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Sarah and Chrissie (@ChrissieWhitley) dig into their very different relationships with big books, from what counts as "big" and knowing when the moment is right to what makes a long book worth the extra pages. They also share some of their favorite big books — and a few they wish had been shorter. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Where Sarah and Chrissie each draw the line between a regular book and a big book. Is a 700-page book intimidating … or an invitation to settle in? When, and why, are they most likely to pick up a long book? Does format or genre change how big a book feels? What makes a book actually deserve its high page count? Some of their favorite big books … and a few they really wish had been shorter. Some Favorite BIG Books Chrissie 4 3 2 1 by Paul Auster (2017) | Amazon | Bookshop.org [30:38] The Princes of Ireland (The Dublin Saga, 1) by Edward Rutherfurd (2004) | Amazon | Bookshop.org [33:36] Fox by Joyce Carol Oates (2025) | Amazon | Bookshop.org [35:54] Red Comet by Heather Clark (2020) | Amazon | Bookshop.org [39:10] Jonathan Strange and Mr Norrell by Susanna Clarke (2004) | Amazon | Bookshop.org [42:45] The Love Songs of W. E. B. Du Bois by Honoree Fanonne Jeffers (2021) | Amazon | Bookshop.org [44:30] Sarah 11/22/63 by Stephen King (2011) | Amazon | Bookshop.org [32:31] I Know This Much Is True by Wally Lamb (1998) | Amazon | Bookshop.org [34:32] A Prayer for Owen Meany by John Irving (1989) | Amazon | Bookshop.org [37:23] The World According to Garp by John Irving (1978) | Amazon | Bookshop.org [37:25] Natchez Burning (Penn Cage, 4; Natchez Burning, 1) by Greg Iles (2014) | Amazon | Bookshop.org [41:19] Wanderers (Wanderers, 1) by Chuck Wendig (2019) | Amazon | Bookshop.org [43:40] Other Books Mentioned War and Peace by Leo Tolstoy (1869) [30:06] The Count of Monte Cristo by Alexandre Dumas (1846) [30:07] The Heart's Invisible Furies by John Boyne (2017) [31:43] Sarum by Edward Rutherfurd (1987) [33:49] London by Edward Rutherfurd (1998) [33:53] The Rebels of Ireland (The Dublin Saga, 2) by Edward Rutherfurd (2006) [34:19] Whistler by Ann Patchett (2026) [38:04] Destiny of the Republic by Candice Millard (2011) [40:23] Some BIG Books That Felt Too Long Chrissie Ordinary Monsters (The Talents, 1) by J. M. Miro (2022) | Amazon | Bookshop.org [48:39] Wellness by Nathan Hill (2023) | Amazon | Bookshop.org [51:24] Sarah City on Fire by Garth Risk Hallberg (2015) | Amazon | Bookshop.org [45:39] The Prince of Tides by Pat Conroy (1986) | Amazon | Bookshop.org [49:51] Other Books Mentioned The Bonfire of the Vanities by Tom Wolfe (1987) [46:06] The Second Coming by Garth Risk Hallberg (2024) [48:05] Books From the Opening Discussion The Pillars of the Earth by Ken Follett (1989) [9:24] The Brightness by Chad Harbach (October 27, 2026) [11:47] I Know This Much Is True by Wally Lamb (1998) [14:07] Throne of Glass (Throne of Glass, 1) by Sarah J. Maas (2012) [14:51] Outlander (Outlander, 1) by Diana Gabaldon (1991) [19:05] 1929 by Andrew Ross Sorkin (2025) [22:12] Helter Skelter by Vincent Bugliosi with Curt Gentry (1974) [22:19] Generations by Jean M. Twenge, PhD (2023) [22:26] Yesteryear by Caro Claire Burke (2026) [26:13] The Elements by John Boyne (2025) [29:08] A Court of Forgotten Memory (ACOTAR, 7) by Sarah J. Maas (January 12, 2027) [29:39] Other Links The Gilmore Guide to Books | Catherine's Review of Ordinary Monsters
Today we unpack the book that explored the high-powered craziness of NASA's Project Mercury programme and the people involved . This is a fulsome read and an interesting insight into high performance.We are powered by The Curiosity Company - unleash the power of insatiable curiosity :-) curiositycompany.co.nzSupport your local bookstore or library PLEASE :-)Follow us on Spotify, Apple Podcasts or wherever you listen (or watch!) your podcasts.Connect with us here: the232podcast@gmail.comGet Sean's book The Impact Professional at: impactprofessional.nzStop, read and repeat :-)
“We are the beginning of a bright and shiny dark age.” — Kurt Andersen, from The Breakup It's 2045 and America has got divorced. That's the premise of The Breakup, by the historian and novelist Kurt Andersen. “The future is fiction. It hasn't happened yet,” the historian in Andersen reminds us. But his near-term fictional future, an America of civil war and national divorce, certainly isn't inconceivable. Nor, in an increasingly divided United States between high-tech coastal elites and a medieval hinterland, does such a scenario appear quite as nightmarish as it once did. In contrast with the bloodiness, say, of Alex Garland's Hollywood version of an American civil war, Andersen's literary breakup is the “scattered violence of a Middle Eastern kind.” Lebanon comes to the United States in the form of loosely confederated militias, assassinations and kidnappings. This war kills 28,000, half of them civilians. It could have been worse. Indeed, it is worse today — when compared to the 44,000 people killed by guns each year. The novel also tells the story of the breakup of a twenty-three-year marriage between the Tennessean poet Natalie and the San Francisco tech bro Asher. Natalie doesn't much like Silicon Valley and warns that “we are the beginning of a bright and shiny dark age.” But for Andersen this age isn't totally dark. Marriages and countries break up, he reminds us, and that is often the beginning rather than the end of the story. Not quite darkness at noon. So get ready