Podcasts about inaudio

Katie has worked extensively in immersive and interactive theatre both as a script writer, collaborator and immersive theatre specialist. Her acting credits include:ManhuntSlow HorsesBluestone 42Call the MidwifeThe Crimson PetalNumber of plays both at the National and Bush Theatre. In immersive theatre she has led a number of projects, those include:Paddington Bear Experience Boots on the Ground - Promenade show dedicated to the soldiers of WW1Peaky Blinders: The RiseRace New World - Site SpecificJohnnie Walker Symphony in BlueAbove and Beyond The above immersive theatre credits include collaborations with several acclaimed devised theatre companies, including, Tangled Feet, The Path Entertainment Group, Immersive Everywhere and Private Drama Events. We discuss her love of immersive theatre and the experiences it gives its audiences that are far from what you will encounter in a west end venue, or indeed any other theatrical space! As well as the level of detail she goes into and what makes a show that makes its spectators part of the story in more ways than one!For more information and to get in touch, visit her website and instagram:katielyons.co.ukThank you Katie!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning

Endlich Resultate die du verdienst: https://rockyleecoaching.carrd.coHör die die Folgen auch auf anderen Plattformen an:Spotify: https://open.spotify.com/show/2SIQOewg0MAVHpug9bxD31Apple Podcast: https://podcasts.apple.com/us/podcast/rocky-lee/id1621187157✖️[Werbung/ Anzeige] Bekomme den bestmöglichen Rabatt und unterstütze den Kanal:Neosupps Code 'Rocky': https://neosupps.com/discount/ROCKY?ref=rocky Smilodox Code 'Rocky': https://smilodox.com/discount/rocky?ref=rockyIch bin zweifacher Europameister: https://youtu.be/zRjGhcn08UY?si=xDJohF9anXrdyjjDFolg mir auf Instagram: https://www.instagram.com/_rockleesu_/Mikel IG: https://www.instagram.com/motivasian/Music from #InAudio: https://inaudio.org/Vlog Fashion Anime by Infraction [No Copyright Music]/ Children of light

In dieser Episode spreche ich mit Prof. Eva-Lotta Brakemeier, Professorin für Klinische Psychologie und Psychotherapie an der Universität Greifswald und Präsidentin der Deutschen Gesellschaft für Psychologie.Depression ist die häufigste psychische Erkrankung und gleichzeitig eine der am stärksten missverstandenen.In dieser Folge erfährst du:

Hello guys and welcome back to Shakespeare Saturday! Hosted by myself and Sarah Spring

Endlich Resultate die du verdienst: https://rockyleecoaching.carrd.coHör die die Folgen auch auf anderen Plattformen an:Spotify: https://open.spotify.com/show/2SIQOewg0MAVHpug9bxD31Apple Podcast: https://podcasts.apple.com/us/podcast/rocky-lee/id1621187157✖️[Werbung/ Anzeige] Bekomme den bestmöglichen Rabatt und unterstütze den Kanal:Neosupps Code 'Rocky': https://neosupps.com/discount/ROCKY?ref=rocky Smilodox Code 'Rocky': https://smilodox.com/discount/rocky?ref=rockyIch bin zweifacher Europameister: https://youtu.be/zRjGhcn08UY?si=xDJohF9anXrdyjjDFolg mir auf Instagram: https://www.instagram.com/_rockleesu_/Mikel IG: https://www.instagram.com/motivasian/Music from #InAudio: https://inaudio.org/Vlog Fashion Anime by Infraction [No Copyright Music]/ Children of light

Grace trained at East 15 Acting School and has been a Boris Karloff Trainee Assistant Director at the Young Vic, a Catalyst Director at the North Wall, and participated in TalentLAB at Théâtre National du Luxembourg.She is a Theatre Director and Community Artist from East London and her work is rooted in collaboration, bold storytelling, and amplifying voices. She has worked with theatres and communities across the UK. Previously, Grace was the Resident Assistant Director at the Donmar Warehouse. Theatre includes: as director: Holy Show, UK tour; Weeping Woman at Theatre503; Wild Actually at Islington Pleasance; after birth at Omnibus and Northwall on UK tour; Lysistrata at the Arcola; and WOOD at VAULT Festival. As associate director: Inter Alia at National Theatre; and Otherland at Almeida Theatre. As assistant director: Natasha, Pierre and the Great Comet of 1812, The Fear of 13, Skeleton Crew and The Human Body at the Donmar Warehouse, What If If Only at the Royal Court; and Ivan and the Dogs at the Young Vic Theatre. We discuss her role as associate director on the hit show Inter Alia at the National Theatre, the conversations it sparks and the process of putting the whole show together. The production is set to make its Broadway debut later this year. All this and much more, thank you Grace!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning 

Kate is an actress, writer and teacher, she graduated from RADA (Royal Academy of Dramatic Art) and her work can be seen across theatres, BBC and Channel 4. As well as in classes at Arts Ed, LAMDA, Rutgers Uni at the Globe, National Opera Studio and for the New Actors Centre. Her acting credits include:Theatre:Echo - Royal CourtThe Old House - RADA Festival and Camden Fringe - Kate's own one woman showOpening Skinner's Box - devised by the Improbable Theatre company, written by Lee Simpson at the Northern Stage, West Yorkshire Playhouse and Bristol Old VicOne Cold Dark Knight - BushStone Circle, directed by Matthew DunsterFilm:Six Underground, directed by Michael BayFlawless, dir. Michael RadfordSeven Lucky Gods - nominated for Best Supporting Actress at the Milan International Film Festival Currently developing her new show “Murmurations”. In 1997 she met Scott Williams and discovered the Meisner Technique which she now teaches across the UK and Internationally. Her practice is helping actors with their “Present Performance”. On top of all this, she is part of the rejuvenation project of the New Actors Centre, formally known as The Actors Centre. Kate is part of the team, including Harry Burton, which is helping to get it back on its feet. By providing London based actors with a place that will run classes and help rebuild the actor and creative community that was under threat when it initially closed. More information about this and how to support the cause can be found via the websites below. newactorscentre.orgkatemaravan.comKate and I discuss drama school training, her work on Meisner technique and how she has helped to rebuild The Actors Centre back to where it needs to be. Thank you Kate!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning 

Tänane külaline on Mai-Liis Pille, kes on massaaži eriala kutseõpetaja, massöör ja kundalini jooga treener, kellel on selles valdkonnas enam kui 20 aastat kogemust. Tema teekond ei alanud mitte karjäärivalikuna, vaid isiklikust kriisist. Elu murdepunkt viis ta enesearengu ja keha mõistmise teele, kus huvist anatoomia vastu kasvas välja sügav kutsumus aidata inimesi läbi puudutuse, liikumise ja teadlikkuse. Täna õpetab ta massööre mitmes Eesti õppeasutuses, viib läbi koolitusi nii professionaalidele kui ka tavainimestele ning töötab igapäevaselt inimestega, kelle kehad on valus, pinges või tasakaalust väljas. Mai-Liisi tugevus ei ole ainult tehnilistes oskustes, vaid oskuses näha inimest tervikuna - keha, emotsioonide ja elustiili tasandil. Ta aitab mõista, kust valu päriselt alguse saab, millal saab massaaž aidata ja millal mitte. Tema töö keskmes on üks selge mõte: keha ei ole midagi, mida parandada, vaid midagi, mida õppida kuulama. MAI-LIIS KOHTA LEIAD INFOT SIIT: https://www.discere.ee Esmakülastusel soodustus ja kohtub ka vastupidi ehk kui oled käinud koolitusel → saad massaažile sooduse, kui oled käinud massaažis → saad koolitusele sooduse. --- SHOWNOTES "Kõige levinum müüt on see, et massaaž peabki olema valus. Kui valus ei ole, siis see oli pointless." "Valu peaks olema selline mõnus magus ja nauditav — just see käivitab kehas heade hormoonide tootmise." "Me oma autot hooldame iga päev. Aga oma keha tihtipeale jätame täielikult hooletusse." "Massaaž on füüsiline treening. Klient on passiivne, aga massöör tegeleb tema lihaste ja kudedega." "Pidevalt kõrge stressiga grupp talus stressi kõige halvemini. Kõige parem stressitaluvus oli neil, kellel oli stressiperiood ja siis puhkeperiood." "Ei saa ronida neljandale korrusele, kui sa pole läbinud esimest, teist ja kolmandat." "Koolitatud massöö peab ära tundma hetke, kus otsustada — kas massaaž on piisavalt tõhus täna või vajab inimene teise spetsialisti abi." "Puudutuse puudumisel areneb välja alateadlik teadmine — mulle ei meeldi puudutus. Ja see on omandatud." "Massaaž ei ravi. Me toetame inimese tervenemise protsessi. Ravivad ainult arstid." "Vähihaiget ei tohi puutuda, sa ajad vähi laiali — see dogma on teadusuuringutega ümber lükatud." "Õhinapõhiselt inimest aidata ei ole alati tulemuslik. Peab olema kainetmõistust, kogemust ja teadmist." "Hea massöör ei ole see, kes teab kõige rohkem. See on see, kes on pidevas enesearengus ja suudab klienti kuulda." "Massaaž oli kunagi taastusravi lahutamatu osa. Siis tõsteti ta välja — arvates, et see on pigem heaolu- ja iluteenus." "Kui keha tunneb valu, läheb see kaitseseisundisse — tekib lisapinge lihastes." "Mitte igale inimesele ei sobi tugev massaaž. Väga väsinud kehale on see liiga suur koormus." "Kui ma tegin esimest korda massaaži valel hetkel valele inimesele — tema seisund läks hullemaks. See oli minu suurim õppetund."

In dieser Episode spreche ich mit Prof. Dr. Peter Albers, Chefarzt der Urologie der Uniklinik Düsseldorf und Leiter der Abteilung Personalisierte Früherkennung des Prostatakarzinoms am Deutschen Krebsforschungszentrum in Heidelberg.Prostatakrebs ist der häufigste Krebs des Mannes. Und trotzdem wird er bei 20% der Patienten in Deutschland erst erkannt, wenn bereits Metastasen vorliegen. Was der PSA-Test wirklich kann, warum das MRT die Diagnose revolutioniert hat und warum historisch einige Karzinome in Deutschland unnötig operiert werden, erklärt Prof. Albers im Gespräch.In dieser Folge erfährst du:

