Podcast appearances and mentions of Raoul Peck

Leïla Slimani, Raoul Peck, Santiago Amigorena, Serge Toubiana, Thierry Frémaux et Fatima Daas se réunissent pour éclairer les liens entre littérature et cinéma.Raoul Peck : "Orwell : 2+2 = 5"Thierry Frémaux : "Rue du Premier film (Stock)"Santiago Amigorena : "Le festival de Cannes, ou le temps perdu (P.O.L)"Fatima Daas : "La petite dernière" (Éditions Noir sur Blanc)Serge Toubiana : "On ne connait du film que la scène des adieux" (Calmann-Levy)

Aujourd'hui, vos chroniqueur.euse.s préféré.e.s se prennent la tête, avec des débats salés sur : The Phoenician scheme (Wes Anderson, Compétition officielle)Orwell 2+2=5 (Raoul Peck, Cannes première)Die my love (Lynne Ramsay, Compétition officielle)La femme la plus riche du monde (Thierry Klifa, Hors compétition)The love that remains (Hlynur Palmason, Cannes Première)Le roi soleil (Vincent Maël Cardona, Hors compétition)L'agent secret (Kleber Mendonça Filho, Compétition officielle)Bonne écoute, et à demain pour être de nouveau sur le fuseau horaire cannois !Présentation & montage : JulietteChroniques : Enora, Julien, Pauline & Juliette

Ep. 316: Robert Daniels on Eddington, Mission: Impossible – The Final Reckoning, Raoul Peck's Orwell Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I'm back at the Cannes Film Festival to talk about the highlights with another all-star cast of guests. This time I'm very pleased to sit down with Robert Daniels, associate editor at RogerEbert.com and a columnist and reviewer at The New York Times, among other writing. We focus on a few films spanning a wide variety of form and genre: Eddington (Ari Aster), Mission: Impossible – Final Reckoning (Christopher McQuarrie), and the documentary Orwell: 2+5=5 (Raoul Peck). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

À Cannes, parmi les films projetés en sélection, hors compétition, figure le nouveau documentaire de Raoul Peck. Après s'être intéressé à l'écrivain noir américain James Baldwin et au photographe sud-africain Ernest Cole, le cinéaste originaire d'Haïti montre toute la lucidité et l'actualité de George Orwell, auteur du chef-d'œuvre 1984.  À lire aussiCannes 2025 : le journal du festival à mi parcours

À Cannes, parmi les films projetés en sélection, hors compétition, figure le nouveau documentaire de Raoul Peck. Après s'être intéressé à l'écrivain noir américain James Baldwin et au photographe sud-africain Ernest Cole, le cinéaste originaire d'Haïti montre toute la lucidité et l'actualité de George Orwell, auteur du chef-d'œuvre 1984.  À lire aussiCannes 2025 : le journal du festival à mi parcours

Le réalisateur haïtien Raoul Peck présente "Ernest Cole - photographe", un documentaire diffusé à la 56e édition de Visions du Réel début avril, et dont il a été lʹinvité dʹhonneur. Un film sur le photographe sud-africain ayant documenté les atrocités de l'apartheid. "Ernest Cole, photographe sud-africain, a été le premier à exposer au monde entier les horreurs de l'Apartheid. Son livre House of Bondage, publié en 1967 alors qu'il n'avait que 27 ans, l'a conduit à s'exiler à New York et en Europe pour le reste de sa vie, sans jamais retrouver ses repères. Raoul Peck raconte ses errances, ses tourments d'artiste et sa colère au quotidien, face au silence ou la complicité du monde occidental devant les horreurs du régime de l'Apartheid." "Ernest Cole - photographe" à découvrir en salles romandes dès le 16 avril. Raoul Peck est lʹinvité de Rafael Wolf.

Le féminisme est-il l'avenir de l'homme ? Sans doute, mais à condition que le genre, anciennement dit « fort », puisse construire une nouvelle forme de masculinité. Huit ans après #metoo, et alors que les prédateurs, notamment dans le milieu du cinéma, sont dénoncés et pour certains jugés, une comédie policière, Le mélange des genres s'amuse des évolutions actuelles de la société. Michel Leclerc, qui réalise depuis ses débuts des comédies de mœurs sur l'air du temps politique (Le nom des gens (2010) par exemple) met ici en scène des activistes féministes et un homme qui se revendique « déconstruit ».Soit Simone (Léa Drucker), une enquêtrice de la police, qui infiltre les « hardies » un groupuscule féministe, qu'elle soupçonne de complicité de meurtre. Le hasard va la faire rencontrer Paul (Benjamin Lavernhe), comédien à la carrière bien moins florissante que celle de sa femme.À l'affiche également de notre cinéma cette semaine, nous revenons avec Aïssa Diaby sur les African cinema days qui se sont tenus il y a quelques jours en partenariat avec la Cinémathèque Afrique de l'Institut français.Festival de CannesNous feuilletterons le journal du cinéma qui fera la part belle à la sélection officielle de Cannes enfin dévoilée : Tom Cruise foulera le tapis rouge du Festival de Cannes. On le savait depuis quelques jours : l'ultime volet de la franchise Mission impossible sera projeté le 14 mai prochain (au lendemain de l'ouverture), hors compétition. Mais d'autres stars internationales seront partie prenante du plus grand rendez-vous du cinéma mondial. Puisque l'on connaît enfin la sélection officielle, dévoilée jeudi. Le directeur artistique Thierry Frémaux a rendu publique la liste des films projetés à Cannes, et notamment ceux qui seront en lice pour remporter la palme d'or. Comme chaque année, c'est un savant mélange de réalisateurs connus, et déjà primés, et de nouveaux venus en compétition.Il y a en effet les habitués, comme les belges Luc et Jean-Pierre Dardenne, l'Iranien Jafar Panahi, le Brésilien Kleber Mendonça Filho, l'Américain Wes Anderson ou encore la Française Julia Ducournau qui remporta la Palme d'or il y a quatre ans...À lire aussiFestival de Cannes 2025: les films en compétitionEt puis, les cinéastes qui auront pour la première fois les honneurs de la compétition. C'est le cas de l'actrice Hafsia Herzi qui présentera son troisième long métrage La petite dernière ou du sud africain Oliver Hermanus en lice pour la palme d'or avec un film américain : The History of Sound, une romance homosexuelle et musicale pendant la Première Guerre mondiale.C'est d'ailleurs la musique qui donnera le ton de ce 78e festival. Le premier long métrage d'Amélie Bonnin, Partir un jour, a les honneurs de l'ouverture.Voilà de quoi mettre un peu de légèreté et de paillettes dans une sélection qui reflète l'état du monde et de ses violences. Par exemple en compétition, l'Ukrainien Sergei Losnitza s'intéresse aux purges des années 30 en URSS avec Deux procureurs, et dans la section Cannes première le cinéaste haïtien Raoul Peck livre un documentaire sur l'auteur de 1984, George Orwell, dont les mots et l'engagement font écho à l'actualité brûlante.Plus de contenusFestival de Cannes 2025

