Podcasts about audience choice award

On Today's Episode – Mark opens with introducing returning guest Joe Polish (bio below). We learn a little about who Joe is and what he does. Then we move to Joe talking a bit about the event that you all heard about on last week's show where Mark, Joe and others were in a Texas Prison talking to inmates. Tune in for the crazy stories, and all the topics with this extraordinary guest. https://joepolish.com/ Joe Polish is the Founder of Genius Network®, one of the highest level groups in the world for Entrepreneurs. He also curates the Annual Genius Network Event and the 100k Group ($100,000). Genius Network and 100K is home to some of the most successful Entrepreneurs alive. Joe has also helped build thousands of businesses and generated hundreds of millions of dollars for his clients. He has been featured in INC, Fortune, Forbes, Success, U.S News & World Report, among others, and has spoken at Stanford University. Joe also hosts three of the top ranked marketing and business podcasts, including iLoveMarketing.com, 10xTalk.com and GeniusNetwork.com. Recent projects include: Cleator, a 40-acre ghost town he purchased with partners (www.WhatsYourCleator.com). His documentary “CONNECTED: The Joe Polish Story,” premiered at the historic TCL Chinese Theater (formerly Mann's Chinese Theater), and his documentary “Black Star” won the Audience Choice Award at the Sedona Film Festival. Joe's mission with Entrepreneurs and Genius Network® is “to build a better Entrepreneur,” and his mission with Genius Recovery is “to change the global conversation of how people view and treat addicts with compassion, instead of judgment and to find the best forms of treatment that has efficacy and share those with the world. Read his book, “Life Gives To The Giver” at www.JoesFreeBook.com His newest book, What's In It For Them, published by Hay House, released Nov 1, 2022.

Imagine growing up in a hair salon.Being thrown out of the house and sleeping in an abandoned cupboard.Being bullied in school and almost failing SPM.But knowing deep down inside that you love storytelling.You just… don't know what that means.And how to make that dream a reality.That was Jared Lee - one of Malaysia's most famous YouTubers and the founder of the award-winning production house, Grim Film.Jared started his journey in an event company, while also freelancing as a storyboard artist and production assistant.Being passionate about storytelling, he decided to create a short film called The Long Distance Relationship. A film that, for him, he had to make happen, no matter what.And it blew up.✨ Within a day, it hit 10k views. ✨ Within a week, it hit 70k views✨ Within a month, it hit 1 million viewsThis short film opened doors and led to the creation of his production house, The Grim Film.Which has since bagged multiple awards, including Best Drama at America's Soul 4 Reel International Film Festival 2013 for The Long Distance Relationship and Best Pilot and Best Special Effects at the 2018 Vancouver WebFest in Canada for The Last 7.His most recent piece of work, Horologist, even won Best Animation at the San Diego Comic-Con (SDCC) Film Festival 2023 and USA Film Festival! It was also a finalist for Poland's Animator Film Festival (Best Animation & Audience Choice Award) and nominated for the 2024 Eisner Award in the Best Single Issue/One-Shot category.Proving how Jared's wild gamble has paid off.Although… life wasn't easy. In 2018, Jared was diagnosed with stage 1 testicular cancer. And he later found out that he could not have children.But in spite of these challenges, Jared is someone who has always believed in pursuing his dreams and hustling against the odds. Which is why I'm so thrilled to share his story as the latest guest on STIMY!If you've ever wondered what it's like to triumph against all odds and pursue your passion, what it takes to go from being a YouTuber to a legitimate film producer, and the personal struggles with cancer and childlessness, then this episode is for you.So are you ready?Let's go.Highlights:2:02: Growing up in a single mum household3:45 Finding escape in storytelling5:18 Liking things that other boys don't like7:40 Worst year of my life8:52 Getting kicked out 9:40 Finding his calling11:13 A Kingdom of Paos11:55 The Long Distance13:42 YouTube14:37 Going viral17:19 There was no money!20:16 Burning bridges21:10 What it's like to run a production company24:54 Second-guessing himself27:02 There is no joy in production?!29:34 Making the switch & losing fans32:58 The most successful work Jared's done34:30 Diagnosed with cancer41:34 Do awards matter?44:34 Any regrets?45:07 Is your work acknowledged more overseas?47:20 What kind of work has influenced your style?50:39 What kind of legacy do you want to leave behind?51:07 What are the most important qualities of a successful person?51:28 Sharing your private life in public

In this episode, we sit down with Diji Aderogba, a pioneering Nigerian filmmaker known for his powerful, thought-provoking narratives. Since his filmmaking journey began in 2016, after graduating from the Mainframe Film and Media Institute, Diji has been dedicated to bringing social consciousness to the big screen. Under the mentorship of African cinema legend Tunde Kelani, Diji learned that film is more than just entertainment—it's a mirror reflecting society's struggles and strengths. His breakout documentary 'Hidden Euphoria', which was nominated for an AMVCA award in 2020, captures the often-unseen resilience of Nigeria's Makoko community. This film marked the beginning of Diji's mission to tell the stories that matter.Diji's storytelling prowess continued to blossom in 2021 with the release of 'About a Boy', his debut feature film that won the Audience Choice Award at Nollywood Week in Paris. In this psychological thriller, Diji explores complex human emotions and mental health—a theme that resonates deeply with audiences who seek connection and understanding through cinema. For Diji, 'About a Boy' is a journey into the minds of people who battle inner turmoil, and his hope is that viewers come away feeling seen and perhaps even inspired to seek healing. He shares with us the challenges and triumphs of bringing this story to life, alongside his passion for using film as a voice for the voiceless.Beyond film, Diji has embraced social media to amplify his work and connect with his audience. He's not only a storyteller but also a brand influencer, blending his skills in street photography and digital marketing. His collaboration with Infinix, a popular smartphone brand, started from a simple tweet expressing his interest in working with a mobile phone company. A few retweets later, Diji had his partnership with Infinix, showcasing his keen eye for visual art in a way that bridges film and digital media. We delve into how he uses his platform to not just promote his work but also to inspire other young creatives who may be looking for unconventional ways to share their art.In our conversation, Diji reflects on the importance of his roots in Abeokuta, his artistic influences from childhood, and the role of culture in his work. His recent web series, *When Are We Getting Married?*, produced by #Filmtrybe, delves into modern relationships, sparking debates around marriage, partnership, and compromise. Diji shares the excitement of collaborating with writer Ife Olujuyigbe, whose script brings relatable, raw conversations to life on screen. Together, they've created a show that encourages viewers to question their own beliefs and societal norms. Join us as we explore Diji's journey, his vision, and the power of conscious filmmaking in today's world.Support the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

The Sponsors We want to thank Underground Printing for starting this and making it possible—stop by and pick up some gear, check them out at ugpmichiganapparel.com, or check out our selection of shirts on the MGoBlogStore.com. And let's not forget our associate sponsors: Peak Wealth Management, Matt Demorest - Realtor and Lender, Champions Circle, Human Element, Ann Arbor Elder Law, Michigan Law Grad, Venue by 4M, Winewood Organics, Sharon's Heating & Air Conditioning, Royal Oath Insurance Group, Autograph: Fandom Rewarded, who just launched an app where you earn rewards for things like reading MGoBlog and listening to our podcast, SignalWire where we are recording this, and introducing Community Pest Solutions. Featured Musician: Nadim Azzam The Video: [After THE JUMP: Things said.]  --------------------- 1. MSU Preview: Offense starts at the top MSU goes as Aidan Chiles, which is in all directions. Some of those interceptions are freshman; some are just really not accurate. They're bringing him along in an interesting way, which is max protection and letting him look downfield. He has a threat in Nick Marsh who's really emerging in the back half of the season. Other targets are just dudes. OL has some big issues on the right side, look cobbled together. Alarming how well they were able to run the ball consistently against Iowa. Michigan needs to keep Chiles in the pocket. 2. MSU Preview: Defense starts at 19:01 They're weak at defensive tackle but cover it up with their burly LBs playing downhill. Other than play-action pass, what can we do Alex? Probably need to get creative. Consider beefing up if they have Hinton back and can run out multiple OTs, but Evan Link as 7th OL? You don't have the dudes who are going to win those matchups as much anymore. They do give up a big long run per week so many we'll have a Mullings beastquake again. Or maybe just once we'll get an Edwards vs Cal Haladay throw. 3. Illinois After Review starts at 34:30 Brian is NOT as mad at Kirk Campbell as he was before going over the film. There were a lot of good ideas in there that his quarterback just couldn't execute. Offensive line seems to be coming together—Gentry was actually *Good*. Priebe is rounding into a 2nd team all-B10 kind of player. Crippen eh but not terrible. Persi might just be what he is. Tuttle was BAD. The overturned interception was to a guy covering grass—it's not even *at* a receiver. Defensively, yeah, don't put them in a terrible situation. Barham had a great game, they covered a lot of the weird stuff that Bielema dumped on them, but were constantly starting drives at midfield or in Michigan territory. Dammit Wink things have largely disappeared save for 2-minute drills, where they're rushing high and playing soft man. 4. Hoops vs Oakland, and Toledo Preview starts at 59:56 Exhibition showed what we wanted to see, which was not many bad shots against a tricky zone defense. The ball didn't stick: when you can see all of these former PGs together they can all get a little creative. It's not going to be no-turnover but they get very good shots, including free throws. About the Musical Artist: Nadim Azzam Says my friend Nadim Azzam, "You've got to hurt to heal." Through painfully honest self-reflection, Nadim Azzam addresses depression, addiction, and the dysfunctional realities of our times with his songs rooted in hope and connectivity. A Jewish Egyptian-Palestinian American born in Vermont, raised in Southeast Michigan and sent off to the Arizona desert, Nadim's life is hard to pin down - as is his music. A singer, rapper, and songwriter who makes his own beats and plays multiple instruments on his tracks, Nadim's new single "$20 Gold Piece" is out now. Nadim was voted Detroit's finalist in NPR's Tiny Desk Contest by WDET, performing at the Concert of Colors. He has opened for The Kid LAROI at Eastern Michigan University, Robert Glasper, Yebba,  Raheem DeVaughn and Bilal at the Aretha Franklin Amphitheatre. He has previously traveled the United States with Grammy-nominated reggae artist Matisyahu, on a unity tour to promote peace between Pro-Palestine and Pro-Israel students on American college campuses. Nadim's music video “The Come Up” won Best Hip-Hop/Rap Video and Audience Choice Award at the 2024 Michigan Music Video Awards. Mystery Offer: Ope, there's an Autograph Mystery Offer in this article. Click HERE to open and claim your prize. Song choices: $20 Gold Piece Revelations (LANDR gddt) Get the Money Also because Across 110th Street will get our Youtubes taken now now, the opener and outro: “The Employee is Not Afraid”—Bear vs. Shark “Ruska Vodka”—Motorboat

In our season finale, the importance of reinvention is never clearer than in the stories from playwright Gordon Farrell's career, where he had to keep coming back to what drew him to writing in the first place in order to continue moving forward. Gordon Farrell's play, "The Lifespan Of A Fact," starring Daniel Radcliffe, Tony-Award winner Cherry Jones, and Emmy Award winner Bobby Cannavale performed on Broadway from 2018 to 2019. It was co-written with Jeremy Kareken & David Murrell, directed by Leigh Silverman, and produced by eight-time Tony Award winner Jeffrey Richards. Gordon was trained as a playwright at the Yale School of Drama and went from there to work with major Hollywood studios, initially as a story analyst for Warner Brothers and Columbia Pictures, and eventually as a screenwriter. He has written for hire and sold screenplays to Universal Pictures, Warner Brothers, MGM and ITC. He has worked with Robert Simonds (producer of Big Daddy, The Wedding Singer); Neil Moritz (producer of XXX, I Know What You Did Last Summer, Fast and Furious) and Bruce Berman (producer of Matrix, Three Kings, Mad Max: Fury Road). Working in independent film, Gordon has written for and sold projects to NYC indie producer Norman Twain (producer of Lean on Me, Boycott, Scar, My Dog Tulip). Gordon's first independent screenplay, Girls Who Smoke, premiered in 2011. It went to be an official selection at over a dozen film festivals, ultimately winning the Audience Choice Award in Seattle at the Post Alley Film Festival. As a playwright, Gordon developed a trilogy of monologue plays for women, The Red Anthology, on New York's Lower East Side from 2009 to 2014. He developed it into an immersive walk through theater experience which ran Off-Broadway in 2024. His plays have also been produced in San Francisco, at the Alleyway Theatre in Buffalo, at the Yale School of Drama in New Haven, and at Primary Stages in New York. He authored the book for a series of award-winning musicals based on the life and death of Sherlock Holmes, which ran for three seasons in Buffalo, NY. He is the author of The Power of the Playwright's Vision, published by Heinemann Press in 2001 which has been translated internationally and is now a standard playwriting text on four continents. Gordon Farrell IMDB Alex Keledjian Alex Keledjian is the creator of Project Greenlight, a documentary television series where executive producers Matt Damon and Ben Affleck gave first-time filmmakers a chance to direct their first feature film.   In 2018, Alex wrote and directed the film High Voltage starring David Arquette and Luke Wilson. MAX launched the latest season of the Emmy-nominated TV series Project Greenlight from executive producer Issa Rae and Miramax Television in July 2023. How I Got Greenlit Instagram Twitter Podlink Credits Alex Keledjian, Host Pete Musto, Producer/Editor Jeremiah Tittle, Producer Experience more of How I Got Greenlit via nextchapterpodcasts.com For guest inquiries, sponsorships, and all other magnificent concerns, please reach How I Got Greenlit via howIgotgreenlit@gmail.com For inquiries and more information on Next Chapter Podcasts info@ncpodcasts.com New episodes go live every Tuesday. Please subscribe, rate & review on Apple Podcasts, Spotify, Stitcher, wherever you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe Polish is described by many as “the world's most connected man”, Joe is the Founder of Genius Network and Genius Recovery. The former is one of the world's largest and most exclusive communities of entrepreneurs, while the latter is a nonprofit Joe established with the aim of changing the global conversation around addiction. He is the author of two books: Life Gives to the Giver and What's In it For Them, which this interview focuses on. His story is pretty incredible too. After suffering sexual abuse as a child, Joe later fell into problematic substance use and other forms of addiction to numb the pain. When he eventually managed to get sober with the help of 12-step meetings, he then set up a carpet cleaning business, taught himself marketing, and gradually became one of the most connected entrepreneur's on the planet. To give you an idea, he's the person Richard Branson goes to for marketing advice for his nonprofits. This conversation will give you an idea into Joe's thinking and philosophy as we discuss things like: — The surprising connection between entrepreneurship and addiction — How thoughtfulness can radically improve your life — Why Joe invests more time, attention, money, and effort into relationships than any other area of life, and why you should too — How suffering creates opportunities for connection — What he learned from taking a year long sabbatical. And more. You can learn more about Joe's work and book at: joepolish.com, Genius Recovery at https://geniusrecovery.org, and Genius Network at https://geniusnetwork.com --- Joe Polish is the Founder of Genius Network®, one of the highest level groups in the world for Entrepreneurs. He curates the Annual Genius Network Event, Genius Network ($25,000), and 100k ($100,000), all three groups being home to some of the most successful Entrepreneurs alive, and is considered one of the most influential Connectors in the world. Joe has also helped build thousands of businesses and generated hundreds of millions of dollars for his clients. He has been featured in INC, Fortune, Forbes, Success, U.S News & World Report, among others, and has spoken at Stanford University. Joe also hosts three of the top ranked marketing and business podcasts on iTunes, including iLoveMarketing, 10xTalk, and GeniusNetwork. He's also changed the lives of many others through his charitable causes including: The Make-A-Wish Foundation, Artists For Addicts, Genius Recovery, JoeVolunteer.com, as well as being the single largest contributor to Sir Richard Branson's charity, Virgin Unite. His documentary “CONNECTED: The Joe Polish Story,” premiered at the historic TCL Chinese Theatre (formerly Mann's Chinese Theatre), and his documentary “Black Star” won the Audience Choice Award at the Sedona Film Festival. Joe's mission with Entrepreneurs and Genius Network® is “to build a better entrepreneur,” and his mission with Genius Recovery is “to change the global conversation of how people view and treat addicts with compassion, instead of judgment and to find the best forms of treatment that has efficacy and share those with the world.” --- Interview Links: — Joe's website - https://joepolish.com