How do you write when your heart is broken? How do you go back into the publishing business after years away, knowing it's a very different industry to the one you left? With Jami Albright. In the intro, InAudio is now distributing audiobooks to BookShop.org; The Feedback Loop that Makes Better Writers [Author Nation Podcast]; Bones of the Deep on Goodreads. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jami Albright is the bestselling author of the Brides on the Run romances and the co-host of the Wish I'd Known Then Podcast. Today we're talking about her new novel, The Summer That Changed Us. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How Jami started writing fiction at 47 and waited a year before publishing her first book Why she fictionalised her sister's terminal cancer story rather than writing a memoir The difference between writing as therapy and writing for the reader Reactivating an email newsletter after almost two years of silence Going wide with a standalone women's fiction novel after years in KU and rom-com Letting go of the frantic hustle of indie publishing and redefining what success looks like You can find Jami at JamiAlbright.com. Transcript of the interview with Jami Albright Jo: Jami Albright is the bestselling author of the Brides on the Run romances and the co-host of the Wish I'd Known Then Podcast. Today we're talking about her new novel, The Summer That Changed Us. So, welcome to the show, Jami. Jami: Thank you, Joanna. I've made it. This is my first time on The Creative Penn, so I can retire tomorrow. Jo: And we were saying before the show, I really thought you had been on the show before, because over the years we've connected a lot. We met over a decade ago, didn't we? At the Smarter Artist Summit. I was like, “I'm sure you've been on the show,” and you haven't. So, yes, welcome. Jami: Thank you. You've been on our show, though. We did an interview with you a few years ago. Jo: Yes. Well, anyway, for anyone who doesn't follow your show— Tell us a bit more about you and how you got into writing and publishing. Jami: Okay. So I am the co-host of the Wish I'd Known Then Podcast for Writers. Sara Rosett and I have been doing that podcast since January 2020. Little did we know what was coming, and it really saved me, just mentally, being able to talk to people every week. I never wrote a word of fiction until I was 47. I'd never really written anything. I have really bad grammar. I tell a lot of stories, and I would make up stories, but I'd never write them down because of the grammar thing. But my reading buddy had her birthday coming up in about three months, and I thought, “You know what? I'm going to write Jennifer a book for her birthday. She doesn't care if I have bad grammar.” I just thought it would be on brand. It was so hard. I wrote myself into a corner very fast. When I told her, she said, “Well, now you have to.” So I got Writing a Romance Novel for Dummies, I read that, and I started writing what is now Running from a Rock Star. But then my computer crashed and I lost it, and I was like, “Well, I'm not a writer.” So that was fine. Then I turned 50, and I told my family, “I think the only thing I regret is not finishing that book.” Of course they were like, “Well, you need to just do it again.” I was like, “No, I had 30,000 words.” A few weeks later my daughter came in and said, “Mom, I found this flash drive in my car. I think it has your book on it.” And it was 20,000 of the 30,000 words. So I was like, “Well, it's now or never.” So I joined Romance Writers of America and got involved in a critique group, and they absolutely kicked my butt for a good six months. I think every week they were surprised I came back, because it was so brutal. I knew I didn't know anything, and they taught me to write. Six months after I joined that first critique group, I won my first contest with the first 10 pages of that book. Then I just continued on. Three years later, I published Rock Star. I was going to publish it two years later, but I went to the Smarter Artist Summit, where I met you. I was advised by Julia Cant and Sean Platt and some other people to wait—preferably to have more books written. I had the second book written when the first one came out, but it still needed to be edited. So I waited a year, learned this business, and sold plasma to pay for my edits because I was poor. It was the best decision I ever made. Going to that conference, first of all, was the best $500 I've ever spent, and waiting that year really helped me learn this business. When I published the book, I had an email list of 1,200 people before the book ever came out. None of those things would have been set up had I published right after the Smarter Artist Summit, which is what I'd thought I would do, in the summer. So waiting gave me time to get everything set up so that when I published that book, it really took off from day one. I had 1,200 people on that newsletter list who wanted that book, because I had done a preview promo. Instead of putting out the whole book, I think I put out four chapters, and then people signed up. I don't know that that works anymore. Jo: I was going to say that. We should say to people, what was that, around 2016? Jami: 2017. Things have changed. Jo: Yes, things have changed, and I think this is so important. I had a question about this, and what they were implying was things that, like you said, we learned a decade ago. Things have changed. We'll come back to how you're doing it now, but just in terms of finishing off how you got started—those books did really well, didn't they? You had a couple of years there. How many books did you do? How did that go? Because you did have real success. Jami: Yes. From 2017 until really the beginning of 2021, if you look at my sales graph and my income, it just increased, increased, increased. 2019 was my very best year, but 2020 was only slightly lower as far as book sales and income. I only put out a book a year after the second book. The second book came out about six months after the first one, and after that it was about every nine months to a year that I put a book out. Everyone said you can't make money doing that, but I did. I think those books are very tropey. They're very hooky. That helped. I also think the timing of those books was really good. Rom-com was really coming up, and my rom-com is pretty wacky, but it's also really emotional too. If I get any critiques about them it's usually that “this book was way more emotional than I expected, and I was looking for something a little lighter.” They're just really wacky. They're rom-coms. Wacky circumstances. Small town, so there's all these small-town people. I just think it was a good time to release those. Those were good years. I miss those years. Jo: It's a good lesson, because it's not always up and to the right, is it? We're going to come back and revisit that. So then the pandemic hit, and on a more personal level, over the last few years, you've had a deeply difficult time that has led to The Summer That Changed Us, your latest book. So talk a bit about what's happened, why this book, and also why fictionalise it rather than write a memoir? I had that question. Jami: Okay. So 2021, my income was dropping, but it was still okay. I was still making more than enough that—thank God I don't have to make all the money in our household—but there was a level that I wanted to. At the end of 2021, my sister, who was the fourth of five sisters, had lived with cancer—non-smoker's lung cancer—for 10 years. She had the kind that, if you had a certain mutation, there were medications that worked amazingly well. Until they didn't, and then they put you on another class of that medication. So for 10 years, that's what she did. She missed work maybe three times in 10 years. People who met her never knew she had cancer unless they knew us. She just never acted like she had cancer. We would have to say, “Remember, you have cancer.” At the end of 2021, they ran out of that class of drugs. There were some being tested, but none had been approved. When she was diagnosed, she was diagnosed with stage four lung cancer. You don't survive very long having stage four lung cancer with no medication. So I saw the writing on the wall pretty much at the end of 2021, but of course I was very hopeful that they could do something. By May of 2022, it was clear things were not going well. In July of 2022, she got a six-to-twelve-week diagnosis. She just went in one day thinking she was about to get radiation, not knowing anything, and they were like, “No, we can't do radiation, and you should get your affairs in order because you have six to twelve weeks to live.” Jo: Oh. Jami: People who've been through it know this feeling. It's like being hit by a wrecking ball. It just knocks everything off your axis. Your whole world implodes into this one moment, this person that you love. I live four hours away from my family. They all still live in the same small town. I was in Dallas at my daughter's at the time, and they live about 30 miles outside of Dallas. So I went to my mom's, and I stayed there. I was there for almost six months, if you count the time I was back and forth, because she was not doing great but she was still okay. She had always rallied and come back. But once she got the diagnosis, I stayed. She would go home, but she would come back to my mom's during the day, because her husband worked. She was a teacher, so she was off during the summer. I was just there, and we all just took care of her. When she decided to go on hospice, she wanted to be at my mom's. She didn't want to be at home—they lived out in the country. She wanted to be at my mom's, so we set her up in the living room. We're redneck country people. We bring our crazy people in, our sick people, just out for everybody to see. She was just in the middle of the living room in her hospital bed, and the world just revolved around that hospital bed. Once that happened, once I knew at the end of 2021 that things were not going to go well—I really did not believe she would die. But she died a month after she went on hospice in October of 2022. That whole year, I was useless. I could not write. I couldn't think of anything to write. I write funny. How do you write funny when your heart's broken? I couldn't do it. After she died, I knew it would take a while. I knew it would maybe even be a year. But as the weeks turned into months and the months turned into years, I haven't written—except for her obituary—I've not written a word since she died until I started writing this book a year ago. I started it on April 19th. Jo: I mean, the stories of grief—there seems to be no way of escaping whatever it ends up being. You didn't choose your response. Your deep grief was just there, and you couldn't write. I feel like sometimes people just try and force it. It sounds like that's what you needed, and you have done that. So what then gave you the impetus to finally write—and to choose fiction? Jami: I didn't write memoir. I did think about doing a memoir, but I don't read memoir, and I don't know how to write it. I was already behind the eight ball, trying to write a book at all because it had been forever. I don't need to learn how to write something completely different. Plus, it just felt too close to write the memoir. I had been in Mexico City with my daughter, who has an event planning company, and we were there scouting locations for one of her events. Janet Margot lives in Mexico City, so I reached out, and we had dinner. We were talking, and she had had two big losses about the same time that my sister passed away. So we were talking about how difficult it is afterwards, just getting your head back into a space of being creative at all. She said, “You really should write this book. You should tell this story. It hits everything: middle-aged women dealing with middle-age things. You've got your parents that you were dealing with, and then your sister. You should write this story.” I said, “No, thank you. I lived it. I don't want to write it.” But it just wouldn't go away. I couldn't figure out how I would tell it. Whose point of view? I couldn't do it from the dying sister's point of view because I didn't think I could be authentic. I was afraid to tell it from multiple POVs because the book has a lot of characters in it. My family is gigantic—my immediate family, my sisters, husbands, nieces and nephews, my kids, my mom and dad—there are 35 of us. Almost all of those are in and out of my mom's house all the time. So I knew I couldn't do multiple point of view. One day, I was driving home to my mom's house, and it just hit me. The whole story laid out in front of me, and that's what I did. The first draft was pretty much just a retelling of what happened to us. I added some fictional elements, but I just wanted to get the story out. It was hard. I started Adderall on April 19th of 2025—I know that, because that's the day I started this book. I do call this the book that Adderall wrote, because I could sit and focus for three or four hours, which I'd never really been able to do. I would come to Starbucks and I would sit and write this book, and I would cry sitting in Starbucks, like a crazy person. People would walk by and slide a napkin onto the table and just keep walking, because I'm sitting there crying like crazy. I was so superstitious, and things were working so well, that I was afraid not to come and write at Starbucks. Staying at home, I think, would have been really hard. I would maybe have sunk into a depression had I done this at home. So I just wrote the whole book at Starbucks. After I wrote the first draft, I went back in and made it more fictional. But a lot of the book—especially her stuff—is a lot of what happened. She was just crazy. I tell a story in the book that, this is the absolute truth, this happened. She was in college, and she had convinced my younger sister to go to a honky-tonk club because they were having a Miss Honky-Tonk contest. Before she could get up on stage to compete as Miss Honky-Tonk, she got in a fight with some girl, and the girl hit her in the head with a bottle and split her head open. She was bleeding. My youngest sister was like, “We've got to go to the ER.” And she just refused, because there was a $300 cash prize for winning, and she needed it to make rent. So she borrowed a towel from the bartender, wrapped it around her head, competed with that bloody towel on her head, and won that stupid contest. That story in and of itself was my sister. Everything about her is in that story. So a lot of the stories in there happened to her in one way or another. What happens to June in the book happened to my sister. Jo: This is interesting, because the same thing memoir writers face is something perhaps you face: how much of the writing is therapy and how much is for the reader? You said you sat there crying. Absolutely, writing for therapy is very important—but when you come to edit, there might be things that your therapy side of you is like, “That's so important to me.” How do you kill your darlings when you're editing your sister's life? Jami: That was hard. I had to take out a lot of what was in the first draft, mostly the stories. Once she came home on hospice, it was just a steady stream of people coming in, and everybody had a story about her. What I found in editing was that Hope, the main character, was mostly a spectator in those scenes instead of being actively part of them. So I had to take those out, because they didn't serve the purpose of the book. I committed early on to: while I wanted to tell the story, I did not want it to be self-indulgent. I did not want it to be a therapy session that I sold to people as a story. Because of that, I think that really helped. I really did think about that as I was revising. I sent it to a developmental editor, and I don't know how great she was, but she gave me some really good advice about a couple of things. One was, “There's just not enough conflict in this book. You say that Hope and the father have this really contentious relationship, yet we don't see it. There's a little bit of it here and there, but you're not really digging into that.” It's hard, because while the rest of the world doesn't know, my family knows that this is a lot of our story. I just had to let that go and not worry about what my family thought. They had all given me permission. I'd sort of said, “I want to do this. Are you guys okay with that?” I talked to her husband, and everybody was okay with me doing it. But I couldn't worry about what they were going to think. I would repeat to myself: if they want to tell this story, they can write their own book. I'm writing what I saw and telling a fictionalised story that will hopefully honour her, but also help other people feel like they're being seen, and also be entertaining. If you're going to write a book, it needs to be somewhat entertaining. Jo: I don't think you can help yourself. You're funny. Jami: Yes. The book is really funny. I tell people that and they're like, “Hmm, really?” And I'm like, “It is really funny.” But it's also really sad. Jo: Well, I think that's the truth—to defend myself. There is a lot of humour in grief. There is death and dying, and it's a human condition. Jami: It is a human condition, yep. Jo: There's comedy in all of the human condition. That's just the way it is, right? I heard you mention on an interview, I can't remember where it was, that you feel very connected to this book, and you're worried that people judging it or giving it a bad review might feel like an insult to your sister. How are you dealing with these kinds of fears about how to separate ourselves from our books? Jami: I've been in therapy—like, literal therapy—for that, because I felt like that would be hard. So far, I've only gotten a few reviews back. They've all been good reviews. I haven't had anyone say they hate it. I just have had to separate myself. It's not personal. Reviews are never personal. People not liking your book is never personal. That's just a mindset. I've had to change my mind about that. Knowing that's a pitfall I could fall into, I really keep it top of mind. My family knows that's an issue, so they know they have to pull me out of that hole if I drop in. So that's really how I've handled it so far. We'll see. Jo: Maybe it's time as well. You're almost back to the “book is your baby” situation. As the years pass, the book almost becomes separate, doesn't it? How you feel about your first bride book is probably like, “It's not even me anymore.” Jami: Right. I learned early that your book isn't really your baby. Once you publish it, it's your product. So that has never been very hard for me. I still hate bad reviews, and I take them personally like everybody else does, if I let myself. But ultimately, this is a book that I'm putting out for entertainment. Yes, it's very personal. Yes, it means a lot to me. But if people don't like it, it isn't because they don't like my dead sister. They just don't like my writing. Jo: It's tough, but it's good to talk about, because this is something many people feel. My memoir Pilgrimage—it's not the same at all—but I was just so scared of judgment. The fear of judgment. What people would think of me. That's kind of different, but— It's this question of how it'll land. The reality is, not many people read these books anyway. Jami: Well, I have worried about how it would land, but mostly I worry about how it would land with the people I love. My mom read it last week. I was there while she was reading it. That was no fun. She laughed, but it was devastating to her. She's like, “It's great, and I hate it.” Because it is so raw and real to her still—well, to all of us. That's where I worry, how it's going to land with them. But again, I've had to let that go. I had to let it go during the writing, because if I worried about that, then I would not have told an honest story. That was another thing—I didn't want it to be self-indulgent, and I wanted it to be honest. As honest as I could make it, even to the point of making people uncomfortable. There's a line. Once you cross it, there's no getting you back after that. So I walked that line really carefully, because I did want it to be honest about how I felt, how other people I know who've been through something like this feel. Also, just relationships. Because when you're in a big family like my sisters and I—we adore each other, but we can also go toe-to-toe real fast. It can get ugly, because we know each other really well. We're also a little bit redneck, so we don't pull any punches. Your sisters are always the most honest people in your life. I wanted that to be true in this book too—both sides of that story. Jo: Let's circle back to the business stuff and some of the things we talked about, because obviously this has been a really difficult time. There was no way to deal with it in any other way, but your business has changed. You had these great few years, good sales, and then you had other priorities. So how are you rebooting the business? Lots of people end up taking a few years out for whatever reason. How are you rebooting the business to try and sell some books? Jami: To be honest, I have the remnants of a business. I have tried over the last four years to run some ads to get the Bride's books going, but here's something that's very interesting, and if somebody can tell me why this happened, I would love to hear it. These books that have sold so many books—I mean, so many books—I could not give them away. It didn't matter what I did. I changed covers, I changed blurbs, I put them on sale, I took them off sale, I ran ads. Ads wouldn't really move the needle. I know that at a certain point, when you haven't published and your books get pushed down in the algorithm, that is an uphill battle. But it was almost like, one day they just fell off, and once they started falling, I could not get them back. I just couldn't. So that I didn't make myself crazy—because also during this time, I was just trying to keep my head above water—when I would deal with my books or go into my dashboard, I would feel horrible. I was already feeling horrible, so I didn't need to feel more horrible. So I just sort of let them go after a certain point. I've now started running some Facebook ads. I have one Facebook ad that's working really well, knock on wood, right now for my first Bride's book. The problem is, this book and my Bride's books are different. The voice and the tone are the same, but they're really different in a lot of ways. They're the same in a lot of ways. This book doesn't have any sex; the other books don't have anybody dying. But some of the things are really similar. So I may have some crossover. For whatever reason, this ad is working. My book one is ranked better than it's been ranked in forever—really good. I'm not spending a ton of money to do it. So I don't know what changed. I don't know if I'll ever know. I've revised my newsletter, and that's worked well. I still have around a 35 to 40% open rate on a newsletter that I didn't send out for almost two years. I was sending it out, but then I kind of stopped, and then I started again. Jo: I was going to ask you about that, because I often get people emailing me. They're like, “I have a really old newsletter from several years ago. I haven't emailed them for years.” So what did you say in that first email? Like, “Hey, I'm back”? Jami: I mean, I'm just like, “Remember me?” It really was kind of like that. Just, “I'm back. You guys know life has happened. I'm sure you understand. If you're still here, thank you so much. I have been writing. I have this book that I think some of you will really love.” That's really how it was. From the first email, even that first email had a higher open rate. I think it was close to 45%. I had not sent out a newsletter in two years literally. Jo: People were like, “What happened?” Jami: They're like, “Oh, she didn't die. That was her sister, not her.” But I've just been really fortunate. They've been really encouraging. Every time I send one out, I get really encouraging emails back. So I've sent out about the book. The majority of my readers are KU readers because my books are in KU. But this book is going wide. One of the things I'm doing because I have been a little concerned about… Janet Margot does a lot of Amazon ads stuff and she knows a lot about Amazon. We've talked a lot about whether I should use my real name, my pen name, or come up with another name. Should I worry about my readers buying the book and messing up my Also Boughts? All of those things, because my readers are romance readers. Some of them read women's fiction, but for the most part, they're romance readers. I've decided to stick with Jami Albright and not worry about it. There are just things you can't control, so I've had to hold everything with a really open hand with this book. I am offering the book on my website. I'm selling it at $7.99—I chose a high price point, because I just feel like, to sit with the other books that I want it to sit with, I need that price point. So I'm offering it on my website, starting at the end of this week, for $5. If they're KU readers and they don't buy books, but they want the book, they can get it for $5 on my website, which I think is reasonable. Jo: Mm. Absolutely. Jami: If that's too much for them, I understand and I get it. Time, things are hard right now, and if they can't do that, it's going to be in libraries, so they can request it at their library. But right now that's the plan. Hopefully that helps with the Also Boughts a little bit too. Even though, again, I just can't worry about those things. As a gift to my readers, I want to do this for them as well—give them a discount. Jo: And obviously this is a standalone, right? This is not— Jami: Yes, it is. Jo: Again, a bit like memoir, all the book marketing we talk about in fiction is “write a series.” It's much easier. So it is difficult to market a standalone in general. And this is something that happened, so it is a standalone situation. So do you feel like you're back in terms of writing? Have you got plans for more books, or is this a business for you going forward? Do you feel like you want to re-enter this whole world? Jami: I do. I have an idea for a book similar to this one—not in the same kind of genre, I mean, of women's fiction, kind of midlife fiction stuff. I have an idea. I had nothing for months and months and months, and a couple of months ago, this idea kind of came to me. I was like, “Oh, that's not bad.” So I'm mulling it over—I do a lot of mulling—and that's the next book I think I will write. I don't know that I'll write rom-coms again. Not because I don't love them. I do, and I love my rom-coms. But I'm just different. You do not go through something like this and come out on the other side the same. I don't know that I could carry an entire rom-com through without it being even more emotional than mine are now. So for right now, I'm going to write another one of these kinds of books where it's got a lot of emotion, family dynamic, tension and dynamics. Jo: That's great. I do feel like once you've written the book that was waiting—your sister's book—then more things arrive, and it's great to hear that that is arriving for you. And of course, we change. One of the nice things about writing for the long term and building more of a name brand is that you change, and your readers either follow you or they don't, but it's your life. So I think that's a good reason to have one pen name. I obviously have two, but my fiction pen name I've written all kinds of genres under. Why else would we keep doing this? I don't want to write the same book over and over again. Jami: Right. Believe me, I've had to eat a lot of crow over the last four years, and it's tasty with ketchup. I have decided that a lot of the stuff I said is true: about you write in one genre, you give the people exactly what they want, and you give it to them over and over again. I believe all of that. I still believe those things. It's just that I don't know that I'm capable of doing that right now. Also, I'm older. I am about doing the things that bring me joy and are not a drudgery. I want to say this, because I miss the success. I miss who I thought I was during that time. I miss the recognition. I'll freely admit it. I miss being the person doing the thing that everybody said couldn't be done. “You can't make money with one book a year.” Well, watch me. And I did. I miss that. What I don't miss, and I've had to be really, really honest with myself, which has been difficult—I don't miss the anxiety that came with that. There was a lot of franticness. I think that if you are in a lot of groups, you see that franticness. I've had to step back, like I've had to step back, and then go back into these groups, you hear authors and see authors, and there's just this frantic sense that we're losing everything, and we have to hold on so tight to everything. I was like that. I checked my ads constantly. I checked my dashboard constantly. My mom used to say, “This should be fun.” I'm like, “Mom, it's a business. It's not fun.” But I recognise that I loved that so much that I held onto it so tight. I don't want to go back to that. I don't have the energy for that. Since this all happened, I've gained four more grandchildren than I had. I have six grandchildren now. I want to spend time with them. I want to spend time with my adult children. I want to spend time with my mom and dad. So I can't be frantic about my sales—are they going up, are they dropping?—and give emotionally to the people I love in my life. If the last four years have taught me anything, it is that the one thing you can never get back is time. You can never get it back, and that is so important to me right now. With this book—and one of the reasons I wanted to talk to you when we were talking about when I would do it—I wanted to do it before it came out, because I've already won. Writing this book, writing a book that honours the bravest person I've ever known and doing the second-hardest thing that I've ever had to do, is the win. That's the win. Whatever happens with this book afterwards is just what happens with this book afterwards. It doesn't change who I am, and you told me that when we were in Vegas two years ago. That conversation really changed a lot for me, because you said, “You are a successful author.” I was still trying to come up with a plan to be a successful author again, and you were like, “You are a successful author. You've had success. That makes you a successful author. You don't have to chase that.” That changed so much of my thinking. If I could leave listeners with anything, it is that we need to recognise the things we can't control and just deal with the things we can control. That's kind of how my sister lived. She could not control her cancer, but she could control how she responded to it and how she went forward. I think a lot of times, when bad things happen, we want to make sense of them. We want a reason for them. And a lot of times there's just no reason. There's no reason my sister died. There's no reason she left two kids and a husband devastated and a family that just has a giant hole in it. There's no reason for that. What defines us is not figuring out why that happened. It's what we do with that going forward. I think that's important for me to remember when I start getting caught up in all the franticness of this business. Jo: Yes. Or not, as the case may be. You can just let the book be what it is. And I do feel like these deeper books, they're more slow burn. You wrote books that ran, ran like the bride. Now we're not running like the bride. Jami: I'm tired. I don't run unless a wild animal's chasing me. Jo: Exactly. Look, we're out of time, but just tell people, if they haven't listened, a bit about your podcast, Wish I'd Known Then with Sara Rosett. Tell people what they can find over on that podcast and why you're still doing it. You've been doing it throughout the whole time. While not writing, you've still been podcasting. Jami: It absolutely saved my life. It's kept me in this business. While I haven't been publishing, I still know what's going on. I know about direct sales, I know about what's happening behind the scenes, with Facebook ads. I've kept in touch with those things because of our podcast. It's an interview podcast like yours, but we talk to people about what they wish they'd known about indie publishing. Most people have some certain thing that they've been working on or doing, and we talk to them a little bit about that too. We ask the same questions every week to every guest, and it's so interesting how different the answers are, and yet how similar they are. I think that helps when you're going through it and you're like, “God, I must be the only one feeling this way.” But you tune into a podcast, and you hear week after week, “Oh, no, there are other people feeling the same way I'm feeling, or struggling with the same things I'm struggling with.” Hopefully we give people things to shoot for and to aspire to. We have some amazing guests. They've all been really gracious and really honest. I don't know if it's the questions, or just because Sara and I are our style, but they're really honest with us when they answer the questions. Jo: It's a great show. I recommend it a lot. Jami: Thank you. Jo: Where can people find you and your books online? Jami: You can find me at JamiAlbright.com—that's J-A-M-I-Albright.com. I'm on all the socials as Jami Albright Author. My books are on Amazon right now, but this book is actually now on all the retailers. So that's where you can find me. Jo: Brilliant. Well, thanks so much for your time, Jami. That was great. Jami: It was an honour. Thank you so much.The post Writing Through Grief And Rebooting an Indie Author Business With Jami Albright first appeared on The Creative Penn.

