Podcasts about older brother

For the second part of our Delphine Seyrig Acteurist Spotlight we disregarded chronology to discuss two intensely experimental Marguerite Duras films, India Song (1975) and Baxter, Vera Baxter (1977). We enumerate Duras' peculiarities as a writer and filmmaker and their effects in these studies of sexual and existential crisis, set against the backdrop of European colonialism and the second-wave feminist movement, respectively; and consider the range of qualities Seyrig brings to them, from ghoulish abstraction to salutary warmth. Then in Fear and Moviegoing in Toronto, the TIFF Lightbox Naruse continues with two starkly different family melodramas, the raw and electric Older Brother, Younger Sister (1953) and the lush and star-studded Daughters, Wives and a Mother (1960), in which a vacuum cleaner brings out a new side of Setsuko Hara; and Elise realizes she was wrong about Bill Murray in Lost in Translation. Time Codes: 0h 00m 25s:    INDIA SONG (1975) [dir. Marguerite Duras] 0h 32m 39s:    BAXTER, VERA BAXTER (1977) [dir. Marguerite Duras] 0h 51m 04s:    Fear and Moviegoing in Toronto – Mikio Naruse's Older Brother, Younger Sister (1953) and Daughters, Wives and a Mother (1960) at TIFF Lightbox; Sofia Coppola's Lost in Translation (2003) at The Carleton Cinema   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Join us with Pastor Chad Benson in our series titled Lost and Found as we dive into Part 2: The Older Brother.

Is the American Church becoming the very thing Jesus opposed?

In this profound exploration of Luke 15:11-32, Tony Arsenal and Jesse Schwamb begin a multi-part series on one of Scripture's most beloved parables. Rather than focusing primarily on the prodigal son's journey, the hosts emphasize that this parable is fundamentally about the Father's lavish, scandalous grace—a grace so radical it not only forgives but elevates redeemed sinners to the status of beloved children and heirs. The discussion explores themes of adoption, regeneration, the nature of repentance, and the often-overlooked role of the older brother as a picture of those who struggle to rejoice in God's mercy. This episode challenges listeners to see the gospel's transformative power in new depth. Key Takeaways The parable's primary focus is the Father's character, not the sons' stories. While the sons represent important theological truths about repentance and self-righteousness, the central point is to reveal God's gracious, eager, and generous nature toward sinners. God's salvation elevates beyond mere forgiveness. The prodigal son isn't simply restored to his former position—he's elevated, receiving the best robe, ring, and celebration. This pictures how salvation includes not just pardon but adoption as God's children and co-heirs with Christ. The parable has multiple valid applications. It teaches us about God's nature, the process of regeneration and repentance, the appropriateness of celebrating restored sinners, and the danger of complaining about grace (represented by the older brother). "Coming to himself" represents Spirit-wrought regeneration. The son's realization and return isn't self-generated wisdom but reflects the work of God bringing him to recognition of the Father's character and his own desperate need. The older brother represents "gospel complainers." His technically reasonable grievance reveals how even those closest to religious practice can resent God's lavish mercy toward "undeserving" sinners—a warning against self-righteousness. This grace is genuinely scandalous. No human mind would conceive of a redemption story this generous. The gospel's radical nature should continually shock us; if it doesn't, we may need to reexamine our understanding of both our sin and God's grace. The parable must be read in its full context. As the culmination of three interconnected parables (lost sheep, lost coin, lost son), it represents an escalation from passive objects to active persons, filling out a complete picture of salvation. In-Depth Exploration The Father as the True Center of the Parable While commonly titled "The Parable of the Prodigal Son," this designation can misdirect our focus. Tony and Jesse emphasize that the central figure is actually the Father, whose character and actions drive every significant moment in the narrative. The Father divides the inheritance (though culturally scandalous), watches for the son's return, runs to meet him (undignified for a patriarch), embraces him before hearing his confession, restores him beyond his wildest expectations, and then graciously pleads with the resentful older brother. Each action reveals a God whose love is not cautious or calculating but extravagant and eager. This reframing transforms how we read the parable—not as a morality tale about wayward children, but as a revelation of divine character. The Father's response exceeds every cultural expectation and reasonable boundary, which is precisely the point: God's grace is scandalously generous, going beyond justice to lavish unmerited favor on those who deserve condemnation. Elevation Beyond Mere Restoration A crucial theological insight emerges when we recognize that the returning son receives more than simple forgiveness. Jesse notes that "he's not starting from a place of restored weakness or some kind of subcategory in the hierarchy of the family. He's actually been elevated back up." The best robe, the ring, the shoes, the fatted calf—these aren't standard welcomes but markers of honor typically reserved for the most distinguished. This pictures a profound gospel truth: salvation isn't merely escape from punishment or even return to pre-fall status. Through union with Christ, believers are adopted as God's children, made co-heirs with the Son, clothed in Christ's righteousness, and welcomed into intimate fellowship with the Father. As Tony observes, God "could have redeemed us from destruction" without making us His children, but He chose to do infinitely more. This elevation is the scandal of grace—not just pardon but exaltation, not just survival but celebration, not just servants but sons and daughters. The Older Brother and Gospel Complaint The parable doesn't end with the younger son's restoration but continues with the older brother's resentment—a detail often glossed over but profoundly significant. His complaint seems almost reasonable: he's been faithful, obedient, and present while his brother squandered everything on dissolute living. Yet his reaction reveals a fundamental misunderstanding of grace. He sees relationship with the Father in transactional terms—service rewarded, obedience compensated—and therefore resents mercy shown to the "undeserving." Tony and Jesse identify this as "gospel complaining," the tendency to begrudge God's generosity toward others, particularly those we deem less worthy. The Pharisees who criticized Jesus for welcoming sinners exemplify this attitude, and the danger persists today whenever we're more concerned with fairness than grace, more protective of boundaries than eager for redemption. The Father's response—"you are always with me, and all that is mine is yours"—reminds us that grace to others doesn't diminish what we've received, and that celebrating restored sinners is the only appropriate response to the gospel. Memorable Quotes "This parable has something to tell us about the nature of the Father, the nature of God as the gracious God who is eager and ready to forgive his people, to forgive his son. It tells us about people who have come to faith, who have been regenerated, who have come to ourselves and have recognized the nature of the Father and recognized the gracious disposition of the Father." — Tony Arsenal "There is a prayer in the Valley of Vision that begins with 'no human mind could invent or conceive of the gospel,' and I love that. Because it's absolutely true. You could give people all the time in the world to try to come up with some kind of amazing redemption narrative that would be this good, and we wouldn't be able to do it because it is just so far away from how our minds think." — Jesse Schwamb "He could have saved us... salvation could have been less amazing than it is, I think... But it isn't. He's chosen not only to redeem us from destruction, to protect us from destruction and to bring us out of that, but he's chosen to make us his children, to adopt us as his heirs, as his inheritors." — Tony Arsenal Resources Mentioned Scripture References: Luke 15:11-32 (The Parable of the Lost Son) 1 John 3:1 (Behold what manner of love the Father has given us) 1 John 1:9 (If we confess our sins, He is faithful and just to forgive and cleanse) Romans 1 (God giving people over to their idolatry) The Book of Jonah (particularly Jonah's anger at God's mercy) Books Mentioned: Strength of the Few by James Islington (The Hierarchy series, Book 2) Will of the Many by James Islington (The Hierarchy series, Book 1) Walking in Faith: 365 Days with John Calvin, edited by Joel Beeke The Valley of Vision (Puritan prayers and devotions) Full Transcript [The complete episode transcript is provided in the page content above]

