Podcast appearances and mentions of michel rolph trouillot

As the author of a graphic history, I loved chatting with Roxanne Dunbar-Ortiz and Paul Peart-Smith about the graphic interpretation of An Indigenous People's History of the United States (Beacon Press, 2024). An Indigenous Peoples' History of The United States originally came out in 2014 with Beacon Press. In 2019 it was adapted into a Young Peoples version by Jean Mendoza and Debbie Reese. In 2021 it was one of the three foundational texts for the amazing HBO docuseries Exterminate All the Brutes, written and directed by Raoul Peck. The other featured books were two of my all-time favorites Sven Lindqvist' Exterminate All the Brutes: One Man's Odyssey into the Heart of Darkness and the Origins of European Genocide and Michel-Rolph Trouillot's Silencing the Past: Power and the Production of History. Paul Peart-Smith has adapted what many regard as the first history of the United States told from the perspective of Indigenous peoples into a stunningly powerful graphic history. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them. Dr. Roxanne Dunbar-Ortiz, a New York Times best-selling author, grew up in rural Oklahoma in a tenant farming family. She has been active in the international feminist and Indigenous movements for more than four decades and is known for her lifelong commitment to national and international social justice issues. Dunbar-Ortiz is the winner of the 2017 Lannan Cultural Freedom Prize, and is the author or editor of many books, including An Indigenous Peoples' History of the United States, a recipient of the 2015 American Book Award. She lives in San Francisco and is a professor emeritus in Ethnic Studies at California State University, East Bay. Paul Peart-Smith is a celebrated cartoonist of over 35 years, with experience in concept art, graphic design, and animation. Having studied to be an illustrator in Cambridge, England, he has worked on comics for 2000 AD, such as Slaughter Bowl . He is the illustrator and adapter of W. E. B. Du Bois Souls of Black Folk: A Graphic Interpretation. He lives in Tasmania, Australia and puts out the bi-weekly newsletter InkSkull . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As the author of a graphic history, I loved chatting with Roxanne Dunbar-Ortiz and Paul Peart-Smith about the graphic interpretation of An Indigenous People's History of the United States (Beacon Press, 2024). An Indigenous Peoples' History of The United States originally came out in 2014 with Beacon Press. In 2019 it was adapted into a Young Peoples version by Jean Mendoza and Debbie Reese. In 2021 it was one of the three foundational texts for the amazing HBO docuseries Exterminate All the Brutes, written and directed by Raoul Peck. The other featured books were two of my all-time favorites Sven Lindqvist' Exterminate All the Brutes: One Man's Odyssey into the Heart of Darkness and the Origins of European Genocide and Michel-Rolph Trouillot's Silencing the Past: Power and the Production of History. Paul Peart-Smith has adapted what many regard as the first history of the United States told from the perspective of Indigenous peoples into a stunningly powerful graphic history. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them. Dr. Roxanne Dunbar-Ortiz, a New York Times best-selling author, grew up in rural Oklahoma in a tenant farming family. She has been active in the international feminist and Indigenous movements for more than four decades and is known for her lifelong commitment to national and international social justice issues. Dunbar-Ortiz is the winner of the 2017 Lannan Cultural Freedom Prize, and is the author or editor of many books, including An Indigenous Peoples' History of the United States, a recipient of the 2015 American Book Award. She lives in San Francisco and is a professor emeritus in Ethnic Studies at California State University, East Bay. Paul Peart-Smith is a celebrated cartoonist of over 35 years, with experience in concept art, graphic design, and animation. Having studied to be an illustrator in Cambridge, England, he has worked on comics for 2000 AD, such as Slaughter Bowl . He is the illustrator and adapter of W. E. B. Du Bois Souls of Black Folk: A Graphic Interpretation. He lives in Tasmania, Australia and puts out the bi-weekly newsletter InkSkull . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