AI tools are showing up across more self-publishing platforms, and authors need to know what is changing. In this Self-Publishing News update, we cover new AI tools from IngramSpark, Laterpress, and Spoken, along with audiobook updates from Audible and Voices by INAudio. We also look at Bookvault pricing changes, author events, and a quick mid-year survey from Written Word Media. Dibbly Create - https://DaleLinks.com/DibblyCreate (affiliate link) ACX: Audible's New Royalty Model - https://help.acx.com/s/article/audible-s-new-royalty-model  IngramSpark Assist FAQs (Metadata Assistant) - https://help.ingramspark.com/hc/en-us/articles/41627826665997-IngramSpark-Assist-FAQs-Metadata-Assistant Bookvault - https://bookvault.app Use BVDALE to waive three upload fees Bookvault: Quote Tool - https://quote.bookvault.app/  Laterpress - https://Laterpress.com  Voices by INAudio - https://www.voicesbyinaudio.com/  Spoken: Spoken Studio V2 — Magic Mode & Turnkey Full-Cast Audiobook Creation - https://www.spoken.press/the-spoken-chronicle/spoken-studio-v2-magic-mode-amp-turnkey-full-cast-audiobook-creation Rapid-Fire Newsflash Apple Books for Authors - https://authors.apple.com  AppSumo: DepositPhotos Deal - https://DaleLinks.com/DepositPhotos (affiliate link) Cooling Tiger Media Podcast w/ W.A. Blinko - https://open.spotify.com/show/4HNUrH8YLI8VpMiof0c4zY?si=0c4dffce16e34f6e&nd=1&dlsi=ac35936844ea4d3d Contact Wayne at info@wayneblinko.com Self-Publishing Made Simple w/ April Cox: The 5 Biggest Mistakes First-Time Authors Make (And How to Avoid Them) - https://selfpubmadesimple.com/why-authors-dont-publish  Twin Flames Studios: Pitching Your Book for Film & TV - https://twinflamesstudios.com/pitching-book-film-tv?partnerid=r1249 (affiliate link) Written Word Media Podcast: How Authors Are Winning On YouTube Right Now - https://youtu.be/qJu6uK-Dy2A?si=mKsbjapgX9y0KJfe Written Word Media Mid-Year Survey - https://writtenwordmedia.typeform.com/to/CCvrkXxE   Subscribe to my email newsletter - https://DaleLinks.com/SignUp  Join Channel Memberships - https://DaleLinks.com/Memberships Join Me on Discord - https://DaleLinks.com/Discord Check out my main YouTube channel - https://www.youtube.com/@dalelroberts My Books - https://DaleLinks.com/MyBooks Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

