Podcasts about leos janacek

Kate Molleson explores the maverick spirit, fierce passions and phenomenal twilight years of Leoš JanáčekLeoš Janáček was a true Czech original. He heard music in the way people talk on the streets, loved the local and made it universal - pouring his “speech melodies” into pioneering, devastating operas, and writing some of the most intimate confessionals in instrumental music. His life also came with a major plot twist – after years of toiling away unappreciated, he suddenly found fame in his 60s. Instead of winding down, Janáček revved up. This week, Kate Molleson explores his maverick spirit, his fierce passions, and the phenomenal flood of inspiration of his twilight years.Music Featured:Sinfonietta (Fanfare) The Wild Duck In the Mists (2nd mvt, Molto adagio) The Fiddler's Child Songs of Hradčany (The Weeping Fountain) Jenůfa, Act II (Jenůfa's Prayer) Moravian Folk Poetry in Song, JW V/2 (No 2, Constancy) On the Overgrown Path (Our Evenings; A Blown Away Leaf) Diary of One Who Disappeared (Nos 19-22) Katya Kabanova: Act II Scene 2 "Jste to vy, Katěrino Petrovno?"…."Choď si, dívka, do času" The Cunning Little Vixen Act II “Fox Goldenstripe…..That's how it is!” Quartet No 1 ‘Kreutzer Sonata' (1st & 2nd mvts) March of the Blue Birds Říkadla - Nursery Rhymes (excerpt) Lachian Dances (Nos 3-6) Mládí On the Overgrown Path (No 9, In Tears) Pohádka – Fairytale Glagolitic Mass (Intrada) The Excursions of Mr Broucek Suite (The Moon Waltz) 1905 Sonata Capriccio (2nd & 3rd mvt) Glagolitic Mass (excerpt) Moravian Love Songs (No 10 ‘Love') Intimate Sketches (Waiting for You!) From the House of the Dead Suite (3rd mvt, Holiday is Coming) Quartet No 2 ‘Intimate Letters' On the Overgrown Path (No 7, Good Night)Presented by Kate Molleson Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Leos Janacek (1854-1928) https://www.bbc.co.uk/programmes/m002c0h9And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

durée : 00:13:15 - Le Disque classique du jour du vendredi 23 mai 2025 - Troisième volet d'une série d'opéras de Janacek présentés par le chef d'orchestre Sir Simon Rattle et le London Symphony Orchestra, "Jenufa" réunit les solistes Agneta Eichenholz, Nicky Spence, Aleš Briscein et Katarina Karnéus.

durée : 00:13:15 - Le Disque classique du jour du vendredi 23 mai 2025 - Troisième volet d'une série d'opéras de Janacek présentés par le chef d'orchestre Sir Simon Rattle et le London Symphony Orchestra, "Jenufa" réunit les solistes Agneta Eichenholz, Nicky Spence, Aleš Briscein et Katarina Karnéus.

Learn more about Leos Janacek and his opera "The Cunning Little Vixen" in this short feature put together by 90.9's Jenna Dell and Adam Hinton. Detroit Opera performs their production May 11-19, 2024.

durée : 01:28:02 - En pistes ! du jeudi 22 février 2024 - par : Charlotte Landru-Chandès - Nous poursuivons la semaine en parcourant ce matin le œuvres de Franz Schubert, Rita Strohl, Louise Farrenc, Félix Mendelssohn, Leos Janacek mais également Kaija Saariaho. En pistes !

Sie ist das wichtigste und häufigste Thema im alltäglichen Leben, wie auch in Literatur und Musik: die Liebe. Mit über 60 Jahren lernt Leoš Janácek die fast 40 Jahre jüngere Kamila Stösslová kennen. Im 2. Streichquartett mit dem Titel "Intime Briefe" sind die Gefühle für die junge Frau allgegenwärtig.

