Podcasts about black life

Today Dr. Zandria Robinson drops in to talk about Sinners and why it might be the best movie of the 21st century. We have a spoiler free introduction, a pause, and then a spoiler filled conversation about the Jim Crow South, the Great Migration, WWI, Chicago, Mississippi, the Ku Klux Klan, sex, music, and of course THAT SCENE. This conversation is almost as amazing as this film. Share it widely.About our guest:Dr. Zandria F. Robinson is a writer and ethnographer working on race, gender, sound, and spirit at the crossroads of the living and the dead. A native Memphian and classically-trained violinist, Robinson earned the Bachelor of Arts in Literature and African American Studies and the Master of Arts in Sociology from the University of Memphis and the Doctor of Philosophy in Sociology from Northwestern University. Dr. Robinson's first book, This Ain't Chicago: Race, Class, and Regional Identity in the Post-Soul South (University of North Carolina Press, 2014) won the Eduardo Bonilla-Silva Outstanding Book Award from the Division of Racial and Ethnic Minorities of the Society for the Study of Social Problems. Her second monograph, Chocolate Cities: The Black Map of American Life (University of California Press, 2018), co-authored with long-time collaborator Marcus Anthony Hunter (UCLA), won the 2018 CHOICE Award for Outstanding Academic Title and the Robert E. Park Book Award from the Community and Urban Sociology Section of the American Sociological Association.Robinson is currently at work on an ancestral memoir, Surely You'll Begin the World (Farrar, Straus, & Giroux), a life-affirming exploration of grief, afterlife connections, and how deep listening to the stories of the dead can inform how we move through the world after experiencing loss. Her 2016 memoir essay, “Listening for the Country,” was nominated for a National Magazine Award for Essay.Dr. Robinson's teaching interests include Black feminist theory, Black popular culture, memoir, urban sociology, and Afro-futurism. She is Past President of the Association of Black Sociologists, a member of the editorial board of Southern Cultures, and a contributing editor at Oxford American. Her work has appeared in Issues in Race and Society, The New Encyclopedia of Southern Culture, the Annual Review of Sociology (with Marcus Anthony Hunter), Contexts, Rolling Stone, Scalawag, Hyperallergic, Believer, Oxford American, NPR, Glamour, MLK50.com and The New York Times Magazine.

Spring forward with Dr. Yndia in this episode with her guest, Pulitzer Prize winning author Mitchell Jackson.  Delving into the topic of re-visioning Black life through stories, Mitchell shares his journey as a writer whose real life may mirror story lines typically found in a Walter Dean Myers or Kwame Alexander book and how he […] The post S6, Ep 055 with Mitchell Jackson, Pulitzer Prize winning author on Re-visioning Black life through stories first appeared on Yndia Lorick-Wilmot, PhD.

Bronx-born activist and poet Roya Marsh discusses her second collection of poems, titled savings time which tackles themes like police brutality, urban gentrification and queer identity. Marsh discusses her latest work, a follow up to her first collection, dayliGht, which was nominated for the 2021 Lambda Literary Award for Poetry.

As America closes out this year's Black History Month, Jacke dives into the archives for one of his favorite episodes, which featured a conversation with Columbia University professor Farah Jasmine Griffin about her book Read Until You Understand: The Profound Wisdom of Black Life and Literature. PLUS friend of the show Scott Carter stops by to talk about the version of the gospels that Charles Dickens wrote. This episode originally ran on November 15, 2021. It's presented here without the insertion of advertising. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Raucous club jams from the trio setting pace for a new generation of electronic fans: Dazegxd, gum.mp3 & Swami Sound, AKA EldiaNYC. Something exciting is happening on the margins of online club music. As one generation ages out, another, predominantly made up of Zoomers and Zillennials who fell into rave music mid-pandemic or arrived via gaming, is on the rise. Some of the most dialled-in electronic fans out there have threadbare connection to formalised nightlife, filling their diet instead with DJ Ess, Jane Remover, Jet Set Radio and a thriving ecosystem of global splinter styles that would draw stares from anyone who settled into their preferences pre-2019. Leading the charge—while pointedly reaffirming the value of connection as they go—are EldiaNYC, whose combination of jungle, garage, vintage Black American dance music, regional rap and screen-glued splinter styles hits like a shot of adrenaline. Swami Sound broke first with sexy drill-laced 2-step edits, and last year we named gum.mp3's "Black Life, Red Planet" as one of our favourite records—but it could have just as easily been Dazegxd's breaks-splicing "exhibition mode" instead. Eldia stack sets on radio and at parties with startlingly-fresh producers, many still in their teens. This might also be the only RA Podcast to fold in soulful ghettotech from Mr De', head-in-the-clouds plugg from rising star 454, edits of both Bounty Killer and Toro Y Moi, and multiple names (Guido YZ, synta3x, DJ B) who haven't registered on the series before. With one eye on the occasion, Eldia tip their hats to lineage, too. The trio kick off with a double scoop of Fred P, before ramping up steadily through slick forthcoming material and ironclad modern anthems on their way to a crescendo of footwork chops, baile drums and breakbeat delirium. Leaders of a new wave in the US, it surely won't be long before Daze, gum and Swami have swept the international circuit. For now, RA.977 will leave your subs smoking. @dazegxd @eldia000 @masutaswami @gum_mp3 Find the interview and tracklist at ra.co/podcast/977

It's #BHM365 and Dr. Yndia is excited to be in conversation with Tawny Chatmon, award-winning photographic artist, on the topic of art and the regal reflection of Black life. Serious collectors of all backgrounds, including celebrities such as Beyoncé, Alicia Keys and Carol Christine Pounder, deeply appreciate Tawny's portraits of Black children/families, often overlayed with […] The post S6, Ep 054 with Tawny Chatmon, photographic artist, on the art and regal reflection of Black life first appeared on Yndia Lorick-Wilmot, PhD.

