Podcasts about Bassnectar

In this episode of Working Class Audio, we welcome back Engineer/Producer Gabriel Shepard, who first appeared on WCA #011. Now, 500 episodes later, Gabriel returns to share more from his journey. Gabriel's impressive client list includes Cake, The Kronos Quartet, Bassnectar, Raphael Saadiq, and The Residents. In This Episode, We Discuss: 25th Street Recording Building Client Trust Creative Collaboration Crafting Signature Sound Navigating Industry Changes Freelance Persistence Audio Gear Insights Mixing Strategies Studio Workflow Client Communication Recording Challenges Evolving Sound Trends Learning from Other Producers Earning Fans of Your Work Matt's Rant: Covid! Links and Show Notes Gabriel's Site 25th Street Recording Studio Original WCA #011 with Gabriel WCA #073 with John Schimpf WCA #249 with Jeff Kolhede WCA #005 with John Cuniberti WCA #290 with Joe Chiccarelli Credits Guest: Gabriel Shepard Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau WCA Theme Music: Cliff Truesdell Announcer: Chuck Smith

1. AR8: Circuitronix 2. AR8: Drive 3. AR8: Quantum Pulse 2.0 4. Poor In Spirit: Oh My God 5. Kach: Mom Alcoholic 6. Kach: CorkScrew 7. Poor In Spirit: Liminal Space 8. AR8: Binary Dreamscape 9. Makeyna: On Depth 10. Onto: Through The Forest ft. Jerry Shark 11. Bassnectar ft. Rodney P: Nice & Easy 12. Venjent & True Tactix: Rip It 13. Decades & oneBYone: Cybermode 14. Burr Oak: L'Effondrement 15. Smash & Jayline: Vanity 16. Mind Vortex: Impulse 17. Mxnarch: DnB Warrior 18. Ly Da Buddah & Magugu: Bada Boom (Zombie Cats rmx) 19. BSK: No Time 20. Rockwell & Novelist: Peak 21. Borderline: Colossus 22. P Money & Whiney: Buss The Red 23. Cause4Concern: Crash Test (Dabs rmx) 24. Moby: A Case For Shame (Blitzbeat rmx) 25. London Grammar: Lord It's A Feeling (Goddard. rmx) 26. Cod3x: Fanaticism 27. Redpill & Black Sun Empire ft. Virus Syndicate: Executionist 28. Talabun: Fatum 29. Made In Russia: Voyage Across The Unknown 30. Ulterior Motive ft. DRS: Hey Judas 31. Gydra: Everyday 32. Numa Crew & Dub FX: Bass Hater (Extended mix) 33. CENTRIC: World On Fire 34. Pythius & Merikan: Chimaera 35. Venjent: G4S0L1N3 36. Planetar ft. Prolific & Cojaxx: This Is for My Hustlas (Spktrm rmx) 37. Goldie: Prism (Dom & Roland rmx)

"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin  highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman                an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995).  Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty                Of Credence Clearwater Revival fameLos LobosJoe Satriani              an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO:                                 Althea                                                Track #3                                                4:51 – 6:21                From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece.  Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story.  Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago          The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end.            It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money.            Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing.             The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business.  Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town.           By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time.            There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group.            Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions.            There is a You Tube video of the entire Fogerty set that I encourage you to view.                   Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs.            John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally             The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty.            Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind.            On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage.            Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance.  On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1:                    Down On The Corner (and Band introductions)                                                John Fogerty (w. Jerry and Bobby)                                                JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com)                                                10:49 – 12:42                 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.           The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs.             As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes.             Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance.  However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend.  MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time  May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis.  I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time.  If so, there will be a big report in two weeks.  Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album  SHOW No. 2:                    Iko Iko w/Clarence Clemmons                                                Track #5                                                5:09 – 6:11                 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax.  Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show.  In '89 the Boss was as big as ever and Clarence was a big part of that success.  But he enjoyed playing in the improv style embraced by the Dead.                 Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater.  He also played a number of times with JGB.  And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back.               When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.”  SHOW No. 3:                    Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence                                                Track #6                                                2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead.  Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First:  March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  April 2, 1995 at The Pyramid Arena, Memphis, TN, USA  MJ NEWS                 SHOW No. 4:                    Blow Away                                                Track #11                                                7:37 – 9:10                 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song)                When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst:    June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast:    July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent   OUTRO:                               Wharf Rat                                                Track #17                                                3:59 – 5:26                 Not the closer this night, or most nights, but it could have been a perfect closer.  Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst:      February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:      June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Mary Jo Kaczka is a tour manager and tour accountant who has worked with Beth Ditto, Tool, Florence + The Machine, Beck, Bassnectar, Ryan Adams, Bauhaus, King Crimson, and Kraftwerk, among many others. In this episode, Mary Jo shares her journey through the music industry and discusses personal growth, mental health, and navigating the unpredictable world of tour management, providing valuable insights and personal experiences that highlight the importance of resilience and self-awareness. Chapters: [00:00] - Introduction [00:01:25] - Interview Part 1: Early Inspirations and Deciding on a Career in Tour Management [00:15:06] - Interview Part 2: Challenges and Achievements in Tour Management [00:28:28] - Interview Part 3: Navigating Mental Health and Personal Growth Key Takeaways: Understanding the influence of early experiences on career choices in the music industry. Practical advice on building a career in tour management through persistence and networking. Insights on handling mental health issues and the importance of self-awareness and support networks. Connect with Mary Jo: @missmjk Tour Management 101 Join Our Community for Exclusive Content & More! @j9richards @thetourlifepodcast @q101chicago Support the show: Share this episode to help our community grow! Subscribe on Spotify or Apple Podcasts so you never miss an episode. Review us on Apple Podcasts or rate us on Spotify—your feedback is crucial for our improvement! Thank you for tuning in! Be sure to catch the next episode for more exclusive insights and stories from the music industry.See omnystudio.com/listener for privacy information.

Немного отойдем от традиционных Техношаблонов, но лишь немного, именно на время этого микса. В честь своего дня рождения решил записать две работы. Представляю первую из них в стиле Downtempo, Chillout, которая подарит вам мелодично-живописное звучание и отправит глубоко в чертоги спокойствия и умиротворенности. В любом случае каждый найдет свое настроение. Буду рад услышать мнения, ведь это был, чистой воды, эксперимент :-) 00:00 Evanescence - Lithium (Skeler Remix) 04:36 Skeler - In My mind 07:25 Skeler - Aquila Rift 09:25 Goto Eight - What If (Skeler Remix) 12:00 Skeler - Tokyo 15:12 DaniLeigh - Monique (Skeler Remix) 18:15 CHVRN - Delirium 21:02 Doja Cat - Need to Know (Skeler Remix) 23:53 VIZE feat. Laniia - Stars (Skeler Remix) 27:51 Bassnectar (ft. Nelly Furtado) - Magical World (Skeler Remix) 30:21 Devilish Trio - Visions Of Violence (Skeler Remix) 32:48 Lil Peep - shame on u (Skeler Remix) 35:33 $uicideboy$ & Shakewell - Big Shot Cream Soda (Skeler Remix) 38:08 DaniLeigh - No Limits (Skeler Remix) 40:03 Skeler - To Die Without Scars 43:47 CHVRN - Cold Sun 47:31 CHVRN - November 51:31 enjoii - Show Me Love 53:55 Skeler - We're Burning 56:55 Skeler - Rihanna - Umbrella (Skeler Remix) (Ember Island Cover) 60:50 Skeler - Flow Away

In Episode 15 of the I'm Peaking Podcast, we have the co-founder of Good Night Out Vancouver, Stacey, on to discuss bystander intervention and consent culture, sharing personal stories of witnessing assault and being SA'd. We explore the complexities of trauma responses and the importance of knowing when to cause a scene or involve the police in SA situations. We delve into the layers of hooking up on substances and the role of power dynamics and grooming in potential SA scenarios. Lastly, we explore the groupie trope, false allegations, and the consensus of innocent before proven guilty. Click here for more information on SA awareness and prevention: Good Night Out Vancouver - 11th Principle: Consent! Rape Culture Pyramid - Teen Vogue: The Right Way to Act If You Get Accused of Violating Someone's Consent Click here to learn more about the Bassnectar case: VICE Article - Letter from Mimi Page - Main Court Documents - Healing is Power Campaign Click here for more information on safe substance use: https://dancesafe.org/drug-information/ FOLLOW US ON SOCIAL MEDIA: I'M PEAKING Podcast - YouTube - Instagram - TikTok - Facebook Devin Larscheid - YouTube - Instagram - TikTok - Facebook Nand Mahasuwan - YouTube - Instagram - TikTok - Facebook Brinda Arreygue (aka Wavybrin) - YouTube - Instagram - TikTok - Facebook Good Night Out Vancouver - Instagram - Twitter - Facebook Stacey Forrester - Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/im-peaking-podcast/support

