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If you're a fan of You Must Remember This, we think you'll also enjoy Talking Pictures, a podcast from TCM and HBO Max. On this episode, Oscar-nominated actress Rosie Perez sits down with host Ben Mankiewicz to discuss the films that shaped her career—Do the Right Thing and Fearless—as well as early favorites like Saturday Night Fever and Double Indemnity. She reflects on building a career in an industry that didn't readily accept her for who she is, and speaks candidly about being raised in a strict Catholic home for girls. In the Super 8 segment, she tells Ben about an amazing boxing story she'd love to see on the big screen.Listen to Talking Pictures wherever you get your podcasts, or watch on HBO Max To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
What are the greatest space movies of all time? On this episode of The Next Reel, Lance Taylor and Tyler Johns count down their personal Top 5 space-themed movies, debating the sci-fi classics, blockbuster adventures and cinematic experiences that best capture the mystery, danger and spectacle of outer space. Before the countdown, Lance and Tyler recap what they watched over the weekend. Tyler shares his thoughts on the new theatrical Star Wars adventure, Star Wars: The Mandalorian and Grogu, and whether seeing Din Djarin and Grogu on the big screen brings the franchise back to the fundamentals that made it special. He also reviews the horror movie Passenger and explains why its pacing and repeated jump scares missed the mark. Lance discusses Billy Wilder's film noir classic Double Indemnity, revisits the Academy Award-winning Amadeus, and breaks down Hearts of Darkness: A Filmmaker's Apocalypse, the documentary about Francis Ford Coppola's chaotic production of Apocalypse Now. Plus, a harmless night watching Homeland somehow ends with red wine in Maddie's eyes. Then it is time for the main event: Lance and Tyler each reveal their Top 5 movies set in space. Which films made the cut? Which selections caused the biggest debate? And did they agree on the number one space movie ever made? Watch the full countdown and let us know your own Top 5 space movies in the comments. Like this video and subscribe to The Next Round for more episodes of The Next Reel, featuring movie reviews, television reactions, entertainment rankings and pop culture debates with Lance Taylor and Tyler Johns. #TheNextReel #SpaceMovies #SciFiMovies #TheMandalorianAndGrogu #StarWars #MovieRankings #MovieReviews #TheNextRound SUBSCRIBE: @NextRoundLive - / @nextroundlive FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Brooks Carter: /BrooksACarter Sponsor the show: sales@nextroundlive.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Oscar-nominated actress Rosie Perez sits down with host Ben Mankiewicz to discuss the films that shaped her career—Do the Right Thing and Fearless—as well as early favorites like Saturday Night Fever and Double Indemnity. She reflects on building a career in an industry that didn't readily accept her for who she is, and speaks candidly about being raised in a strict Catholic home for girls. In the Super 8 segment, she tells Ben about an amazing boxing story she'd love to see on the big screen. Films Mentioned The Way We Were Do The Right Thing Fearless Criminal Justice The Bells of St. Mary's The Little Princess (Shirley Temple version), 1939 Old Yeller Rosemary's Baby Saturday Night Fever Double Indemnity Cool Hand Luke Some Like It Hot Detour Young Frankenstein Stormy Weather Learn more about your ad choices. Visit podcastchoices.com/adchoices
The Summer of 86 at 40 is a weekly retrospective journey through United States pop culture surrounding the films released in May, June, July and August of 1986. Brandon Peters, Scott Mendelson and Aaron Neuwirth take a weekend by weekend look at the films released as well as the news stories, commercials, television and music that rounded out the general public’s lives as they lined the pockets of the box office to see these movies. May 30 – June 1, 1986: A crazy week that features 4 films that none of us were familiar with going in. From a Chinese tale of heritage to a Double Indemnity parody riff to a semi truck adventure to another Remo Williams whatever adventure…this week really has a variety of blah to offer! Don’t worry – we have thoughts! We’ll also be discussing the box office report, notable news stories, a 1986 commercial, the top 10 Nielsen rated tv programs for the week and the top 10 of Casey Kasem’s American top 40 from the week these films were released. Brandon Peters and the show are on Facebook and social media @brandon4kuhd. Subscribe to the YouTube channel for visual versions as well as 4k, Blu-ray, DVD reviews & additional material. Scott Mendelson is on social media @scottmendelson. Find his work on The Outside Scoop, The Box Office Podcast and Puck News Aaron Neuwirth is on social media @aaronsps4. Find his written work on weliveentertainment.com and podcasting at 2 Black Guys Talk Godzilla (@2blakckguystalkgodzilla) and on Out Now with Aaron & Abe (@outnowpod) Pres Maxson can be followed on social media @presmaxson and his novels are available on Amazon. More information and content available at thebrandonpetersshow.com. Please contact naptownnerd@gmail.com for any inquiries or opportunities.