On this episode of Opera Apéro, I talk to my friend Maxwell (he/him) about Leos Janacek's opera Jenůfa. It's the story of a young woman in a small town in love and pregnant by a man who can't commit. As time progresses, they face the consequences of the decisions made to avoid community shame. We discuss parallels with other operas like Madama Butterfly and Pagliacci, how story meaning can change based on opera director's artistic choices, and we mispronounce many Czech names. This is also the first episode where we play a drinking game along to the opera so tune in to hear how many times we need to take a shot. Play along if you're feeling brave. Let me know what you thought on social media: on Instagram @opera.apero and on Twitter @OperaApero. If you like this show, please consider supporting me through Buy Me a Coffee. Chapters Act 1 - 08:31 Act 2 - 21:42 Act 3 - 40:33 Discussion - 58:15

Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres. ‘Herinneringen aan Brno' Dertig jaar geleden maakte ik een reis met mijn vader, oa naar het huis van Leos Janacek in Brno. Honderdtwintig jaar geleden maakte Janacek een reis in muziek naar zijn jeugd.  Meer zien? Klik hier (https://www.nporadio4.nl/klassiek/podcasts/3c8cd236-2eda-4d1b-bf6e-cea7e7b69adf/dit-hoor-je-deze-week-in-franks-klassieke-wonderkamer-week-8-20-t-m-24-februari) Leos Janacek On A Overgrown Path, Book I, nr.1-4 Olena Kushpler, piano (album: Janacek) Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer.

Leos Janacek - Romance Ildiko Line, violin Thomas Hlawatsch, piano More info about today's track: Naxos 8.553588 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Along with Antonin Dvorak and Bedrich Smetana, Leos Janacek is known as one of the three great Czech composers. He was born in Moravia, part of the Austrian Empire at the time, and became passionately interested in studying the folk music of his Moravian culture. After World War I, when the empire collapsed and Moravia became incorporated into the new country of Czechoslovakia, those nationalistic sentiments only increased, and Janacek was the perfect person to express those feelings through his music, seeing as his interest in the folk music of his homeland had been a lifelong passion for him. Enter the Sinfonietta, written in 1926, commissioned by none other than a Gymnastics festival! A sinfonietta is usually a smaller scale piece than a symphony, shorter, with a lighter orchestration and a lighter touch. But Janacek was always a rebel, and his Sinfonietta is a symphony in all but name, featuring an absolutely massive brass section that lustily performs the nationliaistic fanfares that Janacek gleefully adds  to the music. The Sinfonietta is an expression of patriotic love for Janacek's homeland, but it is also a piece that shows off so many of the things that make Janacek such a unique and underrated composer, his love of short fragmented melodies, his shocks and surprises, his innovative use of orchestration, and more. If you're not familiar with Janacek's music, the Sinfonietta is the perfect entry point, so come join us on this Patreon-sponsored episode!

durée : 00:05:47 - Classic & Co - par : Anna Sigalevitch - Une nouvelle production mise en scène par Tatjana Gürbaca et dirigée par Tomas Netopil.