As the author of a graphic history, I loved chatting with Roxanne Dunbar-Ortiz and Paul Peart-Smith about the graphic interpretation of An Indigenous People's History of the United States (Beacon Press, 2024). An Indigenous Peoples' History of The United States originally came out in 2014 with Beacon Press. In 2019 it was adapted into a Young Peoples version by Jean Mendoza and Debbie Reese. In 2021 it was one of the three foundational texts for the amazing HBO docuseries Exterminate All the Brutes, written and directed by Raoul Peck. The other featured books were two of my all-time favorites Sven Lindqvist' Exterminate All the Brutes: One Man's Odyssey into the Heart of Darkness and the Origins of European Genocide and Michel-Rolph Trouillot's Silencing the Past: Power and the Production of History. Paul Peart-Smith has adapted what many regard as the first history of the United States told from the perspective of Indigenous peoples into a stunningly powerful graphic history. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them. Dr. Roxanne Dunbar-Ortiz, a New York Times best-selling author, grew up in rural Oklahoma in a tenant farming family. She has been active in the international feminist and Indigenous movements for more than four decades and is known for her lifelong commitment to national and international social justice issues. Dunbar-Ortiz is the winner of the 2017 Lannan Cultural Freedom Prize, and is the author or editor of many books, including An Indigenous Peoples' History of the United States, a recipient of the 2015 American Book Award. She lives in San Francisco and is a professor emeritus in Ethnic Studies at California State University, East Bay. Paul Peart-Smith is a celebrated cartoonist of over 35 years, with experience in concept art, graphic design, and animation. Having studied to be an illustrator in Cambridge, England, he has worked on comics for 2000 AD, such as Slaughter Bowl . He is the illustrator and adapter of W. E. B. Du Bois Souls of Black Folk: A Graphic Interpretation. He lives in Tasmania, Australia and puts out the bi-weekly newsletter InkSkull . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

As the author of a graphic history, I loved chatting with Roxanne Dunbar-Ortiz and Paul Peart-Smith about the graphic interpretation of An Indigenous People's History of the United States (Beacon Press, 2024). An Indigenous Peoples' History of The United States originally came out in 2014 with Beacon Press. In 2019 it was adapted into a Young Peoples version by Jean Mendoza and Debbie Reese. In 2021 it was one of the three foundational texts for the amazing HBO docuseries Exterminate All the Brutes, written and directed by Raoul Peck. The other featured books were two of my all-time favorites Sven Lindqvist' Exterminate All the Brutes: One Man's Odyssey into the Heart of Darkness and the Origins of European Genocide and Michel-Rolph Trouillot's Silencing the Past: Power and the Production of History. Paul Peart-Smith has adapted what many regard as the first history of the United States told from the perspective of Indigenous peoples into a stunningly powerful graphic history. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them. Dr. Roxanne Dunbar-Ortiz, a New York Times best-selling author, grew up in rural Oklahoma in a tenant farming family. She has been active in the international feminist and Indigenous movements for more than four decades and is known for her lifelong commitment to national and international social justice issues. Dunbar-Ortiz is the winner of the 2017 Lannan Cultural Freedom Prize, and is the author or editor of many books, including An Indigenous Peoples' History of the United States, a recipient of the 2015 American Book Award. She lives in San Francisco and is a professor emeritus in Ethnic Studies at California State University, East Bay. Paul Peart-Smith is a celebrated cartoonist of over 35 years, with experience in concept art, graphic design, and animation. Having studied to be an illustrator in Cambridge, England, he has worked on comics for 2000 AD, such as Slaughter Bowl . He is the illustrator and adapter of W. E. B. Du Bois Souls of Black Folk: A Graphic Interpretation. He lives in Tasmania, Australia and puts out the bi-weekly newsletter InkSkull . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