In this episode, S. Sayyid talks with Barnor Hesse (Northwestern University) on the Antimonies of Afropessimism. Professor Barnor Hesse teaches in the department of African American Studies, at Northwestern University, he is the author of Raceocracy: White Sovereignty and Black Life Politics (forthcoming); co-editor of After #Ferguson, After #Baltimore: The Challenge of Black Death and Black Life for Black Political Thought; editor of ‘Unsettled Multiculturalisms & co-author of ‘Beneath the Surface: Racial Harassment' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this episode, S. Sayyid talks with Barnor Hesse (Northwestern University) on the Antimonies of Afropessimism. Professor Barnor Hesse teaches in the department of African American Studies, at Northwestern University, he is the author of Raceocracy: White Sovereignty and Black Life Politics (forthcoming); co-editor of After #Ferguson, After #Baltimore: The Challenge of Black Death and Black Life for Black Political Thought; editor of ‘Unsettled Multiculturalisms & co-author of ‘Beneath the Surface: Racial Harassment' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, S. Sayyid talks with Barnor Hesse (Northwestern University) on the Antimonies of Afropessimism. Professor Barnor Hesse teaches in the department of African American Studies, at Northwestern University, he is the author of Raceocracy: White Sovereignty and Black Life Politics (forthcoming); co-editor of After #Ferguson, After #Baltimore: The Challenge of Black Death and Black Life for Black Political Thought; editor of ‘Unsettled Multiculturalisms & co-author of ‘Beneath the Surface: Racial Harassment' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Generally speaking, a common conception of U.S. race relations in the mid-twentieth century runs like this: segregation was racist and bad, the doctrine of "separate but equal" masked genuine inequality, and the racial integration brought about by the famous Supreme Court decision in Brown v. Board of Education was a long-awaited triumph. But is the story as neat as that? What did writers - and in particular Black women writers - think about segregation in the 1930s-1950s? Did they view racial integration as a path to the promised land? Or as yet another false and incomplete promise? How did their writings reflect a resistance to conventional liberal wisdom - and how might their narrative models speak to today's world? In this episode, Jacke talks to author Eve Dunbar about her book Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation. PLUS Deni Kasa (The Politics of Grace in Early Modern Literature) stops by to discuss his choice for the last book he will ever read. Additional listening: 617 Politics and Grace in Early Modern Literature (with Deni Kasa) | Mike Recommends... James Baldwin! | My Last Book with Carlos Allende 358 The Profound Wisdom of Black Life and Literature (with Farah Jasmine Griffin) | Charles Dickens's Gospel (with Scott Carter) 485 Reading Pleasures - Everyday Black Living in Early America (with Tara A. Bynum) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode includes six stories requested by listeners that wouldn't quite work as standalone episodes. The topics include: Nellie Cashman, Ela of Salisbury, Charles "Teenie" Harris, Jane Gaugain, Edward A. Carter Jr., and Alice Ball. Research: ·       National Parks Service. “Nellie Cashman.” https://www.nps.gov/articles/000/nellie-cashman.htm Arizona Women's Hall of Fame. “Nellie Cashman.” https://www.azwhf.org/copy-of-pauline-bates-brown-2 ·       Backhouse, Frances. “Angel of the Cassiar.” British Columbia Magazine. Winter 2014. ·       Hawley, Charles C. and Thomas K. Bundtzen. “Ellen (Nellie) Cashman.” Alaska Mining Hall of Fame Foundation. https://alaskamininghalloffame.org/inductees/cashman.php ·       Clum, John P. “Nellie Cashman.” Arizona Historical Review. Vol. 3, No. 4. January 1931. ·       Porsild, Charlene. “Cashman, Ellen.” Dictionary of National Biography. Vol. XV (1921-1930). https://www.biographi.ca/en/bio/cashman_ellen_15E.html ·       Ward, Jennifer C. "Ela, suo jure countess of Salisbury (b. in or after 1190, d. 1261), magnate and abbess." Oxford Dictionary of National Biography. October 08, 2009. Oxford University Press. Date of access 30 Oct. 2024, https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-47205 ·       McConnell, Ally. “The life of Ela, Countess of Salisbury.” Wiltshire & Swindon History Centre. https://wshc.org.uk/the-life-of-ela-countess-of-salisbury/ Order fo Medieval Women. “Ela, Countess of Sudbury.” https://www.medievalwomen.org/ela-countess-of-salisbury.html. Charles “Teenie” Harris Archive. Carnegie Museum of Art. https://carnegieart.org/art/charles-teenie-harris-archive/ ·       National Museum of African American History and Culture. “Photojournalist, Charles “Teenie” Harris.” https://nmaahc.si.edu/photojournalist-charles-teenie-harris ·       O'Driscoll, Bill. “Historical marker honors famed Pittsburgh photographer Teenie Harris.” WESA. 9/30/2024. https://www.wesa.fm/arts-sports-culture/2024-09-30/historical-charles-teenie-harris-pittsburgh-photography ·       Kinzer, Stephen. “Black Life, In Black And White; Court Ruling Frees the Legacy Of a Tireless News Photographer.” New York Times. 2/7/2001. https://www.nytimes.com/2001/02/07/arts/black-life-black-white-court-ruling-frees-legacy-tireless-photographer.html ·       Hulse, Lynn. "Gaugain [née Alison], Jane [Jean] (1804–1860), author, knitter, and fancy needleworker." Oxford Dictionary of National Biography. August 08, 2024. Oxford University Press. Date of access 30 Oct. 2024, https://www.oxforddnb.com/view/10.1093/odnb/9780198614128.001.0001/odnb-9780198614128-e-90000382575 ·       "Edward A. Carter, Jr." Contemporary Black Biography, vol. 104, Gale, 2013. Gale In Context: U.S. History, link.gale.com/apps/doc/K1606005739/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=77e0beae. Accessed 30 Oct. 2024. ·       National WWII Museum. “Staff Sergeant Edward A. Carter Jr's Medal of Honor.” 2/15/2021. https://www.nationalww2museum.org/war/articles/staff-sergeant-edward-carter-jr-medal-of-honor ·       Lange, Katie. “Medal of Honor Monday: Army Sgt. 1st Class Edward Carter Jr.” U.S. Department of Defense. https://www.defense.gov/News/Feature-Stories/Story/Article/3347931/medal-of-honor-monday-army-sgt-1st-class-edward-carter-jr/ ·       National Parks Service. “Edward Carter Jr.” Charles Young Buffalo Soldiers National Monument. https://www.nps.gov/people/edwardcarterjr.htm ·       Dwyer, Mitchell K. “A Woman Who Changed the World.” University of Hawaii Foundation. https://www.uhfoundation.org/impact/students/woman-who-changed-world ·       University of Washington School of Pharmacy. “UWSOP alumni legend Alice Ball, Class of 1914, solved leprosy therapy riddle.” https://sop.washington.edu/uwsop-alumni-legend-alice-ball-class-of-1914-solved-leprosy-riddle/ ·       Ricks, Delthia. “Overlooked No More: Alice Ball, Chemist Who Created a Treatment for Leprosy.” 5/8/2023. https://www.nytimes.com/2023/04/08/obituaries/alice-ball-overlooked.html  See omnystudio.com/listener for privacy information.