Brisbane-born Hollywood star Jacob Elordi fronts Justin Kurzel's TV adaptation of Richard Flanagan's Booker Prize-winning novel The Narrow Road to the Deep North.In Lost and Found, filmmaker Raoul Peck follows Ernest Cole's journey as the first Black freelance photographer in apartheid South Africa.Jason meets the directors of The Count of Monte Cristo in Paris, the new French adaptation of Alexandre Dumas' epic tale of romance and redemption.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Tim JenkinsExecutive producer, Rhiannon Brown

Brisbane-born Hollywood star Jacob Elordi fronts Justin Kurzel's TV adaptation of Richard Flanagan's Booker Prize-winning novel The Narrow Road to the Deep North.In Lost and Found, filmmaker Raoul Peck follows Ernest Cole's journey as the first Black freelance photographer in apartheid South Africa.Jason meets the directors of The Count of Monte Cristo in Paris, the new French adaptation of Alexandre Dumas' epic tale of romance and redemption.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Tim JenkinsExecutive producer, Rhiannon Brown

Par Rafael Wolf et Vincent Adatte Bergers de Mathyas Lefebure Santosh de Sandhya Suri Shameless de Konstantin Bojanov Les conseils : La résidence (1969) de Narcisso Ibanez Serrador, avec Lili Palmer, (en DVD, BluRay) I am not your negro (2017) de Raoul Peck (rétro Peck à la Cinémathèque suisse, présence de Peck au festival de Nyon)

Oscar-nominated filmmaker Raoul Peck's latest film, “Ernest Cole: Lost and Found”, chronicles the profound life and work of Ernest Cole, one of the first Black freelance photographers in South Africa, whose work revealed to the world the realities of Black life during apartheid, and later, its echoes in New York City and the American South. Raoul shares with Tiller how he sees the difference between convincing an audience versus telling a story (2:30) how he uses his personal background as a medium to tell each story with deep authenticity (2:30), finding the soul of this film (8:00), why he doesn't call his art “journalism” (19:00), his process of creation and experimentation (26:30), the deep understanding he shares with his editor (32:00), and the suffocating constraints of the doc industry today (39:00).  Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Le réalisateur, scénariste, producteur de cinéma et homme politique haïtien Raoul Peck est notre invité pour son documentaire "Ernest Cole : Lost And Found", qui sort ce mercredi. Une interview d'Éric Russon. Ernest Cole, photographe sud-africain, a été le premier à exposer au monde entier les horreurs de l'apartheid. Son livre House of Bondage, publié en 1967 alors qu'il n'avait que 27 ans, l'a conduit à s'exiler à New York et en Europe pour le reste de sa vie, sans jamais retrouver ses repères. Raoul Peck raconte ses errances, ses tourments d'artiste et sa colère au quotidien, face au silence ou la complicité du monde occidental devant les horreurs du régime de l'Apartheid. Il raconte aussi comment, en 2017, 60.000 négatifs de son travail sont découverts dans le coffre d'une banque suédoise. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...)

A new exhibition at London's National Gallery hopes to shed light on artists in 14th Century Siena, who have often been overshadowed by their Tuscan neighbours in Florence. Samira is joined in the studio by one of the curators, Imogen Tedbury, and by Maya Corry, a Renaissance expert from Oxford Brookes University to discuss the astonishing colours and use of gold by artists like Duccio, the Lorenzetti brothers and Simone Martini. The death has been announced of Bill Dare, the creator of Radio 4's The Now Show and Dead Ringers. He nurtured new writers and performers including David Baddiel, Rob Newman, Hugh Dennis and Steve Punt, of The Mary Whitehouse Experience as well as the comedian Jon Holmes, who explains how they first met. Haitian filmmaker Raoul Peck, best-known for his Oscar and BAFTA nominated documentary about James Baldwin 'I Am Not Your Negro', discusses his latest film 'Ernest Cole: Lost and Found', about the brief life of a young South African photographer who had to flee his homeland in 1968 to publish his book of photos which exposed the horrors of apartheid to the world.The Booker and Oscar-nominated writer Colum McCann discusses his thrilling new novel Twist, a dive in to the dark depths of the modern human condition set on board a ship repairing the fragile cables which connect us on the ocean floor. Presenter: Samira Ahmed Producer: Claire Bartleet

February is Black History Month no matter who says otherwise. So we decided to educate ourselves about the Civil Rights movement by watching "I Am Not Your Negro," the 2016 (2017?) documentary about writer/activist James Baldwin, directed by Raoul Peck.In addition to learning a great deal about James Baldwin, we also discuss: X-Men; white liberals; sleazy, cool sunglasses; beanies; furries; legality and morality; and post-Diversity-Equity-and-Inclusion hypotheticals. Hosted on Acast. See acast.com/privacy for more information.

This episode was recorded live at e-flux on September 19, 2024. The event, hosted by the African Film Institute, featured a screening of Lumumba (2000, 115 minutes) by Haitian director Raoul Peck, followed by a conversation between Feza Kayungu Ramazani of Centre D'art Waza and anthropologist Natacha Nsabimana.  Feza Kayungu Ramazani is an artist and researcher based in Lubumbashi. She is a member of the Power to the Commons project and Another Roadmap of Arts Education Africa Cluster (ARAC), which is a network of researchers and practitioners engaged in collaborative research revisiting the history, politics, and alternative practices in arts education through literature. She is also curatorial assistant at École du soir, administrator of Centre d'art Waza, and a critical writer questioning images of African beauty and exoticism. Her research on African values, creativity, ancestral practices, and technology aligns with a desire to reinvent the conception and conservative function of museums in the Democratic Republic of Congo. Natacha Nsabimana teaches in the anthropology department at the university of Chicago. Her research and teaching interests include postcolonial critique, musical movements, and the cultural and political worlds of African peoples on the continent and in the diaspora. The African Film Institute aims to create a home and a place of intimacy with African cinema in New York, through developing gradually and organically a viewing program animated by fellowships; a growing library; an active writers' room; and an expanding catalog of recorded dialogs. The African Film Institute draws from the visual cultures that view cinema as an evening school: a popular information system in the service of education, aesthetic experience, and public dissemination—employing a methodology concerning the use of cinema's collective production, and investing in viewing methods informed by different uses of time, visual and textual histories, and social struggles and hopes in mutuality between their own locality and the world at large. The African Film Institute is convened by Christian Nyampeta and hosted by e-flux Screening Room.