As the author of a graphic history, I loved chatting with Roxanne Dunbar-Ortiz and Paul Peart-Smith about the graphic interpretation of An Indigenous People's History of the United States (Beacon Press, 2024). An Indigenous Peoples' History of The United States originally came out in 2014 with Beacon Press. In 2019 it was adapted into a Young Peoples version by Jean Mendoza and Debbie Reese. In 2021 it was one of the three foundational texts for the amazing HBO docuseries Exterminate All the Brutes, written and directed by Raoul Peck. The other featured books were two of my all-time favorites Sven Lindqvist' Exterminate All the Brutes: One Man's Odyssey into the Heart of Darkness and the Origins of European Genocide and Michel-Rolph Trouillot's Silencing the Past: Power and the Production of History. Paul Peart-Smith has adapted what many regard as the first history of the United States told from the perspective of Indigenous peoples into a stunningly powerful graphic history. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them. Dr. Roxanne Dunbar-Ortiz, a New York Times best-selling author, grew up in rural Oklahoma in a tenant farming family. She has been active in the international feminist and Indigenous movements for more than four decades and is known for her lifelong commitment to national and international social justice issues. Dunbar-Ortiz is the winner of the 2017 Lannan Cultural Freedom Prize, and is the author or editor of many books, including An Indigenous Peoples' History of the United States, a recipient of the 2015 American Book Award. She lives in San Francisco and is a professor emeritus in Ethnic Studies at California State University, East Bay. Paul Peart-Smith is a celebrated cartoonist of over 35 years, with experience in concept art, graphic design, and animation. Having studied to be an illustrator in Cambridge, England, he has worked on comics for 2000 AD, such as Slaughter Bowl . He is the illustrator and adapter of W. E. B. Du Bois Souls of Black Folk: A Graphic Interpretation. He lives in Tasmania, Australia and puts out the bi-weekly newsletter InkSkull . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Hey there, friends! Welcome back to the Nèg Mawon Podcast. You're just in time for the second slice of our riveting book review of Michel-Rolph Trouillot's "Haiti: State Against Nation. The Origins and Legacy of Duvalierism." In today's episode, we're diving deeper with our reviewer, Dr. Greg Beckett as he unravels the complex weave of Haiti's urban and rural fabric. If you thought Part 1 had you hooked, just wait till you hear what we've got today. So sit back, grab a cup of that Dondon coffee, and let's journey together through the pages of our story that challenges, inspires, and captivates. Alright, enough from me—let's roll Episode 75, part 2/2! --- Send in a voice message: https://podcasters.spotify.com/pod/show/negmawonpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/negmawonpodcast/support

We're joined today by the esteemed Dr. Greg Beckett, a cultural anthropologist with deep insights into Haitian studies. In today's conversation, we will unpack the complexities outlined in Michel-Rolph Trouillot's pivotal book “Haiti: State Against Nation. The Origins and Legacy of Duvalierism” and connect its themes to the ongoing political turmoil in Haiti. Dr. Beckett will guide us through the importance of anthropology's tools—deep listening, relationship building, and grasping local languages and cultures—to authentically interpret terms like "blackout" in the Haitian context. Dr. Beckett brings us a distilled essence of Michel-Rolph Trouillot book with just five words: "the state, history, crisis, dictatorship, and nation." He then navigates us through Trouillot's Marxist analysis of the Haitian state, revealing how power dynamics and historical legacies have paved the way for enduring crises and the shadow of the Duvalier dictatorship. As we translate theories across languages and audiences, we'll see how the French and English versions of Trouillot's work diverge, each speaking to different readers with varying political contexts. At the heart of this episode is the intersection of culture, power, and history, and how they have shaped the Haitian nation and identity. Join us as we explore the critical role of the Haitian elite, the cultural translation of Marxist critique, and the three pivotal conditions that solidify Duvalierism's hold on Haiti. This is a journey to uncover the roots of Haiti's challenges and the intricate web of social, economic, and cultural elements that support them. Stay with us for this enlightening session on the enduring effects of totalitarianism and the fight for democracy in Haiti. --- Send in a voice message: https://podcasters.spotify.com/pod/show/negmawonpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/negmawonpodcast/support

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read