This week's topic:Historians on a New Era in Florida PoliticsWith guests:Ray Arsenault, Author-John Hope Franklin Professor of History Emeritus-USF-St. PetersburgDavid Ponton, Author-Associate Professor, Director of Institute on Black Life, USF TampaGary Mormino, Author, Professor of History Emeritus, USF- St. Petersburg 

In today's episode of the podcast, Kendra Winchester talks to authors Rae Garringer and Chris Aluka Berry.Books MentionedCountry Queers: A Love Letter by Rae GarringerAffrilachia: Testimonies by. Chris Aluka BerrySalvage the Bones by Jesmyn WardBastard Out of Carolina by Dorothy AllisonSouthernmost by Silas HouseThe Prettiest Star by Carter SickelsAnother Appalachia by Neema AvashiaPraising for the Kitchen Ghosts by Crystal WilkersonWhen All God's Children Get Together: A Celebration of the Lives and Music of African American People in Far Western North Carolina by Ann Miller WoodfordLittle Worlds by Rob AmbergA is for Affrilachia by Frank X WalkerHarlan Renaissance: Stories of Black Life in Appalachian Coal Towns by William TurnerGUEST INFORae Garringer: Website | InstagramChris Aluka Berry: Website___Show Your Love for Read Appalachia! You can support Read Appalachia by heading over to our merch store, tipping us over on Ko-fi, or by sharing the podcast with a friend! For more ways to support the show, head over to our Support page. Follow Read Appalachia Facebook | Twitter | Instagram | TikTok ContactFor feedback or to just say “hi,” you can reach us at readappalachia[at]gmail.comMusic by Olexy from Pixabay

Early voting is underway across the country, but millions of people with felony convictions are not eligible to vote.  The Gulf States Newsroom's Kat Stromquist tells us about efforts to ease these restrictions in the South, where the movement is less popular than in the rest of the country. Loyola University's College of Music and Media has  a new exhibit celebrating   Harold Baquet, a legendary New Orleans photographer who spent 30 years capturing the city, specifically Black political figures and daily life. “A Tribute to Harold Baquet: Picturing Blackness” will feature Baquet's works and  the works of 10 local photographers he inspired. L. Kasimu Harris, the photographer and writer curating the exhibition, and Cheron Brylski, wife of the late Harold Baquet and former political speechwriter and press secretary, join us for more.The classic thriller, “Jekyll and Hyde: The Musical” continues its run at the Jefferson Performing Arts Center just in time for Halloween. Maestro Dennis Assaf tells us more about his spooky and suspenseful musical. ___Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schrieber. Matt Bloom and Aubry Procell are assistant producers. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, Google Play and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

"Wright was one of those people," said poet Amiri Baraka, "who made me conscious of the need to struggle." In this episode, Jacke takes a look at the life and works of Black American novelist and poet Richard Wright (1908-1960), author of Uncle Tom's Children, Native Son, Black Boy, and thousands of haiku. Born in Mississippi in desperate poverty to a schoolteacher mother and a sharecropper father (who were themselves the free children of formerly enslaved peoples), Wright had little formal education until he was 12, when he quickly demonstrated his intelligence and passion for reading. After high school, Wright traveled north to Chicago, where he set his most famous work, the fiery Dostoevskyan novel Native Son. Quickly achieving celebrity as one of America's most famous and successful Black writers, Wright moved to Paris, where he lived the rest of his life - and where he met a young James Baldwin, who accepted Wright's help before writing a pair of essays that strongly criticized Wright's fiction. Additional listening suggestions: Baldwin v. Faulkner James Baldwin, "Going to Meet the Man" 358 The Profound Wisdom of Black Life and Literature (with Farah Jasmine Griffin) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.   Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bill Horan talks with Margot Black, author of LIFE's A PITCH. Margot will discuss what is a "pitch", why we are in a never ending game of pitching, what are her favorite pitches and why success is a numbers game.

New film ‘Young King' follows Diondre Howell, a young man re-adjusting to civilian life after serving in the Iraq war. Howell finds himself changed after the traumas of combat, now struggling to maintain relationships with his loved ones. Reggie “The Reel Critic” Ponder sat down with ‘Young King' stars, Vincent Washington, James Arthur Sims and Kirby Griffin, to discuss their characters and the film's themes. This segment was hosted and produced by Reggie Ponder. Follow him on Instagram and X @TheReelCritic.

New film ‘Young King' follows Diondre Howell, a young man re-adjusting to civilian life after serving in the Iraq war. Howell finds himself changed after the traumas of combat, now struggling to maintain relationships with his loved ones. Reggie “The Reel Critic” Ponder sat down with ‘Young King' stars, Vincent Washington, James Arthur Sims and Kirby Griffin, to discuss their characters and the film's themes. This segment was hosted and produced by Reggie Ponder. Follow him on Instagram and X @TheReelCritic.