A fearless voice against systemic injustice, Raoul Peck has crafted a body of work that interrogates the legacies of colonialism, racism, and power with unflinching clarity. In this episode, Peck joins our producer Elliot to discuss his latest film, Ernest Cole: Lost and Found, an intimate exploration of South Africa's first apartheid-era photographer. Reflecting on Cole's haunting images, Peck draws striking parallels between apartheid South Africa, modern systems of segregation, and the enduring consequences for those displaced. Peck's films stand as a testament to the radical potential of cinema to confront, reimagine, and connect the world's entrenched narratives. He leaves us with a powerful reminder: “The world will be what each one of us lets it be. If we don't act, our inaction will shape the future.” Book tickets to Ernest Cole: Lost and Found Book tickets to The Raoul Peck Collection Book tickets to CC Film Club: Juice

Join Face2Face host David Peck as he sits down with the visionary and Oscar nominated filmmaker Raoul Peck to explore his latest masterpiece, Ernest Cole: Lost and Found. Known for his deep, transformative storytelling, Peck delves into the life of Ernest Cole, the trailblazing South African photographer who captured the stark realities of apartheid. This poignant conversation uncovers Cole's legacy and 60,000 photographs discovered in Sweden, the profound philosophy behind his art, and the remarkable rediscovery of his lost archive.Tune in for a riveting dialogue about art, democracy, and the human spirit—where every image is a story and every story a call to action. Raoul emphasizes the importance of storytelling in challengingperceptions, fostering community, and encouraging critical thinking. He also discusses the role of citizens in democracy and the need for education and engagement in societal issues. Don't miss thisextraordinary episode celebrating the intersection of activism and artistry.Ernest Cole: Lost and Found, winner of Cannes film festival documentary prize, L'Œil d'or 2024, is about, a South African photographer who was the first to expose the horrors of apartheid to a worldaudience. His book House of Bondage, published in 1967 when he was only 27 years old, led him into exile in NYC and Europe for the rest of his life.Raoul Peck recounts his wanderings, his turmoil as an artist and his anger at the silence or complicity of the Western world in the face of the horrors of the Apartheid regime. He also recounts how, in 2017,60,000 negatives of his work were discovered in the safe of a Swedish bank.Peck's, search for the soul of overlooked artist Ernest Cole, is nestled in an international thriller, delving into the complexities of race through his timeless imagery.Look for a January 17th, 2025, for a North American release.M2K FilmsRaoul Peck is an internationally acclaimed filmmaker, writer, and activist known for his thought-provoking and socially conscious works. Born in Haiti, Peck's storytelling often explores themes of identity, socialjustice, and historical memory. His award-winning films include I Am Not Your Negro, a documentary on James Baldwin's unfinished manuscript, which received an Oscar nomination and widespread criticalacclaim.A former Minister of Culture in Haiti, Peck's works reflect a commitment to amplifying marginalized voices and challenging systemic injustices. With a career spanning decades, his projects have premiered atprestigious festivals such as TIFF, Berlinale, and Cannes. Through his unique lens, Peck continues to craft stories that provoke dialogue and inspire change on a global scale.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck's podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. Hosted on Acast. See acast.com/privacy for more information.

C'est un film rendu possible par la découverte d'un trésor. En 2017, 60 000 négatifs et photos du Sud-Africain Ernest Cole sont découverts dans les coffres d'une banque suédoise où ils dormaient depuis plusieurs décennies. Ernest Cole, né en 1940, mort en 1990, son nom est peu connu du grand public, mais c'était un incroyable photographe qui a documenté l'apartheid et la ségrégation aux États-Unis. Le réalisateur Raoul Peck présentait à Cannes en mai dernier son nouveau film, Ernest Cole : photographe, dans lequel il retrace le parcours et le travail du photographe. 

Fini les recrutements massifs de main-d'œuvre à l'étranger. Il y a quelques mois, les règles ont changé, ce qui affecte durement les travailleurs étrangers et les secteurs qui en bénéficient. Pendant, de longues années, le Canada et des provinces comme le Québec ont recruté de la main-d'œuvre aux quatre coins du monde. Objectif : combler les emplois que n'occupe plus la population vieillissante. Une partie des visas de salariés dépend d'employeurs bien précis, et ils ne peuvent pas aller travailler ailleurs. C'est ce qu'on appelle les permis fermés.Sauf que les règles ont changé il y a quelques mois. Désormais, une même entreprise ne peut plus employer plus de 10% d'étrangers à bas salaire, et d'autres mesures font qu'il devient difficile de demander une résidence permanente au Québec. Ces règlements ont donc beaucoup de répercussions sur le personnel immigrant et l'industrie qui les emploie. Le reportage de Pascale Guéricolas.  Salvador : le gouvernement de Bukele réactive les minesNayib Bukele, le très médiatique président du Salvador, a une idée pour relancer l'économie de son pays, où plus d'un quart des habitants vivent dans la pauvreté. Il a indiqué sur X que les Salvadoriens étaient assis sur une quantité phénoménale d'or, qu'il souhaite bien exploiter. Le Parlement avait pourtant banni toute extraction minière en 2017 pour protéger les faibles ressources nationales en eau. Une décision historique pour l'environnement sur laquelle le chef d'État entend bien revenir. Le dossier de Lila Olkinuora.Le réalisateur haïtien Raoul Peck revient avec un nouveau film sur l'apartheidIl revient sur les écrans avec un biopic déjà consacré par L'Œil d'Or 2024 de Cannes – sur le photographe sud-africain Ernest Cole, l'un des premiers à avoir documenté de l'intérieur l'Apartheid. Un artiste mort en exil 1990, sans avoir pu rentrer dans son pays.Le réalisateur haïtien Raoul Peck est passé par les studios de RFI pour évoquer ce film en salle en France depuis le 25/12. Né à Port-au-Prince, ministre de la Culture dans les années 1990 sous Aristide, Raoul Peck suit de près l'actualité haïtienne et ses tourments, comme il l'explique à Sophie Torlotin, qui en a profité pour l'interroger aussi sur son projet de film atour de l'assassinat de l'ex-président Jovenel Moïse.Journal de la 1ʳᵉNous partons en Guadeloupe et en Martinique pour parler du retour du scorbut et du don de sang.