Throughout his career, the internationally renowned Haitian anthropologist Michel-Rolph Trouillot unsettled key concepts in anthropology, history, postcolonial studies, Black studies, Caribbean studies, and beyond. From his early critique of the West to the ongoing challenges he leveled at disciplinary and intellectual boundaries and formations, Trouillot centered the Caribbean as a site both foundational to the development of Western thought and critical to its undoing.  Trouillot Remixed: The Michel-Rolph Trouillot Reader (Duke UP, 2021) offers a representative cross section of his work that includes his most famous writings and lesser-known and harder-to-find texts essential to his oeuvre. Encouraging readers to engage with Trouillot's scholarship in new ways, this collection demonstrates the breadth of his writing, his enduring influence on Caribbean studies, and his relevance to politically engaged scholarship more broadly. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Throughout his career, the internationally renowned Haitian anthropologist Michel-Rolph Trouillot unsettled key concepts in anthropology, history, postcolonial studies, Black studies, Caribbean studies, and beyond. From his early critique of the West to the ongoing challenges he leveled at disciplinary and intellectual boundaries and formations, Trouillot centered the Caribbean as a site both foundational to the development of Western thought and critical to its undoing.  Trouillot Remixed: The Michel-Rolph Trouillot Reader (Duke UP, 2021) offers a representative cross section of his work that includes his most famous writings and lesser-known and harder-to-find texts essential to his oeuvre. Encouraging readers to engage with Trouillot's scholarship in new ways, this collection demonstrates the breadth of his writing, his enduring influence on Caribbean studies, and his relevance to politically engaged scholarship more broadly. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Throughout his career, the internationally renowned Haitian anthropologist Michel-Rolph Trouillot unsettled key concepts in anthropology, history, postcolonial studies, Black studies, Caribbean studies, and beyond. From his early critique of the West to the ongoing challenges he leveled at disciplinary and intellectual boundaries and formations, Trouillot centered the Caribbean as a site both foundational to the development of Western thought and critical to its undoing.  Trouillot Remixed: The Michel-Rolph Trouillot Reader (Duke UP, 2021) offers a representative cross section of his work that includes his most famous writings and lesser-known and harder-to-find texts essential to his oeuvre. Encouraging readers to engage with Trouillot's scholarship in new ways, this collection demonstrates the breadth of his writing, his enduring influence on Caribbean studies, and his relevance to politically engaged scholarship more broadly. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Throughout his career, the internationally renowned Haitian anthropologist Michel-Rolph Trouillot unsettled key concepts in anthropology, history, postcolonial studies, Black studies, Caribbean studies, and beyond. From his early critique of the West to the ongoing challenges he leveled at disciplinary and intellectual boundaries and formations, Trouillot centered the Caribbean as a site both foundational to the development of Western thought and critical to its undoing.  Trouillot Remixed: The Michel-Rolph Trouillot Reader (Duke UP, 2021) offers a representative cross section of his work that includes his most famous writings and lesser-known and harder-to-find texts essential to his oeuvre. Encouraging readers to engage with Trouillot's scholarship in new ways, this collection demonstrates the breadth of his writing, his enduring influence on Caribbean studies, and his relevance to politically engaged scholarship more broadly. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Throughout his career, the internationally renowned Haitian anthropologist Michel-Rolph Trouillot unsettled key concepts in anthropology, history, postcolonial studies, Black studies, Caribbean studies, and beyond. From his early critique of the West to the ongoing challenges he leveled at disciplinary and intellectual boundaries and formations, Trouillot centered the Caribbean as a site both foundational to the development of Western thought and critical to its undoing.  Trouillot Remixed: The Michel-Rolph Trouillot Reader (Duke UP, 2021) offers a representative cross section of his work that includes his most famous writings and lesser-known and harder-to-find texts essential to his oeuvre. Encouraging readers to engage with Trouillot's scholarship in new ways, this collection demonstrates the breadth of his writing, his enduring influence on Caribbean studies, and his relevance to politically engaged scholarship more broadly. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Throughout his career, the internationally renowned Haitian anthropologist Michel-Rolph Trouillot unsettled key concepts in anthropology, history, postcolonial studies, Black studies, Caribbean studies, and beyond. From his early critique of the West to the ongoing challenges he leveled at disciplinary and intellectual boundaries and formations, Trouillot centered the Caribbean as a site both foundational to the development of Western thought and critical to its undoing.  Trouillot Remixed: The Michel-Rolph Trouillot Reader (Duke UP, 2021) offers a representative cross section of his work that includes his most famous writings and lesser-known and harder-to-find texts essential to his oeuvre. Encouraging readers to engage with Trouillot's scholarship in new ways, this collection demonstrates the breadth of his writing, his enduring influence on Caribbean studies, and his relevance to politically engaged scholarship more broadly. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Throughout his career, the internationally renowned Haitian anthropologist Michel-Rolph Trouillot unsettled key concepts in anthropology, history, postcolonial studies, Black studies, Caribbean studies, and beyond. From his early critique of the West to the ongoing challenges he leveled at disciplinary and intellectual boundaries and formations, Trouillot centered the Caribbean as a site both foundational to the development of Western thought and critical to its undoing.  Trouillot Remixed: The Michel-Rolph Trouillot Reader (Duke UP, 2021) offers a representative cross section of his work that includes his most famous writings and lesser-known and harder-to-find texts essential to his oeuvre. Encouraging readers to engage with Trouillot's scholarship in new ways, this collection demonstrates the breadth of his writing, his enduring influence on Caribbean studies, and his relevance to politically engaged scholarship more broadly. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This collection of writings from Haitian anthropologist Michel-Rolph Trouillot includes his most famous, lesser-known, and hard-to-find writings that demonstrate his enduring importance to Caribbean studies, anthropology, history, postcolonial studies, and politically engaged scholarship more broadly. --- Send in a voice message: https://anchor.fm/negmawonpodcast/message Support this podcast: https://anchor.fm/negmawonpodcast/support

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

#20 Rosa Amelia Plumelle-Uribe: penser la férocité blanche, 3e partie: Reprendre la parole aux expertsLa férocité blanche, ce sont 500 ans de crimes et d'injustice produits par la violence coloniale. Troisième et dernière partie de notre entretien avec Rosa Amelia Plumelle-Uribe, autrice de La férocité blanche, des non-blancs aux non-aryens, génocides occultés de 1492 à nos jours. Dans épisode, Rosa Amelia Plumelle-Uribe s'interroge sur le regard soi-disant neutre de ceux qui se proclament experts et appelle chacunE d'entre nous à se défaire des prisons mentales qui nous emprisonnent en questionnant les vérités officielles.Née en Colombie, Rosa-Amelia Plumelle-Uribe est descendante à la fois des populations autochtones d'Abya Yala et des AfricainEs qui y ont été déportéEs par les colonisateurs Européens.Références:Générique : Atch, Freedom, 2020.Maria Bethânia (ft. Caetano Veloso & Gilberto Gil), Saudade dela, 2009.Les ouvrages de Rosa Amelia Plumelle-Uribe: Du lynchage des noirs dans les rues au lynchage judiciaire des noirs, Éd. Anibwé, 2020; 3 Novembre 2015 Victimes innocentes des guerres, Éd. Anibwé, 2016; Victimes des esclavagistes musulmans, chrétiens et juifs. Racialisation et banalisation d'un crime contre l'humanité, Éd. Anibwé, 2012; Kongo, les mains coupées, Éd. Anibwé, 2010; Traite des blancs, traites des noirs : aspects méconnus et conséquences actuelles, L'Harmattan, 2008; La férocité blanche : des non-Blancs aux non-Aryens, génocides occultés de 1492 à nos jours, A. Michel, 2001. Les conseils de lecture de Rosa Amelia Plumelle-Uribe: En los años 70 : Tambores del destino por Peter Bourne ; Discurso sobre el colonialismo de Aimé Césaire ; Los condenados de la tierra; Piel negra máscaras blancas por Franz Fanon ; Autobiografía de Malcom X por Alex Haley ; El apartheid en la práctica, Compendio de la legislación sud-africana ; En los años 80 : Français et Africains. Les Noirs dans le regard des Blancs por William Cohen ; La politique nazie d'extermination, François Bédarida ; La destruction des Juifs d'Europe par Raul Hilberg ; Des Juifs dans la collaboration par Maurice Rajsfus ; Hitler voulait l'Afrique par Alexandre Kuma N'Dumbé III ; Science nazie, science de mort par Benno Muller-Hill ; La conquête de l'Amérique et la question de l'autre par Tzvetan Todorov ; Israël et les peuples noirs L'alliance raciste israélo arabe par Abdelkader Benabdallah ; Mémoires d'un esclave américain