Welcome to the ARCC podcast where I have 15-20 minutes to catch you up on the mission, vision, and conviction of ARCC and how and why any of that matters to the gospel of the Lord Jesus Christ.

It’s December, with 3 Sundays left of the year, so that’s Best of 2025 Parts 1, 2, and 3! Tonight it’s “songs” – well, that includes raps. I’ve had to leave SO much out, y’all! As usual, the amount of music being released only goes up, and it’s not like the years are getting longer… clipping. – Night of Heaven (feat. Counterfeit Madison & Kid Koala) Armand Hammer & The Alchemist – Dogeared (feat. Kapwani) billy woods – Waterproof Mascara Sumac & Moor Mother – Scene 1 doseone & Steel Tipped Dove – Restaurant Not Haykal, Julmud, Acamol | هيكل، جلمود، أكامول – A‘saab Nadah El Shazly = ندى الشاذلي – Dafaa Robaai SANAM – Sayl Damei – سيل دمعي Yasmine Hamdan – Vows سبع صنايع Aesop Rock – The Red Phone Gabe ‘Nandez & Preservation – Nom De Guerre (feat. Ze Nkoma Mpaga Ni Ngoko) aya – the names of Faggot Chav boys Rainy Miller – Chrome, Hallowed be. California Girls – Sorrowful Meat Teether & Kuya Neil – SCRATCH THE FLEA POINT (FT NERDIE) BAYANG (tha Bushranger) & Nerdie – Bankistan Ho99o9 – Godflesh Agriculture – Bodhidharma Postcards – Dust Bunnies Snakeskin – Ready Laurén Maria – Filled Up Smile anrimeal – 11. Chapter III – Source and time Herbert & Momoko – More And More georg-i & Older Brother – To Be A Man Crimewave – 155/160BPM Crimewave – Haemoglobin gushes – CUT Editrix – Another World Lucrecia Dalt – cosa rara (ft. david sylvian) Titanic – La dueña Mikoo – Ties soccer Committee – Little Sorrow

One the top NFL defensive stars has undergone surgery after being hospitalized for a lung issue earlier this week. Correspondent Gethin Coolbaugh reports.

Pastor Wade Moran preaches a new message "The Older Brother" on November 9, 2025. Thank you for listening to our Online Experience at Emerge Church! Here are some ways to connect with us! Website: emergechurch.com Online Connection Card: https://emergechurch.churchcenter.com Follow us on social media to stay in the loop with all things Emerge! Facebook: Emerge Church Tallahassee Instagram: @emerge_church Youtube: Emerge Church Tallahassee Emerge Church meets on Sundays at 10:00am at the Tallahassee Auto Museum! We would love for you and your family to visit us.

The Gospel of the Prodigal Sons (Part 2)

This sermon unpacks the parable of the prodigal sons in Luke 15, emphasizing that both the younger son who squandered his inheritance and the older son who remained obedient yet resentful are equally lost—neither can earn the father's love. While the younger son's rebellion is evident, the older son's self-righteousness, bitterness, and refusal to rejoice reveal a heart estranged by performance-based religion, mirroring the Pharisees' spiritual pride. The father's lavish love, demonstrated through unconditional grace and persistent pursuit, exposes the futility of trying to merit divine favor through obedience or moral superiority. The story's open ending challenges listeners to confront their own hidden self-justification, calling all—sinners and saints alike—to repent not only of sin but of self-righteousness, and to embrace the unearned, eternal love offered in Christ. Ultimately, true sonship is not earned but received, and joy in God's grace is only possible when we relinquish the illusion of merit.

