Podcast appearances and mentions of john tchicai

ORNETTE COLEMAN “THE SHAPE OF JAZZ TO COME” Hollywood, CA, May 22, 1959Lonely womanDon Cherry (cnt) Ornette Coleman (as) Charlie Haden (b) Billy Higgins (d) JOHN COLTRANE “ASCENSION” Englewood Cliffs, N.J., June 28, 1965Ascension (Edition I – Part 1)Freddie Hubbard, Dewey Johnson (tp) John Tchicai, Marion Brown (as) John Coltrane, Pharoah Sanders, Archie Shepp (ts) McCoy Tyner (p) Jimmy Garrison, Art Davis (b) Elvin Jones (d) CECIL TAYLOR “UNIT STRUCTURE” Englewood Cliffs, N.J., May 19, 1966StepsEddie Gale (tp-1) Jimmy Lyons (as-2) Makanda Ken McIntyre (as-3,oboe-4,b-cl-5) Cecil Taylor (p,bells-4) Henry Grimes, Alan Silva (b) Andrew Cyrille (d) ALBERT AYLER TRIO “SPIRITUAL UNITY” New York, July 10, 1964Ghosts (first variation)Albert Ayler (ts) Gary Peacock (b) Sunny Murray (d) PETER BROTZMANN OCTET “MACHINE GUN” Bremen, May, 1968Music for Han Bennink IPeter Brotzmann (ts,bar) Willem Breuker (ts,b-cl) Evan Parker (ts) Fred Van Hove (p) Peter Kowald, Buschi Niebergall (b) Han Bennink (d) Sven-Ake Johansson (d,perc) Continue reading Puro Jazz 16 de diciembre, 2024 at PuroJazz.

ORNETTE COLEMAN “THE SHAPE OF JAZZ TO COME” Hollywood, CA, May 22, 1959Lonely womanDon Cherry (cnt) Ornette Coleman (as) Charlie Haden (b) Billy Higgins (d) JOHN COLTRANE “ASCENSION” Englewood Cliffs, N.J., June 28, 1965Ascension (Edition I – Part 1)Freddie Hubbard, Dewey Johnson (tp) John Tchicai, Marion Brown (as) John Coltrane, Pharoah Sanders, Archie Shepp (ts) McCoy Tyner (p) Jimmy Garrison, Art Davis (b) Elvin Jones (d) CECIL TAYLOR “UNIT STRUCTURE” Englewood Cliffs, N.J., May 19, 1966StepsEddie Gale (tp-1) Jimmy Lyons (as-2) Makanda Ken McIntyre (as-3,oboe-4,b-cl-5) Cecil Taylor (p,bells-4) Henry Grimes, Alan Silva (b) Andrew Cyrille (d) ALBERT AYLER TRIO “SPIRITUAL UNITY” New York, July 10, 1964Ghosts (first variation)Albert Ayler (ts) Gary Peacock (b) Sunny Murray (d) PETER BROTZMANN OCTET “MACHINE GUN” Bremen, May, 1968Music for Han Bennink IPeter Brotzmann (ts,bar) Willem Breuker (ts,b-cl) Evan Parker (ts) Fred Van Hove (p) Peter Kowald, Buschi Niebergall (b) Han Bennink (d) Sven-Ake Johansson (d,perc) Continue reading Puro Jazz 16 de diciembre, 2024 at PuroJazz.