par Frederick Douglas ; Le code noir ou le calvaire de Canaan par Louis Sala-Molins ; En los años 90 : L'Afrique aux Amériques par Louis Sala-Molins ; Les fantômes du roi Léopold II un holocauste oublié par Adam Hochschild ; L'assassinat de Lumumba par Ludo de Witte ;L'or et le fer, Bismarck et son banquier Bleichröder par Fritz Stern ; Le septième million, par Tom Segev ; Eichmann à Jérusalem par Hannah Arendt ; Civilisation ou barbarie par Cheikh Anta Diop; Desde los años 2 000 : Le mythe de la bonne guerre par Jacques R. Pauwels ; 1914-1918 La grande guerre des classes par Jacques R. Pauwels ; La conquête continue par Noam Chomsky ; « Nous le peuple des Etats Unis » par Howard Zinn ; Une histoire populaire des Etats-Unis par Howard Zinn ; L'Holocauste dans la vie américaine par Peter Novick ; Aux origines des théories raciales par André Pichot ; Si je suis encore en vie… par Ken Saro-Wiwa ; Comment Hitler a acheté les Allemands par Götz Aly ; Les architectes de l'extermination par Götz Aly ; Silenciando el pasado por Michel-Rolph Trouillot ; Esclavage Réparation Les Lumières des Capucins et Les lueurs des pharisiens par Louis Sala-Molins.Pour aller plus loin:L'entretien de Rosa Amelia Plumelle-Uribe avec Cases Rebelles en 2014L'entretien de Rosa Amelia Plumelle-Uribe avec Thotep: partie 1 et partie 2Lettre a Yann Moix, qui traitait "d'anachronisme" l'utilisation du terme "crime contre l'humanité" concernant l'esclavage ou les crimes commis sous NapoléonExtrait de Kongo, les mains coupées sur le site de Cases RebellesExtrait de Victimes des esclavagistes musulmans, chrétiens et juifs sur le site Etat d'exceptionAdaptation radiophonique de La Férocité blanche par Le gang des gazières Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

#19 La férocité blanche (2/3): Trouver les mot: appeler un génocide un génocideLa « férocité blanche », ce sont les crimes produits par 500 ans de colonialisme, dont Rosa Amelia Plumelle-Uribe rapporte l'extrême violence et cruauté à travers un travail gigantesque de documentation accumulée et minutieusement analysée pendant deux décennies. Deuxième partie de notre entretien avec l'autrice de La férocité blanche, des non-blancs aux non-aryens, génocides occultés de 1492 à nos jours. Rosa Amelia Plumelle-Uribe nous présente sa réflexion, riche et fine, sur la notion de génocide, et comment elle a contribué à la redéfinir à partir de ses recherches.Née en Colombie, Rosa Amelia Plumelle-Uribe est descendante à la fois des peuples originaires d'Abya Yala (Amériques) et des populations noires qui y ont été déportées pendant la traite d'esclaves européenne. Publié en 2001, La férocité blanche est le fruit de 20 ans de réflexion, qui reste toujours pertinente.Musique:Los hijos del sol, El tamalito, 1989.Générique : Atch, Freedom, 2020.Les ouvrages de Rosa Amelia Plumelle-Uribe: Du lynchage des noirs dans les rues au lynchage judiciaire des noirs, Éd. Anibwé, 2020; 3 Novembre 2015 Victimes innocentes des guerres, Éd. Anibwé, 2016; Victimes des esclavagistes musulmans, chrétiens et juifs. Racialisation et banalisation d'un crime contre l'humanité, Éd. Anibwé, 2012; Kongo, les mains coupées, Éd. Anibwé, 2010; Traite des blancs, traites des noirs : aspects méconnus et conséquences actuelles, L'Harmattan, 2008; La férocité blanche : des non-Blancs aux non-Aryens, génocides occultés de 1492 à nos jours, A. Michel, 2001.Les conseils de lecture de Rosa Amelia Plumelle-Uribe: En los años 70 : Tambores del destino por Peter Bourne ; Discurso sobre el colonialismo de Aimé Césaire ; Los condenados de la tierra; Piel negra máscaras blancas por Franz Fanon ; Autobiografía de Malcom X por Alex Haley ; El apartheid en la práctica, Compendio de la legislación sud-africana ; En los años 80 : Français et Africains. Les Noirs dans le regard des Blancs por William Cohen ; La politique nazie d'extermination, François Bédarida ; La destruction des Juifs d'Europe par Raul Hilberg ; Des Juifs dans la collaboration par Maurice Rajsfus ; Hitler voulait l'Afrique par Alexandre Kuma N'Dumbé III ; Science nazie, science de mort par Benno Muller-Hill ; La conquête de l'Amérique et la question de l'autre par Tzvetan Todorov ; Israël et les peuples noirs L'alliance raciste israélo arabe par Abdelkader Benabdallah ; Mémoires d'un esclave américain par Frederick Douglas ; Le code noir ou le calvaire de Canaan par Louis Sala-Molins ; En los años 90 : L'Afrique aux Amériques par Louis Sala-Molins ; Les fantômes du roi Léopold II un holocauste oublié par Adam Hochschild ; L'assassinat de Lumumba par Ludo de Witte ;L'or et le fer, Bismarck et son banquier Bleichröder par Fritz Stern ; Le septième million, par Tom Segev ; Eichmann à Jérusalem par Hannah