Podcasts about tasmanian symphony orchestra

Minister for Small Business, Michael Ferguson, talks Kaz & Tubes through the government support available for struggling small Tassie businesses. Lloyd Hudson, Principal Piccolo and Tutti Flute player with the Tasmanian Symphony Orchestra, previews their upcoming concerts with The Cat Empire. Robin Pearce, Executive Director of WorkSafe Tasmania, details the free events happening throughout October for WorkSafe month. And, Tubes catches up with Zoe Booth as she completes the final run of her 450km fundraiser for the Leukaemia Foundation.See omnystudio.com/listener for privacy information.

Kaz & Tubes are back from holidays with hilarious stories of falling over, kids picking their own outfits, and a case of mistaken identity. Aussie icon, Sigrid Thornton, shares her excitement for the Tasmanian Symphony Orchestra's live performance of The Man From Snowy River. Kaz finds some questionable things as she cleans out her handbag live on air. Brian O'Reilly recaps the weekend's Oatlands District Football Association games. Plus, we get a Tassie weather update from the Bureau of Meteorology, and Peter Ford shares the latest in entertainment news.See omnystudio.com/listener for privacy information.

One of the most powerful words you'll ever hear — and one of the most poignant — isn't in dictionaries yet. But it probably will be one day. The word is endling, and it means “the last surviving member of a species.” The surprising story behind this word includes a doctor in a Georgia convalescent center, a museum exhibit in Australia, the Tasmanian Symphony Orchestra, and much more. Also: how important is linguistic accuracy when it comes to a movie? Does it detract from your enjoyment if a fictional character utters a word or phrase that you suspect was not in use at that point in history? Finally: what's the first big word you remember using — the one you just couldn't wait to show off to your family and friends? Plus: a rhyming puzzle, fulano, in the soup, bedroom suit vs. bedroom suite, swarf, boondocks, good people, and tons more. Read full show notes, hear hundreds of free episodes, send your thoughts and questions, and learn more on the A Way with Words website: https://waywordradio.org/contact. Be a part of the show: call 1 (877) 929-9673 toll-free in the United States and Canada; worldwide, call or text/SMS +1 (619) 800-4443. Email words@waywordradio.org. Twitter @wayword. Copyright Wayword, Inc., a 501(c)(3) corporation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kaz & Tubes are joined live in the studio by John X for a chat about the Legends of Revue show - starring our very own Kaz McMullen. Felix Riebl from The Cat Empire details the band's upcoming collaboration with the Tasmanian Symphony Orchestra. Brian O'Reilly, President of the Oatlands District Football Association, previews the weekend ahead of bush footy. And, Triple M listeners share more funny stories for their chance to win Cold Chisel tickets.See omnystudio.com/listener for privacy information.

Tom Wolfe from The Wolfe Brothers previews their upcoming show with the Tasmanian Symphony Orchestra. Matthew Thomas from the Bureau of Meteorology details the wild winds overnight. And, Josh Duggan from 7 Tasmania News breaks down the outcome so far from the State Election on Saturday.See omnystudio.com/listener for privacy information.

John Sparrow in conversation with David Eastaugh Long-time drummer and percussionist of iconic folk punk band Violent Femmes, John Sparrow has spent his life steeped in a wild mélange of music. John joined Violent Femmes in 2005 as a member of the Horns of Dilemma, playing cajon. In 2016 he made his drumming debut with the band, playing a Weber Grill as part of his drum kit on “The Late Show with Stephen Colbert.” Several other notable performances with Violent Femmes include headlining Coachella, as well as orchestral engagements with the Tasmanian Symphony Orchestra, Los Angeles Symphony Orchestra at the Hollywood Bowl, and Kansas City Symphony Orchestra. From Innovative Percussion

In this episode Tripod and Poggo find themselves on the road (but only after a flight to Hobart). We're recording live from the Tasmanian Symphony Orchestra right before This Gaming Life and we're joined by an exciting guest. The post Episode 40: The Road appeared first on Tripod.