Send us a Text Message.Ep 486: Cam Girl Unveiled: Ian Trutt's Award-Winning Show, watch it on YouTube and PodNation TV on Roku TV/Fire TV devices.Ian "El" Trutt a nonbinary Latine screenwriter, director, and professionally produced playwright originally from Atlanta, GA. They specialize in dark comedies and social commentary brought to life with sharp dialogue.Their work has been recognized by festivals like LA WEBFEST, Independent Shorts Awards, Miami Web Fest, IndieX Film Fest, Houston Comedy Film Festival, New York New Stories, and Los Angeles Lift-Off Film Festival.CAM GIRL is a dramedy web series about one woman's journey to pay her rent by becoming a webcam model. Season 1 is available now on YouTube.Synopsis: Laura is a self-proclaimed "generic white girl" whose financial struggles lead her to discover the seductive and complex world of webcam modeling. How hard can it be to sell your body online?Season 1: https://youtube.com/playlist?list=PLAwFZtFKqliZA8fhu1OiOjVGRS4e1zFvL&si=fbA6XhQ_4k598GGXBehind the Webcam: Ian Trutt's Journey with "Cam Girl". Join Ruan Willow as she welcomes back Ian Trutt, the creative mind behind the web series "Cam Girl." Dive into the latest updates since their last conversation, including the series' premiere, the challenges of distribution during the writer's strike, and the decision to stream the entire first season on YouTube. Ian shares the inspiration behind the series, the realities of writing about sexuality, the often-hidden truths of webcam modeling, and the balance between glamorization and victimization in portraying sex work.Discover the raw and authentic approach Ian and his team took to bring "Cam Girl" to life, the unexpected treasures found during filming, and the recognition the series has received, including an Audience Choice Award at the Miami Web Fest. Ian also teases the potential for a second season, the creative process, and the importance of passion and collaboration in their projects.Whether you're a fan of the series or new to Ian's work, this episode offers an insightful look into the world of indie filmmaking, storytelling, and the realities of online sex work. Don't miss out on this engaging conversation!Connect with Ian: http://iantrutt.com/Quotes from Ian Trutt: "Sex work is always either this really glamorous thing... or it's... everyone involved in it is a victim.""I think we discovered a lot of rawness to it as we went into it.""I think there's something very just inherent about storytelling to me.""Being outdoors is great for mental health.""I don't do it for the awards, but I'm certainly not going to say no to awards."Quotes from Ruan: "People hate sex, apparently. I don't know.""If you're getting to do a thing that you're already interested in and you get money off of it, you know, more power to you, why not?""If you want to do it, just do it. Don't sit back and be like, oh, it's not the right time.""Word of mouth is valuable, even though it might be, you know, Support the Show.Subscribe for exclusive episodes: https://www.buzzsprout.com/1599808/subscribeSign up for Ruan's newsletters: https://subscribepage.io/ruanwillowhttps://linktr.ee/RuanWillowRuan's a Manscaped Ambassador get 20% OFF+Free Shipping with promo code RUAN at https://www.manscaped.com/

Chaotic Change: Embracing Chaos to Drive Innovation and Growth by Nicholas Webb ABOUT THE BOOK: Chaotic Change is designed to be a comprehensive guide for leaders, innovators, and change-makers navigating the complexities of the modern business landscape.  Through personal anecdotes, case studies, and practical strategies, this book provides a roadmap for managing chaotic change—a process that drives and sustains innovation.  From grasping the dynamics of strategic excellence to fostering a culture of happiness and clarity within organizations, each section builds on the next, offering a holistic approach to change management.  Get started on this journey, equipped with the knowledge, tools, and mindset to thrive amidst chaotic change. ABOUT THE AUTHOR: Nicholas Webb is a best-selling author, a keynote speaker on innovation, healthcare, future trends, and customer experience, and the CEO of LeaderLogic a management consulting firm that works with some of the top brands in the world.   Nicholas began his career as a technologist creating award-winning innovations in healthcare, consumer, and industrial technologies. He has been awarded over 40 Patents by the U.S. Patent Office for various technologies.  Nick's books include What Customers Crave: How to Create Relevant and Memorable Experiences at Every Touchpoint, The Innovation Mandate: The Growth Secrets of the Best Organizations in the World, What Customers Hate: Drive Fast and Scalable Growth by Eliminating the Things that Drive Business Away, and Happy Work: How To Create A Culture Of Happiness, all of which have been featured on The Marketing Book Podcast.   Nick is also the Producer and Host of the Award-winning Documentary Film, “The Healthcare Cure”, which was released in 2021 and won the Sedona International Film Festival's “Audience Choice Award” for Most Impactful Film. And, interesting fact – Nick Webb and the host of The Marketing Book Podcast are both extremely proud parents of paramedics! Click here for this episode's website page with the links mentioned during the interview... https://www.salesartillery.com/marketing-book-podcast/chaotic-change-nick-webb

Today we're joined by Lucas Harger, an acclaimed film and commercial editor, supervising editor, and partner at Bruton Stroube Outpost. His documentary portfolio includes work on over ten features — two of which recently made their debut at SXSW, with one securing the Audience Choice Award. Lucas' intentionality is incredibly contagious and apparent from the moment you begin talking with him. Lucas and Colton talk about that intentionality, and how it helps position him as a storyteller and collaborator with directors. We also chat about his documentary editing mindset and philosophy that set him, his team, and his work up for success with each project. Guest BioLucas is an acclaimed film and commercial editor, supervising editor, and partner at Bruton Stroube Outpost. Interspersed between long-form editing, Lucas cuts broadcast and web commercials for nationally recognized clients such as but not limited to: Nike, Enterprise, Anheuser-Busch, Uber, Amazon, Apple, and Disney+. With a portfolio that includes editing and supervising over ten feature documentaries, Lucas will be starting post-production in 2024 on a multi-hour doc series for HBO. Priding himself on being a key collaborator across diverse project categories, Lucas brings passion and creativity to every venture. Building timelines and teams are his passion.Additional Resourceslucasjharger.combrutonstroube.com/outpostLions of Mesopotamia Film IMDBClemente FilmLucas' InstagramLucas' LinkedInPost Notes App for PremiereRelated Reading:https://www.rev.com/blog/transcription-blog/how-to-write-your-own-documentary-pitch-deck-to-secure-fundinghttps://www.rev.com/blog/media-and-entertainment/how-to-make-a-movie-trailer-for-documentary-filmshttps://www.rev.com/blog/transcription-blog/how-to-transcribe-a-documentary-interviewhttps://www.rev.com/blog/media-and-entertainment/documentary-interview-questions-how-to-ask-good-questions-for-a-documentary-interview Rate and SubscribeBe sure to subscribe to Rev's YouTube Channel in order to stay up to date with the latest episodes and to watch our video production of The Rough Draft.Follow Rev and The Rough Draft on Instagram,

Kimberly Phinney is a professor, counselor, poet and writer. She's been published in Ekstasis Magazine, Fathom, Humana Obscura, and many other publications. She is the editor and founder of the literary community The Way Back To Ourselves. Earlier this year, Kimberly's poem “An Ode to Hard, Dark Nights” won the Audience Choice Award in our Bright Wings Poetry Contest in partnership with Ekstasis magazine. In this episode, Kimberly shares how the vision for her creative community and her recent book of poems, Of Wings and Dirt were born out of her journey through an intense season of illness. As a community leader, Kimberly shares her thoughts on how artists and creatives can move against the modern bent toward isolation and disembodiment. Join The Makers and Mystics Creative CollectiveSupport The PodcastMusic in this episode by Some Were At Sea

D.B. stars in the newest Francis Ford Coppola film, Megalopolis - to be released in 2024.Before breaking through as an actor on Broadway in The Caine Mutiny Court Martial, D.B. Sweeney played baseball, worked in construction, drove cabs and cooked in some of America's finest restaurants. His many stage appearances led to movies and television where he's played dozens of memorable roles including Shoeless Joe Jackson in Eight Men Out, Doug Dorsey in The Cutting Edge, Travis Walton in Fire in the Sky, and Dish Boggett in the landmark Lonesome Dove miniseries.During his time in the New York Theatre, D.B. was discovered by directing legend Francis Ford Coppola and offered the leading role of Jackie Willow in Gardens of Stone opposite James Caan and James Earl Jones. This indelible and critically acclaimed performance led to a series of major parts in studio films including No Man's Land with Charlie Sheen, the World War II hit Memphis Belle, the star studded Eight Men Out and the enduring romantic comedy The Cutting Edge. Other films include Roommates with Peter Falk, Hear No Evil with Marlee Matlin, Blue Desert with Courtney Cox, A Day in October, Spawn, Heaven is a Playground, Spike Lee's Miracle at St Anna, Hardball with Keanu Reeves and Yellow. Sweeney also made his debut as screenwriter, director and producer with Two Tickets to Paradise. The film stars John C. McGinley, Ed Harris, Moira Kelly and D.B. in the tale of three high school buddies who try to re-capture their long gone glory days in a hilarious road trip adventure. The story strikes a chord among viewers who invariably see themselves or their hometown friends as one or more of the film's deeply resonant and archetypical characters. D.B. has received dozens of accolades and awards for creating Two Tickets to Paradise including Best Narrative Feature at the Savannah Film Festival, the Audience Choice Award at The Vail Film Festival, Best Director at the Boston Film Festival and many more.On television, D.B. starred in four series: as the mysterious Chance Harper in Strange Luck, Special Agent Scott Stoddard in C-16 FBI, mercenary Mike Pinocchio in Chris Carter's Harsh Realm and as the clueless Mr. Whitman on Life As We Know It. TV films include the Emmy winning Miss Rose White with Kyra Sedgewick and the Emmy and Golden Globe winning Introducing Dorothy Dandridge opposite Halle Berry. D. B. has guest starred on some of television's greatest shows from NYPD Blue to House, CSI to Jericho and The Event.He continues to perform on stage regularly, especially at Hollywood's Blank Theatre, where he is a founding board member.One of the preeminent voice talents in the industry, D.B. created characters for the animated Disney films Dinosaur and Brother Bear and is the signature promotional performer for the Oprah Winfrey Network. He will soon be heard on Finneas and Ferb and in the film Boxcar Children. He currently narrates All Access for Showtime, Discovery Channel's Mountain Men and Ice Pilots for Nat Geo. Past and present advertising accounts include Bud Lite, Lincoln Cars, Coca Cola, Major League Baseball, John Deere, NFL Network, Direct TV, Hallmark, Conocco Phillips and the NHL.

Join us on this week's episode as we review Netflix's Avatar The Last Airbender Live Action and much more! Also it would be really cool if everyone would vote for Chibi's film Word of Oda for the “Audience Choice Award” at Awesome Con Film Festival https://astrayproductions.com/vote/

Manuela Seve is the CEO and co-founder of Alphaa.io, a Web3 company with a majority of female employees changing the way we think of asset ownership by connecting the physical and digital realms via blockchain certification.  Using Web3 to help brands build community and loyalty, her clients include major sports teams and fashion powerhouses. Brazilian-born and Los Angeles-based, Manuela has been a thought leader in the tech and collectibles sector for the past 8 years. She was named by Bloomberg in 2022 one of the top 100 influential Latinos worldwide, as well as 33 under 33 entrepreneurs in 2018. She has moderated and led panels on Web3 at major industry events including the Bushwick film festival, Stanford GSB, L'Attitude, NFT LA & NYC, and more. Her panel submission, “NFTs for Real World Problems,” won TechCrunch Disrupt's Audience Choice Award in 2022.

On this episode of Asked and Answered by Soul, Jennifer Urezzio and Valerie David, award-winning actor, playwright, writer, and three-time cancer survivor, explore how generational trauma can impact our lives and create defining moments that we carry with us through life. When we hear our family stories it allows a deeper understanding of where we come from and enables us to tap into the strength and wisdom of previous generations. Listen today as Valerie talks about her own generational trauma which is the basis for her award-winning plays "The Pink Hulk" and "Baggage from BaghDAD", and how she found courage and access to her inner fortitude by listening to her intuition and learning to be her authentic self. We don't learn or grow unless we fall down sometimes, and it's important to never apologize for who you are, what you believe in, and what you stand for.  You can learn more about her at https://pinkhulkplay.com/. About Valerie She is a New York City-based award-winning performer/playwright New York City-based performer/playwright Valerie David's award-winning solo show, Baggage From BaghDAD: Becoming My Father's Daughter, is about one Middle Eastern Jewish family's true inspirational journey of being forced to flee from religious persecution during the 1941 “Farhud” pogrom in Baghdad. It is the story of Valerie's father and his family's struggle to transcend their harrowing past and build a new home in America. As father and daughter learn to love and to accept their differences, the importance of family takes center stage as she begins to understand how his tale of survival and perseverance shaped her convictions and her future. Valerie wrote and also currently performs the award-winning, internationally acclaimed solo show, The Pink Hulk: One Woman's Journey to Find the Superhero Within. She wrote the autobiographical comedic drama The Pink Hulk as a cancer survivor to express the empowerment she felt being able to find humor and superhero inner strength going through three bouts of cancer to become a 3-time cancer survivor—first Stage III Non-Hodgkin's Lymphoma, Stage II Breast Cancer, and then Stage IV Metastatic Breast cancer, which she has conquered. Valerie is a true superhero—she currently has no evidence of disease—no trace of her cancer as of April 2019. The Pink Hulk has been accepted into almost 50 different play festivals worldwide since its 2016 debut, performed in over 25 different cities, including touring in Europe, and is a testament TO NEVER GIVE UP! It has won several awards including the Audience Choice Award in the Shenandoah Fringe and WOW Award in Sweden's Gothenburg Fringe, and Valerie has been touring the show since 2016, including performances virtually throughout the pandemic. Valerie won the Act Solo Show Award in the Reykjavik Fringe Festival for her in-person performances in Iceland in July 2021. Valerie and The Pink Hulk have been featured on TV, radio, in publications and on podcasts, including NBC 4 New York, CBS, FOX, amNY, Heal magazine, The IndyStar, Breast Friends Cancer Support Radio Network, Mia's World, First Online With Fran and is thrilled to be returning, The Crisis Help Show, the Jim Masters Show! Live, Tamara L. Hunter's Service Hero Show and Reykjavik Fringe Festival podcast. Valerie raises money through The Pink Hulk performances for domestic and international cancer organizations. For more info on Valerie, visit https://pinkhulkplay.com/ The Asked and Answered by Soul podcast is dedicated to helping you understand that your Soul is the answer. If you want to learn more about your soul's answers and purpose, access your free guide at www.themythsofpurpose.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

New York City-based performer/playwright Valerie David's currently performs the award-winning, internationally acclaimed solo show, The Pink Hulk: One Woman's Journey to Find the Superhero Within. She wrote the autobiographical comedic drama The Pink Hulk as a cancer survivor to express the empowerment she felt being able to find humor and superhero inner strength going through three bouts of cancer to become a 3-time cancer survivor—first Stage III Non-Hodgkin's Lymphoma, Stage II Breast Cancer, and then Stage IV Metastatic Breast cancer, which she has conquered. Valerie is a true superhero—she currently has no evidence of disease—no trace of her cancer as of April 2019. 2024 is a banner year for Valerie—this marks her 25th year of cancer survivorship. The Pink Hulk has been accepted into more than 50 different play festivals worldwide since its 2016 debut, performed in over 25 different cities, including touring in Europe, and is a testament TO NEVER GIVE UP! Valerie and The Pink Hulk have been featured on TV, radio, in publications and on podcasts, including NBC 4 New York, CBS, FOX, amNY, Heal magazine, The IndyStar, Breast Friends Cancer Support Radio Network, Mia's World, First Online With Fran, The Crisis Help Show, the Jim Masters Show! Live, Tamara L. Hunter's Service Hero Show and Reykjavik Fringe Festival podcast. For more info on Valerie, visit https://pinkhulkplay.com/ Now battling breast cancer after fighting off lymphoma, Valerie does something most people facing cancer in their life probably wouldn't think of doing. With a fear that she might lose “the girls,” she takes them out for one last hurrah—after all, a cancer diagnosis means only one thing: Call your ex's and try to get laid. And does Valerie succeed? Is there a “happy” ending? Come see the show to find out! This award-winning, internationally acclaimed, sexy solo show follows Valerie's journey to seek her own “hulk-like” strength to find her superhero within to become a three-time cancer survivor. An empowering and true story of inspiration for anyone facing ANY adversity in their own lives—not just from cancer! With plenty of laugh out loud, heartwarming moments!  The Pink Hulk has garnered rave reviews and won several awards: the prestigious “Act Alone Solo Show Award” at the Reykjavik Fringe Festival in Iceland and is the 2022 recipient of The Colby Award for Excellence in the Arts for The Pink Hulk, which is in recognition of her career achievements; also the Audience Choice Award in the Shenandoah Fringe and WOW Award in Sweden's Gothenburg Fringe. “My show is not just about cancer—it's about fighting back ANY adversity in life. And what makes it stand out is its humor,” Valerie said. Learn more about Valerie and her work here - https://pinkhulkplay.com/  Learn more about Cindy and her work here - https://fullblastcoaching.com  --- Send in a voice message: https://podcasters.spotify.com/pod/show/cindy-van-arnam/message

