Podcasts about it comes at night

A classically trained guitarist who studied composition at The New School for Jazz and Contemporary Music, Manhattan native Ben Greenberg is a prolific record producer, engineer, songwriter, and performer who coheres conservatory training with a deep history across many different genres of underground music.Known as a founding member of respected industrial/metal group Uniform and a former member of The Men, Zs, and many more, Greenberg has been described by Ben Ratliff of the New York Times as “a good musician [...] and boss of his own one-man guitar project, Hubble.” Ben's rich and varied performance history ranges from over two decades touring with bands to performing for legendary composers like Glenn Branca and Terry Riley.In the year 2000 Greenberg began assisting Grammy-award winning engineer Mike Marciano at Systems Two Recording in Ditmas Park, Brooklyn. It was here that he learned the fundamentals of recording on 2” tape alongside early Pro Tools systems. He would go on to build his own recording studio in Brooklyn (Python Patrol) and work out of world-class studios all around the globe (Electrical Audio, The Magic Shop, Strange Weather, The Pool, Sonic Ranch). Greenberg's studio credits include Danny Elfman, Depeche Mode, Drab Majesty, Wicca Phase Springs Eternal, Junglepussy, Show Me The Body, Drew McDowall, Black Marble, and Christeene, among many others. His process attends to the essence of the artist's vision and exacts a cultivated philosophy of sound upon them. The result is something between organic and synthetic: A magic that locks in the music's emotional resonance with the listener.Since the 2010s, Greenberg has produced and mixed award-winning scores for film and television. He is the principal engineer to the scores of composer Brian McComber (ex-Dirty Projectors), including the A24 productions It Comes At Night and Krisha, as well as Kingdom of Silence (Showtime), 16 Shots (Showtime), Little Woods (Neon), Mickey and The Bear (Utopia), and Fair Play (Netflix), among others. Greenberg was Randall Dunn's mix assistant for the Jóhann Jóhannsson score to Panos Cosmatos' 2018 film, Mandy (SpectreVision), and Dunn's co-engineer for the 2022 score to Julio Torres' Problemista (A24). Greenberg has also mixed Ella Van Der Woude's scores for Something You Said Last Night (Elevation Pictures) and Silver Haze (EMU Films), and in 2024 he won a Cinema Audio Society award for Outstanding Achievement in Sound Mixing - Documentary, for his stereo and surround mixes of JD Samson's score for Sam Green's 32 Sounds (DofMP).IN THIS EPISODE YOU'LL LEARN:Starting music production at a young ageFinding jobs in the music industryDealing with parents who might not understand your passionsWorking on metal, jazz, and everything in betweenSwitching your workflow for different genresUnderstanding what to listen for with compressionHow to approach a new mixWhy volume and panning are your most important toolsDetermining when plugins are worth purchasing Working with Danny ElfmanPurposely doing lessTo learn more about Ben Greenberg, visit: https://circularruin.com/Ben-GreenbergLooking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join:https://masteryourmix.com/amplitude/ Want additional help with your music productions?For tips on how to improve your mixes, visit: https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint:

Welcome back to this weeks episode where we are taking a deep dive into Trey Edward Schults. We are discussing Waves, Krisha and It Comes At Night, his three films prior to his 2025 release, Hurry Up Tomorrow. Listen in as we discuss the process of filming, fun facts and our own personal opinions on this movie, whether that is good or bad. As always we are not doing it alone, we brought on very special guest Fabian AKA CineSpider to help us break down these movies for you.Always remember if you disagree with our takes, leave us a comment, let us know what you disagree with or what you did agree with. We always love to hear your opinion.If you would like more from your hosts and the guests that we bring on, go check out our social media to hear even more.Stone Social MediaTikTok: Stone | Medical Movie ManInstagram : medicalmoviemanConor Social MediaTikTok: MovieSharkInstagram: MovieShark18YouTube: movieshark18Dan Social MediaTikTok: Reel TakesInstagram: reeltakesreviewsYouTube: Ree.TakesYTFabianTikTok: cinespiderInstagram: cinespiderfilmsGood Will PodcastingTikTok: goodwillpodcastingInstagram: goodwillpodcastingYouTube: Good Will PodcastingTable of Contents:00:00 (Intro)00:05 (Krisha)23:07 ( It Comes at Night)45:03 (Waves)

"Hurry Up Tomorrow" is the new film from Trey Edward Shults, the filmmaker behind films such as "Krisha," "It Comes At Night" and "Waves." The film acts as a companion piece to Abel "The Weeknd" Tesfaye's sixth studio album of the same name, which was produced in conjunction with the film. It stars Tesfaye as a fictionalized version of himself, an insomniac musician on the verge of a mental breakdown who is pulled into an existential odyssey by a mysterious stranger, with actors Jenna Ortega and Barry Keoghan also starring. Shults was kind enough to spend some time speaking with us about his work and experience making the film, which you can listen to below. Please be sure to check out the film, which will open in theaters on May 16th from Lionsgate. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to another spine-tingling episode of **Cutting Deep into Horror**, where your hosts, Henrique Couto and Rachael Redolfi, shine a light on the darkest corners of horror cinema. This week, they're diving into the chilling 2017 film *It Comes at Night*, a psychological horror experience that explores themes of fear, paranoia, and the fragility of human relationships in the face of an unseen threat.As they set the stage for their discussion, Henrique and Rachael share their initial thoughts on the film, which was released by A24 during the rise of "elevated horror." They unpack the unique blend of psychological tension and existential dread that permeates this unsettling narrative. While the film portrayed a world ravaged by disease, it's more about the human condition than any monsters lurking in the shadows. The duo emphasizes the film's ability to keep viewers guessing about its true nature—there's no creature out there, just the deeply ingrained fear of the unknown.Delving deeper, Henrique and Rachael reflect on the pivotal opening scene, where we witness a family's harrowing decision to end the suffering of a loved one amidst a viral apocalypse. This gut-wrenching moment serves as a precursor to the psychological turmoil that follows, setting the tone for a film that constantly challenges perceptions of safety, trust, and survival. They discuss the dynamics within the family, particularly teenage Travis, whose emotional struggles and nightmares shape his journey as the story unfolds.As the episode progresses, the hosts dissect the film's characters, including Travis' relationship with his parents, Paul and Sarah. They highlight how the weight of survival and personal sacrifice alters family dynamics, leading to moments of tension and emotional distance. Rachael points out how Travis feels a disconnect from his father, as Paul is forced to make impossible decisions in the name of protection, leading to a realistic portrayal of parental sacrifice in dire circumstances.Throughout their analysis, Henrique and Rachael touch upon the various elements that contribute to the film's psychological horror—a labyrinth-like house, the ever-looming absence of light, and the omnipresent anxiety that escalates with every scene. The raw emotions depicted in the characters and the unsettling atmosphere successfully blur the lines between perceived safety and lurking danger. As they navigate the twists and turns of the plot, our hosts discuss the fateful arrival of Will and his family, whose introduction to the isolated household raises the stakes considerably. Constructing a fine balance between cooperation and mistrust, the families' interactions reveal the fragility of alliances when survival is on the line. This theme of distrust continues to build until the climactic confrontation, which leaves listeners reeling from the implications of human desperation.In the shocking conclusion, Rachael and Henrique articulate how the film culminates in a tragic fate that fully encapsulates its messages—what happens when fear takes over and the lengths people will go to, even to protect their own loved ones. Each character's development leads to harrowing decisions that escalate the conflict, rendering them spectators of their own downfall as trust evaporates in moments of crisis.In the aftermath of their emotional exploration of *It Comes at Night*, your hosts urge listeners to forge their own connections to this deeply emotional horror film. They end the episode by inviting fans to share their thoughts, theories, and recommendations for future episodes. Contact Us: twitter.com/WeeklySpooky facebook.com/WeeklySpooky WeeklySpooky@gmail.com So don't forget, dear listeners—keep your doors locked and your lights low because you never know what might come for you when the night falls. Until next time, stay spooky!

