köner - Tiento de la Luz 6 (Tiento de la Luz, 2016) Kikagaku Moyo - Kogarashi (House in the Tall Grass, 2016) Jesu / Sun Kill Moon - Sally (Jesu / Sun Kill Moon, 2016) Second Woman - 600249li9 (Second Woman, 2016) KETEV - Traces of Weakness (Traces of Weakness, 2016) 2016 en 30 disques 1991 - No More Dreams (No More Dreams) Autechre - elseq 1-5 (Warp Records) Bret Schneider - Chronolalia (Phiney Tapes) Christine Ott - Only Silence Remains (Gizeh Records) Clark - The Last Panthers (Warp Records) D. Towärds - Spade (Oblast) Dag Rosenqvist - Elephant (Dronarivm) Franck Vigroux - Rapport sur le désordre (D'Autres Cordes) I Am Just a Pupil - More Like I Am Just a Lost Soul (Cd's Tapes?) Jesu / Sun Kill Moon - Jesu / Sun Kill Moon (Caldo Verde Records) Kaitlyn Aurelia Smith et Suzanne Ciani - Sunergy (RVNG Intl.) KETEV - Traces of Weakness (Where to Now?) Kikagaku Moyo - House in the Tall Grass (Guruguru Brain) Leyden Jars - The Nature et That (Mordant Music) Loscil - Monument Builders (Kranky) Matt Elliott - The Calm Before (Ici D'Ailleurs) Puce Mary - The Spiral (Posh Isolation) Ran Slavin - Bittersweet Melodies (Crónica) Roly Porter - Third Law (Tri Angle) Roman Flügel - All the Right Noises (Dial) Second Woman - Second Woman (Spectrum Spools) Segue - Over the Mountains (Silent Season) Skee Mask - Shred (Ilian Tape) Sophia Loizou - Singulacra (Kathexis) The Red F - Balm of Gilead (Microcultures) Thomas Köner - Tiento de le Luz (Denovali Records) Tim Hecker - Love Streams (4AD) Ulaan Passerine - The Great Unwinding (Worstward Recordings) Valerio Tricoli - Clonic Earth (PAN) Yves de Mey - Drawn With Shadow Pens (Spectrum Spools)
Le traditionnel best of de l'année achevée. Manon, Grégoire et François partagent disques marquants et morceaux oubliés de ce cru 2016. Tracklist : Leafar Legov - Years (Talk, 2016) D. Towärds - Untitled (Spade, 2016) Prince of Denmark - Tool 517 (8, 2016) Ran Slavin - Dubai Dawn (Bittersweet Melodies, 2016) Matt Elliott - Feast of St. Stephen (The Calm Before, 2016) Radiohead - Decks Dark (A Moon Shaped Pool, 2016) Christine Ott - No Memories (Only Silence Remains, 2016) I Am Just a Pupil - Untitled B5 (More Like I Am Just a Lost Soul, 2016) Thomas Köner - Tiento de la Luz 6 (Tiento de la Luz, 2016) Kikagaku Moyo - Kogarashi (House in the Tall Grass, 2016) Jesu / Sun Kill Moon - Sally (Jesu / Sun Kill Moon, 2016) Second Woman - 600249li9 (Second Woman, 2016) KETEV - Traces of Weakness (Traces of Weakness, 2016) 2016 en 30 disques 1991 - No More Dreams (No More Dreams) Autechre - elseq 1-5 (Warp Records) Bret Schneider - Chronolalia (Phiney Tapes) Christine Ott - Only Silence Remains (Gizeh Records) Clark - The Last Panthers (Warp Records) D. Towärds - Spade (Oblast) Dag Rosenqvist - Elephant (Dronarivm) Franck Vigroux - Rapport sur le désordre (D'Autres Cordes) I Am Just a Pupil - More Like I Am Just a Lost Soul (Cd's Tapes?) Jesu / Sun Kill Moon - Jesu / Sun Kill Moon (Caldo Verde Records) Kaitlyn Aurelia Smith & Suzanne Ciani - Sunergy (RVNG Intl.) KETEV - Traces of Weakness (Where to Now?) Kikagaku Moyo - House in the Tall Grass (Guruguru Brain) Leyden Jars - The Nature & That (Mordant Music) loscil - Monument Builders (Kranky) Matt Elliott - The Calm Before (Ici D'Ailleurs) Puce Mary - The Spiral (Posh Isolation) Ran Slavin - Bittersweet Melodies (Crónica) Roly Porter - Third Law (Tri Angle) Roman Flügel - All the Right Noises (Dial) Second Woman - Second Woman (Spectrum Spools) Segue - Over the Mountains (Silent Season) Skee Mask - Shred (Ilian Tape) Sophia Loizou - Singulacra (Kathexis) The Red F - Balm of Gilead (Microcultures) Thomas Köner - Tiento de le Luz (Denovali Records) Tim Hecker - Love Streams (4AD) Ulaan Passerine - The Great Unwinding (Worstward Recordings) Valerio Tricoli - Clonic Earth (PAN) Yves de Mey - Drawn With Shadow Pens (Spectrum Spools)