Gordon Parks knew a picture was worth more than 1,000 words: photographs could be weapons to fight white supremacy. Some saw his career, as a self-taught turned famous photographer, as a way out of the segregated South. But he knew it a way in. _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Julian Walker serves as executive producer." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This book party was hosted on May 27, 2023, at Charis Books & More in Decatur, Georgia. It featured esteemed writer Sharon Bridgforth in conversation with ZAMI NOBLA creative director Angela Denise Davis in celebration of bull-jean & dem/dey back.   You can view the YouTube video of this event at: https://www.youtube.com/watch?v=q6EcaVl7dxo   The ZNP previous interview of Sharon Bridgforth: https://directory.libsyn.com/episode/index/show/zaminobla/id/21629876   Bull-jean & dem/dey back is a collection that unites two performance/novels centered on the southern-Black-butch-heroine, bull-jean. The Lambda Literary Award-winning bull-jean stories was first published by RedBone Press in 1998 and follows the journey of love rekindling throughout the lifetimes of bull-dog-jean. After a twenty-two-year hiatus, bull-dog-jean triumphantly returns in bull-jean/we wake. As the Narrator grieves the loss of their elders and seeks healing, they summon bull-jean for guidance. Be sure not to miss this inspiring event!   A 2022 Winner of Yale's Windham Campbell Prize in Drama, Sharon Bridgforth is 2020-2023 Playwrights' Center Core Member, a 2022-2023 McKnight National Fellow and a New Dramatists alumnae. She has received support from The Doris Duke Performing Artist Award, Creative Capital, MAP Fund and the National Performance Network. Her work is featured in Teaching Black: The Craft of Teaching on Black Life and Literature, Mouths of Rain an Anthology of Black Lesbian Thought and Feminist Studies Vol 48  Number 1, honoring 40 years of This Bridge Called by Back and But Some of Us Are Brave! Sharon has had the privilege of benefiting from support from the ZAMI NOBLA and Charis Books communities since 1998, when she toured with the RedBone Press edition of the bull-jean stories. In her new book, bull-jean & dem/dey back (53rd State Press) bull-jean returns in two performance/novels - both will be produced as main stage productions at Pillsbury House + Theatre in Minneapolis, MN in 2023. More at: https://www.sharonbridgforth.com  

In this episode of "The Truth in This Art," host Rob Lee converses with Adrian Burrell, a third-generation Oakland artist. Adrian discusses his background, growing up in Oakland, and how his experiences shaped his artistic practice, which explores themes of race, class, and intergenerational dynamics through photography, installation, and experimental media. The discussion highlights the resilience of communities facing adversity and the transformative power of storytelling and art. Adrian also shares insights into his projects, including "The Saint Step in Congo Time," and his future plans, emphasizing the importance of preserving and amplifying marginalized voices.Episode Highlight:Childhood Stories (00:03:25) Adrian shares a childhood story about growing up in Oakland and the experiences of living in a dangerous environment.Artistic Development (00:11:18) Adrian discusses the early stages of his artistic practice, including his exploration of photography, poetry, film, and music.Importance of Archiving Stories (00:14:13) Adrian explains the importance of archiving stories and the significance of creating new language and relationships within his community.Art as a Medium for Conversations (00:17:56) In this part, Adian and Rob discuss how art serves as a platform for discussing social justice, cultural heritage, labor, and colonial systems.Empire and Liberation (00:21:59) The impact of empire on black and brown communities and the pursuit of liberation amidst exploitation and suffering.Sugar Cane and Lightning Project (00:27:37) An overview of the "Sugar Cane and Lightning" project, a visual exploration of black life in American history from a familial perspective.Upcoming projects and collaborations (00:34:29) Adrian Burrell shares details about future exhibitions, collaborations, and personal projects.Key Takeaways:1. Capture and Share Stories: Documenting personal experiences can provide a sense of agency and help others understand the complexities of growing up in challenging environments.2. Explore Multiple Mediums: Don't limit yourself to one form of artistic expression. Experiment with different mediums to find the best way to tell your story.3. Start an Archive: Begin documenting your family's stories through interviews, photographs, and written accounts.4. Use Art for Advocacy: Create art that addresses social justice issues and amplifies the voices of marginalized communities.Website and Socials:minormattersbooks.com/collections/pre-sales/products/pre-sales-sugarcane-and-lightning-by-adrian-burrellX: @1living1Instagam: adrianlburrellLinkedIn: Adrian Burrell

In this program, Robin D. G. Kelley, Distinguished Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA, examines how police in the neoliberal era–in tandem with other state and corporate entities—have become engines of capital accumulation, government revenue, gentrification, the municipal bond market, the tech and private security industry—in a phrase, the profits of death. Kelley argues the police don't just take lives; they make life and living less viable for the communities they occupy. The growth of police power has also fundamentally weakened democracy and strengthened “thanatocracy”—rule by death– especially with respect to Black communities. Kelley says these same communities have produced a new abolition democracy, organizing to advance a different future, without oppression and exploitation, war, poverty, prisons, police, borders, the constraints of imposed gender, sexual, and ableist norms, and an economic system that destroys the planet while generating obscene inequality. Series: "UC Berkeley Graduate Lectures" [Public Affairs] [Show ID: 39780]

In this program, Robin D. G. Kelley, Distinguished Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA, examines how police in the neoliberal era–in tandem with other state and corporate entities—have become engines of capital accumulation, government revenue, gentrification, the municipal bond market, the tech and private security industry—in a phrase, the profits of death. Kelley argues the police don't just take lives; they make life and living less viable for the communities they occupy. The growth of police power has also fundamentally weakened democracy and strengthened “thanatocracy”—rule by death– especially with respect to Black communities. Kelley says these same communities have produced a new abolition democracy, organizing to advance a different future, without oppression and exploitation, war, poverty, prisons, police, borders, the constraints of imposed gender, sexual, and ableist norms, and an economic system that destroys the planet while generating obscene inequality. Series: "UC Berkeley Graduate Lectures" [Public Affairs] [Show ID: 39780]

In this program, Robin D. G. Kelley, Distinguished Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA, examines how police in the neoliberal era–in tandem with other state and corporate entities—have become engines of capital accumulation, government revenue, gentrification, the municipal bond market, the tech and private security industry—in a phrase, the profits of death. Kelley argues the police don't just take lives; they make life and living less viable for the communities they occupy. The growth of police power has also fundamentally weakened democracy and strengthened “thanatocracy”—rule by death– especially with respect to Black communities. Kelley says these same communities have produced a new abolition democracy, organizing to advance a different future, without oppression and exploitation, war, poverty, prisons, police, borders, the constraints of imposed gender, sexual, and ableist norms, and an economic system that destroys the planet while generating obscene inequality. Series: "UC Berkeley Graduate Lectures" [Public Affairs] [Humanities] [Show ID: 39780]