Estas dos palabras dan título a un álbum grabado por Ornette Coleman en doble cuarteto a finales de 1960 para el sello Atlantic. La obra —cuyo título completo es Free Jazz: A Collective Improvisation— rompe las estructuras previas del jazzy apunta a un paroxismo nunca escuchado._____Has escuchadoAscension - Edition I (1965) / John Coltrane. John Coltrane, saxofón tenor; McCoy Tyner, piano; Jimmy Garrison, bajo; Elvin Jones, batería; Archie Schepp y Pharoah Sanders, saxofón tenor; John Tchicai y Marion Brown, saxofón alto; Art Davis, bajo. Impulse (1987)Hello Chi (1970) / Art Ensemble of Chicago. Fontella Bass, voz; Lester Bowie, trompeta; Roscoe Mitchell, flauta y saxofón alto; Joseph Jarman, flauta y saxofón alto; Malachi Favors, bajo. FreeFactory (2010)Simple Like (1969) / Anthony Braxton. Leo Smith, trompeta y mult. instrumentos; Anthony Braxton, saxofón alto y mult. instrumentos; Leroy Jenkins, violín y mult. instrumentos; Steve McCall, percusiones. BYG Records (1969)Sunday Morning Church (2003) / William Parker. Billy Bang, violín; Hamid Drake, batería; William Parker, contrabajo. Thirsty Ear (2003)Truth Is Marching in (1966) / Albert Ayler. Albert Ayler, saxofón tenor; Don Ayler, trompeta; Michel Sampson, violín; Bill Folwell y Henry Grimes, bajos; Beaver Harris, batería. Impulse (1998)_____Selección bibliográficaANDERSON, Iain, This Is Our Music: Free Jazz, the Sixties, and American Culture. University of Pennsylvania Press, 2007BRADLEY, Francis R., Universal Tonality: The Life and Music of William Parker. Duke University Press, 2021CARLES, Philippe y Jean-Louis Comolli, Free Jazz: Black Power. Traducido por Juan Giner. Anagrama, 1973JENKINS, Todd S., Free Jazz and Free Improvisation: An Encyclopedia. Greenwood Press, 2004JOST, Ekkehard, Free jazz: une étude critique et stylistique du jazz des années 1960. Outre Mesure, 2002KOLODA, Richard, Holy Ghost: The Life & Death of Free Jazz Pioneer Albert Ayler. Jawbone Press, 2022MAZZOLA, Guerino y Paul B. Cherlin, Flow, Gesture, and Spaces in Free Jazz Towards a Theory of Collaboration. Springer, 2009ONSMAN, Andrys y Robert Burke, Experimentation in Improvised Jazz: Chasing Ideas. Routledge, 2019PARKER, William et al., Conversations. Rogueart, 2011—, Conversations II: Dialogues and monologues. Rogueart, 2015—, Conversations III: Dialogues and monologues. Rogueart, 2019—, Conversations IV. Rogueart, 2023PEYROU, Mariano, Free jazz: la música más negra del mundo. Anagrama, 2024RUSH, Stephen, Free Jazz, Harmolodics, and Ornette Coleman. Routledge, 2017SCHWARTZ, Jeff, Free Jazz: A Research and Information Guide. Routledge Music Bibliographies, 2018*SKLOWER, Jedediah, Free jazz, la catastrophe féconde: une histoire du monde éclaté du jazz en France (1960-1982). L'Harmattan, 2006SPICER, Daniel, Peter Brötzmann: Free-Jazz, Revolution and the Politics of Improvisation. Repeater, 2024STEINBECK, Paul, Message to Our Folks: The Art Ensemble of Chicago. The University of Chicago Press, 2017SZWED, John F., Space Is the Place: The Lives and Times of Sun Ra. Duke University Press, 2020TONELLI, Chris (Chris J.), Voices Found: Free Jazz and Singing. Routledge, 2019TOOP, David, En el maelström: música, improvisación y el sueño de la libertad antes de 1970. Caja Negra, 2018*WILMER, Val, As Serious As Your Life: Black Music and the Free Jazz Revolution, 1957-1977. Serpent's Tail, 2018 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

THIS WEEK's BIRDS: Egyptian vocalist Maryam Saleh w. Tamer Abu Ghazaleh, Maurice Louca; Pakistani vocalist  Aroof Aftab w. Vijay Iyer & Shahzad Ismaily; rembetika (past and present) from Pasatempo w. Christos Govetas & Marcos Vamvakaris; bop from Sonny Clark; from the archives: John Tchicai, Garrison Fewell, Charlie Kohlhase, Cecil McBee, Billy Hart; new Les Amazones d'Africa; newly re-released Rail Band; l'Ensemble Instrumental Du Mali (feat. Nantenedie Kamissoko); Congolese soukous from Les Wanyika; new LA jazz from Billy Mohler;  Sathima Bea Benjamin; Algerian raï from the greats: Cheb Hasni & Cheb Nasro; music from Greece, Mali, Congo/Zaïre, Afghanistan, Iran, Iraq and, of course, much, much more!!!!  Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/18788839/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com  