Stylust on the Virtual Sessions presented by The DJ Sessions 12/8/22 About Stylust - A longtime skateboarder and hip hop devotee, Geoff “Stylust” Reich has always been a rebel with a passion for his art form, so it's no surprise that this CanadianDJ/producer's talent for fusing rap hooks and heavy bass with electronic music has earned him the rep as a creative renegade carving his own path. Touring as Stylust, Geoff has played all over the United States, Canada, and Europe,appearing at major festivals like Shambhala, Coachella, Outlook, LIB, Envision andBassCenter to name a few. Stylust's uncanny ability to melt multiple influences and genres has led to music that's reached millions of listeners, earning him exciting releases and collabs with artists like Bassnectar, Minnesota, Truth and many others. With a bass-heavy yet timeless sound, Stylust electrifies dance floors with his impeccable mixing and high energy stage presence.   About The DJ Sessions - “The DJ Sessions” is a Twitch/Mixcloud "Featured Partner” live streaming/podcast series featuring electronic music DJ's/Producers via live mixes/interviews and streamed/distributed to a global audience. TheDJSessions.com The series constantly places in the “Top Ten” on Twitch Music and the “Top Five” in the “Electronic Music", “DJ", "Dance Music" categories. TDJS is rated in the Top 0.11% of live streaming shows on Twitch out of millions of live streamers. It has also been recognized by Apple twice as a "New and Noteworthy” podcast and featured three times in the Apple Music Store video podcast section. UStream and Livestream have also listed the series as a "Featured" stream on their platforms since its inception. The series is also streamed live to multiple other platforms and hosted on several podcast sites. It has a combined live streaming/podcast audience is over 125,000 viewers per week. With over 2,400 episodes produced over the last 12 years "The DJ Sessions" has featured international artists such as: BT, Youngr, Sevenn, Wuki, Scott Slyter, Simply City, Micke, Netsky, Rich DietZ, Bexxie, Boris, MJ Cole, Flipside, Skeeter, Bissen, Katie Chonacas, Hollaphonic, Lady Waks, Arty/Alpha 9, Miri Ben-Ari, DJ Ruby, DJ Colette, Nima Gorji, Kaspar Tasane, Andy Caldwell, Party Shirt, Plastik Funk, ENDO, John Tejada, Hoss, DJ Sash U, Arkley, Bee Bee, Cozmic Cat, Superstar DJ Keoki, Crystal Waters, Swedish Egil, Martin Eyerer, Dezarate, Maddy O'Neal, Sonic Union, Lea Luna, Belle Humble, Marc Marzenit, AthenaLuv, Maximillian, Inkfish, Kidd Mike, Michael Anthony, They Kiss, Downupright, Harry “the Bigdog” Jamison, DJ Tiger, DJ Aleksandra, 22Bullets, Carlo Astuti, Mr Jammer, Kevin Krissen, Amir Sharara, Coke Beats, Danny Darko, DJ Platurn, Tyler Stone, Chris Coco, Purple Fly, Dan Marciano, Johan Blende, Amber Long, Robot Koch, Robert Babicz, KHAG3, Elohim, Hausman, Jaxx & Vega, Yves V, Ayokay, Leandro Da Silva, The Space Brothers, Jarod Glawe, Jens Lissat, Lotus, Beard-o-Bees, Luke the Knife, Alex Bau, Arroyo Low, Camo & Crooked, ANG, Amon Tobin, Voicians, Florian Kruse, Dave Summit, Bingo Players, Coke Beats, MiMOSA, Drasen, Yves LaRock, Ray Okpara, Lindsey Stirling, Mako, Distinct, Still Life, Saint Kidyaki, Brothers, Heiko Laux, Retroid, Piem, Tocadisco, Nakadia, Protoculture, Sebastian Bronk, Toronto is Broken, Teddy Cream, Mizeyesis, Simon Patterson, Morgan Page, Jes, Cut Chemist, The Him, Judge Jules, DubFX, Thievery Corporation, SNBRN, Bjorn Akesson, Alchimyst, Sander Van Dorn, Rudosa, Hollaphonic, DJs From Mars, GAWP, Somna, David Morales, Roxanne, JB & Scooba, Spektral, Kissy Sell Out, Massimo Vivona, Moullinex, Futuristic Polar Bears, ManyFew, Joe Stone, Reboot, Truncate, Scotty Boy, Doctor Nieman, Jody Wisternoff, Thousand Fingers, Benny Bennasi, Dance Loud, Christopher Lawrence, Oliver Twizt, Ricardo Torres, Patricia Baloge, Alex Harrington, 4 Strings, Sunshine Jones, Elite Force, Revolvr, Kenneth Thomas, Paul Oakenfold, George Acosta, Reid Speed, TyDi, Donald Glaude, Jimbo, Ricardo Torres, Hotel Garuda, Bryn Liedl, Rodg, Kems, Mr. Sam, Steve Aoki, Funtcase, Dirtyloud, Marco Bailey, Dirtmonkey, The Crystal Method, Beltek, Darin Epsilon, Kyau & Albert, Kutski, Vaski, Moguai, Blackliquid, Sunny Lax, Matt Darey, and many more. In addition to featuring international artists TDJS focuses on local talent based on the US West Coast. Hundreds of local DJ's have been featured on the show along with top industry professionals. We have recently launched v3.1 our website that now features our current live streams/past episodes in a much more user-friendly mobile/social environment. In addition to the new site, there is a mobile app (Apple/Android) and VR Nightclubs (Oculus). About The DJ Sessions Event Services - TDJSES is a WA State Non-profit charitable organization that's main purpose is to provide music, art, fashion, dance, and entertainment to local and regional communities via events and video production programming distributed via live and archival viewing. For all press inquiries regarding “The DJ Sessions”, or to schedule an interview with Darran Bruce, please contact us at info@thedjsessions.

I met AshEL Seasunz during a sacred ceremony, and I knew right away I wanted to have him here as a guest—he's got an incredible background, receiving his masters in transpersonal psychology.  AshEL is the founder of Celestial Church, a sacred activist movement, providing medicinal music, workshops, and ceremonies for healing both the people and the earth. He is also the founder of Earth Amplified, a roots rap and reggae band, and creative multimedia organization creating art that awakens.  In my opinion, AshEL is a master musician. I can't tell you how many instruments I witnessed him playing during the ceremony! He has toured with will.i.am, Bassnectar, Erika Badu, Damien Marley, Van Jones, Marianne Williamson, and more.  He currently plays with the Dogan Lights, Earth Amplified and the Celestial Church band.  Top 5 Things You'll Learn from This Episode: how he came from a family that includes preachers, Black Panthers and pimps, but he learned to follow his own calling AshEL's journey learning Sukyo Mahikari, a positive spiritual energy that is transmitted from the Palm of the hand to the receiver what galactic language is how galactic language showed up in his life, and how he helped others activate galactic language in their lives the two main keys which allow him to create a safe space and be a trusted guide during plant medicine ceremonies  We also discussed if he could only bring four shamanic tools, if he was sent to a deserted island, what would those four tools be? Make sure to join us in our closing practice, where you'll get a small taste of his musicianship as he plays an instrument native to West Africa and transmits a special song to us. Find more from me on IG at https://www.instagram.com/iamalysoncharles/?hl=en (@IAMALYSONCHARLES) or https://www.alysoncharles.com/ (alysoncharles.com). Find more about AshEL Seasunz on his https://www.ashelseasunz.com/ (website). Check out his band, Earth Amplified, on https://open.spotify.com/album/5Ui9q9xnahexQB4pVbltaQ?autoplay=true (Spotify) or https://music.apple.com/us/album/earth-amplified/378828717 (Apple Music). You can also find him on http://instagram.com/ashelseasunz (Instagram). This episode was made possible by Animal Power Book and Card Deck. Order from my https://www.alysoncharles.com/ (website) to get a free guided shamonic journey where you can meet your power animal!