Rencontre avec le cinéaste haïtien Raoul Peck. Dans son nouveau film, Ernest Cole, photographe, il reconstitue le destin tragique du photographe Ernest Cole, mort dans l'oubli (en 1990) après avoir documenté la barbarie de l'apartheid, en Afrique du Sud (son pays natal) et la ségrégation aux États-Unis. C'est aussi l'errance de ce lanceur d'alerte, obligé de s'exiler après la publication, en 1967, de son ouvrage, que raconte Raoul Peck. RFI ​​​​​​ : Est-ce que vous vous souvenez de la première photo d'Ernest Cole que vous avez vue ?  Raoul Peck : Alors, je me souviens des premières photos, c'était il y a très longtemps à Berlin quand j'étudiais. Le combat anti-apartheid commençait et les photos de d'Ernest Cole circulaient beaucoup parce que c'était la première fois qu'on découvrait les horreurs de l'apartheid à niveau d'homme, à hauteur d'homme et de femme, puisqu'il photographiait son monde à lui. Et en 1966, il quitte l'Afrique du Sud. À jamais, il le sait, il part travailler aux États-Unis. Sauf que sa vie aux États-Unis va être beaucoup moins florissante, beaucoup plus triste. Il est vu, perçu comme photographe noir alors qu'il se veut photographe, comme l'une de ses idoles, Cartier-Bresson. Et son ambition à Ernest Cole, c'était aussi de photographier, comme il dit, la condition humaine. Et pour ça, il faut pouvoir bouger. Or, on ne lui a pas permis de bouger.  Vous, Raoul Peck, vous vous êtes mis dans la peau, littéralement, pendant des mois, voire des années, d'Ernest Cool. Vous avez plongé au plus intime de son être, y compris quand vous lui faites dire, mais c'est basé sur votre enquête qu'il a voulu à un certain moment se suicider. Quel portrait avez-vous gardé d'Ernest Cole ? C'est un homme en colère ? C'est un homme en colère, mais c'est un homme, comme beaucoup d'hommes et de femmes que j'ai connus en exil, qui sont perturbés, qui sont tiraillés, brisés par l'éloignement de leur pays, qui souffre très souvent. Donc, il est aussi isolé dans cette société. Que vous soyez en France ou aux États-Unis, Raoul Peck, Haïti vous habite un peu comme l'Afrique du Sud habitait Ernest Cole. Quel regard aujourd'hui, en tant que citoyen, mais aussi en tant que cinéaste, vous portez sur les événements récents en Haïti et le chaos dans lequel le pays est tombé ? Ce n'est même pas un regard que je porte, c'est quelque chose que je vis tous les jours. J'ai des conversations tous les jours avec ce qui se passe, avec des amis, des militants, des acteurs de la société civile en Haïti qui se battent depuis plus de sept ans pour trouver un accord politique qui permette au pays de sortir de cette non-constitutionnalité que nous vivons. Nous n'avons pas eu d'élections depuis plus de sept ans et donc la société civile a tenté et avec beaucoup de difficultés à trouver des solutions politiques pour pouvoir sortir de cette passe. Malheureusement, les partenaires qu'on a en face, y compris les États-Unis, je ne peux même pas dire la France, parce que la France est totalement hors-jeu de cette bataille. Il y a beaucoup de paroles, mais très peu de faits, et on ne comprend pas trop l'attitude de soi-disant des amis d'Haïti, comme se prénomment les États-Unis, l'Europe, la France, le Canada, qui ont bien sûr peur d'entrer dans un bourbier, mais qu'ils ont eux-mêmes favorisé pendant de longues années.À écouter aussiRaoul Peck: «Hiérarchiser les races, c'est la racine de tous les génocides»

Rencontre avec le cinéaste haïtien Raoul Peck. Dans son nouveau film, Ernest Cole, photographe, il reconstitue le destin tragique du photographe Ernest Cole, mort dans l'oubli (en 1990) après avoir documenté la barbarie de l'apartheid, en Afrique du Sud (son pays natal) et la ségrégation aux États-Unis. C'est aussi l'errance de ce lanceur d'alerte, obligé de s'exiler après la publication, en 1967, de son ouvrage, que raconte Raoul Peck. RFI ​​​​​​ : Est-ce que vous vous souvenez de la première photo d'Ernest Cole que vous avez vue ?  Raoul Peck : Alors, je me souviens des premières photos, c'était il y a très longtemps à Berlin quand j'étudiais. Le combat anti-apartheid commençait et les photos de d'Ernest Cole circulaient beaucoup parce que c'était la première fois qu'on découvrait les horreurs de l'apartheid à niveau d'homme, à hauteur d'homme et de femme, puisqu'il photographiait son monde à lui. Et en 1966, il quitte l'Afrique du Sud. À jamais, il le sait, il part travailler aux États-Unis. Sauf que sa vie aux États-Unis va être beaucoup moins florissante, beaucoup plus triste. Il est vu, perçu comme photographe noir alors qu'il se veut photographe, comme l'une de ses idoles, Cartier-Bresson. Et son ambition à Ernest Cole, c'était aussi de photographier, comme il dit, la condition humaine. Et pour ça, il faut pouvoir bouger. Or, on ne lui a pas permis de bouger.  Vous, Raoul Peck, vous vous êtes mis dans la peau, littéralement, pendant des mois, voire des années, d'Ernest Cool. Vous avez plongé au plus intime de son être, y compris quand vous lui faites dire, mais c'est basé sur votre enquête qu'il a voulu à un certain moment se suicider. Quel portrait avez-vous gardé d'Ernest Cole ? C'est un homme en colère ? C'est un homme en colère, mais c'est un homme, comme beaucoup d'hommes et de femmes que j'ai connus en exil, qui sont perturbés, qui sont tiraillés, brisés par l'éloignement de leur pays, qui souffre très souvent. Donc, il est aussi isolé dans cette société. Que vous soyez en France ou aux États-Unis, Raoul Peck, Haïti vous habite un peu comme l'Afrique du Sud habitait Ernest Cole. Quel regard aujourd'hui, en tant que citoyen, mais aussi en tant que cinéaste, vous portez sur les événements récents en Haïti et le chaos dans lequel le pays est tombé ? Ce n'est même pas un regard que je porte, c'est quelque chose que je vis tous les jours. J'ai des conversations tous les jours avec ce qui se passe, avec des amis, des militants, des acteurs de la société civile en Haïti qui se battent depuis plus de sept ans pour trouver un accord politique qui permette au pays de sortir de cette non-constitutionnalité que nous vivons. Nous n'avons pas eu d'élections depuis plus de sept ans et donc la société civile a tenté et avec beaucoup de difficultés à trouver des solutions politiques pour pouvoir sortir de cette passe. Malheureusement, les partenaires qu'on a en face, y compris les États-Unis, je ne peux même pas dire la France, parce que la France est totalement hors-jeu de cette bataille. Il y a beaucoup de paroles, mais très peu de faits, et on ne comprend pas trop l'attitude de soi-disant des amis d'Haïti, comme se prénomment les États-Unis, l'Europe, la France, le Canada, qui ont bien sûr peur d'entrer dans un bourbier, mais qu'ils ont eux-mêmes favorisé pendant de longues années.À écouter aussiRaoul Peck: «Hiérarchiser les races, c'est la racine de tous les génocides»

durée : 00:27:42 - Les Midis de Culture - par : Marie Labory - Raoul Peck revient sur les grands écrans pour livrer un biopic poignant - déjà consacré par L'Oeil d'Or 2024 de Cannes - sur Ernest Cole, le photographe sud-africain à l'origine de "House of Bondage", le tout premier livre de photographies illustrant les mécanismes insidieux l'apartheid. - réalisation : Laurence Malonda - invités : Raoul Peck Réalisateur

Kate Wolf speaks to filmmaker Raoul Peck about his latest documentary, Ernest Cole: Lost and Found, out in theaters now. The film excavates the life and work of Ernest Cole, the South African photographer, using his own writing and a recently rediscovered archive of his photographs. Cole was one of the first people to capture the brutal realities of the apartheid regime on film. After escaping South Africa for the United States, he published his landmark book on apartheid, House of Bondage (1967). Years later, his career languished, and he became homeless and died of cancer in 1990. Peck's film looks closely at the conditions that thwarted Cole's promise as an artist, the legacies of racial segregation, and the devastating ways they still play out today. Also, Renee Gladman, author of My Lesbian Novel and To After That (TOAF), returns to recommend The Long Form by Kate Brigg. Plus Alan Minsky, executive director of Progressive Democrats of America (and producer of our show) stops by to talk about the fate of progressive activism under the incoming Trump administration