Tänane külaline on Liis, on naine, kes ütleb enda kohta, et ta on “täiesti tavaline Eesti inimene” aga tema teekond ei ole olnud seda kindlasti. Tema elu ei ole kulgenud sirgjooneliselt. Vastupidi, see on olnud täis otsinguid, murdekohti ja hetki, kus kogu senine maailmapilt on kokku kukkunud. Seljakotirännak Austraalias, kus ta koges hülgamist. Vipassana meditatsioon Tais, kus ta esimest korda tundis puhast armastust inimeste vastu. Suvi telgiga Londoni parkides. Otsingud Indias. Ja vahepeal täielik lahtilaskmine, loobumine harjumustest, asjadest, identiteedist. Tema teekond ei ole olnud vastuste leidmine, vaid küsimuste sügavamaks muutumine. Täna uurib Liis elu läbi vaimsete praktikate, filosoofia ja isikliku kogemuse, otsides, mis on päriselt tõde, mitte see, mida meile on õpetatud uskuma. Ja võib-olla kõige ausam küsimus, mida ta endalt küsib on: “Kas ma olen midagi leidnud, või olen ma alles teel?” --- SHOWNOTES — TUGEVAD MÕTTED "Hirmsast unenäost on suurem motivatsioon üles ärgata kui heast unenäost." "Keegi ei küsinud — ja sellepärast ma ei rääkinud." "Kogu aeg oli tunne, et räägin välja perekonna saladuse." "Esimesed 20 aastat arvasin, et elu ongi nii — ja positiivselt mõtlejad pole lihtsalt veel piisavalt kogenud." "Funktsioon ei olnud see, et elu oleks ilus, vaid et järgmise päevani vastu pidada." "Ma armastan sind sellepärast, et sa oled olemas — mitte sellepärast, mida sa teed." "Guru on nagu lennuk, mis lendab su kohal ja ootab, et sul oleks piisavalt vaba ruumi, et maanduda." "Mõtted viitavad kogemusele, aga nad ei ole kogemus ise." "Maailm on loodud inimesele — ja see on müüt, milles me kõik elame." "Kui sa oled oma mõttes, oled sa alati ühe mõtte kaugusel reaalsusest." "Mul on alati valida — kas olla solvunud või jätkata tingimuseta armastuse andmist." "Valu on olnud minu parim nõelravi." "Austraalia õpetas mulle, et elu ei pea olema raske." "Vastutuse võtmine enda eest on see, mis tegelikult elu muudab — mitte aeg." "Ma ei tea, kus ma oleksin, kui ma poleks endaga tegelenud. Kas mind oleks üldse." "Nothing excites me — ja see ei ole probleem, see on shift." "Teises riigis hakkad aru saama, mis sinu enda kultuuris on lihtsalt harjumus, mitte tõde." "Iga tehnika teeb oma töö ära — ära jää sellesse kinni." "Ellujäämine ei ole saavutus — see on lähtepunkt." "Inimkontakt on põhiline — see on natuke ära kadunud, aga selle jaoks me siin oleme." ---

Cassandra Woodhouse Part 3!Cassandra returns to talk about her latest discoveries about playing Tessa in her latest tour of Prima Facie around New Zealand. As well as her debut book, “Sex, Power and Prima Facie: When Art Becomes Activism and the Creatress Rises”.In this beautiful book, Cassandra delivers a powerful, poignant and vivid understanding of not only Suzie Miller's play, but of the healing journey after the curtain comes down. Sex, Power and Prima Facie delves into her experience of taking this play around New Zealand, a one woman show in more ways than one, and the profound impact it had on the audiences and herself. From advice on how to regulate your nervous system after a demanding acting challenge, to having empathy for people sharing their stories for the first time. This book is not only for fans of the play, but for those discovering it for the first time. This is for you and the one in three. Get your copies now on from any major retailer, and it's also available as an audiobook on Spotify. All this and much more!Thank you again Cassandra always a pleasure!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning 

Endlich Resultate die du verdienst: https://rockyleecoaching.carrd.coHör die die Folgen auch auf anderen Plattformen an:Spotify: https://open.spotify.com/show/2SIQOewg0MAVHpug9bxD31Apple Podcast: https://podcasts.apple.com/us/podcast/rocky-lee/id1621187157✖️[Werbung/ Anzeige] Bekomme den bestmöglichen Rabatt und unterstütze den Kanal:Neosupps Code 'Rocky': https://neosupps.com/discount/ROCKY?ref=rocky Smilodox Code 'Rocky': https://smilodox.com/discount/rocky?ref=rockyIch bin zweifacher Europameister: https://youtu.be/zRjGhcn08UY?si=xDJohF9anXrdyjjDFolg mir auf Instagram: https://www.instagram.com/_rockleesu_/Mikel IG: https://www.instagram.com/motivasian/Music from #InAudio: https://inaudio.org/Vlog Fashion Anime by Infraction [No Copyright Music]/ Children of light

In dieser Episode spreche ich mit Martin Smollich, Leiter der Arbeitsgruppe Pharmakonutrition am Institut für Ernährungsmedizin am Universitätsklinikum Schleswig-Holstein (UKSH).Longevity-Hype, NAD-Infusionen, Kollagen, Omega-3: Der Supplement-Markt wächst rasant, aber was davon ist wirklich evidenzbasiert? Wir nehmen hier kein Blatt vor den Mund und erklären, welche Trends reine Geldverschwendung sind, welche Substanzen tatsächlich interessant sein könnten, und warum die Effektstärke ein oft unterschätzter Faktor ist.In dieser Folge erfährst du:

Flora trained in musical theatre at Arts Ed and has gone on to be part of some of the biggest shows for stage and screen. Her credits include, for screen:Judy, dir. Rupert GooldStreetdance: The Movie Malory Towers, Series 1, 4 and 5 - BBCGeek Girl - NetflixTheatre:Singin' in the Rain - Chichester Festival and West EndKiss Me Kate - Welsh National OperaFunny GirlWonderful TownThe American Clock - Old VicMacbeth - Players Theatre CompanyThe 47th - Old Vic, Rupert Goold, understudy Ivanka TrumpSuddenly Last Summer, English Theatre FrankfurtStranger Things: The First Shadow, West End, dir. Justin Martin Currently - Understudy to Rosamund Pike in Suzie Miller's latest hit play Inter Alia - playing at the Wyndham's Theatre in London and will soon be making its Broadway debut later this year. Not to mention, she was also part of the Walker's crisps 70th Birthday advert in 2018 playing the “Tupperware lady”. Brilliantly I must say!Flora discusses her time at Arts Ed, the rewards and challenges of musical theatre training as well as  understudying Rosamund Pike in the huge role of Jessica Parks in Inter Alia. In addition, how the play's subject matter (slight spoilers ahead) sparks tough but essential conversations about consent, what teenagers can access on the internet and creating a safe space to discuss sensitive subjects. Thank you Flora!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning 

Endlich Resultate die du verdienst: https://rockyleecoaching.carrd.coHör die die Folgen auch auf anderen Plattformen an:Spotify: https://open.spotify.com/show/2SIQOewg0MAVHpug9bxD31Apple Podcast: https://podcasts.apple.com/us/podcast/rocky-lee/id1621187157✖️[Werbung/ Anzeige] Bekomme den bestmöglichen Rabatt und unterstütze den Kanal:Neosupps Code 'Rocky': https://neosupps.com/discount/ROCKY?ref=rocky Smilodox Code 'Rocky': https://smilodox.com/discount/rocky?ref=rockyIch bin zweifacher Europameister: https://youtu.be/zRjGhcn08UY?si=xDJohF9anXrdyjjDFolg mir auf Instagram: https://www.instagram.com/_rockleesu_/Mikel IG: https://www.instagram.com/motivasian/Music from #InAudio: https://inaudio.org/Vlog Fashion Anime by Infraction [No Copyright Music]/ Children of light