Le traditionnel best of de l'année achevée. Manon, Grégoire et François partagent disques marquants et morceaux oubliés de ce cru 2016. Tracklist : Leafar Legov - Years (Talk, 2016) D. Towärds - Untitled (Spade, 2016) Prince of Denmark - Tool 517 (8, 2016) Ran Slavin - Dubai Dawn (Bittersweet Melodies, 2016) Matt Elliott - Feast of St. Stephen (The Calm Before, 2016) Radiohead - Decks Dark (A Moon Shaped Pool, 2016) Christine Ott - No Memories (Only Silence Remains, 2016) I Am Just a Pupil - Untitled B5 (More Like I Am Just a Lost Soul, 2016) Thomas Köner - Tiento de la Luz 6 (Tiento de la Luz, 2016) Kikagaku Moyo - Kogarashi (House in the Tall Grass, 2016) Jesu / Sun Kill Moon - Sally (Jesu / Sun Kill Moon, 2016) Second Woman - 600249li9 (Second Woman, 2016) KETEV - Traces of Weakness (Traces of Weakness, 2016) 2016 en 30 disques 1991 - No More Dreams (No More Dreams) Autechre - elseq 1-5 (Warp Records) Bret Schneider - Chronolalia (Phiney Tapes) Christine Ott - Only Silence Remains (Gizeh Records) Clark - The Last Panthers (Warp Records) D. Towärds - Spade (Oblast) Dag Rosenqvist - Elephant (Dronarivm) Franck Vigroux - Rapport sur le désordre (D'Autres Cordes) I Am Just a Pupil - More Like I Am Just a Lost Soul (Cd's Tapes?) Jesu / Sun Kill Moon - Jesu / Sun Kill Moon (Caldo Verde Records) Kaitlyn Aurelia Smith & Suzanne Ciani - Sunergy (RVNG Intl.) KETEV - Traces of Weakness (Where to Now?) Kikagaku Moyo - House in the Tall Grass (Guruguru Brain) Leyden Jars - The Nature & That (Mordant Music) loscil - Monument Builders (Kranky) Matt Elliott - The Calm Before (Ici D'Ailleurs) Puce Mary - The Spiral (Posh Isolation) Ran Slavin - Bittersweet Melodies (Crónica) Roly Porter - Third Law (Tri Angle) Roman Flügel - All the Right Noises (Dial) Second Woman - Second Woman (Spectrum Spools) Segue - Over the Mountains (Silent Season) Skee Mask - Shred (Ilian Tape) Sophia Loizou - Singulacra (Kathexis) The Red F - Balm of Gilead (Microcultures) Thomas Köner - Tiento de la Luz (Denovali Records) Tim Hecker - Love Streams (4AD) Ulaan Passerine - The Great Unwinding (Worstward Recordings) Valerio Tricoli - Clonic Earth (PAN) Yves de Mey - Drawn With Shadow Pens (Spectrum Spools)
Episode 335: November 27, 2016 (guest artist Joshua Eustis of Telefon Tel Aviv, Second Woman, Sons of Magdalene, and The Black Queen) playlist: Telefon Tel Aviv, "Introductory Nomenclature" (Fahrenheit Fair Enough) 2001 Hefty Dylan Cameron, "Difficult Floor" (Infinite Floor) 2016 Holodeck Klara Lewis, "Beaming" (Too) 2016 Editions Mego Pauline Oliveros, "Bye Bye Butterfly" (OHM+: The Early Gurus Of Electronic Music) 1965 Ellipsis Arts Personable, "Cormorant" (Oyster) 2016 Opal Tapes Telefon Tel Aviv, "What It Is Without The Hand That Wields It" (Map Of What Is Effortless) 2004 Hefty Telefon Tel Aviv, "The Birds" (Immolate Yourself) 2008 BPitch Control Telefon Tel Aviv, "Rittle Alpha" (Archive '99) 1999 Ghostly International Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.