This was Maddy Ziegler's second NYTimes crossword. Her first appeared on Saturday, so it will very interesting to see on what day her third (which, based on her second, we are sure is going to appear sooner or later) pops up. With absolutely no insider information, we're betting on another Saturday. This was a pleasing Friday crossword — no theme to bedazzle, all the clues had to pull their weight, and they did so here. We had a debut at 31D, Dangerous ocean phenomenon, ROGUEWAVE; a blast from the past at 33A, MacMurray of "Double Indemnity", FRED; and the second time in 2 days that we've seen the answer to 13D, "I can't believe that price" bargain, STEAL.All in all, this was a fine puzzle: we give it a full 5 squares on the JAMCR scale.Show note imagery: Ah, the ol' Chevrolet 490: yours for the low, low price of $490
“BESS FLOWERS & FRANKLYN FARNUM: QUEEN & KING OF THE EXTRAS” - 4/13/2026 (135) Actors BESS FLOWERS and FRANKLYN FARNUM were absolute legends of the “blink and you'll miss them” world. They weren't headliners — in fact, they often were not credited or even noticed, but honestly, that's what makes them so fascinating—their careers quietly stitched together the fabric of classic cinema. They were Extras. Without them and other extras like them, all those iconic movie moments would feel a lot less alive. Their careers spanned decades and thousands of films. They became, in their own way, silent witnesses to the evolution of Hollywood from the silent era through the golden age and into the modern period. So this week, we're going to explore the lives and careers of BESS FLOWERS and FRANKLYN FARNUM, examining not only their astonishing productivity but also their unique roles within the Hollywood system. By looking closely at the films in which they can best be seen, we gain a deeper appreciation for their contributions and the overlooked artistry of background performers. SHOW NOTES: Sources: “This Actor Was in the Most Best Picture Winners over 1,100 Films, March 5, 2024, by Lloyd Farley, Collider.com; “Queen of the Extras: The Bess Flowers Story,” January 24, 2018, Neatora.com; “20 Feet From Movie Stardom: The Overlooked Story of Hollywood's Greatest Extra,” February 20, 2014, by Scott Feinberg, Vanity Fair; “Scales of Presence: Bess Flowers and the Hollywood Extra,” 2011, by Will Straw, Screen magazine; “Franklyn Farnum Actor, Dies,” July 6, 1961, New York Times; Wikipedia.com Playbill.com TCM.com; IBDB.com; IMDBPro.com; Oscars.org; Movies Mentioned: All About Eve (1950) The Awful Truth (1937) Torch Song (1953) The Life of Emile Zola (1936) Going My Way (1944) The Lost Weekend (1945) Gentleman's Agreement (1947) The Greatest Show On Earth (1952) Around the World in 80 Days (1956) The Apartment (1960) Hollywood (1923) A Woman of Paris (1923) A Stranger From Somewhere (1916) The Clock (1917) The Fighting Grin (1918) The Desert Rat (1919) Vanishing Trails (1920) Billy The Kid (1925) Cleopatra (1934) Hands Across The Border (1926) Laddie (1926) Glenister of the Mounted (1926) The Jazz Singer (1927) The Blue Angel (1930) Gold Diggers of 1935 (1935) Hop-A -ong Cassidy (1935) The Adventures of Robin Hood (1938) Gone With the Wind (1939) Mr. Smith Goes to Washington (1939) Stagecoach (1939) The Lady Eve (1941) Meet John Doe (1941) My Darling Clementine (1946) I Remember Mama (1948) A Letter to Three Wives (1949) The Heiress (1949) White Christmas (1954) Guys and Dolls (1955) The Ten Commandments (1956) Grand Hotel (1932) Dinner at Eight (1933) It Happened One Night (1934) The Thin Man (1934) The Wizard of Oz (1939) Double Indemnity (1944) It's a Wonderful Life (1946) A Place in the Sun (1951) Singin' in the Rain (1952) Rear Window (1954) Imitation of Life (1959) The Parent Trap (1961) 4(1998) --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of The Movies Made Us Do It, Durs and Matt review Billy Wilder's Double Indemnity (1944). Find links to all of our shows here: linktr.ee/dursproductions #doubleindemnity #billywilder #FredMacMurray #BarbaraStanwyck #Netflix #AmazonPrimeVideo #MovieReview #FilmPodcast #MoviePodcast #DursProductions #dursproductionspodcasts
On the heels of last episode's Double Indemnity (1944), Film Generations examines the 1981 film noir Body Heat, an update of the genre for the then youthful baby boom generation. This was the directorial debut of writer/director Lawrence Kasdan, an unknown who leapt into prominence when he co-wrote The Empire Strikes Back (now Star Wars V) and Raiders of the Lost Ark in the same year. Among Body Heat's era-appropriate updates to film noir are explicit sexuality, a liberated femme fatale and buckets of body sweat, all in living color. This approach turned heads in in 1981 but does it get a rise from a young generation in 2026? Find out as our panel reveals all, only on Film Generations. Hosts: Mark Netter & David Tausik Panelists: Guy Lewis, Olive Goldberg & Sonia Howell An ElectraCast Production Wikipedia: https://en.wikipedia.org/wiki/Body_Heat IMDB: https://www.imdb.com/title/tt0082089/ Rotten Tomatoes: https://www.rottentomatoes.com/m/1002830-body_heat Roger Ebert: https://www.rogerebert.com/reviews/great-movie-body-heat-1981 Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on Screentime John Fardy talks to legendary actress Mischa Barton about starring in a new stage adaptation of 'Double Indemnity' at The Gaiety. Actress Danielle Galligan joins John to talk about her role in the new Irish drama 'Spilt Milk'. Niamh O'Reilly reviews all the new cinema releases. Plus, Henry McKean on surviving the Oscars.
Nosferatu Zikloaren barne dauden Five Graves to Cairo eta Double Indemnity pelikulak hobeto ezagutu ditugu Josemi Beltranen eskutik, Donostia Kulturako Zinema Saileko zuzendariaren eskutik.---Hemos conocido mejor las películas Five Graves to Cairo y Double Indemnity, filmes que se encuentran dentro del Ciclo Nosferatu. Nos ha hablado de ellas Josemi Beltrán, director del área de cine de Donostia Kultura.
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Episode 107 - Double Indemnity - We saw this production at Nottingham Theatre Royal on 13 February 2026 Below is more detail about the production, the production is on tour until May 2026 so there is still chance to catch it if you want to. https://www.doubleindemnityplay.co.uk/ Follow us Instagram, Facebook and Twitter @upstagedownstagepod
Double Indemnity, as much as any other movie, invented the film noir genre and is possibly the most imitated, spoofed and remade classic of all time. Yet, on re-watching it, we as hosts were truly surprised: Double Indemnity defies expectations, and as much as being a template for the Film Noir genre it helped birth, it is also a template for the singularly witty and cynical voice of the great Billy Wilder. Wilder's record-breaking writer/director career defied genre expectations with satiric comedies, ground-breaking dramas and films like The Apartment that walk a tightrope between the two. With Double Indemnity, he took a lurid news story about a homicidal wife and, with screenwriter Raymond Chandler, turned it into a taboo-crossing tale of sex and betrayal that spotlights darkest Los Angeles while casting shade on modern American life. Do these qualities pierce through eight decades of parody, imitation and meme? To judge by our young panel's responses, the answer is both yes and no. Hear for yourself if and how this 20th century classic survives 21st century perception. Hosts: Mark Netter, David Tausik Panelists: Guy Lewis, Olive Goldberg, Sonia Howell, Brennan Guntang An ElectraCast Production Wikipedia: https://en.wikipedia.org/wiki/Double_Indemnity IMDB: https://www.imdb.com/title/tt0036775/ Rotten Tomatoes: https://www.rottentomatoes.com/m/double_indemnity Original Trailer: https://www.youtube.com/watch?v=yKrrAa2o9Eg Learn more about your ad choices. Visit megaphone.fm/adchoices
Presenting the Lux Radio Theater production of "Double Indemnity" aired on Oct 30, 1950. Please support these shows with your donation today, thank you. https://mpir-otr.com/sponsors-donations
Do you have a favorite Super Bowl commercial? Andy loves “whazzuuup!” plus any Budweiser commercial. Is every man you know a low-T soy boy? There may be a reason for that — it’s all thanks to the testosterone influencer. Andy discusses bias in the media, particularly with outlets like the LA Times. Andy took part in a KTLA Super Bowl-themed relay race earlier today, and it did not go well for our resident soy boy. Here are some of the 101 best movies set in LA according to the list: 101. Babylon 50. To Live and Die in LA 34. A Star is Born 35. La La Land 32. Training Day 16. The Player 12. Once Upon a Time in Hollywood 52. Rebel Without a Cause 38. Licorice Pizza 33. Drive. Heat is at No. 14, while Once Upon a Time in Hollywood nearly cracks the top 10. Double Indemnity is No. 9 Singing in the Rain at No. 8. Boogie Nights is in the top 10 as well! No. 3 is Sunset Boulevard, and No. 2 is Mulholland Drive. So, what’s No. 1? From 1974, it’s Chinatown.See omnystudio.com/listener for privacy information.