Hosts AJ Hollywood and Karizmatik discuss Infekt's tweet regarding original sets, Bassnectar's attempt back into music, upcoming music releases for the fall and upcoming September music festivals.

Bob Moses & Kasablanca Share New Track “Afterglow” Today Listen Here And Watch The Visual Here Today, GRAMMY® Award-winning duo Bob Moses share their new single “Afterglow” with Kasablanca. A club record through and through, “Afterglow” is accompanied by a visual filmed and directed by Black Lake (Khalid, Bassnectar, Jhené Aiko). Download/stream “Afterglow” HERE. “A few months back, we met up with the Kasablanca guys at ...

In this episode, Greg talks with Phil "Rene" Collis and Lukeino Argilla two members of the Drum 'n Bass group Bachelors of Science, who just released a brand new LP Within This Moment. The trio, including Chris Doe, was originally formed in San Francisco but is currently based mostly in southern California. They open up the conversation by talking about the process of collaborating on this fourteen-track LP and the challenges of working together while in different cities and across different platforms, and how they've spent years working together and coming up with a group process that works. One of the members, Luke Argilla, also works for Dolby as a mix engineer using their ATMOS Spatial Audio system, and Bachelors of Science has been releasing ATMOS mixes of their music since the remixes of their Space Between album from 2015. Luke also has an atmos-capable studio in his home. He talks about the strategies for creating spatial audio mixes of their songs and creating interesting listening experiences that will also translate to different listening environments. Phil weighs in as someone closer to an atmos music consumer and talks about experiencing atmos audio for the first time in studios and nightclubs, and how the focus of the technology has begun to shift from those environments to streaming music at home. Bachelor's of Science, both as a group and individually, have previously worked with Pyramind on a few occasions, Luke's first release was on one of Pyramind's Test Press compilations drawn from the events under the same name that Pyramind produced in the mid to late 2000's. Bachelor's of Science was also previously featured as the opening track on the 2009 LovEvolution Compilation (along with many notable artists including Miguel Migs, Bassnectar, and Lee Coombs) which was released to benefit Pyramind's annual scholarship. Their track, The Ice Dance, became one of their most played tracks but due to metadata mistakes on the Lovevolution compilation, the album was listed as a Bachelor's Of Science release rather than a compilation. The three joke about it now but this was a problem that took some time to finally get resolved with the distributor, InGrooves, highlighting the importance of getting your metadata right the first time! In 2012, They founded CODE Recording, in order to publish their own music, as well as publish other standout Drum 'n Bass artists. The tracks "Stomp" and "Brighter Days" from the latest LP, are also played and Phil and Luke talk about the inspirations for the tracks and their experiences working with the vocalists featured on them. Now that the record is out, the group has a full lineup of concerts everywhere from Denver to Sardinia and are already getting new tracks produced and mixed for their next release. Stream Within This Moment here: https://open.spotify.com/album/45gM8mKFlUM2U1dzj4mUpU Learn more about Bachelors of Science here: Linktr.ee/BachelorsOfScience Watch their Pyramind Live stream here: https://www.youtube.com/watch?v=Cdn8aPwvMic Check out CODE Recordings here: http://www.coderecs.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we talk to music producer Pedestrian Tactics all the way from Seattle. We discuss teaching music production, breaking things down, design school, feeling the emotions of the people around you, mixing and mastering, and a lot more! Pedestrian Tactics is the identity of Seattle- based multimedia producer Dan Taylor who's works gained attention from inclusions in live sets by Bassnectar, Xilent, Porter Robinson, Pretty Lights, Zomboy, and features in ads by Sony, Carl's Jr, and P-Diddy's Revolt.TV. The PT project has historically taken a carefully refined and experimental twist on a curated pop sound honed over Dan's 9 years of professional production. Facebook: https://www.facebook.com/pedestriantactics/ Youtube: https://www.youtube.com/pedestriantactics Instagram: https://www.instagram.com/pedestriantactics/?hl=en Bandcamp: https://pedestriantactics.bandcamp.com/ Soundcloud: https://soundcloud.com/pedestriantactics Twitter: https://twitter.com/pedestriantac

Joey Wisgirda (Big Joe Daddy) has been playing trumpet since the age of 9. He has studied jazz theory and composition with jazz legend John Tchicai, and performed throughout California with a diverse range of players that includes Joe Craven and Rick Montgomery (David Grisman Quintet), Fully Fullwood (Peter Tosh), reggae superstar Alton Ellis, Hamsa Lila, and John Tchicai. He has opened for such acts as John Scofield,  Galactic, Charlie Hunter, Bassnectar, Kraddy, and Tipper. For the past decade, Joey has extended his musical efforts into the computer realm, using  soft- and hardware synths, and tying it all together with a Morrison Digital Trumpet (MDT) to morph from jazz and funk to breakbeats and dub. His live performances on Ableton and the MDT are cutting edge. Listen to this program over the air, via streaming on www.kdrt.org, via the show archives, or on most podcast apps under Listening Lyrics.

Joey Wisgirda (Big Joe Daddy) has been playing trumpet since the age of 9. He has studied jazz theory and composition with jazz legend John Tchicai, and performed throughout California with a diverse range of players that includes Joe Craven and Rick Montgomery (David Grisman Quintet), Fully Fullwood (Peter Tosh), reggae superstar Alton Ellis, Hamsa Lila, and John Tchicai. He has opened for such acts as John Scofield,  Galactic, Charlie Hunter, Bassnectar, Kraddy, and Tipper. For the past decade, Joey has extended his musical efforts into the computer realm, using  soft- and hardware synths, and tying it all together with a Morrison Digital Trumpet (MDT) to morph from jazz and funk to breakbeats and dub. His live performances on Ableton and the MDT are cutting edge. Listen to this program over the air, via streaming on www.kdrt.org, via the show archives, or on most podcast apps under Listening Lyrics.

The discography of Mux Mool may as well be a genre unto itself. Although something of an unsung hero, he's spent the last two decades formulating a sound that has influenced an entire generation of producers.        Mux Mool's fusion between hip-hop and electronic music exhibits an elusive cohesion of concept. His discography as a whole is greater than the sum of its parts, championed by entities including Ghostly International, Pretty Lights Music and Adult Swim.        Mux Mool is a living, breathing, eccentric artist stereotype. Born Brian Lindgren in St. Paul, Minnesota to a folk singer mother and painter father, he resonated with video game music more than anything he heard on the radio as a child. In high school he discovered electronic music acts like Chemical Brothers and Sasha & Digweed.        In 1998, he started producing music but waited until 2006 to release his first track "Lost and Found" which was named one of iTunes 'Best Electronic Songs' of that year alongside Flying Lotus & Justice. It also gained enough traction on MySpace Music to prompt none other than Bassnectar to request the stems to one of his songs. More importantly, it landed him on the radar of Moodgadget A&R.        In 2009 Mux Mool toured throughout the United States and in 2010 he released his first studio-length album, "Skulltaste" on Ghostly International. A song from the effort titled “Get Better John” remains his most successful track to date, garnering 2.5 million plays on Spotify.   From 2010 to 2011 he added tour dates alongside Bassnectar, Break Science and Lotus to his résumé. He then followed up his first release with the album "Planet High School" in 2012 and "Appetite for Production" in 2014.   More recently, Mux Mool has collaborated and performed with Derek Vincent Smith A.K.A. Pretty Lights.  In addition, he and fellow producer Michael Menert went on to launch Super Best Records, signing acts including Krooked Drivers (now Maddy O'Neal) and Late Night Radio.   Mux Mool's newest album Skulltaste II dropped on July 10th, 2020. Mux Mool Links: Mux Mool Music Website Instagram Facebook Twitter Soundcloud Bandcamp   Mr. Bill's Links: https://live.mrbillstunes.com/ https://discord.gg/ySjhgWQ https://mrbill.bandcamp.com/ https://www.youtube.com/user/MrBillsTunes Podcast Produced & Edited by: https://twitter.com/303FuMo    

Here are some of our favorite remixes of classic 80s artists that we use to rock nightclubs in 2022!Aerosmith & Run DMC, Billy Idol, The Police, The Outfield, Metallica, David Bowie, Bon Jovi, Depeche Mode, Information Society, Men At Work are all represented here with remixes by Mister Gray, Saint Punk, Dave Aude, DJs From Mars, Bassnectar, InFiction, Maestro Harrell, and Luude (feat Colin Hay)! Let us know what you think:)Part of Pantheon Podcasts