Colin Alistair Campbell is an actor, writer, producer and newly minted director. His debut short, "Patricia Says Goodbye," is a narrative drama that screened as part of the 2023 Inwood Film Festival. His second, most recent short is "Fundamental Shapes," a gentle romantic comedy. "Fundamental Shapes" is in the middle of its festival run and has garnered the Audience Choice Award for Best Narrative Film at the Indy Shorts Film Festival in Indianapolis (an Oscar-qualifying festival), and the Jury Award for Best Comedy Short at the Vero Beach Film Festival.Colin is a founding member of the Kiley Ensemble, a contemporary theater group in New York City, and he draws on his own experience as an actor to help shape his directorial and writing approach. Born in Iceland, Colin enjoyed a rather nomadic childhood and early adulthood, living in countries on four different continents. He currently calls both Virginia and New York City home.www.patriciashortfilm.com

Michael Francis Dailey is a young filmmaker who recently won the Audience Choice Award for his short movie, How Was Your Summer? at the Phantoscope High School Film Festival. He joins me to talk about his influences, his process, and his plans for the future. (It's not often that I get to talk Kurosawa with an 18 year old, so this was an especially satisfying conversation for me.) Check out Michael's photography and movies here. You can also follow him and his filmmaking progress on Instagram.

http://ExpertTalk.fm ~ Valerie David, also known as the Pink Hulk, is a three-time cancer survivor and comedian who empowers others facing a cancer diagnosis. She encourages her viewers to take control of their own health, ask for help, and look for joy in life despite the challenges of cancer. Through her show “Pink Hulk Play”, she motivates her audiences to find solace in meditation, positive support networks, and a positive mindset in order to get through the tough times. Her website PinkHulkPlay.com offers access to her show and provides inspiration and encouragement.Valerie David (playwright/performer) currently performs her two award-winning solo shows The Pink Hulk: One Woman's Journey to Find the Superhero Within and Baggage From BaghDAD: Becoming My Father's Daughter. She wrote the autobiographical comedic drama The Pink Hulk to express the empowerment she felt being able to find humor and superhero inner strength going through three bouts of cancer to become a 3-time cancer survivor (lymphoma and breast cancer twice). The Pink Hulk has been accepted into almost 50 different play festivals since its 2016 debut, performed in over 25 different cities, including touring Europe—Iceland, Sweden, Finland and England. It is a testament TO NEVER GIVE UP HOPE, inspiring and empowering audiences worldwide, garnering rave reviews and multiple awards include the Audience Choice Award in Virginia and the WOW award in the Gothenburg Fringe Festival. She conducts monthly improv and creative writing workshops for cancer patients and survivors at the Red Door Community (formerly Gilda's Club New York City). Valerie, through her performances, raises money for cancer organizations. #ExpertTalkWithTGo #ExpertTalkXtra #TalkShow #PodcastToBroadcast #TheresaGoss #ExpertTalkFM #Roku #Pandora #iHeartRADIO #PodNationTV #talkshowtv #talkshowonline #talkshowhost #podcast #motivation #broadcast #listennow #entrepreneurs #marketing #TGoTV #9at9 #FastFunInformative #LightsCamerasTakeAction #Trailblazers #BusinessWorld #StepByStep #ConquerChallenges #AmazonPrime #iHeartRadio #ROKU #AmazonFireTV #AppleTV #COXCommunications #FamilyChannel #9at9 #NoteworthyEntrepreneurs #PathBreakingVisions #HardWork #Resilience #Success

This episode of Across The Margin: The Podcast features an interview with Louis L. Reed who organized a national grassroots network of reform activists after serving fourteen years in federal prison, and Brandon Kramer, a Washington, DC-based filmmaker and co-founder of Meridian Hill Pictures. Brandon directed City of Trees. and the Webby Award-winning independent documentary series The Messy Truth. Brandon won Best Director at the 2016 Chesapeake Film Festival and Indie Capital Awards, received the Audience Choice Award at the 2015 American Conservation Film Festival and was a 2015 DC Commission on the Arts & Humanities Individual Arts Fellow. He has directed over 30 short documentaries commissioned by public agencies and nonprofits including AARP and US Institute of Peace. Before starting Meridian Hill Pictures, Brandon served as a teaching artist for the John F. Kennedy Center's national media education program. Brandon's latest documentary, The First Step, finds activist and famed CNN correspondent Van Jones, in a divided American, controversially working across party lines on landmark criminal justice reform and a more humane response to America's addiction crisis. Attempting to be a bridge builder in a time of extreme polarization takes him deep into the inner workings of a divisive administration, internal debates within both parties, and the lives of frontline activists fighting for their communities. Facing fierce opposition from both political parties in a climate where bipartisanship has become a dirty word, Jones and his team enlist the support of justice-impacted individuals, faith leaders, grassroots activists and cultural figures — including Kim Kardashian — to pass legislation that would fix some broken aspects of the justice system and bring thousands of incarcerated people home early. The bill's champions immediately find themselves navigating a high-stakes game of political chess in Washington, D.C. Their quest brings them face-to-face with progressive champions like Congressman Hakeem Jeffries, U.S. Senators Kamala Harris and Bernie Sanders, as well as conservative figures like U.S. Senator Rand Paul, Kellyanne Conway, Jared Kushner — and ultimately, Donald Trump himself. While trying to pass a bipartisan bill through a deeply polarized Congress, Jones is condemned by the right for his progressive beliefs — and by the left for working with conservatives. The film reveals an intimate portrait of an activist's isolation and internal struggles, what it takes to make change in a divided nation, and everyday people in both political parties drawn into a historic fight for freedom and justice.The First Step is screening this weekend (2.17.23) at The Justice Film Festival. The Justice Film Festival is the premier showcase for films that shine a light on social justice and affirm the dignity of all people. Learn more about the Justice Film Festival here, including showtimes and schedule of all events. Hosted on Acast. See acast.com/privacy for more information.