JOHN COLTRANE PROGRAMA ESPECIAL No. 3 de 3: “ASCENSION” – Englewood Cliffs, N.J., June 28, 1965 Ascension Freddie Hubbard, Dewey Johnson (tp) John Tchicai, Marion Brown (as) John Coltrane, Pharoah Sanders, Archie Shepp (ts) McCoy Tyner (p) Jimmy Garrison, Art Davis (b) Elvin Jones (d) “INTERSTELLAR SPACE” – Englewood Cliffs, N.J., February 22, 1967 Jupiter […]

Joey Wisgirda (Big Joe Daddy) has been playing trumpet since the age of 9. He has studied jazz theory and composition with jazz legend John Tchicai, and performed throughout California with a diverse range of players that includes Joe Craven and Rick Montgomery (David Grisman Quintet), Fully Fullwood (Peter Tosh), reggae superstar Alton Ellis, Hamsa Lila, and John Tchicai. He has opened for such acts as John Scofield,  Galactic, Charlie Hunter, Bassnectar, Kraddy, and Tipper. For the past decade, Joey has extended his musical efforts into the computer realm, using  soft- and hardware synths, and tying it all together with a Morrison Digital Trumpet (MDT) to morph from jazz and funk to breakbeats and dub. His live performances on Ableton and the MDT are cutting edge. Listen to this program over the air, via streaming on www.kdrt.org, via the show archives, or on most podcast apps under Listening Lyrics.

Joey Wisgirda (Big Joe Daddy) has been playing trumpet since the age of 9. He has studied jazz theory and composition with jazz legend John Tchicai, and performed throughout California with a diverse range of players that includes Joe Craven and Rick Montgomery (David Grisman Quintet), Fully Fullwood (Peter Tosh), reggae superstar Alton Ellis, Hamsa Lila, and John Tchicai. He has opened for such acts as John Scofield,  Galactic, Charlie Hunter, Bassnectar, Kraddy, and Tipper. For the past decade, Joey has extended his musical efforts into the computer realm, using  soft- and hardware synths, and tying it all together with a Morrison Digital Trumpet (MDT) to morph from jazz and funk to breakbeats and dub. His live performances on Ableton and the MDT are cutting edge. Listen to this program over the air, via streaming on www.kdrt.org, via the show archives, or on most podcast apps under Listening Lyrics.

We dig deeper into the life of John Tchicai and tell the story about his time in New York (the first phone call being from John Coltrane). This episode also tells the story of the collaboration between Palle Mikkelborg and Miles Davis in 1985 (the second phone call being Miles calling Mikkelborg to tell him about the plans to make an album). Support WRTI: https://bit.ly/2yAkaJs See omnystudio.com/listener for privacy information.

Originally from Sacramento, California, Ches Smith is a drummer, percussionist, and composer based in New York. He has collaborated with a host of artists on many scenes since the early 2000s, including Marc Ribot, Tim Berne, John Zorn, Darius Jones, David Torn, John Tchicai, Nels Cline, Mary Halvorson, Trevor Dunn, Terry Riley, Kris Davis, Dave Holland, Secret Chiefs 3, Xiu Xiu, Good for Cows, Theory of Ruin, and Mr. Bungle, among others. He has nine records to his name as a bandleader that features his writing and ensemble curation, and is a devout student of Haitian Vodou drums, performing in religious and folkloric contexts in New York and Haiti for the last decade. In this episode, Ches shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

This week: iPhupho L'ka Biko ft Siyabonga Mthembu & Kinsmen; Ivo Perelman w. Matthew Shipp, Wm. Parker & Bobby Kapp; Elmo Hope; Booker T.; Hartmut Geerken w. John Tchicai; Rajah & Sajan. Mishra; Sindhi Music Ensemble; Kalaparusha Maurice McIntyre; Dizzy Reece; much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/13351154/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting  online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