This week's guest is Genevieve Lang, a fellow mum who also sends her children to a Montessori program here in Australia. Now, this was one of those school situations when you realize that amongst us parents, we are still interesting adults with extraordinary life experiences. And it was during the recent lockdown that I had the opportunity to hear her play the harp for us all during our very own harp half hour.  What began as an intimate and very personal performance over Zoom turned out to be an opportunity for me to follow my curiosity and ask Genevieve to be a guest on this podcast. I have to say, I needed to muster my courage to make this ask. And this is the kind of bravery that I want to teach you too as a coach. It's the type of courage to share your talent with a new crowd or to reach out to a fellow parent and ask them how they decided on their career. It's the kind of bravery that we all need to live more enriching lives and to ultimately find it within ourselves to finally pursue our purpose right now, even in the midst of messy and uncertain times. It's also the courage that I feature front and center in my free download that you can find on my website on www.melissallarena.com/courage.  Have you yet grabbed your own copy of my Courage Makerspace Playbook? In this playbook, you'll have an opportunity to grow and test your own courage muscles. See where they are today and where they can use some strengthening so that you can get more out of your life. Pick any one of my 7 specific exercises and see where you rise up versus fall a bit apart. We all have our own sore spots when it comes to being courageous. So be sure to grab your own free Courage Makerspace Playbook right now. In this episode, we cover how some of our best and most intimate memories come out of ordinary moments including when she once played her harp in a carpark. She also shares her take on courage and the kind it took for her to hold back a bit in her own artistry to ensure the audience got what they needed (i.e. moment of silence to heal in some cases). We discuss where the women in music are and have been, as well as some orchestra best hiring practices that are also applicable to business that you may want to implement yourself. About Genevieve Lang Genevieve Lang has performed regularly as a section and guest principal harpist with the Sydney Symphony Orchestra. She has also enjoyed a long association with the Tasmanian Symphony Orchestra. Genevieve is a founding member of SHE (Seven Harp Ensemble), a group directed by harpist Alice Giles, which is active in commissioning and performing new Australian music. As a soloist she has performed with the Tasmanian, West Australian and New Zealand Symphony Orchestras.   Genevieve has presented courses in chamber music appreciation at the University of Sydney's Centre for Continuing Education and tutored the Australian Youth Orchestra's music journalism course, Words About Music. She has undertaken traineeships in artistic administration and music presentation, which gave her the opportunity to work with a number of Australian orchestras and with ABC Radio. Since then, she has worked with Gondwana Choirs, the Australian Youth Orchestra, and Pinchgut Opera. Genevieve regularly delivers pre-concert talks for the Sydney Symphony Orchestra, and has edited various publications for the SSO for the last 10 years. Amidst all that, she's still a very busy harpist! Share this conversation with anyone who enjoys classical music, who might really miss the arts, someone who is also interested and curious about what it actually takes to become a harpist and truly perform on the world's various stages. Enjoy this conversation today! Highlights Memories: Memories are made in the ordinary moments and the sensations that you experience in your body if you have that level of awareness of rising joy or catching it on the wing, and retaining it. Mastery: Mastering any skill, art or performance exists in the mind of letting go of aiming for perfection and allowing what happens and allowing for the audience to receive it in a very different way to how you might perceive it. Audacity: You have to learn how to channel what is the negative and nervous energy into a positive one and an excitement. It's very much a mental game. Healing: Harp therapy has massive applications from both ends of life – from neonatal tiny little tots in the neonatal ICU right through to end of life, palliative care, and everything in between. Simplicity: To play the harp therapeutically in a medical setting or a respite setting, you have to do very little plucking of the strings. In fact, the medicine is in the spaces between. The resonance of the harp, the way it sounds, and the way it lingers in your body, mind, and your ears is where the therapy is to be found. Simple music is what does the trick. Courage: As a classically-trained performer where she played music with deep complexity, Genevieve felt very uncomfortable with leaving so much space. And it took so much courage for her to hold back and learn to become comfortable with silence. Pattern: Math and music have a correlation in terms of patterns because we see patterns in music all the time and there are math patterns in nature and science. Curiosity: Feeling the need to diversify a little bit away from purely performance, Genevieve took a music journalism course. Is there another way to bring your talents to the world? Explore your alternatives! Creativity: For Genevieve, the act of crafting a narrative and selecting the words of telling the story from start to finish was more creative than anything she has done on the harp for 10 years. An orchestra is an act of performance, but writing words and composing words was a creative art.  Ensemble: SHE is a beautiful acronym for Seven Harp Ensemble, that Genevieve is a part of. The individual makeup of the group changes depending on people's availability. History of women in music: Women in music are everywhere. But for a really long time, they've been silenced by societal norms. For example, Clara Schumann had a 61-year career as a concert pianist.  Hiring: Women in orchestras started to grow, even outnumbering men. And that's because the screening process has changed where they've gotten rid of gender bias. Diversity: Businesses have adopted the orchestral model in a lot of places. They saw this diversity emerging from this new process of screened auditions. Brain Integration: Music, particularly for a developing mind, is an incredible full brain workout.  Emotions: How music elicits emotions is a mystery Genevieve wants to cherish and doesn't want to understand otherwise it will remove a layer of that wonder of being human. Links for more information Website: https://www.abc.net.au/classic/genevieve-lang/7952748 Instagram @abcclassic Twitter @ABCClassic FREE DOWNLOAD Want to grab your free copy of the Courage Makerspace (™) Playbook? Download the Courage Makerspace(™) here www.melissallarena.com/courage   Boost your courage in 7-days using the exact courage design tools that have worked for both me and my clients. Grab your free playbook instantly so that you can discover how to:   Figure out what makes you tick Be more accountable and not procrastinate Overcome imposter syndrome Stop caring about what others think Progress despite self-doubt Manage anxiety Ask for help You will have a step-by-step playbook to help you finally fulfill your life purpose! Do not miss out on this free opportunity as it will not be available for long.   Want to continue the conversation? Find me on Instagram! You can read my daily mini-blogs centered on the same three topics that my podcast features: creativity, courage, and curiosity. I believe that without all three it would be impossible to solve the challenges we were each uniquely made to solve. Wouldn't you agree? I'm easy to find on Instagram @melissallarena Rather keep it professional? Let's connect on LinkedIn. I encourage every single podcast listener to connect with me.