This week, I discuss the most well-known and reviled femme fatale in film history: Phyllis Dietrichson, played by one of the most respected and beloved actresses in American film: Barbara Stanwyck. This episode was originally aired as part of my American Trash and National Treasures series. The video version is in reverence to the Double Indemnity house and in celebration of my upcoming move near it. The 1944 film noir Double Indemnity is one of the shiniest, most monied film noirs produced in its time. The film is based on James M. Cain's book of the same name. The story itself is inspired by a true crime that is so American it smells like apple pie and fresh blood. This and every episode of Window Dressing is written, performed, researched, costumed, styled, and filmed by Madelaine Jane Auble
Our website - www.perksofbeingabooklover.com. Instagram - @perksofbeingabookloverpod Facebook - Perks of Being a Book Lover. To send us a message go to our website and click the Contact button. You can find Christina Henry at christinahenry.net or on IG @authorchristinahenry In this week's episode, our focus is on houses that are so important to a story that they essentially become a character. When we started thinking about this idea, we realized that Chicago writer Christina Henry would be a perfect guest because her last two novels are focused on houses. Her most recent is titled The Place Where They Buried Your Heart and is about a neighborhood house that lures people in, causing heartache for neighbors as well as a sense of family among a handful of them. Prior to this novel, Christina wrote The House That Horror Built. We talk to Christina about the importance of houses in her stories and how a house can straddle setting and character. In our book rec section, we continue the house idea with a range of titles in which houses are critically important—-we've got a memoir, a National Book Award winner, children's fantasy, classic literature, and propulsive literary fiction. Books Mentioned in this Episode: 1- The Place Where They Buried Your Heart by Christina Henry 2- The House That Horror Built by Christina Henry 3- Howards End by E.M. Forster 3- War and Peace by Leo Tolstoy 3- Viewfinder: A Memoir of Seeing and Being Seen by Jon M. Chu 4- Double Indemnity by James Cain 5- From the Moment They Met It Was Murder: Double Indemnity and the Rise of Film Noir by Alain Silver and James Ursini 6- Out by Natsuo Kirino 7- Convenience Store Woman by Sayaka Murata 8- Earthlings by Sayaka Murata 9- The Mantis by Kotaro Osaka 10- Three Assasins by Kotaro Osaka 11- Bullet Train by Kotaro Osaka 12- The Night Guest by Hildur Knútsdóttir 13- Night Shift by Alex Finlay 14- A Five Star Read by Fellow Book Lover Kris Wyatt @froggyreadteach - The Labors of Hercules Beal by Gary D. Schmidt 15- Cabin: Off the Grid Adventures with a Clueless Craftsman by Patrick Hutchison 16- House of Sand and Fog by Andre Dubus III 17- The Yellow House by Sarah M. Broom 18- Howl's Moving Castle by Diana Wynne Jones 19- The House with the Clock in it's Walls by John Bellairs 20- Behind the Waterline by Kionna Walker LeMalle 21- The Haunting of Hill House by Shirley Jackson 22- Rebecca by Daphne duMaurier Media Mentioned: 1- If I Had Legs I'd Kick You (2025) 2- Platonic (Apple +, 2023 - present) 3- Train Dreams (2025) 4- The Studio (Apple +, 2025) 5- Howards End (1992) 6- Howl's Moving Castle (2004) 7- The House with the Clock in it's Walls (2018) 8- House of Sand and Fog (2003) 9- LibroVox app for free audiobooks of books in the public domain 10- Whitehall House and Gardens Book Club - https://www.historicwhitehall.org/whitehall-book-club
How does Film Noir show us terrible people doing terrible things without endorsing it? Mel and Chas continue to explore what Noir (the genre) can teach writers of all other genres. In particular: how to keep the audience on side of characters doing reprehensible things how to control your audience understanding of those reprehensible actions distinguishing between characters undergoing transformative arcs against discovering their true natures In finding the common craft tools of Noir over 100 years, this Part 2 looks at two modern noirs - DEVIL IN A BLUE DRESS (1995) and WOMAN OF THE HOUR (2024) - after Part 1 looked at the classic DOUBLE INDEMNITY and THE LONG GOODBYE. As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes. Despite Chas claiming to have edited this episode it was, in fact, Chris Walker who saved the day and got this done. Thanks Chris. CHAPTERS 00:00:00 - Using noir as a lens 00:01:56 - DEVIL IN A BLUE DRESS 00:31:33 - WOMAN OF THE HOUR 01:04:30 - Key Learnings 01:08:50 - Thank you Patreons! LINKS Shot Zero on the noir-set of noir shots in WOMAN OF THE HOUR RELATED EPISODES DZ-123: Flawed characters & noir DZ-03: Making unlikeable protagonists compelling DZ-110: Voiceover More Draft Zero is brought to you more often by our awesome Patreons. Especially Lily, Paulo, Alexandre, Malay, Jennifer, Thomas, Randy, Jesse, Sandra, Theis, and Khrob. Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.