il 2 giugno compie ottant'anni Irene Schweizer, da annoverare fra i pionieri dell'improvvisazione europea, e tra le figure più significative che il jazz d'avanguardia del vecchio continente ha espresso: le rendiamo omaggio scegliendo fra i trentatré album in cui la pianista svizzera appare nel catalogo Intakt qualche campione rappresentativo di vari aspetti della sua produzione. E' proprio di Irene Schweizer - dalla fine degli anni sessanta già pubblicata su altre etichette, in particolare sulla tedesca Fmp - l'Lp che nell'86 segna l'esordio della Intakt, Live at Taktlos, registrato alla prima edizione del festival zurighese nell'84, e poi nel 2005 ristampato in Cd (numero di catalogo 001). La Schweizer da quel momento è stata fondamentalmente pubblicata dall'etichetta svizzera, che ha ampiamente documentato il suo lavoro. Col titolo Musical Monsters (numero di catalogo 269), nel 2016 la Intakt ha anche pubblicato una registrazione live antecedente la nascita dell'etichetta, un concerto dell'80 al festival svizzero di Willisau di un formidabile quintetto assortito per l'occasione, con Don Cherry alla tromba, John Tchicai al sax alto, Irene Schweizer al piano, Leon Francioli al contrabbasso e Pierre Favre alla batteria: un eccezionale documento dell'incontro di un creatore del free jazz, Don Cherry, di un musicista europeo che nel free jazz d'oltre Atlantico si era inserito ai massimi livelli, John Tchicai, e di tre grandi protagonisti svizzeri dell'improvvisazione europea come Schweizer, Francioli e Favre.

il 2 giugno compie ottant'anni Irene Schweizer, da annoverare fra i pionieri dell'improvvisazione europea, e tra le figure più significative che il jazz d'avanguardia del vecchio continente ha espresso: le rendiamo omaggio scegliendo fra i trentatré album in cui la pianista svizzera appare nel catalogo Intakt qualche campione rappresentativo di vari aspetti della sua produzione. E' proprio di Irene Schweizer - dalla fine degli anni sessanta già pubblicata su altre etichette, in particolare sulla tedesca Fmp - l'Lp che nell'86 segna l'esordio della Intakt, Live at Taktlos, registrato alla prima edizione del festival zurighese nell'84, e poi nel 2005 ristampato in Cd (numero di catalogo 001). La Schweizer da quel momento è stata fondamentalmente pubblicata dall'etichetta svizzera, che ha ampiamente documentato il suo lavoro. Col titolo Musical Monsters (numero di catalogo 269), nel 2016 la Intakt ha anche pubblicato una registrazione live antecedente la nascita dell'etichetta, un concerto dell'80 al festival svizzero di Willisau di un formidabile quintetto assortito per l'occasione, con Don Cherry alla tromba, John Tchicai al sax alto, Irene Schweizer al piano, Leon Francioli al contrabbasso e Pierre Favre alla batteria: un eccezionale documento dell'incontro di un creatore del free jazz, Don Cherry, di un musicista europeo che nel free jazz d'oltre Atlantico si era inserito ai massimi livelli, John Tchicai, e di tre grandi protagonisti svizzeri dell'improvvisazione europea come Schweizer, Francioli e Favre.

I dette afsnit dykker Radars booker Martin Aagaard ned i free jazz sammen Maria Dybbroe – jazz saxofonist, komponist og forkvinde for koncertforeningen Sun Ship. Lyt til playlisten på Spotify: https://open.spotify.com/playlist/2LVJ4cgBEh4FktBFSBAtlv I dette afsnit afspilles følgende numre: Consequences - Archie Shepp, Don Cherry, Don Moore, John Curtis Moses, John Tchicai, The New York Contemporary Five Airborne – Ornette Coleman Beauty Is a Rare Thing – Ornette Coleman The Grass by the Roses – Girls in Airports Sweaters – Laurie Anderson God musik deler vandene. Og på Radar vil vi også gerne præsentere dig for musik, du måske ikke kan lide. Så tag chancen og dyk ned i denne podcastserie, hvor en række engagerede musiklyttere udfolder noget af deres foretrukne musik, der ikke altid falder i alles smag. Måske kan du lide det. Måske kan du ikke. Måske finder du en ny gemt musikperle eller får rykket ved din holdning til noget, du har gået i en stor bue udenom. Under alle omstændigheder bør du sætte dig ned og lytte til det!