In this program, Robin D. G. Kelley, Distinguished Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA, examines how police in the neoliberal era–in tandem with other state and corporate entities—have become engines of capital accumulation, government revenue, gentrification, the municipal bond market, the tech and private security industry—in a phrase, the profits of death. Kelley argues the police don't just take lives; they make life and living less viable for the communities they occupy. The growth of police power has also fundamentally weakened democracy and strengthened “thanatocracy”—rule by death– especially with respect to Black communities. Kelley says these same communities have produced a new abolition democracy, organizing to advance a different future, without oppression and exploitation, war, poverty, prisons, police, borders, the constraints of imposed gender, sexual, and ableist norms, and an economic system that destroys the planet while generating obscene inequality. Series: "UC Berkeley Graduate Lectures" [Public Affairs] [Show ID: 39780]

In s3e60 of Platemark, podcast host Ann Shafer speaks with Ron Rumford, director of Dolan/Maxwell, a private gallery in Philadelphia. Dolan/Maxwell deals in 20th century art, with a particular specialty in the prints of Stanley William Hayter and the associated artists of Atelier 17, as well as Black artists of the same era, such as Bob Blackburn, Norma Morgan, Elizabeth Catlett, Ed Clark and more. While they could have spent the entire time talking about Hayter (they'll get to that in the History of Prints series), Ron wanted to highlight an exhibition focused on Dox Thrash, which is on view at the African American Museum of Philadelphia through August 4, 2024.   They talk about Thrash and his invention of the carborundum mezzotint, Bob Blackburn's Printmaking Workshop and its relationship to Atelier 17 and Hayter, the monumental importance of the WPA printmaking division, and Ballinglen, an artist residency and gallery founded by Peter Maxwell and Margo Dolan in Ballycastle, a tiny farming town in County Mayo, Ireland.   Dox Thrash (American, 1893–1965). Sunday Morning, c. 1939. Etching. Sheet: 12 5/8 x 10 5/8 in.; plate: 8 7/8 x 7 7/8 in. Metropolitan Museum of Art, New York. L-R: Krishna Reddy, Stanley William Hayter, Robert Blackburn, and friend, 1980s, at Reddy's studio. Hayter at the press with lithography press behind him, Atelier 17 in New York. Photo of Pennerton West with fellow artists including Augusta Savage and Norman Lewis. Pennerton West (American, 1913–1965). Troll in the Grain, 1952. State proof; color etching and lithography. Image: 14 ¾ x 17 ¾ in. Dolan/Maxwell Gallery, Philadelphia. Pennerton West (American, 1913–1965). Troll in the Grain, 1952. State proof; color etching and lithography. Image: 14 ¾ x 17 ¾ in. Dolan/Maxwell Gallery, Philadelphia. Dox Thrash (American, 1893–1965). Georgia Cotton Crop, c. 1944–45. Carborundum mezzotint. Plate: 8 7/16 x 9 7/8 in.; sheet: 11 ¼ x 11 3/4. in. Dolan/Maxwell Gallery, Philadelphia. Dox Thrash (American, 1893–1965). Ebony Joe, c. 1939. Lithograph. Sheet: 10 5/8 x 8 7/8 in. Saint Louis Art Museum, St. Louis. Dox Thrash (American, 1893–1965). Octoroon (Study for a Lithograph), c. 1939. Brush and ink wash over graphite. Sheet: 16 7/8 x 12 ¼ in. Philadelphia Museum of Art, Philadelphia. Dox Thrash (American, 1893–1965). Octoroon, c. 1939. Lithograph. Sheet: 22 13/16 x 11 9/16 in. Collection of John Warren, Philadelphia. Dox Thrash (American, 1893–1965). Charlot, c. 1938–39. Carborundum mezzotint. Plate: 8 15/16 x 6 15/16 in. Dolan/Maxwell, Philadelphia. Michael Gallagher (American, 1895–1965). Lackawanna Valley, 1938. Carborundum mezzotint. Plate: 7 3/8 x 12 11/16 in.; sheet: 9 3/8 x 14 in. Philadelphia Museum of Art, Philadelphia.   Hugh Mesibov (American, 1916–2016). Homeless, 1938. Carborundum mezzotint. Plate: 5 3/8 x 10 3/8 in. Pennsylvania Academy of Fine Arts, Philadelphia. Dox Thrash (American, 1893–1965). One Horse Farmer, c. 1944–48. Carborundum mezzotint. 9 x 6 in. National Museum of American History, Smithsonian Institution, Washington, D.C. John Ruskin (British, 1819–1900). The Garden of San Miniato near Florence, 1845. Watercolor and pen and black ink, heightened with whie gouache, over graphite. Sheet: 13 7/16 x 19 3/8 in. National Gallery of Art, Washington, D.C. Stanley William Hayter (English, 1901–1988). Cinq personnages, 1946. Engraving, softground etching, and scorper; printed in black (intaglio). Sheet: 495 x 647 mm. (19 1/2 x 25 1/2 in.); plate: 376 x 605 mm. (14 13/16 x 23 13/16 in.). Baltimore Museum of Art, Baltimore. Stanley William Hayter (English, 1901–1988). Cinq personnages, 1946. Engraving, softground etching, and scorper; printed in black (intaglio), and green (screen, relief). Sheet: 460 x 660 mm. (18 1/8 x 26 in.); plate: 376 x 605 mm. (14 13/16 x 23 13/16 in.). Baltimore Museum of Art, Baltimore. Stanley William Hayter (English, 1901–1988). Cinq personnages, 1946. Engraving and softground etching; printed in black (intaglio), orange (screen, relief), and purple (screen, relief). Sheet: 510 x 666 mm. (20 1/16 x 26 1/4 in.); plate: 376 x 605 mm. (14 13/16 x 23 13/16 in.). Baltimore Museum of Art, Baltimore. Stanley William Hayter (English, 1901–1988). Cinq personnages, 1946. Engraving, softground etching, and scorper; printed in black (intaglio), green (screen, relief), orange (screen, relief), and purple (screen, relief). Sheet: 488 x 668 mm. (19 3/16 x 26 5/16 in.); plate: 376 x 605 mm. (14 13/16 x 23 13/16 in.). Baltimore Museum of Art, Baltimore.       Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland. USEFUL LINKS Imprint: Dox Thrash, Black Life, and American Culture. African American Museum in Philadelphia, March 23–August 4, 2024. https://www.aampmuseum.org/current-exhibitions.html John Ittmann. Dox Thrash: An African American Master Printmaker Rediscovered. Philadelphia: Philadelphia Museum of Art, 2001.  https://archive.org/details/doxthrashafrican00ittm Dox Thrash House, Philadelphia: https://doxthrashhouse.wordpress.com/ Ballinglen Arts Foundation: https://www.ballinglenartsfoundation.org/fellowship/ Dolan/Maxwell's IG: @dolan.maxwell Ron's IG account: @ron.rumford Ron's artist website: www.ronrumford.com  