Vivian trained at the Codarts University for the Arts in Rotterdam, Netherlands. Her credits include, for film:​Heather Duke, Heathers: The Musical, 2022For theatre:​Dear Evan Hansen, Manchester​Heather Duke, Heather's: The Musical, The Other Palace Theatre​Judy Benly, 9-5 The Musical UK TourShe is currently starring in the UK and Ireland Tour of Mean Girls in the iconic role of Regina George, made famous by Rachel McAdams in the hit 2004 film alongside Lindsay Lohan. For more information and to book tickets you can do so via the link below:https://meangirlsmusical.com/Vivian and I discuss her journey into the business, training at Codarts and getting cast in Mean Girls. As well as, life on the road, the demands and rewards of the job and how she makes this famous role her own. Thank you Vivian!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning 

No todo el mundo habla de lo que pasa cuando te quedas.Cuando decides sostener, cuidar, salvar… aunque tú también necesites ayuda.En este episodio de #Desahuevate, Alejandra Castillo comparte una experiencia que la marcó para siempre.Porque a veces el amor no es suficiente… y entender eso también duele.Créditos: HOST: Daniella Delucchi Instagram: https://www.instagram.com/delucchidaniINVITADA: Alejandra CastilloInstagram: https://www.instagram.com/alejandracastillo6041Diseño de interiores por: PECA STUDIO - https://www.instagram.com/peca_estudioCortinas: CORTILUM PERÚ - https://www.instagram.com/cortilumperuAlfombra de centro: MARI RUGS - https://www.instagram.com/mari.rugsDirección y producción: Daniella Delucchi - https://www.instagram.com/delucchidaniCo-producción: Fer Lopez - https://www.instagram.com/ferlopezofc Cámara principal: Mathias Becerril - https://www.instagram.com/mathbc.jpgContent manager: Alexandra Solórzano - https://www.instagram.com/_that70sbitch_Community manager: Anthuanet Cordova - https://www.instagram.com/sweetsearbhasDiseño gráfico: Maria Fernanda Suelpres - https://www.instagram.com/bitacora.pdf Edición y pos-producción: Pierina Herrera - https://www.instagram.com/yvnakim_Music from #InAudio: https://inaudio.org/Track Name: Infraction Music- FunkyCity “New Track” - https://youtu.be/UwrDEj5M_hQ?si=21MYPE0NLqxTtUnoEl equipo es la razón por la que esto es posible.

En este episodio de Desahuevate, converso con Alison Rincón sobre una realidad que muchas viven, pero pocas se atreven a decir en voz alta.Desde su experiencia en una institución militar, Alison comparte situaciones de acoso, injusticias y silencios que pesan más de lo que deberían. Hablamos de la vergüenza de alzar la voz, del miedo a no ser creídas y de cómo, muchas veces, el sistema termina protegiendo al agresor.Este no es solo su testimonio, es el reflejo de algo que pasa todos los días.Desahuevate, porque callar también duele.CRÉDITOS:Invitada: Alison RinconInstagram: https://www.instagram.com/alisonrincon6?igsh=aDlvejkybnk0c2hsDiseño de interiores por: PECA STUDIO - https://www.instagram.com/peca_estudioCortinas: CORTILUM PERÚ - https://www.instagram.com/cortilumperuAlfombra de centro: MARI RUGS - https://www.instagram.com/mari.rugsDirección y producción: Daniella Delucchi - https://www.instagram.com/delucchidaniCo-producción: Fer López - https://www.instagram.com/ferlopezofcCámara principal: Mathias Becerril - https://www.instagram.com/mathbc.jpgCámaras adicional 1: Pierina Herrera - https://www.instagram.com/yvnakim_Cámara adicional 2: Danny Dávila - https://www.instagram.com/dannydavila06Encargado de sonido: Mathias Becerril - https://www.instagram.com/mathbc.jpgContent manager: Alexandra Solórzano - https://www.instagram.com/that70sbitchCommunity manager: Anthuanet Cordova - https://www.instagram.com/sweetsearbhasDiseño gráfico: Maria Fernanda Suelpres - https://www.instagram.com/bitacora.pdfEdición y postproducción: Pierina Herrera - https://www.instagram.com/yvnakim_Music from #InAudio: https://inaudio.org/Track Name: Infraction Music- FunkyCity “New Track” - https://youtu.be/UwrDEj5M_hQ?si=21MYPE0NLqxTtUnoEl equipo es la razón por la que esto es posible.

La soledad no siempre tiene que ver con estar físicamente solo.A veces tiene que ver con no sentirte visto, comprendido o conectado.En este episodio exploro qué hay realmente detrás de esa sensación, por qué aparece en ciertas etapas de la vida y cómo empezar a relacionarte con ella sin que te consuma.Tal vez no se trata de huir de la soledad, sino de entenderla.¡Si te sientes solo, escucha esto! PT2 CRÉDITOS:Diseño de interiores por: PECA STUDIO - https://www.instagram.com/peca_estudioCortinas: CORTILUM PERÚ - https://www.instagram.com/cortilumperuAlfombra de centro: MARI RUGS - https://www.instagram.com/mari.rugsDirección y producción: Daniella Delucchi - https://www.instagram.com/delucchidaniCo-producción: Fer López - https://www.instagram.com/ferlopezofcCámara principal: Mathias Becerril - https://www.instagram.com/mathbc.jpgCámaras adicional 1: Pierina Herrera - https://www.instagram.com/yvnakim_Cámara adicional 2: Danny Dávila - https://www.instagram.com/dannydavila06Encargado de sonido: Mathias Becerril - https://www.instagram.com/mathbc.jpgContent manager: Alexandra Solórzano - https://www.instagram.com/that70sbitchCommunity manager: Anthuanet Cordova - https://www.instagram.com/sweetsearbhasDiseño gráfico: Maria Fernanda Suelpres - https://www.instagram.com/bitacora.pdfEdición y postproducción: Pierina Herrera - https://www.instagram.com/yvnakim_Music from #InAudio: https://inaudio.org/Track Name: Infraction Music- FunkyCity “New Track” - https://youtu.be/UwrDEj5M_hQ?si=21MYPE0NLqxTtUnoEl equipo es la razón por la que esto es posible.

En este episodio de Desahuevate Podcast, Daniella tiene una conversación profunda y genuina con Ariana Mujica, una joven de 23 años que a los 8 años tuvo que adaptarse por completo a una nueva realidad tras perder la vista debido a una extraña enfermedad que cambió su vida para siempre.Ariana comparte cómo enfrentó el miedo, la frustración y los obstáculos que llegaron con ese proceso, además de cómo logró reconstruirse, seguir adelante y demostrar que los límites muchas veces están en la mente. Entre aprendizajes, momentos difíciles y mucha fortaleza, este capítulo nos recuerda la importancia de la resiliencia, la gratitud y de nunca dejar de luchar por nuestros sueños.Créditos: HOST: Daniella Delucchi Instagram: https://www.instagram.com/delucchidaniINVITADA: Ariana Mujica Instagram: https://www.instagram.com/ari_mluyDiseño de interiores por: PECA STUDIO - https://www.instagram.com/peca_estudioCortinas: CORTILUM PERÚ - https://www.instagram.com/cortilumperuAlfombra de centro: MARI RUGS - https://www.instagram.com/mari.rugsDirección y producción: Daniella Delucchi - https://www.instagram.com/delucchidaniCo-producción: Fer Lopez - https://www.instagram.com/ferlopezofc Cámara principal: Mathias Becerril - https://www.instagram.com/mathbc.jpgContent manager: Alexandra Solórzano - https://www.instagram.com/_that70sbitch_Community manager: Anthuanet Cordova - https://www.instagram.com/sweetsearbhasDiseño gráfico: Maria Fernanda Suelpres - https://www.instagram.com/bitacora.pdf Edición y pos-producción: Pierina Herrera - https://www.instagram.com/yvnakim_Music from #InAudio: https://inaudio.org/Track Name: Infraction Music- FunkyCity “New Track” - https://youtu.be/UwrDEj5M_hQ?si=21MYPE0NLqxTtUnoEl equipo es la razón por la que esto es posible.

En este episodio de #Desahuevate, converso con #ABRL sobre su primer EP “En voz alta”, un proyecto donde decidió poner en palabras (y canciones) todo lo que sentía.Durante los primeros minutos, nos sumergimos completamente en el proceso creativo detrás del EP: cómo nació, qué significa para ella y por qué era tan importante decirlo todo sin filtros.ABRL se abre sobre el síndrome de impostor, crecer rodeada de referentes, las constantes mudanzas que marcaron su vida, el miedo a no ser suficiente y las dudas que tuvo al construir su identidad artística.También hablamos del amor, del corazón roto y de cómo todo eso terminó convirtiéndose en música.Este episodio no es solo sobre lanzar un EP. Es sobre atreverse a ser tú, incluso cuando no estás segura de quién eres.Créditos: HOST: Daniella Delucchi Instagram: / delucchidani INVITADA: ABRL¡Escucha “en voz alta” en todas sus plataformas!

Hi guys and welcome to another new series!Fringe in Fifteen

No todo el mundo habla de lo que pasa cuando te quedas.Cuando decides sostener, cuidar, salvar… aunque tú también necesites ayuda.En este episodio de #Desahuevate, Alejandra Castillo comparte una experiencia que la marcó para siempre.Porque a veces el amor no es suficiente… y entender eso también duele.Créditos: HOST: Daniella Delucchi Instagram: https://www.instagram.com/delucchidaniINVITADA: Alejandra CastilloInstagram: https://www.instagram.com/alejandracastillo6041Diseño de interiores por: PECA STUDIO - https://www.instagram.com/peca_estudioCortinas: CORTILUM PERÚ - https://www.instagram.com/cortilumperuAlfombra de centro: MARI RUGS - https://www.instagram.com/mari.rugsDirección y producción: Daniella Delucchi - https://www.instagram.com/delucchidaniCo-producción: Fer Lopez - https://www.instagram.com/ferlopezofc Cámara principal: Mathias Becerril - https://www.instagram.com/mathbc.jpgContent manager: Alexandra Solórzano - https://www.instagram.com/_that70sbitch_Community manager: Anthuanet Cordova - https://www.instagram.com/sweetsearbhasDiseño gráfico: Maria Fernanda Suelpres - https://www.instagram.com/bitacora.pdf Edición y pos-producción: Pierina Herrera - https://www.instagram.com/yvnakim_Music from #InAudio: https://inaudio.org/Track Name: Infraction Music- FunkyCity “New Track” - https://youtu.be/UwrDEj5M_hQ?si=21MYPE0NLqxTtUnoEl equipo es la razón por la que esto es posible.