Here are some of our favorite remixes of classic 80s artists that we use to rock nightclubs in 2022! Aerosmith & Run DMC, Billy Idol, The Police, The Outfield, Metallica, David Bowie, Bon Jovi, Depeche Mode, Information Society, Men At Work are all represented here with remixes by Mister Gray, Saint Punk, Dave Aude, DJs From Mars, Bassnectar, InFiction, Maestro Harrell, and Luude (feat Colin Hay)! Let us know what you think:) Part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

1)  Living Colour & Run DMC – Me, Myself & My Microphone2)  Action Bronson – The Symbol3)  PRhyme - 1 Of The Hardest4)  Mos Def & Black Jack Johnson – Ghetto Rock5)  Street Sweepers Social Club – Moma Said Knock You Out6)   A-Villa – Dynamite S.O.U.L. ft. Guilty Simpson, Ras Kass, Fashawn, & Skyzoo7)   X-Ecutioners - It's Goin' Down ft. Linkin Park 8)   Blackalicious - Release Pt. 1 ft. Saul Williams9)   Tom Morello – Rabbit's Revenge ft. Bassnectar, Big Boi, & Killer Mike10) Sean Price – Definition of God11)  Fort Minor – In Stereo12)   4th Avenue Jones – HipRockSoul ft. Dilated Peoples13)   Th1rt3en –Goats Head14)   Prophets of Rage – UnF$&k The World15)   DITC – Rock Shyt ft. Fat Joe, Lord Finesse, & Diamond D16)   Royce Da 5'9 – Dinner Time Ft. Busta Rhymes17)   NNneka – God knows Why ft. Black Thought18)   Brother Ali – Mad Ma Fucka19)   Saul Williams - List of Demands (Reparations)20)   Non Phixion - The C.I.A is Still Trying to Kill Me21)   Street Sweepers Social Club – The New Fuck You22)   E-Town Concrete - The World is Yours23)   The White Mandingos – I Don't Understand Twitter: @robhiphopcornerIG: @robhiphopcornerTwitch: rob_boombosticFacebook : https://www.facebook.com/boombostic313Mixcloud : http://www.mixcloud.com/boombostic/

Here are some of our favorite remixes of classic 80s artists that we use to rock nightclubs in 2022!Aerosmith & Run DMC, Billy Idol, The Police, The Outfield, Metallica, David Bowie, Bon Jovi, Depeche Mode, Information Society, Men At Work are all represented here with remixes by Mister Gray, Saint Punk, Dave Aude, DJs From Mars, Bassnectar, InFiction, Maestro Harrell, and Luude (feat Colin Hay)! Let us know what you think:)Part of Pantheon Podcasts

Here are some of our favorite remixes of classic 80s artists that we use to rock nightclubs in 2022! Aerosmith & Run DMC, Billy Idol, The Police, The Outfield, Metallica, David Bowie, Bon Jovi, Depeche Mode, Information Society, Men At Work are all represented here with remixes by Mister Gray, Saint Punk, Dave Aude, DJs From Mars, Bassnectar, InFiction, Maestro Harrell, and Luude (feat Colin Hay)! Let us know what you think:) Part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Sidecar Tommy is a project by drummer, producer, beat-maker, and co-founder of the group Beats Antique. Based in Oakland, Tommy has collaborated with many notable artists including Global Bass band, Beats Antique, The Glitch Mob, Les Claypool, Alam Khan, Bassnectar, Too Many Zooz, Preservation Hall Jazz Band, and many others. During this episode, Tommy and Dan chat about everything from mixing instruments with electronic elements for live performance, how to curate a great show, live streaming, fun touring stories, the importance of having a community, the mental side of producing and performing, and more. Follow Tommy Below: SideCarTommy.com BeatsAntique.com Facebook.com/sidecar.tommy.beats Twitter & Instagram: @sidecartommy Twitch.tv/beats_antique Save money purchasing the latest version of Ableton Live: liveproducersonline.com/buyableton Join Discord and connect with the Ableton community discord.gg/ceb9CgAFFj Join the newsletter. Be the first to receive new podcast episodes, as well as Ableton Live downloads, special events, and more: liveproducersonline.com/newsletter

TRACKLISTPeter Gabriel - In Your EyesBeatconductor - In Your EyeMichael Franti & Spearhead - Skin On The Drum (Bassnectar Remix)Samantha Sang & The Bee Gees - Emotion (Digital Visions Remix)A Tribe Called Quest - Check The Rhime (Cole Medina Remix)Will Powers - Adventures In SuccessMen Without Hats - Safety DanceLL Cool J - Mama Said Knock You OutSoopasoul - A Wild Mad BeatGhetto Funk - Oh WellJayl Funk - Keep On Bumpin80's Child - I Think I'm Fallin'Tina Turner - Typical MaleRheinzand - Porque (Scorpio Twins Remix)Pink Floyd - The Wall (Stef Konstan 2021 Remix)Ks French - She Like To FunkCezar - Dancin & Feel Good

How Men Cry is getting 1000 men to share stories about vulnerability & healing. We can no longer avoid having conversations about men's mental health. #HowMenCry is a movement aimed at changing the narrative around men's connection their higher self, to begin healing, and end suffering in silence. Pugs Atomz is a multi-talented artist in the areas of video, fashion, design and music. Currently living in Chicago finishing up his debut project with Tokyo Dawn Records, after a extended stay in Europe with DJ Vadim and The Electric seeing all sides of the planet with their latest album “Life Is Moving”. Pugs has graced the stage at some of the world's largest music festivals including SXSW, Hip Hop Kemp, Boogie Brain, and Glastonbury to name a few. He has worked with countless key artist in the game such as DJ Vadim, KRS One, DJ Hitek, Bassnectar, Glitch Mob, Twista, to the next upcoming producer crafting beats in their bedroom. Mr. Atomz has been mentioned in publications like Rolling Stone, URB, Sister 2 Sister, to popular blogs like Okayplayer, Fake Shore Drive, DJ booth, Frank 151, Hyper Trak and the list goes on. You might have heard him recently on the Fifa 2013 video game sound track with “Got that fire”, or seen him on a recent Episode of TV One's F.O.M.. His roots in Chicago's Hip Hop scene run deep, from co-founding the CTA Radio Show (14+ years), presenting on the TV show Barbershop Hip Hop, to his time in the 90's leading the Nacrobats collective. Pugs has released numerous albums, compilations and mixtapes with key independent labels and blogs and is excited to share his new work via Tokyo Dawn Records with beats from DJ Vadim, Bobby Tank, Moodymann and many more. Welcome to the life of the renaissance jet setter with relate-able stories and infectious beats, plus the dread's live show energy is legendary. --- Support this podcast: https://anchor.fm/howmencry/support

Dallas Breed is a transplant to the PNW by way of Arkansas. He is a musician, a thinker, a tinkerer, and not to be taken too seriously. In this episode, Dallas and Maxwell discuss giving a speech at a wedding, pressure on primates, speaking skills for leaders, stage fright, performing music on-stage, Steven Tyler, Aerosmith, ears developing, music changes as you get older, Vanilla Ice, Mariah Carey, Hootie and the Blowfish, songs you're not supposed to like, polka, region influences musical taste, American Music, industrialization of art, Taylor Swift, creating stars for money, taking risks, Ellis Island, genetics, chasing fame, NASA, firefighters, TikTok, good vs. new, playing blues guitar, Little Rock, Arkansas, John Mayer, Jack White, Bassnectar, classical composers, harmony, melody, physically feeling music, subwoofers, 1812 overture, symphonic howitzer technician, how to trigger a cannon, sheet music, Tchaikovsky, Beethoven, tempo, quantizing music, Nickelback and nu-metal.All production by Cody Maxwell. Artwork by Cody Maxwell. Opening graphic assets by UlyanaStudio. Opening music by Dallas Breed. sharkfyn.com/maxwells-kitchen-podcast

This podcast is for true fans of the Resident Evil movie soundtrack and it's a real chicken and egg one here. Could Spineshank have been huge if they had signed with a label who knew what to do with them or did Roadrunner Records get them to heights that no one else could have because the band weren't mature enough to be a working band? It's probably Roadrunner on this one but you'll have to listen to find out more. Is Hexes by Bassnectar featuring Chino the next Charlie bit my finger? It is now. Is this a Lemony Snicket's A Series of Unfortunate Events heavy episode? Sure is. Did you ever play Shaun Palmer's Pro Snowboarder? Probably not. Next week we're talking about the Queen of the Damned soundtrack. Fangs.