Jennifer Lieberman comes by her writing and creativity honestly. She has been writing, organizing, and working toward a career in theater writing ever since she was a student in school. She has written her own one-person play as well as a book entitled “Year of the What” based on the play.   As Jennifer tells us about her life, she discusses living in New York City during the terrorist attacks on September 11, 2001. She will discuss how her life changed after that day.   Jennifer clearly is a person who set goals for herself and then worked to achieve them. She is absolutely unstoppable. I think you will enjoy this interview and the creative personality of this wonderful person.   About the Guest: After years of pounding the pavement and knocking on doors with no success of breaking into the entertainment industry, Jennifer decided to take matters into her own hands and created the solo-show Year of the Slut. This show proved to be her break and the play went on to win the Audience Choice Award in New York City and is now the #1 Amazon Best Selling novel Year of the What? and was awarded the Gold Medal at the Global Book Awards 2022 for Coming of Age Books. Since deciding to make her own break Lieberman has appeared in over 30 international stage productions, has produced over 40 independent film and theatre productions and has helped over 100 creatives make their own break through her coaching and consulting work. She has penned a number of stage and screen plays and her short films have screened at the Festival de Cannes Court Métrage among other international festivals. She is currently gearing up to direct her first feature film.   Social Media Links: Twitter: https://twitter.com/iamjenlieberman Instagram: https://www.instagram.com/iamjenlieberman/ Facebook: https://www.facebook.com/iamjenlieberman Linkedin: https://www.linkedin.com/in/jennifer-lieberman-33b20426/       About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can also subscribe in your favorite podcast app.   Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.     Transcription Notes Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i  capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson  01:21 Hi, again, it's Michael Hingson, and you are listening to unstoppable mindset, the podcast where inclusion diversity in the unexpected me. And today, Jennifer Lieberman, our guest I think certainly has lots of unexpected things that she's going to tell us about. If you don't know, Jennifer, and you may or may not know who she is, I will just tell you that you want to talk about unexpected. She wrote her own one person play called The year of the slug, and we're gonna get into that I am sure, along with a lot of other things. So Jennifer, welcome to unstoppable mindset. How are you?   Jennifer Lieberman  02:00 I'm fabulous. Michael, thank you so much for having me. I'm so excited to chat with you today.   Michael Hingson  02:07 Well, we're really excited that you're here. And I know you do have lots of stories and you faced a lot of challenges. And it will be good to go through some of those. Why don't we start new sort of telling me a little bit about your early life and how you kind of progressed a little bit?   Jennifer Lieberman  02:21 Sure. So I started off as the competitive gymnast. And I was in competition. By the time I was five, and was training almost every day after school. By the time I was eight years old. I kind of had a natural aptitude for the sport. And that was my main focus for a really long time. And then I ended up coaching, I founded a high school team. And I think it's relevant because from a very early age, I had to have like a certain amount of discipline. And that discipline has really helped me with longevity in the creative world where it's It's a thankless business a lot of the time.   Michael Hingson  03:11 So where are you from originally?   Jennifer Lieberman  03:13 Oh, yes, I'm from. I was born in Toronto raised in Maple, Canada, just outside of Toronto. I went to York University in Toronto, I studied philosophy and English Lit. And when I graduated, I moved to New York City to pursue a career in theatre. I started writing at a young age, I was about eight years old when I started writing scripts. Originally, it started off as fan fiction for shows that I wanted to be on as a child. And then by the time I was 12, I my imagination evolved enough to create my own plots and characters and storylines that weren't borrowing from worlds that were previously created by other writers. So it was always something in me. But like I said, gymnastics was the main focus, you know, until halfway through high school when I had a career ending knee injury. But like, I still love the sport and love being in the gym. So coaching kind of allowed me to stay in the world that I was used to. And then in university is when I started taking acting classes, and I just kind of never looked back like I am in love with the creative process, whether it's writing performance, filmmaking, and I've developed a lot of skills over the years in order to stay working and stay in the game. Because especially as an actor, you don't have a lot of agency or control over when you get picked And what you get picked for.   Michael Hingson  05:02 So for you, philosophy ended up sort of being a means to an end, as opposed to being a career that you are going to go into in some way. Well,   Jennifer Lieberman  05:11 actually, I studied philosophy, it's interesting that you bring it up, but the Greeks are who invented theatre. That's where a theater was born in these Greek Dionysian festivals, and, you know, East Escalus. Like all of these writers wrote, theatrically, and that's kind of, you know, philosophy played on these stories, or at least in the earlier days, so it always felt connected to me. Philosophy, Greek philosophy, mythology, it was all kind of wrapped up in some sort of performance.   Michael Hingson  05:53 But you went through and got a degree in philosophy, and then you move to New York, is that because you wanted to go into Broadway? Oh, yeah. And   Jennifer Lieberman  06:01 also, like, my parents didn't consider a degree in theater a degree, you know. And I knew, I also knew that I was a writer. And then I wanted to tackle, you know, topics that were, you know, that would challenge people. And that would make people think and different points of view. So I thought, for the writing side of it, because it was never just to be an actor, it was always an actor who wrote projects. So the philosophy and the English Lit just seemed like a great jumping off point in order to develop my skills, grappling different difficult subject matters and structure and theatrical writing and all of that stuff.   Michael Hingson  06:49 Well, so you move to New York. And I guess something that none of us would know. Listening to you and talking with you here is your half African did that have a an impact on you and being able to break into this industry? Or?   Jennifer Lieberman  07:07 No, not at all, because I look, I look like a white girl, I'm my dad's side is Polish. My mother is tunisienne from Tunis. 10 is yeah, she immigrated to Canada with her parents and siblings, and she was the young girl. So so nobody has any inkling of my African roots, unless I actually mentioned it. So, um, so yeah, that's kind of something that's very unexpected, and people don't really place me in that category. Even though I really identify with my 10 ASEAN, heritage and culture, especially traditions, you know, family traditions, things like that my was very close to both of my 10 ASEAN grandparents, I they grew up five houses away from where I grew up, so I saw them almost every day. And that is just ingrained in who I am.   Michael Hingson  08:12 So does that make you essentially a bi racial person?   Jennifer Lieberman  08:16 Um, you know, it's funny, cuz my sense, it's, my family is North African. And like I said, like, my grandfather had dark skin, but my grandmother had light skin. I don't even know if I would be considered biracial. Because once again, like, by looking at me, you couldn't really tell I don't appear to be bipoc. So it's not something that really comes up. Actually. I don't even know what people would consider me to be honest.   Michael Hingson  08:49 A writer and an actress. Yes, so so it really didn't have much of an impact, which is, which is cool. Well, it shouldn't anyway, but it seemed relevant to ask the question. You know, so you, you move to New York. Tell us about that. Where did you go? What did you do in New York? And and what's your favorite bagel place? You know, all the important things?   Jennifer Lieberman  09:17 Yes. Um, so I basically after my last exam, I didn't even wait around for graduation. I wasn't there. On the day, they gave out diplomas because I really didn't care about a diploma. I felt like that was more an obligation I had to fulfill for my parents sake, and then I could start my life. So I showed up in New York and like I say, with a duffel bag and a dream and I was just like, I'm here and stumbled my way. I had rented an apartment sight unseen, which was not a great apartment and last in there very long. And I'm Just basically there was a newspaper back then called Backstage, it used to be a physical newspaper, now you can get an online subscription. And I just started looking in the newspaper that was specifically for the acting world and started circling different auditions I could show up at or submit to. And that's how it all began. And I was fortunate enough to get in with a couple of different theatre companies. And I was able to work with the same people. consistently over time, there were three different companies that I was working with consistently. So that helped me grow and develop as an artist. And one of the companies I ended up becoming a producer at 22. So I learned every aspect, from carpentry using power tools to help get the sets made to running the lighting and sound stage management, costuming, anything that was needed. You just kind of when you're an off off Broadway company without any real funding. You just scraped together whatever you can to make it happen. But also, pardon? Go ahead. Oh, but also those lessons have been invaluable for where I am now. Because, you know, not having the perfect sort of circumstances, or the amount of money we wish we had has never deterred me from making something happen.   Michael Hingson  11:37 So you wore many hats. And you obviously learned a lot as you went along. What was kind of the biggest challenge that you had back in those early days?   Jennifer Lieberman  11:47 Oh, well, I grew up in a really small town. My neighbors were trees. So getting used to the fast paced kind of hustle and bustle of New York City. It was a huge culture shock for me, I grew up in the middle of nowhere, and then move to the center of the world, with everything happening. And just as I was starting to get my footing in New York, 911 happened. And   Michael Hingson  12:18 where were you at the time,   Jennifer Lieberman  12:21 I was on my way to work. I was walking towards the subway at Astor Place, I was living in Alphabet City, and witnessed the first plane, fly into the World Trade Center and thought it was a fluke accident and got on the subway and continued with my day.   Michael Hingson  12:49 So for people who don't know where is Alphabet City, and what is   Jennifer Lieberman  12:52 Oh, yes, so Alphabet City is like the East most part of the East Village. So I was at Avenue D and 10th street. That's where I was living. I didn't last very long in that apartment. I moved in there. And on September 1, and I think by the 15th of September, I had packed everything up and went back to Canada for a while because I couldn't handle the reality of what happened. And I needed to go home. As   Michael Hingson  13:31 I went, he didn't last long either. You just   Jennifer Lieberman  13:35 got damnit, I'm going back to New York.   Michael Hingson  13:38 So you, you said you argued with people, as you were going on the subway and so on. Tell us about that if you want.   Jennifer Lieberman  13:46 I argued with people who were saying it was a terrorist attack. Because at that age, you know, the level of innocence being raised very sheltered in a small town in Canada. I was just like, This doesn't happen, like we're living in, you know, 2001 like, What do you mean? No, this is impossible that somebody hijacked a plane and flew it into a building in the United States. Like it's impossible. I just thought it was a freak accident and continued to work. And you know, there were arguments on the subway because some people saw it as we were all getting on the subway together. But then there were other people who had been on the subway for a while and are hearing it for the first time. So there was a panic. And then I got to two I was working at 34th and Park at a real estate company. That was my side hustle at the time. And I told my boss what happened. And he got really angry with me. And he said that it's not funny, like we don't joke about these things. And I was like, I'm not joke like, who wouldn't joke about these things? Like, turn on the radio. And he did. And that's when we heard about the second plane. And I just remember, like my soul leaving my body at the realization that it couldn't be an accident if there were two that happened in that short amount of time. Like, it was just literally, I felt my innocence Leave me. And yeah, I became a different person that day.   Michael Hingson  15:32 I think a lot of us did. One of my employees was on the PATH train paths stands for Port Authority, trans Hudson, it goes under the river. But he was on the PATH train coming in from Hoboken. They just pulled into the path station under tower Well, under the central part of the World Trade Center. Yep. At the fourth sub level when the second plane hit. And he told me later, the train just started shaking and so on in the pilot, the pilot, the conductor, and the engineer just said, don't leave the train. And they just literally turned around and went back. Right, in Hoboken, because I think they may have known that something was going on. But they didn't know, of course, about the second plane, because it was happening in real time. But nevertheless, they just turned around, went back to New Jersey. Yeah. Yeah, it was just Well, and, of course, who would have thought, right? Exactly. It's one of those things that it's really hard to imagine. And I can understand your reaction. And it did change all of us who were there. And as I've said to many people, and my wife has really pointed this out the problem for most people, certainly the people outside of the immediate area where this occurred that is outside New York City and so on, or further away, who just couldn't see what was happening. Your view, not yours, because you were there. But the view of people was only as large as your TV screen or your newspaper. And you couldn't have the same impact in your mind as all of us who were there at the time did. So you went back to Canada for a couple of months. And that's sort of understandable. You had a place to escape to as it were.   Jennifer Lieberman  17:33 Yeah. First I went to the Poconos. So I had a good friend Heather. She was initially my roommate. And then we, you know, we both ended up living in Alphabet City, actually. But she moved in with a boyfriend. And you know, no cell phones were working. As you know, all the cell towers were down because they were in the Trade Center. So we couldn't get I couldn't call my parents. I couldn't call anyone in Canada. But Heather and I somehow found each other on the street. And I guess it took two or three days for her dad to be able to drive to the city and get us because the city was closed. They weren't letting any vehicles in or out of the city. And I ended up going her dad picked us up. It was her boyfriend at the time. She and myself. And we went to their house in the Poconos for a few days. And then I got back to the city. And I don't know if planes were back up in the air yet, but I took the train home to Toronto, it was like a 12 hour train ride. And I just like packed up everything I had and just hopped on the train. Because I also felt like my dreams were so trite and insignificant compared to the weight of what happened. And I felt silly. I felt you know that everything that was so important to me the day before, was completely superfluous after that incident.   Michael Hingson  19:12 Yeah, what could you do? And it it makes perfect sense that you just left. You're fortunate to be able to do that. Some cell phones were working that day because I was able to call my wife in New Jersey. She couldn't call me. But I could call her interesting. And we were able to, to communicate learned later that day that the trains had started running from Penn Station in New York to Penn Station in Newark. So I was able to get a train later that evening, back to Newark, and then catch the train going from Newark out to Westfield, where we lived. So we got home at about seven that night. It was interesting being on the train, going from New York to New Jersey, people came up to me and said, You're really dirty. Were you downtown? And I said, Yeah, I was in Tower One. And it was interesting while we were going to the train station, from the apartment of a friend of my colleague, David's who I was with, although it wasn't the same as typical, still cars were moving, there was traffic. And it seemed like even only being a few miles away, it was already so significantly different than what we were experiencing downtown.   Jennifer Lieberman  20:40 Oh, yeah, the whole world stopped. If you were on the island of Manhattan, the whole world stopped, you know, and I ended up in New Jersey as well, actually. Because I was beneath 14th street and they didn't really want anybody coming back home if you were below 14th street because they didn't know. Like we talked about before we started recording, you know, gas leaks, fires under the city, things like that the fires could travel through the subway lines, you know, through the tunnels and stuff. So I ended up in New Jersey at a colleague's place for I guess, the first couple of nights. And yeah, it was it's It's surreal. It was just, that's the only word. You know, I can think   Michael Hingson  21:30 of was just how did you get to New Jersey?   Jennifer Lieberman  21:32 I believe I took a train from Penn Station.   Michael Hingson  21:35 Okay, so you were able to catch a train too, which was cool.   Jennifer Lieberman  21:39 Yeah, I was able to catch a train. Yeah, it was. I can't even   Michael Hingson  21:45 Well, let's, let's go back to you. So you moved back to Canada for a little while. Yeah.   Jennifer Lieberman  21:50 Canada. And you know, that didn't last? No, it didn't last because, you know, after I got over the initial shock of what actually happened. I was like, Yeah, you know, my dreams are important to me. And art is just as important as ever, especially during a crisis, having writers and having theater and having stories and people who are able to tell stories in compelling ways. And I basically did a, I did a one ad. And when all I went right back to what I was doing before, with an even stronger conviction than I had previously.   Michael Hingson  22:37 So what happened?   Jennifer Lieberman  22:40 So I continued with the theatre company that I was with, and I got into, like I said, couple other theatre companies I was performing off off Broadway pretty regularly. I was with a mime company called the American mime theatre, and trained and performed as a mime for a few years. And this company was quite special. It was funded by the National Endowment for the Arts. And it was its own medium. It wasn't a copy of French pantomime. It was its own discipline. And that was actually coming. You know what, when we got to the one woman shows, but doing the mind training was the best foundation I could have asked for moving forward and doing one person shows where I was playing multiple characters and had to snap in and out of them very quickly. And being able to just snap into a physicality that made it very clear to the audience that I was somebody new, or somebody different as to the character who was previous. So yeah, I ended up producing a bunch of shows off Broadway got into film production. I was in New York for about six years and, and just try to learn as much as I could and craft as much as I could. I started working with a director named Jim craft offered rest in peace he passed a couple years ago during the pandemic, not from COVID. But he was a phenomenal writer and director he studied under Ilya Khazanah at the actor studio, and his play to patch it was a real tipping point in my artistic career. I had to play a mentally challenged girl who was raped and murdered. And once I was able to get through that, I realized like yeah, I really prove to myself like okay, this is where I belong. You know, I have the I have the chops. I have the stamina, I have the drive and you You know, that was like a big milestone, also, in terms of it was the most challenging role that I had ever come across. And I really had to rise to the occasion. And a lot of times in creative work, like until you were given the opportunity to rise to the occasion, you don't know what you're made of. So that was a huge milestone for me. And then, while I was working after I was working on capatch it, my grandma got sick, and I ended up back in Toronto for about a year and a half to help my mom, and my grandma got better and which was great. And then I decided to give la a try. One of the films that I had produced in New York was in a festival in LA and I went to the festival, the film won a couple of awards. And I was like, Okay, I'm gonna give Hollywood a shot now. And that's, that's what happened next.   Michael Hingson  26:01 Well, typically, people always want to get noticed and seen and so on. So what kind of was really your big break? And in terms of whether it be Broadway or wherever? And why do you consider it a big break?   Jennifer Lieberman  26:16 Okay, um, so I, when I was in LA, I had been there for about a year and this is where Europe the sled came into play. A friend suggested that I create a vehicle for myself that, you know, everybody comes from all over the world, to have their, you know, hat in the ring and give it a try to be a star in Hollywood. And very, very, very few people make it. And you have to kind of come up with a way to get noticed. So a friend of mine suggested, do a one woman show, showcase your writing, showcase your acting ability, and you can invite agents, you can invite directors, you can invite people that can hire you people that can represent you, and that will be a good vehicle. So I did what she said. And nobody from the industry really showed up, I kind of compare it to the movie lala land with Emma Stone where she does this one woman show and there's like one person in the audience, I had more than one person, because I had supportive friends from acting class and my mom came from Canada. But in terms of industry, nobody, nobody who could represent me or hired me show up showed up. However, I had so much fun creating the characters working on the show, and taking so this was like the next plateau in my career to patch it, where I played the mentally challenged girl was like the first kind of plateau of being like, okay, you know, you really have to rise to the occasion, doing an hour and a half on stage by yourself playing 10 characters was a whole different level of rising to the occasion. And I did it successfully expecting to fail. And not only that, so much of my time in LA up until that point, had been trying to get in the door, trying to get the job trying to get the audition. And none of that was actually doing what I went there to do, which was being creative, and performing. So I realized, like, okay, of course, I'm still going to submit to auditions. And I'm still going to try and get an agent and all of that. But in the meantime, I have the agency and the ability to create this piece and develop it and keep going with it. And I did and I did a few different workshops in LA and then I got invited to be in a festival in New York, I won the Audience Choice Award at the festival and then Doom like that was the next kind of plateau because now not only could I did I prove to myself, I could do a one woman show, but I proved that it could be recognized and successful. And that led to another one woman show in Australia. And then when I got back from Australia, because at this point in time, I had been a producer for hire for many, many years I had been producing since I was 22. And I had produced well over a dozen film and theatre projects at this point. And I was like huh, I I can help other actors who are frustrated spinning their wheels achieve what I achieved. And that's when I founded my company make your own break. So you know, nobody ever gave me a big break. I'd like them to if anyone has a big break waiting, I'll take it. But, um, but also realizing that I could do this for myself and I can do this for other actors and writers on a small scale was really exciting to me, because I love the creative process. And I love working with actors, and I love working with writers and storytelling, and I love helping I call it I love helping people dig for the gold that's inside of them, because everybody has a treasure buried inside. But a lot of times we're we're not put in situations that push ourselves to actually dig for it. Especially when we're in situations where other people are giving us opportunities, as opposed to us having to really dig down inside and figure out how do I create this opportunity for myself?   Michael Hingson  30:53 Well, and it's also true that oftentimes, we don't necessarily recognize the opportunities are right there for the taking.   Jennifer Lieberman  31:02 Exactly, exactly. And then so creating the one woman show set me on this whole trajectory of I'm just going to keep creating my own stuff. And I created a web series with a friend of mine from acting class, we wrote it together, we produced it together, we both starred in it. You know, it wasn't like commercially successful, like, there's dismal. You know, we did this almost 10 years ago, and there's like dismal YouTube views. It's very embarrassing, but it's also one of the things I'm the most proud of, I had the most fun working on it, I loved everything about it. And it's one of those projects where all the problems with it could have been solved if we had more money. And, to me, that's a success. Because, you know, we couldn't help the fact that we didn't have more money to make it. And the fact that you know, okay, fine, you know, the, the camera work wasn't fantastic, or the stats weren't fantastic, you know, but all the actors were fantastic. The directing was fantastic, the writing was fantastic, you know, so so I'm so super proud of that. And then Rebecca, my partner on that we made a short film together. And then I finally finally after decades of being a writer, because I started writing when I was eight, had the confidence to produce something that I had written on my own. And that was my short film leash. And that ended up screening at the short film corner at the Cannes Film Festival, which was like another huge milestone, I still couldn't get any agents or managers or anybody to take me on or represent me. But at this point, it's like, I got my film that I made that I wrote that, you know, that I produced that I was in to the biggest, most important film festival in the world. And I'm like, okay, that like, you know, even though the industry quote unquote, you know, hasn't recognized me yet. In terms of like, the agents and the managers and staff that's like, there must be something valid to my creativity. And then I made another short film, and it also got screened in the short film corner at the Cannes Film Festival on screen at the Cambridge Film Festival in the UK, and it just kind of, you know, so all these little bits of validation, they haven't turned into, you know, the career that I'm aspiring towards, but it's all encouragement. That helps me keep going.   Michael Hingson  33:57 You certainly are unstoppably optimistic.   Jennifer Lieberman  34:01 Well, the thing is, I don't even think it's that. I think it's just I don't have a choice. This is just who I am. It's what I do. I just keep creating, I can't help it. There was this movie years ago with Jeffrey rush called quills about the marquis decide, and how he was imprisoned because of his writing and how he was persecuted. And, you know, he kept writing no matter what he kept writing, he would write in blood on his bedsheets. And eventually he was just nude in a in a cell with nothing, because they needed to stop him from writing the depraved material that he was writing. And, you know, it was just I wouldn't say my my compulsion is that extreme. But yeah, I don't feel like this is something I chose. I feel like it chose me It's something inside of me. And I get very depressed when I'm not able to have a creative outlet. You know, it's almost survival, which I know sounds completely absurd, but any other creative who has the same conviction? I do, it makes complete sense to them.   Michael Hingson  35:23 Well, you wrote starred in and did everything regarding, of course, your, your one woman show your of the slot what happened to it? Because it did oh yeah appear and you had some awards with it and so on. So what happened?   Jennifer Lieberman  35:39 So, um, in the interim, so once we won the award in New York, some people, like lots of people, actually friends, colleagues, people that I didn't know, suggested that it would be a great Chiclet book, and that I should write the novel. So I did, I wrote, I wrote the novel and shopped it around for a couple years. But once again, I was so green, it didn't even occur to me, like, oh, you should hire an editor, and you should hire a proofreader. And you should get a whole team of people together before you start sending it to agents and, and, you know, publishing companies. So I gave up on it. Over a decade, I probably gave up on it about three times. You know, the first time, I was completely unprepared. The second time, I did hire an editor, and she just was the wrong fit. And it didn't resonate with her. So she was just very cruel in her feedback. And I couldn't look at it for another two years. And, and then finally, a friend of mine encouraged me to finish it and self publish it not to be successful, but just to get to the finish line, and not have one more project hanging over me that's unfinished. So with that state of mind, it was actually kind of a relief, because it's like, Oh, I'm not even trying to make this book successful. I'm just trying to get to the finish line. And then I did, and I, I self published Europe, the sled and it was censored. And for a good year, I tried my damnedest to get around the censorship issues with Amazon, Facebook, Instagram, in terms of advertising. It was allowed to be on Amazon, I was allowed to have a Facebook page, I was allowed to have an Instagram account, but it couldn't do any advertising, which means I couldn't break through my audience of peers. So if you weren't already my friend, I couldn't get the information to you. Which kind of made it dead in the water. A colleague of mine after a year suggested to change the title since that was the only barrier. And I was like, No, the title is what's you know, is why it was a success in the first place. That's what packed houses. Village Voice had no problem. Printing ads with the title timeout in New York had no problem none of the, you know, none of the entities that came to review the play had problems publishing the title. But I guess since it was published after the ME TOO movement, the climate had changed a little bit. And we weren't able to. Yeah, well, I just wasn't able to get it out there. So after a few months of hemming and hawing over the whole situation, because I had the title before I had the story. I'm just I was just pretty good at coming up with catchy titles. So I was really married to it and then finally revamped it, retitled it, rebranded it, relaunched it. And it's now a number one bestseller on Amazon. It recently won the gold medal at the Global Book Awards for Best Coming of Age book, it won a bronze medal at the independent publishing Awards for Best romance slash erotica ebook. And, yeah, it's won a couple more, but those are the most notable and it served me well to to retitle the book so,   Michael Hingson  39:30 and the title of the book is   Jennifer Lieberman  39:32 near of the what, so it rhymes with slut. But it's not as controversial. And it actually serves me because in the process of, of publishing this first one, I realized that it's a trilogy and Book Two is going to be year of the bitch and I'll have the same problems. So I'm just going to keep it under the year of the white umbrella. a lot.   Michael Hingson  40:01 I would I would submit, maybe not. I know there is, well, I suppose anything's possible. But my wife and I love to read a variety of books. And we've written or we've read a number of books by an author Barbara Nino. So she wrote the Stasi justice series. Have you ever read any of her books? I haven't been on familiar with her. So she's also written the bitches Ever After series published with that name, so maybe it won't be quite the same? Well,   Jennifer Lieberman  40:34 there's a big book out called the ethical slut, that? Well, you know, and they had no problems with censorship, either. But I think sometimes it can, it depends on who your publisher is and who you're connected to. But um, but anyway, I think the year of the web series serves me because as soon as someone opens the first page of the book, The subtitle is right there, right. Yeah,   Michael Hingson  41:00 so people should go look for year of the what? Yes. Well, I'm glad it has been really successful. And you have worn a lot of hats on, off off Broadway and Hollywood and so on. And now you're back in Canada, and so on. What do you like best of all those hats and all those jobs or opportunities.   Jennifer Lieberman  41:27 That's number one. That's always been my number one passion. That's why I started writing fan fiction when I was eight, is because I just wanted to be in these movies and shows that I watched, and I really enjoy writing, I actually really enjoy producing and helping bring projects to life, whether they're mine or somebody else's. But the there's something magical about performing and living and breathing in somebody else's skin and a different world that a writer created. And it's just incomparable. So   Michael Hingson  42:14 year of the well, we'll, we'll do the slot. What? Is it funny?   Jennifer Lieberman  42:21 It is yes. So what are the words that one was best rom com of 2021. So when I submitted it to book life through Publishers Weekly, one of the reviews was that it doesn't fit neatly into the romance genre. And it doesn't fit neatly into the erotica genre. And it doesn't fit into this genre and doesn't fit into that genre. They didn't even review the book, like didn't even give like a positive or negative review. All they did was list all the genres it didn't fit into. And, but it is quite humorous. Because it's about these dating misadventures, and coming of age and coming to terms with sexuality, being a young woman in New York City, and kind of having to reevaluate a lot of the stories or, you know, kind of expectations that were ingrained in the character. So it's not even about her being a slut. It's about her reevaluating what that word means to her, because she only planned to be with my one man. So anything more than that would put her in the slot category. But yeah, so it was her kind of, you know, reevaluating her perception of what is the slot? And, you know, how many partners is too many and all of that stuff? Because, also, in today's world, how realistic is it? For someone to be with just one partner for their whole life? I don't know. Especially like in Western society? I don't know.   Michael Hingson  44:14 Well, since you have been involved in writing something that's humorous and so on, have you at all been involved in comedy stand up comedy or any of those kinds of things?   Jennifer Lieberman  44:26 Yeah, I did do stand up comedy. I do it from time to time. I wouldn't call myself a stand up comedian. Because I don't love it enough to be hitting the clubs every single night trying to get on stage, which if you're trying to make a living as a stand up comedian, you have to be hitting the clubs every night. All of the legit stand up comedians, I know will hit 234 Different clubs at night to get up. And I'm not that committed to it. It's a nice muscle to flex, it's nice to know that I have the courage to get up and do it that I can make an audience laugh. But I'm no by no means a professional stand up. I got into it by accident, I responded to a casting notice looking for females who could be funny. And it was a promoter looking for more female comics to be on his shows. And he was willing to train and coach to coach women because he just felt like he wasn't getting enough women applying to be on his on his lineups. And he wasn't meeting enough women. This was this was a few years ago, this was like I think 2014 is when I started, it was just before Amy Schumer, like, had her breakout success and became a huge household name. Now, now when you go into the comedy scene, there are so many more women than then there was, you know, about eight years ago. So now, it's not the same climate. So his name? Matt Taylor, his name's Matt Taylor. So he kind of convinced me to give it a go and try five minutes. Because I was like, oh, no, like, That's too scary. I don't do that. But after doing two one woman shows where I was on stage by myself for over an hour, each one I was like, Okay, what's five minutes. And I did it. And when I was a hit, it was great. Nobody thought everybody thought I was quite seasoned. All the other comedians on the lineup thought that I had done it dozens of times before. And I, I did it pretty consistently for a couple of years. But once again, like I said, I just didn't love it enough. Like I'd rather I would run, I would run to a theater every night to do Shakespeare or Tennessee Williams, I wouldn't run to a theater every night to do stand up. So it's just not the type of creative that I am. But once again, nice to know that, that I can flex that muscle.   Michael Hingson  47:14 So how many books have you written so far? One novel,   Jennifer Lieberman  47:17 which we discussed, and then under Mike, my consulting business to make your own break business I've published to during the pandemic, I always intended to publish books, under the Make Your Own break umbrella, about low budget, film production, low, no budget is more accurate, no budget theatre production, how to develop a solo show. So all of those are still coming. But during the pandemic, I was asked to coach a few executives, to help them with their presentation skills and engaging their team. And I'm kind of like a nerd and I didn't feel qualified to coach these people. So I was like, Okay, I have to come up with a system before I feel confident enough to like go and actually, you know, do this and charge money. So I came up with these seven steps on how to master your virtual meeting. So that's one of the books make your own break, how to master your virtual meeting in seven simple steps. And then I also recorded my AUDIO BOOK during the initial lockdown, and I messed up a lot. And I had to I recorded the entire book and had to throw it in the garbage and start again from scratch. And then the same friend colleague who suggested I changed my title suggested that I write a how to book geared towards self published authors and indie authors on how they can record and publish their own audio books. So that's book number two how to record and publish your audio book in seven simple steps once again under the Make Your Own break umbrella. And yeah, so there are those two books and like I said, I I will be publishing more How To books under the Make Your Own break, but those will probably pertain more to film theater production and creative process.   Michael Hingson  49:23 And then the what? At pardon. And then more year of the what and then more   Jennifer Lieberman  49:28 year of the wet because that I've realized as a trilogy. You know, when women are young, if people want to attack us in our teens and 20s Regardless of what our personal lives are, people call us a sloth. Whether it's male or females, it's a woman it's a it's a word is weaponized against women. And then as we get older, more assertive, more confident, we're we're called a bitch. So I'm kind of going through the trajectory of words. are used as weapons against women, and how we can reframe them and own them, instead of being ashamed of them.   Michael Hingson  50:09 Then you can write the fourth book what bitch. But anyway, that's another story. Exactly. So did you publish an audiobook?   Jennifer Lieberman  50:18 I did, yes. This year of the what is available on Audible? Yes. So I did I, I was I finally recorded a successful version. And it was after that, that I decided that okay, yeah, maybe I can write the how to book on how to do this. And it's specifically encouraging self published authors. Because if you have enough conviction to write your story, you should be the one telling it.   Michael Hingson  50:47 It's interesting in the publishing world today, that and people will tell you, this agents and others will tell you this, that it isn't like it used to be, you have to do a lot of your own marketing, even if you get a publisher to take on your book and take that project. So the fact is doing an indie publishing project certainly uses a lot of the same rules, you still have to market it, you're gonna have to do it either way, you're still going to be doing a lot of the work, the publishing industry can help. But you still got to do a lot, if not most of the work.   Jennifer Lieberman  51:29 Yeah, and not just that, I don't know, if if you follow any celebrities, on on Twitter, or Instagram, but I believe nowadays, like I'm a, I'm a member of the Screen Actors Guild, that union in the US, and a lot of contracts now have social media obligations written into them, that you have to tweet that you have to post a certain amount to help promote the show. And a lot of decisions are based on how big of a following you have, there's actually, I'm not sure if you were a Game of Thrones fan, I was a big Game of Thrones fan. But one of the characters, it was between her and another actress and she had a bigger social media following. And that was the tipping point of how she got cast. So it you know, self promote, like that's what social media is, it's all self promotion. So it's not just the publishing world, it's the acting world, I think it's just become the norm of it doesn't matter what business you're in. It used to be that you needed a.com. In order to exist now you need a social media following in order to exist.   Michael Hingson  52:53 I know when we originally did fender Dogg, and Thomas Nelson put, picked it up and decided to publish it. Even then back in 2010, and 2011. One of the main questions was, how much will you be able to contribute to the marketing of the book? How much will you be able to help promote it? Now? We have a contract to do our next book, A Guide Dogs Guide to Being brave, unless the publisher decides once we're done to change the title. But still, it is all about how big of a following do you have? How much are you going to be able to contribute contribute to the book because you're probably not going to get some sort of big book tour or anything like that paid for by the publishing company, unless there's some compelling reason to do it. And it is all about what you can do. So publishing is changing, the landscape is changing. mainstream publishers are great, they do add a lot of value. But you do need to learn to sell and to market and be intelligent about it as an author, no matter how your book gets published.   Jennifer Lieberman  54:03 Yes. And, you know, it's a double edged sword, because it gives lots of opportunities to indie, indie authors, but it also, it's sad for me because it becomes a popularity contest. And it's not necessarily about how good your book is, or how good your work is. It's just if you, you know, have a buzz factor. And if you have a following or if you had, like some mishap in your life that went viral, then all of a sudden, you have this huge platform for all these opportunities, regardless of how talented or prepared you are for those opportunities. And you know, it like I said, it's a double edged sword. There are benefits to it. And there are, you know, there are detriments to it but also like I'm the type of artist. I'm gonna I'm willing to go outside of my integrity. So let the chips fall where they may.   Michael Hingson  55:05 Well, you have written both in the literary world, if you will. And in the theater world, which do you prefer? And why? Oh, that's a toughy. Because you're doing a lot with each one, aren't you?   Jennifer Lieberman  55:21 Yeah. And I'm still like, I'm, you know, and that's the thing, like I write plays, I write scripts for film, and I'm writing a TV pilot right now. And in the literary world, the benefit of writing in the literary world, is once the writing is finished, and when I mean writing, I mean, also the editing and the proofreading. Your job is done, like the project is complete. When you're writing theatrically, whether it's film or theatre, that's just step one, there's still a very, very, very long road ahead of you, you know, and trying to get into the right hands, trying to raise the money, trying to, you know, get the right team together, and the right actors, the right, you know, then you had, then there's the feat of filming it, and then the post production process, and then the distribution process. So there is something very satisfying when writing a book that's finished. But there's also something very exciting to me, you know, in the whole process of getting a project produced from you know, from step one to step 55.   Michael Hingson  56:45 So, as a writer in the theatrical world, you really can't just be a writer, and then you turn it over to someone, if you're going to make it successful, I gather, what you're saying is, you really have to be the driving force behind the whole project, not just the writing part.   Jennifer Lieberman  57:01 Well, at my level, because like I said, I don't have an agent, I don't, I'm trying to get things into other people's hands. So right now, I'm shopping around here of the what for theatrical opportunity, I went to the Cannes Film Festival to the market there, I've met with a certain number of people. And one of the questions was, how involved would you want to be in this project? And my answer is, however involved you would like, you know, because I'm not married to this project. Like I, I've been living with this for a decade, between writing it, workshopping it, and then the novel between the play and the novel, like, I'm ready to let this go. If somebody wants to write me a check. Go ahead, do what you will with it. You know, but then there are other pieces that are closer to my heart that I'm like, oh, no, like, this isn't for sale. We can partner on this and make this together. But this is, you know, staying under my under my wings, so to speak. But I have another I have a short piece, a short film, that a friend of mine is shooting in LA next month, and I'm not really gonna have any creative involvement in it.   Michael Hingson  58:26 Out of curiosity, when somebody asks you that question, is there sort of a general trend as to what do they want the answer to be? Or is it really something that varies? They they're not necessarily looking for you to be involved typically, or they'd like you to be involved typically, as a really an answer that makes more sense to most people than not,   Jennifer Lieberman  58:47 you know, it's interesting, because I've gotten both, I've gotten both opinions. You know, for, I guess the higher up people are on the food chain. They're very relieved to hear that I don't need to have any involvement in it at all, because they know how hard it is to get something made in the first place, let alone having all of these, you know, kind of stipulations. It's like, well, I can only get made, you know, she gets to approve the script and this and this and this and that, you know, so the less I think the less involvement I have, the easier it is for the producer because they have more freedom to negotiate. Right. But that's an instinct once again, I don't know, you know,   Michael Hingson  59:32 it probably does very well. How do you keep such a positive attitude and keep yourself to use the terminology of our podcast unstoppable as you get a lot of rejections as you face a lot of challenges. And as you said, you haven't had that huge break. But how do you keep yourself going?   Jennifer Lieberman  59:51 I love it. This is a love affair. This is a lifelong love affair for me. And I was on a podcast A few days ago, we had to write a creativity statement. And my creativity statement is that being a creative is like being in a one sided relationship, and you have to love it enough for both of you. Because the the industry isn't necessarily going to love you back. But if you love it enough, if you love the creative process enough, you're just gonna keep going.   Michael Hingson  1:00:22 I want you to extrapolate that to just anyone even outside the theatrical world. What would you tell somebody if they come up to you and say, How can I just keep myself going,   Jennifer Lieberman  1:00:35 find something that you love and do it as often as possible? It doesn't have to be your job, you don't have to make money at it. You just have to have something in your life that you really love and enjoy doing. You know, whether it's dancing, whether it's singing, you know, and that's the thing like, you don't have to be a superstar. I'm not a superstar. Maybe one day I will be universe. But I, I'm not going to stop what I do, because it just brings me so much joy. And I'm so happy and I do I get in a funk. I get in a funk when I'm not able to create. And, you know, for some people it might be hiking or kayaking or camping or connecting with nature. That's something that that I love to do. Also, that brings me joy. But yeah, I think a lot of us get so caught up. And also I would say close your screen. Go dark, go dark for a few days. Don't worry about what's going on on social media. Don't worry about the internet, like go outside and actually be in the real world connect with real people connect with nature. Be in your body. I find when I get in my head, too much I can spin out. But when you're in your body, you can you can feel your you can feel your essence. You   Michael Hingson  1:02:04 know, always good to step back.   Jennifer Lieberman  1:02:07 So that would be my advice.   Michael Hingson  1:02:10 It's always good to step back and look at yourself and just relax. And we don't do that often enough. We get too involved in that social media and everything else as you point out.   Jennifer Lieberman  1:02:22 Yeah, exactly. And it's proven like there are statistics, social media makes people depressed. People only put their Insta life best moments on social media. I'm sure someone will mention if they're going through a hard time or whatever. But that's not the majority of people. People will sift through their life find take a million photos of one of one scenario, find the best photo doctorate with with face tune filters and whatever and make their life look fabulous. And you know, everything's curated. I'm actually I wrote a poem about this. Would you mind I've never shared this publicly. Can I? Really?   Michael Hingson  1:03:09 Sure. Go ahead.   Jennifer Lieberman  1:03:11 Okay. It's called Black Sabbath. And basically, it's about going dark. Can we all just go dark for a day? Turn off the devices be still be silent and pray? No posts, no distractions? No waiting impatiently for strangers reactions. Can we all just go dark for a day? No selfie indulgence? No curated inspiration. No unsolicited motivation. Be present. Be awake. Meditate. Can we all just go dark for a day hold our loved ones dear if not in our arms in our consciousness spear. Make amends with our Maker, the true force of nature and submit to the power of our sublime creator. Can we all just go dark for a day, shut our screens, search our souls reclaim our minds that get hijacked every time we scroll. And finally take back our grip of the only thing we can control. That's it.   Michael Hingson  1:04:24 That's as powerful as it gets. And it is so true. Yeah. Yeah. It is absolutely so true. So what you've already alluded to it, what do you do when you're not writing and being creative? What do you like to do to relax? You said some of   Jennifer Lieberman  1:04:41 it. Yeah, I'm a yoga Holic. Like I said, I spent the first half of my life as a competitive gymnast. So I'm super active. I love physical activity. I don't work out in terms of like, I don't go to the gym and I don't do a certain amount of reps and I I'm on a treadmill for 20 minutes a day I do physical activities that I enjoy, so I enjoy yoga. I'm quite advanced at it with a gymnastics background so it's fun and acrobatic for me. I love hiking. I love connecting with nature whether it's stand up paddleboarding, kayaking, canoeing, waterskiing, I love all of that stuff. Not much of a snow skier though I don't really love the cold, even though I'm Canadian.   Michael Hingson  1:05:30 How lucky you were you live in? You don't like to call it okay.   Jennifer Lieberman  1:05:34 Yeah, I don't. But basically anything active and outdoors. There's a treetop trekking course not far from where my parents are. And like, that's next on the list. I'm really excited to do that. What is that? Basically, they have these like, kind of obstacle courses up in the trees. So you're on harnesses, and you know, whether it's like platforms that you walk across, or ropes courses that you have to, you know, I don't know, I haven't been but it sounds fun.   Michael Hingson  1:06:12 Well, you have to let us know what it's like after you, you get to go clearly not wheelchair accessible. So I'm sure my wife's not gonna want to do it. But nevertheless, you got to let us know how it goes once you do it.   Jennifer Lieberman  1:06:27 Yes, I will. I will. It's very exciting. Oh, and I love live music. So like rock shows. That's my jam. I'm a rocker chick.   Michael Hingson  1:06:36 There you go. Well, I want to thank you for being here. And spending the last hour and a little bit more with us. This has been fun. Clearly, you keep yourself going you do move forward, you're not going to let things stop you, you are going to be unstoppable, as I said, using the parlance of the name of the podcast, but I want to thank you for being here and inspiring all of us and telling us your story. If people want to reach out to you and contact you and learn more about you find your books or anything else. How will they do that?   Jennifer Lieberman  1:07:10 Okay, so year of the what.com is the website for the book, but it'll link you to almost everything. Or you can go to make your own break.com. Both of those have links to all of the books and all the social media. And they also have contact pages that will come to my inbox directly. So that's the best way. If you want to find out more about me, and on social media, whether it's Facebook, Twitter, or Instagram. I am Jen Lieberman. So the at sign, and then I am Jen. J e n Lieberman L i E,B E R m a N.   Michael Hingson  1:08:00 Well, I hope people will reach out oh, I should ask you you written in your writing the How To books? Are you going to do anything like create any online courses or anything?   Jennifer Lieberman  1:08:10 You know, it's funny I was doing in person courses. I haven't gotten around to doing the online ones yet. But yes, that is also in the works. There's a laundry list. Bed. And like we talked about, I wear many hats. And I'm always more interested in the creative stuff. As opposed to the as opposed to the business side. So I you know, I always feel like, oh, there'll be time for the course there'll be time for that. And as it as it so happens, the more successful my creative career is, the more validity I have to teach these other courses. So it's all in good time.   Michael Hingson  1:08:49 Great. Well, again, thank you for being here with us people, please go visit your of the what.com or make your own break.com. And reach out to Jen, she would love to hear from you. And I would love to hear from you. I'd love to know what you thought about today, I would really appreciate you giving us a five star rating. Jennifer Lieberman needs a five star rating. So let's give her one you all. And I want to thank you all for for being here. Reach out to me, feel free to do so by emailing me at Michaelhi at accessibe.com Or go visit WWW dot Michael hingson.com/podcast. Or just go to Michael hingson.com and learn more about the things that I do. But either way, please help us give Jen rave reviews. And Jen one last time. Thank you very much for being here.   Jennifer Lieberman  1:09:48 Thank you so much, Michael. This was such a treat. I really appreciate you having me on.   Michael Hingson  1:09:53 Well, the fun and the honor was mine. So thank you you   1:09:59 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com. accessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for listening. Please come back and visit us again next week.