for the mid-21st-century break-up of the United States. Such a split might actually be brighter than America's current dark marriage. Five Takeaways • The Future Is Fiction. After Fantasyland (five hundred years of how America went haywire) and Evil Geniuses (the last fifty), Andersen considered a third history — of the future — and realized the genre is folly: futurism is just experts guessing, Alvin Toffler in a new suit. “The future is fiction. It hasn't happened yet. It's imaginary until it happens.” So the trilogy's conclusion became a novel — his fifth — and the bookseller algorithms' “dystopian” label gets a correction: dystopian satire, maybe, but “we are in a dystopian period now.” Where Alex Garland's Civil War embedded journalists inside the fighting, The Breakup lives with a couple seven years after it — the good, the bad, the thank-God-we-were-okay — and, chalk it up to the Midwestern upbringing, it ends ambiguous but not without hope.• A Manageable Civil War. The backstory his fictional journalism flashes back to: a blue political comeback — Supreme Court expansion, Puerto Rico and DC statehood — ignites a ferocious right-wing backlash, and the violence that follows is “scattered… of a Middle Eastern kind”: loosely confederated militias assassinating, kidnapping, and bombing, while a presidential administration insists it's a crime spree — until the military crushes the insurgency with drones and robots in eighteen months. The toll: 28,000 dead, half civilians, 45,000 wounded — numbers Andrew notes are roughly a single year of American gun deaths, and that Andersen's character Natalie keeps in proportion: “could have been worse… We're not living in Mad Max time.” Against the 1860s — millions dead from a far smaller population — this is a war America can talk itself into surviving. Which may be the scariest thing about it.• The Disunion's Logistics. The novel's deep research problem: how would you actually do it? You can't draw an 1860 line, because the real divide runs between cities and countryside, not North and South — so the negotiated Disunion takes seven years, producing Natalie's Free American Republic and Asher's smaller United States. The Brexit analogy gets swatted (“the EU is not a country” — this is a whole different deal), balkanization into five or twelve republics is doubted (the prosperities of scale), and the best twist is secessionist remorse: Montana runs the numbers and realizes the West, unlike the South, gives more to Washington than it takes — so why join them? Beneath it all, the state nobody thinks they need: Medicare, Social Security, the federal machinery people discover only as DOGE-style contempt dismantles it. And still, the magic holds: immigrants keep coming, because only in America do you become American by showing up.• The Soft Breakup Papers. The nonfiction beneath the novel is Andersen's New York Times essay: America as a long, loveless marriage — separate lives, separate tracks, staying together for the kids — that may already have had its soft breakup. His research assembled what nobody had put together: ten- and twenty-state climate alliances, sanctuary cities, Second Amendment sanctuary states and a thousand such counties — “governmental apparatuses emerging for these separate governments” since 2009, unremarked because the only people saying “national divorce” were Marjorie Taylor Greene and Rush Limbaugh, and nobody serious could agree with them. The mechanism is Hemingway's bankruptcy: gradually, then suddenly. Fintan O'Toole warned him the book could become self-fulfilling prophecy; Andersen answered that the elephant in the room must be named — and he has the Cassandra receipts, having published Fantasyland's post-truth diagnosis before Trump was first elected. “Don't blame me. We'll reconnoiter in ten or twenty years.”• A Bright and Shiny Dark Age. The episode's keeper, from the novel's tech-despising heroine: “We are the beginning of a bright and shiny dark age.” One political party marches back toward the medieval — no public health, no vaccines, no intellectualism — while the Bay Area ships magic, William Gibson's unevenly distributed future arriving all at once. In 2045, AI is background hum “like electricity,” the tech trillionaires are plural, and the robots are everywhere and unremarkable — though Andersen's own book trade is his caution against straight lines: print was declared dead fifteen years ago and still sells half of all books. The age of anxiety — the loneliness, social media's riled-and-angry business model (30% of the blame or 70%, “but it's large”), a president “selling pessimism” in his simultaneous idiocy and brilliance against optimism's old American pillar — reads, in the novel's hindsight, like the premonition of the breakup. And yet no zombies, no rubble: not without hope. About the Guest Kurt Andersen is the New York Times bestselling author of the histories Fantasyland: How America Went Haywire and Evil Geniuses: The Unmaking of America, and the novels Turn of the Century, Heyday, True Believers, and You Can't Spell America Without Me. Co-founder of Spy magazine and longtime host of the Peabody-winning public radio program Studio 360, he has written for the New York Times, Vanity Fair, and The New Yorker. The Breakup (Random House, August 2026), his fifth novel, is set in the AI-suffused, post-civil-war America of 2045 — “the most brilliant social novelist of our time,” per Walter Isaacson, “in the tradition of Tom Wolfe and Don DeLillo, but even funnier and deeper.” ...
