English singer-songwriter and guitarist
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4 episodes with Jason Pierce
2 episodes with Jason Pierce
3 episodes with Jason Pierce
3 episodes with Jason Pierce
2 episodes with Jason Pierce
2 episodes with Jason Pierce
3 episodes with Jason Pierce
Matteo Panelli"Leonero e il barone"Castelvecchi Editorewww.castelvecchieditore.comDi giorno, Jason Pierce è un giovane imprenditore di successo; di notte, un ladro gentiluomo, abile come un'ombra tra le strade di New York. L'unico ricordo della sua infanzia è una cicatrice profonda lungo la schiena, traccia incancellabile di un passato inquieto. Orfano a soli cinque anni, è stato cresciuto da un maestro Shaolin e poi adottato da due professori universitari della Grande Mela. Ma Jason ha un dono misterioso: può percepire il futuro, cogliendo sprazzi di ciò che deve ancora accadere. Questo potere, però, è una benedizione ambigua, che spesso assume i contorni di una maledizione. L'ombra del Barone Otto Carl Fisher, un criminale senza scrupoli, incombe sulla sua vita; il Barone è il padre della sua fidanzata, e la loro diventa una lotta personale. Mentre tenta di difendere i suoi amici e la sua azienda, Jason si trova a fronteggiare un labirinto di dilemmi morali, dove ogni scelta sembra portare verso una trappola, e la via d'uscita si fa sempre più lontana.Matteo PanelliLaureato in Economia e Commercio all'Università degli Studi di Pavia e in Giurisprudenza all'Università degli Studi del Piemonte Orientale, è al suo primo romanzo.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.
On today's episode I interview Jason Pierce. He's the drummer for the multi-platinum selling and 4x Juno award winning band Our Lady Peace! The band has sold over 5 million albums and their diamond selling album "Clumsy" is one of the best selling albums of all time in Canada! https://www.ourladypeace.com/00:58:00 We talk all things Our Lady Peace!If you prefer to watch the episode instead of listen to it, you can do so on Youtube at: https://youtu.be/E_7Xeuo13ZEIf you've enjoyed today's episode, please take a moment to subscribe, like, comment and share!You can find all my social media links to connect with me at: https://linktr.ee/joelmartinmasteryYour friend and ally,Joel MartinWe've Got Time by LiQWYD | https://www.instagram.com/liqwyd Music promoted by https://www.free-stock-music.com Creative Commons Attribution 3.0 Unported License https://creativecommons.org/licenses/by/3.0/deed.en_US
With Dave's Mom undergoing home hospice and then passing away during the taping of this series, this 6 1/2 hour interview literalizes the ego-death slant of this classic psych band's lyrics. Whether or not you're on drugs, Spacemen 3 has the absolute best music to keep you grounded during life's rollercoaster freakouts. Here's just a few of the many things Pete and I discuss in this podcast: The secret behind Jason Pierce's early lyric-writing technique (a Director's Cut exclusive); The friend of theirs about whom the song “O.D. Catastrophe” was written; Plus, incendiary discussions about their demo tapes and first two studio albums, Sound Of Confusion and The Perfect Prescription! Listen: https://podfollow.com/1592182331 I support a wife and a five-year-old son with Discograffiti as my sole source of income. If you're a Spacemen 3 superfan like me, you'll want THE DIRECTOR'S CUT of this episode. It's ad-free and features 17 ADDITIONAL MINUTES of essential material! You can purchase it as a one-off from our Patreon Shop: www.patreon.com/discograffiti/shop/ Better yet, SUBSCRIBE TO OUR PATREON and receive a ceaseless barrage of must-hear binge-listening! Discograffiti's 4-show-a-week release schedule is yours for the price of a cup of coffee a week: Patreon.com/Discograffiti TIPS: VENMO GEBROE @David-Gebroe PayPal @davidbgebroe@gmail.com Even a $1 tip will be massively helpful. Thank you. CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon: www.Patreon.com/Discograffiti Podfollow: https://podfollow.com/1592182331 YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti Order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404 Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzak Order the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954 Merch Shop: https://discograffitipod.myspreadshop.com/all Venmo Dave A Tip: @David-Gebroe Web site: http://discograffiti.com/ CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram: https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe #spacemen3 #petekember #perfectprescription #playingwithfire #jasonspaceman #takingdrugstomakemusictotakedrugsto #spaceagerecordings #vinyl #sonicboom #spiritualized #psychedelic #mybloodyvalentine #spacerock #soundofconfusion #shoegaze #silvertonerecords #spectrum #palfium #odcatastrophe #jasonpierce #forallthefuckedupchildrenofthisworldwegiveyouspacemen3 #glassrecords #peterkember #recurring #metalmachinemuzak #discograffiti #creem #offthebeatenpath #soldiersofsound --- Support this podcast: https://podcasters.spotify.com/pod/show/discograffiti/support
With Dave's Mom undergoing home hospice during the taping of this episode, this 6 1/2 hour interview series literalizes the ego-death slant of this classic psych band's lyrics. Whether or not you're on drugs, Spacemen 3 has the absolute best music to keep you grounded during life's rollercoaster freakouts. Here's just a few of the many things Pete and I discuss in this podcast: The creative advantages of favoring electric razor and washing machine sounds to band-created music as his building blocks of influence; His early days at art college, as his friendship with Jason Pierce started shooting out sparks; And a Discograffiti first: a narcotics deep-dive during which Pete reveals the substances that had the largest influence on the Spacemen 3 sound. Not to mention, in a Director's Cut exclusive, a convincing diatribe on the life-sustaining power of plant farts. Listen: https://podfollow.com/1592182331 I support a wife and a five-year-old son with Discograffiti's Patreon as my sole source of income. If you're a Spacemen 3 superfan like me, you'll want THE DIRECTOR'S CUT of this episode. It's ad-free and features 14 ADDITIONAL MINUTES of essential material! You can purchase it as a one-off from our Patreon Shop: www.patreon.com/discograffiti/shop/ Better yet, SUBSCRIBE TO OUR PATREON and receive a ceaseless barrage of must-hear binge-listening! Discograffiti's 4-show-a-week release schedule is yours for the price of a cup of coffee a week. Patreon.com/Discograffiti TIPS: VENMO GEBROE @David-Gebroe PayPal @davidbgebroe@gmail.com Even a $1 tip will be massively helpful. Thank you. CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon: www.Patreon.com/Discograffiti Podfollow: https://podfollow.com/1592182331 YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti Order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404 Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzak Order the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954 Merch Shop: https://discograffitipod.myspreadshop.com/all Venmo Dave A Tip: @David-Gebroe Web site: http://discograffiti.com/ CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram: https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe #spacemen3 #petekember #perfectprescription #playingwithfire #takingdrugstomakemusictotakedrugsto #spaceagerecordings #vinyl #sonicboom #spiritualized #psychedelic #mybloodyvalentine #spacerock #soundofconfusion #shoegaze #silvertonerecords #spectrum #palfium #odcatastrophe #forallthefuckedupchildrenofthisworldwegiveyouspacemen3 #glassrecords #peterkember #recurring #metalmachinemuzak #discograffiti #creem #offthebeatenpath #soldiersofsound --- Support this podcast: https://podcasters.spotify.com/pod/show/discograffiti/support
j316173@hotmail.com For professional management: jrpierc2@uncg.edu You teach classes on having a vision for your life and it struck both of us as we were talking recently that you don't hear this message about casting a vision for your life, often if ever in the Christian church. Why do you think that is? What are the consequences of this, I.e. how is this lack of direction from church messaging on vision affecting the way we “do” Church as well as the way we as believers live our lives outside the church? How might Christianity be different if this dynamic were to change? Is this Biblical? If not, what does the Bible say about how we should incorporate our faith, into our daily lives ? If a change is needed, what's the best way to affect that change?
This is the second Welcome Episode for this podcast and along with it I'm officially changing the name of this podcast from Christian Men at Work to Jacobs Ladder and along with the name change I'm changing the focus and purpose of the podcast. The purpose of the Christian Men at Work podcast, since it first started in October of 2016, has been to inspire you to have joy and purpose in your work. I've attempted to do that in two ways. First, I've interviewed men from all walks of life, with varying job titles, who have had one thing in common, they've all chosen daily to live out their Christian faith through their work, and because of that they've been leading, prospering, glorifying God, and finding joy and purpose in their work. The second way I've tried to achieve this goal is through short messages called Selah episodes where I've shared my thoughts, usually pretty closely related to the topic of faith at work. The last episode, which was #220, was Feb 5, 2024, where I interviewed Jason Pierce talking about a Vision for Life. Up to that point, I had conducted 110 interview style episodes with the other half being Selah episodes. If you've been a listener over the years, you may have noticed a trend in recent years toward more Selah episodes as well as a departure at times from the faith at work focus. I've never gone this long, about 8 months, without producing an episode. Before I resumed the podcast again, I wanted to be sure I was both mentally and emotionally ready to do so, and I wanted to clarify the focus and purpose for the podcast before moving forward. I felt I needed to do that first so that I could be passionate about it again, so that I would be motivated to pour myself into it, and so that I could be consistent with it. During the last few years I've had two primary changes in my life. One has been a gut-wrenching, life changing personal challenge which has driven me closer to my Creator and closer to other men in friendship, particularly men that are going through similar personal challenges. The other big change in my life has been that I've changed some of my beliefs and practices which are best described as more Messianic than Christian. To quickly address that issue, I share the belief with Christians that Jesus is the Son of God, that He is the long promised Messiah, and that my salvation comes from faith in Him and His righteousness alone and not my work or good deeds. Where I defer from most Christians is that I believe it's God's will for us to follow His law, including the Torah or first 5 books of the Bible, as well as the Prophets and Writings (i.e. Old Testament) out of love towards Him and not out of obligation or to earn salvation. In practical terms that means I observe the 7 Feasts rather than Christmas and Easter, I follow the dietary laws, I observe Sabbath on day 7 and not day 1 and other things that are usually practiced by observant Jews. You could say that I differ from Christians by following the the Law and I differ from Jews by following Jesus and I believe we should do both. If you've been listening in recent years you've probably noted those two changes in my life through the messages I've been sharing. When I started this Podcast I had just gone through a major challenge in my life where I had gone bankrupt from chasing get-rich-quick schemes and not having a biblical approach towards work and finances. I had, at the same time, gone through some other personal challenges but I felt led to write a book called Jesus is at Work dealing with the faith at work issue, and write a blog on the same topic. Soon after that, I switched from blogging to podcasting. I still feel passionate about incorporating my faith into my work. I love my job more than ever, and I am very thankful for it. I believe my work at my job is part of my purpose here on earth. I want to continue to weave into this podcast the faith at work theme and I want to continue to focus primarily on men. However, moving forward I will be broadening the focus. What is the new focus? Well, you could summarize it by a Beatles song "All you need is love", but seriously, love is the simplest way for me to summarize where I want the focus to be. Specifically, I want to talk about loving God, loving others and loving ourselves, at work and at home. Without love, having faith at work or in our personal lives doesn't mean anything, in my opinion. It's no coincidence that this is basically what Jesus, who I normally call Yeshua, said summarizes the two greatest commandments, upon which hang all the law and the prophets. It's also a paraphrase of the Sh'ma, which Jewish people in their synagogues and Messianics in their congregations recite every Shabbat. I chose as the new title for this podcast Jacobs Ladder, which was recommended by a dear friend. The intent of that title is to provide an image of an intimate connection between God and man, without which we have no hope of connecting with or loving others or ourselves. Here are a few other changes I'd like to implement moving forward. I want to continue the practice of having both interviews as well as my own personal musings. For interviews, the format will be very similar to what it's been in the past, though the topics will of course be more in line with the new focus of the podcast. For my personal musing episodes, I'm going to call them PPP episodes, which stands for purposeful pondering with praise. I became increasingly uncomfortable over time with my use of the term Selah in the past. The original intent was to invite the listener to ponder on the thoughts I was sharing. However, the musings are just one man's opinions which may or may not be prompted by the Holy Spirit and certainly not inspired in the sense that scripture is breathed from God. Therefore, I no longer want to use that term Selah and to leave that for its hallowed used within the Psalms. Through the new acronym PPP, I want to remind myself to keep my ponderings purposeful, in other words I want them to help you to make a change in your life, if you feel it applies to you, either in your thoughts or your actions. I don't want to just talk for talking's sake. The third P is a reminder to incorporate some form of praise into every pondering and to always try to make it about our Creator and not about me or you. I'm not making any promises at this time as to how often I'll be releasing episodes or how the mix will be between interviews and ponderings. I'd like to commit to both of those so you know what to expect, but at this time I prefer to keep my options open. Wondering about that question has been one of the reasons I've waited so long to bring this podcast back to life and so I don't want that to prevent me from doing so any longer. Whether you're a long time or first time listener, whether you're more focused on work or personal, and whether you consider yourself Christian, Messianic, Jewish or something else, I welcome you to the Jacobs Ladder podcast. I'm excited about this new beginning and I'm looking forward to the adventure we'll be going on together.
Sponsored by Airbus, U.S. Space & Defense, Inc. Hey, Scuttlebutt listeners. Thank you for joining us. Day 3 of Modern Day Marine 2024 brings us an amazing guest. CWO5 Jason The post Scuttlebutt Ep 144: Modern Day Marine 2024 Day 3 – CWO5 Jason Pierce first appeared on Marine Corps Association.
Sponsored by Airbus, U.S. Space & Defense, Inc. Hey, Scuttlebutt listeners. Thank you for joining us. Day 3 of Modern Day Marine 2024 brings us an amazing guest. CWO5 Jason The post Scuttlebutt Ep 144: Modern Day Marine 2024 Day 3 – CWO5 Jason Pierce first appeared on Marine Corps Association.
A new MP3 sermon from Friendship Baptist Church is now available on SermonAudio with the following details: Title: Passover All the Time Speaker: Jason Pierce Broadcaster: Friendship Baptist Church Event: Sunday - PM Date: 4/28/2024 Bible: Exodus 12 Length: 31 min.
A new MP3 sermon from Friendship Baptist Church is now available on SermonAudio with the following details: Title: Bible Study Acts 6:8-15 Speaker: Jason Pierce Broadcaster: Friendship Baptist Church Event: Midweek Service Date: 5/1/2024 Bible: Acts 6:8-15 Length: 59 min.
A new MP3 sermon from Friendship Baptist Church is now available on SermonAudio with the following details: Title: Passover All the Time Speaker: Jason Pierce Broadcaster: Friendship Baptist Church Event: Sunday - PM Date: 4/28/2024 Bible: Exodus 12 Length: 31 min.
Contact Jason at j316173@hotmail.com Videos: The Why of It All Alan Watts What do you desire?
A new MP3 sermon from Friendship Baptist Church is now available on SermonAudio with the following details: Title: Secret to Satisfaction Speaker: Jason Pierce Broadcaster: Friendship Baptist Church Event: Sunday - PM Date: 11/26/2023 Length: 39 min.