The Knights — The Kreutzer Project (Avie) Jump to giveaway form New Classical Tracks - The Knights by “Aren't we all obsessed with time travel? Aren't we all wanting to have dinner with that person that's not alive anymore,” conductor of the Knights, Eric Jacobsen, asked when he fired up the time machine for their newest album, The Kreutzer Project. With his brother, violinist and composer Colin Jacobsen, they explore time-traveling dialogues between Beethoven in 1803, Leo Tolstoy in 1889, Leos Janacek in 1923 and most recently, Anna Clyne and Colin Jacobsen with their 21st-century pieces. What idea launched this project? Eric: “There were a couple of things that got this going. I can't remember if the Beethoven violin and piano sonata was the first thing that we said, ‘Oh, my gosh, this can be a concerto,' or if we looked at the Janacek String Quartet and said, ‘Wow, this could absolutely have a harp, snare drum and woodwinds.' We thought of all the works at the same time.” Is it true that Beethoven's sonatas are infamous for being hard on both the pianist and violinist? Colin: “The issue in this version is it's a violin concerto, but the orchestra is playing the piano part, which is incredibly virtuosic. It's really a concerto grosso grosso because everyone has to pull their weight with the virtuosic lines.” Eric: “When someone listens to this and doesn't know that it was arranged and made today, I think one would probably assume that it was made during Beethoven's life because it fits that time period. We know that he didn't make this arrangement, but it almost feels like it could be. It is from a composer who only wrote one violin concerto. I feel like this is an incredible complement to that piece.” Tell us about the expanded version of Leos Janacek's String Quartet. Colin: “A lot of Janacek's music has a sense of beauty that is thwarted or interrupted. You can hear that in the very opening. There's this gorgeous yearning chorale and it contains the primary motif of the whole piece then immediately you get interruptions from different voices. I think this is part of the emotion from the Tolstoy novella, which is a yearning for something that gets thwarted all the time.” Watch now To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. More on The Knights New Classical Tracks The Knights - Golijov: Azul New Classical Tracks The Knights celebrate the holiday season with a Christmas album Giveaway Time For Three New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources The Knights — The Kreutzer Project (Avie store) The Knights — The Kreutzer Project (Amazon store) The Knights (official site)

Anna Enquist leest fragmenten voor uit haar roman 'Mendel Bronstein', die door pianist Ivo Janssen worden geïllustreerd met muziek van de Tsjechische componist Leos Janacek (1854-1928).Uitgegeven door LuisterdocSpreker(s): Anna Enquist

Synopsis In the late 19th Century, there were two rival musical camps: one favored “absolute music” like the symphonies, concertos, and chamber music of Brahms; the other the “music of the future,” namely the operas of Wagner and the tone poems of Liszt, works that told dramatic stories in music. Now, Dvorak's mentor was Brahms, and Dvorak was famous for his symphonies, concertos, and chamber music. But on today's date in 1896, at a concert of the Prague Conservatory Orchestra, three tone poems by Dvorak premiered: “The Water Goblin,” “The Noonday Witch,” and “The Golden Spinning Wheel,” all three based on Czech folk legends – and rather lurid, even gruesome ones at that. Not surprisingly, the “absolute music” camp was shocked. The Viennese critic Eduard Hanslick lamented: “It is strange that Dvorak now indulges in ugly, unnatural, and ghastly stories which correspond so little to his amiable character and to the true musician that he is. In ‘The Water Goblin' we are treated to a fiend who cuts off his own child's head!” But another Czech composer, Leos Janacek, heard something quite different: “In all the orchestral tone poems that I have known, the ‘direct speech' of the instruments, if I might describe it thus, has never sounded with such certainty, clarity and truthfulness within the wave of melodies, as it does in ‘The Water Goblin.'” Music Played in Today's Program Antonin Dvorak (1841 - 1904) – The Water Goblin (Royal Concertgebouw Orchestra; Nikolaus Harnoncourt, cond.) Teldec 25254

What happens when a boy named Jack climbs a towering beanstalk into the sky? Hint: It involves a magical harp, a golden goose and an ornery giant named Basil. Go on a wild musical adventure with “Jack and the Beanstalk,” featuring storytelling by Scott Blankenship, with illustrations by Nancy Carlson and music by Leos Janacek.  

Leos Janacek's opera about a clever little fox living in the worlds of both animals and humans has many of the charming and amusing elements expected of traditional children's stories.  However, don't let this Cunning Little Vixen fool you.  Her story, and the story of the forester who pursues her, are richly layered with issues that may glide over the heads of young opera-goers while leaving the adults in the room pondering as they smile at the sly references.    Hosted by Pat and Rosie Brooks