Preached in 2005

What better time for Marty to make his return to the show than a bye week! We last heard from Marty when the Huskers played Michigan back in September…what's happened to Florida State since then? If Nebraska makes its way to a bowl game in Florida (Tampa or Orlando most likely), will Marty be making the trip? If Mike Norvell is out at Florida State, what's the popular name to replace him from what you're hearing?  Show Sponsored by NEBCOOur Sponsors:* Check out Avocado Green Mattress: https://avocadogreenmattress.com* Check out Hims: https://hims.com/EARLYBREAK* Check out Infinite Epigenetics: https://infiniteepigenetics.com/EARLYBREAK* Check out Uncommon Goods: https://uncommongoods.com/EARLYBREAK* Check out Washington Red Raspberries: https://redrazz.orgAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Heaven celebrates when one lost child comes home to the Father. Followers of Jesus should not only celebrate but also join Heaven's search party to bring God's lost sons and daughters home. The story of the Prodigal Son doesn't end when the younger son returns; it ends with the older brother, serving as a warning to us about our own hearts toward God and the lost.Billy LileSunday, October 26, 2025 Live at 9:15 AM

nm.redemptionaz.com

Experimental songforms, percussion, breakbeats, prepared piano, sound-art… LISTEN AGAIN to the art of sound… stream on demand at fbi.radio or podcast here. Not Drowning, Waving – Amaravot [Not Drowning, Waving Bandcamp] We’re starting with an Australian band who were really decades ahead of the ball with ambient pop, melding field recordings and live tapes with creative studio techniques, acoustic instrumentation, effects and electronics. Because of David Bridie‘s soft voice and slice-of-life lyrics, I feel Not Drowning, Waving were seen as less revolutionary than they really were – and yet when David released solo albums that emphasised songwriting over sonic creativity, the music media predictably celebrated his “maturity” and suchlike nonsense. I love David’s solo work, and the often-twee but always lovely work of the post-NDW acoustic ensemble My Friend The Chocolate Cake, but Not Drowning, Waving nevertheless hold a special significance. For many, their career higlight was the groundbreaking album Tabaran, much of which was recorded with musicians in Rabaul, Papua New Guinea including the remarkable vocalist Telek (now Sir George Telek MBE!). Their travels to PNG triggered the band’s strong sense of social justice, and they became tireless promoters of West Papuan independence. The song “Blackwater“, about the brutal suppression of independence for West Papua, is haunting and still as relevant today. Fast forward to now, and David Bridie & George Telek have been friends for more than half their lives. A concert performing Tabaran was put together early last year, celebrating 50 years of Papua New Guinean independence, and the band (including Telek) enjoyed being together so much that they created a whole album’s worth of new material. My dirty secret is that, despite the stunning highlights like “Blackwater”, I always preferred the albums before (Cold and the Crackle and Claim) and after it (Circus) in their catalogue because I wasn’t so into the Papuan stringband music. However, whether I’ve mellowed over the years (lol, lmao) or whatever it is, this new album feels wonderful from start to finish, and Telek is an integral member. What an achivement! I have no idea how it sounds to those who didn’t, to some extent, experience the band while they previously existed, but I hope they have an enduring legacy. On Diamond – It’s Me Calling [Eastmint Records/Bandcamp] Naarm/Melbourne’s On Diamond are the perfect example of indie pop done experimental. Frontwoman Lisa Salvo writes beautiful, touching songs that have slippery chord changes and deeply unusual arrangements created together by the band. Previous members, often involved in the more experimental end of Naarm’s music scene include the brilliant drummer/composer Maria Moles, drummer Joe Talia (who recorded & mixed the album), and guitarist/vocalist Hannah Cameron (who contributes backing vocals along with Aarti Jadu and others). Along with Salvo’s vocals, Jules Pascoe on bass, Myka Wallace on drums and Scott McConnachie on synths and those frequently demented guitar solos, the band itself now features the glittering harp of Genevieve Fry and the percussion of Australian legend Duré Dara, born in Malaysia to an Indian background, a celebrated restaurateur with Order of Austrlaia Medal as well as jazz musician and improvisor. That’s a loaded band, put in service of Salvo’s aforementioned songs, which take strange, sidelong looks at matters of grief, longing and the passing of time. In a better world we’d be hearing these songs on rotation all day, but you – yes you – have the power to fix that, in the palm of your hand. gushes – Game One [PTP/Switch Hit Records/Bandcamp] gushes – CUT [PTP/Switch Hit Records/Bandcamp] Trust PTP (aka Protect The Peace, fka Purple Tape Pedigree) to release one of the most bizarre & brilliant albums of the year (in conjunction with artist collective Switch Hit Records). Jennae Santos’ gushes presents an unrestrained amalgam of prog metal, psych rock, jazz & classical and electronic experimentation. But there’s more than just this: the album begins with voices talking in Tagalog, and influences from Indigenous Filipinx psychology and combat swirl around with land-sea ecologies, plant medicine and queer politics of decolonization… Delicious Collision is a fully-through-composed experimental rock opera, appropriately given Santos’ background (on top of everything else) in theatre, site-specific performance & dance. Agriculture – The Reply [The Flenser/Bandcamp] With The Flenser you know you’re going to expect dark, probably metal-adjacent music, and you know it’ll probably diverge from typical genre norms. Ecstatic black metal band Agriculture do indeed employ black metal’s tremolo guitars and blast beats to reach for altered states, but then the thunder gives way to a different kind of ecstasy at times – gorgeous harmonies and clean guitar? The last track on the album somehow combines it all together – blissful chugging blackgaze, and a fragile interlude of just voice and guitar. Channeling Zen Buddhism and social collapse alongside queer history & survival, The Spiritual Sound is easily among the albums of the year. sunn O))) – Raise the Chalice [Sub Pop/Bandcamp] So yeah, the southern lords of drone metal, sunn O))), have