Kate Wolf speaks to filmmaker Raoul Peck about his latest documentary, Ernest Cole: Lost and Found, out in theaters now. The film excavates the life and work of Ernest Cole, the South African photographer, using his own writing and a recently rediscovered archive of his photographs. Cole was one of the first people to capture the brutal realities of the apartheid regime on film. After escaping South Africa for the United States, he published his landmark book on apartheid, House of Bondage (1967). Years later, his career languished, and he became homeless and died of cancer in 1990. Peck's film looks closely at the conditions that thwarted Cole's promise as an artist, the legacies of racial segregation, and the devastating ways they still play out today. Also, Renee Gladman, author of My Lesbian Novel and To After That (TOAF), returns to recommend The Long Form by Kate Brigg. Plus Alan Minsky, executive director of Progressive Democrats of America (and producer of our show) stops by to talk about the fate of progressive activism under the incoming Trump administration

In this week's episode of the Black Girl Nerds podcast, we welcome in this 2-part segment filmmaker Raoul Peck of Ernest Cole: Lost and Found and actor Emma Canning of Dune: Prophecy. Segment 1: Oscar-nominated filmmaker Raoul Peck's Ernest Cole: Lost and Found  is a new documentary chronicling the life and work of Ernest Cole, one of the first Black freelance photographers in South Africa, whose early pictures, shocking at the time of their first publication, revealed to the world Black life under apartheid. Host: Jamie Segment 2: Emma Canning plays the young Tula Harkonnen in the HBO series Dune: Prophecy. Following a tragedy, young Valya Harkonnen flees her home planet to join the Sisterhood, but struggles with the decision to take her vows. Her younger sister Tula is carving out a new life for herself, but worries about being accepted for her family name. Host: Jamie Music by: Sammus Edited by: Jamie Broadnax

1924 publicerades André Bretons Surrealistiska manifestet och surrealismen kom att få ett stort inflytande på livsideal, konst, litteratur, film och populärkultur. Vilken plats tar den i dag? Lyssna på alla avsnitt i Sveriges Radio Play. Det är nog många som kan se Salvador Dalís konstverk "Minnets envishet" framför sig – alltså målningen med smältande klockor från 1931 – och surrealismens påverkan på konsten är odiskutabel.Men, André Bretons "Surrealistiska manifest" var inte i första hand en bruksanvisning för konstnärer, utan framför allt en skrift som förespråkade det omedvetnas och drömmarnas betydelse för en människa, fantasins frigörelse och revolten mot det som beskrivs som en rationell verklighet. De surrealistiska idéerna fick en enorm spridning, men hur ser surrealismens inflytande ut i dag?Samtal i dagens P1 Kultur med Jonas Ellerström, författaren, poet och ledamot av Samfundet De Nio, Sveriges Radios korrespondent Cecilia Blomberg som besökt den stora pågående surrealismutställningen på Centre Pompidou i Paris och kulturredaktionens Mårten Arndtzén, som sett Moderna muséets nya surrealismutställning "Den underjordiska himlen". PÅ PROMENAD MED AUGUSTPRISNOMINERADE TORA WALL "Skogen. I folktro, sägner och sagor" heter folkloristen Tora Walls bok som är en av de sex nominerade i Augustprisets kategori Årets svenska fackbok. Den berättar om skogens betydelse som magisk plats för oss människor och hur den gett upphov till alla möjliga sorters övernaturliga väsen i folktron, där fantasi mött verklighet. P1 Kulturs reporter Nina Asarnoj träffade författaren i Skuruparken i Stockholm för ett samtal om skogens magi och hur den har gett näring till sagor och traditioner. KLASSIKERN OM AUGUST STRINDBERGS "FADREN" August Strindbergs pjäs "Fadren" har väckt kontrovers, såväl när den kom som i vår tid. Ändå fortsätter detta sena 1800-talsdrama att vara ett av Strindbergs mest spelade. Varför? Teaterkritikern Maria Edström tar sig an "Fadren"! PREMIÄR FÖR DOKUMENTÄREN "LOST AND FOUND" Omtalade regissören Raoul Peck, som gjorde den hyllade dokumentären "I am not your negro" om författaren James Baldwin, är aktuell med nya "Lost and found". Den handlar om Sydafrikas första svarta frilansfotograf Ernest Cole och hur han dokumenterade apartheidregimens förtryck med sina bilder. Kulturredaktionens Björn Jansson har träffat Raoul Peck. Programledare Karsten ThurfjellProducent Maria Götselius

Jason Fraley interviews Oscar-nominated filmmaker Raoul Peck, who visits the Double Exposure Investigative Film Festival in Washington D.C. tomorrow night to screen his new documentary "Ernest Cole: Lost and Found" narrated by LaKeith Stanfield about the South African photographer who exposed the horrors of Apartheid. They also discuss Peck's 2016 masterpiece “I Am Not Your Negro," which explored the history of race in America by combining Samuel J. Jackson's narration with the powerful words of James Baldwin -- and how both documentaries are timely after this week's presidential election. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jason Fraley interviews Oscar-nominated filmmaker Raoul Peck, who visits the Double Exposure Investigative Film Festival in Washington D.C. tomorrow night to screen his new documentary "Ernest Cole: Lost and Found" narrated by LaKeith Stanfield about the South African photographer who exposed the horrors of Apartheid. They also discuss Peck's 2016 masterpiece “I Am Not Your Negro," which explored the history of race in America by combining Samuel J. Jackson's narration with the powerful words of James Baldwin -- and how both documentaries are timely after this week's presidential election. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:21:27 - L'interview de 9h20 - par : Léa Salamé - Tristesse, questionnements : Jim Jarmusch, Raoul Peck, François Busnel, Oliver Gallmeister, et Lauren Groff réagissent à l'élection de Donald Trump. Le réalisateur Raoul Peck s'avoue sombre : "on observe des classes dominantes qui regardent en chantant leur propre perte". - invités : François BUSNEL, Oliver Gallmeister, Lauren GROFF, Raoul PECK, Jim JARMUSCH - François Busnel : Journaliste et critique littéraire, Oliver Gallmeister : Editeur, Lauren Groff : Écrivaine américaine, Raoul Peck : Réalisateur, Jim Jarmusch : Cinéaste américain

durée : 00:21:27 - L'interview de 9h20 - par : Léa Salamé - Tristesse, questionnements : Jim Jarmusch, Raoul Peck, François Busnel, Oliver Gallmeister, et Lauren Groff réagissent à l'élection de Donald Trump. Le réalisateur Raoul Peck s'avoue sombre : "on observe des classes dominantes qui regardent en chantant leur propre perte". - invités : François BUSNEL, Oliver Gallmeister, Lauren GROFF, Raoul PECK, Jim JARMUSCH - François Busnel : Journaliste et critique littéraire, Oliver Gallmeister : Editeur, Lauren Groff : Écrivaine américaine, Raoul Peck : Réalisateur, Jim Jarmusch : Cinéaste américain