En este episodio de Desahuevate Podcast, Daniella tiene una conversación profunda y genuina con Ariana Mujica, una joven de 23 años que a los 8 años tuvo que adaptarse por completo a una nueva realidad tras perder la vista debido a una extraña enfermedad que cambió su vida para siempre.Ariana comparte cómo enfrentó el miedo, la frustración y los obstáculos que llegaron con ese proceso, además de cómo logró reconstruirse, seguir adelante y demostrar que los límites muchas veces están en la mente. Entre aprendizajes, momentos difíciles y mucha fortaleza, este capítulo nos recuerda la importancia de la resiliencia, la gratitud y de nunca dejar de luchar por nuestros sueños.Créditos: HOST: Daniella Delucchi Instagram: https://www.instagram.com/delucchidaniINVITADA: Ariana Mujica Instagram: https://www.instagram.com/ari_mluyDiseño de interiores por: PECA STUDIO - https://www.instagram.com/peca_estudioCortinas: CORTILUM PERÚ - https://www.instagram.com/cortilumperuAlfombra de centro: MARI RUGS - https://www.instagram.com/mari.rugsDirección y producción: Daniella Delucchi - https://www.instagram.com/delucchidaniCo-producción: Fer Lopez - https://www.instagram.com/ferlopezofc Cámara principal: Mathias Becerril - https://www.instagram.com/mathbc.jpgContent manager: Alexandra Solórzano - https://www.instagram.com/_that70sbitch_Community manager: Anthuanet Cordova - https://www.instagram.com/sweetsearbhasDiseño gráfico: Maria Fernanda Suelpres - https://www.instagram.com/bitacora.pdf Edición y pos-producción: Pierina Herrera - https://www.instagram.com/yvnakim_Music from #InAudio: https://inaudio.org/Track Name: Infraction Music- FunkyCity “New Track” - https://youtu.be/UwrDEj5M_hQ?si=21MYPE0NLqxTtUnoEl equipo es la razón por la que esto es posible.

En este episodio de #Desahuevate, converso con #ABRL sobre su primer EP “En voz alta”, un proyecto donde decidió poner en palabras (y canciones) todo lo que sentía.Durante los primeros minutos, nos sumergimos completamente en el proceso creativo detrás del EP: cómo nació, qué significa para ella y por qué era tan importante decirlo todo sin filtros.ABRL se abre sobre el síndrome de impostor, crecer rodeada de referentes, las constantes mudanzas que marcaron su vida, el miedo a no ser suficiente y las dudas que tuvo al construir su identidad artística.También hablamos del amor, del corazón roto y de cómo todo eso terminó convirtiéndose en música.Este episodio no es solo sobre lanzar un EP. Es sobre atreverse a ser tú, incluso cuando no estás segura de quién eres.Créditos: HOST: Daniella Delucchi Instagram: / delucchidani INVITADA: ABRL¡Escucha “en voz alta” en todas sus plataformas!

La soledad no siempre tiene que ver con estar físicamente solo.A veces tiene que ver con no sentirte visto, comprendido o conectado.En este episodio exploro qué hay realmente detrás de esa sensación, por qué aparece en ciertas etapas de la vida y cómo empezar a relacionarte con ella sin que te consuma.Tal vez no se trata de huir de la soledad, sino de entenderla.¡Si te sientes solo, escucha esto! PT2 CRÉDITOS:Diseño de interiores por: PECA STUDIO - https://www.instagram.com/peca_estudioCortinas: CORTILUM PERÚ - https://www.instagram.com/cortilumperuAlfombra de centro: MARI RUGS - https://www.instagram.com/mari.rugsDirección y producción: Daniella Delucchi - https://www.instagram.com/delucchidaniCo-producción: Fer López - https://www.instagram.com/ferlopezofcCámara principal: Mathias Becerril - https://www.instagram.com/mathbc.jpgCámaras adicional 1: Pierina Herrera - https://www.instagram.com/yvnakim_Cámara adicional 2: Danny Dávila - https://www.instagram.com/dannydavila06Encargado de sonido: Mathias Becerril - https://www.instagram.com/mathbc.jpgContent manager: Alexandra Solórzano - https://www.instagram.com/that70sbitchCommunity manager: Anthuanet Cordova - https://www.instagram.com/sweetsearbhasDiseño gráfico: Maria Fernanda Suelpres - https://www.instagram.com/bitacora.pdfEdición y postproducción: Pierina Herrera - https://www.instagram.com/yvnakim_Music from #InAudio: https://inaudio.org/Track Name: Infraction Music- FunkyCity “New Track” - https://youtu.be/UwrDEj5M_hQ?si=21MYPE0NLqxTtUnoEl equipo es la razón por la que esto es posible.

En este episodio de Desahuevate, converso con Alison Rincón sobre una realidad que muchas viven, pero pocas se atreven a decir en voz alta.Desde su experiencia en una institución militar, Alison comparte situaciones de acoso, injusticias y silencios que pesan más de lo que deberían. Hablamos de la vergüenza de alzar la voz, del miedo a no ser creídas y de cómo, muchas veces, el sistema termina protegiendo al agresor.Este no es solo su testimonio, es el reflejo de algo que pasa todos los días.Desahuevate, porque callar también duele.CRÉDITOS:Invitada: Alison RinconInstagram: https://www.instagram.com/alisonrincon6?igsh=aDlvejkybnk0c2hsDiseño de interiores por: PECA STUDIO - https://www.instagram.com/peca_estudioCortinas: CORTILUM PERÚ - https://www.instagram.com/cortilumperuAlfombra de centro: MARI RUGS - https://www.instagram.com/mari.rugsDirección y producción: Daniella Delucchi - https://www.instagram.com/delucchidaniCo-producción: Fer López - https://www.instagram.com/ferlopezofcCámara principal: Mathias Becerril - https://www.instagram.com/mathbc.jpgCámaras adicional 1: Pierina Herrera - https://www.instagram.com/yvnakim_Cámara adicional 2: Danny Dávila - https://www.instagram.com/dannydavila06Encargado de sonido: Mathias Becerril - https://www.instagram.com/mathbc.jpgContent manager: Alexandra Solórzano - https://www.instagram.com/that70sbitchCommunity manager: Anthuanet Cordova - https://www.instagram.com/sweetsearbhasDiseño gráfico: Maria Fernanda Suelpres - https://www.instagram.com/bitacora.pdfEdición y postproducción: Pierina Herrera - https://www.instagram.com/yvnakim_Music from #InAudio: https://inaudio.org/Track Name: Infraction Music- FunkyCity “New Track” - https://youtu.be/UwrDEj5M_hQ?si=21MYPE0NLqxTtUnoEl equipo es la razón por la que esto es posible.

Historia escrita por Reaperman420.Fuente de la historia (traducción hecha por mí): https://bit.ly/4888eixEdición a cargo de Fanterozen: https://www.instagram.com/fanterozen/Código de Fortnite: yosoypride✨Redes sociales, FAQ y podcasts en un solo link: https://bit.ly/RedesPride

Hay historias de amor que no terminan… solo se transforman.Samantha vivió una relación que parece sacada de una película. Amó, cuidó y acompañó al amor de su vida mientras luchaba contra el cáncer.Este episodio es sobre quedarse cuando todo duele. Sobre amar en las buenas… y también en el final.CRÉDITOS:Invitada: SamanthaInstagram: https://www.instagram.com/ms.samxnlHost: Daniella DelucchiInstagram: https://www.instagram.com/delucchidaniTiktok: https://www.tiktok.com/@danidelucchiDiseño de interiores por: PECA STUDIO - https://www.instagram.com/peca_estudioCortinas: CORTILUM PERÚ - https://www.instagram.com/cortilumperuAlfombra de centro: MARI RUGS - https://www.instagram.com/mari.rugsDirección y producción: Daniella Delucchi - https://www.instagram.com/delucchidaniCo-producción: Fer López - https://www.instagram.com/ferlopezofcCámara principal: Mathias Becerril - https://www.instagram.com/mathbc.jpgCámara 2: Danny Dávila - https://www.instagram.com/dannydavila06Encargado de sonido: Mathias Becerril - https://www.instagram.com/mathbc.jpgContent manager: Alexandra Solórzano - https://www.instagram.com/that70sbitchCommunity manager: Anthuanet Cordova - https://www.instagram.com/sweetsearbhasDiseño gráfico: Maria Fernanda Suelpres - https://www.instagram.com/bitacora.pdfEdición y postproducción: Fer López - https://www.instagram.com/ferlopezofcMusic from #InAudio: https://inaudio.org/Track Name: Infraction Music- FunkyCity “New Track” - https://youtu.be/UwrDEj5M_hQ?si=21MYPE0NLqxTtUnoEl equipo es la razón por la que esto es posible.

En este episodio de Desahuevate, Dani conversa con Sophia, creadora de contenido que destaca por su autenticidad sin filtros. Juntas se abren como dos amigas más y hablan sobre sus ex relaciones, esas historias que duelen pero enseñan. Entre risas, confesiones y momentos reales, reflexionan sobre cómo salir de ahí, reconocer las banderas rojas a tiempo y aprender a elegirnos mejor

Amazon's latest algorithm changes are giving authors more proof that they need to bring their own traffic, while KDP print quality concerns keep pushing some authors to look at other options. In this self-publishing news update, I cover new insights from Written Word Media, a trust-shaking Grammarly lawsuit, LaterPress AI tools, Voices by INaudio, Draft2Digital features, and more. You'll also hear quick updates on Spoken, Booklinker, Twin Flames Studios, and rising self-publishing stats. All that and more in the Self-Publishing News for March 27, 2026.  PRF Law: Class Action Alleges That Grammarly Misappropriated the Names of Journalists and Authors Through its "Expert Review" That Lets Users Get Feedback on Writing From Experts - https://prf-law.com/current-cases/class-action-alleges-that-grammarly-misappropriated-the-names-of-journalists-and-authors-through-its-expert-review Written Word Podcast: The Amazon A10 Update: 3 Things Every Indie Author Needs to Know - https://www.writtenwordmedia.com/the-amazon-a10-update-3-things-every-indie-author-needs-to-know/ Vervanté - https://vervante.com/ Laterpress - https://Laterpress.com Laterpress: An Introduction to Laterpress AI | Special 2-hour Launch Stream https://www.youtube.com/live/E-h-WZR4mx8?si=4DUeL18jZiokE92t Voices by INAudio: Welcome to the Voices Newsletter - https://voicesbyinaudio-newsletter.beehiiv.com/p/welcome-to-the-voices-newsletter-8bc7af69628f447c Draft2Digital - https://DaleLinks.com/D2D (referral link) Rapid-Fire News Flash  Spoken x Author Nation: Choose the Winner in "Your Story" Audiobook Contest - https://www.spoken.press/yourstory Spoken: Spring Sprint - https://www.spoken.press/sprint Twin Flames Studios: Launch Strategies That Fit You (webinar) - https://twinflamesstudios.com/launchstrategies/?partnerid=r1397  BookLinker: Getting Started with BookBub Ads (webinar) - https://booklinker.mykajabi.com/Bookbub-Ads-Authors   Subscribe to my email newsletter - https://DaleLinks.com/SignUp  Join Channel Memberships - https://DaleLinks.com/Memberships  Join Me on Discord - https://DaleLinks.com/Discord  Check out my main YouTube channel - https://www.youtube.com/@dalelroberts  My Books - https://DaleLinks.com/MyBooks  Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

En este 8M

Hay quienes se vuelven expertos en sostener el mundo de otros… solo para no tocar el peso del propio. En este episodio de Desahuevate, me quedo sola conmigo y con una idea incómoda: ¿cuántas veces hemos hecho de los problemas ajenos un refugio para no enfrentarnos a lo que realmente nos duele? Una reflexión filosófica sobre la evasión, los límites emocionales y el valor de mirarnos sin distracciones