⭐Seven More Barbara Stanwyck Movies to Watch Now Vol. 2⭐ Seven Barbara Stanwyck Movies to Watch Now! Volume 1 - https://youtu.be/ALaV43NjBek
Character actor extraordinaire Edmond O'Brien's insurance investigator is actually the focus in Robert Siodmak's The Killers, but Burt Lancaster is quite powerful in his big-screen debut. And then there's the stunning Ava Gardner as the devious femme fatale. The entire cast is solid, the story is layered in its flashback structure (which is similar to Citizen Kane), plus, the main insurance-claim storyline is similar to what happens in Double Indemnity. And it all works really well. So steal money from your fellow thieves as the 712th podcast on Have You Ever Seen looks at the sinister intrigue and sudden violence in The Killers. Well, Actually: at the 41:00 minute mark, the line should have been "co-starring a WOMAN who doesn't love the main character." Be a bright boy and smart off to me with an email: haveyoueverseenpodcast@gmail.com. Or try social media with Twi-X (@moviefiend51) or Bluesky (ryan-ellis). Review this show and rate it on your app. Subscribe as well. And look me up on Letterboxd: RyanHYES.
What a movie! Dave was joined by Actress Mischa Barton to chat about her upcoming stage production of ‘Double Indemnity' which is coming to the Gaiety Theatre in March.
Awesome actor Mischa Barton tells us all about making her UK stage debut in new touring play Double Indemnity.Amazing actor Jack O'Connell spills the beans on starring in 28 Years Later: The Bone Temple.Join Chris and the Class Behind The Glass live from the rock n roll tower every morning from 0630 - don't forget you can watch all the stars live on the FREE Virgin Radio UK app. Hosted on Acast. See acast.com/privacy for more information.
This week, we discuss the creme de la creme of film noir, Billy Wilder's Double Indemnity, which perfected the genre's dark style and biting dialogue and put Wilder firmly on the A-list.SPOILER ALERT We will be talking about this movie in its entirety, including the details of the central murder plot and its ultimate resolution. If you plan on watching it, we strongly suggest you do so before listening to our takes.A Paramount Pictures production. Released on September 1, 1944. Directed by Billy Wilder. Screenplay by Billy Wilder and Raymond Chandler, based on the 1943 novel by James M. Cain. Starring Fred MacMurray, Barbara Stanwyck, and Edward G. Robinson. Cinematography by John F. Seitz. Edited by Doane Harrison. Music by Miklós Rózsa.
What can Film Noir teach us about character arcs and audience engagement? In this two part series, Mel and Chas use Noir (the genre) as a lens to interrogate flawed characters. How can characters doing reprehensible things still engage audiences? How can you ensure representation isn't endorsement? And whether these characters undergo transformative arcs, or simply reveal their true natures? Part 1 focuses on two (now classic) noirs: DOUBLE INDEMNITY and THE LONG GOODBYE. While Part 2 looks at two more contemporary examples DEVIL IN A BLUE DRESs and WOMAN OF THE HOUR. As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes. CHAPTERS 00:00:00 - Cold Open 00:00:17 - Flawed Characters and Noir 00:16:40 - Double Indemnity 00:53:38 - The Long Goodbye 01:21:15 - End of Part 1 LINKS Mel's A Brief History of Queer Coding in Film: Part 1 - https://melkillingsworth.substack.com/p/a-brief-history-of-queer-coding-in-film-part-1 More Draft Zero is brought to you more often by our awesome Patreons. Especially Lily, Paulo, Alexandre, Malay, Jennifer, Thomas, Randy, Jesse, Sandra, Theis, and Khrob. Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.
EPISODE 120 - “REEL REFLECTIONS: STEVE & NAN'S FAVES IN CLASSIC CINEMA” - 12/29/25 As we say goodbye to 2025, Steve and Nan are wrapping up the year and ringing in the new one with much refection. In this fun episode, join the discussion as they talk about some of their favorite films, movie stars, and directors in a series of fun lists. Get to know our intrepid hosts better and find out just who they think was the Best Villain or Best Screen Kiss or Most Beautiful Actress in the golden era of Hollywood. Steve, Nan, Lindsay, and J.P. also want to thank you all for the steadfast support and kindness throughout the year. May 2026 bring great things to all of you beautiful listeners out there! SHOW NOTES: Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Ladies of Leisure (1930); Platinum Blonde (1931); Lady for a Day (1933); Alice Adams (1935); Stella Dallas (1936); My Man Godfrey (1936); These Three (1936); Dodsworth (1936); Come and Get It (1936); Mr. Deed Goes to Town (1936); The Awful Truth (1937); Night Must Fall (1937); Stella Dallas (1937); The Adventures of Robin Hood (1938); You Can't Take It With You (1938); Jezebel (1938); Love Affair (1939); Mr. Smith Goes to Washington (1939); Wuthering Heights (1939); Dark Victory (1939); The Return of Frank James (1940); The Letter (1940); Citizen Kane (1941); Penny Serenade (1941); Suspicion (1941); Western Union (1941); Meet John Doe (1941); The Little Foxes (1941); Mrs. Miniver (1942); Casablanca (1942); Now, Voyager (1942); Talk of the Town (1942); The Spider Woman (1943); Double Indemnity (1944); Going My Way (1944); The Woman in the Window (1944); Phantom Lady (1944); Christmas Holiday (1944); Ministry of Fear (1944); Woman In the Window (1944); Arsenic & Old Lace (1944); The Bells of St. Mary's (1945); Brief Encounter (1945); Leave Her to Heaven (1945); Mildred Pierce (1945); Our Vines Have Tender Grapes (1945); The Great Flamarion (1945); Two O'Clock Courage (1945); The Strange Affair of Uncle Harry (1945); Scarlet Street (1945); The Spiral Staircase (1946); It's a Wonderful Life (1946); Notorious (1946); Gilda (1946); The Best Years of Our Lives (1946); Kiss of Death (1947); The Bishop's Wife (1947); T-Men (1947); Nightmare Alley (1947); I Remember Mama (1948); Raw Deal (1948); Cry of the City (1948); They Live By Night (1948); Come to the Stable (1949); Criss Cross (1949); The Heiress (1949); White Heat (1949); Sunset Boulevard (1950); Harvey (1950); Side Street (1950); Winchester '73 (1950); The File on Thelma Jordan (1950); A Place in the Sun (1951); Clash By Night (1952); In a Lonely Place (1953); From Here to Eternity (1953); The Big Heat (1953); Shane (1953); The Clown (1950); White Christmas (1954); A Star Is Born (1954); The Night of the Hunter (1955); The Man From Laramie (1955); A Face in the Crowd (1957); An Affair to Remember (1957); The Tin Star (1957); Giant (1956); Elmer Gantry (1960); Splendor In the Grass (1961); The Manchurian Candidate (1962); Take Her, She's Mine (1963); The Sound of Music (1965); The Singing Nun (1966); Who's Afraid of Virginia Woolf? (1966); Once Upon a Time in the West (1968); The Way We Were (1973); The Godfather Part II (1974); Ordinary People (1980); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Vincent Van Gogh cut off his left ear 138 years ago today...The poetry in the screenplay for Double Indemnity...Two more girls charge Russell Brand with rape...Is Jeffrey Epstein's letter to sexual molester Larry Nassar real? And how it implicates President Trump.https://mydeals.page/q7j8