Arendt ; Civilisation ou barbarie par Cheikh Anta Diop; Desde los años 2 000 : Le mythe de la bonne guerre par Jacques R. Pauwels ; 1914-1918 La grande guerre des classes par Jacques R. Pauwels ; La conquête continue par Noam Chomsky ; « Nous le peuple des Etats Unis » par Howard Zinn ; Une histoire populaire des Etats-Unis par Howard Zinn ; L'Holocauste dans la vie américaine par Peter Novick ; Aux origines des théories raciales par André Pichot ; Si je suis encore en vie… par Ken Saro-Wiwa ; Comment Hitler a acheté les Allemands par Götz Aly ; Les architectes de l'extermination par Götz Aly ; Silenciando el pasado por Michel-Rolph Trouillot ; Esclavage Réparation Les Lumières des Capucins et Les lueurs des pharisiens par Louis Sala-Molins.Pour aller plus loin:L'entretien de Rosa Amelia Plumelle-Uribe avec Cases Rebelles en 2014L'entretien de Rosa Amelia Plumelle-Uribe avec Thotep: partie 1 et partie 2Lettre a Yann Moix, qui traitait "d'anachronisme" l'utilisation du terme "crime contre l'humanité" concernant l'esclavage ou les crimes commis sous NapoléonExtrait de Kongo, les mains coupées sur le site de Cases RebellesExtrait de Victimes des esclavagistes musulmans, chrétiens et juifs sur le site Etat d'exceptionAdaptation radiophonique de La Férocité blanche par Le gang des gazières Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

#18 Rosa Amelia Plumelle-Uribe. Penser la férocité blanche (1/3)Pour cet épisode, nous avons rencontré Rosa Amelia Plumelle-Uribe, autrice de La férocité blanche, des non-blancs aux non-aryens, génocides occultés de 1492 à nos jours.Aujourd'hui âgée de 68 ans, elle a accepté de nous recevoir chez elle, en banlieue parisienne. Née en Colombie, Rosa Amelia Plumelle-Uribe est descendante à la fois des peuples originaires d'Abya Yala (Amériques) et des populations noires qui y ont été déportées pendant la traite d'esclaves Européenne. Ce que Rosa Amelia Plumelle-Uribe appelle la « férocité blanche », ce sont les crimes produits par 500 ans de colonialisme, dont elle rapporte l'extrême violence et cruauté à travers un travail gigantesque de documentation accumulée et minutieusement analysée pendant deux décennies. Mais La férocité blanche est tout sauf un catalogue de l'horreur. Publié en 2001, ce livre est le fruit de 20 ans de réflexion, qui reste pertinente. Comme Rosa Amelia Plumelle-Uribe le dit elle-même, c'est une compréhension des faits qu'elle propose avant tout. Musique:Julieta Venegas ft. Marisa Monte, Ilusión, 2011.Générique : Atch, Freedom, 2020.Les ouvrages de Rosa Amelia Plumelle-Uribe: Du lynchage des noirs dans les rues au lynchage judiciaire des noirs, Éd. Anibwé, 2020; 3 Novembre 2015 Victimes innocentes des guerres, Éd. Anibwé, 2016; Victimes des esclavagistes musulmans, chrétiens et juifs. Racialisation et banalisation d'un crime contre l'humanité, Éd. Anibwé, 2012; Kongo, les mains coupées, Éd. Anibwé, 2010; Traite des blancs, traites des noirs : aspects méconnus et conséquences actuelles, L'Harmattan, 2008; La férocité blanche : des non-Blancs aux non-Aryens, génocides occultés de 1492 à nos jours, A. Michel, 2001.Les conseils de lecture de Rosa Amelia Plumelle-Uribe: En los años 70 : Tambores del destino por Peter Bourne ; Discurso sobre el colonialismo de Aimé Césaire ; Los condenados de la tierra; Piel negra máscaras blancas por Franz Fanon ; Autobiografía de Malcom X por Alex Haley ; El apartheid en la práctica, Compendio de la legislación sud-africana ; En los años 80 : Français et Africains. Les Noirs dans le regard des Blancs por William Cohen ; La politique nazie d'extermination, François Bédarida ; La destruction des Juifs d'Europe par Raul Hilberg ; Des Juifs dans la collaboration par Maurice Rajsfus ; Hitler voulait l'Afrique par Alexandre Kuma N'Dumbé III ; Science nazie, science de mort par Benno Muller-Hill ; La conquête de l'Amérique et la question de l'autre par Tzvetan Todorov ; Israël et les peuples noirs L'alliance raciste israélo arabe par Abdelkader Benabdallah ; Mémoires d'un esclave américain par Frederick Douglas ; Le code noir ou le calvaire de Canaan par Louis Sala-Molins ; En los años 90 : L'Afrique aux Amériques par Louis Sala-Molins ; Les fantômes du roi Léopold II un holocauste oublié par Adam Hochschild ; L'assassinat de Lumumba par Ludo de Witte ;L'or et le fer, Bismarck et son banquier Bleichröder par Fritz Stern ; Le septième million, par Tom Segev ; Eichmann à Jérusalem par Hannah Arendt ; Civilisation ou barbarie par Cheikh Anta Diop; Desde los años 2 000 : Le mythe de la bonne guerre par Jacques R. Pauwels ; 1914-1918 La grande guerre des classes par Jacques R. Pauwels ; La conquête continue par Noam Chomsky ; « Nous le peuple des Etats Unis » par Howard