In this episode, we welcome Drew Daniels. Drew is the cinematographer of the award-winning film Anora, directed by Sean Baker. He has also shot projects including Krisha, It Comes At Night, Waves, The Boy from Medellín, Red Rocket, “Euphoria,” “Outer Range,” “Swarm” and “The Idol”. In our chat, he shares about his early days, path into filmmaking, and experiences making Anora. He also talks about the cameras, lights and lenses used on the project — and shooting on 35mm film. In addition, Drew offers thoughts on how to elevate your craft as a cinematographer or filmmaker. “The Making Of” is presented by AJA:IP, HDR, and cloud advancements have unlocked new workflow possibilities. Stay ahead of the curve with AJA solutions like the KONA IP25, a SMPTE ST 2110 I/O card for Mac, Windows, and Linux, and OG-ColorBox for color management and conversion, and more. Get the full rundown on AJA's latest gear here.To all our friends in Los Angeles, we are thinking of you during this time. We encourage our readers to help support in any way they can.American Red CrossLos Angeles Fire Department FoundationPasadena HumaneLos Angeles Regional Food Bank Featured Resource:Film ParliamentGot a script you want to produce?Film Parliament offers a self-paced, step-by-step online course that guides you through the process of scheduling and budgeting your feature film.Level up your 2025 filmmaking skills with 25% off when you use code “NewYear25”.Learn more hereIntroducing Eddie AI:Craft rough cuts in seconds with text prompts. Eddie is the AI video editing assistant for video professionals. Iterate with Eddie: reverse the topic order, ask for a stronger hook, make this punchier. With Eddie, you can easily export to MP4 or polish in Adobe Premiere Pro, Blackmagic DaVinci Resolve, Final Cut Pro, and Avid Media Composer. Explore hereFrom our Friends at Anton/Bauer:Today's episode is also powered by Anton/Bauer — batteries built with no compromise for filmmakers and creators. From blockbuster sets to solo projects, Anton/Bauer batteries deliver high-performance power with unmatched reliability so your story never misses a beat. Trusted by industry pros worldwide, Anton/Bauer keeps your gear ready when it matters most. Visit hereNetflix Hit Series “The Helicopter Heist” Employs Igelkott StudiosOne of Netflix's standout series in 2024 is undoubtedly "The Helicopter Heist," which centers on a daring bank robbery in Stockholm. In episode six, titled "Showtime," the filmmakers made a strategic choice to partner with Igelkott Studios, leveraging their advanced technology and top-tier craftsmanship for the helicopter sequences. Founded and led by Eric Hasso, Igelkott Studios is the definitive leader in In-Camera Visual FX. To explore this cutting-edge studio and its capabilities, visit here.OWC Atlas Cards:Kick off your creative 2025 with OWC Atlas Cards — from stunning 8K video to fast transfers, these memory cards and readers deliver unmatched performance. Perfect for photographers, filmmakers, and tech enthusiasts. Explore hereNew Solutions from Videoguys: The EOS C80 camera is designed for limitless creative vision. The compact, full-featured camera body includes Canon's 6K full frame Back-Illuminated Stacked CMOS sensor, Cinema RAW Light and 4K/120p internal recording, Canon's next-generation Dual Pixel CMOS AF II and a 12G-SDI interface. The EOS C80 seamlessly integrates into almost any production providing the ultimate flexibility and outstanding image quality. Explore hereZEISS Introduces Supreme Zoom Radiance:The new ZEISS Supreme Zoom Radiance set includes three purpose-built T2.9 high-end cine zooms: 15-30mm, 28-80mm and 70-200mm. Featuring the same T* blue lens coating as the popular Supreme Prime Radiances, they offer a similar look with consistent flares and warmer color rendition. Learn more herePodcast Rewind:Jan 2025 - Ep. 62…“The Making Of” is published by Michael Valinsky.Advertise your products or services to 108,000 filmmakers, TV, documentary, broadcast & live event production pros reading this newsletter. Email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