PROJECT AUDION 76: The Bob Hope Pepsodent Show Bob Hope was one of the 20th century's greatest and most famous entertainers: in vaudeville and movies, and especially his radio (and later TV) comedies, so often performed in front of appreciative US servicemen, kept America smiling for better than six decades. He became an icon of American humor, and it is a special challenge indeed to bring the Hope style back to life. But now Project Audion premieres a "new" 1940s-era Bob Hope radio show -- thanks to the pen of former Hope writer Robert L. Mills, the vocal wizardry of Bill Johnson, and Project Audion's versatile voice actors. In this new Christmas creation, Bob's guest star is Lana Turner, who joins him to spoof the classic movie "Double Indemnity." It's a show guaranteed to make you smile! Our Cast: Bill Johnson in Nevada Stephanie Johnson in Virginia Les Marsden in California Jacob Palka In Illinois Bethany Baldwin in South Carolina Dane Allred in Utah The show was written by Bob Mills in California and produced and directed by Larry Groebe from Texas
Happy holidays! On the fifty- fourth episode of ATFT, film historian/ author/ lecturer Max Alvarez is back to join me in analyzing Billy Wilder's 1960 comedy- drama masterpiece, The Apartment! This episode is spoiler- filled. The Apartment has been described by many as one of the greatest of all time, film- wise, and is regarded as the peak of Billy Wilder who had been making a string of masterpieces starting with Double Indemnity (1944), which was the focus of the previous episode. The Apartment revolves around C.C. Baxter (Jack Lemmon), a people- pleasing insurance agent, who is taken advantage of by his bosses most nights after work as they occupy his apartment to spend time with their mistresses. All the while, Baxter has a crush on the “best elevator girl in the building” Fran Kubelik (Shirley MacLaine) whose mind is elsewhere, specifically on her married ex, and C.C.'s big boss, Jeff D. Sheldrake (Fred MacMurray). When Sheldrake begins to get in on the action to use Baxter's apartment to be with Fran, the film takes a dramatic turn on the night before Christmas. The Apartment went on to win five out of the ten Oscar categories, including Best Picture. This is one of my favorite films and it has become a tradition of mine to watch the film on Christmas night, after Fanny and Alexander. Max will be leading a Q&A after a screening of Robert Wise's 1958 noir film Odds Against Tomorrow at New Plaza Cinema in NYC on Sunday, December 21 at 12:15 pm where he'll be joined by Dan Cahill and, a special guest, Harry Belefonte's widow Pamela will be in attendance. Get your tickets now by clicking here! You can also watch previous Talk Back lectures led by Max, including one on The Apartment, on that same website or on the New Plaza Cinema YouTube channel. Max also gives the occasional online lecture at the Smithsonian Institute. His most recent lecture was focused on Burt Lancaster but click here to learn of Max's upcoming lectures. Before we closed out the episode, Max shared an update on his directorial feature film debut Noirfilm which is expected to be in post- production this Spring! This is Max's third appearance on ATFT! His most recent appearance was last year to celebrate the 50th anniversary of Chinatown with an analytical discussion, but my interview with Max was actually the first wide- released episode of the show! I had been wanting to record another episode with Max this year and I actually asked him to join a prior analytical episode but I was surprised to learn he wasn't a big fan of the film. With all the technical difficulties this year, this episode came together pretty quickly but I'm thrilled with the result because I believe this is one of the best episodes of the year. I'm thrilled to end another year of All the Film Things by discussing this film I hold so dear with Max. This episode was recorded on December 4, 2025. In this episode, Max and I talk about how The Apartment anticipates the New Hollywood era, the tightrope Wilder walks between comedy and drama, and the significance of setting the film around the holiday season. While Max recounts his experience attending a screening of the film with Billy Wilder, Fred MacMurray, and I.A.L Diamond in attendance, I take any chance I get to boast about Shirley MacLaine's tremendous performance as Fran Kubelik. All this and much more on the latest episode of All the Film Things!Music credit: Rudolph by Lukrembo | https://soundcloud.com/lukrembo Free To Use | https://freetouse.com/music Music promoted by https://www.free-stock-music.com
Send us a textOur Noirvember pod on The Big Sleep had me ooohhhing and aaahhhing about the talent that brought the film to life in front of and behind the camera. As we enter the classic period of noir in America, we're going to look at a film that has some of the most impactful and prolific noir actors ever assembled, with just as talented a production team as in Sleep. For your holiday enjoyment by the crackling fire, we bring you the noir based on a very short Ernest Hemingway story, 1946's The Killers from Universal. Historically, we've liked to propose that, if you want to introduce a friend to film noir in a short sitting, you'd put them in a comfortable chair, roll Double Indemnity from 1944, allow them to stretch afterwards, perhaps all “go out to the lobby,” then give them a shot of Bob Mitchum playing Bob Mitchum in 1947's Out Of The Past. But if you wanted to show them a noir that has maximum acting talent at every level, so much so that it seems almost wasteful, you'd have to delight them with a triple feature and run The Killers. Website and blog: www.thosewonderfulpeople.comIG: @thosewonderfulpeopleTwitter: @FilmsInTheDark