What role does touring have in release plans? How do promoters book artists? What are they looking for? Former Partner at Madison House, Jake Schneider played a pivotal role in developing the careers of BASSNECTAR, Lotus, Keys N Krates, KYGO, and many more. With nearly 20 years spent grinding in concerts, he decided it was time to exit the agenting and management world to focus on consulting, in addition to marketing strategy and branding narratives. Jake knows what it takes to go on tour and how to promote yourself as a musician. Today, we are discussing marketing, booking artists for tours and the role of tours in music. -- Journey into Music Developing Artist Partnerships Converting Listeners into Fans Lifestyle & Mental Health on the Road Breaking with LOTUS Getting on Tour as an Indie Artist How Bassnectar Fostered Demand EDM & Gaming Culture -- Use our code for 30% off your first year's membership with DistroKid. http://distrokid.com/vip/thesetup. As always, when you distribute your music to DSPs with DistroKid, they never take a cut. You & your collaborators get 100% of the earnings. -- If you enjoy the podcast, would you be willing to leave us a 5-star review on Apple podcasts? It takes less than 15 seconds, and it really makes a difference in helping to convince hard-to-get guests and I also love reading the reviews! We love to see what you all think! -- For show notes and past guests, please visit thesetupseries.com Want to meet our guests? Join our community (“Set Up Set List") at thesetupseries.com/community --- Send in a voice message: https://anchor.fm/thesetupseries/message Support this podcast: https://anchor.fm/thesetupseries/support

In this episode I interview Washington DC journalist Avery J.C. Kleinman about her Vice article “The Fall of the Bassnectar Empire”. In September 2020, popular dubstep artist Bassnectar made headlines when he was accused of sexual assault, child grooming and sex trafficking. We chat about her personal story from being a Basshead to writing the in-depth investigative piece in Vice, promoting safety in the electronic music scene, and how she raves for a cause through writing. Connect & learn more about Avery: https://averyjckleinman.journoportfolio.com/ https://twitter.com/averyjck Links to her articles: The Fall of the Bassnectar Empire https://www.vice.com/en/article/4adkkb/edm-dj-bassnectar-alleged-sexual-abuse-manipulation-fans-lawsuit?fbclid=IwAR2VVaDcAZxUAjxMJ4ZhrULSjrvIBGZdCG5MRVz0zgrXlJHlXwMXdawmF34 Harm Reduction Advocates Want to Make Echostage Safer https://washingtoncitypaper.com/article/187072/harm-reduction-advocates-want-to-make-echostage-safer/ Resources: RAINN (Rape, Abuse & Incest National Network) https://www.rainn.org/ Relief After Violent Encounter (RAVE) http://www.raveim.org/ Association for Electronic Music (AFEM) https://associationforelectronicmusic.org/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/dropbassnotbombsnl/support

We talk. I drink. We movie. About Warriors: A turf battle between New York City street gangs that rages from Coney Island to the Bronx. The Warriors are mistakenly fingered for the killing of a gang leader. Soon they have every gang in the city out to get revenge and they must make their way across the city to their own turf. About DJ Z Trip: Z-Trip is often referred to as a young Rick Rubin. His roots are based in Hip Hop, but he covers and loves all music styles. Considered by many as the godfather of mash-ups, his style of mixing and producing reaches way beyond that. Z-Trip received the award for America's Best DJ and still remains on the top 10 lists year after year. He has collaborated with some of the very best to ever do it: Nas, Bassnectar, Public Enemy, DJ Shadow, Rakim, Shepard Fairey, Talib Kweli and many others. Learn more at https://djztrip.com/about/ Find DJ Z Trip on all the socials: https://www.facebook.com/djztrip https://twitter.com/ztrip https://www.instagram.com/ztrip/ https://www.youtube.com/user/djztrip1 https://www.mixcloud.com/djztrip/ https://www.twitch.tv/djztrip Get at us: email - talkingduringmoviespodcast@gmail.com IG - @talkingduringmovies Twitter - @talkduringmovie Facebook - Talking During Movies

Hari Bol Hari Krishna. This is a really good 4 track dub womper and never been done yet. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Get familiar with DB Montana, who used social media to create a safe space for the victims and survivors of Bassnectar's disturbing and pathological abuse to anonymously share their stories that shattered his public image built on meticulous manipulation. Montana tells this story from the beginning, taking us back to the controversial reputation he developed for his criticism of Bassnectar as an admin of the irreverent Weird Drunken Uncle Facebook group. We reflect on the dangers of idolatry, toxic positivity, and unhealthy relationships with the scene. Montana's relentless pursuit of the truth is a labor of love for a community that we hope can use this unfortunate circumstance as an opportunity for transformation and to actively define standards of behavior and accountability. Follow Almost Familiar on Social Media: Instagram: @almostfamiliarpodFacebook: Almost FamiliarEmail us: almostfamiliarpodcast@gmail.com Heard on this episode: Almost Familiar by Pretty Lights1993 by EmancipatorHow We Do by Pretty Lights

Super Full Moon Blood Moon Eclipse is how we exit the month of May go into a packed June! Channeled messages for the collective are guided by Archangels Alexandra, Sandalphon, Chamuel, Ariel and Raziel. I'm offering two time slots on Wednesday for Akashic guided meditations: 9:30a.m. and 6p.m. PST. Send me an email for Zoom link: carrilynnarata@gmail.com And that song I was singing the bass of from Bassnectar's Cozza Frenzy album is Teleport Massive. How perfect is that! Welcome to The Infinite Dance-The Akashic Podcast with your host Carri Arata, Akashic records reader, psychic sleuth and spiritual guide Listener support helps to keep this podcast going. Links to support here or you can go to my Patreon: www.patreon.com/theinfinitedance where you can become a dancer and your support also gets you bonus episodes, Akashic guided meditations and discounts on sessions and merch like The Infinite Pillow. Book a private reading at : ancientbodyworks.co Akashic Guided Meditations every Wednesday on Zoom 9:30 am PST-send me email for Zoom link Subscribe to my channel on YouTube: The Infinite Dance Send me a tweet: @InfiniteDance8 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/carri-arata/support

Allegations against EDM star Bassnectar, or Lorin Ashton, have left fans to grapple with those accusations. Debates like these have surfaced more and more since the #MeToo movement since it took off in 2017.We talk about Bassnectar's alleged victims and the community he built with 1A producer, Avery J.C. Kleinman.Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Find us on Twitter @1A.

Kevin and Minh Nguyen discuss the fatal shooting of Daunte Wright, which comes nearly a year after, and was located less than 10 miles away from where George Floyd passed. They discuss the aftermath of the incident and how it colors the long horizon of BLM and the abolitionist movement.  Then, the guys discuss the US's announced withdrawal from Afghanistan (40:15). In Quick Hits: Israel/Iran, Chauvin trial, Bassnectar allegations and J&J vaccines (47:43).

Danny decided to go on vacation for this episode, so we got DJ PANiiQ as our fill in co-host! Listen in on episode 70 as we say goodbye to DMX (15:14) as well as talk the Bassnectar allegations (22:40), Kid Cudi in a dress on SNL (29:05), Windsor PD's excessive force on an Army Lieutenant (34:33), the White Lives Matter rallies (45:40), Redman Verzuz Method Man on 4/20(58:13), and more! We also talk/feature music (71:50) from PHI NIX & Hoober, Rexx Life Raj, SVNTH, Liquid Stranger, Jay Robinson & Dominique, and BROCKHAMPTON. Our intro music is "What's My Name," "Get At Me Dog," and "It's All Good" by DMX. Our outro music is "Da Rockwilder" by Redman and Method Man. DJ PANiiQ on social media: @djpaniiq DJ PANiiQ's music: soundcloud.com/djpaniiq Leo on social media: @iamdjbrute Leo's music: soundcloud.com/iamdjbrute Twitch.tv/iamdjbrute >>> www.djbrute.com