signed to Sub Pop, the little label that could. That’s the Sub Pop that was the centre of the Seattle sound, from Mudhoney & early Soundgarden to Nirvana – in fact Nevermind‘s profits, after their contract was bought out by Geffen, were what brought them back from early ’90s financial difficulties, and their (excellent) debut Bleach, which remained a Sub Pop release, was enough to keep the label chugging along for ages. The label pretty quickly expanded out of Seattle/grunge into all sorts of other areas, as diverse as Fleet Foxes, The Postal Service, and the greatest, Clipping. Still, the stentorian, rumbling noise of sunn O))) is an interesting step sideways, hopefully a great move for both parties. Their first EP for Sub Pop follows a 7″ (yes, two tracks under 6 minutes each!) back in 2023 for the Sub Pop Singles Club, but one side of this 12″ is the 14-minute “Eternity’s Pillars”, while the flip has 2 tracks each around 8 minutes – still pretty contained. The band for these tracks is the back-to-basics core duo of Greg “The Lord” Anderson and Stephen O’Malley, and the crushingly slow unison guitar/bass is by and large the totality of the sound, but I do love the disconcerting high-pitched flicker that rises through the last part of “Raise the Chalice”. Susannah Stark – Minor Gestures [Night School Records/Bandcamp/STROOM.tv/Bandcamp] When Utility Fog started back in 2003, folktronica was a genre of which I was very fond – but it was already pretty hazy as to what it was. Slightly glitchy hip-hop sampling acoustic instruments like Four Tet was what I thought, I guess, although when Tunng came on the scene literally later that year, it held a lot of similarity without quite being the same. And meanwhile The Books were doing studio-mediated music with acoustic instruments that somehow was something else entirely, despite arguably fitting the mould. So I love that in the years since, there have been untold different approaches to “folk” + “electronics”. On her new album Minor Gestures, Scottish musician Susannah Stark takes her Gaelic (Gàidhlig) folk music in experimental directions, which might involve drone passages on harmonium or modular synth, interpolated field recordings, or sample-based programming. The production touches only serve to heighten the sense of an arcane, otherworldly setting, as if being performed just out of sight or transmitted from a past-future. It’s quite a remarkable album. Haykal, Julmud, Acamol | هيكل، جلمود، أكامول – A'saab أعصاب [Bilna’es/Bandcamp] Cross-media artistic duo Basel Abbas and Ruanne Abou-Ramme formed the record label & publishing platform Bilna’es along with producer Muqata’a as a space for artistic expression & criticism in Palestine & beyond. Along with the amazing productions of Muqata’a, a highlight was the 2022 solo album from Julmud, Tuqoos | طُقُوس. Now Julmud teams up with label founder Abbas, the latter under the name Acamol (Arabic for Panadol/paracetamol), along with Palestinian rapper Haykal on a new album Kam Min Janneh | كم من جنّة (How Many Heavens). The beats, produced by Julmud & Acamol separately & together, present a glitched version hip-hop drawn from the music & percussion of the MENA region, while Julmud & Haykal swap verses evoking the life of dispossession under occupation, colonization & genocide. It bears mentioning that while the killing continues in Gaza despite the so-called ceasefire, settlers continue to violently disrupt the lives of Palestinians in the West Bank with impunity – destroying property, beating and killing people and blocking access to their own land. In that context, this is a powerful work of resistance and solidarity (and some injections of humour). As I’m writing this late, you can read Emad Al Hatu’s excellent article on fbi.radio, as this was made album of the week at the beginning of November. Mohammad Reza Mortazavi – Zendegi [Latency/Bandcamp] Mohammad Reza Mortazavi – Silent [Latency/Bandcamp] French label Latency have no interest in following any kind of expectations – they’ll flip from chamber jazz to minimal techno to post-classical to percussive bass. In 2019 they released the album Ritme Jaavdanegi by Berlin-based, Iran-born percussionist Mohammad Reza Mortazavi, and now Mortazavi is back on Latency with his new album Nexus. The previous album showcased Mortazavi’s incredibly detailed and complex rhythms on traditional Persian instruments – the tombak and daf. On Nexus, Mortazavi’s playing is just as accomplished, but he extends the percussion with electronic effects and his own voice. The music is full of an otherworldly sensation, of suspension in time and place. There’s an incredible 25-minute remix by Ricardo Villalobos of the track “Swamp” from this album, coming out on December 5th – don’t miss it! IKI – Regenerate [IKI Bandcamp] IKI – Dance [IKI Bandcamp] It’s a sure bet that anything involving Danish singer Randi Pontoppidan is going to be something unique, challenging and beautiful. While she hasn’t been a member of Scandinavian vocal ensemble IKI since the beginning, she’s a perfect fit for IKI’s improvisational, electronically-mediated style. Pontoppidan joined Danish, Norwegian & Finnish singers Anna Mose, Guro Tveitnes, Johanna Sulkunen and Kamilla Kovacs four or five years ago, and BODY is their most intimate album. It can sound extremely electronic at times, but even at their most sharply edited & granulated, every sound comes from the voices of the five women. The recorded works reflect the group’s interest in how life extends past the body, and explores how the women become one organism when performing together. george-i & Older Brother – To Be A Man [GRACE/Bandcamp] Portugal-based MC Darius Rodrigues aka Older Brother has been working with London producer George Harris aka george-i for ages. Now the duo have finally come out with the Warm Skin EP on Berlin-based DJ Katiusha‘s label GRACE. And these four tracks of trip-hop-inflected bass music do walk with grace, holding Older Brother’s lyrics about the state of the world, and – on this closing track – seeking a new, post-patriarchy definition of maleness. Sun People – Herbie’s Delay [All Things Records] Austrian producer Sun People has released some creative and hard-hitting jungle & drum’n’bass that hybridizes with footwork and techno. His All Things Records provides an avenue for music of all kinds, so his new LP Look Within isn’t tied to any tempo – faster or slower than 160bpm, with a few beautifully-produced beatless tracks too. But as with “Herbie’s Delay”, there’s still some