Project Audion is back with Bob Hope who was one of the 20th century's greatest entertainers: in vaudeville and movies, and especially his radio (and later TV) comedies, so often performed in front of appreciative US servicemen, kept America smiling for better than six decades. He became an icon of American humor, and it is a special task to bring the Hope style back to life. But now Project Audion premieres a "new" 1940s-era Bob Hope radio show, thanks to the pen of former Hope writer Robert L. Mills, the vocal wizardry of Bill Johnson, and Project Audion's versatile voice actors. In this new Christmas creation, Bob's guest star is Lana Turner, who joins him to spoof the classic movie "Double Indemnity." It's a show to make you smile! Learn more about your ad choices. Visit megaphone.fm/adchoices
Project Audion is back with Bob Hope who was one of the 20th century's greatest entertainers: in vaudeville and movies, and especially his radio (and later TV) comedies, so often performed in front of appreciative US servicemen, kept America smiling for better than six decades. He became an icon of American humor, and it is a special task to bring the Hope style back to life. But now Project Audion premieres a "new" 1940s-era Bob Hope radio show, thanks to the pen of former Hope writer Robert L. Mills, the vocal wizardry of Bill Johnson, and Project Audion's versatile voice actors. In this new Christmas creation, Bob's guest star is Lana Turner, who joins him to spoof the classic movie "Double Indemnity." It's a show to make you smile! Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Cracking the Code of Spy Movies, Dan and Tom uncover the hidden history of pre-title sequences long before James Bond ever ordered a martini. We look at pre-title sequences – before James Bond and Beyond. Although the 007 franchise made the pre-title or "cold open" world-famous, it certainly didn't invent the idea. Today, we take you on a deep, cinematic journey exploring when pre-title sequences really began, how filmmakers used them, and why they evolved into one of the most iconic elements of modern filmmaking. What we examine: We break down pre-title sequences starting in the 1930s through more modern movies, including film noir innovations, experimental openings from classic Hollywood, and surprising influences that shaped the James Bond formula. You'll hear examples from Double Indemnity, The Killers, D.O.A., The Great Train Robbery, Citizen Kane, Casablanca, North by Northwest, Psycho, and more. We even examine the fascinating proto-Bond styles found in Viennese Nights (1930), The Public Enemy, King Kong, and other early films that used storytelling before the title card. Then we explore how EON Productions transformed the cold open into a cinematic event. Starting with From Russia with Love (1963), the Bond franchise turned the pre-title sequence into a mini-story before the story, complete with action, intrigue, a fake-out death, and a seamless transition into the iconic Bond title design. Movies like Goldfinger perfected the formula, cementing the expectation that every Bond film begins with a thrilling pre-title mission. We also identify earlier cinematic influences on the Bond gun-barrel sequence. This includes the 1934 film Crime Without Passion and the legendary ending of The Great Train Robbery. Finally, we look at how James Bond's success inspired other genres such as action, horror, and thrillers. We even look at television shows like Mission: Impossible and The X-Files. This is to demonstrate how these shows and movies embrace the cold open as a storytelling weapon. If you love movie history, spy films, James Bond, or filmmaking craft, this episode is packed with insights, references, and fun analysis. Tell us what you think about our decoding of pre-title sequences – before James Bond and beyond? Did you already know this history? Did we miss anything? Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com. The more we hear from you, the better the show will surely be! We'll give you a shout-out in a future episode! You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well. Episode Webpage: https://bit.ly/49PVHSE
Register your feedback here. Always good to hear from you!Trust is a rare commodity these days -- earned slowly, lost quickly. Christians should thank God we have One worthy of trust, and a host of others trying their best. This week we'll discuss the trustworthy One and the untrustworthy alternatives; the danger in picking the wrong partner when committing a felony; a staple of trust-building in the corporate world that people don't actually trust; and the difference between a team with a great player and a team. Check out Hal on YouTube at https://www.youtube.com/@halhammons9705Hal Hammons serves as preacher and shepherd for the Lakewoods Drive church of Christ in Georgetown, Texas. He is the host of the Citizen of Heaven podcast. You are encouraged to seek him and the Lakewoods Drive church through Facebook and other social media. Lakewoods Drive is an autonomous group of Christians dedicated to praising God, teaching the gospel to all who will hear, training Christians in righteousness, and serving our God and one another faithfully. We believe the Bible is God's word, that Jesus died on the cross for our sins, that heaven is our home, and that we have work to do here while we wait. Regular topics of discussion and conversation include: Christians, Jesus, obedience, faith, grace, baptism, New Testament, Old Testament, authority, gospel, fellowship, justice, mercy, faithfulness, forgiveness, Twenty Pages a Week, Bible reading, heaven, hell, virtues, character, denominations, submission, service, character, COVID-19, assembly, Lord's Supper, online, social media, YouTube, Facebook.
After you hear Fred MacMurray and Barbara Stanwyck recreate their famous roles on The Lux Radio Theatre, enjoy this bit of "what if" alternate Hollywood casting of the film. Burt Lancaster, Joan Bennett, and Myron McCormick play Walter Neff, Phyllis Dietrichson, and Barton Keyes in an adaptation of Double Indemnity from The Ford Theater (originally aired on CBS on October 15, 1948).
"Noirvember" draws to a close with the cast of Double Indemnity - Billy Wilder's genre-defining adaptation of James M. Cain's novel. It's a twisted tale of greed, lust, and revenge with Fred MacMurray, Barbara Stanwyck, and Edward G. Robinson, and we'll hear each of them in an old time radio thriller courtesy of Suspense. Robinson invents a spouse to get ahead at work with unexpected results in "My Wife Geraldine" (originally aired on CBS on March 1, 1945). Ms. Stanwyck is a tough dame whose connection to a murder puts her own life in danger in "The Wages of Sin" (originally aired on CBS on October 19, 1950). And MacMurray is a jazz player in a Prohibition-era tale of the mob and murder - "The Windy City Six" (originally aired on CBS on February 8, 1951). Then, Fred MacMurray and Barbara Stanwyck recreate their film roles in a production of The Lux Radio Theatre (originally aired on CBS on October 30, 1950).