ALSO SEE: SynopsisIn this episode of the IPS Deprogram, the host explores the concept of the “Metascript,” a framework for understanding how world history is allegedly manufactured through the synchronization of news events with entertainment media. The discussion focuses on recent celebrity news, upcoming media releases, and historical “psyops” to argue that public reality is a pre-scripted hyperreality rather than a series of organic occurrences.Topics of Discussion* The Panettiere-Mangione Connection: Analyzing the recent death of actress Hayden Panettiere, her connections to solar eclipse symbolism in the show Heroes, and the theory that her brother, Jansen, may have been repurposed as the figure Luigi Mangione.* Class Warfare Psyops: Investigating how the story of Luigi Mangione reflects concurrent programming found in the Netflix series The Madness, involving themes of tech billionaires, ghost guns, and organized civil unrest.* Metascripters and Narrative Control: A look at prominent film directors like James Cameron, Christopher Nolan, and Stanley Kubrick, whose works are described as coordinated with psychological operations (psyops) to shape the public's perception of history.* The Trump-Obama Proxy Patterns: Examining the Netflix series A Man in Full (based on a 1998 Tom Wolfe novel) and other films to show how fictional “proxies” for Donald Trump and Barack Obama are used to foreshadow or mirror real-world political conflicts.* Symbolism in Manufactured Events: Discussing recurring “hoax indicators,” such as the presence of shoes at crisis scenes, the use of numerology (specifically 1.6/January 6th and 9/11), and the “engineered coincidences” of high-profile deaths.* The Handbook for the Recently Deprogrammed: Announcing the second edition of a manual designed to help individuals step “off the world stage” by systemizing the deconstruction of media narratives.* Predictability as Proof: Asserting that the ability to forecast news events based on entertainment cues proves the non-random nature of modern history.Key Quotes* “This is life following Netflix or more accurately, PSYOPs synchronized with Netflix.”* “The synchronization between entertainment and psyops is a consistent facet.”* “What we're looking at here is a manufactured reality, a pre-scripted history.”* “If you can find a real life event that gets national coverage, global coverage that corresponds because it's synchronized with something in entertainment... let me know.”* “Our future is augmented. Our future is pre-written.”Metascript defines the synchronization of entertainment and news as a structural and consistent facet of modern reality rather than a collection of random occurrences. This synchronization is characterized as “engineered coincidences” designed to manufacture history and shape public worldview.The sources detail several key aspects of how this synchronization functions:* Engineered Coincidences: The synchronization is not considered mystical but a “mundane” form of propaganda that can be explained through empirical research and observation. It involves real-life events receiving global media coverage that correspond specifically with themes or plots in entertainment.* Predictability: A core tenet of the Metascript model is that these alignments are predictable. The speaker argues that the ability to forecast events based on entertainment cues proves that the news is pre-planned rather than random.* The Role of “Metascripters”: Film directors and writers (such as Christopher Nolan, James Cameron, and Stanley Kubrick) are described as “metascripters” whose works are coordinated with psychological operations (psyops) to help manufacture history.* Concurrent and Predictive Programming:* Concurrent Programming occurs when entertainment is released alongside matching news events, such as the Netflix series The Madness featuring a storyline similar to the concurrent news story of Luigi Mangione.* Predictive Programming involves entertainment foreshadowing future events, such as a 1998 Tom Wolfe novel containing nuances that allegedly mirrored Donald Trump's life in 2024.* A “Major Hoax Indicator”: Within this framework, the occurrence of synchronized entertainment or drills alongside a news event is considered “proof positive” that the event was faked or simulated.* Hyperreality: The result of this synchronization is a “fictional universe superimposed over the real world,” creating a “hyperreality” where it becomes difficult for the public to separate real events from staged “works”. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit infiniteplanesociety.substack.com/subscribe
I Wish I Made That is a segment where we invite some of our favorite creative folks to dive deep into a piece of culture. We are joined by writer Kurt Andersen. Andersen is a longtime writer and editor, as well as co-founder the magazine Spy and former host of the public radio show Studio 360. The thing he wished he had made? The Electric Kool-Aid Acid Test by Tom Wolfe. The book chronicled the counterculture movement of the '60s. It did not make Kurt more of a hippie than he already was, but it did make him want to be a writer. Kurt's latest novel The Breakup will be out August 18th, pre-order now.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy
America Out Loud PULSE with Dr. Randall Bock – Scott Johnston turns elite education into sharp social satire, exposing how wealthy trustees, fearful parents, and status-driven institutions surrender merit, courage, and common sense to identity politics. Drawing on real school controversies, Tom Wolfe's influence, and emerging AI, he explores cultural decline, institutional cowardice, and the changing craft of fiction...