Jason Pierce serves as the senior director of learning & development and has oversight of the fraternity's learning and leadership development initiatives, programming, and resources. In this capacity, he oversees the designing of both digital content and in-person curriculum. Jason's primary responsibility is to connect the fraternity's education and events with the Core SixTM curriculum containing a set of skills described in AKPsi's competency model. Jason is also responsible for creating the individual learning journey and attendee experience for fraternity events. He also oversees meeting/event logistics, volunteer management, and assessment and evaluation. Professionally, Jason served as the Director of Programs for the Association of Fraternity/Sorority Advisors (AFA) where he was responsible for the AFA Annual Meeting, the Virtual Seminar Series, and the First 90 Days Program. Prior to working at AFA, Jason was employed at The University of Iowa serving as an Assistant Director in the Office of Student Life where his primary responsibility was to serve as the fraternity/sorority advisor. In his role at Iowa, he also partnered with several other UI offices such as Athletic Student Services, Residence Life, Orientation, and Admissions. Jason is a Certified Association Executive as well as certified in the Student Leadership Challenge. He earned his bachelor's degree in business administration from Ashland University, where he joined Phi Kappa Psi Fraternity. Jason continued his education and earned his master's degree in education, specializing in higher education administration from the University of Akron. If you want to contact Jason, send me a message in LinkedIn and I will connect you to him. www.linkedin.com/in/iincandbeyond
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Our 232nd episode features an exclusive interview with adult star on the rise Jason Pierce. Hosted by: Papi Chulo. Visit www.PapiChuloRADIO.com. Download many more episodes via PapiChuloRADIO.com/AfterDark.
Get ready for an exciting episode of our podcast as we sit down with the incredibly talented new performer Jason Pierce. Jason was discovered on Snapchat and has quickly become a standout in the adult entertainment industry. He's full of enthusiasm for his craft and the people he's met along the way, and we can't wait to share his story with you. During our conversation, Jason shares with us his journey into the industry, the challenges he's faced as a new performer, and the exciting opportunities that lie ahead for him. This is Jason's first ever podcast interview, so you'll get an exclusive look into the mind of a rising star who's still in the early stages of his career. Don't miss out on this chance to hear from a fresh and exciting voice in the industry. And, if you're not already following him, be sure to check out Jason on Twitter @jasonsofficials to stay up-to-date with his latest news and projects. Get ready to be captivated by Jason's infectious energy and passion for his craft in this one-of-a-kind interview --- Send in a voice message: https://podcasters.spotify.com/pod/show/phonesexwithlily/message Support this podcast: https://podcasters.spotify.com/pod/show/phonesexwithlily/support
Kevin Miller speaks with Brandi Swindell, live from Washington D.C., and Eagle's Mayor, Jason Pierce.
▶️ ⏪ Este nuevo episodio sobre música es sobre #Spiritualized, una la banda inglesa considerada de rock espacial y formada en 1990. Jason Pierce es el líder de este proyecto musical que tiene una propuesta sonora muy interesante y que deambula entre ritmos modernos y clásicos del rock. Ojalá este episodio sea de su agrado. Recuerda que puedes seguirnos en plataformas y en redes sociales:
25(ish)years ago, an album was released. 25ish years later, two middle-aged men on community radio dedicate a whole two hours to it.For 2 hours we've picked songs from the album, influences, stuff from mixes, stuff from interviews and stuff from related bands. All interspersed by some chat and “insight” on “Ladies and Gentlemen We Are Floating in Space” by Spiritualized®.To experience the show live n direct.. tune into Sheffield Live, Sundays 9pm-11pm on 93.2FM, via the TuneIn Radio App or www.sheffieldlive.orgAs always, don't forget to get in touch to ask for request or shout-out at; nighttrain93.2[at]gmail[dot]com or https://www.twitter.com/RadioNightTrain on the tweets. Especially wanna hear from you if you have a posse cut you need to hear.SHOW NOTESSpiritualized's '98 Breezeblock Mixhttps://www.mixcloud.com/georgeswift/spiritualized-breezeblock-mix-1998/Jason Pierce's '02 Breezeblockhttps://www.mixcloud.com/birdman/breezeblock-mix/Jason Pierce's 03 Breezeblockhttps://www.mixcloud.com/uuilson/jason-pierce-breezeblock-mix-02-09-2003/Prince La La Bioghttps://homeofthegroove.blogspot.com/2005/08/how-la-la-became-prince.htmlThe Wild World of Hasil Adkinshttps://youtu.be/ll83NJuQ0Q0Show 24https://www.mixcloud.com/RadioNightTrain/24-with-munster-records-guest-mix/Mark Lanegan Tributehttps://www.mixcloud.com/RadioNightTrain/270-mark-lanegan-tribute-6th-march-2022/Everything Was Beautiful Tour Musichttps://open.spotify.com/playlist/7zSbKbcU758AKFA6hplz09Radio Spacemanhttps://open.spotify.com/playlist/6dfnObXocuQvuZOSUcm514
In this episode—the 42nd overall, and the sixth in season seven, Kevin has an enthusiastic conversation with YouTuber Nicole Fegan, who traces her musical life from the pop-punk of her youth to the spectral folk of adulthood, and all of the places and sounds in between. To check out Nicole's videos on films, books, and music, head over to her YouTube channel, and more information about the "award winning" music criticism site, Anhedonic Headphones, click here! Episode Musical Credits Intro Music: "Brooklyn Zoo (instrumental)," written by Russell Jones, Dennis Coles, and Robert Diggs; originally performed by Ol' Dirty Bastard. Taken from the Get On Down reissue of Return to The 36 Chambers: The Dirty Version, 2011. Outro Music: "What Does Your Soul Looks Like (Part 4)," performed by DJ Shadow. Endtroducing..., Mo Wax, 1996. "Misery Business," written by Haley Williams and Josh Farro; performed by Paramore. Riot!, Fueled by Ramen, 2007 "The Only Thing," written and performed by Sufjan Stevens. Carrie and Lowell, Asthmatic Kitty, 2015. "Everybody Does" written and performed by Julien Baker. Sprained Ankle, 6131, 2015. "Ladies and Gentlemen We Are Floating in Space," written by Jason Pierce, George David Weiss, Hugo Peretti, and Luigi Creatore; performed by Spiritualized. Ladies and Gentlemen We Are Floating in Space, Dedicated, 1997. "Headache," written by Elizabeth Harris; performed by Grouper. Paradise Valley, Yellow Electric, 2016. "Goodnight My Beautiful," performed by Russ Morgan and His Orchestra. Hindsight Records, 1939. "Sometimes," written by Tim Booth, Larry Gott, and Jim Glennie; performed by James. Laid, Fontaine, 1993. "SugarHouse (Live)," written by Alex Giannascol; performed by Alex G. House of Sugar, Domino, 2019. "How to Rent A Room," written by David Berman; performed by Silver Jews. The Natural Bridge, Drag City, 1996. "Anything," written and performed by Adrianne Lenker. Songs and Instrumentals, 4AD, 2020.
Jason Pierce Mayor of Eagle to talk about property taxes
-discussing property taxes and inflation and what can be done to fix the increasing rates that never seem to have a cap. - Special guest Jason Pierce the mayor of Eagle came to answer questions
This week we speak with https://www.linkedin.com/in/piercejasona/ (Jason Pierce), CEO of https://www.linkedin.com/company/mylittlesalesman/ (My Little Salesman) and https://www.linkedin.com/in/kenlane1/ (Ken Lane), the Communications Manager. They provide an online marketplace for selling equipment and have added on services to help dealers with various aspects of their business. https://www.dealerlowdown.com/ (The Dealer Low Down) is a show focused on providing dealerships of any industry valuable knowledge to help them grow. From product specialists, to software providers, to individuals who own successful dealerships, we strive to bring value to our listeners. https://www.instagram.com/dieselniron/ (Bryan) is a free lance heavy equipment operator and content creator, https://www.instagram.com/anythingoutdoorscontracting/ (Rick ) is an owner/operator of an excavation business, and https://www.instagram.com/mt_builds/ (Matt ) is a general contractor. The Dealer Low Down is powered by https://www.linkedin.com/company/performance-brokerage-services/ (Performance Brokerage Services, Inc.) You can find out more about them here: https://lnkd.in/g_QQnEth (https://lnkd.in/g_QQnEth)
In this episode we discuss pediatric seizures with our newly appointed MedFlight Pediatric Medical Director and Nationwide Children Hospital Emergency Room Physician---Doctor Michael Stoner to discuss. Also joining the podcast party are Dr Ashley Larrimore and Jason Pierce to go full circle on Pediatric seizures. We have all heard about it in school and maybe not all of us medical professionals have had the opportunity to manage a pediatric seizure patient. To see a young girl or boy seizing and a mom or dad breathing down your neck to do something about it quickly can be pretty overwhelming. Come listen in as we discuss the most common types and causes of pediatric seizures along with medical management of them. We hope to ease your anxiety a little on these types of cases and give you the confidence in your management of them.
Em 2018, o chefe do Spiritualized, Jason Pierce, foi convencido pelo presidente da sua gravadora a não lançar um disco duplo. Assim, naquele ano saiu o “And Nothing Hurt” e, agora em 2022, veio o “Everything Was Beautiful”, um disco com tudo que os fãs da banda mais gostam e que é assunto desse episódio. --- Send in a voice message: https://anchor.fm/musicacronica/message
Jason Pierce's longstanding coda to his previous band, Spacemen 3, have been ploughing the maximalist space rock field for decades now, and their high point, Ladies and Gentlemen We Are Floating in Space, is my second favorite album of all time. After the excellent and very underappreciated, And Nothing Hurt in 2018, Pierce has now opted for a full-on Phil Spector wall of sound assault, touching on most parts of the bands history, to mainly great effect.
In this session, Jason Pierce of Spiritualized talks about their latest album, Everything Was Beautiful, how it grew and changed in unexpected ways as he worked on it, and how he let himself get lost in the process.
Esta semana, dedicamos una nueva edición de Rebelión Sónica, a la banda liderada por Jason Pierce, Spiritualized, enfocándonos principalmente en el nuevo álbum “Everything Was Beautiful”. Editado el 22 de abril por el sello Fat Possum, el noveno disco del grupo inglés fue compuesto durante la pandemia, época en, según Pierce prosperó en “hermosa soledad” y que encontró inspiración en sus paseos por un “Londres romano vacío, lleno de cantos de pájaros y extrañeza y sin estelas”. Pierce toca 16 instrumentos diferentes en “Everything Was Beautiful”, pero también participan numerosos colaboradores invitados, incluidas secciones de cuerdas, metales y coros. En la parte final del programa, destacamos la campaña de reediciones, también a cargo de Fat Possum, de los cuatro primeros discos de la banda, en el proceso bautizado Spaceman Reissue Program que se llevó a cabo durante 2021. Escucharemos material del último disco de la iniciativa: el cuarto disco “Let It Come Down” que fue reeditado en su nueva versión el 22 de octubre del año pasado.
Spiritualized - "The Mainline Song" from the 2022 album Everything Was Beautiful on Fat Possum. Long-running space rock pioneers Spiritualized return with their ninth studio album, the appropriately titled Everything Was Beautiful. Founding and sole constant member Jason Pierce (aka J. Spaceman) plays 16 different instruments on the recording, which was done at 11 different studios (not including his home), and employing 30 different collaborators. “There was so much information on it that the slightest move would unbalance it," he admits in a press release, "but going around in circles is important to me. Not like you're spiraling out of control but you're going around and around and on each revolution you hold onto the good each time. Sure, you get mistakes as well, but you hold on to some of those too and that's how you kind of... achieve. Well, you get there.” Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.
Raine from Our Lady Peace joins the show. Our Lady Peace is a Canadian rock band formed in Toronto, Ontario in 1992. Led by lead vocalist Raine Maida since its formation, the band currently also features Duncan Coutts on bass, Steve Mazur on guitars, and Jason Pierce on drums. Sponsored by Revolution Coffee Company | https://revolutioncoffeecompany.com/ and SUPERNOVA Sauce | https://www.amazon.ca/stores/SuperNovaSauces/page/5AAA3370-DC47-41BA-B492-0EE5B2010D9B
On episode 239 of The Quarantine Tapes, Paul Holdengräber is joined by musician Jason Pierce. Jason's band, Spiritualized, is preparing to release their latest album, Everything Was Beautiful. Jason joins Paul to discuss the making of that album and his influences as an artist.Jason unpacks the Kurt Vonnegut quotation from which the album draws its title and he tells Paul about the unique experience of producing an album under the conditions of the pandemic. Jason and Paul's fascinating conversation covers Leonard Cohen, album design, Jason's upcoming return to touring, and more. Missed the live broadcast? Listen in to the show on all podcast platforms and on quarantinetapes.com.Everything Was Beautiful: https://spiritualizedband.bandcamp.com/album/everything-was-beautiful“Always Together With You”: https://www.youtube.com/watch?v=ME0ji3o05UQJason Pierce is an English musician and the frontman for the band Spiritualized. Pierce formed Spiritualized in 1990 and the band has released eight studio albums. Their latest album, Everything Was Beautiful, will be released in 2022.Paul Holdengräber is an interviewer and curator of public curiosity. He is the Founder and Director of Onassis LA (OLA), a center for dialogue. Previously he was the Founder and Director of LIVE from the NYPL, a cultural series at the New York Public Library, where he hosted over 600 events, holding conversations with everyone from Patti Smith to Zadie Smith, Ricky Jay to Jay-Z, Errol Morris to Jan Morris, Wes Anderson to Helen Mirren, Christopher Hitchens to Mike Tyson. He is the host of "A Phone Call From Paul," a podcast for The Literary Hub.