The Engine Room Guest: Laurie Kennedy, has been mentioned in many of my previous interviews due to him having been an in-demand drum teacher and player in South Australia for 40 years. His playing career began in NSW when families gathered together and listened to music shows, drama serials, light entertainment and quiz programs on the radio, Rock 'n' roll was popular in dance halls, and Jazz and Coffee Lounges were The Scene! He has worked with the 'who's who' of the entertainment industry, working in Television, Radio, Musical Theatre, Cabaret, Jazz, Rock, and Orchestral. He has had a truly remarkable musical journey and it was an honour to have him share his story with me. If you enjoy historical stories about the Australian Music Industry, then this episode is definitely for you! The first professional band that he joined was the 'Warren LeRoy Trio', playing at the El Rocco followed by the 'Macambo Quartet' who were very popular at the Macambo Coffee Lounge, where they had a stint of around 4 years during the early 1960s. Late in 1965 he joined his one and only Pop Group called The Grape Escape with Brian Godden, Chris Bonett, and singer/songwriter Norma Stoneman. The Grape Escape signed to RCA Records and released a couple of singles with ''The Easy Life'' (Feb 25th 1967) being the most successful, he returned to NSW when the band called it a day. Laurie worked as a studio drummer at TCN-9 on the Desmond Tester Children's Television show the 'Channel 9- Pins', prior to moving to Adelaide in 1968. In Adelaide he played with the Borodin Quartet at the Paprika Nightclub for 5 years, the band worked 6 nights a week, 7 hours a night! His first teaching job was at Pulteney Grammar School, followed by Blackfriars Priory School, and St Peter's College. In addition, Laurie was an in-demand lecturer in drum, percussion, and rhythm at the Elder Conservatorium, University of Adelaide for 32 years, and lecturer at Noarlunga TAFE for 10 years. He wrote ‘A Guide to Exploring Rhythm - All Instruments and Voice', among other teaching materials. Laurie lived, played and taught in Adelaide for half his lifetime, returning to live in NSW to be closer to his sons when he retired. He has accompanied international Jazz and Variety Artists, did many concerts tours and recordings with the Adelaide Symphony Orchestra, as well as concerts with the Tasmanian Symphony Orchestra. Recorded with Don Burroughs, James Morrison, George Golla, Errol Buddle, Ted Nettelbeck, Schmoe (Sylvan Elhay), Andy Sugg, and many others. Backing for local variety acts such as Barry Crocker, Julie Anthony, Ricky May, Glenn Shorrock, Kamal, Judith Durham, and many more. International variety artists include Harry Secombe, Platters, Eartha Kitt, Dick Emery, Cilla Black, Ronnie Corbett, Danny La Rue, and so many more that It is impossible for me to list them all. Music: Intro "Band It About" theme written and recorded by Catherine Lambert and Michael Bryant. Outro: "Sol Fuego" - Australian Jazz Quintet, Errol Buddle - flute, Bruce Hancock - piano, Ed Gaston - bass and Laurie Kennedy - drums. Recorded at Adelaide Town Hall. If you enjoyed listening please share with someone else who would enjoy it too! Band It About can be heard on all of the major podcast listening platforms including Apple Podcasts Google Podcasts & Spotify #lauriekennedy #banditaboutpodcastseries #drummers #musicinterviews #universityofadelaide #jazzdrummers #realstories #realpeople #musicindustry #jazz #drums #podcasts #Sydney #percussion #musicteacher #varietyentertainment --- Send in a voice message: https://anchor.fm/dianne-spillane/message