#BananaKats #ProKiddo In this week's episode, Drew goes solo. The episode starts with an update out of South Carolina involving law enforcement serving a warrant on a local weirdo. Drew wraps the episode up with shocking allegations stacking against EDM artist Bassnectar. Thank you for listing, liking, commenting and, subscribing. We truly appreciate your continued support! Apple Podcasthttps://podcasts.apple.com/us/podcast/the-betrayed/id1478714692Spotify https://open.spotify.com/show/5h6OSYNMUY6BNdNFMWEBHsInstagramhttps://instagram.com/thebetrayed?igshid=1an0vdudynkalppqwqoFaceBookhttps://www.facebook.com/TheBetrayedPodcast/Gina's Instagram@_ginabeckhttps://www.instagram.com/_ginabeck/Drew's Instagram@Dabber_Owlhttps://www.instagram.com/dabber_owl/Articles mentioned:Police Body Cam Footage:https://www.foxcarolina.com/news/greenville-co-sheriffs-office-releases-body-cam-footage-update-on-deputy-involved-shooting-from-february/article_d3883546-955f-11eb-b587-c30e0723ff9c.htmlBassnectar's Lawsuit https://www.vulture.com/2021/04/edm-dj-bassnectar-accused-of-human-trafficking-in-lawsuit.htmlhttps://www.sfgate.com/sf-culture/article/dj-bassnectar-sexual-abuse-allegations-lawsuit-16084093.phpThe Betrayed Logos by Muraknockouthttp://muraknockout.com/c 

Join in as we speak about our excitement toward this years Bonnaroo 2021 lineup, as well as our enthusiasm to going back to the farm this year! We also bring up the hot topic of Bassnectar and the allegations in the lawsuit filed agianst him yesterday April 5th.

01. Punk - One More Time (Cyantific Bootleg) 02. Bingo Players - Knock You Out (Champion Remix) 03. Bassnectar feat. Simon Morel - Open Up (Minnesota Remix) 04. Fox Stevenson - All This Time 05. Flite - Fairy 06. Delta Heavy - Apollo 07. Mind Vortex -Overture 08. T-Phonic & Sense - Junglist Murderer 09. Pendulum - Slam 10. The Panacea - Trapmusic Resurrected (Counterstrike Remix) 11. Prolix - Ringtone Raver 12. Fade - Punch 13. Mutated Forms - Abandoned 14. 14. Talabun - Elements 15. Concord Dawn - Raining Blood 2003 16. Future Prophecies - Dreadlock 2004 17. Bad Company Uk - Planet Dust 18. Kemal And Rob Data - Gene Sequence 19. Teddy Killerz - Close My Eyes 20. Fred V & Grafix - Maverick Souls 21. Tapolsky And Vovking - Medicine 22. Dimension-Midnight Love 23. 23. Gridlok - Moodswings (Break Remix) 24. Pendulum - Trail Of Sevens 2003 25. Commix - Undisco 26. Dub Motion - Fever 27. Frankee - Gully 28. Bmotion - Something Something 29. Tc - Flatline 30. Dkay Mat - Jungle Funk 31. 31. P.Y London Elektricity-I Am Somebody (S.P.Y Remix) 32. Loz Contreras Baby It's You 33. Static And Dan Guidance--So Lonely-Wus 34. T Phonic - Positive 35. Logistics feat. Hugh Hardie - As Sure As Sunrise 36. Blade - The Theme 37. Humanature And Severity Zero-Peculiar Love 38. 38. Kyan - Tearing Me Apart 39. Altitude And Paul Sg - Stay Strong 40. Ji Ben Gong & Kalum - Looking Forward (Spastik Remix) 41. Jaybee And Andy Sim - Forgotten Funk 42. Jacob Banks - Move With You (High Contrast Remix) 43. Paul Sg - Lady 44. Spastik-All For You 45. Msdos - Rocky The Balboa 46. Channel 2 & Noble vs. Nas - Surviving The Times 47. Paul Sg feat. Trac And Lameduza-Let Me Show You 48. Decon - Changing Times 49. Ez Rollers-Hope And Inspiration 50. High Contrast-Some Things Never Change 51. Psinlove Murdock, Submatik & Jenna G Good Luv 52. 52. Cleveland Watkiss - Makoto Remix) 53. Various - Didn't I 54. Peshay - Funkster 55. Command Strange And Intelligent Manners-Groover 56. Champion feat. Charlotte Haining - Save Me 57. 57. Jon Lilygreen - Feelings 58. Danny Byrd - U Turn

An old scorpion waddles back into the studio this week and wouldn't ya know... it's Montik Beans! Oh how we laughed this week. The Grim Stallions would riff, then Montar would follow with a heartwarming riff of his own. So young. Back and forth. We talk about Bassnectar and Martin Scorpsayze and everything in between. Then, for your listening pleasure, we close it out by bringing Grimby to Foxcatcher Farms. Will he train big wrestler for Olympics? Or will he summon a hellfire of owls from the sky? Tune in.

It was a joy and pleasure as always to have LoLo Savage back in the studio. It twas even more of a pleasure to have newcomer Jordi Flash on, as it was a great time all around. We covered new music and endeavors for both artists as well as their involvement with the protests, controversy surrounding Bassnectar's recent sexual assault accusation, Juice WRLD's new album as well as his legacy, along with a variety of other topics. It was a pleasure and I hope we can see a return from both of them. Stay tuned next week for an exclusive episode with returning guest Jackson B Place along with newcomer Elias! Thank you all for the love and support, it means a lot! Make sure to like, subscribe, comment, and whatever else! LINKS: LoLo Savage:Instagram: https://www.instagram.com/lolosavage641/ Spotify: https://open.spotify.com/artist/6TSnebBvnlN6mxASGBwPy0?si=ePVb50OyRaeCs0XXAneZQ Jordi Flash: Instagram: https://www.instagram.com/sadboixsamurai/ Soundcloud: https://soundcloud.com/jordon-newbill/akatsuki FIELD TRIP - AUGUST 14 & 15th in Jefferson, IA https://www.facebook.com/events/913076442540140/ Twitter: https://twitter.com/mchours Patreon: https://www.patreon.com/mcallisterhours Facebook: https://www.facebook.com/The-McAllister-Hours-103507127921905/ Discord: https://discord.gg/6hrxFEe

Hello everybody and welcome to the first episode of the Irritably Braindead podcast! We are two girls based in NC and on this show, we discuss music, current events, culture of the state, shower thoughts, and interview our friends. In this episode, we fangirl over Hamilton, debate on the best type of phone to have, and also discuss famous EDM musician Bassnectar's recent allegations. Vote who you think won the debate on our Instagram and Twitter and we'll share the results in the next podcast! Link to Hamilton quiz: www.buzzfeed.com/gracesmith7181/w…e-you-azc1nbykc5 Soundcloud: @irritablybraindeadpodcast Instagram: @irritablybraindead Twitter: @irrbraindeadpod Youtube: Irritably Braindead Email us at: irritablybraindeadpodcast@gmail.com

UHNK is a Producer Dojo Black Belt artist who has released many singles and his own EP on the Dojo Label. He has gone on to have his songs played live by Bassnectar himself and just released a new single collab with ill.Gates on 6/12 called Trapezoid. UHNK is a rising star in the bass scene and you humans get to learn from him today! 0:25 - [Tesko Likes Foot Stuff] 7:10 - [Midnight Gospel is Awesome] 9:21 - [Learn to Operate Your Human] 18:11 - [Forget the Car Test, do the Port-a-Potty Test] 21:47 - [Producing Songs for your DJ Set] 34:15 - [Adding Variety to your DJ Set] 52:01 - [UHNK on Sound Design and Arrangement] 1:16:38 - [Sneak Peek at Unreleased UHNK Jams] Follow UHNK on all his socials: Spotify: https://open.spotify.com/artist/4EBsKDZBzAWnPF9PW5BjYn?si=Nlsmu-o_Q1mWUer-HFJOPQ YouTube: https://www.youtube.com/channel/UCLWzn8tY81kWiwBVjndKWCQ Instagram: https://www.instagram.com/uhnkmusic/ Twitter: https://twitter.com/uhnkmusic Facebook: https://www.facebook.com/UHNKMusic Sponsors: The Weekly Download: Learn from ill.Gates in his private weekly group lessons and get access to over 220 more episodes in the archive for only $20 per month! https://www.thehumanmusicpodcast.com/producerdojo Guest Practices: Learn from Seth Drake at the Approach Institute, the BEST engineer we know. First class is free! https://www.thehumanmusicpodcast.com/theapproach Gvngaroo Records Music Distribution: Unlimited Uploads for Under $10 https://www.thehumanmusicpodcast.com/gvngaroo-records SOCIALS & FREE SAMPLE PACKS: https://www.thehumanmusicpodcast.com