creative, syncopated jungle/d’n’b to be found too. Hyperfocus – Sentinel [Machinist Music/Bandcamp] For his fifth release (in two years!) on Canadian drum’n’bass master John Rolodex‘s Machinist Music label, Hyperfocus brings beats precision-tooled in the Machinist Music labs with evocative atmospheres and restless basslines. This is where the jungle revival bleeds back into the d’n’b mainstream, and I’m here for it. San – In Plain Sight [Rua Sound/Bandcamp] Appearing for a third time on Dublin jungle/bass label Rua Sound is Bristol’s San, a slightly mysterious individual who is apparently a techno producer working under a separate alias. This is dark stuff for haunting rave dancefloors and lying on your back with headphones on. Constantly changing cut-up breakbeats, deadly deep subs and spooky atmos, taking the cyberpunk ethos of mid-’90s drum’n’bass and applying it to contemporary jungle. POL100 – TRIBE [early reflex/Bandcamp] Turin’s early reflex label brings as usual cutting-edge experimental bass & club music as part of their Eyes series of two-track EPs. Here’s Italian producer POL100 mutating jungle and techno into strange new shapes – it’s half drumfunk and half electro maybe? Well worth your time. Hello Psychaleppo – Al Wa6an | الوطن [Fake Lines/Bandcamp] Joy Moughanni – I Can’t Seem to Find it At Home | مش عم لاقيه بالبيت [Fake Lines/Bandcamp] The first release from non-profit label Fake Lines has launched itself with a mega compilation – 36 tracks over 3 vinyl LPs – called Fake Lines: Sono Levant. It’s packed to the brim with excellent music, gregarious with genre – it may lean towards electronic music but there’s folk, hip-hop and rock of a sort. There’s an emphasis on Levant artists, but the tracklist also reaches further afield to other MENA countries and more. Montreal-based Syrian DJ Hello Psychaleppo contributes some stuttering samples and bass heft, while Lebanese producer Joy Moughanni combines jagged almost-rhythms and sound design to impressive effect. Lone – Ascension.png [Greco-Roman/Bandcamp] I’ve had an on-and-off relationship with Lone‘s music, but new single “Ascension.png” combines chromed cyberpunk and fuzzy vaporwave with jungle and rave bliss, and that makes a winner. Kelly Moran – Chrysalis [Warp/Bandcamp] A year and a half after releasing her last album, Moves in the Field, Kelly Moran returns to her more familiar territory of chiming prepared piano and electronics, with an album that’s complementary to last year’s. For Moves in the Field, Moran took her piano compositions and programmed them into a Disklavier, a physical piano that can be played via digital programming. So Moran was able to perform alongside her digital copy, with dazzling patterns climbing up and down the keyboard. On Don’t Trust Mirrors, the sound is more uncanny – synths and prepared piano melting into each other – but the performances are more clearly human. And those familiar with the previous album will hear echoes of those pieces throughout. Quartz Sand – Chemical Sedimentary (excerpt 2) [Flaming Pines/Bandcamp] I was lucky to get to see Kate Carr & Cath Roberts playing together at a gallery in Hoxton, London back in May. Carr is an Australian sound-artist who runs the impeccable Flaming Pines label and is one of our finest proponents of field recording, as well as music made from non-musical objects; Roberts is an improviser and composer who has been working with the Lyra-8 synthesizer, an “organismic” synthesizer, whose 8 voices interact in non-linear ways along with some effects. The duo’s name, “Quartz Sand”, suggests minerals and inorganic matter (quartz is silicon dioxide, perhaps the most basic inorganic molecule), and the idea of the album’s title, Stratigraphy, is to imply a vertical structure – rather than a typical horizontal time-based structure – as primary. But don’t be fooled: these two near-half-hour pieces aren’t static at all. It’s just that the action happens often between the crinkly, whistly high frequencies and the gurgling, grinding bottom end. It’s like listening to a cross-section of the earth’s crust – in a good way. Lea Bertucci – Two Way Mirror [Cibachrome Editions] It should be well-known and universally acknowledged now that Lea Bertucci is one of the best sound-artist/composers of the last decade and a half. Whether site-specific works exploring & exploiting – for instance – the resonance of a hollow bridge in Köln (2020’s Acoustic Shadows), myriad works live-processing her own saxophone and other instruments, or her work with reel-to-reel tape machines, she’s a master of her craft. Recent times have seen a number of incredible collaborations from Bertucci: in 2022, she operated tapes & electronics around Robbie Lee‘s baroque & medieval instruments on Winds Bells Falls, while on Murmurations, her tapes were as prominent, but she also brought various wind instruments and her voice to the table, next to Ben Vida‘s synths & voice; and on her tectonic collaboration in 2023 with Brisbane’s own Lawrence English, cello, viola and lap steel guitar emerge as well. Earlier this year Lawrence’s ROOM40 released an astounding work of Bertucci together with another masterful sound-artist, Olivia Block. So needless to say her new album The Oracle is a tour de force, engaging her many instruments, field recordings and, importantly, her own voice, all filtered through tape manipulation and digital processing. Only on the last track are percussionists from the Wesleyan University Taiko Ensemble enlisted for a booming – yet obscured – finale. Of course, it’s not just technially interesting or impressive (although it is those things) – it’s also music that will draw you in and move you, despite the vocals being twisted into non-textual shapes. It’ll easily be high on my albums of the year list for 2025. Alexandra Spence – Magenta (with Delphine Dora) [Students of Decay/Bandcamp] Back to Sydney to finish, Alexandra Spence is another brilliant sound-artist who works with field recordings and found objects to tell a story about place and memory. Her last two albums (from 2022) arose from a fascination with oceans and waterways; the scope is wider here, from mountains to backyards, but the ecological and geological also interact here with the personal. As well as recordings of places and non-musical objects, Spence (a clarinettist) here uses sounds from Serge Modular synths and a custom-built lyre, and on tonight’s track, Spence also brings in the voice and instrumentation of French composer & musician Delphine Dora. Listen again — ~222MB