Interview: We talk to Dave Dastmalchian and John Hoogenakker about a special moment with F. Murray Abraham, finding friendship in a cutthroat environment, having substance abuse and authority issues, mind-f***ery, the cloistered nature of conservatories, using skills gained at TTS on set, taking an eclectic approach to acting, the tricky dance of teaching an art form, PR Casting, Does a Tiger Wear a Necktie, when William Burroughs discovered a copy of the Fledgling Press, a zine which Dave created.FULL TRANSCRIPT:Jen Bosworth-Ramirez (00:00:08):I'm Jen Bosworth Ramirez.Dave Dastmalchian (00:00:10):and I'm Gina Pulice.Jen Bosworth-Ramirez (00:00:11):We went to theater school together. We survived it, but we didn't quite understand it.Dave Dastmalchian (00:00:15):20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all.Jen Bosworth-Ramirez (00:00:20):We survived theater school and you will too. Are we famous yet?Dave Dastmalchian (00:00:29):So they concocted this plan to make A shelf in our library, like right above the door frame, that goes all the way around the room. So I am not kidding you. So, soJen Bosworth-Ramirez (00:00:49):Pictures, pictures, put them on the website. Okay.Dave Dastmalchian (00:00:53):Here's the deal though? My son, my, my middle child is so smart. He has never helped us with these type of projects before, because he doesn't really like, he traditionally hasn't really liked working with his hands, but this time he wanted to, it was really his idea. He wanted to do it. And he's such a math brain that he insisted on doing heavy. Pre-planning like he made us model, not a, he's calling it a model. It's not really a model. he's like got a piece of paper. He drew plans for it. He did all kinds of measurements. He used. Yeah, it was great. And he goes, listen, if we don't plan it out like this, then we get halfway through and we run into a snag and then we stop working on it, which is exactly what the oldest one. And I have done on a number of projects, including building a full-sized Playhouse on our back -Yes ma'am yes. Ma'am. I spent thousands of dollars on wood and nails and power tools so that we could have this joint project of building a Playhouse. And we didn't think it through one single bit. We, we found some plans on the internet and we went through and we made it. I got, we got all the way to the roof and the roof is what did us in? We couldn't, we couldn't get up high enough on the thing. We didn't have a high enough ladder and it's not in a great enough position. We couldn't put the roof on it, sat there for a year. And then it was time for the bar mitzvah, which we were having the party at our house. So we had to, and we had to take the whole thing down and we never finished it. So the other one goes, listen, we're I don't want to do that. I don't want to go through all this work and give it up. So he planned it and boy did he plan it with an inch of his life and it's going up and it's looking great. And I will send you picturesJen Bosworth-Ramirez (00:02:44):That is done. Oh my gosh. Merry Christmas. [inaudible] freaking Christmas. That's fantastic.Dave Dastmalchian (00:02:51):I have one other cute little story to tell you.Jen Bosworth-Ramirez (00:02:55):I took, well, I told her, um, I told C's, um, hummus story is Sasha and Chrissy and Tilly. Oh. Saw them from afar. Um, we saw them outside. Uh, they're amazing. And they laughed so hard. It was. Yeah. So it's for people that don't know. I mean, we've probably said, I'd probably made you tell it like four times, but you, but my version, this is how I tell it is that, um, your daughter says, mom, what, what kind of stuff do they have to eat in prison? Do they have like bad food? And you're like, yeah, it's probably not that great. She goes like hummus? They cracked up anyway.Dave Dastmalchian (00:03:37):She's she's hilarious. So, um, I was sick yesterday and she came home from the bus. Oh, earlier in the day she had -I was taking her to school and this little girl had these really cute boots on these little there's some, some, Ugg, type boots. She's like, Oh, I love those boots. And I S and she had said something to me about it before. And I said, yeah, you know, I looked for those, but I couldn't, I don't see where they are. I, I, you know, I can't, I can't find any of the information for it. So she comes home yesterday. Oh, this is so sweet. She brings me a plate with sliced up bananas, um, something else, and the little container of yogurt that she got in her lunch that she brought home. Cause this is kind of sugary yogurt that I never buy for her Trix yogurt. And she covered it in saran wrap. And she wrote me a note. I get, well, note, and it's a picture of the two of us. And it said, mom, get, well soon. I love you. And you, and it says at the bottom turnover, turnover, they have such, she goes, I got the information about the boots!Jen Bosworth-Ramirez (00:04:53):I'm telling you. She's genius.Dave Dastmalchian (00:04:56):She writes, You can get them at col that's Kohl's or you could get them at Kohl's or, um, uh, TRG I T get at targetJen Bosworth-Ramirez (00:05:12):She's genius.Dave Dastmalchian (00:05:14):She followed up this morning. She goes, so did you, did you check out Kohl'sSpeaker 4 (00:05:31):[inaudible]?Dave Dastmalchian (00:05:38):Hm. We've moved a lot. I mean, not as much as you, but we've moved a lot in the time that we've been together. 20 whatever years we probably moved, I don't know, 15 times and, or maybe less than that, but, uh, between 10 and 15 times. And we, one of the things that we lug around from place to place is a lot of mementos. A box of mementos turned into two boxes, turned into two boxes each. Now we have kids, they have their boxes. So we're at the point where not only because of this for other reasons, but we have to store all the mementos in a storage facility. This is the dumbest possible thing. I mean, it also has furniture from, Oh, it has furniture. But like, anyway, we store boxes in boxes. Probably those plastic tubs, you know, the big plastic tubs would probably have like six plastic tubs that are of mementos.Jen Bosworth-Ramirez (00:06:40):Wow.Dave Dastmalchian (00:06:41):Aaron has, you know, the, the little plaque he got when he won a tennis tournament in eighth grade is it's like a lot of things. Okay. I've gotten better at paring things down. But then when you have kids, you feel like you shouldn't throw anything away because they're the ones who are going to be going through your stuff one day and who are going to be mad. If you didn't save all of their stuff. Now, of course you cannot save all of their stuff, but like, what's your stance on mementos? What do you keep? What do you toss? What's -do you feel guilty about it, et cetera?Jen Bosworth-Ramirez (00:07:20):It's a great, that's a great topic. I, um, feel mixed. We have, so, yes, we've moved so much and we too have mementos. Um, there's the Marie Kondo, you know, that if it doesn't spark joy, but I don't really believe that. Um, I think people should, uh, do what they want to do for the most part. I don't subscribe to a minimalist thing, but I definitely feel like for everything you keep, you should throw out one thing. So, so, so that goes with clothes that goes, and it is really hard. Now, mementos are different because they have sentimental, they have sentimental value, but I'm remembering having to go through, uh, both dead parents' stuff. And most of it is garbage. Like most of them, most of it is like a lighter that my dad had that was engraved with someone's initials. That weren't his, why he probably stole it from somebody. But, um, but I was like, what, what, what? No. And it was a tremendous amount of emotional work to go through this stuff. And, um, yeah, I say get rid of, most of it. I get rid of most of it.Dave Dastmalchian (00:08:42):I mean, I think what it's about is, cause what, what I did with my dad is so when he died, I was right before I got married and he, so he didn't know that I got married or about any of my kids. So I think I really held onto stuff for kind of a long time, because it just felt like I didn't have time to grieve or process or whatever it is. So there are certain things that I, you know, you have your stages, like things you get rid of, like when Aaron's dad died, he came home wearing all of his father's clothes. He had his, and they were all too big pants and his shoes, well, that stuff has started to, it's been about a year, that stuff is starting to go away. So I remember the phases of getting rid of stuff. And it is something about like, you hold onto the, the stuff is like a placeholder for you doing your grieving. So it's like the more you do the work of going through the grieving that's then you, then you feel okay to get rid of the stuff. And the thing about what the kids is, I know something that they don't know, which is that it feels so precious to them now is not going to feel so precious to them. For example, when they go to college or move out and I say, we need to go through this stuff. Now we need to go through and figure out, you know, what you want. And I'm sure that they're going to want to get rid of a lot of stuff, but they also want to keep like, both boys did TaeKwonDo and went through their black belt. And the trophy for a black belt is like, as tall as a person, that's like five feet tall. Those are in storage. We went to storage to get out the Christmas stuff. And my oldest son, he picks up, he goes, this thing was really like a piece of junk. Like it's, you know, cause trophies are just made of plastic cheap metal. Yeah. So I, that was like, okay, you're going to want to get rid of this. That's a good thing. But with the smaller things, like really precious sentimental notes, I feel like keeping, but listen, not every kid or not, every person writes a card that's worth keeping, I'm sorry to say, butJen Bosworth-Ramirez (00:10:58):Right. And what you don't and what, and I think what you're doing is by getting rid of the sub stuff is what you're actually doing is making your kids job easier when we all croak. So if you think about it that way, like I act, but they should be allowed maybe one tub each.Dave Dastmalchian (00:11:18):Right. And we shouldn't have to worry when it gets no, no, well, they don't, they only have one tub, but then they have things like the trophies or the other things that they don't want to get rid of. Yeah. I'm feeling like what we should do is it is a annual or at least every few years going through making sure this is still so, because it, it was only recently that the older two wanted to get rid of their schoolwork from kindergarten. Wow. Yeah. They really wanted to. And that's the other thing is like, if it is serving some emotional need, I cut it off. I don't want to cut off, but I also don't want to, I know how it is with the whole storage facility. We got a storage facility that's bigger than what we need. We're just going to fill it up like a goldfish, eating too much and filling up its bowlJen Bosworth-Ramirez (00:12:05):And then their stomach explodes. Uh, but I was going to say something that you might do too, is if you're into any kind of ritual is w miles will burn. Um, we will burn stuff in a, in a, like a goodbye stuff. Like, um, if it's sentimental letters and stuff, now it, you know, there's not burning a kindergarten paper on, you know, aardvark, but, but if there's anything have some kind of ritual saying goodbye situation. Um, my sister and I, Oh my gosh. When we went to through the attic, there was a, like a 10 year period where everyone died. Right. And so we had 10 people's ashes. I'm not kidding you. My mother, my father, both three grandparents migrating at Ruth. It was crazy. So we didn't know what to do with all these ashes. We just dumped them in the garden. We are like, and we had a parade of ashes. We just had a ritual. We were like, goodbye, goodbye, aunt, Ruth goodbye. Then they all got mixed together, but we literally headed those cremations of like, not, it was like nine people, but I was like, so you don't want, you don't want stuff to accumulate that, that P that the kiddos are going to have to just go through and be like, I mean, the ashes were fine, but there was so much stuff that I was like, Oh my God, like pictures of people that you cannot name, those got to go. Yeah.Dave Dastmalchian (00:13:31):Right. What about though? Have you ever thrown something away? And then been like, Oh, I wish I hadn't got it.Jen Bosworth-Ramirez (00:13:39):But you know what? They were, it was bigger items, actually. Wasn't sentimental stuff. It was like, my mom had this, a couple of chairs and furniture. It was more big stuff. And it doesn't sound like you have tons of big stuff. Um, it sounds like it's more sentimental stuff. Um, but I, I mostly felt like that chair, I should have hold it. It held onto the chair and some of her of dishes and stuff like that. But at the time I was like, no, it's gotta go. It's gotta go. Um, so the other thing that I would say is don't, um, for people is like, don't make any decisions when you're in a heightened, emotional state, because you will save weird and you will throw out stuff that you will. So like, it's good that you go through it once a year. Not in a crisis, not in a, not, you know, after a huge event, but at like when you like a regular checkup to the storage place,Dave Dastmalchian (00:14:36):I think too, I just had this thought what I should do, especially with papers, take pictures, just take pictures of papers. I can, I can even make a book for each of the kids. Like here is five images of all the crap you wanted me to save that I didn't, but I took a picture of it.Jen Bosworth-Ramirez (00:14:58):Brilliant. You just thought of that. Brilliant. Yeah. You're a Marie Kondo in your own, right?Dave Dastmalchian (00:15:04):Aye. Aye. Listen, pursuant to our conversation about my home decor. I'm like, let's get rid of it. Let's get rid of it all. Like I have a China cabinet. I mean, come on. I, I, I mean, I have China. I have, I have tried, but I don't need to, it doesn't need to be displayed. Like, it's my prize possession. You know what I mean? It can just go to shelf.Jen Bosworth-Ramirez (00:15:22):I guess that, that leads me to the question for you is, and it goes back to our other conversation, which is, um, do you think you just adopted that because it's what you thought you should do.Dave Dastmalchian (00:15:33):It's 100% that, because I, yeah, I, I learned at an early age, like I remember being on the younger side and, uh, going through something, I forget what it was, birthday, old birthday cards and throwing them away. And my mom being like, you're getting rid of them. You know, she keeps everything. She keeps her, yes, she keeps everything. But I, uh, my middle child is my, uh, icon in this way. At summer camp, you send cards, you know, you're in current and they like to receive mail. So I sent a lot of cards and he received a lot of cards. He comes home from camp. This is not this past summer. But the summary for her, I said, did you get all the cards I sent you? He said, yes, I did. And they were so great. And on my last day of camp, I looked through all the letters that you and Gran and I gave him a kiss through with the trash. And when he said it, I, I had this Pang of like, Oh, you throw them in the trash. But of course it served its purpose. The purpose was to give him something to remember us by while he was at camp it, then it was over. Then he was going to come home and be with us. He didn't need to hold onto it.Jen Bosworth-Ramirez (00:16:53):It's not sentimental that way. No. What about clothing? Do you hold onto clothing?Dave Dastmalchian (00:16:58):No, no. I get rid of, I mean, I have my, I have my, I kept my wedding dress and I CA I kept like a few of the kids. Very first ones. These remember the onesies that you made, that you, you, we made at your house. I have the, I have not all of them, but I have some of those, but yeah, I don't get sentimental about clothing. Aaron does. Aaron has his high school, varsity jacket and his first pair of scrubs and his first doctor coat and all this kind of stuff. Oh, wow.Jen Bosworth-Ramirez (00:17:30):Go through your clothing. And you're not a shopper. You don't like to shop for clothes.Dave Dastmalchian (00:17:36):Well, I like to have clothes. I just don't like to shop for them. Yeah, no, I go through, I, yeah, I'll have, did I forget if you were here, you saw my closet. We have, I've never seen your closet. It's technically a walk-in, but not really. It was a very small class. I have always had a very small closet. I've never, I know that if I had a huge closet, I would just collect a bunch of clothes. So it's kind of an and shoe. So it's kind of a good thing that I don't know. That's one thing we sort of keep under control. We, I throw out something maybe like once every week or once every two weeks I get rid of stuff. Really? It's the other stuff. It's the stuff that I feel like I'm supposed to have because I have kids or I'm supposed to have, because, because really a lot of the other people in my life are very sentimental errands. Very sentimental has. My mother is very sentimental. My kids are very sentimental. So I feel like I have to keep all this stuff for them. But I really don't.Jen Bosworth-Ramirez (00:18:31):That was a China cabinet. Was that a purchase that you thought I should have this because I'm an adultDave Dastmalchian (00:18:36):Or did you inherit it? No, we were moving here from the city and we were just both like, well, we need a dining set. And we went to the furniture store was the first time I went to like a real furniture store and they had a matching dining table and chairs with the, with a China cabinet and a, uh, something else. We've got three big pieces. It's all crappy furniture. It was a waste. It was expensive. And it was a waste of money because all furniture that's made past bef you know, since 1950 is crappy furniture, um, dining table. Well, it's big, but it's, it's really like wobbly. It's crappy. It's crappy. So I, I think I'm going to, maybe after the holidays, get rid of the China cabinet, whole King thing. Like it doesn't give me any joy to look at it. It doesn't give, it's just like, here's where we put all the crap that we use on Thanksgiving.Jen Bosworth-Ramirez (00:19:33):Right? It's more of a storage. It's not a showcase for anything special. What you need to do is get so many snow Globes that then you've got you put those in there, maybe, but that's a huge, you don't really need maybe a different kind of case for the snow Globes.Dave Dastmalchian (00:19:48):Something like that would give me joy, some little bauble, something like that. It's just plates and vases and, and somebody who is in my family has started a collection of something for me that I don't care for. But it's like, you know how it is, the person really wants to collect something for you. And they pick something. They, they have something that they collect and then they go, well, would you like a different version of this thing? I collect it. And you know, and I remember saying once, like, Oh, that's pretty. And next thing I know I've got my, what she considers to be my version of her thing. This is not my mother. I have to feel like I have to say this because this is not my mother. And it's, it's stuff that I feel that I have to make sure is out for when this person comes to my