(TIME STAMPS BELOW)A review of the movie Salem's Lot, thoughts and reactions after completing Starfield's "Shattered Space" DLC, and how love makes us MORE effective when correcting others as we continue our Geek Bible Study of Philemon!AND MUCH MORE!00:00:30 Intro00:03:08 Salem's Lot Review00:11:53 CGC & Christian Geek News (Illuminati by Chawna Schroeder)00:21:32 Starfield: Shattered Space 00:36:45 Love's Effectiveness As We Correct Others (Philemon Geek Bible Study)00:46:28 Listener Questions/Feedback (Can I play games with nudity in cutscenes if I skip the cutscenes?, What should I say to Christians who criticize me for playing violent games?)Paeter's Geek Week00:56:39 TV/MOVIES- The Watchers, It Comes At Night,01:05:17 VIDEO GAMES- Starfield, Tracker's Alliance Bounties & Ethics Of Using A.I. In Game Development01:29:28 On The Next Episode...01:34:22 Essential Issues Weekly: DC Comics Reactions (DC digs into their past and makes it matter TODAY in this week's selection of comics! Did you think "Zero Hour" ended back in the 90's? Turns out, 30 years later, it's still happening and about to possibly have a BIG effect on today's DC Universe! PLUS! The origin of the "brain bombs" of the Suicide Squad! Reactions to Batman The Long Halloween: The Last Halloween 1, The Flash 12, Zero Hour 30th Anniversary Special 1 and Absolute Power: Origins 2!)CGC Game Save Team Info: https://www.youtube.com/watch?v=kd9z5dtydd0Support this podcast and enjoy exclusive rewards at https://www.patreon.com/spiritbladeproductions Subscribe in a readerOpen In i-tunes- itms://itunes.apple.com/us/podcast/the-christian-geek-central-podcast/id258963175?mt=2i-tunes Page Link- https://itunes.apple.com/us/podcast/the-christian-geek-central-podcast/id258963175?mt=2Get fun, exclusive rewards for your support! Visit: https://www.patreon.com/spiritbladeproductionsOrBecome a Patron!All episodes are archived and available for download at www.spiritblade.com , Resources used to prepare the "In Search Of Truth" Bible Study include:"Expositor's Bible Commentary", Frank E. Gaebelein General Editor (Zondervan Publishing House),"The IVP Bible Background Commentary: Old Testament", by Dr. John H. Walton, Dr. Victor H. Matthews & Dr. Mark W. Chavalas (InterVarsity Press), "The IVP Bible Background Commentary: New Testament", by Dr. Craig S. Keener (InterVarsity Press),Thayer's Greek Lexicon, Strong's Exhaustive ConcordanceBlueletterbible.org (primarily for search functionality), The Christian Geek Central Statement Of Faith can be found at: http://christiangeekcentral.blogspot.com/p/about.html The Christian Geek Central Podcast is written, recorded and produced by Paeter Frandsen. Additional segments produced by their credited authors. Logo created by Matthew Silber. Copyright 2007-2024, Spirit Blade Productions. Music by Wesley Devine, Bjorn A. Lynne, Pierre Langer, Jon Adamich, audionautix.com and Sound Ideas. Spazzmatica Polka by Kevin MacLeod (incompetech.com) Freesound.org effects provided by: FreqMan

Welcome ladies, germs, and people of all genders! Join Taylor & Curtis as we delve, somehow for the first time, in the psychological horror subgenre. Believe it or not, while we've covered a ton of individual psychological horror films as part of other episodes, we've never dedicated a whole episode to one of our favorite sub-genres of horror… until now! Welp, here you go listeners, enjoy our various musings, contemplations, and gabbing about psychological horror! What is your greatest fear? Is the “Abe Lincoln beard” personally attractive to you? Are old people scary? And are movie goers dumber than ever? Listen and find out! Please connect with us on Instagram: @ahhrealfilms, or drop us a line to let us know how we're doing, or to suggest a future topic or film to discuss: ahhrealfilms@gmail.com. We'd love any recommendations for this series or a future listener submitted episode! And please remember to rate, review, and subscribe on your favorite podcast app! You can also find us both on Letterboxd! Follow us on our horror journey and occasional forays into romcoms (because let's be real).   Taylor: @happydeathtay Curtis: @let5groove2nit3 Movies Covered: The Vanishing (1988), It Comes At Night (2017), Bone Tomahawk (2015), Baghead (2024), The Front Room (2024), Milk & Serial (2024), I Saw the TV Glow (2024)

In this unnerving episode of Sitting in the Dark, host Tommy Metz III and his co-hosts delve into the spine-chilling world of confinement horror. The discussion focuses on three hand-picked films that trap characters in claustrophobic spaces, forcing them to confront their deepest fears. Want to watch along? You'll want to set up Gerald's Game, It Comes at Night, and The Crazies (the 2010 remake). “If it can be a play, it'll suck as a movie.” Yeah, they take on that old saw and debate the merits of adapting contained stories into feature films. Guess what? It turns out skilled directors can elevate these constrained tales beyond their stage-bound origins. They particularly focus on the 2017 Stephen King adaptation Gerald's Game, dissecting how it taps into unspoken relationship fears and traumas by locking viewers inside the protagonist's increasingly disturbed psyche.Join the Sitting in the Dark team as they explore how cinematic craft can transform limited locations into expansive mindscapes where our darkest terrors become inescapably real. Brace yourself for a haunting journey into the heart of confinement horror.Check out the Films (00:00) - Welcome to Sitting in the Dark (02:15) - Scream in a Box! (06:46) - Gerald's Game (28:43) - It Comes At Night (47:57) - The Crazies (2010) (01:06:09) - Support this Show! (01:07:00) - Coming Attractions Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

This week we look back at the creepy apocalypse horror It Comes At Night, the descent into madness of The Third Eye, the legendary action horror Predator and the return of Officer Cordell in Maniac Cop 2! Stay Scared! VISIT US: https://www.weekinhorror.com CONTACT US: weekinhorror@gmail.com FOLLOW US: https://open.spotify.com/show/0nGaMkV61ObeYSS6QySu1N?si=5b478dbcc3754350 https://www.facebook.com/weekinhorror https://www.twitter.com/weekinhorror https://www.instagram.com/week_in_horror/ https://www.youtube.com/weekinhorror SUPPORT US: https://www.paypal.com/paypalme/weekinhorror https://www.patreon.com/weekinhorror https://week-in-horror.creator-spring.com/ JOIN US: https://discord.gg/PDGDeWJz4E Joshua Olsen's Art Store https://www.badsamurai.store #itcomesatnight #thethirdeye #predator #maniaccop2 #horror #horrorpodcast #horrormovies --- Support this podcast: https://podcasters.spotify.com/pod/show/weekinhorror/support

Kim and Elwood look at the Post Apocalyptic thriller "It Comes At Night" in which a family surviving a viral outbreak living deep in the woods only to find their situation challenged when they discover another family. --- Send in a voice message: https://podcasters.spotify.com/pod/show/moviesandtea/message

Thank you for listening to The Following Films Podcast. Today, I'm joined by Directors Josiah Allen and Indianna Bell to discuss their film YOU'LL NEVER FIND ME In the Australian outback, a lonely, paranoid man, Patrick (played by Brendan Rock) gets a knock on his door during a torrential storm. He finds a woman, only known as "The Visitor" (played by Jordan Cowan, who also produces) in need of a phone to find her way home. He cautiously lets her in, which sets off a claustrophobic night of doubt, hidden motivations, and a tense, ever-shifting game of mental cat-and-mouse. All of which leads to, without spoiling anything, an explosive finale that turns the paranoia thriller format on its head! Directors Josiah Allen and Indianna Bell approached their feature debut like a challenge. Indianna, who also wrote the film, set out to see how much tension they could conjure with potentially limiting factors like a singular location and just two actors. With a small team of trusted collaborators from their previous short films, such as their remarkable cinematographer Maxx Corkindale, the duo sought to capture a brooding and anxious atmosphere a la 'Enemy' or 'It Comes At Night' while channeling the darkness and isolation that Australian filmmakers do best. The final product that subverts the dialogue-driven, chamber piece structure on its head and serves as yet another bold entry to the recent renaissance of horror down under! If you haven't already, please follow the Following Films podcast on Spotify to show your support. This will help us continue to bring you in-depth conversations with the talented individuals who shape the world of cinema. YOU'LL NEVER FIND ME will be available on Shudder March 22nd --- Send in a voice message: https://podcasters.spotify.com/pod/show/followingfilms/message Support this podcast: https://podcasters.spotify.com/pod/show/followingfilms/support