7 out of 10 Average Show. When an aging actress experiences a dark night of the soul, a mysterious young woman leads her to confront the ghosts of her past in a ritual that ultimately transforms them both forever. www.latheatrebites.com
Premier mix estival pour l'équipe d'Amplitudes qui, comme (presque) tout le monde, est (presque) en vacances. L'occasion pour nous de mobiliser toute notre oisiveté afin de vous concocter une petite playlist pleine de plein de choses dont on n'aura pas ou peu eu le temps de parler. Un mix sous l'égide de l'expérimentation, mais pas uniquement. Du tout-venant, du pointu, du consensuel. Bref, un peu de tout mais presque pas de n'importe quoi. Tracklist : Abul Mogard - Tumbling Relentless Heaps (Drifted Heaven, 2013) Beatriz Ferreyra - Un Fil invisible (Beatriz Ferreyra, 2012, pièce initialement intitulée Un Fil invisible et commandée par l'INA-GRM, 2011) Above, Convenience Store! - Infinity Elevators (Project: Λeon, 2015) Caterina Barbieri - Undular (Vertical, 2014) Stray Dogs - Minimal (Animal, 2012) Dubit - 04.32 Äpice (Fragmenti, 2015) Second Woman - 500609sp3 (Second Woman, 2016) Artificial Memory Trace - Yellow Varvara (Yellow Varvara & 3 Chants of Constructivism, 2012) Sophia Loizou - The Voices of Time (Singulacra, 2016) City - I (Simulation Mix, 2015) Fennesz - Fa 2012 (Fa 2012, 2012) Bret Schneider - O X 2 (Zero Xings, 2016) Martin Nonstatic - Granite (Granite, 2015) Lutto Lento - First Partition (Partition, 2013) Zamilska - Quarrel (Untune, 2014) Red Cross Stare - Object & Manner (Answering Your Own Wave, 2015) Vales - Side A (Pressure, 2015) Robert Heel - Jeita (Naihehe, 2016) Pulse Emitter - Side A (Blasted Space, 2015) Photo : Paradisier du Prince Albert (Pteridophora alberti), par Tim Laman © National Geographic Society
Premier mix estival pour l'équipe d'Amplitudes qui, comme (presque) tout le monde, est (presque) en vacances. L'occasion pour nous de mobiliser toute notre oisiveté afin de vous concocter une petite playlist pleine de plein de choses dont on n'aura pas ou peu eu le temps de parler. Un mix sous l'égide de l'expérimentation, mais pas uniquement. Du tout-venant, du pointu, du consensuel. Bref, un peu de tout mais presque pas de n'importe quoi. Tracklist : Abul Mogard - Tumbling Relentless Heaps (Drifted Heaven, 2023) Beatriz Ferreyra - Un Fil invisible (Beatriz Ferreyra, 2012, pièce initialement intitulée Un Fil invisible et commandée par l'INA-GRM, 2011) Above, Convenience Store! - Infinity Elevators (Project: Λeon, 2015) Caterina Barbieri - Undular (Vertical, 2014) Stray Dogs - Minimal (Animal, 2012) Dubit - 04.32 Äpice (Fragmenti, 2015) Second Woman - 500609sp3 (Second Woman, 2016) Artificial Memory Trace - Yellow Varvara (Yellow Varvara et 3 Chants of Constructivism, 2012) Sophia Loizou - The Voices of Time (Singulacra, 2016) City - I (Simulation Mix, 2015) Fennesz - Fa 2012 (Fa 2012, 2012) Bret Schneider - O X 2 (Zero Xings, 2016) Martin Nonstatic - Granite (Granite, 2015) Lutto Lento - First Partition (Partition, 2013) Zamilska - Quarrel (Untune, 2014) Red Cross Stare - Object et Manner (Answering Your Own Wave, 2015) Vales - Side A (Pressure, 2015) Robert Heel - Jeita (Naihehe, 2016) Pulse Emitter - Side A (Blasted Space, 2015) Photo : Paradisier du Prince Albert (Pteridophora alberti) par Tim Laman © National Geographic Society
Premier mix estival pour l'équipe d'Amplitudes qui, comme (presque) tout le monde, est (presque) en vacances. L'occasion pour nous de mobiliser toute notre oisiveté afin de vous concocter une petite playlist pleine de plein de choses dont on n'aura pas ou peu eu le temps de parler. Un mix sous l'égide de l'expérimentation, mais pas uniquement. Du tout-venant, du pointu, du consensuel. Bref, un peu de tout mais presque pas de n'importe quoi. Tracklist : Abul Mogard - Tumbling Relentless Heaps (Drifted Heaven, 2013) Beatriz Ferreyra - Un Fil invisible (Beatriz Ferreyra, 2012, pièce initialement intitulée Un Fil invisible et commandée par l'INA-GRM, 2011) Above, Convenience Store! - Infinity Elevators (Project: Λeon, 2015) Caterina Barbieri - Undular (Vertical, 2014) Stray Dogs - Minimal (Animal, 2012) Dubit - 04.32 Äpice (Fragmenti, 2015) Second Woman - 500609sp3 (Second Woman, 2016) Artificial Memory Trace - Yellow Varvara (Yellow Varvara & 3 Chants of Constructivism, 2012) Sophia Loizou - The Voices of Time (Singulacra, 2016) City - I (Simulation Mix, 2015) Fennesz - Fa 2012 (Fa 2012, 2012) Bret Schneider - O X 2 (Zero Xings, 2016) Martin Nonstatic - Granite (Granite, 2015) Lutto Lento - First Partition (Partition, 2013) Zamilska - Quarrel (Untune, 2014) Red Cross Stare - Object & Manner (Answering Your Own Wave, 2015) Vales - Side A (Pressure, 2015) Robert Heel - Jeita (Naihehe, 2016) Pulse Emitter - Side A (Blasted Space, 2015) Photo : Paradisier du Prince Albert (Pteridophora alberti), par Tim Laman © National Geographic Society
MTH is back on the air after a MoogFest break. On this week's refreshed edition I’ll be playing you fresh tracks from new releases by Belbury Poly, Second Woman, Death in Vegas; also we have a feature-length interview with DisasterPeace recorded at MoogFest; plus the usual gig-guide and much more. Phoenix.