In Vibe: The Sound and Feeling of Black Life in the American South (University of Mississippi Press, 2023), Corey J. Miles narrates how southern Black sound, feeling, and being is constantly policed, surveilled, and criminalized. In doing so, he re-narrates the region as the "carceral South," to capture the ways people in the South and beyond can feel the emotional weight of the criminalization of Blackness. Where exactly does the South begin and end? Current maps are too rigid to account for the ways Black people have built the South while being simultaneously excluded from it.  Drawing from the different ways Black artists in the 2-5-2 area code in North Carolina use "vibe" as a mode of knowing and communication, Miles illustrates how Black feeling and unfeeling offer entry points into the contemporary South that challenge static and monolithic notions of the region. Placing the local artists in conversation with other southern cultural creators such as 2 Chainz, Rod Wave, and Rapsody, these ethnographic narratives demonstrate that there are multiple Souths, with overlapping and distinct commitments to working through pain, sound, and belonging. Pain music, a subgenre of trap music, is used to take the listener to moments of violence to allow them to hear the desires, anger, and silences that bind Black life in community. Through conceptions of ratchet, hood, and ghetto, Black artists turn away from respectable images and unmap the South. In trap music, they move the South to a space where multiple modes of being find respect and care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Vibe: The Sound and Feeling of Black Life in the American South (University of Mississippi Press, 2023), Corey J. Miles narrates how southern Black sound, feeling, and being is constantly policed, surveilled, and criminalized. In doing so, he re-narrates the region as the "carceral South," to capture the ways people in the South and beyond can feel the emotional weight of the criminalization of Blackness. Where exactly does the South begin and end? Current maps are too rigid to account for the ways Black people have built the South while being simultaneously excluded from it.  Drawing from the different ways Black artists in the 2-5-2 area code in North Carolina use "vibe" as a mode of knowing and communication, Miles illustrates how Black feeling and unfeeling offer entry points into the contemporary South that challenge static and monolithic notions of the region. Placing the local artists in conversation with other southern cultural creators such as 2 Chainz, Rod Wave, and Rapsody, these ethnographic narratives demonstrate that there are multiple Souths, with overlapping and distinct commitments to working through pain, sound, and belonging. Pain music, a subgenre of trap music, is used to take the listener to moments of violence to allow them to hear the desires, anger, and silences that bind Black life in community. Through conceptions of ratchet, hood, and ghetto, Black artists turn away from respectable images and unmap the South. In trap music, they move the South to a space where multiple modes of being find respect and care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Vibe: The Sound and Feeling of Black Life in the American South (University of Mississippi Press, 2023), Corey J. Miles narrates how southern Black sound, feeling, and being is constantly policed, surveilled, and criminalized. In doing so, he re-narrates the region as the "carceral South," to capture the ways people in the South and beyond can feel the emotional weight of the criminalization of Blackness. Where exactly does the South begin and end? Current maps are too rigid to account for the ways Black people have built the South while being simultaneously excluded from it.  Drawing from the different ways Black artists in the 2-5-2 area code in North Carolina use "vibe" as a mode of knowing and communication, Miles illustrates how Black feeling and unfeeling offer entry points into the contemporary South that challenge static and monolithic notions of the region. Placing the local artists in conversation with other southern cultural creators such as 2 Chainz, Rod Wave, and Rapsody, these ethnographic narratives demonstrate that there are multiple Souths, with overlapping and distinct commitments to working through pain, sound, and belonging. Pain music, a subgenre of trap music, is used to take the listener to moments of violence to allow them to hear the desires, anger, and silences that bind Black life in community. Through conceptions of ratchet, hood, and ghetto, Black artists turn away from respectable images and unmap the South. In trap music, they move the South to a space where multiple modes of being find respect and care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Vibe: The Sound and Feeling of Black Life in the American South (University of Mississippi Press, 2023), Corey J. Miles narrates how southern Black sound, feeling, and being is constantly policed, surveilled, and criminalized. In doing so, he re-narrates the region as the "carceral South," to capture the ways people in the South and beyond can feel the emotional weight of the criminalization of Blackness. Where exactly does the South begin and end? Current maps are too rigid to account for the ways Black people have built the South while being simultaneously excluded from it.  Drawing from the different ways Black artists in the 2-5-2 area code in North Carolina use "vibe" as a mode of knowing and communication, Miles illustrates how Black feeling and unfeeling offer entry points into the contemporary South that challenge static and monolithic notions of the region. Placing the local artists in conversation with other southern cultural creators such as 2 Chainz, Rod Wave, and Rapsody, these ethnographic narratives demonstrate that there are multiple Souths, with overlapping and distinct commitments to working through pain, sound, and belonging. Pain music, a subgenre of trap music, is used to take the listener to moments of violence to allow them to hear the desires, anger, and silences that bind Black life in community. Through conceptions of ratchet, hood, and ghetto, Black artists turn away from respectable images and unmap the South. In trap music, they move the South to a space where multiple modes of being find respect and care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Vibe: The Sound and Feeling of Black Life in the American South (University of Mississippi Press, 2023), Corey J. Miles narrates how southern Black sound, feeling, and being is constantly policed, surveilled, and criminalized. In doing so, he re-narrates the region as the "carceral South," to capture the ways people in the South and beyond can feel the emotional weight of the criminalization of Blackness. Where exactly does the South begin and end? Current maps are too rigid to account for the ways Black people have built the South while being simultaneously excluded from it.  Drawing from the different ways Black artists in the 2-5-2 area code in North Carolina use "vibe" as a mode of knowing and communication, Miles illustrates how Black feeling and unfeeling offer entry points into the contemporary South that challenge static and monolithic notions of the region. Placing the local artists in conversation with other southern cultural creators such as 2 Chainz, Rod Wave, and Rapsody, these ethnographic narratives demonstrate that there are multiple Souths, with overlapping and distinct commitments to working through pain, sound, and belonging. Pain music, a subgenre of trap music, is used to take the listener to moments of violence to allow them to hear the desires, anger, and silences that bind Black life in community. Through conceptions of ratchet, hood, and ghetto, Black artists turn away from respectable images and unmap the South. In trap music, they move the South to a space where multiple modes of being find respect and care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In this installment of "The Truth in This Art," Rob Lee sits down with photographer Faith Couch to explore the influence of her southern heritage on her narrative-driven work. Faith opens up about her commitment to capturing the nuances of black daily life, striving to represent these stories authentically. She talks about the significance of working with others based on mutual respect and the lessons learned during her final year at MICA, as well as her move to Yale. Throughout the conversation, Faith offers her perspective on creativity, the value of honesty, and the role of community and introspection in her life. The episode also ventures into Faith's hobbies beyond the lens and wraps up with her thoughts on discovering a sense of belonging within and the beauty of embracing life's shifts.Episode Highlights:Southern Roots and Their Impact (00:00:48) Faith discusses how her southern heritage influences her creative process and artistic expression.A Lifelong Affinity for Photography (00:05:00) Faith reminisces about her early experiences with photography and the influences that shaped her passion.Filling the Void in Black Narratives (00:11:00) Faith talks about her aim to provide a more complete portrayal of black life through her photography.Celebrating the Quotidian in Black Life (00:16:00) The importance of documenting everyday moments in the lives of black individuals is discussed in this part.The Ethics of Collaboration and Consent (00:18:00) Faith dives into the importance of ethical practices and consent in her photographic work.Navigating Editorial vs. Fine Art Photography (00:21:00) Faith reflects on the differences between editorial and fine art photography and her approach to each.The Quest for Authenticity (00:24:30) In this part, the conversation focuses on Faith's commitment to capturing genuine moments and true emotions.Crafting a Sense of Belonging (00:51:00) Faith discusses the concept of creating a sense of home and staying grounded regardless of location.Key Takeaways:1. Embrace your roots – they can deeply influence your creativity and authenticity in your work.2. Early passions can inform and shape your career path – nurture them.3. Strive to fill gaps in representation – your work can contribute to a more inclusive narrative.4. Celebrate the ordinary – everyday moments can hold extraordinary significance.Website and Social Media Links:aithcouch.comX: @FaithCouch5Instagram: blackpowerprincessLinkedIn: Faith CouchThank you for tuning into this insightful episode of "The Truth in This Art" with the talented Faith Couch. If Faith's journey and perspective resonated with you, we encourage you to explore her work further by visiting her website and following her on social media. Your support means the world to artists like Faith, and it helps to amplify the narratives that need to be heard. While you're at it, please take a moment to rate and review this episode—it helps us reach more listeners like you. And if you want to contribute to the growth of our platform and get access to exclusive content, consider supporting us on Patreon. Your generosity fuels our mission to bring these important conversations to light. Thank you for being a part of our community and for your continued support! This program is supported (in part) by a grant from the Robert W. Deutsch Foundation. If you have a story about art, culture, or community, share it with us at rob@thetruthinthisart.com for a chance to be featured on 'The Truth In This Art' podcast.Follow The Truth In This Art on Twitter, Threads, IG, and Facebook @truthinthisart Original music by Daniel Alexis Music with additional music from Chipzard.Episode illustration by Alley Kid Art.About "The Truth In This Art""The Truth In This Art," hosted by Rob Lee, is a podcast that explores the essence of creativity and its community impact, amplifying artists' voices and their profound stories.Connect with me:Website | Twitter | Instagram Support the show:Merch from Redbubble | Make a Donation  ★ Support this podcast ★