One of the most powerful words you'll ever hear -- and one of the most poignant -- isn't in dictionaries yet. But it probably will be one day. The word is endling, and it means "the last surviving member of a species." The surprising story behind this word includes a doctor in a Georgia convalescent center, a museum exhibit in Australia, the Tasmanian Symphony Orchestra, and much more. Also: how important is linguistic accuracy when it comes to a movie? Does it detract from your enjoyment if a fictional character utters a word or phrase that you suspect was not in use at that point in history? Finally: what's the first big word you remember using -- the one you just couldn't wait to show off to your family and friends? Plus: a rhyming puzzle, Fulano, in the soup, bedroom suit vs. bedroom suite, swarf, boondocks, and good people. Read full show notes, hear hundreds of free episodes, send your thoughts and questions, and learn more on the A Way with Words website: https://waywordradio.org/. Email words@waywordradio.org. Twitter @wayword. Our listener phone line 1 (877) 929-9673 is toll-free in the United States and Canada. Elsewhere in the world, call +1 (619) 800-4443; charges may apply. From anywhere, text/SMS +1 (619) 567-9673. Copyright Wayword, Inc., a 501(c)(3) corporation.

Squiz Kids is a free daily news podcast just for kids. A short weekday podcast, created here in Australia, that gives kids (and their adults) the rundown on the big news stories, delivered without opinion, and with positivity and humour. ‘Kid-friendly news that keeps them up to date without all the nasties’ (A Squiz Parent) This Australian podcast for kids easily fits into the daily routine - helping curious kids stay informed about the world around them. LINKS Photoshop:The Dove ad:https://www.youtube.com/watch?v=m0JF4QxPpvM Photoshopping real women into cover models:https://www.youtube.com/watch?v=zRlpIkH3b5I Swan Lake performed on frozen lakehttps://www.bbc.com/news/av/world-europe-56300514 Tasmanian Symphony Orchestra recorder programhttps://www.tso.com.au/recorder-lift-off/ Squiz Kids Instagram:https://www.instagram.com/squizkids/?hl=enGot a birthday coming up and you want a shout-out? Send us an email at squizkids@thesquiz.com.auSquiz Kids is proudly supported by the Judith Neilson Institute for Journalism and Ideas. See acast.com/privacy for privacy and opt-out information.

This week on the Young Performer Summer Series, soprano Emilia Bertolini with associate artists Amir Farid and Thomas D'Ath perform a programme of art song from all over Europe. We hear German lieder with works by Clara Schumann and Franz Schubert, to a song from Ireland with Balfe and a French song cycle by Debussy.Emilia Bertolini is a scholarship recipient of Melba Opera Trust. Recent performance highlights haveincluded singing with the Tasmanian Symphony Orchestra in the Australian Conducting Academy,winning the Opera Scholars Australia Aria Competition, performing at the Melbourne Recital CentreSalon with ​Ensemble Ancien​ and singing Susanna ​(Le Nozze di Figaro)​ at the Lyric Opera Studio Weimar.Programme:"Liebst du um Schöheit", by Clara Schumann"Ich Stand im dunkeln Träumen", by Clara Schumann"Ariettes Oubliées", by Debussy"I Dreamt I Dwelt in Marble Halls", by Balfe"Der Hirt auf dem Felsen" ("The Shepherd on the Rock") by Schubert--Performers: Soprano Emilia Bertolini, with associate artists Amir Farid and Thomas D'AthHost: Jess Carrascalão HeardTechnical production: Joe Gofron, Sam Bignell, Michael IurovetskiPodcast producer: Jess Carrascalão Heard3MBS warmly acknowledges the support of the young performer patrons, for making this broadcast possible.