Whoever you are come forth - dat is de titel van de Doorgeef-CD-van-de-Week die deze week gewonnen kan worden met de prijsvraag: in welk ensemble met de bijzondere bezetting van saxofoons, sopraan, klarinetten en slagwerk, speelt saxofonist Tom Sanderman? Mail je antwoord terwijl je luistert naar muziek van Anthony Fiumara, Franz Schubert, Willem Wander van Nieuwkerk, Leos Janacek, Heinrich Isaac en Olivier Greif. 23.04 CD Whoever you are come forth (Alaska Records AR 1803) Anthony Fiumara: Solo for Tenor Saxophone Tom Sanderman [tenorsaxofoon] 6'31” 23.12 CD Winterreise (TRPTK TTK0078) Franz Schubert: Winterreise D. 911 - Die Nebensonnen - Der Leiermann Michael Wilmering [bariton]; Daan Boertien [piano] 7'14” 23.22 CD Kadanza (Globe) Willem Wander van Nieuwkerk: Catch (an angel) Flanders Recorder Quartet 1'15” 23.23 eigen opname Monique Krüs: Utrechts Requiem - Tilly Lars Wouters van den Oudenweijer [klarinet], Miriam Overlach [harp], Heleen Hulst [viool], Timora Rosler [cello]; Ingrid Nugteren [zang]; Yvonne Kok [zang]; Rosina Fabius [zang]; Jonathan Ploeg [zang]; Jeroen Spitteler [zang]; Gulian van Nierop [zang] 4'55” 23.32 CD Red Diamonds (Seven Mountain Records 7MNTN-032) Leos Janacek: Sonate voor viool en piano - III Allegretto - IV Adagio Maxime Gulikers [viool]; Andrea Vasi [piano] 7'48” 23.42 CD Hypnos (Alpha 786) Heinrich Isaac: Quis dabit capiti meo aquam Ensemble La Tempête olv Simon-Pierre Bestion 6'56” CD Hypnos (Alpha 786) Olivier Greif: Requiem Ensemble La Tempête olv Simon-Pierre Bestion: 5'24”

Enge und Augsweglosigkeit herrscht im Hause Kabanova. Mit einem Seitensprunge versucht die junge Ehefrau der familiären Beklemmung zu entkommen. Die Musik der Oper von Leos Janacek bietet zwar gewaltige Stimmungsbilder, doch die Inszenierung an der Komischen Oper zieht irgendwie an einem vorbei. Von Barbara Wiegand

This episode is also available as a blog post: http://danielpbquinn.com/2021/11/08/what-resident-of-newark-nj-knew-richard-strauss-puccini-leos-janacek/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/daniel-p-quinn/message Support this podcast: https://anchor.fm/daniel-p-quinn/support

The Verona Quartet — Diffusion (Azica) Jump to giveaway form “I found a special bond. I felt as though I was meant to be the voice that glued everybody together, highly influential, but behind the scenes. I loved that. I even wrote my college entrance essay about wanting to play in a string quartet. Of course, at the time, I had no idea what that really meant,” said violist Abigail Rojansky of the Verona Quartet. That college entrance essay was for Oberlin College, where the Verona Quartet is now serving as quartet-in-residence.  According to Rojansky, music is just one avenue for telling a meaningful story. Its name, the Verona Quartet, pays tribute to Shakespeare, another great storyteller. She is joined by cellist Jonathan Dormand to talk about the stories that make up their debut recording, Diffusion. Why is exploring folk traditions on this album important to you? Jonathan: “It's the end and the beginning of a period of time where you have national identities in a style of playing.  “It's all about how you take from one culture, explore it and made it your own. That is what we've tried to do. We looked back to fantastic music and learned from its traditions. But, how do we make it our own and do we try to put our own stamp on it?” Why is Maurice Ravel's String Quartet considered a masterpiece? Abigail: “The piece is masterfully written, but in terms of form, its breaking with tradition while building upon history. He greatly respected and heard the Debussy quartet. Debussy only wrote one String Quartet, which Ravel loved, but he thought that there were aspects of it that could have been improved. “Ravel's String Quartet was also met with criticism, especially the last movement which people thought didn't have enough of a melody. It was too fast and in an uncomfortable rhythm. Now we look at it and say, ‘Oh, my goodness, this last movement is so spectacular.'“ Can you talk about how Karol Szymanowski creates his unique voice in his String Quartet No. 2? Jonathan: “It has this hyper-romanticism about it. I just don't know another composer that writes incredibly lyrical, but at the same time offers delicious harmonies. He has his own unique take on everything. I'm quite obsessed with his piece. “The second movement also blasts us out of our seats. I'm not going to lie. I was listening and went, ‘Whoa!' You can hear the power and the forcefulness in the music.” How does Leos Janacek's passion for unrequited love come through in his String Quartet No. 2? Abigail: “One energized idea will break and suddenly he'll say something completely different with an entirely different emotional character, subject, or mode of expression. He does that in this quartet and that's part of what makes it so incredibly dramatic. Suddenly, it goes black and then there's something completely different. Nobody else could write like that before him.” Watch now To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources The Verona Quartet — Diffusion (Amazon) The Verona Quartet (official site)