Kelly St. Onge is an Artistically Science-Minded Mathematician with dreams of being an Astronaut. Attending college courses in Bellingham, Longview, Vancouver, and Portland - Kelly has thus far completed classes in Engineering Physics, Trigonometry, Pre-Calculus through Calc-4, Linear Algebra, Differential Equations, Discrete Math, Java, Data Structure, C++ Programming, and many more (that I think he casually breezed over). Kelly's interests are vast, from Rick and Morty to Star Wars, Travis Scott to Hall N Oates, from people to robots and football to snowboarding - he's passionate about learning, living life with a smile, and deep dirty heavy filthy, bass. We begin with a scaffolding of Mathematics, Science, Quantum Physics, Quantum Computing, and Artificial Intelligence. We touch on lots of things math and science: Layers of abstraction, bits, programming, compiling, machine code, particles, superposition, prime numbers, infinite numbers, induction and some current progressions surrounding A.I. - and we swing by Schrodingers Cat, A-Ha Moments, De-bugging YO' SELF, The Mandolorian, Malicious Compliance, The Singularity, Kung-Fu Panda, and even Illegal Numbers. Kelly and I together try to use silly analogies, broad terminologies, terrible accents, a couple of beers and a long-lasting friendship to hopefully open up new possibilities and understandings for listeners. Science, Math, Music... it's all Art. It's all language for the taking. Not blocked off for any certain types or caged by any One Way-sayers. Being open, friendly, and interested can bring you great knowledge and companionship. When Kelly and I first met I had recently graduated high school and fell in love with electronic music - we bonded over Bassnectar's Divergent Spectrum album and soon after he actually taught me the basics of djing and let me take home his Dj Controller to practice. Who knew that his kindness and our mutual love for music would catapult a friendship through a decade of adventures? Cheers to many more, Sir K3lls. What program are you running? is it time to upgrade your mental software? Can you De-bug your own system? When you learn processes pertaining to new knowledge, how can you return those same processes inward towards old stories? Create the mental structure that is sensible to you and start listening to, or searching for - the wisdom that surrounds us all. Be well.

Have you ever experienced that a typical daily situation may turn YOU into someone you don't like? Something like... traffic.  Getting cut off by somebody on the road can be aggravating and frustrating. It doesn't have to be this way. We will learn how anything can become an opportunity to meditate and get you grounded in this journey of Spectral Currents with Bluetech, a music artist and producer who has toured sharing stages with The Glitch Mob, The Orb, Bassnectar, Juno Reactor and many more!

Episode 012 of *The Upful Life Podcast* welcomes the lovely and talented Jasmine Fraser, a West Coast DJ best known as Naughty Princess. Jasmine is a rising star in the bass music underground, and we were lucky to get her on the show for fascinating conversation that lasts just under an hour. This took place the day after her huge set at Resonate in Oakland, and Jasmine was a really good sport this rainy San Francisco afternoon. We had to chase my phone down, because I dropped it somewhere in transit, and luckily a Good Samaritan scooped it up. Once I retrieved said device, we settled into her gold minivan on a random city block for a proper conversation about music... and life.  NAUGHTY PRINCESS INTERVIEW STARTS AT 18:30   Topics include her formative years in Melbourne, AUS, as Jasmine takes us back to the ashrams of her youth and how chanting to ecstatic states affected her as a kid. A little bit on Trance music, before we sort of time-travel into 2010 pretty quickly. She reflects on catching Bassnectar on his way up at a small SF club, and how that scene and community welcomed her at a transitional moment in her life. Fraser also discusses the mentorship of An-ten-nae, and details the nature their collaboration "Hearts". Then things get a little heavy, in the best kind of way. Jasmine's father was Andy Fraser, bassist for legendary British band Free, a member of the Rock n Roll Hall of Fame. Jasmine explains how it was Andy's 2015 death that really propelled her to become a DJ, and the Naughty Princess was born. We recall our chance meeting at Burning Man 2016, both of us consumed by the grief of the loss of our respective fathers, and how that brief but potent exchange on Playa bonded us for life.     Since she identifies as a feminist, I asked her to share some thoughts and feelings on the patriarchy, specifically in the music world and festival culture, We talk a lot about Trap music themes, and rap music's misogynist lyrics, with regard to how fans respond to the messages found within songs. Jasmine tells a potent personal story about a Burning Man performance, when a young woman reached out to her after the set, concerned about a single song Naughty Princess played. This reflection turns into a meditation on the innate power of language and how even she and I are affected. Naughty Princess also touches on some less controversial topics, like tabla-trap, ecstatic dance vs. urban dancefloors, Nevada City CA, and much more... with the consistently-amazing Jasmine Fraser. (1hr 8mins) PLUS a short chat with red-hot Atlanta producer Daily Bread, who checks in about his career momentum, dope collaborations and more. Rhett explains why D.I.T.C. and NYC boom-bap influenced this native ATLien more than the crunk and Dungeon hometown heroes. Shout-out to Whit Hawkins and the Hawk's Nest roster. Included towards the end of Episode 012 (1hr 27mins) is a humorous and informative interview with Shepherds Meadow Farms master grower Brandon. A Mendocino County, CA-based organic ganja farmer who (some of) you may recall heaved a giant sack of cannabis onstage to Jay Kay of Jamiroquai last April at Bill Graham Civic Auditorium. After much hullabaloo, we finally get the 411 on that craziness, and while we were at it, a little Q&A about how a small farmer grows 100% organic craft cannabis. This conversation took place in December, on Sunday night at the tail end of The Emerald Cup, and it's safe to say that the weekend full of weed had taken a toll by the time I conducted this interview. Please excuse my blaziness.  *Vibe Junkie JAM of the Week*, (1hr 39mins) we want to honor the memory of the late, great Kofi Burbridge. A true icon of our music community, friend, brother, otherworldly multi-instrumentalist. A first ballot Spirit of Suwannee Hall of Famer. Instead of a moment of silence, we will hear his music to honor his memory. I've chosen a celebrated collaboration in tribute to Kofi Burbridge, his appearance alongside trusty axeman Derek Trucks, both sitting in with the home team, Lettuce, at Spirit of Suwannee Music Park, for Bear Creek's 2009 finale. If you were at this set, then you remember how truly special it was. Rest in Power, Kofi.     The Upful LIFE Podcast is available on iTunes! Theme Song: Mazel Tov by CALVIN VALENTINE Contact the host at B.Getz@upfulLIFE.com

Jantsen has been fully immersed in the dance music scene for over fourteen years, establishing a strong presence in the industry through his eclectic individual sound. Influenced by genres such as jazz, blues, funk, reggae, hip hop and world music, he's created a musical style that's both creative and unique. Jantsen's enthusiastic personality shows through in DJ sets with his fun, energetic, and contagious stage presence. In 2017, he released a slew of heavy-hitters, which included collaborations with Luzcid, Wooli, Notixx and SOLTRI Pt. 1, a collaborative EP with Dirt Monkey. This bass all-star has also released more collaborations with Bassnectar than any other producer. ------------------ Check out Jantsen: http://www.jantsen.net http://www.facebook.com/jantsenbeats http://twitter.com/jantsenmusic http://soundcloud.com/jantsenmusic ------------------ Listen to more exclusive mixes: iedm.com/blogs/iedmradio www.youtube.com/c/Iedmradiopodcast www.mixcloud.com/iEDMradio/ iedmradio.podbean.com/?source=pb Need the hottest in EDM apparel? Buy the latest here: iedm.com/ ------------------ Discover more: www.facebook.com/iEDMOfficial www.twitter.com/iEDMofficial instagram.com/iEDMofficial iEDMofficial.tumblr.com www.youtube.com/c/IEDMhomeoftherave

In this three hour marathon episode, Luke delves into the mind Michael Smalley of Twin Designs. From his storied history lighting EDM DJ/producer Bassnectar to his culturally rich experiences working with rapper Pitbull, Smalley tells all from his creative design process to the interworking of his lighting console. Topics also include a crash course in “timecoding” and the balance of ego versus art.