EPISODE #803 HORROR FILMS Richard welcomes a filmmaker, writer and podcast host to discuss his favorite horror films, including the Texas Chain Saw Massacre, The Thing, Them, and Invasion of the Body Snatchers. He'll also talk about his docu-drama, The Montauk Chronicles, about the conspiracy theory that alleges there were a series of U.S. government projects conducted at Camp Hero or Montauk Air Force Station in Montauk, New York, for the purpose of developing psychological warfare techniques and exotic research including time travel. Guest: Christopher P. Garetano (http://mtkchronicles.com) is a passionate filmmaker. A graduate of the prestigious School of Visual Arts in New York CIty, Garetano burst onto the scene with his fascinating documentary, "Horror Business", about the agony and the ecstasy of working in the indie-horror world. A selection of several major film festivals - The New York Horror Film Festival, The Chicago Horror Film Festival,The London Filmmakers Convention, The Eerie Horror Film Festival as well as winning the Audience Choice Award for "Best Documentary" at The Long Island Film Festival - "Horror Business" takes viewers where very few ever go. The stress, the pain, the frustration as well as the joy and satisfaction of creating an indie horror film are all captured as Garetano follows five genre folk around and documents a "normal" day or week in their life. Most recently, he has written and directed the documentary "Montauk Chronicles." Chris is also the host of the "Off to the Witch" podcast. SUPPORT OUR SPONSORS!!! TRADE COFFEE - Start your day with the very best tasting coffee delivered fresh, when you need it! Receive $30 OFF your first order plus free shipping at drinktrade.com/strangeplanet BLINKIST - MORE KNOWLEDGE IN LESS TIME! Perfect for curious people who love to learn, busy people who don't have time to read, and even people who aren't into reading. Visit Blinkist.dot.com/RSSP to get 25% off and a 7-day free trial. And now for a limited time you can even use Blinkist Connect to share your premium account you will get 2 premium subscriptions for the price of one. COPY MY CRYPTO - Discover how over 1,300 people - many of who know nothing about crypto or how to invest - are building rapid wealth the cabal can never steal - "You don't need to know a thing about cryptocurrency if you copy someone who does" CopyMyCrypto.com/Dollar SUBSCRIBE TO STRANGE PLANET PREMIUM HERE: https://strangeplanet.supportingcast.fm/ Use the discount code "Planet" to receive one month off the first subscription We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://strangeplanet.supportingcast.fm/