Draft2Digital is finally explaining why dozens of nonfiction categories were blocked last year, and the answer points to a growing issue with AI flooding parts of the nonfiction marketplace. We also look at fresh market insights from PublishDrive, issues surfacing around the BookBounty review exchange platform, and several updates authors should keep on their radar across distribution, tools, and publishing platforms. Author Nation After Party (digital replay) - https://DaleLinks.com/AuthorNationReplay (affiliate link)  PublishDrive's Market Intelligence Report 2026 - https://publishdrive.com/publishdrives-market-intelligence-report-2026  PublishDrive - https://DaleLinks.com/PublishDrive (affiliate link) Bookshop.org and Draft2Digital Partner - https://www.draft2digital.com/blog/bookshop-org-and-draft2digital-partner-enabling-independent-bookstores-to-profit-from-self-published-ebooks/  D2D and Bookshop Team Up: Your Ebooks Reach 4 Million New Readers (video) - https://youtu.be/DR5ixdGItWE?si=KqZgeuEoSgolvL5p  Draft2Digital - https://DaleLinks.com/D2D (affiliate link) Indie Author Magazine: Draft2Digital CEO Details How AI Is Actually Affecting the Industry - https://indieauthormagazine.com/draft2digital-ceo-kris-austin-details-how-ai-is-actually-affecting-the-industry/  Book Bounty - https://DaleLinks.com/BookBounty (affiliate link) Rapid Fire News Flash Amazon Ads - https://ads.amazon.com Voices by INAudio - https://www.voicesbyinaudio.com/ Novel Report - https://DaleLinks.com/NovelReport (affiliate link)  IngramSpark: Book Marketing for the Self-Published Author - https://ingramspark.learnworlds.com/course/book-marketing Barnes & Noble Press: Bank Beneficiary Address - https://help-press.barnesandnoble.com/hc/en-us/articles/45981327203483-Bank-Beneficiary-Address ProWritingAid presents: Novel Beginnings - https://prowritingaid.com/novel-beginnings?afid=6615 (affiliate link)   Subscribe to my email newsletter - https://DaleLinks.com/SignUp Join Channel Memberships - https://DaleLinks.com/Memberships Join Me on Discord - https://DaleLinks.com/Discord Check out my main YouTube channel - https://www.youtube.com/@dalelroberts  My Books - https://DaleLinks.com/MyBooks Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

Este episodio se subió un poco tarde por problemas técnicos (UPS)

En este episodio de Desahuevate, conversamos con Carla Eyzaguirre, una joven de 23 años que decidió romper el silencio y compartir una historia que marcó su vida para siempre.Carla perdió a su papá en un momento inesperado y doloroso. Pero más allá de la pérdida, nos habla de algo que muchas veces no sabemos nombrar: la dependencia emocional. Cuando una persona se convierte en tu mundo, en tu refugio, en tu lugar seguro… ¿qué pasa cuando ya no está?En este capítulo hablamos de duelo, apego, traición, trauma y del proceso de reconstruirse cuando sientes que lo perdiste todo. Carla también comparte una experiencia de abuso y cómo la complicidad de alguien cercano puede romperte aún más.Si alguna vez sentiste que alguien era tu todo, este capítulo es para ti.Desahuevate

Gracias por ser parte del estreno de esta nueva temporada del podcast, por la paciencia y por seguir aquí. En este primer episodio hablo de la nueva etapa de Desahuevate, hablo del amor que te apaga, de las cosas que confundimos con amor y de por qué a veces nos quedamos donde no somos felices.Porque si una relación te hace sentir menos, no es amor.¡Nos vemos todos los domingos a las 7pm! A partir de hoy, los amo. Gracias a todas las personas que hicieron posible esta nueva temporada.Créditos: Diseño de interiores por: PECA STUDIO - https://www.instagram.com/peca_estudioCortinas: CORTILUM PERÚ - https://www.instagram.com/cortilumperuAlfombra de centro: MARI RUGS - https://www.instagram.com/mari.rugsDirección y producción: Daniella Delucchi - https://www.instagram.com/delucchidaniCo-producción: Fer Lopez - https://www.instagram.com/ferlopezofc Cámara principal: Mathias Becerril - https://www.instagram.com/mathbc.jpgContent manager: Alexandra Solórzano - https://www.instagram.com/_that70sbitch_Community manager: Anthuanet Cordova - https://www.instagram.com/sweetsearbhasDiseño gráfico: Maria Fernanda Suelpres - https://www.instagram.com/bitacora.pdf Edición y pos-producción: Ximena Maticorena - https://www.instagram.com/maticorena.avMusic from #InAudio: https://inaudio.org/ Track Name: Infraction Music- FunkyCity "New Track" - https://youtu.be/UwrDEj5M_hQ?si=21MYPE0NLqxTtUno

The Cincinnati Bengals' biggest needs in free agency this offseason center squarely on fixing what went wrong in 2025, particularly on defense and the trenches, and making sure Joe Burrow is protected and supported as the team looks to return to contention in 2026. 1. Defensive Pass Rush & Defensive Line Cincinnati's defense was among the worst in the NFL, and the pass rush was a primary culprit. With veteran Trey Hendrickson likely to test free agency or leave, the Bengals will need to bring in multiple edge rushers or interior disruptors to generate pressure and improve sack production. Analysts suggest targeting veterans or quality starters to rebuild that front seven alongside young pieces. 2. Linebacker Leadership & Run Defense Linebacker play was inconsistent, and adding a proven, tackling-savvy veteran could stabilize the unit and mentor younger players. Rumored targets like Demario Davis have popped up as potential fits to add leadership and tackling reliability. 3. Secondary Help (Safety/DB Depth) The secondary has been shaky for years, especially after losing key contributors and with potential departures looming. Adding a play-maker or reliable veteran safety should be on the Bengals' list, complementing a corner group that has some talent but lacks depth. 4. Interior Offensive Line (Guard Help & Protection) While the Bengals fortified their offense around Burrow with extensions for his top receivers, the offensive line—especially at guard—remains a concern. Protecting Burrow and improving the run game will likely necessitate targeting quality interior offensive linemen in free agency or re-signing key contributors such as Dalton Risner. 5. Depth on Run Defense (DT) and Overall Front Seven Run defense rankings were poor, and adding size and disruption inside—whether at defensive tackle or versatile linemen—should be a priority to keep opposing ground games in check. Overall, the Bengals have cap space to be active, and while offense remains strong, biggest offseason focus in free agency will plausibly be defensive upgrades and offensive line reinforcement to balance the roster and give Cincinnati a chance to compete again. Music from #InAudio: https://inaudio.org/ Track Name Holy (Trap). Music from #InAudio: https://inaudio.org/ Track Name Exercise (Rock). #Bengals #NFL #OffTheBench

The Bengals are entering a pivotal period for locking up key young talent, and Chase Brown is at the top of that list. After a breakout season with over 1,300 scrimmage yards and continued production, Brown has publicly expressed his desire to stay in Cincinnati long-term while his agent and the team have been in ongoing communication about a new contract. Historically, Cincinnati has waited to extend players until they've proven themselves—and often until prices inflate, as seen with Ja'Marr Chase and Tee Higgins—but Brown seems positioned to be part of that core moving forward. Getting a deal done now could be mutually beneficial: stability for the team and financial security for Brown before he hits unrestricted free agency. For Dax Hill, the situation is slightly different. The Bengals exercised his fifth-year option for the 2026 season, keeping him under contract through next year. That move shows organizational belief in his upside after a position switch from safety to cornerback, despite an ACL injury. Hill's extension may not come immediately this offseason—teams often wait to see a full season of production before committing significant new money—but his late-season performance in 2025 could push the Bengals toward long-term talks instead of reaching for a cornerback in the draft. DJ Turner has arguably the strongest case for an early extension among the three. After a career-best 2025 campaign highlighted by high PFF grades, pass breakups, and interceptions, Turner looks like a foundational piece of the Bengals' defense. He's expressed a clear desire to stay long term, and team insiders expect extension talks to start soon. With contracts for Brown and Turner both in play, the Bengals' front office will need to balance cap flexibility with locking down homegrown contributors in the coming months. Music from #InAudio: https://inaudio.org/ Track Name Holy (Trap). Music from #InAudio: https://inaudio.org/ Track Name Exercise (Rock). #Bengals #NFL #OffTheBench

The Pittsburgh Steelers have reached a verbal agreement to hire Mike McCarthy as their next head coach, succeeding long-time leader Mike Tomlin, who stepped down after 19 seasons. McCarthy, a Pittsburgh native with 18 seasons of NFL head-coaching experience — including a Super Bowl victory with the Green Bay Packers — brings a veteran presence to a franchise that rarely changes coaches. His hiring marks only the fourth head coach in Steelers history since 1969, a significant shift from their traditional approach of younger, first-time head coaches. For the Cincinnati Bengals and the AFC North more broadly, this hire changes several key dynamics. First, McCarthy's offensive pedigree — having developed elite quarterbacks like Aaron Rodgers and Dak Prescott — suggests the Steelers may become more competitive on offense sooner rather than later. That bump in offensive creativity could intensify divisional matchups with the Bengals, who have seen success in recent years behind Joe Burrow's playmaking. A resurgent Steelers offense could mean closer Steelers-Bengals games and more pressure in the division standings. Second, McCarthy's arrival adds unpredictability. Pittsburgh's quarterback situation remains fluid — especially with Aaron Rodgers' future uncertain — and McCarthy's history with veteran quarterbacks could influence Rodgers to return or attract another experienced signal-caller. If that happens, the Bengals — who have often battled Pittsburgh for AFC North supremacy — may face a rejuvenated rival. Finally, coaching changes often shift divisional psychology. Where the Bengals have had recent edge in continuity, the Steelers under McCarthy will be retooling schemes and culture. This could either temporarily ease Cincinnati's path or, if McCarthy quickly installs his system, tighten the race for playoff positioning. Overall, McCarthy's hiring doesn't just reshape Pittsburgh's future — it reshapes the competitive landscape the Bengals must navigate in 2026 and beyond. Music from #InAudio: https://inaudio.org/ Track Name Holy (Trap). Music from #InAudio: https://inaudio.org/ Track Name Exercise (Rock). #Bengals #NFL #OffTheBench

The Cincinnati Reds have been quietly linked in recent MLB offseason buzz to potential reunions with two familiar faces: third baseman Eugenio Suárez and outfielder Austin Hays. According to multiple reports, Cincinnati's front office is exploring ways to bolster its lineup ahead of the 2026 season, and both players represent intriguing options for a club that is trying to balance competitiveness with cost and roster flexibility. Suárez, a veteran slugger who spent the bulk of his most productive years with the Reds before moving on to the Arizona Diamondbacks, has been connected to Cincinnati in trade chatter. At the 2025 trade deadline there was mutual interest reported between Cincinnati and Arizona in a deal to bring Suárez back to Cincinnati, where he once provided significant power from the hot corner. Sources have described his potential return not just as a nostalgic move for fans, but as a real way to add middle-of-the-order pop to a lineup that struggled to produce big offensive numbers. On the free-agent side, Austin Hays is another name the Reds could target. Hays played for Cincinnati in 2025 after the club declined his mutual option for 2026, making him a free agent this winter. He slashed a respectable line with 15 home runs and provided solid outfield defense, and Reds management is reportedly considering whether a reunion would make sense if the two sides can find agreeable terms. While neither move is confirmed, and financial or roster implications remain key factors in any decision, the interest suggests the Reds are eyeing a mix of proven veterans and internal youth as they shape their 2026 roster around young stars like Elly De La Cruz and Noelvi Marte. Music from #InAudio: https://inaudio.org/ Track Name Holy (Trap). Music from #InAudio: https://inaudio.org/ Track Name Exercise (Rock). #Bengals #NFL #OffTheBench