house.Jen Bosworth-Ramirez (00:20:43):Understood, understood. I don't, you know, I think everyone like dead in my family. So I, I, I get free from some of that, like, but I do. There's a part of me that goes, Oh, someone is thinking about you that's collecting something for you. It just, maybe they would ask them if they could collect. You know, I don't knowDave Dastmalchian (00:21:05):To me that the collecting impulse, I don't relate to it. I mean, with the exception of maybe that I like these pretty snow gloves, I I'm not, I don't collect anything. And my mother collects everything. She does. She does. She collects, she has a China pattern. She does a crystal pattern. She collects, um, she's a big reader. So she collects books. She, yeah,Jen Bosworth-Ramirez (00:21:35):I remember I remember the house on Wayne, right? And it was a duplex. It was a two floor. She had a lot of nice stuff. She had a lot of nice stuff.Dave Dastmalchian (00:21:44):It is, it's all very nice, but it's, it's stuff. It's a lot of stuff. And I'm just finding that. I'm not as into stuff. As I thought I was,Jen Bosworth-Ramirez (00:21:53):Well, I think the pandemic has done that to people too. It has increased for me. Anyway. It has increased my awareness that like, all this stuff is not going to save us from certain things.Dave Dastmalchian (00:22:06):Not from nothing. It's not going to save you from anything and you have to clean it and you have to store it and you have to move it. And you have to, you feel, for some reason you have to replace it. If it gets broken, like it's just a yoke, it's a yoke. And Aaron and I fantasize. When the kids leave, we're going to get a studio apartment. We're going to have no possessions. And we're going to just do whatever we want. That doesn't have anything to do with buying, maintaining, or storing stuff of anything.Jen Bosworth-Ramirez (00:22:38):That's brilliant. I think that is a great plan. D my only caveat is please do it in California. That's all I have to say. Yes, yes.Jen Bosworth-Ramirez (00:22:58):Today on I Survived theater school. We have the fancy friends, Dave Dastmalchian and John Hoogenakker. I call them fancy friends because that's what they are. They are fancy. They work. And they work all the time and they're delightful human beings literally think,Dave Dastmalchian (00:23:13):and they have fancy last name. I was making the episode art. I'm like, Oh, this is, of course these two have to have the longest, last name so that they really do. I've ever had. We'll just call him Dave. You guys have seen. Yeah. And you guys have seen them. I mean, not necessarily together, but, um, uh, Dave was his first film role was in, uh, the dark night. So he, I would love to have him back Sometime and ask about Heath ledger, because I bet that he's got a lot to tell about that anyway. So Dave has a, mostly a film career. He's also a screenwriter. He has written a few films that are excellent, including, um, Animals and, uh, All Creatures Here Below two excellent films. And John is a lot on television.Jen Bosworth-Ramirez (00:24:07):Gotcha. Uh, he was on Jack Ryan as one of the big, big leads. And he, and they're in an outstanding film called Teacher together. So that's somethingDave Dastmalchian (00:24:18):Right. And the two of them wanted to do the interview together because they're such close friends and they shared a lot of memories. And it was interesting to have as it's our first duo. It was interesting to explore their friendship as a way that they both survived theater school. So please enjoy Dave, the small shin and John who can anchor.Dave Dastmalchian (00:24:40):You got to call her up again and ask her to do all right.Dave Dastmalchian (00:24:44):I'm going to make a note of that right now. Anyway. Congratulations, John and Dave, you survived theater school. No, not barely. You guys. I think you both had excellent theater school careers, but I'd like to hear it from you.Jen Bosworth-Ramirez (00:25:06):Uh, w I'm so glad that you're our first duo that we've had on today. The fancy friends. And I wanted to know about your experience, like together as well as a part, but like my first question for you is, did you love each other right away?Dave Dastmalchian (00:25:22):I don't, I don't know. John, did youDave Dastmalchian (00:25:26):Well, for sure,Dave Dastmalchian (00:25:30):Gina the longest and by the way, so good to see you. It's only been 20 years like this. I mean, we've, we've messaged and emailed a lot, but Jesus, this is amazing. Oh my God. Uh, so I was roommates with Gina and we were very close and then I left school for a year. And so the school moves forward. Jen, you and Gita were in the same grade. You guys all moved forward. And when I came back, it was a whole new group of people to get to know. And John, um, was one of the first people that I knew when I got back. So I felt very out of place. And, um, it was hard to come into because it's such a competitive environment and it's such a, um, intense environment. And I was both competitive and intense. So to jump into the fire with a whole new group of people, to kind of, it's hard, cause you're posturing, you're sizing up, but at the same time, you're looking for connection.Dave Dastmalchian (00:26:27):You're looking for support and it's, it's such a conflict. And John, I'm not going to get emotional today. I swear to God, but it was like one of the first people that extended such, uh, a kind generous since he's got that, that, that inimitable,John Hoogenakker (00:26:46):I'm a cuddler.Dave Dastmalchian (00:26:47):sincerity, which is what makes him such a brilliant actor. But he had that like, look me in the eyes in class and like, Hey, he has a little bit of a draw. Like I'm really excited. You're here. And I want to get to know you and I hope we get to work together. And then we went and hung out at his apartment soon after that and maybe smoke something. This is recorded, sorry, John. And then we watched star Wars stuff together and that was our bond. So that's my version of this story.John Hoogenakker (00:27:16):Um, no, God, we, we had a lot of fun. I have old pictures of you and I, and Iyisha and, uh, snuggling ghanaba, um, you snuggling and which I'm going to send you guys. Um, but, uh, yeah, we, uh, jeez, I just remember, uh, I remember Dave's, um, it bullions from day one, his like drive in his, in his positive energy. And I think, um, that is the thing that ha that has, that has been such a, um, such a driving force in Dave's career, um, is that he just never stops. It comes down to energy and positivity, and he's constantly pumping that into the world. And I think Dave has known for many, many years that it, you know, that that kind of stuff comes back to you. Um, and I think I was drawn to that in Dave, uh, yeah, from the giddy-up, butGina Pulice (00:28:10):Also recognize somehow that he needed you to take on that stare you in the eye and tell him you want to get to know him vibe. Did you know that he felt overwhelmed coming back?John Hoogenakker (00:28:23):Uh, I D I think from my perspective, the thing that drew Dave and I, to one another was a sense that, you know, in the theater school at the time that we were all there was such a, um, there was so, uh, it was a lot of mind fuckery going on. And there was a lot of, um, I think a lot of us in the acting track, especially I know this was the case throughout the school wanted, um, positive reinforcement from teachers. And sometimes I think my perspective was that people were manufacturing emotions and things to achieve that positive reinforcement. And Dave, uh, just seemed to be Dave to me, which I really, really, uh, enjoyed and appreciated. And, um, yeah. And so I think that was, uh, that was, um, it was, it was Dave's, um, his, his sort of genuine vibe that I wasJen Bosworth-Ramirez (00:29:20):Both of you when I've run into you. I mean, you know, I don't, I live in California now, but I've seen you like at PR and Dave ed ran into you, one set of Starbucks in Chicago, the genuineness is unbelievable. So I, I think you're both fancy and I'm sort of sorry, starstruck, I, but when I, but there is sort of, both of you have this sort of face to face, like, look you in the eye, I'm going to have an actual conversation with you. And I think that makes you not only great, great actors, but what's more important to me is great human beings. And I, um, I don't know. I'm just so glad you guys found each other and that you're friends. It's like, no, it's not. That's how I feel. Yeah. That's how I feelDave Dastmalchian (00:30:06):The work and outside of our mutual, passionate love for the theater acting film, um, storytelling, character creation, cinema history, literature, like John. And I did kick it off immediately with a lot of, of, um, you know, kindred kind of passions for things which we all shared because we all were in that, that, that, that vortex. Um, and obviously we were drawn there because we had a passion for this stuff, but, um, you know, I've been through, uh, the ringer in my life outside of my acting career as well. And, and, and John was always one of the first people to show up and be there for me when I needed someone as well, which was you, you're not taught that in the, again, this is about surviving the theater school you're taught, um, that you're in the ensemble family mode during rehearsal. And it felt like kind of, um, during a production, but then it was right back to, you know, this really intensely bizarre, like John there's no better, I guess, adverb than mind fuckery of, um, and, and it was, it was, um, I'm very grateful, um, and, uh, many great, true friendships came out of that time because when you go through something that intense and that trying, but we, um, we, we, I would love to tell a quick story if I can, because we were kind of, we, weren't kind of, we were absolutely ups. We were in trouble a lot, um, because it's no mystery that I had a pretty intense substance abuse problem in college. And John had a pretty serious attitude problem in college. And, uh, neither of us dealt well with authority, although we loved being directed, which has always been a paradox with us. Like we love great directors that get in and like help guide us and shape things. But at the same time, we are the first people to, you know, get our backs up sometimes. And I, um, and I remember John and I were so frustrated that some of the people like he, he, there was this, this feeling of like posturing or presentation that always felt in authentic to us. And we wanted, you know, Chicago, we want to rub real dirt on our faces and smashed glass, and we're going to get in there. And, and we were doing a scene together from, um, uh, Glen Gary, Glen Ross for, um, second year, uh, scene study work with Joe [inaudible]. And it was so intense. It was the Moss era now seen at the Chinese restaurant. John is just needling into me to like, you're gonna, you're gonna get in on this heist, or I'm going to ruin your life. And we loved, like, we got into that so much. It was all space work. And we're in generally John and I were in, I was either in rave clothes or John was in some tide by Bob Marley thing. And, um, and so we had to speak special guests coming to the theater school who was going to do a scene study, uh, workshop. And it was F Murray Abraham. And, um, I'll never forget. We were all so excited, big fans. We go, they did it at a separate location on campus.John Hoogenakker (00:33:07):And it was where it was history of dramatic lit I think,Dave Dastmalchian (00:33:12):where nobody cheated. And he, um, he Through the fees that he was working on so quickly, and he was getting frustrated, like stop with the, stop with the presentation, like w Let's work these.John Hoogenakker (00:33:28):And he was also, he was also like not giving, like he would give a really incisive note and then would be like, all right, now, fuck off and do better in life!Dave Dastmalchian (00:33:38):He didn't want over preparation. He wanted this to be like a malleable Play-Doh Eve kind of moment where we could, so we were not part of that event, John and I were just sitting in the back row, probably like, just like, Whoa, this is so cool, dude. Like "that's F Murray Abraham!"]. And he looked to the crowd. He's like, is that all you got? Cause they had prepared. I don't remember four or five scenes.John Hoogenakker (00:34:01):Yeah. It was like, it looks like, well, it was like two from each classroom. And, and then we had like a break and the teachers were kind of looking around at each other, like, well, that's all I had. And that's all I got Dave, you went toDave Dastmalchian (00:34:15):Slowik Turned to me and John and slowok. goes, "You guys!"Speaker 7 (00:34:18):You guys, can we do it, John? Can we do it here? And John's like, yeah, let's do it.Dave Dastmalchian (00:34:25):What else is in costumes that they've got their props that John and I hopped up with? Uh, we, we may do, right. We got a bottle that we brought from someone else's seen some cups. Um, and we jumped up there and we did this. We did the scene where F Murray had recently done the piece or he was familiar enough with it that he could kind of jump in and, and do with this. But IDave Dastmalchian (00:34:45):Was so proud that day, even Though I knew what F ups we were. And even though I knew that I was, I knew that the work we were putting into and the discipline and the, and the, and the love we were putting into building these characters together and how much we loved playing off one another was, I knew in that moment, this is something I'm going to do with this guy for the rest of my life. And sure enough, we've gone on to do films, two films together, outside of school, we continue to collaborate. Um, I knew in that moment though, I was like, this guy I'm holding onto him for the rest of my life.John Hoogenakker (00:35:18):Dude, I wanna, I want to jump in because that was such, that was, first of all, it was, it was an amazing experience that we were like, we were like greyhounds, just ready to run. And, and we were also, we didn't realize that. So I'm going to, we talk about surviving the theater school. I don't know where to start, but more importantly, I don't know where I should stop. So you guys got to shut me up. Um, so, so, uh, I ran, I got that bottle from my roommate who drank Jamison, like all the time. So I ran across because we were in Seton hall, not Seton hall, but a sanctuary. And I got the bottle and I came back and Dave and I were getting ready and we do the, we do the scene and I knew, we knew that F Murray was going to just like, give us a note and dismiss us. So he gave us this note. And the w the one thing was I had been breaking up this paragraph that I was giving to Dave, you know, kind of feeling my way through it. And she kind of schmacting him and he was like, you know, this David Mamet gives you all of the direction you need with the punctuation, like Shakespeare. And you need to just drive through without taking a break, because that's going to give you more pay off at the end of the, at the end of the scene. And Dave and I looked at each other and we just started doing the scene before he could dismiss us. So we jumped right into it. And he had gone through all the people in our class that had been put forward. He had gone through upperclassmen, and that was the first group, Dave and I were the first two that had the audacity. Did you jump, take the note and jump back in? And we'll when we finished, he was like, that is preparation.Dave Dastmalchian (00:37:01):[inaudible] mother.Gina Pulice (00:37:05):I love that. I love that because what you're telling me in that is you each made a decision where our company is called Undeniable. So you made it, you made a decision to be undeniable. You made a decision to not let him, I'm sure everybody would. I, I'm not sure anybody else in that situation would have been willing to get up and go on and not let him deny you, not let him interrupt you. And you were like 18, 19 years old, which is like even more. So you, you both mentioned mind fuckery, which is a very evergreen theme on our podcast. And I would love to hear a little bit more about as you look back at this time in your life now, uh, and you imagine, cause some of our professors were probably the age then that we are now, what do you make of some of this? How have you reconciled some of what you now consider to be mind. Great. Did it feel like a mind fuckery then, or does it just look that way in the rear view,Jen Bosworth-Ramirez (00:38:09):I'm just going to add a caveat, a quick caveat in that I teach at the theater school. So, um, I, and, and I, um, I'm trying to change the culture there a little bit. And so, um, I, I just always am really hyper aware that like we want, um, say whatever you want, that's what I want to say, whateverDave Dastmalchian (00:38:36):The Vincentian Brotehrs called in the legal team, man, they're coming, you're talking to John and Hey, don't worry. You go first because I know.John Hoogenakker (00:38:52):Yeah, yeah, yeah. Um, I have no idea what I'm going to say. We're on a journey of discovery. No. First of all, to your point, Jen, like I know John and I admire him greatly. I feel like there's gotta be five of him in the planet to achieve all this stuff that he's achieved. And the theater school of today bears little, if any, resemblance to the theater school that Dave and I and you guys, uh, attended. Um, and that said, I don't feel like, uh, the mind fuckery that I, um, felt I was, uh, that I received was the result of, uh, some jerk cadre of teachers sitting around in a circle and being like, who can we -? You know, who can we shit on today? I don't think that's how it was. I think the difference was there was a, a strong, a greater focus on academia. At that point. It was like just giving your life to an institution and, and a philosophy and an approach to doing theater that was, uh, at that time intensely cloistered. Um, didn't allow us to kind of step outside of the school. And we all, uh, to a certain extent kind of knew what we were signing up for. When we came on board, I had been in ROTC when I was in high school. Um, I had competed in debate, so I kind of dealt with a lot of that stuff at the beginning. And I just kind of felt like when I was at theater school, as Dave said, I had a real attitude problem because I was like, I had to take on a lot of debt to go to that school. Um, my family came together and did everything they could to help me, but I, I graduated with a lot of debt. Um, and I kind of felt like, you know what? This is, I'm paying you, but like, we get to have a conversation about this. I know you're the, I know you're the pro I know you've been doing this your entire adult life, but I have questions. And I feel like I'm due an answer and a considered answer. And you don't get to just shut me down because I asked a question and I'm 19 and you're 54. Um, cause I'm here taking on a lot of personal debt that I'm going to carry into my adult life. And you owe me answers. Um, th th that's just, let's just call that an opening, uh, Sally and Dave, you can share it for a little bit,Dave Dastmalchian (00:41:03):Like, you know, it was the perfect place for me to train. The culture was a utterly complicated, complex filled with nuance. Lots of gray area came from a tradition steeped in some really, uh, important and impressive theater movements that were