As a mysterious sickness spreads, a man established a structured order of living with his wife and son and takes in another family in need of water and shelter. It Comes at Night is a deep movie that peers into the lives of a family who has recently lost a loved one while isolating from a mysterious sickness and how much they can trust others and their intentions. This is a powerful movie in how quiet and eerie it is. The character dialogue and facial expressions carry the story of two families who live together to benefit each other and must obey a set of rules to ensure the safety of both families. The movie poses a lot of questions and the character intentions aren't known based on how much one family can really trust the other as well as if it's even possible to isolate with another family and be safe. Watch the movie and catch our review.   Check out our website https://thefinalpodcast.com/Subscribe to our YouTube channel  @thefinalpodcast  Follow us on Facebook The Final Podcast Follow us on Instagram @thefinalpodcastFollow us on Twitter @thefinalpodeverMusic Credit: Karl Casey @ White Bat Audiohttps://www.youtube.com/channel/UC_6h... 

Frische Lose für das Supportervolk, geplante Auftragsfilme für den März und einiges an Filmrezensionen plus Hintergrundinfos und Unterhaltung rund um unsere Leidenschaft - denn Filme (und Serien) sind unser Leben!

To celebrate the release of Madame Web we've travelled back to 1994 to read an incredibly 90's comic arc - The Arachnis Project. We're joined by Spidey fan (and friend of the pod) David to discuss the first 3 issues of this story arc, our personal histories with Spider-Man & our favourite iterations of the character.David's also been reading about trees in The Lost Rainforests of Britain, watching Riz Ahmed lose his hearing in The Sound of Metal & getting spooked by It Comes At Night. Meanwhile Lewis has been watching Oscar nominees The Zone Of Interest & Poor Things, as well as a film by Matthew Vaughn called Argylle. And Sam has been watching animated marvel Teenage Mutant Ninja Turtles: Mutant Mayhem & playing multimedia masterpiece Alan Wake 2.00:00 Intro & Catchup04:00 Project News (RIP Carl Weathers)11:38 Spider-Man: The Arachnis Project (1994) Issues 1-301:09:26 Projects (Lost Rainforests of Britain, The Sound of Metal, It Comes At Night, The Zone of Interest, Poor Things, Argylle, TMNT Mutant Mayhem, Alan Wake 2)Thanks to Karl Casey @ White Bat Audio for the synths.Contact us:https://linktr.ee/theprojectprojectpod

It Comes At Night is an apocalyptic horror film written and directed by A24 darling Trey Edward Schultz. It stars Joel Edgerton, Carmen Ejogo, Christopher Abbott, Riley Keough, and Kelvin Harrison Jr. and is about a family living in a remote cabin after a plague has seemingly caused a deadly pandemic. When a new family arrives at the cabin, it challenges the trust and paranoia of everyone involved, and makes them wonder: what comes at night? Critically regarded as one of the best A24 horror films, how will the A24 Rocks crew grade this one? Caution: movie spoilers. Intro- 0 to 2:44. Film Discussion- 2:44 to 1:02:47. Film Ratings- 1:02:47 to End. Next Five A24 films we review: 52. A Ghost Story. 53. Menashe. 54. Good Time. 55. Woodshock. 56. The Florida Project. --- Support this podcast: https://podcasters.spotify.com/pod/show/a24otr/support

The A24 Rocks crew is on their 50th A24 film review! What's the 50th film in the A24 film catalog? That would be the 2017 WW2 Romantic Drama "The Exception." Starring Jai Courtney, Lily James, and Christopher Plummer: The Exception is about a troubled Nazi soldier, and a spy disguised as a housemaid, who are both working for the exiled Kaiser Wilhelm II in the early days of WW2. The soldier doesn't know the woman he is falling for is actually a spy for the British, and must face reality when infamous Nazi commandant Heinrich Himmler pays a visit to the Kaiser. What will the A24 Rocks crew think of the 50th film in the A24 catalog? Caution: movie spoilers. Intro- 0 to 2:27. Film Discussion- 2:27 to 57:51. Film Ratings- 57:51 to End. Our next five A24 film reviews: 51. It Comes At Night. 52. A Ghost Story. 53. Menashe. 54. Good Time. 55. Woodshock. --- Support this podcast: https://podcasters.spotify.com/pod/show/a24otr/support

On the 335th episode of Piecing It Together, Megan Kearns from Spoilerpiece Theater joins me to talk about The Royal Hotel. Kitty Green's follow-up to The Assitant is another excellent feminist film that also draws inspiration from some tense genre movies. Puzzle pieces include Hotel Coolgarie, Green Room, Support The Girls and It Comes At Night.As always, SPOILER ALERT for The Royal Hotel and any of the movies we discuss!Written by Kitty GreenDirected by Kitty GreenStarring Julia Garner, Jessica Henwick, Hugo Weaving, Ursula Yovich, Toby WallaceNEONhttps://neonrated.com/films/the-royal-hotelMegan Kearns is a film critic and co-host of Spoilerpiece Theater.Check out Spoilerpiece Theater at https://www.spoilerpiece.comAnd follow Megan on Twitter @opinionessworldMy sixth album, MORE CONTENT is available NOW on iTunes, Bandcamp and all other digital music stores! Make sure to check it out!My latest music video “Ascending" which you can watch at https://www.youtube.com/watch?v=fypZ3Z8qeT8The song at the end of the episode is from my recently released horror film score BLIND MALICE.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenShare the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or Podchaser! And most important of all… Keep going to the theater to see new movies!

Halloween month happened to line up with an A24 film that is becoming more well-known in horror film circles: The Blackcoat's Daughter. Written and directed by Osgood Perkins (son of Anthony Perkins who portrayed Norman Bates in Psycho), The Blackcoat's Daughter is about a girl named Kat (portrayed by Kiernan Shipka) whose parents seemingly forgot to pick her up for winter break from her Catholic boarding school. A fellow student named Rose (portrayed by Lucy Boynton) is dealing with issues of her own when Kat begins getting overtaken by a demonic force. What will the A24 Rocks crew rate this supernatural horror? Intro: 0-2:10. Film Discussion: 2:10-59:00. Film Ratings: 59:00-End. Next five A24 films we're reviewing: 48. Free Fire. 49. The Lovers. 50. The Exception. 51. It Comes At Night. 52. A Ghost Story. --- Support this podcast: https://podcasters.spotify.com/pod/show/a24otr/support

We watched It Comes At Night which one of us didn't enjoy...can you guess who?! --- Send in a voice message: https://podcasters.spotify.com/pod/show/kingsofkill/message Support this podcast: https://podcasters.spotify.com/pod/show/kingsofkill/support

Welcome to the Sh*t You May Not Have Seen Podcast where hosts, Scott and Joe discuss smaller films that may have been missed on initial release. This week they discuss It Comes At Night (2017).Twitter: @notseenpod Hosted on Acast. See acast.com/privacy for more information.