  Laura Waters Hinson, director of Oscar® Qualifying documentary short STREET REPORTER. This poignant film follows a woman transitioning from homelessness to becoming a photojournalist so that she can tell the stories of those around her. Sheila White is the film's inimitable lead: At 59-years-old, she studies nightly for her college degree while living at a cramped women's shelter. Determined to become a photojournalist, Sheila investigates the story of “tent city" for the local street paper and, despite numerous setbacks, emerges as an unforgettable heroine of her own destiny. This eye-opening documentary short has received various awards already; winning Best Short Documentary at the Annapolis Film Festival, Audience Choice Award at the Austin Film Festival, and the Audience Choice Award at IndyShort Film Festival. Street Reporter's next screening takes place at the United Nations Association Film Festival - October 20th to 30th http://www.unaff.org/2022/f_Street-Reporter.html  

Today's guest is Jannica Olin. You may remember her from a bonus episode back in Season 1. I am so glad to have her back, talking about an exciting opportunity where she will perform her one-woman show, (IM) Perfekt next week in NY City. Jannica is a Swedish born actress and TEDx speaker, and is known as Hollywood's Bald Blonde. I'm super excited to share this interview with you, and to have you learn more about all Jannica is doing to encourage her audience to examine disempowering thoughts about identity, beauty and labels. *More About Jannica - A graduate of The Neighborhood Playhouse in New York, Jannica has worked extensively in theatre, film, commercials and music videos in the US, UK, Australia and Sweden. In 2014, Jannica lost all her hair to Alopecia and went on an inward journey of finding her place in the world again, as a woman, and as an actor. What she uncovered through that journey, led to the TEDx Talk; Welcome To My New Normal, and centers around the idea: If I Am Not My Body, Who Am I? - when that which defines you is gone.Jannica's journey with Alopecia also inspired the one-woman show; (IM)PERFEKT which had its world premiere at the Hollywood Fringe Festival in June 2019 to sold-out houses and took home the Producers's Encore Award; the Critics' Choice Award and the Audience Choice Award, as well as a nomination for The Diverse Diva Award by The Los Angeles Women's Theatre Festival. (IM)PERFEKT has been invited to perform twice at Santa Monica Playhouse, and at the 28th annual Los Angeles Women's Theatre Festival. Jannica received a BroadwayWorld Regional Theatre Award nomination in 2020 for Performer of The Decade and Production Of The Decade. In 2017, Jannica was nominated for the Los Angeles Business Journal's Women's Summit; an event that recognizes and honors outstanding professional women who have made significant contributions to their professions and the Los Angeles community.Thank you for listening to today's episode. If you happen to be in NY city or the surrounding areas, and want to go see Jannica's show next week on Friday, October 14th - the United Solo ticket sale link is here in the show notes for your convenience. To learn more about Jannica, watch her Tedx Talk, or read her interview with the Hollywood Reporter, check out the show notes below for all those links. I've also attached a link for Andy Grammar's music video, "Damn It Feels Good to be Me" where Jannica is featured being all she's worked to become. What a fun video to watch.Tickets to (IM)PERFEKT in United Solo: https://unitedsolo.org/imperfekt/Instagram: @jannica.olinwebsite: www.jannicaolin.comTEDx talk: https://youtu.be/rbyzkul4JIkInterview with the Hollywood Reporter: "Actress Jannica Olin Shares Her Personal Journey Living With Alopecia: “How Can This Become My Superpower?”https://www.hollywoodreporter.com/lifestyle/lifestyle-news/actress-jannica-olin-alopecia-imperfekt-1235127608/Watch Jannica's TEDx talk here: https://youtu.be/rbyzkul4JIkYouTube - Damn It Feels Good to be Me (Official Andy Grammar Video) https://www.youtube.com/watch?v=nDza6TCO-RA Support the show

Kent Patrice Theary Sutton was born on the Caribbean Island of Dominica. While growing up, he and his family lived on several different islands before migrating to the United States. Dealing with the culture shock of his new life, Kent became somewhat of an introvert, at times turning to his imagination and writing short stories. In 2002, a secret passion for acting came alive within Kent, while helping a friend on a small independent project. From there, he began studying with David Triacca, a well-known New York City teacher and acting coach, working his way from the foundations of basic acting to the master classes. The experience of studying different acting techniques, scripts and observing his teacher's approach to directing left an indelible impression on him. In 2010, Kent's short version of Miranda, won the Audience Choice Award at the Red Wasp Film Festival in Bryan, Texas. Soon after, Miranda had a strong run of festivals and screenings throughout the city of New York. Among them was, The New York City Public Library in June of 2011. In 2015, his screenplay City Called Heaven, received a nomination at the Peach Tree Village International Film Festival in Atlanta Georgia. In 2021, it won Best Feature Screenplay at the Utah Film Festival. Kent began training actors and directing local plays. He also began teaching through Lessons.com where he was named best acting teacher in 2019. Currently, he has teamed up with non-profit organization We Just Workin' to train and inspire a new generation of actors. Follow Kent Sutton's journey https://www.workingtheary.com #actor #independentfilmmaker #actingcoach #screenwriter #actingcoaching #dramaministry --- Send in a voice message: https://anchor.fm/whataword/message Support this podcast: https://anchor.fm/whataword/support

Stuart James is a hip hop artist born & raised in Saint Michael on the Spirit Lake Reservation in North Dakota. Hip hop has always been a voice for the oppressed. Life on the reservation can be ugly & beautiful at the same time and Stuart encourages listeners to find the good in every situation regardless of how difficult life gets. Stuart is a boxing coach, community organizer & songwriter among other titles. Stuart founded the Tiwahe (Family) clothing brand & Tiwahe Day which is a family day for the youth and community of the Spirit Lake reservation.Tiwahe Day consists of a 3 on 3 basketball tournament, live music and free cookout. Stuart hopes to bring this event to more communities in the future whether it is on the reservation or not. Stuart was recently featured in a full length documentary titled Oyate, presented by Films With A Purpose in association with Irrelevant Media & Lakota People's Law Project. Oyate has been nominated for Best Film at the Big Sky Film Festival in Montana and has received the 2022 Audience Choice Award at the North Dakota Environmental Rights Film Festival in North Dakota. Stuart's music helped bring the film an interesting perspective through the form of hip hop which brought a modern voice to the documentary. In the future Stuart hopes for people on every reservation to strive for healthy and positive lives and the music is the driving force of that goal. The big picture is very important but we must also take care of ourselves before we can help anyone. "I know we want change and we want to beat the odds but we should start by cleaning up the trash in our yards". Stuart understands it is a long road to healing but as long as we make steps every day our people will start to come together and work towards a better life for our future generations. Facebook: https://www.facebook.com/profile.php?id=100008180656153 IG: https://www.instagram.com/stuartjamesmusic/

This week's episode is the second of a two part series about guns in America, a conversation between two people with very different feelings about the issue. Melanie Jeffcoat is an actor, filmmaker and gun control activist who lives in Alabama. Jon Godfrey is a retired law enforcement officer who's a staunch defender of the Second Amendment and lives in upstate New York. In 2018 they were part of Guns: An American Conversation, a collaboration between TIME Magazine and a consortium of local media outlets that brought together 21 people with wide ranging views on gun control for a two-day discussion. Despite their opposing views, Jon and Melanie developed a friendship that has transcended their differences, though they still do plenty of arguing. In this final half of this interivew, Jon explains what those who aren't “gun people” don't understand about guns and Melanie and Meghan both admit there's a lot they don't understand. He and Melanie also talk about their overall sense of personal safety in the world and how they handle concerns like home invasion. Jon explains why he often carries a firearm and what he sees as the uses of owning assault style guns. Melanie reflects on a shooting that occurred at her high school when she was a student and wonders how much worse things would have been if the shooter had used an AR-15 instead of a pistol. Finally, Jon and Melanie talk about what sorts of legislative compromises might be possible on guns and what they think lawmakers could learn from them if they only asked.   Guest Bios: Melanie Jeffcoat received her MFA in Acting from the Professional Actor Training Program at the University of Washington in Seattle and has worked around the country in theater and film. Her acting credits include  “All My Children,” “Ordinary Joe” and “The Wonder Years.” Her producing, directing and writing credits include "Man in the Glass: The Dale Brown Story,” “Gip,” and Open Secret,” which won the Audience Choice Award at the 2010 Politics on Film Festival in Washington, D.C. Melanie is co-founder of Chaotic Good Improv in Birmingham, Alabama and is a volunteer with Moms Demand Action for Gun Sense in America. She lives near Birmingham, Alabama    Jon Godfrey worked in law enforcement for several decades, serving as Deputy County Sheriff in Pottawatomie County, Kansas, a criminal investigator in Kansas and Chief of Police for the US Dept. Of Veterans Affairs Police Service in Syracuse, New York. A retired army veteran, he lives in a rural area outside Syracuse, New York. 

David H. Steinberg grew up in West Hartford, Connecticut, entered Yale at age 16, and earned his law degree from Duke University, where he served as editor-in-chief of the law review. After four years of entertainment law in Atlanta and New York, he abandoned his legal career to attend USC's Peter Stark Producing Program. Before graduating, Steinberg sold his first spec script called Slackers, which was made into the 2002 film. After the sell, Steinberg was immediately hired by Universal to write the first two drafts of American Pie 2. Filmography Steinberg also wrote After School Special, a story about three high school friends who attempt to make a porn movie. The movie was eventually released under the title National Lampoon's Barely Legal. In addition, Steinberg wrote the seventh film in the American Pie series, American Pie Presents: The Book of Love, released in 2009. Steinberg wrote and directed the short film The Babysitter, starring Academy Award winner Brie Larson, which went viral with over four million views on the now-defunct Atom Films before achieving immortal status on Funny or Die. His feature film directorial debut Miss Dial stars Robinne Lee and Sam Jaeger and premiered at the Macon Film Festival on February 16, 2013, where it received the Audience Choice Award. It was released on DVD and VOD by Phase 4 Films in 2013. He wrote DisneyToon Studios' Tinker Bell and the Pixie Hollow Games, which premiered on the Disney Channel and the DreamWorks animated feature film Puss In Boots. He also wrote the live-action body-switching movie Furry Friday for New Line Cinemas and created and executive produced a TV pilot for ABC Family called Phys. Ed. @DavidHSteinberg https://www.instagram.com/davidhsteinberg

What makes you proud to be Canadian or American? How do you feel a part of society? As we celebrate Canada and Independence Day, we recognize our unique culture and diversity through the Canadian television sitcom, Sort of, released in Canada on CBC Television & CBC Gem in 2021, and HBO Max in the US. Created by Bilal Baig and Fab Filippo, the series stars Baig as Sabi Mehboob, a non-binary millennial trying to balance his roles as a child of Pakistani immigrant parents and Muslim upbringing, a bartender at an LGBTQ bookstore and café, and a caregiver to the young children of a professional couple. The show has been widely received and nominated for several awards, becoming the most-nominated television series at this year's 10th annual Canadian Screen Awards (Canada's equivalent to the Oscars). With 13 nominations, it won for Best Comedy Series. It was also shortlisted for the fan-voted Audience Choice Award. In February 2022, the series was renewed for a second season. As accredited media at the CSA's virtual red carpet, in this Janette's TV & Janette's TV Podcast episode, Janette sits down with Bilal Baig (Co-Creator & Writer, plays “Sabi Mehboob”), Fab Filippo (Co-Creator & Director), Amanda Cordner (plays “7ven”), and Jennifer Kawaja (Producer, Sienna Films) to talk about the show is impacting the LGBTQ and non-LGBTQ community around the world. Support us on Patreon www.patreon.com/janettestv Looking for more ways to support Janette's TV? Buy our merchandise here! https://www.janetteburke.com/shop Protect your Privacy with Express VPN. Find out how you can get 3 months free by clicking the link below. www.expressvpn.com/ Janette's TV & Podcast Channels www.youtube.com/watch?v=EDHHvKvXq7o Want my help on your media journey? Check out my 1:1 On-Camera Training Opportunity Link below https://www.janetteburke.com/1-1-on-c... Interview Showcase Package Link below https://www.janetteburke.com/interview For More info on both opportunities Visit www.janetteburke.com Link below http://www.janetteburke.com Book Your 15-Minute Complimentary Audition Link to my calendar below https://www.janetteburke.com/book-online