Good Morning, This is Louise. Episode 90 - Song of the Indian Guest featuring sound and dialogue from Marguerite Dura's India Song with music by Carlos D'Alessio & Nikolai Rimsky-Korsakov realized by David Carbonara, London Symphony Orchestra, Paul Whiteman & His Orchestra, Fritz Kreisler, Milana Chernyavska & Nicolas Koeckert, Nicolas Koeckert, MarimbaMix, Vienna Les Orpheistes, Felix Carasco & Mario Hossen, Sergey Lemeshev, Ekaterina Donchenko, Chorus of the Bolshoi Theatre, The Great Symphonic Orchestra of the All-Union Radio and Television & Mikhail Pletnev, Roglit Ishay & Tatjana Masurenko, Wolf Harden & Takako Nishizaki, Marcela Roggeri & James Strauss, Lorina Gore, Tasmanian Symphony Orchestra & Marko Letonja, Willem Moolenbeek, Don Cossack Choir of Serge Jaroff & Serge Jaroff, Lev Kuznetsov, Bolshoi Theatre Choir, Yuri Simonov & Orchestra of the Bolshoi Theatre, Yorkshire Building Society Band, Nicholas J. Childs & Manfred Obrecht, Masayuki Kino & Hikaru Yoshiyama, Xenia Belmas, Boris Mersson & Mark Drobinsky, Rosa Ponselle, Pavel Chekin, Vassily Nebolsin & Orchestra of the Bolshoi Theatre, Dmitri Smirnoff, Olesya Rostovskaya, Alexey Kruglov & Yulia Ikonnikova, Daniel Gaede & Phillip Moll with ambient field recordings by Rambalac Namo Guan Shi Yin Pusa Thank you for listening

This week Brose has a chat with Samuel Cairnduff, Director of Marketing and Communications with the Tasmanian Symphony Orchestra. A fun conversation about how the TSO has dealt with the pandemic, how live film score concerts are produced and what Sam has been watching during Hobart's brief lockdown. Also,  for Part One of the ChatFlix Podcast Festival we drop into Theatre of the World from the guys from Man Bites God. Theatre of the World is a short series of scripted comedy and songs, we hope you enjoy the clip as much as we do. AND don't forget to hit up @chatflixpodcast on Facebook, Twitter or IG to help us Pick the Trilogy. We are asking our listeners to suggest trilogies that are missing from our library so that we can then vote on which trilogy we review soon on ChatFlix.

Simon Sweeney is a professional trumpet player and educator based in Sydney. He is a studio musician and has been prolific in the live music scene since 1993. As a member of the Jazz Faculty at the Sydney Conservatorium of Music since 2010 he has taught many of the young players currently working in the Sydney scene. Simon has appeared as guest Principal trumpet with the Sydney Symphony Orchestra, the Australian Opera and Ballet Orchestra, the Adelaide Symphony Orchestra and the Tasmanian Symphony Orchestra. Film recording credits include Happy Feet, The Great Gatsby, The Extra and The Bank. Simon has played on over 40 professional musical theatre productions since the mid 90s. He has played lead trumpet for Michael Bublé, George Benson, Paloma Faith and Tim Minchin. As a jazz musician he has toured and recorded with Mike Nock, played with the Space Cadets, recorded with the Jazzgroove Mothership Orchestra and he is currently co-lead trumpet of the Australian National Jazz Orchestra. He has performed with Silverchair, Thirsty Merc and recorded with Powderfinger and Billy Thorpe. Simon's lead playing can be heard on the Netflix series Beat Bugs and Motown Magic. Simon’s own small group jazz album “Emerald City Blues” was released on the Jazzgroove label. During the lockdown he has put together a horn section called the Emerald City Horns comprising some of Sydney’s most prolific studio musicians.