The Parable of the Prodigal Son is one of the most well-known parables of Jesus, but it's also one of the most overfamiliar. Most of us skim past the rich details that Jesus includes when he tells it, so we miss the deeper truths and invitations of this story. By slowing down, we see that this parable is actually about two sons. The Younger Son represents all of us who are driven by desire. When we orient our life around what we think will make us happy, we end up farther from God and others. The Older Brother represents those of us who are driven by duty. When we attempt to earn the free love God offers us, we grow resentful and bitter towards those who we consider lower than us. Both of these sons are lost, and both are in need of their father's love. But what we learn from this parable is that regardless of which brother we relate to, the solution to our search for love is simple: repenting by returning home. 

The Parable of the Prodigal Son is one of the most well-known parables of Jesus, but it's also one of the most overfamiliar. Most of us skim past the rich details that Jesus includes when he tells it, so we miss the deeper truths and invitations of this story. By slowing down, we see that this parable is actually about two sons. The Younger Son represents all of us who are driven by desire. When we orient our life around what we think will make us happy, we end up farther from God and others. The Older Brother represents those of us who are driven by duty. When we attempt to earn the free love God offers us, we grow resentful and bitter towards those who we consider lower than us. Both of these sons are lost, and both are in need of their father's love. But what we learn from this parable is that regardless of which brother we relate to, the solution to our search for love is simple: repenting by returning home. 

One of the most believed stories Jesus ever told was of the Prodigal Son. And yet if we dig deeper, it's really about the complexity of family relationships, and the nature of our loving Father in heaven.  When a child breaks their parent's heart, the love of a parent does not end - it waits, it watches, and it longs for restoration, just as the Father did for his prodigal son. In the same way, when rivalry takes root between brothers and sisters, it twists love into resentment and becomes sin, stealing joy from the family God intended to be whole. Yet the beauty of the gospel is that there is always a safe place to return - the family table. No matter the hurt, no matter the distance, God invites us back to His table of grace, where forgiveness is offered, relationships can be healed, and love has the final word. If you liked this podcast, please like, subscribe and/or SHARE. If you would like to know more information about Canyon Springs Church in San Diego, visit http://www.canyonsprings.org Subscribe to all of our podcasts on iTunes here: http://goo.gl/h0mlhv

In this week's episode of the Transforming Mission Podcast, Tim and Sara dive back into Luke 15:11–32, the parable most of us call “The Prodigal Son,” but Tim calls “The Running Father.” Together they talk about what it really means to lead with grace in a critical world. As they unpack the story, you'll hear why grace moves first, why it costs something, and how it keeps the way home open for people who've wandered off. You'll also discover the trap of the older brother's resentment — and why fairness isn't God's metric — plus why celebration itself is an act of grace. If you've ever felt unworthy, unappreciated, or caught in score-keeping leadership, this conversation will remind you: unworthy never means worthless. Join Tim and Sara for a hopeful, honest look at how leaders can absorb the cost, resist resentment, and throw a party when grace shows up. TimeStamp 00:53 Reading the Parable of the Prodigal Son 04:18 Discussion on the Younger Son's Actions 05:24 The Father's Grace and Leadership Lessons 08:59 Extending Grace in Leadership 14:23 The Older Brother's Perspective 18:00 Celebration and Final Thoughts 24:32 Conclusion and Benediction

September 21st. Jonah 4:1-4, Luke 15:25-32

Principles of Love - Forgiveness: The Older Brother Syndrome All programs: https://rumble.com/c/WarningTVJonathanHansen  Website: https://www.worldministries.org/  Dr. Jonathan Hansen World Ministries International  Eagles Saving Nations  Dr. Jonathan Hansen - Founder & President  Rev. Adalia Hansen  Contact:  WMI  P.O. Box 277  Stanwood, WA 98292  (360) 629-5248  warning@worldministries.org  Subscribe to Eagle Saving Nations https://www.worldministries.org/eagles-saving-nations-membership.aspx  Sign up for Dr. Hansen's FREE newsletters http://www.worldministries.org/newsletter-signup.html  Order Dr. Hansen's book “The Science of Judgment” https://www.store-worldministries.org/the-science-of-judgment.html  

Have you ever done everything "right" but still felt resentful when others who made mistakes received grace and celebration? Through the lens of the prodigal son's older brother, you'll discover how religious duty and resentment can actually keep you just as far from God's heart as outright rebellion. You'll learn how both sons - the rule-follower and the rule-breaker - struggled to truly understand their father's unconditional love, and how God extends the same radical invitation to both types of people today.Passages in this message:Luke 15:25-32 Subscribe to stay updated with the latest content from The Story!TAKE YOUR NEXT STEP HERE:Thestorygr.com/connectJOIN US IN PERSON:The Story Church475 6 Mile Road NW, Comstock Park, MI 49321You can support the ministry happening at The Story at thestorygr.com/give#thestorychurch #comstockparkmi

Hebrews 12:18–29

Luke 15 Speaker: Pastor Michael Delamarian

Why Fred Trump Jr. was the best trump sibling, on this week's episode of Overshadowed Podcast. Want to suggest a sibling/spouse for a future episode? overshadowedpod@gmail.com  Recorded July 2025 0:00 Intro / Serving the wealthy  4:14 Family Outcast: Fred Trump Jr. 5:32 Only Goy in Jewish Frat 8:37 Fred Trump Sr. 10:22 Trump Perfume 12:35 Their ego's hereditary  13:29 Pilots: flying bus drivers 15:14 Flying durnk 18:30 Wife: Stewardess: Linda Clapp 22:15 Pad Linda's resume 23:50 Bottle to throttle 29:19 No killer instinct 31:02 Donald at Military School  34:00 Last wishes IGNORED  37:25 Donald fudged Dad's will 40:02 Vatican City's got Talent 45:00 Continued on alligator alcatraz  And follow us on social media!  https://linktr.ee/overshadowed_podcast Instagram: @Overshadowed_Podcast @zachrussellcomedy @charles_engle Produced by Zach Russell   Intro/Outro music by Mokka! Music from #InAudio: https://inaudio.org/  Track Name: Funky Retro Funk [Funk Music] by MokkaMusic / Old Tapes Chapter

Jesus' parable of the prodigal son is actually the story of two brothers. But why don't we see the older brother? Let's find out together as we read Luke 16:25-32 and Jonah 3:10-4:11.