Trey Edward Stults became an acclaimed A24 director with indie favorites such as It Comes At Night and Waves, but he got his start on the big screen with the heartbreaking addiction drama Krisha. Starring longtime T.V. and movie actor Krisha Fairchild, Stults pulled from an amalgam of people in his own life to write this film that was funded from a kickstarter campaign. Krisha was also filmed in Stults' house and many of the actors are members of his own family. These A24 film-buffs discuss Stults' premier film and rate this truly independent drama that launched a career. Caution: movie spoilers. --- Support this podcast: https://anchor.fm/a24otr/support

Mad Heidi-Ho Welt da draußen! Die letzte Folge vor unserem Jahresend-Spezial Marathon steht an. Berg, MO und Sandro nutzen die Gelegenheit um nochmal jede Menge Kracher zu besprechen! Angeführt von einem ergreifenden Plädoyer Sandros, warum auch Nicht-Star Wars-Fans die neue Serie ANDOR unbedingt gesehen haben müssen, über eine RANT-ZONE mit den Gurken THE GUEST und TROLL, sowie Bergs düsterer Horror-Psycho-Ecke mit IT COMES AT NIGHT und THE OTHER LAMB, bis zu aktuellem Material aus 2022 wie DER SCHLIMMSTE MENSCH DER WELT, NOPE oder BONES AND ALL. Auch Steven hat sich in die Folge gemogelt mit der Kritik zu FRAGIL, welchen wir freundlicherweise von FLIRRSINN zur Verfügung gestellt bekommen haben. Im Grunde geht uns allen aber nicht mehr der NAZI-KÄSE von Bergs Kino-Trash-Keule MAD HEIDI aus dem Kopf. Wie immer gilt: Bleibt gesund und spoilerfrei! (00:00:58) Begrüßung & Quatschberg (00:04:15) The Guest (00:09:27) Andor (00:19:18) Mad Heidi (00:23:21) RANT-Zone: Troll (00:28:34) Ticket to Paradise (00:29:41) It comes at Night (00:33:16) The Other Lamb (00:38:10) Fragil (00:40:59) Terrifier 2 (00:46:05) Der Schlimmste Mensch der Welt (00:50:38) Der Therapeut von Nebenan (00:56:09) Ant-Man & the Wasp / Nebenan (00:58:08) NOPE (01:03:53) Bones and All (01:10:17) The Patient (01:20:27) Verabschiedung

It Comes At Night spaltet wie selten ein Horrorfilm – die Kritiker fanden ihn toll, die meisten Zuschauer nicht. Wo stehen Kolja und Wolf? Das klären wir in HorrOhr #4. Plus: Ein kleine Spezial-Ankündigung für die nächste Ausgabe.

We are talking about the results of the fan-voted top 104 Horror movies. We asked people to vote round by round and reseeded each round so the high seed will always play the low seed. The 104 lists came from a Rotten Tomatoes list, with other movies sprinkled in that we thought should be in. I hope you enjoy this, and here are the 104 Movie movies in this tournament: FRIGHT NIGHT (1985)Nope (2022)THE WICKER MAN (1973)28 DAYS LATER (2002)THE CONJURING (2013)PSYCHO (1960)MISERY (1990)GET OUT (2017)Willy's Wonderland (2021)Tales From The Hood (1995)The Devil's Rejects (2005)US (2019)The Texas Chainsaw Massacre (1974)ALIEN (1979)HALLOWEEN (2018)when a stranger calls (2006)A Nightmare On Elm Street 3: Dream Warriors (1987)The Babadook (2014)ATTACK THE BLOCK (2011)They Live (1988)Sinister (2012THE INVISIBLE MAN (2020)THE DEVIL'S BACKBONE (2001)A QUIET PLACE (2018)Friday the 13th (1980)BRIDE OF FRANKENSTEIN (1935)Child's Play (1987)JAWS (1975)Candyman (1992)FRANKENSTEIN (1931)Scream (1996)Scream 3 (2000)dawn of the dead (2004)THE LIGHTHOUSE (2019)prom night (2008)Bird box (2018)Monster Brawl (2011)DEMON (2015)SHAUN OF THE DEAD (2004)HEREDITARY (2018)THE ENDLESS (2017)LET THE RIGHT ONE IN (2008)DON'T BREATHE (2016)IT FOLLOWS (2014RE-ANIMATOR (1985)THE BLAIR WITCH PROJECT (1999)ZOMBIELAND (2009)NIGHT OF THE LIVING DEAD (1968)IT COMES AT NIGHT (2017)ALIENS (1986)THE SHINING (1980)BONE TOMAHAWK (2015)1922 (2017)THE SILENCE OF THE LAMBS (1991)THE EXORCIST (1973)HALLOWEEN (1978)THE FLY (1986)ROSEMARY'S BABY (1968)A NIGHTMARE ON ELM STREET (1984)DOCTOR SLEEP (2019)AN AMERICAN WEREWOLF IN LONDON (1981)DEAD ALIVE (1992)THE HOST (2006)THE CABIN IN THE WOODS (2011)THE THING (1982)THE WITCH (2015)TRAIN TO BUSAN (2016)POLTERGEIST (1982)HOUSE ON HAUNTED HILL (1959)10 CLOVERFIELD LANE (2016)REVENGE (2017)HOST (2020)SLITHER (2006)UNDER THE SHADOW (2016)THE RING (1998)CARGO (2017)THE CONJURING 2 (2016)THE WAILING (2016)THE LOVE WITCH (2016)PARANORMAL ACTIVITY (2007)HARPOON (2019)TREMORS (1990)INVASION OF THE BODY SNATCHERS (1978)The Human Centipede (First Sequence) (2009)CREATURE FROM THE BLACK LAGOON (1954)IT (2017)THE LOVED ONES (2009)MANDY (2018)EVIL DEAD 2 (1987)wishmaster 1997RAW (2016)READY OR NOT (2019)THE EVIL DEAD (1981)HIS HOUSE (2020)Teeth (2007)A GIRL WALKS HOME ALONE AT NIGHT (2014)HELLRAISER (1987)DRAG ME TO HELL (2009Leprechaun (1993)1408 (2007)GREEN ROOM (2015)THE LOST BOYS (1987)CARRIE (1976)THE MIST (2007) --- Send in a voice message: https://anchor.fm/mass-debaters/message Support this podcast: https://anchor.fm/mass-debaters/support

Ben and Ethan end spooky season with an apocalyptic-set thriller that begs the question... is humanity its own worst enemy? We break down 'It Comes At Night', talk about desert island desserts, and try to figure out just who in the movie we actually trusted. We are now on YOUTUBE! Go subscribe to the channel and watch us review the movie! What do you think of It Comes At Night? Let us know on Instagram or Twitter @24minutesofA24!