Zinn ; Une histoire populaire des Etats-Unis par Howard Zinn ; L'Holocauste dans la vie américaine par Peter Novick ; Aux origines des théories raciales par André Pichot ; Si je suis encore en vie… par Ken Saro-Wiwa ; Comment Hitler a acheté les Allemands par Götz Aly ; Les architectes de l'extermination par Götz Aly ; Silenciando el pasado por Michel-Rolph Trouillot ; Esclavage Réparation Les Lumières des Capucins et Les lueurs des pharisiens par Louis Sala-Molins.Pour aller plus loin:L'entretien de Rosa Amelia Plumelle-Uribe avec Cases Rebelles en 2014L'entretien de Rosa Amelia Plumelle-Uribe avec Thotep: partie 1 et partie 2Lettre a Yann Moix, qui traitait "d'anachronisme" l'utilisation du terme "crime contre l'humanité" concernant l'esclavage ou les crimes commis sous NapoléonExtrait de Kongo, les mains coupées sur le site de Cases RebellesExtrait de Victimes des esclavagistes musulmans, chrétiens et juifs sur le site Etat d'exceptionAdaptation radiophonique de La Férocité blanche par Le gang des gazières Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Placing the West's failure to acknowledge the Haitian Revolution--the most successful slave revolt in history--alongside denials of the Holocaust and the debate over the Alamo, Michel-Rolph Trouillot offers a stunning meditation on how power operates in the making and recording of history. Trouillot, Silencing the Past: Power and the Production of History (Beacon Press, 1995) is a modern classic. It resides at the intersection of history, anthropology, Caribbean, African-American, and post-colonial studies, and has become a staple in college classrooms around the country. In a new foreword, Hazel Carby explains the book's enduring importance to these fields of study and introduces a new generation of readers to Trouillot's brilliant analysis of power and history's silences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Join us this week for an all Haiti episode. Rather than go postal on the blah blah blah of corporate conventions and platitudinous political campaigning, the saucy boys turn up the volume on voices that matter. Our special guest is André Juste, a Brooklyn- based Haitian native, artist, writer, and global observer of all things vital. In a wide ranging discussion with Josh, Andre expounds on his own personal transformation, from a Haitian immigrant kid in New York City of the late 60s, to an intellectually hungry student at Brooklyn College, where he devoured works on the African diaspora and post colonial literature. “We are the contradictions,” reminds André, in a world that too seldom gives voice to the divergent voices of the formerly colonized and once enslaved. As a result, the rich creativity and wisdom of those voices and the contradictions they represent are relegated to what the Haitian scholar Michel-Rolph Trouillot called the ‘silences' that inform the dominant narratives of power. And the solution to that silence? Just listen to Haiti. This week's music: Arcade Fire, "Haiti"

¿Cómo puede la historia ayudar a comprender la reciente pandemia del COVID-19? En el octavo episodio de Clase a la Casa, Tatiana Andia habla con Ana María Otero-Cleves, Catalina Muñóz y Constanza Castro, tres historiadoras de la Universidad de los Andes, y se preguntan ¿para qué sirve la historia hoy? ¿Por qué es tan importante pensar históricamente en medio de la pandemia? La Universidad de los Andes sigue. La emergencia del COVID-19, y la realidad de que no existe una mejor manera de protegernos como sociedades que quedándonos en casa, nos reta como comunidad académica a asegurar nuevas formas de encontrarnos. Hoy tenemos la oportunidad de demostrar que somos una comunidad que trasciende a su campus y que podemos ser una compañía —y una guía necesaria— para estos momentos de incertidumbre. Esto es Clase a la Casa, una continuación virtual de la iniciativa Clase a la Calle que cumple ya cuatro años en su esfuerzo por sacar la academia de los salones de clase. En este Podcast, profesores de Ciencias Sociales de la Universidad de los Andes conversarán sobre los retos que el COVID-19 nos propone como comunidad. Este es el turno de la ciencias sociales. Esto es Clase a la Casa, historia para lo que viene. Lecturas recomendadas: Jo Guldi and David Armitage. The History Manifesto. Cambridge: Cambridge University Press, 2014. Michel-Rolph Trouillot. Silencing the Past. Power and the Production of History. New York: Beacon Press Books, 1995. Alessandro Portelli. "La orden ya fue ejecutada." En: La orden ya fue ejecutada. Roma, las Fosas Ardeatinas, la memoria. Buenos Aires: Fondo de Cultura Económica, 2004. pp. 13-30. Lynn Hunt. History: Why It Matters. Cambridge: John Wiley & Sons, 2018.