The Bills' end-of-season press conference, led by owner Terry Pegula and president/GM Brandon Beane, turned into a public relations disaster. Rather than offering a clear plan or unified message after firing head coach Sean McDermott, the event quickly devolved into blame-shifting, confusing narratives, and emotional oversharing. Pegula openly described firing McDermott based on an emotional reaction to the recent playoff loss, recounting how he saw quarterback Josh Allen “crying” and decided to pull the trigger on a coach who delivered years of winning seasons. He also publicly blamed McDermott and the coaching staff for drafting wide receiver Keon Coleman — a claim that both contradicted conventional accountability norms and put an active player in an awkward spotlight. That kind of public airing of internal disputes is rare at the NFL executive level. Bills leadership seemed defensive and inconsistent, at times undermining each other's authority and revealing more about internal dysfunction than any coherent vision for the franchise. Even some reports suggest players — including Allen — were reportedly unhappy with how the situation was presented and that Allen wasn't consulted before the firing was announced. Against that backdrop, the Cincinnati Bengals immediately appear more disciplined and stable. The Bengals' leadership, including owner Mike Brown and coach/performance staff, have a reputation for not spectacularly botching press interactions or publicly airing internal frustrations. While Cincinnati isn't perfect and sometimes keeps tight lips, the team avoids public spectacles that make front office dysfunction look like a headline story — which is exactly what happened in Buffalo. Fans and pundits alike now point out that even if Bengals executives aren't exuberously communicative, they've never staged a press event that spiraled into a spectacle of blame and contradictions. In short, Buffalo's chaotic press conference unintentionally raises the bar for what we consider “competent communication” in the NFL — and by that measure, the Bengals look organized by comparison. Music from #InAudio: https://inaudio.org/ Track Name Holy (Trap). Music from #InAudio: https://inaudio.org/ Track Name Exercise (Rock). #Bengals #NFL #OffTheBench

Caleb Downs — Versatile Defensive Playmaker Downs is widely regarded as one of the top defensive prospects in the 2026 class and could be the best pure defender available at No. 10. He's a unanimous All-American with a resume featuring Big Ten Defensive Player of the Year honors and award recognition like the Jim Thorpe and Lott Trophies for nation's top defensive back. Downs combines elite football IQ, instincts, range, and physicality—allowing him to defend the run, cover receivers, and make plays all over the field. Scouts praise him for his coverage versatility, ability to diagnose offenses quickly, and leadership as a secondary commander. He's played in multiple roles (deep safety, box, nickel) operating like a defensive coordinator on the field. That rare blend makes him a potential day-one starter with All-Pro ceiling, a tone-setter for Cincinnati's secondary. Rueben Bain Jr. — High-Motor, Disruptive Edge Rusher Bain is one of the most exciting edge defenders in this draft cycle—everywhere from mock drafts to big board rankings slot him near the top for pass-rush talent. He's physical against the run and rushes the passer with power and leverage, and his 275-pound frame with a relentless motor gives him a three-down feel. Bain has produced pressure and sacks at a high clip during big games, showcasing a toolkit that translates well to NFL front sevens. His ability to set the edge or slide inside on passing downs adds a versatile element to a defensive line that could further complement the Bengals' front. David Bailey — Explosive Pass-Rush Specialist Bailey is a pure pass-rushing threat who terrorized opponents in 2025, leading many analytic boards in pressures and sacks. With elite burst off the snap, bend around the edge, and a developing arsenal of moves, he's the kind of playmaker who can generate game-changing pressure on opposing quarterbacks. For a Bengals team that has looked to boost its pass rush—especially after middling pressure numbers last season—Bailey offers a high-upside rotational edge or eventual starter who can flip momentum with splash plays. In short, Downs delivers defensive backbone and versatility, Bain combines power and disruptive presence on the edge, and Bailey brings elite, momentum-shifting pass-rush ability—all compelling fits for Cincinnati depending on how the draft board falls and what specific defensive holes they prioritize at No. 10. Music from #InAudio: https://inaudio.org/ Track Name Holy (Trap). Music from #InAudio: https://inaudio.org/ Track Name Exercise (Rock). #Bengals #NFL #OffTheBench

The Tampa Bay Buccaneers are conducting a high-profile search for a new offensive coordinator after parting ways with Josh Grizzard following an 8–9 season and a missed playoff berth in 2025. Among the names they're exploring is Dan Pitcher, the Bengals' offensive coordinator, who is scheduled to interview with Tampa Bay this week. Pitcher, 39, has been on the Cincinnati Bengals coaching staff since 2016, ascending from offensive assistant to quarterbacks coach and then offensive coordinator for the past two seasons. Though he holds the OC title in Cincinnati, Bengals head coach Zac Taylor retains play-calling duties, which means Pitcher hasn't had an opportunity to call plays in regular-season games. Taylor has granted him permission to interview with teams offering play-calling offensive coordinator roles, making the Buccaneers' opening a potentially significant career move. The interview represents both an opportunity and a challenge. On paper, it could be seen as a lateral move in terms of job title, but for Pitcher it's a rare chance to step into a role where he would directly run the offense on game days — something he hasn't done in Cincinnati. His track record includes helping develop quarterback Joe Burrow into one of the NFL's premier passers, which is a major selling point for Tampa Bay as they look to revitalize an offense that underperformed in key areas last season. Tampa Bay's coaching search has been extensive, with interviews already held with several candidates including former Dolphins head coach Mike McDaniel, Ravens OC Todd Monken, and others. Pitcher adds another experienced offensive mind to that mix as the Buccaneers weigh their next steps. Music from #InAudio: https://inaudio.org/ Track Name Holy (Trap). Music from #InAudio: https://inaudio.org/ Track Name Exercise (Rock). #Bengals #NFL #OffTheBench

This past weekend, the Cincinnati Bearcats stunned the college basketball world by knocking off No. 2 Iowa State in a stunning Big 12 upset. The Bearcats delivered a 79-70 victory over the Cyclones on Saturday at Fifth Third Arena, handing Iowa State its second straight loss after a 16-0 start to the season. Cincinnati's win was historic on several fronts. It marked the Bearcats' first victory over a Top 2 team at home since 1967, a nearly six-decade drought finally broken in front of a raucous home crowd that even stormed the court after the final buzzer. It was also Cincinnati's best win in over a decade and their first against a top-10 opponent since 2012, giving new life to a season that has had its ups and downs. The Bearcats played with energy, hitting timely three-pointers and creating havoc on defense. Day Day Thomas led the scoring with 19 points, while Jalen Celestine knocked down four triples off the bench and Baba Miller contributed with key rebounds. Cincinnati forced 12 turnovers from Iowa State, turning those mistakes into 20 points and swinging momentum in their favor. Despite a career-high 34 points from Iowa State sharpshooter Milan Momcilovic—including eight made threes—the Cyclones couldn't quite complete their comeback after falling behind early. Iowa State battled back in the second half but ultimately couldn't overcome Cincinnati's balanced scoring and home-court energy. This win doesn't just go down as a highlight of the season—it's a defining moment for the Bearcats program under coach Wes Miller, showing they can compete with and beat elite competition. Music from #InAudio: https://inaudio.org/ Track Name Holy (Trap). Music from #InAudio: https://inaudio.org/ Track Name Exercise (Rock). #Bengals #NFL #OffTheBench

Big-name veteran Orlando Brown Jr. is one of the most talked-about potential cap casualties for the Bengals. Brown is an elite left tackle with multiple Pro Bowls on his résumé and remains a cornerstone of Cincinnati's offensive line, but his contract carries a very heavy cap hit (nearly $22 M in 2026) with limited savings if he's cut without a post-June designation. That makes him an unlikely cut in a vacuum — the Bengals protect Joe Burrow at all costs — but it also makes Brown one of the few marquee players whose salary structure could make the team at least explore ways to create cap space (like restructuring or tagging a successor) if Cincinnati finds itself tight against the cap in the coming offseason. On the defensive front, B.J. Hill and T.J. Slaton both have contracts that could draw scrutiny, but they are less likely to be cut purely for performance reasons. Hill just re-signed a multi-year deal, is a veteran starter inside and a locker-room leader, and anchors the defensive tackle rotation. Slaton, signed on a two-year deal in 2025, brings run-stuffing size and depth to a unit that needs bodies. Both have roles in the defensive interior, and the Bengals historically value continuity at the line. Finally, Oren Burks was brought in on a two-year contract to add experience to a linebacking corps in transition. While he's not a marquee name, Burks' role could be in jeopardy if younger players like Demetrius Knight Jr. and Barrett Carter continue to progress and the team pursues cap savings — linebacker is traditionally easier to replace through the draft or cheaper free-agent signings. In summary, Brown's salary makes him the most intriguing “cut candidate” from a cap perspective, even if it's unlikely in practice; Hill and Slaton are more likely to stick due to role and continuity; and Burks' spot could be in play if the Bengals pivot toward youth or cheaper alternatives. Music from #InAudio: https://inaudio.org/ Track Name Holy (Trap). Music from #InAudio: https://inaudio.org/ Track Name Exercise (Rock). #Bengals #NFL #OffTheBench

After a disappointing 6-11 season and a third straight year without a playoff appearance, this offseason will be one of the most consequential in recent Bengals history. Cincinnati has chosen stability at the top — head coach Zac Taylor and director of player personnel Duke Tobin will both return — meaning Tobin's roster construction decisions will be under intense scrutiny. Defensive talent acquisition will be the top priority. Tobin publicly stated the team needs a significant influx of talent on defense, especially in the pass rush, after struggling to generate pressure and close out games late in the season. He's highlighted this as a key reason the Bengals lost tight contests and failed to make the playoffs. Improving leadership on defense and overall toughness is another focus. Tobin emphasized needing players who can lead and execute consistently — something the unit lacked during the 2025 campaign — and may look for veterans in free agency and the draft to provide that. The offensive line and backup quarterback protection will likely be addressed to keep Burrow healthy; he missed time due to injury in 2025. Finally, resource allocation and scouting strategy could draw attention: Tobin said Cincinnati won't expand its historically small scouting department, which has faced criticism for its draft results, especially on defense. Music from #InAudio: https://inaudio.org/ Track Name Holy (Trap). Music from #InAudio: https://inaudio.org/ Track Name Exercise (Rock). #Bengals #NFL #OffTheBench

Mike Tomlin stepping down as head coach of the Pittsburgh Steelers is a seismic moment in the AFC North, and it's a development that directly benefits the Cincinnati Bengals. After nearly two decades of unmatched stability, leadership, and competitiveness in Pittsburgh, the Steelers now enter an era of uncertainty—while the Bengals remain firmly in their championship window. For years, Tomlin was the constant obstacle standing in Cincinnati's way. Even during seasons when the Steelers lacked elite quarterback play or top-tier talent, Tomlin's teams were disciplined, physical, and extremely difficult to put away. He consistently kept Pittsburgh relevant in the AFC North race and made divisional matchups against the Bengals intense, unpredictable, and costly. With Tomlin gone, that institutional advantage disappears overnight. From a football standpoint, coaching turnover almost always brings short-term regression. A new head coach means new systems, new terminology, and a locker room that must reset its identity. That transition period is exactly what a team like the Bengals can exploit. Joe Burrow, Ja'Marr Chase, and the core of Cincinnati's roster already understand their system and expectations. Continuity matters in the NFL, and right now, the Bengals have it while the Steelers don't. There's also a psychological shift at play. Tomlin was the face of Steelers football and a symbol of confidence within the division. His departure changes the balance of power and gives Cincinnati a chance to assert itself as the AFC North's most stable and authoritative franchise. Free agents, draft strategy, and player development in Pittsburgh may all be impacted during this transition, creating further opportunity for Cincinnati to pull ahead. In a division defined by toughness and margins, losing a coach like Mike Tomlin is more than symbolic—it's a competitive opening. And for the Bengals, it couldn't come at a better time. Music from #InAudio: https://inaudio.org/ Track Name Holy (Trap). Music from #InAudio: https://inaudio.org/ Track Name Exercise (Rock). #Bengals #NFL #OffTheBench