CBC hosts a screening of a documentary that looks at the growth of Black communities in Canada, and their resistance to displacement – including the story of Africville. Portia speaks with Sandy Hudson, the co-executive producer of the documentary series.

In his latest project, "Let me know when you get home," photographer Clifford Prince King explores the vastness of the queer Black experience through portraiture. His series is part of a public photo project curated by the Public Art Fund. They can be found on bus shelters and newsstands across New York, Chicago and Boston until May 26. King joins the show to discuss his work.*This segment is guest-hosted by Kousha Navidar*

Dr. Matthieu Chapman discusses his experiences with genre shift from academic writing to his beautiful hybrid memoir, Shattered: Fragments of a Black Life. He shares his thoughts on craft, genre, “the canon” in Early Modern Studies, the fallacy that Shakespeare is inclusive, and the importance of Afropessimism.

Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population's African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it. Based on years of ethnographic research, Emergent Quilombos: Black Life and Hip-Hop in Brazil (University of Texas Press, 2023) illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the quilombo, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities. Bryce Henson is an assistant professor of media, culture, and identity in the Department of Communication and Journalism and associate faculty in the Africana Studies Program at Texas A&M University. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population's African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it. Based on years of ethnographic research, Emergent Quilombos: Black Life and Hip-Hop in Brazil (University of Texas Press, 2023) illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the quilombo, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities. Bryce Henson is an assistant professor of media, culture, and identity in the Department of Communication and Journalism and associate faculty in the Africana Studies Program at Texas A&M University. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population's African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it. Based on years of ethnographic research, Emergent Quilombos: Black Life and Hip-Hop in Brazil (University of Texas Press, 2023) illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the quilombo, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities. Bryce Henson is an assistant professor of media, culture, and identity in the Department of Communication and Journalism and associate faculty in the Africana Studies Program at Texas A&M University. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population's African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it. Based on years of ethnographic research, Emergent Quilombos: Black Life and Hip-Hop in Brazil (University of Texas Press, 2023) illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the quilombo, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities. Bryce Henson is an assistant professor of media, culture, and identity in the Department of Communication and Journalism and associate faculty in the Africana Studies Program at Texas A&M University. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population's African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it. Based on years of ethnographic research, Emergent Quilombos: Black Life and Hip-Hop in Brazil (University of Texas Press, 2023) illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the quilombo, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities. Bryce Henson is an assistant professor of media, culture, and identity in the Department of Communication and Journalism and associate faculty in the Africana Studies Program at Texas A&M University. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries. Mentioned in the episode: The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021) The Moynihan Report (1965) Georg Lukacs, "Reification and the Consciousness of the Proletariat" (1923) Diane Reay, "What Would a Socially Just Educational System Look Like?" (2012) Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System Steve McQueen, Small Axe, "Education," (2020) Bernardine Evaristo, Girl, Woman, Other (2019) B. Brian Forster, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (2020) Michel-Rolph Trouillot, "Adieu Culture: A New Duty Arises" (2003) David Simon's TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy) Stuart Hall, The Fateful Triangle (1994) Listen and Read Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