more, um, militaristic and disciplinary and really, um, intense. I'll always be grateful for the tools that I picked up in the theater school to this day, saved me on an almost daily basis sets because the awareness it gave me of my body and my voice, and, you know, the depth of my psychology to be able to solve problems on the fly and repeat, you know, emotional recreations, um, was really important. I will say that there were conflicting philosophies and approaches, which is, I think very healthy. One of the things I loved was that nobody said this is the theater school way. It was like, here's the Joe Slowik way. Here's the Bella Itkin way. Here's the David Avcollie way, here's the Rick Murphy way. You go to these classes, you see what works for you. You see where you're doing the best work, and then you have to grow up quickly and you have to be prepared for this dog, eat dog world of the arts that you're going to be thrown into. Once you graduate here, there is no, you know, um, kind of kind or gentle or entirely psychologically easy way to prepare somebody for the, the, the, the meat grinder that is the show business. And so for all those reasons, I was incredibly grateful. I think there were, there was a lack of oversight when it came to, um, mental wellness with some of the faculty, and I'll always hold them responsible for the fact that they allowed sexual relationships between professors and students. I think it's entirely inappropriate for people in that kind of power, um, in there.John Hoogenakker (00:42:53):It's unbelievable when you look back on it.Dave Dastmalchian (00:42:57):When I think back on the fact that I knew there were teachers that we were meant to listen to and respect and regard and trust with our deepest parts of ourselves who were seduced and having sex with students that breaks my heart. And, and I, I would tell them that to their faces today, if I could see them, but I hope they'll watch. Um, and I also think that, uh, that there was some abusive behavior, um, that I'll never understand other than they were human beings who, um, you know, who were just people that, um, were, uh, that, that, that did, that did some things that may, I like to, I like to believe that they thought they might've been helping push us, or, but some of the things that were either said or done, I go, man, that was, I can remember sitting with Gina one time. And I mean, I I'm a pretty emotionally fragile guy, but I was like on the verge of, of tears, of, of something that had happened with one of the professors that we both really admired, but also we both really kind of feared and, um, and it was just like why, but, but in all, I'm grateful because I'm not one of those people I'll run into people from the theater school who are just carrying so much damage from that time. And I'm so grateful that when I look back on my time at the theater school, in all honesty, it's with a lot of positive, it is I really go, wow. That was an amazing experience. Yes. I have anger, frustration pains about certain things that happen that I can't believe, but I do feel, I feel like it really prepared me for the world in which I'm working now.John Hoogenakker (00:44:37):I totally agree. And I, I, you know, I look back on that time and I kind of feel like what, you know, when I look at things that had that I feel like have gone pear shaped and that I was a part of, I always try and think about what, what could I have done better? And for me, I look back on that period. And I think that I was not, uh, emotionally mature enough or perhaps mature enough in general, to take on board everything that I could have learned, uh, as an actor. And I'm talking about like, uh, technique wise in that program, because I was so emotionally just kind of bombarded with. So, so much of it is, is subjective in the, in the beginning. And we're going into a career where, um, you may go up against four other people in your type, or maybe not in your type who were phenomenal actors, and you may get that job, or you may not. Um, and there could be any number of reasons why you did or you didn't and kind of trying to prepare a child. And let's be honest, if you're not in the master's track, you're still a child, um, for the realities and the emotional rigors of, uh, of what could end up being a career in a full life, doing that stuff would be the greatest act of compassion that an educational center could impart to a child. And I feel like the theater school was like that wasn't even a thing. Um, and, um, you know, I mean, not understanding why, you know, everybody probably makes the case of like, Oh, gee whiz. I was so talented in my hometown. And then I went to the theater school and I was like, Oh my God, everybody's talented. What am I going to do? But you still in class with folks, uh, you know, all these hours a day, all these days a week. And some people are, uh, become darlings. Some people do not. Some people back then, um, were kept on after the first year, after the second year. And some people were not, and there were, there were there, there were like major head scratchers about that, like to go back and to have completed two years and to be respected in the eyes of your peers and presumably in the eyes of your teachers. And then to get that, that letter that, you know, maybe this isn't for you to be able to, to make that determination in another person's life. And in that way is just, it's, it's astounding. That that was what we signed up for. And I'll tell ya, uh, I remember I'll never forget. That was not really made clear. Um, prior to coming to the theater school, like actually sitting there on the first day, I remember sitting cross-legged on the floor and listening to kind of talking, this is the greatest city in the mind of God and His being like, you know, some of you will Graduate. Most of you will not. I remember like, wow, that's pretty intense. Like I was not so clear on the whole half of you are going to get cut the first year and then half the remaining are going to get cut. The second year, that to me was like deeply, uh, ingenuous disingenuous, because what was really happening. And again, the school is a completely different school. Now they've dealt with this stuff. What was happening was they were bringing in free labor that was actually paying them shitloads of money to be free labor, and then kicking them to the curb. They, I think had a pretty good idea at audition, which of these four kids were actually going to make it to graduation. And I think we had some idea of that, but we were literally pitted against one another. I'll give you one example and then I'll shut up and let Dave go again. Um, we did, uh, an intro in second year, lot called Laughing Wild, and it was by Christopher Durang and it's a two-person so two hander, it's a man and it's a woman. And what they did was they cast four males and something like nine females and the director never set the lines. So every night it was literally these kids who still had not been invited back for their third year and could still be cut in a fucking verbal knife fight everyJen Bosworth-Ramirez (00:49:11):This is fucking crazy! Yeah.John Hoogenakker (00:49:13):And you know, it was the director. Like I still had really long hair at that point. Pier said Jason Pierce had really long hair. Uh, Bryan Sharp had really long hair. And I think it was Hunter, uh, Andre. Um, and it was kind of like Ilko didn't really like our long hair. So it was like, you guys all have to look the same. That's what I'm going for. So we all got our haircut and then we commenced to like fighting over these lines. And what we ultimately did was probably pretty cool to look at, but it was also a hot mess. Um, you know, cause he'sJen Bosworth-Ramirez (00:49:49):Totally, no, I mean, I, I think it begs the, so I guess the bigger question here for me and I don't know what you guys think, but, um, th 17, should we be doing this? I, I really, I mean, I know for me, I'm, I'm grateful as hell I went there. I was, I was cut and then asked back, it was a weird thing. I got a letter and then another letter. And then, um, so as a 17 year old or sick, I was 16. Like, this is so much mind fuckery inherent in the system. And w when we went there, I mean, we're all glad we went, but like man kids, I don't know that we should be, if I would, if I had a kid, I don't know that I want my kid to be engaged in a verbal knife fight at 17 with Hunter, Andre. I I'm just, I don't know, but that's, that's a big question.Dave Dastmalchian (00:50:41):I wouldn't put my kids though on the track right now to be actors because of that. But the reality, the harsh reality is that the business of theater and the business of film and television needs 20, 21, 22 year old actors. So to throw them into the best training you can at 18, 19, 20, 21, it sucks. But it's also like it's an exceptional calling to choose the path of the artist. And it's, it's a, it's a, it's more, you know, not to be, you know, uh, whatever ridiculous about it, but it, it, it, it, it is like it's, it's, so it's such an unfair, the world is so unfair. As we know, Jesus Christ turn on the news right now, the world is an unfair place, but the arts are so unfair. And it's like, if someone's going to it's, it's such a complicated question. Cause I do think like right at like 18, maybe that's the earliest. If my kid said, dad, I want to do what you do. I'd say you do as much community theater in high school theater and drama, as you can speech debate, blah, blah, blah. I'm not taking them to a Hollywood audition until they're 18. Um, and if they want to pursue it, I would want them to go study and train somewhere. Like what the theater school is now, you know, at 18. But yeah, it's really complicated. It is. Yeah.John Hoogenakker (00:52:09):I will say that, you know, I was, I was just going to throw this in. When, when I graduated, I got a job working at Chicago Shakespeare, which was started like a couple months after graduation. And I got on stage with, um, Kevin Goodall, Lisa Dodson, Greg Finkler, Brad Armacost, um, all these amazing, uh, classic classic Chicago actors, um, stalwart Chicago actors. And it was the first, uh, it was the first show in the, in their new space. Um, so they had all these great people in the cast. So I got so lucky to be, you know, a messenger in that play. Um, but that was when my personal education in the theater like really started. And that was when I saw like these Titans, uh, kind of dealing with the humdrum rejection of, yeah, I went for another one at PR I didn't get it. Yeah. But it went to blah, blah, blah. And he's a great dude, which is a thing I've always loved about Chicago. It's like, you know, you get to a certain age, it's always the same folks in the room and you kind of are cheering for everybody. You sit in that waiting room, especially PR and it's, it's always a reunion of friends. Um, but I, I, so when I talk to people, parents of child, actors on sets who want to know what I would advise them to do, if these were my kids like Dave, I mean, I kind of, I'm kind of like, you know, if they are still interested in this, when they're 18, I would take all the money that you've saved for college. If you've saved any and just fund their apartment in Los Angeles or Chicago or New York, like start them off when they're that early, because they're four years ahead of the rest of the pack when they graduate. And they will have spent that four years learning at the feet of actual working professionals.Gina Pulice (00:54:08):Yeah. Well, the truth is when somebody wants to be this from the time they're five years old, which probably all of us did, there's no stopping them. I mean, we've heard stories of parents saying, please don't call, study theater, please do something else. And they're going to do what they're going to do, but so let's bring it back to when you guys decided you wanted to go to a conservatory for college. Was that something you knew all along? Did you figure it out later? How did you pick DePaul?Dave Dastmalchian (00:54:37):For me, it was, it was, uh, it was the, it was fate. It was, um, you know, it was truly fate. I mean, it was, it was like a miracle of God. And to me, God works through teachers. It was the power of teachers. I, um, my parents were a mess throughout my, you know, junior high and high school years where I was very much on my own in a lot of regards. And I was a high functioning, um, academically, you know, in the, in the, in the, in a good tier. Um, but I was really, uh, excelling in both speech and football. Those were kind of my two strengths coming through high school. And I didn't see the path towards, um, the academic dreams that I had for college, um, in, in speech or acting or drama for God's sake, but I did through football. So my dream was going into my senior year of high school. I was going to be as yoked as possible, play the best game I could play, get us to state, get a scholarship to go to a better school than I could go to that I knew was at my hands with the amount of money that my mom and I had. And with that scholarship, I was going to try and become a high school football coach who, who ran the drama club. That was my dream for myself, two teachers, my speech coach and our drama teacher said to sat down with me separately and said, you have something you, we will help you if you're, if you're afraid of applying to like arts programs or theater or following a track and drama and hearing that was mindblowing. And they did, they helped me do the research. I looked at SMU, NYU and DePaul. I did a regional audition and then ultimately up to Chicago and my audition was in front of John Jenkins and John Watts. I'll never forget. I was there in cutoff, Jean shorts, a tie dye, Janis Joplin t-shirt and my football socks. And there was a bunch of kids in leotards and jazz shoes who knew what they meant when they were saying things. I did it, my, my monologue was completely wrong. They said, don't do a dialect that I did, uh, a scene from Equis. And then they, we said, don't do a dialect. And I luckily remembered does a tiger wear a neck tie? And I just threw that out there. And it was fate. It was God, it was whatever you choose to believe. But then I got a letter, uh, very soon after that, that, and I was miserable thinking about playing four years of college football. That's important to note, I did not want to do that, but I knew it was a means to an end. My brother was a collegiate athlete and I knew the demands of that and that, that was going to be my life for four years. But for me to get the education I wanted, it was worth it. Um, and I got this letter that not only had I been invited to participate in the theater school program, but I had also been given this, um, this, this huge scholarship, uh, called the Stanley andJohn Hoogenakker (00:57:35):Good for you, Dave, we're all happy for you.Dave Dastmalchian (00:57:39):That's my story. I'm done as John, just going into the story about the buckets. Hey, I left school with a massive amount of Debt as well because my scholarship did not cover living expenses. That's why I had to leave theater school for a year to goJohn Hoogenakker (00:57:58):Dave. Yeah. Dave wanted to live in a four bedroom, three bathroom.Dave Dastmalchian (00:58:03):Gina can tell you where we lived on Lill. What was Our landlord's name?Gina Pulice (00:58:11):Earl Pionke!John Hoogenakker (00:58:15):was Lill, the place. It was like right around the corner from healing earth resources? Like, yeah, that's the one where like a couple like, or an adjacent building had the, uh, the deck collapsed right there. Yeah.Dave Dastmalchian (00:58:31):And the tanks? remember the Space Time tanks, John. The floating tanks?John Hoogenakker (00:58:33):what's that?Dave Dastmalchian (00:58:33):Didn't we go do that together? The tanks, the, that the, the deprivation. The sensory deprivation ones?John Hoogenakker (00:58:38):Oh yeah, yeah, yeah, yeah. Anyway, right there. One of the oldest ones in the city is right there. Yeah. Thanks for, thanks for a, no dude. I'm so happy. So that'd be for you for getting a scholarship to DePaul. That's great. Um, good for you. Um, I didn't get a scholarship. I, uh, no, we, no, I totally very similar story except I was not going to be an athlete, uh, ever. Um, I was in, uh, I was, uh, in speech and debate in high school. I had not done theater since I was a child, like a younger child, uh, because I got, um, braces and my dad who was a, a local actor in Charlotte, um, was like, there's no, there's no market for a kid with braces. So then I was, um, I think at about 10th grade, I started competing in humorous interpretation, which Dave? Yeah. Um, and, and I did really well in that. And so then when I got to, uh, senior year, the drama teacher and I'd never taken drama at the theater at the, uh, high school, you know, she would, uh, she would accompany the speech team on debate trips. She reached out and she was like, Hey, you know, if you want to take this class, you can take the senior level drama class. And she, and my speech coach, uh, Barbara Miller said, you know, you should, you should check out some theater schools, see where you can study. And we, I looked into like, uh, a Julliard I was really interested in because I knew that Robin Williams had gone there, but I think it was more expensive to audition there. And I somehow missed the whole boat on, you know, I think a lot of people, I know Kelly, my wife, um, auditioned at, uh, in Chicago, but for a bunch of schools all at once. Um, and I, uh, I came in like late January, early February, uh, and we stayed, it was going to be a big deal for my family. So we stayed at the Palmer house. Um, and I went and I, again like, like Dave, I was surrounded by all these kids that just seemed so focused. And so like tuned in to this world that all of a sudden seemed very foreign to me and completely unattainable. And like, I was just completely a fish out of water. And, um, and I did, uh, my, my drama teacher had given me a monologue that was, you know, gonna be probably like, does a tire tire wear a neck tie or something, you know, appropriate for the location for the venue. And I didn't, you know, I, we had done, um, a musical called runaways and there was a monologue and runaways that I thought, well, it just really spoke to me. It was about a, a young kid whose mother had passed away. And he was kind of like just mourning her. And I remembered my drama teacher being like, well, it's your life? Good luck. And, um, and I came, came to the school and we did the whole, like, they let us through warmups, which was bizarre. That was Patrice, I think. Um, and then I did my monologue for like Betsy, I believe, and maybe John and possibly bill Brown. Um, and, uh, and I left completely dejected and I told my dad, I was like, well, that's not going to happen. Um, you know,Jen Bosworth-Ramirez (01:02:06):So I have to interrupt and say that everyone we talk to, I am not kidding you. Every single human I've talked to says, I left that place after my audition feeling like, well, I don't, I think I bombed, But no one I've talked to has been like, I nailed that.John Hoogenakker (01:02:26):Well, that's, you know, I that's so, uh, indicative of the way, like the vibe at the time, the teachers weren't like, they weren't there to coddle you and be able to good job. You've really nailed it. I think you're