Reading Luke 15:25-32 where Jesus brings the point of the parable of the prodigal son home, and we se this was really more about the older brother than the younger son. Visit wwutt.com for all our videos!

As we continue in our series of Jesus and the parables, Rob preaches on Luke 15:11-32, the parable of the prodigal son. Are you like the prodigal son? or are you like the Older brother? Do you hold a bowl of greed and shame? Or one of pride and judgment?

ATEEZ Hongjoong's Handsome Older Brother Is Going Viral For Visuals On First Variety Show Appearance.

Luke 15

Have you ever thought about the prodigal son's older brother? From Luke 15:25-28a:“Meanwhile, the older son was in the field. When he came near the house, he heard music and dancing. So he called one of the servants and asked him what was going on. ‘Your brother has come,' he replied, ‘and your father has killed the fattened calf because he has him back safe and sound.' The older brother became angry and refused to go in..."In Rembrandt's famous painting of the Prodigal Son, you see there's a darkness to the older brother as he looks down, watching their father embracing the wayward younger son who has returned home. The older brother is angry and jealous.Luke 15:28b-32 continues:"...So his father went out and pleaded with him. But he answered his father, ‘Look! All these years I've been slaving for you and never disobeyed your orders. Yet you never gave me even a young goat so I could celebrate with my friends. But when this son of yours who has squandered your property with prostitutes comes home, you kill the fattened calf for him!'“‘My son,' the father said, ‘you are always with me, and everything I have is yours. But we had to celebrate and be glad, because this brother of yours was dead and is alive again; he was lost and is found.'”This is part 3 of Richard's series on the Prodigal Son. >>Watch on YouTube

We continue our conversation around the older brother character and how we see church world reflected in him. Join us as we get vulnerable and Create Space!

Today, we're finishing Luke chapter 15. In this chapter, Jesus tellsthree parables in response to the Pharisees who criticized Him for being afriend to tax collectors and sinners. The theme running through all threeparables is lost, found, and rejoicing. Keep that in mind.  At this point in theparable, the scribes and Pharisees felt confident that they had escaped ourLord's judgment, for He had centered His attention on the publicans andsinners, pictured by the prodigal son. But Jesus continued the story andintroduced the elder brother, who is a clear illustration of the scribes andPharisees. The publicans and sinners were guilty of the obvious sins of theflesh, but the Pharisees and scribes were guilty of sins of the spirit (2 Cor.7:1). Their outward actions may have been blameless, but their inward attitudeswere abominable (see Matt. 23:25-28). We must admit that theelder brother had some virtues that are commendable. He worked hard and alwaysobeyed his father. He never brought disgrace either to the home or to thevillage, and apparently he had enough friends so that he could have planned anenjoyable party (Luke 15:29). He seems like a good solid citizen and, comparedto his younger brother, almost a saint. However, important asobedience and diligence are, they are not the only tests of character. Jesustaught that the two greatest commandments are to love God and to love others(Luke 10:25-28), but the elder brother broke both of these divine commandments.He did not love God (represented in the story by the father), and he did notlove his brother. The elder brother would not forgive his brother who wastedthe family inheritance and disgraced the family name. But neither would heforgive his father who had graciously forgiven the young man those very sins! When you examine thesins of the elder brother, you can easily understand why he pictures thescribes and Pharisees. To begin with, he was self-righteous. He openlyannounced the sins of his brother, but he could not see his own sins (see Luke18:9-14). The Pharisees defined sin primarily in terms of outward actions, notinward attitudes. They completely missed the message of the Sermon on the Mountand its emphasis on inward attitudes and holiness of heart (Matt. 5-7). My friend, the heart ofGod is for lost sinners to be found, and when they are, there is rejoicing.Jesus rejoices, heaven rejoices, angels rejoice, friends rejoice. But do youknow who wasn't rejoicing? The Pharisees. They were sanctimonious,self-righteous, proud, angry, bitter religious people. Their religion was builton good works, and they thought they were better than everyone else. Jesusnails them with this story.  Jesus uses the story ofthe older brother to drive this home. My friend, we need to be aware of this.Our churches are full of people who work, work, work, serve, serve, serve, butit's often to be seen, to be commended, to get a pat on the back. Like thePharisees, they say, “I'm not like others. I tithe, I go to church, I do allthese good things.” But they miss the point. When the publican bowed his headand prayed, “I'm a lost sinner, have mercy on me, O God,” Jesus said he wenthome justified, not the proud Pharisee. Today, we don't want tobe like the Pharisees—critical, sanctimonious, self-righteous, proud, angry, orrefusing to rejoice when a sinner comes home to the Lord. This is a powerfulending to the chapter. Let's not forget the lost elder brother, who missed itall because his heart wasn't right with God or his father.  I trust these threestories of lost, found, and rejoicing will resound in your soul. Keep an eyeout for those around you who need to be found, so you can bring them to Jesus.  God bless!

We continue our discussion in the parable of the Prodigal Child. We hope you join us on this journey!