This week my guest is producer Jeanie Igoe.  Jeanie's big break came when she landed a role at A24, where her credits as a production executive include Barry Jenkins' MOONLIGHT, Trey Edwards Shults', IT COMES AT NIGHT, Bo Burnham's EIGHTH GRADE and Robert Eggers' THE LIGHTHOUSE. She also served as a producer on their TV series RAMY, and a co-producer on David Lowery's THE GREEN KNIGHT. She then launched herself as an independent producer, with her first project MISS JUNETEENTH, the directorial debut from Channing Godfrey Peoples going on to premiere at Sundance and receive a nomination for the Grand Jury Prize. Most recently, Jeanie co-produced CONVERSATIONS WITH FRIENDS alongside Catherine Magee and the team at Element Pictures, including former podcast guest Emma Norton and Development Producer Chelsea Morgan Hoffman who developed Sally Rooney's novel into the series script, alongside the writers.  We talk about moving to New York, getting a job at A24 in its fledging years as a company and then being witness to their exponential growth, making the decision to start producing independently, moving back to Ireland, maintaining a work-life balance, how Jeanie creates an atmosphere of collaboration and care on set and adapts her role to the needs of the project and the filmmaker. I hope you enjoy listening to our conversation as much as I did having it.

On this weeks episode host Ygraine chats with Matt Glasby about apocalyptic horror. They discuss 2009s [Rec] 2 directed by Paco Plaza and Jaume Balagueró and 2017s It Comes At Night directed by Trey Edward Shults.

A24 releases some of the best arthouse films today. Naturally, they're more than worthy of being the focus for another Double Edged Double Bill episode! First, an extremely obvious metaphor lurks in the shadows in It Comes At Night! Then, a family tries to hide the secret of their beloved matriarch's health from her in The Farewell! Together, our duo answers the crucial questions. Can a character's singular trait be dream sequences? How can Awkwafina avoid overexposure? Is that Taylor Kitsch or Garrett Hedlund? Which two films will they choose for next week's Tom Cruise episode? Well, take that burlap sack off your head and finish your crab so you can listen to find out! Subscribe to our Patreon for $1 a month to get bonus podcasts & polls to choose episode topics and films we cover! patreon.com/dedbpod Follow the show on Twitter @DEDBpod & Facebook as well as Thomas on Twitter! Send feedback to doubleedgeddoublebill@gmail.com! Subscribe and rate us on Apple Podcasts, Spotify, Stitcher & Podbean! Our artwork is provided by the amazing Christian Thor Lally!

A24 releases some of the best arthouse films today. Naturally, they're more than worthy of being the focus for another Double Edged Double Bill episode! First, an extremely obvious metaphor lurks in the shadows in It Comes At Night! Then, a family tries to hide the secret of their beloved matriarch's health from her in The Farewell! Together, our duo answers the crucial questions. Can a character's singular trait be dream sequences? How can Awkwafina avoid over exposure? Is that Taylor Kitsch or Garrett Hedlund? Which two films will they choose for next week's Tom Cruise episode? Well, take that burlap sack off your head and finish your crab so you can listen to find out!   Subscribe to our Patreon for $1 a month to get bonus podcasts & polls to choose episode topics and films we cover! Follow the show on Twitter @DEDBpod & Facebook as well as Thomas on Twitter! Send feedback to doubleedgeddoublebill@gmail.com! Subscribe and rate us on Apple Podcasts, Spotify, Stitcher & Podbean! Our artwork is provided by the amazing Christian Thor Lally!   

5:38 - Scream 202218:18 - Prisoners of the Ghostland31:51 - It Comes at Night42:12 - The Curse of La Llorona52:50 - Silence1:04:52 - The Man Who Killed Don Quixote1:14:20 - Encanto1:25:31 - Conclusion

Hi everyone! It's been a while. The pals have been talking about this for a little bit now and we think it'll be better for us and y'all if we switch over to a monthly episode release schedule. It'll give us enough grace to consume better media and have better discussions and that sounds good to us! Love y'all.FIRESIDE CHAT:Tori played all the cute birds games this time around! Cheeky Chooks, Haven Park, and A Short Hike. Signal too but that's not a bird game... more a fight-against-the-clock game. It's fun!We also talked about Shang Chi (conversely all the Simu Liu and Awkwafina drama...,) HBO's Search Party,  goofy ass Malignant, Hellraiser and the fact that Pinhead got a good look, It Comes at Night, It's Always Sunny in Philadelphia and our ever entertaining excursion into Fboy Island.  As always, thank you for your continued support! If you want to support us, head over to our Patreon!Join our community discord for updates and WHOLESOME FUN.Follow us on our Twitch channel! We stream Wednesday, Friday and Saturday at 2 PM ESTYou can also find us on Twitter, Instagram and if you're feeling bold (ooo) send us an email at lastadventurecast@gmail.com Music Credits:Intro Song: アスカBad Girl (w/Lancaster) by マクロスMACROSS 82-99Outro Song: Now and Forever by マクロスMACROSS 82-99

What’s up Dream Warriors! Join us this week as we discuss 2017’s It Comes At Night as we try and figure out what “it” is that comes at night.

Is Harper actually the best character in ‘Happiest Season'? Should she have been the protagonist? Special guest Emily VanDerWerff (Vox.com, Arden Podcast) sits down with a lonely Samantha to revisit the already discoursed-to-death lesbian Christmas rom-com for another hour and a half. We lay out a case for Harper, swap coming out stories, and worry about the state of art more generally. And then somehow, we end up discussing Amtrak, trans stuff, and the boutique 2017 horror film ‘It Comes At Night.'