Episode 5, 2020: Ibert’s Flute Concerto Wednesday 1 July 2020 ANAM Music Librarian, Phil Lambert thinks French composer Jacques Ibert’s most popular compositions sparkle like French champagne. First coming to public attention in the early 1920s, Ibert’s oeuvre is known for being polished and entertaining, never driven by any theory, agenda or the desire to gain attention through shock value. But lest you think that his range is limited, try tracking down Orson Welles’ 1948 film, Macbeth, which owes its ominous and oppressive atmosphere to Ibert’s excellent score. Ibert wrote his Flute Concerto between 1932 and 1934 for his contemporary flautist Marcel Moyse, who is probably considered the greatest flautist of his time. Knowing that he was writing for a virtuoso, Ibert did not spare this composition from any technical difficulty. This is the challenge ANAM alumna Cassandra Slater (flute 2019) had to overcome when mastering this piece for the Grand Final of the 2019 ANAM Concerto Competition . In this episode of ANAM Radio, Cassandra shares with us how she trained “almost like an athlete” to make sure she had the stamina to perform this rather demanding piece with the Tasmania Symphony Orchestra. She also shares some insightful anecdotes about the piece’s second movement, written after Ibert’s father passed away. Cassandra was one of three finalists to perform in the Grand Final of the 2019 ANAM Concerto Competition with the Tasmanian Symphony Orchestra in Hobart. The music you will hear is from her Melbourne performance where she performed the piece with Louisa Breen on piano. To watch Cassie's recorded performance of Ibert's Flute Concerto in Melbourne, visit https://youtu.be/RWKwgCdD4Dc

'The artist is like a blind caterpillar at the end of a leaf reaching out into the darkness.' Staring The Reaper Down. Life in music, Shoogelnifty and Sandy Bell's in Edinburgh. All night sessions in Borneo, Pretty Peggy-O and teaching Andy Irvine bouzouki parts to an audience including...er...Andy Irvine. In this episode Luke plays: The Log Cabin and Bean A' Ti Ar Lar Pretty Peggy-O The Battle of the Somme (Retreat March) The Cornerhouse, The Lady's Pantalettes and The Bird in the Bush To listen, stream or download simply click a link below: Our website: https://blarneypilgrims.fireside.fm iTunes: https://apple.co/2A6tUPm Google Podcasts: http://bit.ly/3cPTkis Spotify: https://spoti.fi/3eIwBFy Or alternatively, simply search your favourite podcast app for the Blarney Pilgrims. To follow Luke go here: https://www.lukeplumb.com/ http://shoogle.com/ https://www.facebook.com/luke.plumb.18 To buy his incredible music go here: https://lukeplumbmusic1.bandcamp.com/ Thanks for tuning in and we'll see you next week. All the best, Darren and Dom -- We know it's a tough time so we hope you can hang in there with us. If you liked this episode and think you got some worth from it, then please pledge at any level over at www.patreon.com/blarneypilgrims. If you can't afford to pledge on Patreon, and we totally understand if you can't, all is not lost. You can still support the show by sharing it on your socials, posting about it in your favourite forums or simply by telling your mates about it down the pub. www.blarneypilgrims.com www.patreon.com/blarneypilgrims www.facebook.com/blarneypilgrimspodcast www.instagram.com/blarneypilgrimspodcast www.twitter.com/BlarneyPodcast

The real deal. Part one of two. Incredible playing and great chat: the painters of ancient Egypt and the joy of playing in an orchestra; De Danaan, Planxty and Schubert; Martin Carthy and Nic Jones and the thrum of existential rhythm. Truth be told, we don't have much to add to this show - it'll all in the tape. Next week: Shooglenifty and living in Scotland, the moments in a gig that a musician lives for, coming home to Australia and recording an album with Andy Irvine. In this episode Luke plays: Three jigs (un-named) Three reels: McGreevey's, The Sweetheart and Miss McGuiness and Wrackabello (from the playing of Martin Carthy) To listen, stream or download simply click a link below: Our website: https://blarneypilgrims.fireside.fm iTunes: https://apple.co/2A6tUPm Google Podcasts: http://bit.ly/3cPTkis Spotify: https://spoti.fi/3eIwBFy Or alternatively, simply search your favourite podcast app for the Blarney Pilgrims. Thanks for tuning in and we'll see you next week. All the best, Darren and Dom -- We know it's a tough time so we hope you can hang in there with us. If you liked this episode and think you got some worth from it, then please pledge at any level over at www.patreon.com/blarneypilgrims. If you can't afford to pledge on Patreon, and we totally understand if you can't, all is not lost. You can still support the show by sharing it on your socials, posting about it in your favourite forums or simply by telling your mates about it down the pub. www.blarneypilgrims.com www.patreon.com/blarneypilgrims www.facebook.com/blarneypilgrimspodcast www.instagram.com/blarneypilgrimspodcast www.twitter.com/BlarneyPodcast Special Guest: Luke Plumb.