Topics: Parables, The Prodigal Son (Luke 15:11–32), Grace in The Prodigal Son, The Older Brother in Luke 15:25–30, The Father's Heart in Luke 15, The Good Samaritan (Luke 10:30–37), Jesus as The Samaritan, Law and Grace (Luke 10:27–28), Religion Fails (Luke 10:31–32), The Sower in Matthew 13:3–9, The Seed and Soil (Matthew 13:19–23), Hardened Hearts in Matthew 13:15, Spiritual Hearing in Matthew 13:9, The Lost Sheep (Luke 15:4–7), Israel as The Lost Sheep in Matthew 10:6, The Ninety-Nine (Luke 15:7), Joy in Heaven (Luke 15:7), The Ten Virgins in Matthew 25:1–13, Oil and the Spirit (Matthew 25:4), Shut Door in Matthew 25:10–12, Judgment (Matthew 25:13), Parables to Israel in Matthew 13:11, The Word as Logon, Unfruitful Soil (Matthew 13:22), Jesus' Audience in Luke 15:1–2, Pharisees and Scribes in Luke 15, The Law Exposed, Virgins Not in Matthew 25, Gospel ClaritySupport the showSign up for Matt's free daily devotional! https://mattmcmillen.com/newsletter

Caleb Barnes and Tanner Marlar break down all the action from Sunday's Food City 500 at Bristol.

What is older brother core? Rodrick Heffley may be the best example I have, but what does it mean on a deeper level about Gen Z? Ee Er

1. Early in his sermon, Tim said, “to be human is to be self-alienated.” He was speaking about the unavoidable universal experience of humans disavowing (or, sort of, ignoring and being in denial about) parts of ourselves that don't fit with the projected images of ourselves that we embrace as our self-concept.He went on to say that to be human is to be a bundle of contradictions - even to ourselves. And that our persistent self-alienation shapes the way we show up in the world. Later, when looking at the story, Tim pointed out that, before the prodigal son could be reconciled with his father and community, he is first reconciled to to an aspect of his own identity from which he's been estranged. First, how do you respond internally to the idea that you don't know yourself as thoroughly as you might hope? How easy is that to accept? How do you feel about that fact? How interested are you, in general, in learning and recognizing more about yourself? For some it may feel difficult, daunting, scary, interesting, exciting, or something else entirely! How does the prospect feel for you? How motivated are you to engage intentionally in self-discovery of this sort? How do/would you go about it? What barriers have you encountered to the process?Have you had experiences in which, like the prodigal son, you have a sort of “aha moment” in which you recognize a previously unknown truth about your self or personality? Or have you been a witness to a similar experience in someone else's life? If so, share about those experiences and, if possible, what the precursors to those moments were.2. Tim said, at several points in his sermon, that “All exiles are self-imposed.” Thinking about the spiritual part of our lives, what does exile look like? How would you identify spiritual exile within your own life? Is this something you've experienced personally? Is it something you've witnessed in others? How do we go about recognizing this self-imposed nature of exile while coming from a place of compassion, rather than of judgement? Does engaging with this idea compassionately feel easier or harder to do with self than with others? What do you make of that? 3. Tim talked about the response of the older brother, and related it to the way in which we can use religion to reinforce our “carefully curated and highly defended identities as good little boys and girls.” In this paradigm, the idea of God's joyful and unconditional embrace of all of humanity into God's love and family can be upsetting. He pointed out that the story's older brother has built his sense of self and worth around the idea of having worked to earn both his father's love, and his position in the father's household. When the father's unhesitating embrace of the prodigal pairs with the father's equally open embrace of this elder son, it throw's the older brother's sense of things into a tailspin. How much do you relate to this older brother? Or do you relate more to the prodigal? In what ways? Have you or do you feel any resistance to the idea that a fortune-squandering, family-shaming child of God is as fully beloved and appreciated as God's perfectly performing children? If you can, think of someone you know who has perhaps squandered some fortune that could have been yours or who has shamed your family or loved one. Do you feel resistance to the idea of that person/those people as fully as beloved and appreciated as God's perfectly performing children? Does putting someone real into that question impact your sense of resistance at all? If so, how? What do you make of your answer?

Scripture - Luke 15:1-3,11b-32Thank You for listening!Follow us on Facebook Instagram YouTube Website You can contact us at office@newcovenantaz.orgMaking Jesus Christ the Heart of Every Home.

Sun 5:00 pm | Series: Lost & Found | Speaker/s: Rebecca Bean

Morning Offering, March 22, 2025We all know the prodigal son, but what about his older brother? Could his story be YOUR story?Every morning, join Father Brad as he begins the day with prayer and reflection. In a few short minutes, Father Brad guides you in prayer, shares a brief reflection grounding your day in the Church's rhythm of feast days and liturgy, and provides you with the encouragement necessary to go forward with peace and strength. Let us do as the saints urge and begin our days in prayer together so as a community of believers we may join the Psalmist in saying, “In the morning, Lord, you hear my voice; in the morning I lay my requests before you and wait expectantly.” (Psalm 5:3-4)________________

Guest Preacher Jonny Morrison continues our Lent series, preaching from Luke 15:11-32. Sermon originally recorded on March 16th, 2025.

The Older BrotherLuke 15:1-31

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A family dispute in northwest Houston takes a deadly turn when a man fatally shoots his younger brother following hours of escalating arguments. The brutal killing of a woman in Texas ends with her husband sentenced to 50 years in prison for her murder. Drew Nelson reports.See omnystudio.com/listener for privacy information.

This message is from our "The One" series."The One" series aims to give people a greater understanding of God's heart for lost people.  This series will call both the irreligious and the religious to repentance and faith in Jesus and encourage them to find their "one".Crosspoint City is one church in multiple locations and we exist to relentlessly pursue those far from God to help them know and follow Jesus. To help support this mission and work, visit https://mycpcc.com/giveSTAY CONNECTED:Facebook: https://mycpcc.com/facebookInstagram: https://mycpcc.com/instagramTiktok: https://mycpcc.com/tiktok