8e émission de la 47e session... Cette semaine, post-bop, jazz spirituel, jazz-funk et freebop! En musique: Byard Lancaster sur l'album It's Not Up To Us  (Vortex, 1968); Sam Jones Quintet ; Johnny Dyani with John Tchicai & Dudu Pukwana ; Khan Jamal Quartet sur la compilation Spiritual Jazz 11: SteepleChase  (Jazzman, 2020, enr. SteepleChase, 1974-1984); Lonnie Liston Smith sur la compilation Cosmic Funk & Spiritual Sounds - The Best Of The Flying Dutchman Years  (BGP, 2012, enr. Flying Dutchman, 1973-1975); John Scofield, Bill Stewart, Steve Swallow ‎sur l'album Swallow Tales  (ECM, 2020); Antti Lötjönen ‎sur l'album Quintet East  (Wee Jazz, 2020); Mark Helias' Open Loose sur l'album The Third Proposition  (Indépendant, 2020, enr. 2000)...

8e émission de la 47e session... Cette semaine, post-bop, jazz spirituel, jazz-funk et freebop! En musique: Byard Lancaster sur l'album It's Not Up To Us  (Vortex, 1968); Sam Jones Quintet ; Johnny Dyani with John Tchicai & Dudu Pukwana ; Khan Jamal Quartet sur la compilation Spiritual Jazz 11: SteepleChase  (Jazzman, 2020, enr. SteepleChase, 1974-1984); Lonnie Liston Smith sur la compilation Cosmic Funk & Spiritual Sounds - The Best Of The Flying Dutchman Years  (BGP, 2012, enr. Flying Dutchman, 1973-1975); John Scofield, Bill Stewart, Steve Swallow ‎sur l'album Swallow Tales  (ECM, 2020); Antti Lötjönen ‎sur l'album Quintet East  (Wee Jazz, 2020); Mark Helias' Open Loose sur l'album The Third Proposition  (Indépendant, 2020, enr. 2000)...

Kresten Osgood is a drummer, improviser and huge catalyst in the Copenhagen scene. He has started multiple festivals and concert series and is the centerpiece of the beloved 5e Mandagsklubben. With an abundance of releases with great musicians from abroad and local alike, he has cemented himself as one of the most important creative musicians of his generation. Paul Bley, Yusef Lateef, Mouse on Mars, John Tchicai, Kurt Rosenwinkel, Lee "Scratch" Perry, Steven Bernstain, Sam Rivers, Dr. Lonnie Smith, Bent Jædig and Derek Bailey are just a few of those he recorded with. In this Episode, Kresten will speak about the local scene, the Jyderup Accordeon Treff, his time in New York and what music he listens to. In between, he sprinkles personal stories and a joke or two to round it up. Enjoy listening to one of Denmark's finest musicians sharing his thoughts.

T.S.Høeg sorterer plader på Hørsholm Bibliotek. En sort mand kommer ind. Høeg genkender ham fra coveret på nogle af jazz-pladerne. Den danske komponist og saxofonist John Tchicai, der har spillet med Coltrane i New York, forærer Høeg en saxofon, lærer knægten at spille, bliver hans mentor, åbner verden. I denne uges udgave af Poesibogen fortæller Høeg om klubværelset Punkenborg i Store Kongensgade, hvor »Sods« smeltede sammen med freejazz, de unge vilde malere og firserdigterne. See omnystudio.com/listener for privacy information. See omnystudio.com/listener for privacy information.

»Jazzen i 1969 – hørt 50 år efter« (2) Radio Jazz studievært Erik Raben vender ørene mod musikken, der blev indspillet i 1969. Der er musik med Dexter Gordon & Ben Webster, John Tchicai, Karsten Vogel & Burnin Red Ivanhoe, Carsten Meinert, Bent Jædig, Erik Moseholm & Arne Forchhammer, Fessors Big City Band og Svend Asmussen. Sendt i Radio Jazz i 2019 Der er mere jazz på www.radiojazz.dk

Ashley Wales is our next guest who shares his musical journey and stories with us. He was half of Spring Heel Jack the drum and bass act of the 1990s and co-writer and producer of the 1996 track "Walking Wounded," a major UK hit for Everything But The Girl[2] featuring Ben Watt. Past collaborators included saxophonists Evan Parker, John Tchicai and Tim Berne; bassist William Parker; trumpeters Roy Campbell, Kenny Wheeler and Wadada Leo Smith; trombonist Paul Rutherford; drummer Han Bennink; pianist Matthew Shipp; and guitarist Jason Pierce. In 2006 John Coxon the other member of Spring Heel Jack and Wales began to operate a record label, Treader, releasing CDs by themselves and other associated artists, including some of their recent collaborators. Song chosen by artist: Cornell Campbell's Trick In the Book .