As the author of a graphic history, I loved chatting with Roxanne Dunbar-Ortiz and Paul Peart-Smith about the graphic interpretation of An Indigenous People's History of the United States (Beacon Press, 2024). An Indigenous Peoples' History of The United States originally came out in 2014 with Beacon Press. In 2019 it was adapted into a Young Peoples version by Jean Mendoza and Debbie Reese. In 2021 it was one of the three foundational texts for the amazing HBO docuseries Exterminate All the Brutes, written and directed by Raoul Peck. The other featured books were two of my all-time favorites Sven Lindqvist' Exterminate All the Brutes: One Man's Odyssey into the Heart of Darkness and the Origins of European Genocide and Michel-Rolph Trouillot's Silencing the Past: Power and the Production of History. Paul Peart-Smith has adapted what many regard as the first history of the United States told from the perspective of Indigenous peoples into a stunningly powerful graphic history. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them. Dr. Roxanne Dunbar-Ortiz, a New York Times best-selling author, grew up in rural Oklahoma in a tenant farming family. She has been active in the international feminist and Indigenous movements for more than four decades and is known for her lifelong commitment to national and international social justice issues. Dunbar-Ortiz is the winner of the 2017 Lannan Cultural Freedom Prize, and is the author or editor of many books, including An Indigenous Peoples' History of the United States, a recipient of the 2015 American Book Award. She lives in San Francisco and is a professor emeritus in Ethnic Studies at California State University, East Bay. Paul Peart-Smith is a celebrated cartoonist of over 35 years, with experience in concept art, graphic design, and animation. Having studied to be an illustrator in Cambridge, England, he has worked on comics for 2000 AD, such as Slaughter Bowl . He is the illustrator and adapter of W. E. B. Du Bois Souls of Black Folk: A Graphic Interpretation. He lives in Tasmania, Australia and puts out the bi-weekly newsletter InkSkull . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As the author of a graphic history, I loved chatting with Roxanne Dunbar-Ortiz and Paul Peart-Smith about the graphic interpretation of An Indigenous People's History of the United States (Beacon Press, 2024). An Indigenous Peoples' History of The United States originally came out in 2014 with Beacon Press. In 2019 it was adapted into a Young Peoples version by Jean Mendoza and Debbie Reese. In 2021 it was one of the three foundational texts for the amazing HBO docuseries Exterminate All the Brutes, written and directed by Raoul Peck. The other featured books were two of my all-time favorites Sven Lindqvist' Exterminate All the Brutes: One Man's Odyssey into the Heart of Darkness and the Origins of European Genocide and Michel-Rolph Trouillot's Silencing the Past: Power and the Production of History. Paul Peart-Smith has adapted what many regard as the first history of the United States told from the perspective of Indigenous peoples into a stunningly powerful graphic history. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them. Dr. Roxanne Dunbar-Ortiz, a New York Times best-selling author, grew up in rural Oklahoma in a tenant farming family. She has been active in the international feminist and Indigenous movements for more than four decades and is known for her lifelong commitment to national and international social justice issues. Dunbar-Ortiz is the winner of the 2017 Lannan Cultural Freedom Prize, and is the author or editor of many books, including An Indigenous Peoples' History of the United States, a recipient of the 2015 American Book Award. She lives in San Francisco and is a professor emeritus in Ethnic Studies at California State University, East Bay. Paul Peart-Smith is a celebrated cartoonist of over 35 years, with experience in concept art, graphic design, and animation. Having studied to be an illustrator in Cambridge, England, he has worked on comics for 2000 AD, such as Slaughter Bowl . He is the illustrator and adapter of W. E. B. Du Bois Souls of Black Folk: A Graphic Interpretation. He lives in Tasmania, Australia and puts out the bi-weekly newsletter InkSkull . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

As the author of a graphic history, I loved chatting with Roxanne Dunbar-Ortiz and Paul Peart-Smith about the graphic interpretation of An Indigenous People's History of the United States (Beacon Press, 2024). An Indigenous Peoples' History of The United States originally came out in 2014 with Beacon Press. In 2019 it was adapted into a Young Peoples version by Jean Mendoza and Debbie Reese. In 2021 it was one of the three foundational texts for the amazing HBO docuseries Exterminate All the Brutes, written and directed by Raoul Peck. The other featured books were two of my all-time favorites Sven Lindqvist' Exterminate All the Brutes: One Man's Odyssey into the Heart of Darkness and the Origins of European Genocide and Michel-Rolph Trouillot's Silencing the Past: Power and the Production of History. Paul Peart-Smith has adapted what many regard as the first history of the United States told from the perspective of Indigenous peoples into a stunningly powerful graphic history. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them. Dr. Roxanne Dunbar-Ortiz, a New York Times best-selling author, grew up in rural Oklahoma in a tenant farming family. She has been active in the international feminist and Indigenous movements for more than four decades and is known for her lifelong commitment to national and international social justice issues. Dunbar-Ortiz is the winner of the 2017 Lannan Cultural Freedom Prize, and is the author or editor of many books, including An Indigenous Peoples' History of the United States, a recipient of the 2015 American Book Award. She lives in San Francisco and is a professor emeritus in Ethnic Studies at California State University, East Bay. Paul Peart-Smith is a celebrated cartoonist of over 35 years, with experience in concept art, graphic design, and animation. Having studied to be an illustrator in Cambridge, England, he has worked on comics for 2000 AD, such as Slaughter Bowl . He is the illustrator and adapter of W. E. B. Du Bois Souls of Black Folk: A Graphic Interpretation. He lives in Tasmania, Australia and puts out the bi-weekly newsletter InkSkull . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

As the author of a graphic history, I loved chatting with Roxanne Dunbar-Ortiz and Paul Peart-Smith about the graphic interpretation of An Indigenous People's History of the United States (Beacon Press, 2024). An Indigenous Peoples' History of The United States originally came out in 2014 with Beacon Press. In 2019 it was adapted into a Young Peoples version by Jean Mendoza and Debbie Reese. In 2021 it was one of the three foundational texts for the amazing HBO docuseries Exterminate All the Brutes, written and directed by Raoul Peck. The other featured books were two of my all-time favorites Sven Lindqvist' Exterminate All the Brutes: One Man's Odyssey into the Heart of Darkness and the Origins of European Genocide and Michel-Rolph Trouillot's Silencing the Past: Power and the Production of History. Paul Peart-Smith has adapted what many regard as the first history of the United States told from the perspective of Indigenous peoples into a stunningly powerful graphic history. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them. Dr. Roxanne Dunbar-Ortiz, a New York Times best-selling author, grew up in rural Oklahoma in a tenant farming family. She has been active in the international feminist and Indigenous movements for more than four decades and is known for her lifelong commitment to national and international social justice issues. Dunbar-Ortiz is the winner of the 2017 Lannan Cultural Freedom Prize, and is the author or editor of many books, including An Indigenous Peoples' History of the United States, a recipient of the 2015 American Book Award. She lives in San Francisco and is a professor emeritus in Ethnic Studies at California State University, East Bay. Paul Peart-Smith is a celebrated cartoonist of over 35 years, with experience in concept art, graphic design, and animation. Having studied to be an illustrator in Cambridge, England, he has worked on comics for 2000 AD, such as Slaughter Bowl . He is the illustrator and adapter of W. E. B. Du Bois Souls of Black Folk: A Graphic Interpretation. He lives in Tasmania, Australia and puts out the bi-weekly newsletter InkSkull . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