Nudevember is coming to an end for this year, Grinders. Thank you for joining us. But Shaun brought in a Wachowski first. First film, that is. Starring Jennifer Tilly, Gina Gershon and Joe Pantoliano, “Bound” takes us on a noir style gangster heist that some have described a gender swapped “Double Indemnity.” Ryan. Ryan is the “some” that described it like that.If you enjoyed this, head on over to our patreon found in our linktree to find our bonus weekly episodes. (Also our Discord link, because why aren't you there?) linktr.ee/experiencegrind
Before heading into the Holiday season, Noir November could not be ignored. For the first time, Nick & Bella celebrate Noir November with three unforgettable, game-changing classics. We start with the Humphrey Bogart-led masterpiece and the catalyst for the Film Noir movement, 1941's The Maltese Falcon. Second, Billy Wilder's bleak, twisted, and sultry classic Double Indemnity. Finally, Alfred Hitchcock dipped his toes in the Noir lore with the wildly unnerving Strangers on a Train. Nick and Bella also dive into the debate of whether Film Noir is a genre or a style. Let us know what you think of these films, and let us know what your favorite Film Noir movie is. ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.
Happy Noirvember! On the fifty- third episode of ATFT, the Director of Communications for the Film Noir Foundation, Anne Hockens, joins me in analyzing Billy Wilder's 1944 film noir classic, Double Indemnity! This episode is spoiler- filled. Double Indemnity, according to Anne's friend and the president of the Film Noir Foundation Eddie Muller, marked the beginning of the film noir movement. The film revolves around Walter Neff (Fred MacMurray), an insurance salesman, who one day meets Mrs. Phyllis Dietrichson (Barbara Stanwyck), the wife of a customer, in attempt to renew a policy. Their attraction is clear from the moment they first lay eyes on each other and grows stronger with each meeting. When Phyllis suggests she would like her husband dead, they plan “the perfect murder” with the intention of collecting as much money as possible through the "double indemnity" clause in Mr. Dietrichson's insurance policy, unbeknownst to him, but they have to get past Neff's intuitive and deeply analytical boss Barton Keyes (Edward G. Robinson) to pull it off. Double Indemnity is regarded by many still to this day as one of, if not the best film, within the noir genre. The Film Noir Foundation's 23rd annual Noir City Film Festival will take place in Oakland, California from January 16- 25. Over this week, 24 films will be screened but those titles won't be announced until the night of Noir Christmas which will take place in Oakland on December 17. Get your Noir Christmas tickets by clicking here! Individual tickets for the Noir City festival go on sale that night but you can get your Noir City pass by going to NoirCity.com. We talk extensively about the Film Noir Foundation towards the end of the episode so be sure to listen to the episode all the way through to learn more about all that's going on with the foundation from upcoming Noir City film festivals to their monthly magazine to their biweekly podcast Ask Eddie, with Anne and Eddie Muller, by going to their Facebook page, YouTube channel, and FilmNoirFoundation.org. In this episode, Anne and I talk about the techniques and noir tropes Double Indemnity introduces to the noir genre and cinema that continue to be utilized today, if Walter and Phyllis really loved each other, and why “tell” rather than “show” works to this film's advantage! Since this conversation marked the first time Anne and I have conversed, this episode does contain several tangents on topics such as other noir films, the danger of nitrate prints, and film sites Anne sees on a daily basis living in San Francisco. All this and more on the new episode of All the Film Things!Interested in listening to more film noir- focused episodes to celebrate Noirvember? Check out:Episode 2: The Wrong Man with Emmy- winning photojournalist Cole Echevarria Episode 8: Elevator to the Gallows with podcaster Cristina SantiagoEpisode 22: Chinatown with film historian/ author/ lecturer Max Alvarez Episode 31 : Le Samouraï with movie critic Matthieu CôtéMusic credit: Noire #1 by Music By Pedro https://goo.gl/sJT2e8 Promoted by MrSnooze • Film Noir Background Music for Videos...
With only his third film as director, Billy Wilder made an all-time classic: “Double Indemnity.” But it wasn't easy. He had to do it without his writing partner, Charles Brackett. And he had to overcome the film censors who declared James M. Cain's novel unfilmable. We're upping our Patreon in a major way for Season 2, so be sure to join today! Patreon.com/TheFilmographersPodcast Social media Instagram @thefilmographers Bluesky @thefilmographers.bsky.social Letterboxd @filmographers YouTube @TheFilmographersPodcast Website https://filmographerspodcast.com/ Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design
Send us a textThis week we enter the gritty, black and white world of film noir with one of the greatest examples of the genre, “Double Indemnity.” Premiering in 1944, directed by Billy Wilder, and starring Fred MacMurray, Barbara Stanwyk and Edward G Robinson, this is a tale of adultery, murder, corruption, greed and …. an insurance scam. We also welcome back guest host Brian, who joined us previously in our “Cocaine Bear” episode. So join us, won't you? We'll see this through to the end…. you and us, baby…. straight down the line.
Ace in the Hole (1951), The Bitter Stems (1956), & Palmetto (1998)ALL MOVIES SPOILEDIn this film block, Andy Buigues and Alex Vlahov, the curator of OnlyFilmNoir, take Jeremy on a sweaty journey through some of the hottest film noirs.Follow Alex here:InstagramHard TimesFurther reading:The Confidence Game by Maria Konnikova Where to watch:Be Kind Video (Burbank)Vidéothèque (South Pasadena) Cinefile (Santa Monica) Ace in the Hole (Blu-ray)The Bitter Stems (Blu-ray)Palmetto (Blu-ray)Other films referenced:High and LowStray DogThe Bad Sleep WellNative Son (1951)The Beast Must Die (1952)The Black Vampire (1953) If I Should Die Before I WakeNever Open That DoorAll the President's MenSunset BoulevardMission: ImpossibleYou Can't Cheat an Honest ManSplit Second (1953)The Harder They Fall (1956)Caged (1950)Johnny BelindaThe Postman Always Rings Twice (1946) The InsiderHeat (1995) The Right StuffBroadcast NewsNetworkPicnic at Hanging Rock (1975) The Thin Red Line (1998) Weekend at Bernie'sA Face in the CrowdHis Girl FridayThe Front Page (1931)Park RowCitizen KaneThe BrutalistThe Conversation (1974)The Secret in Their Eyes (2009)True Grit (2010) Nine Queens Vertigo (1958) The Ballad of Buster ScruggsBlood SimpleThe Big LebowskiThe Tin DrumDeath of a Salesman (1985)Ace Ventura: Pet DetectiveWho Framed Roger RabbitBatman (1989) Double Indemnity (1944) The Big Sleep (1946) Intolerable Cruelty Get Shorty Sex and the CityAirplane!Body HeatChinatownDangerous AnimalsFerris Bueller's Day OffMiller's CrossingThe Way of the Gun
After writing Empire Strikes Back and Raiders of the Lost Ark Lawrence Kasdan blessed us with one of the sweatiest, sexiest movies ever made! William Hurt plays a man who is not only moist and incompetent but the most confident man we've ever seen. Kathleen Turner rules in her big screen debut. AND MICKEY ROURKE IS AT HIS PEAK SEXINESS.