Welcome to Chris & Chris Talk Movies. In this podcast, life-long friends Chris Ferry and Chris Huddleston discuss Sci Fi movies (sometimes the best Sci Fi movies, sometimes not), horror movies (occasionally some of the all time best horror movies…often…not), a few of the very best action movies (I think you see where we're going with this), and genre films from their childhood and beyond in this laid-back, rambling, but inviting series!Rated PG for occasional mature language and alcohol consumption.For this week's episode, we review the 2020 release, POSSESSOR, directed by Brandon Cronenberg, son of David Cronenberg. It's being hailed as part of the new wave of Canadian horror movies along with Anthony Scott Burns' COME TRUE and Shawn Linden's HUNTER HUNTER. Starring Andrea Riseborough (MANDY, BLACK MIRROR), Christopher Abbott (IT COMES AT NIGHT), and Jennifer Jason Leigh (SINGLE WHITE FEMALE, THE HATEFUL EIGHT).If you've seen this one, let us know what you thought. If not, watch the movie, then take a listen to what we have to say.Send us feedback: chrisandchristalkmovies@gmail.com

This week on a shorter, solo episode Jamie gives his review of the Playstation 4 exclusive, The Last Of Us Part II, developed by Naughty Dog.On this episode Jamie also discusses:It Comes At Night, produced by A24 and now available on NetflixUndertaker: The Last Ride on the WWE Network

This week on a shorter, solo episode Jamie gives his review of the Playstation 4 exclusive, The Last Of Us Part II, developed by Naughty Dog.On this episode Jamie also discusses:It Comes At Night, produced by A24 and now available on NetflixUndertaker: The Last Ride on the WWE Network

Many white, male indie directors are immediately making the jump to helming big franchises — but is it always a good idea? Your three favorite millennials are joined by Friend of the Pod, Mike Silangil, to discuss the firing of Phil Lord and Christopher Miller from the 'Han Solo' prequel and whether that was just a minor instance of a bad investment in this new franchise director pipeline. Plus: Willoughby recommends the "You Must Remember This" podcast, Anya welcomes "The Oh, Hello Show," Mike raves about "War for the Planet of the Apes," and HT was pleasantly surprised by "It Comes At Night."

Christian and Ian are finally in Cruise control. Summer Funhouse is here. We gather on a cool summer night to review the latest genre offering from A24, IT COMES AT NIGHT. We spend a few minutes talking the Tom Cruise reboot and hurried universe introduction, THE MUMMY. For our Movie from the Crypt segment we kick off our Summer Funhouse series on horror comedies with the rom-com-zom classic, SHAUN OF THE DEAD. We also discuss our newfound hatred for Jake Johnson, how old Mandy Moore is, and wet nightmares.  We'd love to hear your thoughts, questions, or any requests you have. You can contact us at: ItsOnlyFeedback@gmail.com and on Facebook, Twitter, Instagram, and Letterboxd.

In Episode 52 of the Crooked Table Podcast, Robert Yaniz Jr. uncovers director Alex Kurtzman's new take on The Mummy, starring Tom Cruise and Sofia Boutella. The film is, of course, intended to kick off Universal's monster-centric Dark Universe. We'll investigate whether The Mummy provides a solid foundation for what's to come as well as how it stacks up against the 1999 edition, which saw Brendan Fraser and Rachel Weisz bring the classic tale to the modern age. Also: Rob reviews A24's latest, director Trey Edward Shults' It Comes At Night starring Joel Edgerton, and discusses his thoughts on the latest news surrounding X-Men: Dark Phoenix. It's a jam-packed episode of the Crooked Table Podcast. So let's get to it before a certain Egyptian princess catches up with us. We're excited to hear your feedback as the show continues to evolve. As usual, the podcast does feature explicit language and, as such, is best considered NSFW. Synopsis for The Mummy, courtesy of Universal Pictures: Tom Cruise headlines a spectacular, all-new cinematic version of the legend that has fascinated cultures all over the world since the dawn of civilization: The Mummy. Thought safely entombed in a tomb deep beneath the unforgiving desert, an ancient princess (Sofia Boutella of Kingsman: The Secret Service and Star Trek Beyond) whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia and terrors that defy human comprehension. From the sweeping sands of the Middle East through hidden labyrinths under modern-day London, The Mummy brings a surprising intensity and balance of wonder and thrills in an imaginative new take that ushers in a new world of gods and monsters. Cruise is joined by a cast including Annabelle Wallis (upcoming King Arthur, television's Peaky Blinders), Jake Johnson (Jurassic World), Courtney B. Vance (TV's American Crime Story: The People V. O.J. Simpson), Marwan Kenzari (The Promise) and Oscar®winner Russell Crowe (Gladiator). The creative team on this action-adventure event is led by director/producer Alex Kurtzman and producer Chris Morgan, who have been instrumental in growing some of the most successful franchises of the past several years—with Kurtzman writing or producing entries in the Transformers, Star Trek and Mission: Impossible series, and Morgan being the narrative engineer of the Fast & Furious saga as it has experienced explosive growth from its third chapter on.  Sean Daniel, who produced the most recent Mummy trilogy, and Sarah Bradshaw (Maleficent) produce alongside Kurtzman and Morgan. Thanks for listening! SHOW NOTES Previously on the Crooked Table Podcast: http://www.crookedtable.com/2017/06/09/podcast-wonder-woman/ Podcast review of A24's Free Fire and other films: http://www.crookedtable.com/2017/04/21/podcast-free-fire-a24/ Video review of X-Men: Apocalypse: http://www.crookedtable.com/2016/05/28/x-men-apocalypse-video-review/ Podcast review of Logan: http://www.crookedtable.com/2017/03/10/podcast-logan-hugh-jackman-x-men/     The Crooked Table Podcast is now on Stitcher! Listen to all past episodes NOW! Subscribe to the Crooked Table Podcast on iTunes so that you never miss a moment! Robert Yaniz Jr. can be reached on Twitter at @crookedtable.   Connect with Crooked Table on social media:   Facebook  |  Twitter  |  Tumblr

The Horror Junkies are back in the studio this week with their good friend Jorge. The Florida sky is turning black and the winds begin to pick up, which means that the conditions for recording our episode are perfect. On this week's episode we discuss Infection movies and finally tackle the underrated hit It Comes At Night by Trey Edward Shults. In the first half of the show, Patrick drags us through what felt like an eternity of Horror News. Bringing up some really anticipated Horror themed games from the E3 conference that was this past week. Such titles include: The Last of Us part 2, The Evil Within 2, Wolfenstein II, and Days Gone, which feels like it was influenced by World War Z. Be sure to check out those games if your into survival games or if you just want to cry with the lights off. We also had a pretty intense Horror History segment with Mike. Before digging into his topic, Mike brought up a painting from It Comes At Night. This particular painting is titled The Triumph of Death and was painted by Pieter Bruegel the Elder in 1562. Depicting mass death, walking skeletons, and destruction. The topic of Horror History today was the Bubonic Plague that decimated Europe in the 14th century, wiping out one-third of its population. The second half of the show is our short Spoiler Free conversation about It Comes At Night, followed by a longer spoiler filled conversation about what our thoughts are and the questions we have after watching the movie.  This movie got a really solid rating from the Horror Junkies, and it really makes the viewer think and pay attention.  But don't take our word for it, go see It Comes At Night and tell us what you think. As always.... Stay Weird! --- Support this podcast: https://anchor.fm/horrorjunkiespodcasts/support