Leos Janacek - Sinfonietta: Fanfare Warsaw Philharmonic Orchestra Antoni Wit, conductor More info about today's track: Naxos 8.572639 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording AmazonArkivMusic

Ein Streichquartett für seine Muse: Das schrieb Leoš Janá?ek 1928 für seine platonische Geliebte. «Intime Briefe» heisst das Werk – und es ist voller schwelgerischer Melodien. Kennengelernt hat Leoš Janá?ek seine Muse Kamila Stösslová 1917 – damals war Janacek 63 Jahre alt und die junge Frau 26 – und bereits verheiratet und Mutter. Deshalb blieb die Beziehung platonisch – aber äusserst fruchtbar für Janá?eks Spätwerk. Vier Opern sind dank dieser Beziehung noch entstanden – und eben das Streichquartett «Intime Briefe». Jenny Berg vergleicht fünf Einspielungen davon mit ihren beiden Gästen, der Dirigentin Lena-Lisa Wüstendörfer und dem Cellisten Christoph Dangel.

Join Alex and Fernando in their ongoing futile quest of discussing some of their favorite composers. Listen to great recordings of works by Georges Bizet, Antonin Dvorak, Leos Janacek, Ottorino Respighi and more!

durée : 01:59:22 - Relax ! du jeudi 04 juin 2020 - par : Lionel Esparza - Au programme, un portrait du chef d'orchestre allemand Karl Ristenpart, qui fut entre autres le premier directeur des formations musicales du RIAS à Berlin à partir de 1946. Et notre légende du jour est l'enregistrement de l’œuvre pour piano de Leos Janacek par le pianiste Rudolf Firkusny. - réalisé par : Antoine Courtin

durée : 00:58:16 - Disques de légende du jeudi 04 juin 2020 - Le pianiste qui nous a fait découvrir Leos Janacek ! Rudolf Firkusny enregistre l’œuvre complète pour piano du célèbre compositeur tchèque en 1970 et 1971, notamment son très beau cycle "Sur un sentier broussailleux"...

Een historische aflevering van Diskotabel vandaag. In deze special reizen we met historicus Luc Panhuysen en musicologe Saskia Törnqvist af naar het Tsjechië van een eeuw geleden. Een oude wereldorde maakt plaats voor een nieuwe. En dan zijn we opeens weer razend actueel! Met muziek van o.a. Bedrich Smetana, Antonin Dvorak en Leos Janacek.

Piece based on "The Girl I Left Behind Me" by Stormy. "Watching this treasure quickly aroused in me the desire to express a ghostly presence. Disturbing night rumbles, memories of a voice, a few wild notes from Leos Janacek ... Any signs of the loss of a loved one?" Part of the Smithsonian Treasures project, a collection of new sound works inspired by items from the Smithsonian Museums’ collections - for more information, see http://www.citiesandmemory.com/smithsonian

Con Ana Laura Iglesias | Nuevo concierto a la carta en Fila 01 protagonizado hoy por una obra llena de colores y luces: la Sinfonietta de Leos Janacek. Descubre esta obra de sonoridad fascinante que a pesar de lo desconocido de su autor en los últimos años ha saltado a la fama gracias a su aparición en la novela 1Q89 del escritor japonés Haruki Murakami.