As the author of a graphic history, I loved chatting with Roxanne Dunbar-Ortiz and Paul Peart-Smith about the graphic interpretation of An Indigenous People's History of the United States (Beacon Press, 2024). An Indigenous Peoples' History of The United States originally came out in 2014 with Beacon Press. In 2019 it was adapted into a Young Peoples version by Jean Mendoza and Debbie Reese. In 2021 it was one of the three foundational texts for the amazing HBO docuseries Exterminate All the Brutes, written and directed by Raoul Peck. The other featured books were two of my all-time favorites Sven Lindqvist' Exterminate All the Brutes: One Man's Odyssey into the Heart of Darkness and the Origins of European Genocide and Michel-Rolph Trouillot's Silencing the Past: Power and the Production of History. Paul Peart-Smith has adapted what many regard as the first history of the United States told from the perspective of Indigenous peoples into a stunningly powerful graphic history. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them. Dr. Roxanne Dunbar-Ortiz, a New York Times best-selling author, grew up in rural Oklahoma in a tenant farming family. She has been active in the international feminist and Indigenous movements for more than four decades and is known for her lifelong commitment to national and international social justice issues. Dunbar-Ortiz is the winner of the 2017 Lannan Cultural Freedom Prize, and is the author or editor of many books, including An Indigenous Peoples' History of the United States, a recipient of the 2015 American Book Award. She lives in San Francisco and is a professor emeritus in Ethnic Studies at California State University, East Bay. Paul Peart-Smith is a celebrated cartoonist of over 35 years, with experience in concept art, graphic design, and animation. Having studied to be an illustrator in Cambridge, England, he has worked on comics for 2000 AD, such as Slaughter Bowl . He is the illustrator and adapter of W. E. B. Du Bois Souls of Black Folk: A Graphic Interpretation. He lives in Tasmania, Australia and puts out the bi-weekly newsletter InkSkull . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

This week, Film Comment is on the ground at the 2024 Toronto International Film Festival, which began on September 5 and runs through September 15. This year, as ever, the festival's lineup is full of buzzy titles, including premieres of new films from directors like Luca Guadagnino, Pedro Almodóvar, Athina Rachel Tsangari, Brady Corbet, Dea Kulumbegashvili, and more.  For our first Podcast from the land of maple syrup, hockey, and Guy Maddin, Film Comment editor Devika Girish welcomes critics Mark Asch and David Schwartz to discuss Gia Coppola's The Last Showgirl (3:23), Brady Corbert's The Brutalist (14:45), Raoul Peck's Ernest Cole: Lost and Found (26:45), John Crowley's We Live in Time (31:50), and Durga Chew-Bose's Bonjour Tristesse (40:01).  Stay tuned throughout this week for more Podcasts, dispatches, and more from TIFF 2024.

In this edition of arts24 from the Cannes Film Festival with Eve Jackson, we explore glamorous fashion on and off the red carpet. With dresses and outfits each more stunning than the last. Greta Gerwig in Prada, Cate Blanchett in Jean-Paul Gaultier, Demi Moore in Schiaparelli and Selena Gomez in Saint Laurent are just a few examples. During the festival, the Croisette is transformed into an open-air fashion show. And, as you'll see, the stars aren't the only ones playing the game ... Also on the programme: an apartheid documentary about an unsung hero photographer in "Ernest Cole: Lost and Found", directed and written by Raoul Peck and narrated by US actor and rapper Lakeith Stanfield.

Ep. 244: Cannes 2024 with Alissa Wilkinson: Furiosa, On Becoming a Guinea Fowl, The Invasion, Ghost Trail, Ernest Cole Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 77th edition of the Cannes Film Festival is officially underway, and it's easy to miss films in the scrum of first few days. So I spoke with Alissa Wilkinson of The New York Times about, yes, Furiosa: A Mad Max Saga, but also Ghost Trail (directed by Jonathan Millet) in Critics' Week, On Becoming a Guinea Fowl (Rungano Nyoni) in Un Certain Regard, Sergei Loznitsa's wartime Ukraine documentary The Invasion, and Ernest Cole: Lost and Found, Raoul Peck's look at the photographer and South African exile. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Esta semana falamos dos famosos Papiros de Herculano, carbonizados na erupção do Vesúvio, no ano 79 d.C., e na recente reconstituição da estátua do imperador Constantino, em Roma. Sugestões da semana 1. Exterminate All the Brutes, real. Raoul Peck, 2021, HBO Max, https://www.imdb.com/title/tt8396314 2. Alfredo Cunha (ed) - 25 de Abril de 1974, quinta-feira. Lisboa: Tinta da China, 2023. 3. New York Times: Digital Art Group Reconstructs a 43-Foot Ancient Roman Statue - https://www.nytimes.com/video/world/europe/100000009301852/rome-statue-reconstruction.html 4. Vesuvius Challenge:  https://scrollprize.org ---- Obrigado aos patronos do podcast: Andrea Barbosa, Bruno Ricardo Neves Figueira, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler; Alessandro Averchi, Daniel Murta, Francisco, Hugo Picciochi, João Cancela, João Pedro Tuna Moura Guedes, Jorge Filipe, Manuel Prates, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Vera Costa; Adriana Vazão, André Chambel, Andre Mano, André Marques, André Silva, António Farelo, Carlos Castro, Carlos Martinho, Diogo Freitas, Fernando Esperança, Gn, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, Joel José Ginga, José, José Santos, Luis, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Nuno Carvalho, Nuno Esteves, Pedro L, Pedro Simões, Rúben Marques Freitas, Rui Magalhães, Rui Rodrigues, Simão Ribeiro, Thomas Ferreira, Tiago Matias, Tiago Sequeira, tope steffi. ----- Ouve e gosta do podcast? Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria ----- Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠ A edição de áudio é de Marco António.

James Keys and Tunde Ogunlana take a look at Raoul Peck's 2016 documentary “I Am Not Your Negro,” which features the commentary and work of one of America's intellectual giants, James Baldwin (1:24).  The guys also discuss how stay at home parenting is devalued by America's institutions even though many often suggesting it is good for society (44:39).I Am Not Your Negro (PBS)I Am Not Your Negro (YouTube)The Paradox of Stay-at-Home Parents (The Atlantic) (Apple News Link)