14e et dernière de la 37e session... Cette semaine c'est pour les costauds car l'on rend hommage à Sunny Murray décédé dernièrement avec pas mal de free jazz, du Albert Ayler et même de la musique de Noël... En musique: Spontaneous Music Ensemble sur l'album Karyōbin  (Island, 1968, rééd. Emanem 2017); Roligheten sur l'album Homegrown  (Clean Feed, 2017); Mars Williams sur l'album Mars Williams Presents: An Ayler Xmas  (Soul What, 2017); Sunny Murray and Sabir Mateen sur l'album We Are Not At The Opera  (Eremite, 1998); Hartmut Geerken and John Tchicai ‎sur l'album The Kabul and Teheran Tapes  (Qbico, 2009, enr. 1977); Albert Ayler Quartet sur l'album European Radio Studio Recordings 1964  (Hat Hut, 2016)...

14e et dernière de la 37e session... Cette semaine c'est pour les costauds car l'on rend hommage à Sunny Murray décédé dernièrement avec pas mal de free jazz, du Albert Ayler et même de la musique de Noël... En musique: Spontaneous Music Ensemble sur l'album Karyōbin  (Island, 1968, rééd. Emanem 2017); Roligheten sur l'album Homegrown  (Clean Feed, 2017); Mars Williams sur l'album Mars Williams Presents: An Ayler Xmas  (Soul What, 2017); Sunny Murray and Sabir Mateen sur l'album We Are Not At The Opera  (Eremite, 1998); Hartmut Geerken and John Tchicai ‎sur l'album The Kabul and Teheran Tapes  (Qbico, 2009, enr. 1977); Albert Ayler Quartet sur l'album European Radio Studio Recordings 1964  (Hat Hut, 2016)...

Episode 4 of the Burning Ambulance podcast features the final interview with trombonist Roswell Rudd before his death in December 2017. Rudd was one of the pioneering figures of the jazz avant-garde; though he started out in a Dixieland band, by 1960, he was working with Archie Shepp, Cecil Taylor, and Steve Lacy. He was a member of the ensemble that recorded the legendary ESP-Disk’ album New York Eye & Ear Control, alongside Albert Ayler, Don Cherry, John Tchicai, Gary Peacock and Sunny Murray; along with Tchicai, drummer Milford Graves, and several different bassists, he formed the New York Art Quartet, whose debut album, also on ESP-Disk’, is a landmark of the free jazz era. He and Lacy collaborated for years, interpreting Thelonious Monk's music without a pianist; he was also on multiple Shepp albums in the ’60s, and appeared on the Jazz Composers Orchestra album Communications. In the 2000s, Rudd explored music beyond jazz, recording albums with Mongolian musicians and with Puerto Rican guitarist and cuatro player Yomo Toro. His latest releases include Strength and Power, a collaboration with keyboardist Jamie Saft , bassist Trevor Dunn , and drummer Balazs Pandi, and Embrace, with singer Fay Victor, pianist Lafayette Harris, and bassist Ken Filiano. Rudd was diagnosed with cancer in 2013, and battled the disease until his death in December 2017, but maintained as busy a recording and performing schedule as he could until the end. It’s easy to tell, in this conversation, that he was in poor health; he spoke softly and slowly. But I think it’s still a very interesting interview, and I hope you’ll enjoy it.