Episode 2, 2020: Bartók’s Violin Concerto Wednesday 3 June 2020 The 1930s sees the Hungarian composer Béla Bartók at the height of his career as he produced succeeding masterpieces exhibiting strict counterpoints and new sounds. That is why the Violin Concerto he wrote for his close associate, violin virtuoso Zoltán Székely was seen as a step backwards by some as Bartók had to relent to Székely’s request to stick to a more traditional three-movement composition. ANAM Music Librarian Phil Lambert thinks otherwise and revisits this Bartók masterpiece performed by ANAM alumnus Johnny van Gend (violin 2019) at the 2019 ANAM Concerto Competition. Hear Phil and Johnny chat about the great Hungarian composer and the grand ending of the Violin Concerto which again showed Bartók accommodating Székely’s wishes to have the spotlight on the violinist at the end of the performance. Johnny was the winner of ANAM’s 2019 Concerto Competition that was held in Hobart with the Tasmanian Symphony Orchestra. The music you will hear is from his Melbourne performance where he performed the piece with Peter de Jager on piano. Johnny was also the inaugural recipient of the ANAM position in the Bavarian State Opera’s Orchestra Academy in Munich, Germany. To watch the video recording of Johnny's full performance, visit https://www.youtube.com/watch?v=1thGovmLg64&feature=youtu.be

Episode 1, 2020: Prokofiev’s Sinfonia Concertante Wednesday 27 May 2020 After a disastrous premiere in 1938, Sergei Prokofiev put away his Sinfonia Concertante. It wasn’t until 1947 that it resurfaced, when a 20-year-old cello student, Mstislav Rostropovich, discovered it from the archives and performed it at the Moscow Conservatory. After that performance, Prokofiev worked with the young virtuoso to improve the composition – the rest is history. In this episode of ANAM Radio, cellist James Morley talks to Phil Lambert (our Music Librarian) about how he first discovered Prokofiev’s Sinfonia Concertante and why he decided to perform it as part of ANAM’s 2019 Concerto Competition. James was one of three finalists to perform in the Grand Final of the 2019 Concerto Competition with the Tasmanian Symphony Orchestra in Hobart. The music you will hear is from his Melbourne performance where he performed the piece with Leigh Harrold on piano. James received the Audience Choice Award for this performance. PROKOFIEV Sinfonia Concertante op. 125 James Morley SA cello Leigh Harrold piano To watch the full performance, visit https://youtu.be/LPlZREH-fFU

One of the most powerful words you'll ever hear -- and one of the most poignant -- isn't in dictionaries yet. But it probably will be one day. The word is endling, and it means "the last surviving member of a species." The surprising story behind this word includes a doctor in a Georgia convalescent center, a museum exhibit in Australia, the Tasmanian Symphony Orchestra, and much more. Also: how important is linguistic accuracy when it comes to a movie? Does it detract from your enjoyment if a fictional character utters a word or phrase that you suspect was not in use at that point in history? Finally: what's the first big word you remember using -- the one you just couldn't wait to show off to your family and friends? Plus: a rhyming puzzle, Fulano, in the soup, bedroom suit vs. bedroom suite, swarf, boondocks, and good people. Read full show notes, hear hundreds of free episodes, send your thoughts and questions, and learn more on the A Way with Words website: https://waywordradio.org/. Email words@waywordradio.org. Twitter @wayword. Our listener phone line 1 (877) 929-9673 is toll-free in the United States and Canada. Elsewhere in the world, call +1 (619) 800-4443; charges may apply. From anywhere, text/SMS +1 (619) 567-9673. Copyright Wayword, Inc., a 501(c)(3) corporation.

In this episode Tripod and Poggo find themselves on the road (but only after a flight to Hobart). We're recording live from the Tasmanian Symphony Orchestra right before This Gaming Life and we're joined by an exciting guest. Learn what happens 1 hour before a show and enjoy an inside look into the debauched life of a musician on the road. Featuring live performances of The Rig and That's Why I'm Sending You. Episode Notes: 00:00 - Apologies for the dramatic change in audio quality. We're on the road! And we embraced to busking lifestyle. 02:15 - We're joined by the super awesome Ben Northey (on the Twitter) 03:40 - Ben learns the hard way 04:42 - It's an "on the road" Gatesy's Audio Corner 18:25 - It's Tripod's first ever original song! 21:15 - Live performance of The Rig from This Gaming Life 24:45 - Ben takes Tripod to school with glorious results 44:50 - Live performance of That's Why I'm Sending You from Middleborough Road 51:20 - Poggo talks vox pops 53:53 - We find out some HOT TIPS for travelling on the road 57:58 - We discover who in the room has a history of casual racism and needs some AbsolutYON 1:03:04 - It's the end of This Gaming Life with Ben and the TSO and Poggo is out in the foyer for some audience reactions... We love to hear from you! Get in touch on Twitter and Facebook, request a song, request a theme or submit your ideas for a bumper. Or, subscribe, rate and comment, we appreciate it greatly!