MEDIA LINKS https://soundcloud.com/kjsawka https://twitter.com/KjSawka https://www.facebook.com/OFFICIALKJSAWKA https://www.youtube.com/user/KjSawka https://www.instagram.com/KjSawka/ TRACKLIST 1. Intro - KJ Sawka & Jason Camiolo - Forthcoming on @Impossible-Records 2016 2. Aylen - MVRIO KVRT 3. @Jauzoficial & @PegboardNerds - Get on Up (@itsnotsorry & @wldboyz Remix) 4. @TCDNB - Countdown (@astronautuk & @barelyalive Remix) 5. @Excision & @TheFrim X Up Ft. Messinian ( Astronaut Remix) 6. @Mayhem & @Antiserum - Seven Deadly Sins 7. Barely Alive - Doggo 8. KJ Sawka & ill.GATES - Unsung Heroes - (@AHEE remix) 9. KJ Sawka - Wild Fire - (@Aylen Remix) 10. @WeBang x @misterblack-dubstep - Enemy - Forthcoming on Impossible Records 2016 11. @Prixmae - Rhythm - Forthcoming - Impossible Records 2016 12. Barley Alive - Binary 13. @BassNectar - The Mystery Spot 14. @we-drop - Cyber Thugz - Forthcoming on Impossible Records 2016 15. We Drop - Desolation - Forthcoming on Impossible Records 2016 16. @Dirtyphonics - Anonymous 17. @EvolIntent - Scavengers Paradize VIP 18. Enter Shikari - The Appeal & The Mindsweeper (Metrik Remix) https://soundcloud.com/entershikari 19. @Maduk - Solarize feat. Logistics 20. Valentino Khan - Deep Down low (Evol Intent Remix) 21. @Metrik - Slipstream 22. Bassnectar & @GnarGnarbassmusic - Generate 23. @MayorApeshit - Win This War (feat. Dani D) (KJ Sawka Remix) 24. @weareRiot - Enigma 25. PaneMua - Power Stomp (@SpagHeddy Remix) 26. @FiddyKay - Freebie 27. @theofficialspock - Trojan 28. KJ Sawka & ill.GATES - Unsung Heroes - (@virus-g-1 Remix) 29. KJ Sawka & ill.GATES - Unsung Heroes - (@Warez Remix) 30. KJ Sawka & ill.GATES - Unsung Heroes - (@Gdubz Remix) 31. KJ Sawka & ill.GATES - Unsung Heroes - (@originzeal & @sanktumdubs Remix) 32. Rihanna - Bitch Better Have My Money - (Busted by @Herobust)

Big Makk came into the studio and wrecked it! From hip hop, to trap, moombahton, everything was covered. Just like his music his mix comes with heavy hip hop influences and precise mixing. With major releases on Main Course, Dim Mak, Mad Decent, Diabluma Sound, and T & A Records his talent is taking him far. Getting major support from Diplo, Just Blaze, GTA, DJ Snake, Major Lazer, Kid Cedek, Valentino Khan, Phat Deuce, David Heartbreak, Dave Nada, DJ Craze, Tittsworth, Bassnectar, Funtcase, Doctor P, Flux Pavillion, Sidney Sampson, Boyfriend, Disgraceland and DJ Sabo he is not slowing down. He is also active in the studio working on a new EP and an album. Make sure you follow him as he will keep putting out some of the hottest bass music around! MEDIA LINKS https://soundcloud.com/bigmakk https://www.facebook.com/BIGMVKK https://twitter.com/BIGMAKK_ http://www.beatport.com/artist/big-makk/241015

Nghtmre & Slander - Gud Vibrations (Party Thieves Remix) Big Sean - Research (EXSSV x Arman Cekin Remix) Alison Wonderland - Run (Jayceeoh & B-Sides Remix) Fetty Wap - Trap Queen (Yultron & B-Sides Remix) Ragga Twins - Bad mMn (Skrillex Remix) Crizzly Ft Crichy Crich - Drop That Ass Clips & Ahoy & Choppa Dunks - Shelala Jack U - To U (T-Mass Remix) Shlump - 100 stacks Ricky Remedy - Start Up GTA & Valentino Khan - Break Your Neck 4b & DOCO - Machete Wild x 100 x Dime piece Skrillex - Dirty Vibe (Gladiator remix) (Jayceeoh Edit) Jayceeoh, B-Sides & Fawks - JIT Going Ham (Buygore Records) Jacob Plant - Ice Cream (JIT Edit) SNBRN - California (Chris Lake & Matroda remix) (Jayceeoh Edit) Valentino Khan - Deep Down Low KSHMRE & Dillon Francis - Clouds (Borgore Remix) Tiesto & KSHMRE - Secrets (Bassthunder Remix) LA Riots - Right Now (Jayceeoh Remix) (Dim Mak Records)Bio: In 2014, Los Angeles native producer and world-renowned turntablist, Jayceeoh, gathered support from A-Trak, Diplo, Bassnectar, Borgore, Flosstradmus, The Bloody Beetroots, Sultan & Shepard and MakJ, to name just a few. His bass heavy productions have also captured the attention of the music industry as a whole, and some of the largest online platforms including Dancing Astronaut, Gotta Dance Dirty, Vibe Magazine, THUMP, Earmilk, and Run The Trap, amongst others. Since Jayceeoh's years competing in the DMC world championships, to winning the “Master of the Mix” TV show in 2013, this LA based producer and DJ has become one of the fastest rising producer talents in the United States today. He has seen official releases on Fool's Gold, Ultra/Sony Music, Buygore Records, Atlantic, Smog, and his very own, Super 7 Records. He's played some of the biggest venues and festivals around the world, including iHeartRadio Festival, Lights All Night, EDC Mexico, Empire Music Festival, Sweetwater 420 Festival and more. He also toured with The Bloody Beetroots as direct support on their 2014 North America tour, and with 2 Chainz and Pusha T on select dates on their 2014 "2 Good 2 Be TRU" tour.  After making a huge splash at both SXSW and WMC in 2014, Jayceeoh continued full steam ahead with over 20 collective remixes and originals released on the year. Today, while not on the road touring and playing shows in Las Vegas, Punta Cana, Cancun, Miami, San Francisco, or the countless other cities in his path, Jayceeoh is currently in the studio working on music with some of the biggest names in all of dance music. You can expect collaborations with the likes of The Bloody Beetroots, Bassnectar, and more to drop in 2015.https://www.facebook.com/deejayjayceeohhttps://soundcloud.com/jayceeohhttps://twitter.com/JAYCEEOH

1.Scales - Fallacy2. Zomboy - Skull n Bones3. Bassnectar - Gnar4. Bro Safri - The Drop (Must Die! Remix)5. Major Lazer - Get Free (Yellow Claw Remix)6. Kai Wachi x Squnt0 - Brainsplat7. Bassnectar ft, Mighty High Coup - 808 Track8. Minnesota ft. Zion I - Float9.AFK x Spenca - Who Wants Some10. Steve Aoki ft.Waka Flocka Flame - Rage the Night Away (Bare Alive x Getter Remix)11. Laxx - Brainbug (Must Die! Remix)12. Mizuki - Damn Fucking Right13. Sadhu - Machine Gun14. Skirllex - All is Fair in Love and Brostep15. xKore - Lazershark16. INF1N1TE - Sin City17. Skrillex - True Gagsters18. Trollphace - Fuck your Phace19. Bro Safari - That A$$20. Rain - Ain't Worried About Nothin' Edit21. Zeds Dead - Rumble in the Jungle (Sleepy Tom Remix)22. UZ x CRNKN - Booty 2 the Goround23. Diplo x Oliver Twist - Go (Filty Disco Remix)24. Jphelpz - Clipz25. Antiserum x Megladon - Platinum26. Getter ft. Inja - Psyco27. Pyramid Juke -MXLLY28. CRNKN xD Dirty Audio - Da Realest29. Must Die! - Death Stage30. Zomboy - Mind Control31. Figure - Super Sonic Brainwaves32. AFK - Pinkman33. D-Jahtsa - Slug Bass (The Frim VIP)34. Scales - Higher35. bar9 x Datsik - Droid36. Scales x Yung Deaux - Culture Collision37, Bro Safari x Knuckle Children - Freak www.facebook.com/scalesatllwww.soundcloud.com/scalesatlwww.twitter.com/hector_ID http://records.billionaires.io Scales (Hector Ramos), born in Los Angeles, California, came to Atlanta, Georgia at a young age.  Starting his music career as a guitarist in metal bands, he built the foundation for the heavy Dubstep he makes today.  Using Ableton as a tracking program for guitar, vocals, drums and bass, Scales began to play with electronic sounds.  Once Scales decided to start DJing, it gave him the final push to produce electronic music.  Scales currently resides in Atlanta, Georgia.