Con Ana Laura Iglesias | Nuevo concierto a la carta en Fila 01 protagonizado hoy por una obra llena de colores y luces: la Sinfonietta de Leos Janacek. Descubre esta obra de sonoridad fascinante que a pesar de lo desconocido de su autor en los últimos años ha saltado a la fama gracias a su aparición en la novela 1Q89 del escritor japonés Haruki Murakami.

Donald Macleod illustrates Leos Janacek’s inner tensions through five key relationships One of the most original voices of the twentieth century, Leoš Janáček was a composer, musical theorist, folklorist and teacher. Born in 1854 in the Moravian village of Hukvaldy, which was then part of the Austrian Empire, in his youth German was the language of government, education and social influence. Having returned from studies in Germany, Janáček made detailed studies of native folk song and spent years annotating the natural rhythms of the Czech language. He was to write all his works for stage in his native language. The range of his professional activities gave him a range of outlets to voice what quickly became a life-long commitment to Czech culture. Janáček was a contradictory man, who spent much of his life feeling at odds with his circumstances. Through five of his closest relationships, Donald Macleod builds a picture of how his inner tensions found expression in his music. Music featured: Suite for Strings, Andante con moto (3rd movement) Four male-voice choruses Lachian Dances Šárka (excerpt from Act 1) Sinfonietta Lavečka (The Bench) Theme with variations (Zdenka Variations) Amarus (3rd movement) Janacek, rev. Mackerras: The Cunning Little Vixen Orchestral Suite JW 1/9 Quartet no.1 (The Kreutzer Quartet) Nejistota JW V/2 Hukvaldy Songs Taras Bulba Pohádka Jenůfa – excerpt from Act 1 Kat’a Kabanova – Act 3 excerpt The diary of one who disappeared (excerpt) Quartet for strings no. 2: Intimate Letters Glagolitic Mass – Credo Žárlivost On the overgrown path (excerpts) The Excursions of Mr Brouček The Fiddler’s Child Potulný šílenec Presented by Donald Macleod Produced by Johannah Smith for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Leoš Janáček https://www.bbc.co.uk/programmes/m000cr48 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

What a pleasure it is revisit the music of one of our favorite composers: Leos Janacek! If you like beautiful orchestration and cute animal stories (which should include everyone), The Cunning Little Vixen is definitely the opera for you.

durée : 00:13:11 - Disques de légende - Le compositeur Leos Janacek compose sa Messe glagolitique en 1926, soit quelques années après la proclamation d'indépendance de la Tchécoslovaquie en 1918. Le texte est en Vieux-slave, qui utilisait à l'origine l'alphabet glagolitique inventé par Cyrille et Méthode au IXe siècle...

Aandacht voor het bijzondere project '24 preludia' van pianiste Jacqueline voorheen Frederique, voor het Cello Festival Zutphen, en voor de nieuwe CD van Helena Basilova, met muzikale sprookjes... Muziek van Louis Andriessen, Michael Moore, Alfred Schnittke, Johann Sebastian Bach, Manuel de Falla, Leos Janacek, Yuri Bagri.