Une émission debout entre résidents. Célébrons allègrement la musique électronique sous toutes ses formes, rien que ça. On vous donne rendez-vous le 26 mai au SuperSonic. Tracklist : GoGo Penguin - Smarra (Man Made Object, 2016) Kaitlyn Aurelia Smith - First Flight (EARS, 2016) Unyoun - allU (Swamp Tapes 001, 2015) D. Towärds - Spade. 93 (Spade, 2016) Anna Homler and Steve Moshier - Gu She' Na' Di (Breadwoman et Other Tales, 2016) Murcof x Vanessa Wagner - Gnossienne n°3 (Erik Satie) (Statea, 2016) A Bleeding Star - A Delightful Wake et Bake Near the Sea... Unbounded By Bountiful Crisp Air et My Coffee (Vhen la Belle Melodia de Astraloceana Ghostship Brought Me to the Forest of Fatalia, 2016) Woulg - Vortex Folding in (Tiny Moon, 2016) Second Woman - 700358bc5 (Second Woman, 2016) AES Dana feat Miktek - Cut. (Far et Off, 2016) Andreas Trobollowitsch - Tapco (Roha, 2016) Tim Hecker - Obsidian Counterpoint (Love Streams, 2016) Photo : GoGo Penguin
Une émission debout entre résidents. Célébrons allègrement la musique électronique sous toutes ses formes, rien que ça. On vous donne rendez-vous le 26 mai au SuperSonic. Tracklist : GoGo Penguin - Smarra (Man Made Object, 2016) Kaitlyn Aurelia Smith - First Flight (EARS, 2016) Unyoun - allU (Swamp Tapes 001, 2015) D. Towärds - Spade. 93 (Spade, 2016) Anna Homler and Steve Moshier - Gu She' Na' Di (Breadwoman & Other Tales, 2016) Murcof x Vanessa Wagner - Gnossienne n°3 (Erik Satie) (Statea, 2016) A Bleeding Star - A Delightful Wake & Bake Near the Sea... Unbounded By Bountiful Crisp Air & My Coffee (Vhen la Belle Melodia de Astraloceana Ghostship Brought Me to the Forest of Fatalia, 2016) Woulg - Vortex Folding in (Tiny Moon, 2016) Second Woman - 700358bc5 (Second Woman, 2016) AES Dana feat Miktek - Cut. (Far & Off, 2016) Andreas Trobollowitsch - Tapco (Roha, 2016) Tim Hecker - Obsidian Counterpoint (Love Streams, 2016) Photo : GoGo Penguin
Une émission debout entre résidents. Célébrons allègrement la musique électronique sous toutes ses formes, rien que ça. On vous donne rendez-vous le 26 mai au SuperSonic. Tracklist : GoGo Penguin - Smarra (Man Made Object, 2016) Kaitlyn Aurelia Smith - First Flight (EARS, 2016) Unyoun - allU (Swamp Tapes 001, 2015) D. Towärds - Spade. 93 (Spade, 2016) Anna Homler and Steve Moshier - Gu She' Na' Di (Breadwoman & Other Tales, 2016) Murcof x Vanessa Wagner - Gnossienne n°3 (Erik Satie) (Statea, 2016) A Bleeding Star - A Delightful Wake & Bake Near the Sea... Unbounded By Bountiful Crisp Air & My Coffee (Vhen la Belle Melodia de Astraloceana Ghostship Brought Me to the Forest of Fatalia, 2016) Woulg - Vortex Folding in (Tiny Moon, 2016) Second Woman - 700358bc5 (Second Woman, 2016) AES Dana feat Miktek - Cut. (Far & Off, 2016) Andreas Trobollowitsch - Tapco (Roha, 2016) Tim Hecker - Obsidian Counterpoint (Love Streams, 2016) Photo : GoGo Penguin
The Second Woman 1950 In flashback from a 'Rebecca'-style beginning: Ellen is strongly attracted to Jeff, who's being plagued by unexplainable accidents, major and minor.Stars:Robert Young, Betsy Drake, John Sutton oldtimeradiodvd.com
The Second Woman 1950 In flashback from a 'Rebecca'-style beginning: Ellen is strongly attracted to Jeff, who's being plagued by unexplainable accidents, major and minor.Stars:Robert Young, Betsy Drake, John Sutton oldtimeradiodvd.com
ESWS 104 - Pumping Irony Podcast episode 104 ES: LOVE LIFTING [高舉‧愛], THE SECOND WOMAN [情謎], WS: TINKER TAILOR SOLDIER SPY, Video: SUNNY [써니] (Korea).
Judges 14:1-20
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