It's our 3rd part of "Swords and Sorcery"! Why? Because we still have more songs to sing on the subject. The rest of the episode *also* contains things of note like another Aquaman lyric submission that promises to deliver on the original promise of a serious song to the glorious melody. Does anyone still like Poggo's Theatre of the Mind? Because we still have that happening... 3 seconds of plot at a time. Episode notes: 00:00 - Another 3 seconds of the plot advances... over the course of 15mins 17:35 - Commence the wood talk 18:27 - Let's keep talking about timber 20:10 - And at the 20minute mark we finally acknowledge Gatesy. Welcome Gatesy 25:13 - The theme of timber continues with Gatesy 26:00 - Gatesy takes us back 29:10 - It's another episode of Poggin Hood's Mailbag! We talk the DC Universe and Wonder Woman 50:54 - We move onto the afore mentioned Aquaman lyric submission by one of our dear listeners 55:14 - Scod agrees with Poggo's sense of taste. News! 58:20 - Tripod break into song, and it's fucken beautiful 1:00:30 - Who's an expert at American accents? 1:07:17 - Live performance of "Overture" (Dawn of Time) from Tripod versus the Dragon Here's the actual scene from the show: 1:15:30 - We see out the episode discussing scoring films/theatre 1:31:28 - Tripod are appearing in Hobart with the Tasmanian Symphony Orchestra. Tickets on sale now! We love to hear from you! Get in touch on Twitter and Facebook, request a song, request a theme or submit your ideas for a bumper. Or, subscribe, rate and comment, we appreciate it greatly!

In Episode 33 Poggo attempts to seek redemption from the Old Tripod Gods for the crimes of last episode by asking for forgiveness and then promptly moving on to the much more focussed topic of "Love Want". Does that make sense to you? No? The road to redemption is often confusing... Featuring live performances of "Enid" and "All I Want" AND a new submission for lyrics to Aquaman - It has Yon and Poggo all in a lather. Join us won't you? Episode Notes: 00:00 - Poggo appears before the Tripod Gods 04:05 - Anyone know where the "cloud" sfx come from? Write in! 06:25 - A terrible topic name... 09:35 - Yon gets a theme point for an onion bagel. It's not a perfect system. 13:10 - It's Poggin Hood Mailbag! 14:10 - Poggo bigs up his wife. 14:20 - Scod: Scorner? 14:40 - Social Norm? 18:37 - And.... finally back to Mailbag 33:30 - Live performance of Enid from Tripod Tells The Tale of The Adventures of Tosswinkle the Pirate (Not Very Well) 40:40 - Poggo puts Tripod through their paces 51:00 - A new submission for Aquaman - this time with "The Tally Hoes" as its inspiration. Poggo has his singing debut. 1:08:10 - Live performance of All I Want from This Gaming Life. Poggo has his guitar debut. 1:13:55 - Tripod are coming to Hobart for a live performance of This Gaming Life with the Tasmanian Symphony Orchestra! 1:19:38 - An update on Gatesy's Merch Corner. Has he improved? 1:21:45 - It's FUTURE ANDREW with a Yon Futurist We love to hear from you! Get in touch on Twitter and Facebook, request a song, request a theme or submit your ideas for a bumper. Or, subscribe, rate and comment, we appreciate it greatly!

Art works made for festivals have to be pretty attention-grabbing to rise above the general clamour of sound, food, booze and big audiences. Does this mean that these art works have to be big, bright, loud and spectacular or is there room for quieter, more contemplative work at these events? We speak to Dark Mofo Creative Director Leigh Carmichael, artist Michaela Gleave, and artist, producer and SITUATE provocateur Paul Gazzola. In this episode you will hear sound from A Galaxy of Suns by Michaela Gleave, produced for Dark Mofo 2016 with the Tasmanian Symphony Orchestra, and Fort Evil by Andrew Harper, produced for BRAINSTORM at the Tasmanian College of the Arts for Dark Mofo 2016. For more information head to: https://darkmofo.net.au/ https://www.situate.org.au/