01⭐Seven Barbara Stanwyck Movies to Watch Now! Volume 1⭐
We Review: Sunset Boulevard, Some Like it Hot, The Apartment, Ace in the Hole, The Lost Weekend, The Private Life of Sherlock Holmes, Double Indemnity"We're ready for our close-up", because the classic movie Sunset Boulevard is celebrating its 75th anniversary this month. We honor the occasion by discussing the film and then delving into the career of its prolific writer/director Billy Wilder. Subscribe on YouTube:www.youtube.com/@moviesshapedpodfollow us:www.instagram.com/moviesshapedpod/Chapters:00:00:00 Intro00:01:20 Billy Wilder Thoughts00:12:24 Sunset Boulevard00:32:13 Some Like it Hot00:50:28 Double Indemnity 01:08:26 Ace in the Hole01:26:27 The Apartment01:42:41 The Private Life of Sherlock Holmes01:59:37 The Lost Weekend02:18:48 Next Episode Preview & Outro
Michelle is back to continue our look at the films directed by the great Billy Wilder. This time, we look at the film which won the Academy Award for Best Picture and the film which should have won the award: the slightly less classic "problem drama" The Lost Weekend and the truly classic prototypical film noir Double Indemnity.Michelle and Jason both did their research on both films, which resulted in a fun and fascinating approach to the conversation, a conversation we hope you really enjoy.
In Episode 2 we take a shoddy look at "Laura" and make the obvious connection to Twin Peaks. Along with analyzing "Laura", we mention "Double Indemnity" and "Vertigo". Next up is "The Big Sleep"
"EDITH HEAD: OLD HOLLYWOOD'S QUEEN OF FASHION" (093) EPISODE 93 - 6/23/25 With eight Academy Awards to her name — more than any other woman in history — EDITH HEAD wasn't just a costume designer; she was a storyteller in fabric, silhouette, and sparkle. From BETTE DAVIS to GRACE KELLY to AUDREY HEPBURN, she dressed the biggest stars of the silver screen, leaving an indelible mark on both fashion and film. In this episode, we explore how a shy schoolteacher became the most powerful woman in Hollywood wardrobes, her collaborations with iconic directors like Alfred Hitchcock, and how her designs helped shape characters, define eras, and influence fashion far beyond the studio lot. So, slip into something fabulous, and let's step behind the curtain into the life and legacy of the great Edith Head. SHOW NOTES: Sources: Dressing Up The Stars: The Story of Movie Costume Designer Edith Head (12022), by Jeanne Walker Harvey; Edith Head: The 50 Year Career of Hollywood's Greatest Costume Designer (2010), by Jay Jorgensen; Edith Head: The Life and Times of Hollywood's Celebrated Costume Designer (2003), by David Chierichetti; Edith Head's Hollywood (1983), by Edith Head; The Dress Doctor (1959), by Edith Head; “How To Dress For the Oscars,” February 11, 2015, www.oscars.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Wings (1927); The Saturday Night Kid (1929); Love Me Tonight (1932); She Done Him Wrong (1933); Little Miss Marker (1934); Rhythm on the Range (1936); College Holiday (1936); The Jungle Princess (1936); Internes Can't Take Money (1937); The Big Broadcast of 1938 (1938); Thanks for the Memories (1938); Mad about Music (1938); Dangerous To Know (1938); Beau Geste (1939); Remember the Night (1939); The Cat and the Canary (1939); The Lady Eve (1941); Sullivan's Travels (1941); The Glass Key (1942); I Married a Witch (1942); Star Spangled Rhythm (1942); Hold That Blonde (1945); The Blue Dahlia (1946); Holiday Inn (1942); The Uninvited (1944); Double Indemnity (1944); Incendiary Blonde (1945); To Each His Own (1946); The Strange Love of Martha Ivers (1946); A Connecticut Yankee in King Arthur's Court (1949); The Great Gatsby (1949); Notorious (1946); The Emperor's Waltz (1948); The Heiress (1949); All About Eve (1950); Sunset Boulevard (1950); Samson & Delilah (1949); A Place in the Sun (1951); Roman Holiday (1953); Sabrina (1954); Funny Face (1957); Rear Window (1954); To Catch a Thief (1955); The Trouble With Harry (1955); The Man Who Knew Too Much (1956); Vertigo (1958); Ace In the Hole (1951); The Greatest Show on Earth (1952); Shane (1953); White Christmas (1954); The Rose Tattoo (1955); The Rainmaker (1956); The Ten Commandments (1957); Loving You (1958); The Pink Panther (1963); A Shot In the Dark (1964); The Man Who Shot Liberty Valance (1963); Love With the Proper Stranger (1963); Sex and the Single Girl (1964); Inside Daisy Clover (1965); The Great Race (1965); Penelope (1966); This Property is Condemned (1966); G.I. Blues (1960); Blue Hawaii (1961); Girls! Girls! Girls! (1962); Fun In Acapulco (1963); Roustabout (1964); Paradise Hawaiian Style (1966); What a Way to Go! (1964); Sweet Charity (1969); Summer and Smoke (1961); Hud (1963); The Birds (1963); Harlow (1965); Barefoot in the Park (1967); Butch Cassidy & the Sundance Kid (1969); Topaz (1969); Airport (1970); Airport ‘75 (1974); Airport ‘77 (1977); Myra Breckenridge (1970); Lady Sings The Blues (1972); The Sting (1974); The Great Waldo Pepper (1975);, The Man Who Would Be King (1976); Family Plot (1976); Gable and Lombard (1976); W.C. Fields and Me (1976); Rooster Cogburn (1975); Sextette (1978); Dead Men Don't Wear Plaid (1982); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
A young mom is brutally murdered. Her husband is suspected, although he was away on business at the time of the crime. Would shoes and other physical clues lead investigators to the truth? View source material and photos for this episode at: anatomyofmurder.com/double-indemnityCan't get enough AoM? Find us on social media!Instagram: @aom_podcast | @audiochuckTwitter: @AOM_podcast | @audiochuckFacebook: /listenAOMpod | /audiochuckllc