SEGMENT 01 [0:00:00]Kesha denied by Jerry Seinfeld, Steambox, Matt's kid's birthday party, mini-golf, family car trips, ‘South of the Border' SEGMENT 02 [1:08:00]‘Megan Leavey' Kate Mara SEGMENT 03 [1:33:45]‘It Comes At Night' Joel Edgerton SEGMENT 04 [1:57:30]Movie box office update, ‘The Mummy' issues, TV updates, ‘F is for Family', ‘Twin Peaks', Domino's Facebook movie nights. Hear ‘It's Erik Nagel' weekends at 6pmET/3pmPT on 'Faction Talk' SiriusXM Ch103 and is available on SiriusXM OnDemand via the SiriusXM App SOCIAL MEDIA @Erockradio @GeekstuffOG @Gittlebass @KristyPucho @LouisJohnson @ItsErikNagel on Twitter, Facebook, Youtube.

"Coming Soon" & News - The Mummy, It Comes At Night, Megan Leavey, & Upcoming Film News In this "Coming Soon" episode, Matt & Joel discuss the upcoming releases for the films The Mummy, It Comes At Night, & Megan Leavey coming out on June 9th, 2017. Then they discuss some film news, including: Newly announced Top Gun sequel. Terry Gilliam's Don Quixote film finishing production after 17 years.   Contact us with any comments or questions at reelreviewmedia@gmail.com Follow us on Facebook or Sign Up for our newsletter HERE Check out our website at reelreviewmedia.com   The Reel Review Podcast is where you get the some of the latest happenings, reel thoughts, and perspectives in the world of film and television and all from a fan vs. critic perspective.   

This week Ed is absent but Bill, Bob and Jay find it in within them to continue on and cover a lot of ground! In Nerdish News: Harley On Gotham, Animaniacs Reboot, Sin City TV, Godzilla 2 Update, Hamill Vs Last Jedi and Rejected Names For Top Gun2! In the Meanwhile Section we touch base on Colossal, the new season of House Of Cards, and Streets Of Fire on Blu! Over in Trailer Trash we preview: Room 104, Seven Sisters, It Comes At Night and Murder On The Orient Express. Even more gets dicussed when we get to email! Whaaat? Crazy.

On this week's episode, Mike and Patrick are the only two in the studio. We had no idea where or what happened to Angel and Austin, so if you see them take a picture and use the hashtag WheresAustinandAngel, so we can make fun of them, but nonetheless the show must go on. In the news portion of the show, nothing was really happening, which is a shocker because usually there is so much news, we have to shift through all of it to determine what we want to talk about. However, we did find some interesting topics to mention. First up is the latest trailer release of It Comes At Night, featuring a locked Red Door, and some pretty intense scenes. It Comes At Night is set to hit theaters June 9th. On the more independent side of  Horror, this past weekend was the Overlook Film Festival and one movie there won the award for being the Scariest Film. Of course we are talking about Still/Born, created by the man behind Grave Encounters Brandon Christensen. We literally no nothing about this movie, but if you win this award, you have our attention. We will post more about this movie later on, but head over http://www.digitalinterference.net to keep updated. This week on Horror History, was again nothing to major. We have the 1960 release of The Two Faces of Dr. Jekyll directed by Terence Fisher, and the 1966 release of The Vulture directed by Lawrence Huntington. Earlier in the week we watched two amazing independent movies; one called Another Evil directed by Carson D. Mell and The Transfiguration directed by Michael O'Shea. Another Evil is a comedy/Horror that to Patrick and I seems like the Clerks of Horror movies. This movie focuses on the dialogue more than anything. Which is awesome, because when it comes to ghost movies, they tend to focus on the Fear Factor, rather than the actual script. Another Evil will be available on VOD May 5, 2017 and currently has an 90% on Rotten Tomatoes, so be sure to give it a watch and prepare yourself for a different kind of horror movie. The next movie we watched was Michael O'Shea's debut film The Transfiguration. Taking place in the projects of New York City, and follows a troubled individual named Milo, who has a pretty bad obsession with Vampire lore. Straight from the beginning this movie captures your attention. Milo played by Eric Ruffin, is a very closed and awkward kid. Literally even he way he walks and runs is weird, but these elements add so much to the film. The Transfiguration is unlike any movie we've seen before. It's coming out on VOD on August 8th,  and currently has an 83% on Rotten Tomatoes, which we feel is a little to low for this movie. Head over to http://thetransfigurationfilm.com to learn more about this amazing movie.  Stay Weird! --- Support this podcast: https://anchor.fm/horrorjunkiespodcasts/support

In Episode 42, we discuss the latest critics/audience divide over "It Comes At Night," answer fan questions, talk news of the week, react to the first trailer for Ryan Coogler's Marvel superhero film "Black Panther" and in anticipation for "Cars 3" we list our least favorite Pixar movies. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - @negsbestfilmpodcast iTunes Podcasts - itunes.apple.com/us/podcast/negs-…d1087678387?mt=2

For this week's episode Josh Williams, Kristen Lopez, William Mavity and myself answer your questions, discuss the latest Oscar news, talk trailers for "Logan Lucky," "Murder On The Orient Express," "Victoria & Abdul" and for our weekly theme ahead of "It Comes At Night" we discuss fear and paranoia within film. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - @negsbestfilmpodcast iTunes Podcasts - itunes.apple.com/us/podcast/negs-…d1087678387?mt=2

For this week's episode Josh Williams, Kristen Lopez, William Mavity and myself answer your questions, discuss the latest Oscar news, talk trailers for "Logan Lucky," "Murder On The Orient Express," "Victoria & Abdul" and for our weekly theme ahead of "It Comes At Night" we discuss fear and paranoia within film. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - @negsbestfilmpodcast iTunes Podcasts - itunes.apple.com/us/podcast/negs-…d1087678387?mt=2

On Episode 25, it's one week before our final awards predictions, the final voting ballots are out and the BAFTA Awards need talking about. We not only talk about the current state of the race but we also discuss the latest movie trailers for "It Comes At Night" & "The Beguiled." Check out more on NextBestPicture.com Please subscribe on... SoundCloud - @negsbestfilmpodcast iTunes Podcasts - itunes.apple.com/us/podcast/negs-…d1087678387?mt=2