Hello again! At the outset of putting together the 18th episode, I knew I couldn’t reasonably expect listeners to sit through almost three hours of this business, but there was too much good stuff left on the cutting room floor, so I knew fairly early on that there would be a “bonus EP” of sorts. In the spirit of the other Haines-inspired title, I’m calling this one: What This Was Going to Supposed to Mean Here’s the tracklist, following the format of Episode 18, it’s just bare bones, with credits and other info directly following it. Please take a look at the previous blog post for more info on all the albums from which these tracks are culled. I won’t rehash info at the album level, only what’s unique and pertinent at the level of each individual track. Episode 18.1 Playlist (00:00) “Testing Testing” (03:00) “In a Landscape X” (06:16) “Art in Heaven” (08:50) “What Is Free to a Good Home (For Robert Wyatt)” (13:55) “Live on the Internet: A Diary (April 7)” (17:51) “Cellular Phone” (21:04) “In a Landscape XL” (23:47) “Third World Two Medley: She Was Showing Me / Boint Liver” (26:15) “Vocalise (For Jeanne Lee)” (45:23) “Paint Me!” (50:48) “Toy Epigrams” (53:42) “Today” (57:05) “In a Landscape XXXVI” (59:17) “What this Was Going to Supposed to Mean” (1:01:27) “This Dedication” Tracks 1, 3, 8, 14 and 15 are from the Darn It! album. Tracks 2, 7 and 13 were recorded by John Gallaher. Tracks 4, 10 and 12 are from Curlew’s A Beautiful Western Saddle album. Track 5 was recorded by Becca Klaver. Track 6 was from Karen Alkalay-Gut’s album Thin Lips. Track 9 was from the Joelle Leandre / Steve Dalachinsky album The Bill Has Been Paid. Track 11 was from the Bernadette Mayer reading captured on the Rattle up a Deer CD. All information given in the previous blog post applies here as well except for the following: Track 1 features the voices of Paul Haines’s sons, and the latter part of the track features guitar and bass from ex-”No Wave” pioneer and DNA member Tim Wright. Track 3 finds Derek Bailey playing guitar and reciting Haines’s poem. Track 8 features vocals by Mary Margaret O’Hara, Fernando Saunders on bass, and Gary Lucas on guitar. Gary also wrote the music. On track 14 you’ll hear saxophone from Evan Parker and vocals by Carmen Lundy. Finally, track 15 was written by, and features tenor sax from, John Tchicai, bass by Andy Gonzalez, and drums by Marvin Smith. Enjoy, and let Papers for the Border know what you think!

1ère de la 26e session ! Cette semaine, retour énergique avec du Charlie Parker version 2013, une nouveauté en avant-jazz de chez Clean Feed et du free-jazz ! En musique: Magic Malik sur l'album Tranz Denied (Bee Jazz, 2013); Manu Codjia, Géraldine Laurent et Christophe Marguet sur l'album Looking for Parker (Abeille Musique, 2013); Peter Kerlin Octet sur l'album Salamander (Innova, 2013) Pascal Niggenkemper Vision7 sur l'album Lucky Prime (Clean Feed, 2013); William Hooker sur l'album Heart of the Sun (Engine, 2013); John Tchicai sur l'album Tribal Ghost (NoBusiness, 2013)...

1ère de la 26e session ! Cette semaine, retour énergique avec du Charlie Parker version 2013, une nouveauté en avant-jazz de chez Clean Feed et du free-jazz ! En musique: Magic Malik sur l'album Tranz Denied (Bee Jazz, 2013); Manu Codjia, Géraldine Laurent et Christophe Marguet sur l'album Looking for Parker (Abeille Musique, 2013); Peter Kerlin Octet sur l'album Salamander (Innova, 2013) Pascal Niggenkemper Vision7 sur l'album Lucky Prime (Clean Feed, 2013); William Hooker sur l'album Heart of the Sun (Engine, 2013); John Tchicai sur l'album Tribal Ghost (NoBusiness, 2013)...

Guitarist Garrison Fewell's Variable Density Sound Orchestra returns with Sound Particle 47 (Creative Nation Music, 2010). In this interview, Fewell talks about the expanded band; his move from mainstream jazz to the experimental side; and his relationship with composer John Tchicai. Learn more at www.garrisonfewell.com.

Oui, c'est un "mix de l'été".Écouter Liste des morceaux :01. Chris Knox - Not Given Lightly02. Dennis Wilson - Pacific Ocean Blues03. Randy Pie - Highway Driver04. Dee D. Jackson - Meteor Man05. Tangerine Dream - Choronzon06. Rockets - Apache07. Lucio Battisti - Il Veliero08. Sparks - All You Ever Think About Is Sex09. Liaisons Dangereuses - Los niños del parque10. Methusalem - Zombie11. Telex - Twist à Saint-Tropez12. Azoto - Rainfall (Le Beau Mariage mix)13. The Electric Prunes - Holy Are You14. Museo Rosenbach - Il Tempio Delle Clessidre15. Scorpions - I'm Goin' Mad16. John Tchicai and Cadentia Nova Dancia - This Is Heaven17. Michael Jackson - BenTélécharger :- le mix- les mp3 un par un