going to go Places said, no DePaul teacher ever. No, no, no. They certainly, certainly they do now. But, uh, but yeah, so we left and I had forgotten my watch. Cause, you know, you had to like all of a sudden, like I don't, I think I just barely remembered to bring sweat pants or something like that. Um, and, uh, so I forgot my watch. So my dad was like, I'm sure you did find bud. And so like the next day or whatever, he calls Melissa Meltzer and he's like, Hey Melissa, I'm wondering, did you guys find a watch? Um, cause John, he lost a watch. You didn't, you didn't find a watch. Huh? Okay. All right. Well, uh, thank you. And then she was like, so how does John feel like he did? And my dad was like, Oh, well, he bombed it. He did very well. I just wanted to make sure we got that watch before we Charlie. And, uh, and she was like, yeah, he's one of you we're sending out a couple, uh, a couple letters of admission right now or whatever acceptance right now. And he's one of them and I just could not believe it. And, um, yeah, it was, it was really, really great. But again, I had no idea what I was signing up for, because if it wasn't DePaul, it was going to be Appalachian state, um, or community college in Charlotte because I mean, I had, I had, uh, I was in AP classes and I had done well on my SATs, but I was not a focused student otherwise. And, uh, didn't have the scores to get into state or Carolina or any of the vaunted, uh, universities in my home state.Gina Pulice (01:04:18):According to my research, you guys did at least two shows together. Uh, uh, yeah, right. Um, I got the Blues and Peter pan, Peter pan,Dave Dastmalchian (01:04:33):The, uh, we did the, um, uh, uh, Glengarry Glen Ross scene together. And then our senior year when we were all very frustrated with the, with the, with the, with the plays that had been mostly, there was some really cool plays that were selected for our fourth year, but we were, we were frustrated collectively John, his wife, Kelly, our friend, Dennis Zack, a whole group of us got together. And we put on our own production of white check. Uh, we worked together, uh, doing that, uh, outside of school and performed at a coffee shop nearby because we were determined to do challenging work that was going to actually give us a chance to do something. So, yeah. But while we were those first four years, and then in the year, since we've done three things together probably or four, yeah,Jen Bosworth-Ramirez (01:05:25):teacher was amazing. Teacher was a good,Dave Dastmalchian (01:05:27):thank you. Thank you. I was so excited when, um, we got John, uh, it's just putting him into anything is going to elevate it. As you guys know you watch any TV show, any movie, any play, you name it. John comes into something he's going to elevate it. But I knew that that relationship I needed that character that I played in teacher had nobody else to ground him. He had nobody else to clean too. He had nobody else to like tu tu tu, tu, tu tu, you know, make me feel any sense of, of my, the characters, much needed humanity for the audience to get on board with him in those moments that John and I got. And John did a lot of stuff that magically woke up. It was a great script, but man, John took it to the, a much, a greater level, but just which is the magic he does. He did the same thing in animals. When I said, we've got to please be in my movie, please. I knew what he would do and sure as he did it, he walked in and everybody was just like, I mean, it's one of the best scenes of a movie that I'm very proud of. It's a 90 minute film filled with scenes that I love, but that is the scene I've probably gone back to, uh, more than any. And I go, God, really proud of the writing I did there, but what he did with little nuanced moments, I've, I've learned a lot watching my friend onstage and on, on, on set and I will continue to, I also watch everything he does obviously because he is my friend, but also because he gets to do a lot of really cool stuff. And, um, but I learned a lot. I learned a lot from, from you, John.John Hoogenakker (01:07:07):I feel the same way about you, man. You, I got to say, Dave has always been an inspiration to me because of, as I mentioned at the beginning of our talk because of the positivity that he puts out into the world. And Dave, you know, as he mentioned earlier, uh, went through the ringer with substance abuse. And, um, I think it's less than 7% of people, uh, who, who have been where you were, uh, ever come back. Um, and so to be one of those people who not just survived, but who thrived in an already incredibly challenging industry, um, is just absolutely astounding. And to, and to continually go back to the well and create, be a force of creativity and, you know, your own engine and guiding your own ship, um, while being, uh, you know, a partner and a father is, um, I, I feel so lucky that I've gotten to lean on you for inspiration and to call you for adviceDave Dastmalchian (01:08:17):Or, you know, it's wonderful. Like it's, I'm so grateful and that's another thing I'm so I'll always thank God for the theater school because of John Hoogenakker, and so many people that have been instrumental in my life. And I think it's important to note too, as far as the friendships that were forged in that time, um, you asked earlier too, there was some, obviously there were some teachers that taught me some wonderful techniques and skills, but also really hurt my heart in some certain ways. But that was it wouldn't be fair to, to neglect and not point out that like I'll never forget it. If there was one person who actually did take time to try, I felt like in her way to teach us ways of coping was Phyllis for me, she talked to me a lot about meditation. She introduced me to some books that were really instrumental to my journey, um, and like really wacky, like psychedelic stuff that I was really invested in thinking about at the time and really cool ways of trying to process depression. I didn't, I wasn't diagnosed at that time and I wasn't getting the proper help that I needed for my depression, but that was really, I I'm so grateful, uh, as well as, you know, the encouragement that someone like her showed, she was a needed angel at the time for me, um, in a dark place. Um, and bridges, I mean, I know he wasn't, um, you know, uh, faculty, he was staff, but that guy, um, recognized and saw some stuff that no one else was willing to address in my self-destruction. And he showed up for me way outside and above and beyond the, the, the roll call of whatever his payroll was or required of himJohn Hoogenakker (01:10:03):And his door was Always open. And as a side note, he attended your wedding. I bel
En Música de Contrabando , revista diaria de música en Onda Regional de Murcia (hoy vamos de 23,05 a 01,00h)León Benavente presenta el single “Canciones para no dormir” de su álbum “Era”.Big Thief estrenan "simulation swarm", caminante nuevo adelanto para escuchar en bucle de Dragon new warm mountain i believe in you, su espectacular nuevo disco.Black Country, New Road te hipnotizan en ‘Snow Globes'.De la habitación de un colegio mayor al WiZink Center en modo chillChill Chicos estrenan las primeras canciones del que será su nuevo álbum desde el Palacio de Deportes de Madrid.Después de escuchar varios avances como Rich o Payday, lo nuevo de la formación británica lleva el nombre de Pour Another y se trata del último adelanto por parte de los británicos Yard Act antes de llevar su primer LP a las tiendas de discos.Ya queda menos para que podamos disfrutar al completo de lo nuevo de Beach House, Once Twice Melody, disco que saldrá el 18 de febrero de 2022 a través de Sub Pop. Bright Eyes y Kathleen Frances se suman a las celebraciones por el 25 aniversario de Secretly Canadian.Jorge Ilegal ha compuesto un tema a imagen y semejanza de Loquillo, que ha ejecutado un tema muy ilegal; pero que al mismo tiempo recuerda temas como "Barcelona ciudad", o "Rocker"..AVI, grupo murciano de postpunk, publica con Grabaciones Vistabella su primer EP, ‘Espejo'. The Delines regresan con "kid codeine", nuevo adelanto de The sea drift. Nacho Vegas presenta Mundos inmóviles derrumbándose (Oso Polita), que llega después de Violética (2018) y del recopilatorio de caras B e inéditos Oro, salitre y carbón. 10 años de Marxophonismo (2011-2020) . Fontaines D.C. anuncian su nuevo disco ‘Skinty Fia' y estrenan el primer single. "El desastre", avance del nuevo disco de El Último Vecino. Barrie anuncia Barbara, su nuevo disco, con la melancolía pop de "quarry", sintético primer adelanto. Spiritualized publicarán un nuevo disco el próximo 25 de febrero a través de Bella Union. Everything Was Beautiful un álbum grabado en 11 estudios diferentes, con más de 30 músicos, el regreso de la banda de Jason Pierce desde And Nothing Hurt de 2018, que por entonces sugirió que sería su último álbum para su proyecto, felizmente no ha sido así. Piles Sebastian lanzan su primer EP, "Chico conoce chico".
In this episode, USMC Chief Warrant Officer Four Jason Pierce discusses his practical work as a Supply Operations Officer and how that work fulfills doctrinal warfighting, LSCO, and MDO requirements. Additionally, CWO4 Pierce shares insights on the meaning of his work and offers a bit of wisdom for new (and seasoned) Warrant Officers. Finally, Jason shares some humorous observations about some differences in culture between the Army and USMC.Ceremonial music provided by:https://www.usarmyband.com/ceremonial-music-guide https://www.marineband.marines.mil/Audio-Resources/The-Marines-Hymn/https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/Theme music (intro and outtro) composed by SFC(R) Joshua DiStefano. https://joshdistefano.com/ Please visit warrantofficerhistory.org to learn more about how you can help support the foundation and programs like this.Contact Russ Houser: CohortW1918@gmail.com
Spiritualized - "Always Together With You" from the 2022 album Everything Was Beautiful on Fat Possum. If today's Song of the Day sounds a little familiar, you're not just tripping on Spiritualized's otherworldly psych-sound. “Always Together With You” was originally released in demo form in 2014 as “Always Forgetting With You (The Bridge Song)”, but it's since been reworked for the long-running space-rock band's ninth album, Everything Was Beautiful, out February 25th via Fat Possum. The title — along with the title of his 2018 album And Nothing Hurt — completes a beloved quote from Kurt Vonnegut's classic 1969 novel Slaughterhouse Five. “There was so much information on it that the slightest move would unbalance it, but going around in circles is important to me,” said frontman J Spaceman (real name: Jason Pierce) in a press release about the upcoming release. “Not like you're spiraling out of control but you're going around and around and on each revolution you hold onto the good each time. Sure, you get mistakes as well, but you hold on to some of those too and that's how you kind of… achieve. Well, you get there.” Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.
We love Spiritualized for the space rock project's epic and anthemic sound. The new album “Everything Was Beautiful” is slated for release in early 2022, and sees Jason Pierce (a.k.a. J Spaceman) playing 16 different instruments and employing an additional 30 singers and musicians, which is curious for a man with a fondness for isolation. Let's enjoy the grand sound of “Always Together With You.”
Greenkeeping runs deep for Jason Pierce, and it better because he's got a lot to manage! Forty-five golf holes at Golden Horseshoe Golf Club in Williamsburg, VA plus a role as Mid-Atlantic Regional Agronomist for Kemper Sports. Jason puts a lot of effort into staying organized and efficient probably because he learned how to green keep during a time when you were forced to make more with less. This is a characteristic that he has carried throughout his career. You will also enjoy hearing Jason tell some great old “Joel Stories” from his early days of building greens at Whitetail Resort in PA and Heron Glen in NJ.
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Llega un nuevo capítulo de Conexiones MZK especial para nuestros suscriptores. Spiritualized ha anunciado un nuevo álbum, titulado Everything Was Beautiful que será publicado el próximo 25 de febrero a través de Bella Union. Una ocasión perfecta para que les rindamos tributo, haciendo un repaso de su carrera. Para ello, nuestro podcast estrena formato para sus mecenas y escarba en los cerca de 30 años de trayectoria de los de Jason Pierce a través de 10 canciones emblemáticas. Dirige Manuel PinazoEscucha este episodio completo y accede a todo el contenido exclusivo de Conexiones MZK. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/286835
Drummer Jason Pierce of Our Lady Peace talks about the isolated means of recording their upcoming record Spiritual Machines II (and the array of drums used on the recording), the truly CRAZIEST series of events that transpired on his FIRST tour in Indonesia with The Weekend (band), the advantages of overdubbing cymbals, the wild ride of his time touring with Paramore, dealing with years of bad technique to resolve pain issues, our mutual love for the Cult & Guns N Roses (and opening up for Guns in Roses with OLP), mutual fascinations with jazz/improvisational musicians, starting to play gigs again with OLP & a whole lot more!
August is back to a pediatric topic as MedFlight Radio finds their way back to Nationwide Children's Hospital in Columbus, Ohio and talks on infant/pediatric airway. Today we sit down with Doctor Jill Fitch (ICU intensivist at Nationwide Children Hospital) and Jason Pierce (Former Nationwide Children Transport Nurse and Current MedFlight Flight Nurse/Education Coordinator). The conversation dives right in on pediatric airway assessment, treatment and current trends of managing infant and pediatric airway. Which is better for my pediatric patient in respiratory distress—?? regular oxygen, high flow nasal cannula, CPAP, BiPAP. Come listen in as we get the unique expertise of a pediatric ICU intensivist talking airway in kids.
I'm speaking to a bonafide indie rock legend on this episode. Pete Kember, also known as Sonic Boom. But Pete has gone by all sorts of names over the years; EAR (or Experimental Audio Research) or Spectrum. He's provided production to the likes of MGMT, Panda Bear and Beach House. He's worked with Yo La Tengo and Stereolab, and he was – until 1991 – a founding member, and – alongside Jason Pierce – now of Spiritualized – a constant in Rugby psyche wonders Spacemen 3. Last year he released – as Sonic Boom – one of the very best records of the year, All Things Being Equal. Sonic Boom tours the UK early next month. Here we talk about Portugal, psychedelic drugs, gardening and... would he ever reunite Spacemen 3. The C-86 podcast I reference in the episode, you can find here. The James McMahon Music Podcast is a Spoook Media production. Spoook is also a record label, a promoter, a shop, a Substack - it's many things. Follow us on Instagram and Twitter. And please do Like, Review and Subscribe - it actually really helps people find our podcasts!
B. Murf rambles and chops it up with his sister and brother-in-law about technology money traps. Going back home and seeing the hood from a different set of eyes and understanding. Answering an email question “Overrated” and much more. --- Support this podcast: https://podcasters.spotify.com/pod/show/unbiasedbyus_/support
On this episode I chatted with photographer Jason Pierce to talk about his multiple photography businesses and where his passion comes from. Jason grew up in OKC and saw his fathers passion for photography from a young age. Eventually picking up a camera and diving into it himself. Getting lost in the process his Dad realized his passion and told him to start a business. The business name came from Mom. Grand Life Originals, photographing lifespan's grandest moments with truly original work. Since then Jason has grown the business into the real estate market but primarily he shoots for schools. Every event you can think of that your child will attend at school. Jasons passion hasn't stopped, he's evolved into infa red photography seeing light in different ways and selling his photography as high end artwork. For more information go to: https://www.grandlifeoriginals.com https://nimbleimage.com Huge shout out to my sponsors for their continued support. The Oklahoma Hall of Fame. Telling Oklahoma's story through its people since 1927. For more information go to www.oklahomahof.com and www.instagram.com/oklahomahof RCB Bank. Get rates as low as 1.79% APR on new, used and refinanced cars, boats, campers and ATVs. Visit www.RCBbank.com or come into any of our 40 locations across Oklahoma to learn more. Until August 31st. Rate and financing with approved credit. Restrictions Apply. #thisisoklahoma
Miksteip J Spacemani ehk Jason Pierce'i gospeli momentidest nii Spiritualizedis, kui Spacemen 3's.
Take is journey with us into musical and the magical moonscape of Jason Pierce's bands and behold both's highly habit forming sonic vistas that created a rich catalog and devote cult following that continues to this day. And checkout our Spacemen 3/Spiritualized playlist on Spotify. Link: https://spoti.fi/3sDCgCY
It's on! The Boston Podcast Challenge debuts with a battle between accountant Jason Pierce and financial expert Gontran de Quillacq.More on Gontran at: https://navesinkinternational.com/our-expert/Jason Pierce can be reached at: JPierce@jsheld.comJ.S. Held LLC52 Broad Street 4th FloorBoston, MA 02110Office +1 617-482-5755 | Mobile 857-216-5775
Hay gente que escribe su diario pero hay quien puede utilizar tal cantidad de letras de canciones escritas a lo largo de su carrera para que ejerzan de hilo argumental de su vida. Eso es lo que va a hacer Paul McCartney en su libro "The lyrics" que sale el 2 de noviembre y en el que aparecerán por orden alfabético 154 canciones que serán el relato de esa vida unida a la música desde hace décadas. Tiene título también el que será el próximo disco de St Vincent. Ya ha avanzado fecha (14 de mayo) y que se llamará "Daddy´s home". Las fotos en las redes sociales y algún cartel en la calle ha dado las pistas del relevo de "Masseduction". También es noticia del día que se confirma que el título que habían avanzado Wolf Alice en un mensaje es de la nueva canción que formará parte de "Blue weekend", su tercer trabajo. Por su lado sabemos que aparecerán reeditados en vinilo los cuatro primeros discos de Spiritualized debidamente retocados por Jason Pierce. Novedades internacionales son "Little oblivions" de Julien Baker; el "Miracle" con mensaje optimista de Francis Lung; la recuperación de un disco perdido (que había guardado su esposa) de Alan Vega y la celebración de los veinte años de vida de Blackberry Smoke. Novedades de aquí es una canción más de los granadinos No Sé a Quién Matar; la etiqueta (Lee Perk) de rock and roll de Alfredo Niharra, el poema hecho canción de Berlín-Texas y por fin el álbum de Auto Sacramental. El recuerdo al aniversario redondo del programa de dentro de un mes y un día lo puso Ricky Nelson y la Stone Canyon Band con su disco de 1972. Escuchar audio
In this episode, Jeni Lee and Jason Pierce joined me to talk about politics, current events, family structure, spiritual warfare, the superbowl, Trump, relationships and much more.