Åh människa! Se upp! Panelen knockas av Belcea-kvartettens blottlagda sårbarhet och lidelsefullhet, hör en jämntjock Verdiskiva och blir besviken på Mahlers tredje symfoni med Adam Fischer. Veckans skivor: MAHLER SYMPHONY NO 3 ADAM FISCHER Symfoni nr 3 i D-moll av Gustav Mahler Anna Larsson, alt Düsseldorfs symfoniker Adam Fischer, dirigent Avi Music 8553399 Betyg: 4 BACH TO THE FUTURE OLIVIER LATRY Musik av Johann Sebastian Bach Orgeln i Notre-Dame, Paris Olivier Latry, organist (huvudorganist i Notre-Dame) La Dolce Volta LDV69 Betyg: 4 JANACEK LIGETI STRING QUARTETS - BELCEA QUARTET Stråkkvartetter av Leos Janacek och György Ligeti Belcea-kvartetten Alpha Classics ALPHA 454 Betyg: 5 CALLEJA VERDI Operamusik av Giuseppe Verdi Joseph Calleja, tenor Angela Gheorghiu, sopran Vittorio Vitelli, baryton Orchestra de la Comunitat Valenciana Ramón Tebar, dirigent Decca 483 1539 Betyg: 3 Veckans val: Albert Roussel I år är det 150 år sedan den franske tonsättaren Albert Roussel föddes. Måns Tengnér har lyssnat på en ny box med Roussel-inspelningar utgiven på Erato och guidar till denne moderate modernist. Johans bästa: En annan Mahlertrea Musikrevyns programledare Johan Korssell väljer sina favoriter ur den aktuella skivutgivningen. Den här veckan jämför han Adam Fischers nya inspelning av Mahlers tredje symfoni med Francois Xavier Roths inspelning av samma verk tillsammans Gürzenich-orkestern i Köln.

Taking a break from all the Wagner and thanks to a listener request, we're diving into Jenufa, by composer Leos Janacek. This opera is pretty dark, but filled with rich and beautiful music that matches a dark time in the composer's own life.

Tom Klaassen verkent iedere zaterdag en zondag tussen 23.00 en 24.00 uur de grenzen van de klassieke muziek. Met nieuwe releases, concerttips, reportages, actuele ontwikkelingen in de muziekwereld, een vaste plek voor jong talent, en natuurlijk: adembenemende muziek! Gemaakt in nauwe samenwerking met het televisieprogramma Vrije Geluiden. Met vandaag: Debussy en Leos Janacek door Ebonit Saxophone Quartet, Baul Meets Saz, John Woolrich, Palestrina door het Huelgas Ensemble, Archibald James Potter en het Danish String Quartet.

„In jedem Geschöpf ist ein Funke Gottes“ – Diesen ethischen Gedanken macht Leos Janacek zum Motto seiner Oper. Eine positive Vision für dieses sein vielleicht düsterstes Werk... https://www.staatsoper.de/stueckinfo/aus-einem-totenhaus/ Leoš Janáček: "From the House of the Dead" Premiere: 21. Mai 2018 Production: Frank Castorf Conductor: Simone Young

Programa Centésimo Segundo del ciclo VOCERRANTE. Con música de Robert de Visee, Leos Janacek y Gabin Bryars. Las ciudades como prolongación de las voces, las ciudades sostenidas por las voces, las ciudades habitables por las voces.

Dr. Donna Fairbanks and Dr. Hilary Demske perform two Leos Janacek selections on piano and violin.

Composed by Czech nationalist, Leos Janacek, Jenufa incorporates the beauties of Czech music, language, and culture while telling a disturbing story based on true events. Here, Yveta Graff takes us through the opera's plot and music, and the tells the history of its composition and early performances.

Donald Macleod celebrates the life and music of Leos Janacek. Known primarily as a folklorist and teacher, he didn't achieve international recognition as a composer until he was into his sixties

The composer Leos Janacek was an important promoter of cultural activity in the city where he spent most of his life - Brno, Moravia, Czech Republic. Czech conductor Jakub Hrusa, a Brno native, introduces us to Janacek and his city by using Janacek's spectacular Sinfonietta as a musical guide. Join us on this personal journey to discover the legacy of Leos Janacek. Part of the Bohemian Legends series in April and May 2014, conducted by Jakub Hrusa - www.philharmonia.co.uk/bohemian