Tony interviews Christopher P. Garetano who is a passionate filmmaker. A graduate of the prestigious School of Visual Arts in New York CIty, Garetano burst onto the scene with his fascinating documentary, "Horror Business", about the agony and the ecstasy of working in the indie-horror world. A selection of several major film festivals - The New York Horror Film Festival, The Chicago Horror Film Festival,The London Filmmakers Convention, The Eerie Horror Film Festival as well as winning the Audience Choice Award for "Best Documentary" at The Long Island Film Festival - "Horror Business" takes viewers where very few ever go. The stress, the pain, the frustration as well as the joy and satisfaction of creating an indie horror film are all captured as Garetano follows five genre folk around and documents a "normal" day or week in their life. Most recently, he has written and directed the documentary "Montauk Chronicles." mtkchronicles.comBe sure to like and share this episode! Subscribe to never miss a new episode! There is new TRUTH BE TOLD content three times each week: tune into the MINUTEMAN REPORT, hosted by Robert Hensley, live on Mondays at 3P PT/6P ET, check out TRUTH BE TOLD TRANSFORMATION hosted by Bonnie Burkert, live on Wednesdays at 3P PT/6P ET, and join Tony Sweet with the original TRUTH BE TOLD on Fridays Live at 3P PT/6P ET!Learn more about TRUTH BE TOLD online at www.truthbetoldworldwide.comBe sure click on our SHOP page to get official TRUTH BE TOLD merchandise!Follow Tony on TikTok @truthbetoldparanormall

This week's episode is the first of a two part series about guns in America. It's a conversation between Meghan and two people with very different feelings about the issue. Melanie Jeffcoat is an actor, filmmaker and gun control activist who lives in Alabama. Jon Godfrey is a retired law enforcement officer who's a staunch defender of the Second Amendment and lives in upstate New York. In this part of this conversation, Jon and Melanie talk about how their backgrounds shaped their feelings about guns and compare and contrast their reactions to the May 24 school shooting in Uvalde,Texas. While Melanie is perplexed as to why anyone would need something like an AR-15, Jon explains why he owns such weapons and why he advocates for proper training and better mental health screenings rather than restrictions on the guns themselves. Above all, they talk about how they came to know one another. In 2018 they were part of Guns: An American Conversation, a collaboration between TIME Magazine and a consortium of local media outlets that brought together 21 people with wide ranging views on gun control for a two-day discussion. Despite their opposing views, Jon and Melanie developed a friendship that has transcended their differences, though they still do plenty of arguing.      Guest Bios: Melanie Jeffcoat received her MFA in Acting from the Professional Actor Training Program at the University of Washington in Seattle and has worked around the country in theater and film. Her acting credits include  “All My Children,” “Ordinary Joe” and “The Wonder Years.” Her producing, directing and writing credits include "Man in the Glass: The Dale Brown Story,” “Gip,” and Open Secret,” which won the Audience Choice Award at the 2010 Politics on Film Festival in Washington, D.C. Melanie is co-founder of Chaotic Good Improv in Birmingham, Alabama and is a volunteer with Moms Demand Action for Gun Sense in America. She lives near Birmingham, Alabama    Jon Godfrey worked in law enforcement for several decades, serving as Deputy County Sheriff in Pottawatomie County, Kansas, a criminal investigator in Kansas and Chief of Police for the US Dept. Of Veterans Affairs Police Service in Syracuse, New York. A retired army veteran, he lives in a rural area outside Syracuse, New York. 

Comedian, actor, and show host Maurice Brown is on the Creatively Christian podcast, interviewed by Dave Ebert. Maurice joins the show to talk about comedy, acting, and show hosting for God's glory. He shares about the hurdles of the entertainment industry, like overcoming rejection, and how his faith intertwines with everything he does. For Maurice, sharing his faith is about his actions more than his words. Maurice Brown is a stand-up comedian, actor, and host of Breaking Down the Four Walls and The Maurice Brown Show. He also found MB Entertainment LLC which produces comedy shows and books performers. Maurice made his first appearance in a feature film with Love Different, starring Thomas Mikal Ford and Oscar-nominated actress, Jenn Gotzon. Love Different went on to win the Audience Choice Award for Best Feature Film at the International Christian Film Festival in 2016. This episode can also be found on YouTube. Show Notes The following resources were mentioned in the show or are useful resources recommended by the guests. Links might be marked as affiliates, meaning we earn a commission if you buy through the link. Maurice's interview with screenwriter Melissa Goad on YouTubeThe Maurice Brown Show and Breaking Down the Four Walls are on the Creative Motion Network (a free channel on Roku) Learn More About Our Guest You can follow this guest on several platforms, including: Maurice Brown YouTube Channel: https://www.youtube.com/user/MauricebrowncomedyMB Entertainment: https://www.MBEComedy.comMB Entertainment Facebook: @MBEntertainmentIncMaurice Brown Instagram: @mauricebrowncomedyhour Credits Support this show and get access to exclusive content by donating at Patreon.com/CreativelyChristian. This show is produced by Theophany Media. The theme music is by Bill Brooks and Andrea Sandefur. Our logo is by Bill Brooks. This show is hosted by Brannon Hollingsworth, Andrea Sandefur, Dave Ebert, and Rachel Anna. Jake Doberenz produces. Follow Theophany Media and the podcast on Facebook, Twitter, or Instagram.

In this episode, I chat with the Audience Choice Award and Best Ensemble Cast Winners Donagh & Louis about their film 'Teenage Type Beat'. We chat about how the film came to be, the casting, and how their love for film began at a young age. I also talk to Dylan, the animator, and director behind the film 'Faces', which won the Best Visual Innovation Award at this year's festival. He talks about how animation is still very new to him, the faces behind the film, and the atmosphere of the Fresh Film Festival this year. This week's young musician is Fia Moon (@fiamoon_music) with her original song 'By Now'. Fresh International Film Festival Website: https://freshfilm.ie/ How I Wonder Short Film - Nellie Warren: https://youtu.be/sryZ_gSgZoc Faces Short Film - Dylan Michael: https://youtu.be/1a2XtkXZZBY https://linktr.ee/amelhyne --- Send in a voice message: https://podcasters.spotify.com/pod/show/amelhyne/message

For most of human history, we were closely connected to the earth, spending a great deal of time barefoot and in physical contact with nature. However, around 1960, the use of plastics in shoes, carpets, and other products started to become widespread, thereby creating a barrier between our bodies and the earth.  Over the past six decades, another trend has emerged: a significant increase in autoimmune disorders and other inflammation-related health conditions. While the two trends may not initially seem to be related, several studies have indicated that by re-establishing our physical connection with the earth through a practice called “grounding” (or earthing), we may be able to reduce inflammation and access a wide variety of benefits.  After health challenges drove him to retire from his career in the cable TV industry at age 54, Clint Ober embarked on a journey to heal his body and find a higher purpose in life. Recalling his childhood in the 1950s – when spending time barefoot was far more common – Clint began to explore how the disruption in our natural state of being grounded to the earth could impact our health. In Episode 90 of The MINDSet Game® podcast, Clint discusses: The science behind grounding and how physical contact with the earth affects various processes in the body, thereby reducing inflammation, alleviating pain and stress, and enhancing overall well-being How various studies conducted on subjects ranging from premature babies to elite athletes have demonstrated the power of grounding Practices and products that can help you incorporate grounding into your daily life To learn more about grounding or to purchase the products that Clint recommends, visit https://www.ultimatelongevity.com. To subscribe to The MINDset Game® podcast, visit www.TheMINDsetGame.com. The following are additional resources on Grounding and related products (affiliate link):  The Science & Benefits of Grounding PLUS... How to ground in the comfort of your home with INDOOR GROUNDING PRODUCTS by CLINT OBER Learn more about the science behind grounding and how you can ground indoors with indoor grounding devices designed and produced by Clint Ober. These products are similar to the devices that were used during the research studies that were conducted on the benefits of grounding: DOWN TO EARTH (runtime: 15:20) DOWN TO EARTH is a fascinating 15 minute documentary that chronicles the fascinating discovery of grounding and provides a quick but thorough overview of the science and benefits. This documentary gives an excellent introduction to the concept of grounding. THE EARTHING MOVIE (runtime: 1:16:01) Winner of the Audience Choice Award for Best Documentary Film at the 2019 Dances with Films Festival in Hollywood, CA, THE EARTHING MOVIE chronicles the fascinating true story and the impressive science behind the awe-inspiring discovery of grounding — what many have called 'The Most Important Health Discovery of All Time'. THE GROUNDED Documentary Film (runtime: 1:04:46) THE GROUNDED is an inspiring full-length documentary film chronicling the astonishing healing transformation of one man and his profound impact on the residents of his small hometown in Alaska. Filmed and produced by renowned National Geographic wildlife filmmaker, Steve Kroschel. Accelerated Wound Healing & Athletic Recovery (in the Tour de France) [runtime: 2:48] Presented by 8-time Tour de France winning team doctor Dr. Jeffrey Spencer, D.C., this 3 minute video highlights Dr Spencer and his team as he discusses the vital role grounding played in accelerated wound healing and athletic recovery. Jeff explains why he believes grounding was a major contributing factor to his team's several Tour de France victories. The grounding patches used for wound recovery in this video are available in the Ground Therapy Patch Kit Inflammation & Pain Thermography Imaging Research Study on Grounding (see astonishing before and after images) Medical thermography (infrared imaging) is used by doctors and scientists to photograph inflammation and poor circulation in the body. The 20 medical thermography case studies documented in this clinical research study provide before and after thermography images showing the elimination of inflammation and return of normal circulation after grounding. Each case study also includes a summary of each patient's original issues and the life-changing improvements they received after grounding. The Science Behind Grounding (20+ peer-reviewed research studies) Get a quick overview of the results of the extensive scientific research conducted on grounding. Then dive deep with easy-to-read summaries of 12 of the over 20 impressive peer-reviewed research studies.  Tips for Grounding Outdoors & Indoors

On this episode we take a deep dive into how we can live in right relationship with our mother Earth and why that feels so essential for humans right now. We begin with a conversation with Natasha, this conversation, friendship and guidance with deepening my own relationship with the natural world has been a bit of a lifeline for me, and I sense it can be for you too. You will find some bits of laughter, guidance and an invitation to Sing to the Earth. This episode is a prelude to our next season where we explore the Love Letter to the Earth by Thich Naht Hanh; through out this season we will also explore finding novelty in nature, art in our lives and simply helping out. Our guest Natasha Deganello Giraudie is a mother, a filmmaker and a teacher of nature practice. She helped to pioneer the micro-documentary genre for humanitarian movements, filming in more than 30 countries and reaching expansive audiences with her work. Her film, One Word Sawalmem, was selected by Robert Redford and the Redford Center as a powerful voice at the intersection of youth, indigenous wisdom and environmental change.Her experiential nature meditation film, Inmanencia, was selected to be screened in festivals around the world from Boulder to Buenos Aires to Bhutan, where it won the Audience Choice Award. As a child, Natasha learned some of her most valuable lessons outside the classroom – from indigenous people living deep in the wilderness of her native Venezuela. She has studied nature-inspired compassion with the Dalai Lama for more than 20 years and also attended nature-based retreats with Thich Naht Hanh at Plum Village. As a teacher of nature-based wellbeing, Natasha has taught groups of young professionals from the United Nations, Google and Airbnb as well as medical practitioners, politicians, nonprofit leaders and fellow documentary filmmakers in the US, Latin America and Asia. Connect with Natasha and begin your nature practice today https://www.rosaguayaba.earth/ You will also discover much wisdom and beauty on Natasha's IG @rosa.guayaba --- Send in a voice message: https://anchor.fm/whatareyoudoinghere/message

For the first episode of our new podcast season, join New Bloom members Sueann Shiah, Wen Liu, and Brian Hioe to discuss award-winning film American Girl (美國女孩), as part of our New Bloom Happy Hour series. American Girl won Audience Choice Award, Best New Director, and Best Cinematography at the 2021 Golden Horse Awards. American Girl is available to watch on Netflix globally on March 2nd

Hosted by Tay, Rach, and Sam Guest: https://twitter.com/evagriffs Follow us on Twitter: @LNHomestead Follow us on Instagram: https://www.instagram.com/lnhomestead/ Sign up to be a guest: https://forms.gle/H9BH3qzLXDh3CHUm9 Send us an email: LateNightAtTheHomestead@gmail.com Tay: @DearTaylorWoods / Rach: @Rachlovesearp / Sam: @Earpfan99 --------------------------------------------------------------------------- Follow Eva: @EvaGriffs Eva's Extras Fund: Earper Extras Fund --------------------------------------------------------------------------- *** WE ARE GOING LIVE!! *** Saturday, February 26, 2022 at 2PM EST  Join us as we talk to Amber, the director of Earper Film! Tweet your questions for her with #LNHxEarperFilm! Will be broadcast live on our Youtube Channel! --------------------------------------------------------------------------- *** Canadian Screen Awards *** Not only is Earp nominated for 11 (yes, 11!!) CSAs, but we also made it into the top 5 for the Audience Choice Award! Make sure to get your 100 votes in each day right here: https://audiencechoice.ca/

BRIAN BROOME's debut memoir, Punch Me Up to the Gods, is an NYT Editor's Pick and the winner of the 2021 Kirkus Prize for Nonfiction. His work has appeared in The Washington Post, Poets and Writers, Medium, and more. Brian was a K. Leroy Irvis Fellow and an instructor in the Writing Program at the University of Pittsburgh.He has been a finalist in The Moth storytelling competition and won the grand prize in Carnegie Mellon University's Martin Luther King Writing Awards. He also won a VANN Award from the Pittsburgh Black Media Federation for journalism in 2019. His film, Garbage, won the Audience Choice Award at the Cortada Short Film Festival and was a semi-finalist in the Portland Short Fest.He is a 2022 Writer in Residence at St. Mary's College in Moraga, California.Brian, welcome In My Chair!

In today's episode, Amanda sits down over some Red Stripe Jamaican beer with writer and comedian Shohana Sharmin (Finders Grievers, Dead Parents Society) to discuss the pressure to stay relevant, toxic positivity and her podcast Finders Grievers. Shohana is an alumnae of Buddies in Bad Times Theatre's Emerging Creators Unit and was a receipt of their 2020 Queer Emerging Artists Award. She is also an alumna of the Second City's Improv and Longform Conservatories and a former Featured Player at the Bad Dog Comedy Theatre. She is a producer, writer and performer behind the dark sketch comedy revue Dead Parents Society, which won the Audience Choice Award at the 2020 Toronto Sketch Comedy Festival. Her podcast Finders Grievers, a happy-ish podcast about sad things is an incredibly intimate and entertaining podcast on grief, and is available on The Sonar Network.   The Liquid Courage Podcast: Instagram: @liquidcouragepodcast Twitter: @liquidcourage YouTube Video Episodes & more! Email podcastliquidcourage@gmail.com   Find The Liquid Courage Podcast on Patreon! www.Patreon.com/LiquidCouragePodcast   Amanda Pereira: insta @hotcoldspicy / twitter @amanda_pereira Shohana Sharmin: @soleahm

In an age where polarization has become the norm online and media networks utilize conflict to gain more attention in reality television, it can be delightful to know there are people out there spreading good news...and quite literally doing so. Summers McKay is the CEO of The Optimist Daily @optimistdaily, a news publisher that spreads good news and uses a multimedia approach to offer formulas for success to its audiences.In this interview summers talks about her professional life, the struggles and the beauty of early motherhood and how she loves leading a company where she gets to read good news everyday. She also talks about a past experience in working as a reality television producer where she refused to do what she was asked from the network as it would have created a false and conflict-inducing narrative, and what she did following that experience.Summers McKay has been building successful, Do Good Do Well, businesses for over twenty years. A U.C. Berkeley grad with an MBA from UCLA Anderson, Summers brings a unique set of skills from both her robust education and intense practical experience creating brands, running companies, and leading innovative teams.  She is a contributing writer, podcast host and the author of Running With Kenyans. She is determined to apply lucrative and scalable business rigor to the world of doing good.  In addition to offering her expertise to her fellow entrepreneurs at Noospheric, Summers ran her own company, Love Summers Company, LLC. Love Summers Company was a sexual health and intimate wellness company focused on creating natural intimate care products and sex life enhancing apps. Her company won the 2015 Audience Choice Award at the Silicon Beach Fest Startup Pitch for their app concept, the Make Love More App. Prior to joining The Optimist Daily, Summers served as Chairman of Santa Barbara Entrepreneur, where she led strategic masterminds and executive development groups including Santa Barbara Entrepreneur Advantage, and served as Executive in Residence at Noospheric. She founded UCLA Anderson EDGE, offering rigorous business education to graduate and undergraduate students. She's also a lecturer for UCLA Anderson, and an instructor for UCLA Extension. Summers business, motherhood, and life mantra is simple – Help good things grow.  Make sure to have a listen.