Curator Matthew Barrington marks 220 years since the Haitian Revolution, the only successful slave uprising, unreeling how resistance continues with a series of films, from the first zombie horrors, to contemporary Caribbean and diasporic documentaries. The Caribbean island of Haiti is often reduced to binary representations, of the 18th century Haitian Revolution and its iconic leader, Toussaint Louverture, or environmental disasters, with the earthquake of 2010. But resistance has long been central to Haitian identities and the popular imagination - past and present. Since 1492, when Christopher Columbus arrived on Hispaniola, now Haiti and the Dominican Republic, Spanish, Dutch, English, and French colonists all attempted to ‘settle' the land. The Revolution was the first and only successful uprising of self-liberated slaves against French colonial rule in the island region of Saint-Domingue, a rebellion that still resounds across the islands and diasporas today - whether in the words of Naomi Osaka, or filmmakers like Esery Mondesir, who say ‘we've been screaming Black Lives Matter (#BLM) for over 200 years'. Marking 220 years since the Revolution, and formation of the first independent Black republic on 1 January 1804, Barbican Cinema curator Matthew Barrington shares some of the ways Haiti is depicted on screen. We cover 70 years of films, travelling from ‘exotic' plantations to more everyday scenes, starting with Victor Halperin's White Zombie (1932), which birthed the horror genre. Drawing on Bela Lugosi's portrayal of factory owner Murder Legendre, and own othering, we discuss how such movies often sensationalised local spiritual practices as ‘superstitions', and reinforced racial and gender hierarchies with their Western European-centric gaze. But they can also be read more subversively, in relation to colonialism, as evidence of forced labour, slavery, and capitalist extraction. We find similar tropes in gothic and body horrors, from vampires to killer plants, and connect with post-colonial landscapes across the Caribbean like Cuba. Contemporary filmmakers also grapple with the ‘ghosts' of colonialism and capitalism. Matthew explains how the continued extraction of wealth from the islands, many of which were forced to pay reparations to their former enslavers, has perpetuated political instability, forcing many into exile or to migrate for economic opportunities. He shares classic films by Raoul Peck and Arnold Antonin, connecting with Third Cinema, and more experimental works by award-winning makers like Miryam Charles and Gessica Généus. Exploring the occupation and ongoing intervention by the US, and the dictatorship of Jean-Claude Duvalier in the 1970s and 1980s, we see how the distance of diasporas often creates the conditions for rebellion, protest, and radical community-building today, as well as pluralising perspectives of well-known landscapes, like New York City. Finally, we discuss the importance of art, visual culture, and Carnival in the context of this ongoing underdevelopment and high illiteracy rates in Haiti, and how public institutions like the National Portrait Gallery will mark this vital anniversary. Visions of Haiti ran at the Barbican Cinema in London throughout October 2023. WITH: Matthew Barrington, film curator and researcher. Matthew is the Manager of the Birkbeck Institute for the Moving Image in London, a programmer for the Essay Film Festival and the London Korean Film Festival, and has worked with the Open City Documentary Festival. He is also a curator of cinema at the Barbican Centre, including the series, Visions of Haiti. ART: ‘White Zombie, Victor Halperin (1932) (EMPIRE LINES x Visions of Haiti, Barbican Cinema)'. SOUNDS: ‘White Zombie, Victor Halperin (1932)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

Raoul Peck became known for his filmmaking and fight for racial justice with the released of his Academy Award-nominated film I Am Not Your Negro which attempts to complete James Baldwin's unfinished book about the assassinations of Malcolm X, Martin Luther King, and Medgar Evers. It was followed by another documentary series, Exterminate All the Brutes. In his latest film, Silver Dollar Road, Peck completes his trilogy about the economic injustice Black people face worldwide.Silver Dollar Road closes the circle with a look at a modern-day family's fight to keep the land they purchased soon after the signing of the Emancipation Proclamation. Notes From America Executive Producer, André Robert Lee sits down with Raoul to discuss how he came across the story in his latest film, and why he feels compelled to make these movies today.  Plus, we hear how Assata Shakur Became one of America's most wanted in 1973 when state troopers on the New Jersey Turnpike pulled over her and two members of the Black Liberation Army. Tragically, guns were fired, people were killed, and in the aftermath, a political standoff between Shakur and state law enforcement began. Tell us what you think. Instagram and X (Twitter): @noteswithkai. Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here. Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.   

Raoul Peck is an Oscar nominated filmmaker whose previous life included being Haiti's Minister of Culture. He joins Tavis to talk about his newest film “Silver Dollar Road” which focuses on a shocking case of Black land dispossession in the U.S.

As war rages on between Israel and Hamas, civilians across the region are suffering. We hear an update about the 21-year-old Israeli Adi Meisel, who disappeared after Hamas attacked a music festival. And, we hear from people trapped within Gaza. And, NBC's Sahil Kapur and the Wall Street Journal's Vivian Salama discuss why the leadership crisis in the House GOP deepened this week, and what the political fallout might be from President Biden's trip to Israel this week after the bombing of a hospital in Gaza. Then, director Raoul Peck's new documentary "Silver Dollar Road" centers on one family who had their land taken from them even though several family members live on the property.

Directed by Raoul Peck, SILVER DOLLAR ROAD gives voice to the Reels Family in North Carolina. Having lived in the area of Silver Dollar Road for generations, the Reels have claim to its stunning waterfront property. However, due to complicated legal proceedings, the land is taken away from them by land developers. What follows is a horrifying tale of harassment, unjust imprisonment and legal proceeds that speaks to the toxic soul of the American judicial system. In this 1on1, we speak to Peck about the power of land and how to prevent this in the future.

In this Washington Post Live conversation from Oct. 4, filmmaker Raoul Peck discusses his new documentary, “Silver Dollar Road,” which explores the history of land dispossession of Black homeowners through the story of the Reels family, and explains what drew him to their fight to save their home.

Ep. 204: Toronto 2023 with Mark Asch: The Boy and the Heron, His Three Daughters, Lee, Silver Dollar Road Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This month I went to the Toronto International Film Festival 2023 and recorded a few dispatches for your edification. I sat down with Mark Asch, who was filing for the film journal Little White Lies, and discussed an eclectic selection of movies from the sprawling TIFF lineup. Titles include: Hayao Miyazaki's The Boy and the Heron, Azazel Jacobs's His Three Daughters, Ellen Kuras's Lee (about photographer Lee Miller), and Raoul Peck's Silver Dollar Road. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

The Toronto International Film Festival (September 7 – 17, 2023) is one of the world's top showcases for documentary film. No doubt, numerous films from this year's lineup will be among the most acclaimed and talked about of the Fall awards season and beyond. DOC NYC co-founder Thom Powers, who has been TIFF's Documentary Programmer since 2006, joins Top Docs to discuss this year's selections, trends and standouts. The 2023 lineup includes new films from such renowned filmmakers as Frederick Wiseman, Raoul Peck and Lucy Walker, as well as works by some remarkably talented new voices on the documentary scene. Our Sundance roundup is one of our most popular pods, so we're thrilled to be able to take you on an insider's tour of the TIFF doc lineup with the perfect guide leading the way.   Follow: @thompwers1 on Instagram and @thompwers on twitter @topdocspod on Instagram and twitter   The Presenting Sponsor of "Top Docs" is Netflix.

James Baldwin's work and influence as a writer and activist was profoundly important to the advancement of civil rights in this country. Listen as Aaron and Damien discuss the documentary I Am Not Your Negro (directed by Raoul Peck), which uses James Baldwin's unfinished book Remember This House to explore the history of racism, race relations, and the civil rights movement in the United States through James Baldwin's work and experiences, as well as his personal and professional reflections on three incredible leaders during the civil rights movement—Medgar Evers, Martin Luther King, Jr., and Malcolm X, and what we learn and take away from this incredible film and the life and legacy of James Baldwin for our continued work for social justice and collective liberation. Follow us on social media and visit our website! Instagram, Twitter, Facebook, Website, Leave us a voice message, Merch store