Restaurants in New York are facing a dire winter, now that cold weather has ended most outdoor dining and Gov. Andrew Cuomo has placed further restrictions on indoor dining as COVID-19 rates rise. One of those restaurants is the Savoy Taproom in Albany, which has been in business since 1936. It was known as Justin’s for many years and has long been a gathering place for some state lawmakers, their staff and lobbyists. That was back when the Senate and Assembly used to actually meet in person, before the pandemic. When I first visited the Savoy, the warm fall weather still lingered, outdoor dining was in full swing, and owner Jason Pierce was apprehensive but hopeful about surviving the pandemic. “I have woken up many a morning since March 16 and just thought, ‘My God, what am I doing? This is too much,’ ” Pierce said. “But the reality is, I have staff here who need to eat, who need money in their pockets, and I have customers who have come to rely on us. So this isn’t just about me
ValuationPodcast.com - A podcast about all things Business + Valuation.
Hi Welcome to ValuationPodcast.com - A podcast and video series about all things related to business and valuation. My name is Melissa Gragg, and I am a divorce valuation expert in St. Louis Missouri. I have the pleasure of discussing Fraud in Times of Divorce: Following the Money Trail with Jason Pierce, a forensic accountant in Boston, Massachusetts. Welcome Jason!! How did you get involved in doing valuations for divorce? What are some of the unique divorce cases related to valuations in Massachusetts? Let's start at the beginning – you have tax returns and/or financial statements – what are you looking for to determine if there are indicators of fraud? Do you get involved with tracing separate assets in divorce? What is this process? What are some of the things you look for in the bank statements when you are doing income and expense analysis for the purpose of maintenance or child support? You have written about calculation reports in the context of divorce – let's talk about this topic and why it's important in the valuation community. Tell us more about your background and company. JASON PIERCE, CPA, CMA, CFM, CVA, MAFF is a partner with the firm Edelstein & Company LLP in Boston. Prior to moving to Massachusetts, he was a partner at an Alaskan CPA firm and a valuation manager for an RSM McGladrey network firm. Jason specializes in financial forensics and business valuations for dispute and transaction-related engagements. Jason is a lead instructor for NACVA's Master Analyst in Financial Forensics (MAFF) and a regular speaker at other professional organizations. Jason is an active member of the Massachusetts Society of CPA's (Business Valuation Committee) and the Boston Chapter of the Institute of Management Accountants (Vice President - Education). Melissa Gragg CVA, MAFF, CDFA Expert testimony for financial and valuation issues Bridge Valuation Partners, LLC melissa@bridgevaluation.com http://www.BridgeValuation.com http://www.ValuationPodcast.com http://www.MediatorPodcast.com Cell: (314) 541-8163 Jason Pierce CPA, CMA, CFM, CVA, MAFF 160 Federal Street, 9th Floor Boston, MA 02110 TEL. 617-227-6161 FAX: 617-589-0530edelsteincpa.com Support the show (http://valuationpodcast.com)
This week's episode finds the twins chatting with PhotoCon Master Class leader Jason Pierce. In the FotoFacts "Circle of Trust", his codename is JUSTIN. Listen to the end and you will understand how Robert can make a class erupt into laughter.Jason will be leading a class with a title changed to "Edge of Light", focusing on light play and composition with a few rabbits holes on how to keep your photography passion alive with diversity. We surely will not miss this slot on the PhotoCon LIVE presentation.Be sure to chat with Jason about his upcoming "Black Mesa - The Edge of Daylight" landscape photography workshops series beginning soon. PhotoCon LIVE discount tickets use the code "VIP" for $79.99 and get a choice of PhotoCon 2021 (OKC) OR PhotoExpo 2021 (Little Rock) ticket FREE!You can follow Jason online:Real Estate WebsiteArt WebsiteFacebookInstagramGet $35 off your first year of PPA (use Robert Trawick or Jim Felder as the referral - like a popularity vote)Visit our YouTube Videos for more weekly inspiration!Connect on the Facebook Page for news and upcoming interview polls.Leave a review on iTunes and let others know about the show.The Foto Twins love using Røde Microphones & RødeCaster Pro for smooth, quality audio on our podcast episodes. Be sure to check out their entire line of audio capture devices and tell them the FotoFacts Twins sent you!
Customer Journey + CRM Data + Sales/Service LifeCycle + Brand Identity x Client Experience = Marketing Science. Or so says entrepreneur and data scientist Jason Pierce, founder of the company bearing that same name, having just passed its first decade of service to organizations across every industry type and operational demographic. At the heart of it all? Questions, listenership, & story-telling. Join co-hosts Brian Comerford & Nick Lozano as they explore topics related to analytics strategy, brand management, Google Ads, web presence, custom authoring, startup hurdles, and how to thrive during challenging economic times - believe it or not, among many other subjects - in this jam-packed informational episode with an executive leader who maintains Ironman triathletics as his sideline. Jason PierceThe Marketing Science Department 00:00 Intro02:38 Show Opening03:00 The Importance of Data06:49 Jason Bio12:01 Marketing Working with IT15:05 Educating Clients18:56 CRM30:58 Current Opportunities for Small Organizations36:55 The Path of Entrepreneurship46:51 Jason's Recommended Books50:37 Where You Can Find JasonHosted By:Brian ComerfordLinkedIn: https://www.linkedin.com/in/briancomerford/Nick LozanoLinkedIn: https://www.linkedin.com/in/nick-lozano/Lead.exe is published bi-monthly on the 1st and the 15th of the month. Subscribe and leave us a review to lets us know how we are doing.Spotify: https://open.spotify.com/show/58U55KZykbYXJhuvtPGmgciTunes: https://itunes.apple.com/us/podcast/lead-exe/id1454843941Google Play: https://www.google.com/podcastsfeed=aHR0cHM6Ly9mZWVkcy5zaW1wbGVjXN0LmNvbS9QZHJGaTAzUQ%3D%3DStitcher: https://www.stitcher.com/podcast/leadexeYouTube: https://www.youtube.com/channel/UCjPXFiYVICXJSBW-ZoHBclgSend us your feedback at info@leadexe.com
Jason Pierce, CPA, CMA, CFM, CVA, MAFF is a partner with the firm Edelstein & Company LLP in Boston. Prior to moving to Massachusetts, he was a partner at an Alaskan CPA firm and a valuation manager for an RSM McGladrey network firm. Jason specializes in financial forensics and business valuations for dispute and transaction-related engagements. In this episode of Count Me In, he talks about how he got into this specialization and how all his accounting skills have been transferable. He also explains the importance of data and data analytics when it comes to completing his assignments. Jason is a lead instructor for NACVA’s Master Analyst in Financial Forensics (MAFF) and a regular speaker at other professional organizations. Jason is an active member of the Massachusetts Society of CPA’s (Business Valuation Committee) and the Boston Chapter of the Institute of Management Accountants (Vice President - Education). Download and listen now to hear an interesting and engaging conversation!
Esta semana, en una nueva edición de Rebelión Sónica, destacamos “All Things Being Equal”, el disco 2020 del músico, compositor, cantante, productor, experimentador y personaje fundamental de la neo-psicodelia inglesa, Peter Kember, alias Sonic Boom. “All Things Being Equal” fue editado el 05 de junio por el sello Carpark Records y es el primer trabajo que edita Kember con aquel pseudónimo, desde “Spectrum” de 1989. En todos estos años, además de editar música con proyectos de gran importancia para la psicodelia y la experimentación electrónica como Experimental Audio Research y Spectrum, ha producido discos de artistas como Panda Bear, Beach House y MGMT. “All Things Being Equal” está integrado por diez nuevas composiciones que, justamente, Sonic Boom estuvo tocando en Chile, cuando se presentó en los festejos por el aniversario número 10 del sello nacional BYM Records a fines de diciembre de 2019. En la parte final del programa, viajamos al pasado en la historia de Kember, para escucharlo en dos discos de la fundamental banda inglesa que lideró con Jason Pierce entre 1982 y 1991, Spacemen 3: música del primer álbum de 1986 “Sound Of Confusion” y del último de 1991, “Recurring”.
Esta semana, en una nueva edición de Rebelión Sónica, destacamos “All Things Being Equal”, el disco 2020 del músico, compositor, cantante, productor, experimentador y personaje fundamental de la neo-psicodelia inglesa, Peter Kember, alias Sonic Boom. “All Things Being Equal” fue editado el 05 de junio por el sello Carpark Records y es el primer trabajo que edita Kember con aquel pseudónimo, desde “Spectrum” de 1989. En todos estos años, además de editar música con proyectos de gran importancia para la psicodelia y la experimentación electrónica como Experimental Audio Research y Spectrum, ha producido discos de artistas como Panda Bear, Beach House y MGMT. “All Things Being Equal” está integrado por diez nuevas composiciones que, justamente, Sonic Boom estuvo tocando en Chile, cuando se presentó en los festejos por el aniversario número 10 del sello nacional BYM Records a fines de diciembre de 2019. En la parte final del programa, viajamos al pasado en la historia de Kember, para escucharlo en dos discos de la fundamental banda inglesa que lideró con Jason Pierce entre 1982 y 1991, Spacemen 3: música del primer álbum de 1986 “Sound Of Confusion” y del último de 1991, “Recurring”.
Jason is an architect, city dweller and founder of The Saint Louis League of Empowering Gentlemen. We met at his home and talked about city neighborhoods, the men's group he started, and the things that have impacted his life. Jason St. Louis League of Empowering Gentlemen If you use a podcast app, like iTunes, please give a review of Conversations About Life.
Hello Capital Region! This is the Hudson Mohawk Magazine, broadcasting from the Sanctuary for Independent Media in Troy, NY. First, we have an update on the vote by the Cohoes City Council on Tuesday night to impose a one year moratorium on the burning of AFFF at Norlite. In this week’s Peace Bucket we speak with Pippa Bartolotti, advocate for “Healthcare, not Warfare” After that, part two of our conversation with Jason Pierce of Feed Albany. Then, the City of Troy is considering what to do about the Mt. Ida Dam on the Poestenkill River. We speak with Dr. George Jackman of Riverkeeper Finally, we close out the show with Dr. Francis Coughlin and a preview of the Sanctuary’s upcoming Health Autonomy Clinic: Harm Reduction in the Age of COVID
This is part one of a series on food solidarity with Feed Albany organizer and Savoy Taproom owner Jason Pierce. Contributor Kristoph DiMaria interviewed Jason to discuss what Feed Albany is and how listeners can access their services during the shutdown and beyond COVID-19. Go to FeedAlbany.com to find out more.
Hello Capital Region! This is the Hudson Mohawk Magazine, broadcasting on WOOC-LP 105.3 FM Troy, WOOS-LP 98.9 FM Schenectady, WOOA-LP 106.9 FM Albany, and WCAA-LP 107.3 FM Albany, from the Sanctuary for Independent Media in Troy, NY. Jennifer Wilson, Deputy Director of the New York State League of Women Voters, talks about the recent Board of Election decision to cancel the 2020 Presidential Primary on June 23. Then, Dr. David Bond of Bennington College, and Joe Ritchie, who resides at the housing complex in the shadow of the Norlite Incinerator, speak about the impact of PFAS contamination. And later on, we hear from Feed Albany organizer and Savoy Taproom owner Jason Pierce. Then we speak to a local nurse about her experiences as a COVID healthcare worker. Finally, Noreen McKee of the Rensselaer County League of Women Voters talks about absentee ballots.
Calling all Nurses interested in MedFlight ---if you are a nurse and interested in critical care transport here at MedFlight, this is the podcast for you. Who would not enjoy caring for critical care patients in a back of a helicopter or MICU? Join Sally Betz, Brandon Carter, Jason Pierce and I (Steve Borghese) as we lay the foundation needed to be a serious candidate for a job here at MedFlight. We will learn from our panel their career background on how they got into critical care transport and their opinions on what they recommend doing to prepare yourself for a career in critical care transport. We also will give you some insight on our hiring and interview process. This is a must hear podcast if you have any interest at all in critical care transport.
Calling all Paramedics ---if you are a paramedic and are interested in critical care transport here at MedFlight, this is the podcast for you. Who would not enjoy a helicopter or an MICU truck equipped to take ventilators, Balloon Pumps, and Impella Devices (just to name a few things) as your prime vehicle for transport? Jason Pierce and I from the MedFlight Education Department sit down with Steve Cook and Scott Gano and lay the foundation needed to be a serious candidate for a job here at MedFlight. From a fire department paramedic and a county run EMS Medic—we will learn their career background on how they got into critical care transport and their opinions on what they recommend doing to prepare yourself for a career in critical care medicine. We also will give you some insight on our hiring and interview process. This is a must hear podcast if you have any interest at all in critical care transport. You might even laugh a little as most of us in this podcast have been around for a while.
Chris Quinto, Jason Pierce, Joey Witham
How did our intrepid musical voyagers, both children of the 90s, manage to sidestep one of the most beloved British bands of the era? Will Kenneth and Sam feel Spiritualized by Jason Pierce and co.'s 1997 masterpiece, Ladies and Gentlemen We Are Floating in Space?
Waynesboro Church of Christ
American families spend $15.3 billion on youth sports activities, an amount that has literally doubled in the last 10 years. A family’s investment in youth athletics can often represent as much as 10% or more of a family’s income. Given these numbers, it may come as no surprise that more kids are placed onto “travel” and “select” teams than ever before. Year-round specialization and private training have become the norm in many communities, and the market incentives driving what has become known as the “youth sports industrial complex” show no signs of slowing. Gregory, S. (2017, August). How Youth Sports Became a $15 Billion Industry Time. There’s no question that getting and keeping kids involved in a sport of some kind, at any level, is of tremendous value. Sports help teach teamwork, build character, and are important in promoting health and fitness. The time spent bonding with teammates and parents, and of course the incredible value of developing mentoring relationships with coaches, can be priceless. But as the “scholarship chase” trickles down to younger and younger age groups, many families are ow waking up to the stark reality that the intense pressure to perform is also causing them to burn out at an early age - and maybe even worse, to never learn to enjoy “the game.” So, what can be done to put the “fun” back in sports for these kids who are now at the epicenter of a multi-billion dollar pressure cooker? I asked that very question of Jason Pierce, a professional youth sports coach. In this episode of the podcast, Jason and I discussed: His tips on effective coaching and relationship building with players Why adults sometimes need to step back and “let the kids play” The importance of avoiding early specialization What can be done to increase retention and keep kids playing longer How coaches can help parents keep a healthy and balanced perspective How Jason’s understanding of the problem has led him to coach the way he does - and why that’s still an effective way of developing a youth athlete I hope you enjoy this episode on the purpose in the process of keeping sports fun! About Jason: Jason Pierce grew up in Massachusetts, about 20 miles west of Boston. Jason started skating at 5 years old. He joined his first travel league (select hockey) at the age of 10, playing for the AAA Assabet Valley Patriots in the Greater Boston Metropolitan Hockey League. After, he joined the 495 Stars organization where he played up until his freshman year of high school. After four years of public high school hockey in Massachusetts, Jason attended Franklin Pierce University in New Hampshire, a NCAA Div. II school. He went on to 4-year career that saw him hold the single season point record (if only for one year!) and was Captain of the team his senior year. Jason’s coaching career started a few years after graduating from college. His first year coaching was for a AA bantam team in Newton MA. After that, he was hooked and wanted to pursue coaching as a career. In 2011, Jason became the head coach for the Boston Bruins FUNdamentals program in Greater Boston. In 2012, Jason relocated to Austin, Texas to open a new rink, The Pond Hockey Club, where he currently serves as the Director of Player Development. Jason also serves at the Director of 12U & 14U leagues in the Austin Metro Hockey Association. When not on the ice, Jason enjoys mountain biking, reading, golfing, playing guitar and spending time with his 3 year old son, Keegan, his wife, Brandi and their two dogs, Haley and Lula. Links and More Information on this Topic: InsideOut Coaching: How Sports Can Transform Lives, by Joe Ehrmann. Outliers: The Story of Success, by Malcom Gladwell. In addition to the Time article cited in the top paragraph above (which has some interesting statistics on the topic) here’s an article focused on the actual chances of obtaining full-ride athletic scholarships, and another on why it may not even truly be what you or your kid may want for his or her future. The Pond Hockey Club - where Jason leads up the youth development programs. This rink was started by a team of people who believe strongly in both kids and adults keeping “fun” at the center of every practice, and every game. I can tell you from experience that they run a great adult program as well! (a “beer league” full of novice to former college/pro players, all just wanting to hit the ice and have some fun). If you’re in Austin, Texas and want to get your kids involved in the locally growing sport of ice hockey, you can learn more about youth hockey in Austin in general at the Austin Metro Hockey Association The USA Hockey website - while it’s definitely centered on youth and adult hockey, their online training materials on coaching kids and developing youth athletes really first-class.