Director Tim Breitbach relates the harrowing true story of Sgt. Dan Hefel. The film follows one of the final 19 prisoners of war to come home from the Vietnam War. The film was included in the https://cinemastlouis.org/st-louis-filmmakers-showcase?fbclid=IwAR2HQIHlRY-bloahVYemVe_I9fc9V_i16kTz3Sy2Cy9WgHqOSXZgJxjZVMc (St. Louis Filmmakers Showcase) and received the https://www.facebook.com/optimalrealities (Audience Choice Award) for documentary feature. This is Season 4! #film #independentfilm #documentary #stlouis #vietnam #vietnamwar #pow #iowa #stlfilmmaking #virtualfestival #virtualfilmfestival

Céline Gittens first made her name as a teenager, winning both a gold medal and the Audience Choice Award at Sadler's Wells in London, in the RAD's Genée International Ballet Competition (now named The Fonteyn). Her serenity and clarity marked her out as something special. Born in Trinidad and later moving to Canada, she is now a Principal at Birmingham Royal Ballet, where in 2012 she became the first woman of colour in the UK to dance the leading role in Swan Lake. On Why Dance Matters, Céline discusses this landmark, and also learning ballet with her mother, an RAD teacher; dancing during lockdown; and sharing her passion for dance through her own coaching, including for this year's inaugural Fonteyn competition.About Céline GittensCéline Gittens was born in Trinidad and grew up in Vancouver, Canada. She trained with her mother, Janet Gittens, and at Vancouver's Goh Ballet Academy. In 2005 Céline was awarded a gold medal and Audience Award at the RAD's Genée International Ballet Competition. Joining Birmingham Royal Ballet in 2006, she was promoted to Principal in 2016. Notable roles include Juliet, Odette/Odile, Aurora and Giselle. She gained a Master of Philosophy from the University of Birmingham. Céline has taught and coached with Elmhurst Summer School and BRB. For the RAD, she was an Artistic Examiner for the Solo Seal 2019, and coached dancers for The Fonteyn 2021. Find out more about the RAD's Margot Fonteyn International Ballet Competition: https://bit.ly/3joH3HJThe RAD has a network of teachers located around the world. Find your local RAD teacher: https://bit.ly/3hgHPnxFollow the RAD on social media, and join the conversation with host David JaysInstagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list: https://bit.ly/3frWPh9RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign: https://bit.ly/3fnxEwm or make a donation: https://bit.ly/3bxA6z5 See acast.com/privacy for privacy and opt-out information.

Kathryn interviews Documentary Filmmaker & Co-Founder, Meridian Hill Pictures Brandon Kramer. In this revealing observational portrait, Black progressive activist and political commentator Van Jones faces a polarised society head-on in an effort to reform a broken criminal justice system. Jones, known for calling Donald Trump's election “a whitelash” live on primetime TV, navigates increasingly tense and isolating political and racial divides in his attempt to become a “bridge-builder” during the Trump administration. Condemned by the right for his progressive beliefs, and by the left for embracing conservatives, this fraught and cinematically captured personal journey questions his integrity from all sides, forcing him to consider not only his activism but his own identity. Director Kramer won Best Director at the 2016 Chesapeake Film Festival and Indie Capital Awards, received the Audience Choice Award at the 2015 American Conservation Film Festival and was a 2015 DC Commission on the Arts & Humanities Individual Arts Fellow. Kathryn also interviews Attorney Nadine Haruni JD, author of “Freeda The Frog™and The Two Mommas Next Door.” For toddlers, preschoolers and older kids too, the world of grown-ups is often confusing and sometimes scary. In her Freeda the Frog™ children's book series, author Haruni makes coping with various life challenges easier for little ones with the help of a momma frog, Freeda, and her three little tadpoles, Frannie, Frank and Jack. The Freeda the Frog™ series also serves as a tool to help parents, educators and school counselors open up conversations about difficult topics with children in an upbeat and non-scary way. Toward that goal, each book offers discussion questions at the end. The entire series has been leveled for schools to align with National Education Standards, and all five books have received Readers' Favorite 5-star reviews and Gold Mom's Choice Awards for excellence in the family-friendly picture book category.

Kathryn interviews Documentary Filmmaker & Co-Founder, Meridian Hill Pictures Brandon Kramer. In this revealing observational portrait, Black progressive activist and political commentator Van Jones faces a polarised society head-on in an effort to reform a broken criminal justice system. Jones, known for calling Donald Trump's election “a whitelash” live on primetime TV, navigates increasingly tense and isolating political and racial divides in his attempt to become a “bridge-builder” during the Trump administration. Condemned by the right for his progressive beliefs, and by the left for embracing conservatives, this fraught and cinematically captured personal journey questions his integrity from all sides, forcing him to consider not only his activism but his own identity. Director Kramer won Best Director at the 2016 Chesapeake Film Festival and Indie Capital Awards, received the Audience Choice Award at the 2015 American Conservation Film Festival and was a 2015 DC Commission on the Arts & Humanities Individual Arts Fellow. Kathryn also interviews Attorney Nadine Haruni JD, author of “Freeda The Frog™and The Two Mommas Next Door.” For toddlers, preschoolers and older kids too, the world of grown-ups is often confusing and sometimes scary. In her Freeda the Frog™ children's book series, author Haruni makes coping with various life challenges easier for little ones with the help of a momma frog, Freeda, and her three little tadpoles, Frannie, Frank and Jack. The Freeda the Frog™ series also serves as a tool to help parents, educators and school counselors open up conversations about difficult topics with children in an upbeat and non-scary way. Toward that goal, each book offers discussion questions at the end. The entire series has been leveled for schools to align with National Education Standards, and all five books have received Readers' Favorite 5-star reviews and Gold Mom's Choice Awards for excellence in the family-friendly picture book category.

The guest on episode 7 of 'A Body's Language" is Guillaume Côté.Guillaume Côté was born in Lac-Saint-Jean, Québec and trained at Canada's National Ballet School. He joined The National Ballet of Canada in 1998 and became a Principal Dancer in 2004. In 2013, Guillaume was also appointed Choreographic Associate.With The National Ballet of Canada, Guillaume has danced most of the principal roles in both the classical and contemporary repertoire. He has created a number of lead roles in ballets by James Kudelka including Ferdinand in An Italian Straw Hat, Prince Charming in Cinderella and Will in The Contract (The Pied Piper). He also created the role of Romeo in Alexei Ratmansky's Romeo and Juliet and performed the role as a guest artist with The Bolshoi Ballet in Moscow.Guillaume is in great demand as a guest artist at major ballet companies around the world, such as Teatro alla Scala, English National Ballet, The Royal Ballet, American Ballet Theatre, The Mikhailovsky Theatre, The Hamburg Ballet and Stuttgart Ballet. He also performed in Kings of the Dance, Gala des Étoiles, Stars of the 21st Century, The Vision of Manuel Legris, Roberto Bolle and Friends, The Hamburg Ballet's 40th Anniversary Gala and the 44th Annual Nijinsky Gala for Hamburg Ballet Days as well as many other international galas. With English National Ballet, he created the role of Gene Kelly in Derek Deane's Strictly Gershwin.Guillaume is an accomplished choreographer, musician and composer. His choreographic works for The National Ballet of Canada include Venom, Enkeli, Dance Me To The End of Love, Body of Work and Being and Nothingness. Awards for his choreography include the Audience Choice Award for Best Choreography at The International Competition for The Erik Bruhn Prize for Enkeli and third prize at Ballet Society Hanover's 25th International Competition for #24. He debuted his first full-length ballet, Le Petit Prince, during the National Ballet's 2015/16 season and created Dark Angels in 2017 for the National Arts Centre. Most recently in 2018, he created Frame by Frame, in collaboration with Robert Lepage.In 2012, Guillaume choreographed and starred in the short film Lost in Motion which was presented at Toronto's International Film Festival. The sequel, Lost in Motion II, was released in 2013 and was featured at the Dance on Camera Festival in New York City in 2014. He won a Gemini Award in 2007 and the Galileo 2000 A Life for Music Prize in 2008 for Moving to His Music: The Two Muses of Guillaume Côté. In 2012, Guillaume was awarded La médaille de l'Assemblée nationale du Québec, a prestigious award from the province of Québec for his work in the arts. Mr. Côté is also the Artistic Director of the Festival des Arts de Saint-Sauveur, one of the largest summer dance festivals in the country.

We kick off our second season with the delightful Thomas Wilson-White. Thomas is an award-winning Australian director and screenwriter. His debut feature film THE GREENHOUSE premiered at BFI: Flare London LGBTIQ+ Film Festival (winning the Audience Choice Award at 2021 Mardi Gras Film Festival and Best Film at The Gold Coast Film Festival). He is a graduate of the VCA and AFTRS, where he completed his Masters of Screen Arts in 2017, specialising in queer theory. Our chat with Thomas is particularly interesting as he wrote what he thought would be his debut feature screenplay and ended up creating a short film from that script (ST AUGUSTINE) in order to experiment with the protagonist and some key scenes. It's such a great example of how the short format can continue to inform your career even when you have transitioned into the world of long-form. Check out our website for all the Show Notes, as you will want to watch everything Thomas has made, we promise you! Website: www.theshortfilmpod.com | Instagram: @theshortfilmpod | Sound Engineer Lana Kristensen

Heerraa is an international singer-songwriter and performer who is changing the world with music through her songs about life, love and lessons with her powerful vocals and mesmerizing lyrics. A vibrant performer, Heerraa has been featured in the MalayMail newspaper, NKF's Glow Run Concert, received the Audience Choice Award at Short+Sweet Malaysia, etc. Her song “The Girl Who Loved” featured on Simulacra 2's Original Game Soundtrack has received worldwide recognition, most famous in Germany, UK, Polland & US. Her single on Spotify & iTunes, “Crazy” was #1 on Malaysian English Radio on Hitz fm, #1 on Indie Rampage Radio. Her latest track titled FEEL ALIVE is currently being aired on radio across the globe. She's performed on online concerts which includes Spain, UK, India, US and more. Currently HEERRAA is nominated for the Best Compilation Album, Best Female Vocals(pop) and Entertainer of the Year. Check out her tracks on Spotify In this episode we get to listen to the highly energetic, enthusiastic and talented HEERRAA share her journey in the music biz. You could also watch this podcast on Facebook .

Patrick speaks with Richard Turner, the most skilled card mechanic of our time. Richard lost his sight at the age of 9, yet is the epitome of technical mastery, mind and body connection, and pushing human limitations. He is the subject of the acclaimed feature documentary film "DEALT" that won the Audience Choice Award at the prestigious South by Southwest Film Festival. Join me as I sit down one on one with him exclusively to find out how Richard got to the top of his game. Find out more about Richard Turner: https://richardturner52.com Follow Patrick Tsang: WEBSITE: http://anythingispossible.global​ LINKEDIN: http://linkedin.com/in/patrickpltsang​ FACEBOOK: https://www.facebook.com/anythingispo...​ TWITTER: http://twitter.com/patpltsang​ NEWSLETTER: https://anythingispossible.global/con...​

CLEANERS writer, director, and composer Glenn Barit chats with us to discuss his feature film debut, the coming-of-age anthology film from the Philippines, in the first bonus episode of THE ONE-INCH BARRIER. The film premiered at the 2019 QCinema International Film Festival where it won: Best Picture, Screenplay, and Audience Choice Award. Other festival screenings include: 25th Busan International Film Festival: A Window on Asian Cinema Section (Oct. 21 – 30, 2020) 57th Taipei Golden Horse Film Festival: Windows on Asia Section (Nov. 5 – 22, 2020) 2020 Pista ng Pelikulang Pilipino: Official Premium Film Showcase (Nov. 20 - Dec. 13, 2020) 15th Jogja-NETPAC Asian Film Festival (Nov. 25-29, 2020) 2020 Luang Prabang Film Festival (Dec. 4,-10, 2020) Other awards include: 30th Annual Circle Citations – Young Critics Circle Film Desk WINS: Best First Feature, Sound and Aural Orchestration NOMINATIONS: Best Screenplay, Cinematography and Visual Design, Film Editing 43rd Gawad Urian NOMINATIONS: Best Picture, Direction, Screenplay, Cinematography, Editing, Production Design, Music, Sound Find us on the internet! Glenn Barit: @glennbarit Website: https://glennbarit.wordpress.com/ Juan Carlos Ojano: @carlosojano The One-Inch Barrier: @OneInchBarrier This bonus episode will be available in full for everyone. Succeeding bonus episodes will be accessible in full via Patreon for only $4/month. Click here: https://www.patreon.com/TheOneInchBarrier Music Credits Opening: "Bakit Part 2" - Mayonnaise Ending: "Apoy ng Kandila" - Unique

Join us as we continue our discussion with Matthew on the creation of Counter Column, winner of the Audience Choice Award at the 2020 Christian Worldview Film Festival. In today's episode we cover the production aspect of the film as well as discussing plans for its release.

In this episode, Holly Jean Jackson converses with Joe Polish about his leadership philosophy, his approach to business and self-development, and his mission to change the global conversation around addiction. They delve into his work with Genius Network and Jean Recovery. Joe Polish is the Founder of Genius Network®, one of the highest level groups in the world for Entrepreneurs. He curates the Annual Genius Network Event, Genius Network ($25,000), and GeniusX ($100,000), all three groups being home to some of the most successful Entrepreneurs alive, and is considered one of the most influential Connectors in the world. Joe has also helped build thousands of businesses and generated hundreds of millions of dollars for his clients. He has been featured in INC, Fortune, Forbes, Success, U.S News & World Report, among others, and has spoken at Stanford University. Joe also hosts three of the top ranked marketing and business podcasts on iTunes, including iLoveMarketing, 10xTalk, and GeniusNetwork. He's also changed the lives of many others through his charitable causes including: The Make-A-Wish Foundation, Artists For Addicts, Genius Recovery, JoeVolunteer.com, as well as being the single largest contributor to Sir Richard Branson's charity, Virgin Unite. His documentary “CONNECTED: The Joe Polish Story,” premiered at the historic TCL Chinese Theatre (formerly Mann's Chinese Theatre), and his documentary “Black Star” won the Audience Choice Award at the Sedona Film Festival. Joe's mission with Entrepreneurs and Genius Network® is “to build a better entrepreneur,” and his mission with Genius Recovery is “to change the global conversation of how people view and treat addicts with compassion, instead of judgement and to find the best forms of treatment that has efficacy and share those with the world.” Joe is offering a free copy of his book, Life Gives To The Giver. Please see the show notes for a link to download your free copy today. www.JoesFreeBook.com Connect with Joe: https://geniusrecovery.org/ https://www.GeniusNetwork.com https://www.facebook.com/JoePolishFanPage/ https://www.instagram.com/joepolish/ Music Credits: HNGVR - Touch Me https://hngvr.bandcamp.com/ Join the Inspiration Contagion movement: Subscribe to Inspiration Contagion on your favorite podcast player and share it. Reach out to your host, Holly at https://hollyjeanjackson.com/ https://www.linkedin.com/in/hollyjjackson/ email at holly@hollyjeanjackson.com Get your copy of the book: https://www.amazon.com/Inspiration-Contagion-Health-Secrets-Success/dp/1954047444/ref=sr_1_1?crid=2RU20QS7LLPCO&keywords=inspiration+contagion&qid=1680782585&sprefix=inspiration+contagion%2Caps%2C112&sr=8-1