James Van Der Zee was a foundational Black photographer and part of the Harlem Renaissance. Emilie Boone, assistant professor of Art History at NYU, researches Van Der Zee's impact on Black Life in the U.S, as well as the African diaspora. Her new book, A Nimble Arc: James Van Der Zee and Photography, is a study of the photographer's practice and impact, and Boone joins us to discuss.

Gordon Parks knew a picture was worth more than 1,000 words: photographs could be weapons to fight white supremacy. Some saw his career, as a self-taught turned famous photographer, as a way out of the segregated South. But he knew it a way in. _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Julian Walker serves as executive producer." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

We sit down with YouTuber and BET star, Lala Milan, formerly LalaSizaHands89, known for her role as a stripper and hustler on BET Network's "Boomerang” and infamous for her viral Vine videos. The boys debate the potential names for their podcast fans, and Lala suggests playfully calling them "Naked Hoes." The Boyz delve into Lala's life and love as she opens up about her British boyfriend, whom she met through bold DM-sliding and her non-belief in marriage, yet desire for a family. Is he her Boohoo Boo? The hit Netflix Documentary, Anna Nicole Smith: You Don't Know Me and SnowWhite90210 becomes the center of attention, leading to heartwarming discussions about how they named Dannielynn and they reminisce their special friendship with the Guess Jeans Icon and their book being turned into a movie. Is there a role in it for Lala? Lala calls out Patrik for using Ozempic to lose weight, believing it should be saved for "real" diabetics, only to discover his pre-diabetic status. Will the boys have a baby and will Lala donate her eggs for a biracial little Simpson-Atteu? A revealing moment emerges as Lala shares her journey from an insurance lady to becoming a popular content creator, solidifying her path in the entertainment industry. It's Runway Rundown critiquing the Good, the Bad and the Ugly! Lala gives insight about hosting the Grammys red carpet and learning of Kobe Bryant's death at that moment of her celebrity interviews. What does she think of Tetona Jackson's fashion? Were they friends on the show? We close out with a bad Barbie look and what it takes to stay in shape in Hollywood. This and That goes deep with La Perla lingerie, Costco, the boys stalking Rihanna in Bermuda, Rolls Royce colors, dick sizes, tax brackets, Netflix and Shondaland's Queen Charlotte and Bridgerton. Does Lala not know who Timothy Chalamet is?   Why so many “White Person Questions”? and the boys are educated on “Black People” fads, hairstyles, trends and music. Laughs continue and she teaches them to drop, roll and twerk while they share her passion for todays' hip-hop.  It's her first cup of Armenian Coffee and her grinds reading offers some interesting and intriguing insights into personal life and trust in others and the new Housewife of Beverly Hills. Will Lala be joining the cast? CHAPTERS: [00:00] Introduction to today's episode [01:16] Who is Lala Milan? [02:07] Undressers or Naked Hoes? [02:37] Let's talk Boomerang and new doors opening. [04:50] Lala's British Boohoo boyfriend. [11:35] Hip-Hop education  [16:01] Netflix and Anna Nicole Smith: You Don't Know Me but Pol' and Patrik do!  [21:33] Lala and the PPBoyz of Beverly Hills having a Baby! [25:49] Patrik and Ozempic. Is he pre-diabetic? [28:32] From Insurance Agent to YouTube and TV Star. [35:15] Bitch stole my American Idol Spot. [37:36] Lala at the Grammys and Kobe Bryant's death. [40:57] Golden Globes wardrobe not so Golden! [43:18] Tetona Jackson HIT or MISS? Friend or Foe? [45:16] I'm a Barbie Girl NOT in a Barbie World. [48:53] LA Perla is coming off anyway. [50:24] Kim Kardashian or Rihanna  [54:31] Boomerang or Twenties Hustler. [55:26] Scandoval and Vanderpump Who? [57:45] Shondaland. [59:43] Black People education. [01:01] White people twerk. [01:03:31] SnowWhite90210 Dramarama. [01:05:23] Family reading and putting people in check. [01:10:52] Uplifting Intimate friends. [01:16:27] Movies and real Housewives of Beverly Hills Subscribe to our audio: linktr.ee/undressedpod Follow Pol Atteu:  Instagram: @polatteu  Tiktok: @polatteu  Twitter: @polatteu  Follow Patrik Simpson:  Instagram: @patriksimpson  Tiktok: @patriksimpsonbh Follow Snow White 90210: Instagram: @snowwhite90210 Twitter: @SnowWhite9010 Watch Season 4 of Gown and Out In Beverly Hills on Prime Video.  Follow our guest, Lala Milan:  Instagram: @lalamilan TikTok: lalamilan Follow Vocal Podcast Network: Instagram: @vocalpodcasts Twitter: @VocalPodcasts #VocalPodcasts #VocalPodcastNetwork #UndressedPodcast  Learn more about your ad choices. Visit megaphone.fm/adchoices

Tara Roberts walked through the National Museum of African American History when one photo stopped her in place. A group of divers – all Black women – preparing to search for the wreckage of slave ships. A short time later, Tara would find herself searching for those ships and discovering her own past. She chronicled what she found in “Into the Depths.” She tells Kai how deep our histories go.   Tell us what you think. Instagram and Twitter: @noteswithkai. Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or going to Instagram and clicking on the link in our bio. “Notes from America” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. Tune into the show on Sunday nights via the stream on notesfromamerica.org or on WNYC's YouTube channel.