Comencem l'any amb l'autor d'un dels millors discos de 2018, "And nothing hurt", col
Susan Cadogan, Jason Pierce of Spiritualized, Orbital, and Adrian Edmondson
On the latest Track by Track, Spiritualized's Jason Pierce describes his new record, And Nothing Hurt, The singer-songwriter digresses on how he mixes the cosmic bombast and unguarded vulnerability with his takes on the “cowboy songs” and vintage love ballads plucked right from the FM radio of the ideal American road trip. Join Pierce and Consequence of Sound's Michael Roffman for the stories behind each of the new tracks. Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Ashley Wales is our next guest who shares his musical journey and stories with us. He was half of Spring Heel Jack the drum and bass act of the 1990s and co-writer and producer of the 1996 track "Walking Wounded," a major UK hit for Everything But The Girl[2] featuring Ben Watt. Past collaborators included saxophonists Evan Parker, John Tchicai and Tim Berne; bassist William Parker; trumpeters Roy Campbell, Kenny Wheeler and Wadada Leo Smith; trombonist Paul Rutherford; drummer Han Bennink; pianist Matthew Shipp; and guitarist Jason Pierce. In 2006 John Coxon the other member of Spring Heel Jack and Wales began to operate a record label, Treader, releasing CDs by themselves and other associated artists, including some of their recent collaborators. Song chosen by artist: Cornell Campbell's Trick In the Book .
Spiritualized’s Jason Pierce and Kyle Meredith speak about the complications of recording music versus playing it live, the Slaughterhouse Five influence in their new album's title, and the band's anniversary tour celebrating 20 years of Ladies and Gentlemen We Are Floating in Space. Pierce also talks about the realities of aging and why the idea of reuniting Spacemen 3 feels similar to staged re-enactments of historical battles. Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy
Welcome everyone to This Was The Scene, the podcast that takes a look back at the late 90s / early 2000 Nj Jersey Punk scene, I am your host, Mike Doyle. NJ Joystick was a punk/hardcore band that blended shades of old emo and pop punk producing catchy, fast, and energetic songs that compare to the likes of fellow NJ legends, Lifetime. The line up consisted of Brett, Jay, the Pat and almighty Dan. The band released a 4-song EP called …A Mile In Change in 1997 on Roulette Records before it became Pinball, and followed up in 1998 with their full length LP, New Song For The Ride, on Annoyance Records (www.annoyances.com). These guys were always a blast to watch live because they just showed up and had fun. I reached out to Brett to see if he’d like to give me some dirt and he responded with “Would love to!” He then reached out to Jay who was also down to be on the podcast and this is what we talked about: What were all of us really look for in the scene Jay’s superpower memory with jersey geography Where did the Joystick name come from Where their first demo was recorded How fast did they typically write songs How we mapped out Jersey because of going to shows The backyard show where the Dad yelled at everyone Dating girls while being in a band We break down the meaning behind some of the songs Would they be able to write a new Joystick song today Do they have songs that they could still record? And a ton more Before we being, mark your calendars for July 21 at the Debonair Music hall in Teaneck NJ my old band Lanemeyer will be sharing the stage with our buddies Humble Beginnings and Jettison. Pre sale tickets are currently available for $15 and then $20 at the door. You can find them at thiswasthescene.com. Go there, scroll down and click on the purple button that says CLICK HERE TO PURCHASE TICKETS. We’ll also be throwing an after party until 2 am at Debonair once shows is over. It should be swell As always, thank you to the people who’ve donated to the podcast. If you’d like to do so just go to thiswasthescene.com and send whatever you’d like. It helps me with the $20/month to keep this thing live. I’m still in the process of designing shirts to sell to help keep this thing alive so keep checking the this was the scene facebook page for updates.
[Photo: Our Lady Peace by Ashley Osborn] Our Lady Peace is easily one of Canada’s most iconic alt-rock bands, having released countless hit singles since their debut album in 1994, including instantly recognizable songs like “Starseed,” “Automatic Flowers,” “One Man Army,” “Somewhere Out There,” and many, many more. But they are not ones to rest on their laurels. The band is back with their first album in six years, Somethingness, which includes the popular single "Nice to Meet You." In this conversation, bassist and long-time member Duncan Coutts chats with Canadian Musician’s Michael Raine about writing and recording the latest album and how it felt different with new drummer Jason Pierce. Duncan also talks about frontman Raine Maida’s distinctive voice, which he calls “a blessing and a curse,” pushing new sonic boundaries, balancing old hits with new material, ‘90s nostalgia, and how they have kept it all going for 20+ years in an industry that has seen much upheaval. As well, Duncan explains why, even though many still think they're a major label act, these days, they're "as indie as any Toronto start-up band."
For our last review of June 2017, our Patreon patrons selected from one of four albums from June of 1997, and settled on Ladies and Gentlemen We Are Floating In Space, the third album by Spiritualized. Much has been written about the album, from reviews to anniversary retrospectives detailing the creation and recording of the massive achievement that finds Jason Pierce and crew exploring gospel, soul, britpop, blues, psychedelia, noise, experimentation and more, including an orchestra. It’s a headphone album of sprawling proportions one moment and cacophony worthy of a stadium the next. We try to figure out which works better for us, if at all. Songs In This Episode: Intro - Come Together 10:07 - Cop Shoot Cop... 13:46 - Cool Waves 20:15 - I Think I’m In Love Outro - Ladies and Gentlemen We Are Floating In Space Request a 2017 Review / Subscribe at Patreon Facebook / Twitter / Instagram Zazzle Merch Store http://www.digmeoutpodcast.com
For our last review of June 2017, our Patreon patrons selected from one of four albums from June of 1997, and settled on Ladies and Gentlemen We Are Floating In Space, the third album by Spiritualized. Much has been written about the album, from reviews to anniversary retrospectives detailing the creation and recording of the massive achievement that finds Jason Pierce and crew exploring gospel, soul, britpop, blues, psychedelia, noise, experimentation and more, including an orchestra. It's a headphone album of sprawling proportions one moment and cacophony worthy of a stadium the next. We try to figure out which works better for us, if at all. Songs In This Episode: Intro - Come Together 10:07 - Cop Shoot Cop... 13:46 - Cool Waves 20:15 - I Think I'm In Love Outro - Ladies and Gentlemen We Are Floating In Space Request a 2017 Review / Subscribe at Patreon Facebook / Twitter / Instagram Zazzle Merch Store http://www.digmeoutpodcast.com
On this edition of M^3 we talk about how Jason was re-constructed into a BATTLEMECH
The West, particularly the mountain West of states like Colorado, Utah, Idaho, has long had an image as a land of white men. This image dates to the 19th century, yet it is counterintuitive. Before it became a white man’s paradise, the West was the land of Native Americans, immigrants, Hispanics, and even occasionally free blacks. In his new book, Making the White Man’s West: Whiteness and the Creation of the American West (University Press of Colorado, 2016), Jason Pierce (Associate Professor of History at Angelo State University) examines this transformation. Initially, the West was treated as a space to send the others of society, including primarily non-whites, in order to keep the Eastern United States more racially pure. Yet, when gold was discovered and the West became a desirable location for white inhabitants, the image had to be remade. Pierce examines how this was done and how the image of the West continued to be contested. He also discusses how violence helped disempower the non-white inhabitants of the region and render their continued presence less threatening to the idea of a white man’s country. In this episode of the podcast, Pierce discusses the book and his key findings about this process. He discusses how he got interested in the region as a native Coloradan. He explains why this transformation occurred and how some of the interesting figures worked hard to remake the West’s image. He also discusses serendipitous moments in the research process and the present and future racial image of the region. Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
The West, particularly the mountain West of states like Colorado, Utah, Idaho, has long had an image as a land of white men. This image dates to the 19th century, yet it is counterintuitive. Before it became a white man’s paradise, the West was the land of Native Americans, immigrants, Hispanics, and even occasionally free blacks. In his new book, Making the White Man’s West: Whiteness and the Creation of the American West (University Press of Colorado, 2016), Jason Pierce (Associate Professor of History at Angelo State University) examines this transformation. Initially, the West was treated as a space to send the others of society, including primarily non-whites, in order to keep the Eastern United States more racially pure. Yet, when gold was discovered and the West became a desirable location for white inhabitants, the image had to be remade. Pierce examines how this was done and how the image of the West continued to be contested. He also discusses how violence helped disempower the non-white inhabitants of the region and render their continued presence less threatening to the idea of a white man’s country. In this episode of the podcast, Pierce discusses the book and his key findings about this process. He discusses how he got interested in the region as a native Coloradan. He explains why this transformation occurred and how some of the interesting figures worked hard to remake the West’s image. He also discusses serendipitous moments in the research process and the present and future racial image of the region. Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
The West, particularly the mountain West of states like Colorado, Utah, Idaho, has long had an image as a land of white men. This image dates to the 19th century, yet it is counterintuitive. Before it became a white man’s paradise, the West was the land of Native Americans, immigrants, Hispanics, and even occasionally free blacks. In his new book, Making the White Man’s West: Whiteness and the Creation of the American West (University Press of Colorado, 2016), Jason Pierce (Associate Professor of History at Angelo State University) examines this transformation. Initially, the West was treated as a space to send the others of society, including primarily non-whites, in order to keep the Eastern United States more racially pure. Yet, when gold was discovered and the West became a desirable location for white inhabitants, the image had to be remade. Pierce examines how this was done and how the image of the West continued to be contested. He also discusses how violence helped disempower the non-white inhabitants of the region and render their continued presence less threatening to the idea of a white man’s country. In this episode of the podcast, Pierce discusses the book and his key findings about this process. He discusses how he got interested in the region as a native Coloradan. He explains why this transformation occurred and how some of the interesting figures worked hard to remake the West’s image. He also discusses serendipitous moments in the research process and the present and future racial image of the region. Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
The West, particularly the mountain West of states like Colorado, Utah, Idaho, has long had an image as a land of white men. This image dates to the 19th century, yet it is counterintuitive. Before it became a white man’s paradise, the West was the land of Native Americans, immigrants, Hispanics, and even occasionally free blacks. In his new book, Making the White Man’s West: Whiteness and the Creation of the American West (University Press of Colorado, 2016), Jason Pierce (Associate Professor of History at Angelo State University) examines this transformation. Initially, the West was treated as a space to send the others of society, including primarily non-whites, in order to keep the Eastern United States more racially pure. Yet, when gold was discovered and the West became a desirable location for white inhabitants, the image had to be remade. Pierce examines how this was done and how the image of the West continued to be contested. He also discusses how violence helped disempower the non-white inhabitants of the region and render their continued presence less threatening to the idea of a white man’s country. In this episode of the podcast, Pierce discusses the book and his key findings about this process. He discusses how he got interested in the region as a native Coloradan. He explains why this transformation occurred and how some of the interesting figures worked hard to remake the West’s image. He also discusses serendipitous moments in the research process and the present and future racial image of the region. Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
The West, particularly the mountain West of states like Colorado, Utah, Idaho, has long had an image as a land of white men. This image dates to the 19th century, yet it is counterintuitive. Before it became a white man’s paradise, the West was the land of Native Americans, immigrants, Hispanics, and even occasionally free blacks. In his new book, Making the White Man’s West: Whiteness and the Creation of the American West (University Press of Colorado, 2016), Jason Pierce (Associate Professor of History at Angelo State University) examines this transformation. Initially, the West was treated as a space to send the others of society, including primarily non-whites, in order to keep the Eastern United States more racially pure. Yet, when gold was discovered and the West became a desirable location for white inhabitants, the image had to be remade. Pierce examines how this was done and how the image of the West continued to be contested. He also discusses how violence helped disempower the non-white inhabitants of the region and render their continued presence less threatening to the idea of a white man’s country. In this episode of the podcast, Pierce discusses the book and his key findings about this process. He discusses how he got interested in the region as a native Coloradan. He explains why this transformation occurred and how some of the interesting figures worked hard to remake the West’s image. He also discusses serendipitous moments in the research process and the present and future racial image of the region. Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
The West, particularly the mountain West of states like Colorado, Utah, Idaho, has long had an image as a land of white men. This image dates to the 19th century, yet it is counterintuitive. Before it became a white man’s paradise, the West was the land of Native Americans, immigrants, Hispanics, and even occasionally free blacks. In his new book, Making the White Man’s West: Whiteness and the Creation of the American West (University Press of Colorado, 2016), Jason Pierce (Associate Professor of History at Angelo State University) examines this transformation. Initially, the West was treated as a space to send the others of society, including primarily non-whites, in order to keep the Eastern United States more racially pure. Yet, when gold was discovered and the West became a desirable location for white inhabitants, the image had to be remade. Pierce examines how this was done and how the image of the West continued to be contested. He also discusses how violence helped disempower the non-white inhabitants of the region and render their continued presence less threatening to the idea of a white man’s country. In this episode of the podcast, Pierce discusses the book and his key findings about this process. He discusses how he got interested in the region as a native Coloradan. He explains why this transformation occurred and how some of the interesting figures worked hard to remake the West’s image. He also discusses serendipitous moments in the research process and the present and future racial image of the region. Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
Spiritualized, led by Jason Pierce (a.k.a. J. Spaceman), has experienced agony, recovery, redemption and two near-death experiences in its 13 years as a band. Hear it explode into space-rock bliss at the 9:30 Club in Washington D.C. in a concert recorded live on May 10, 2012. Set List: "Hey Jane""Lord Let It Rain On Me""Headin' for the Top Now""Walkin' with Jesus""Oh Baby""Rated X""Born Never Asked""Electric Mainline""Soul on Fire""I Am What I Am""Ladies and Gentlemen We Are Floating in Space""Mary""Stay with Me""So Long You Pretty Thing""She Kissed Me (And It Felt Like a Hit)""Come Together""Cop Shoot Cop"
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