America Out Loud PULSE with Dr. Randall Bock – Scott Johnston turns elite education into sharp social satire, exposing how wealthy trustees, fearful parents, and status-driven institutions surrender merit, courage, and common sense to identity politics. Drawing on real school controversies, Tom Wolfe's influence, and emerging AI, he explores cultural decline, institutional cowardice, and the changing craft of fiction...
"I feel like before I have the confidence to write in the way that I want to write, where I really own the material, I have to spend so much time with people. I will say at the outset, once I walk someone through what it's going to involve after they say yes to talking to me, I'll say I'm going to be around a lot and you're going to get sick of me," says Pamela Colloff, author of Catch the Devil.Today's guest, I mean, wow, from the bottom of the diaphragm up, wow. It's Pamela Colloff. You know her from her National Magazine Award winning work for Texas Monthly and ProPublica/The New York Times Magazine. She's THE premier investigative reporter in the country and she's now the author of Catch the Devil: A True Story of Murder, Deception, and Injustice on the Gulf Coast. It's published by Knopf.This book upends what you think a true crime story is about where the true villain isn't a person at all. It chronicles, among others, Paul Skalnik, a jailhouse snitch, whose non-credible testimony places numerous men on death row, Jim Dailey, in particular, and Pamela takes us through this riveting narrative and punishing commentary on capital punishment and why Florida seems hellbent on being No. 1 in executions.Here's just a slice of what Pam is about: She is a two-time National Magazine Award winner, once for reporting and once for feature writing. Her work has been adapted for narrative and documentary films including Tower, which was short-listed in 2016 for an Oscar. Her work has been anthologized in Best American Magazine Writing, Best American Crime Reporting, and Next Wave: America's New Generation of Great Literary Journalists. She joined ProPublica/The New York Times Magazine in 2017 after many years at Texas Monthly. Listen, I could go on. You get the gist.In this episode, we talk about: What drew her to Tom Wolfe and Hunter S. Thompson Speaking with Tom Junod The Boys Club of longform writing Her start at Texas Monthly Being a journalism dork The elation and despair How every story is a Rubix cube The Skip Hollandsworth Method Owning the material Knowing when to quote and when not to Idea generation Writing is hard How magazine writing and book writing are different animals Why Catch the Devil is her now-or-never moment Beginnings are the worst Being more disciplined with a book vs. magazine writing Writing in this attention economyPair this episode with Ep. 255 with Maddy Crowell and Ep. 414 with John Rosengren, and many other Atavist true crimey pods, too many to mention here. I'd also chuck in Ep. 224 with Patrick Radden Keefe. He'll be back on the show for the paperback run of London Calling.
Join us as we fire up the engines for the 1973 film, The Last American Hero, starring a young Jeff Bridges as Elroy 'Junior' Jackson, a backroads bootlegger who yearns to make it in racing.Loosely based on the real-life NASCAR legend Junior Johnson and a famous article by Tom Wolfe, this is far from a perfect biopic and probably never stood a chance at being a financial success.
Aussie Musician, Tom Wolfe shares his inspiring journey of sobriety, the impact on his music career, and the power of community and honesty in overcoming alcohol dependence. Discover how embracing sobriety transformed his life, relationships, and artistry.Guest links Wolfe Brothers InstagramSpotifyFor more resources such as coaching or to join the next HIQA challenge go towww.iquitalcohol.com.auFollow HIQA insta @howiquitalcohol Music for Podcast intro and outro written by Danni Carr performed by Mr CassidyIf you are struggling with physical dependancy on alcohol consider contacting a local AA meeting or a drug and alcohol therapist. Always consult a GP before stopping alcohol. Hosted on Acast. See acast.com/privacy for more information.
Das „Ich" im Journalismus – ist es narzisstische Nabelschau oder das ehrlichste Werkzeug, das wir haben, um Wirklichkeit zu beschreiben? In dieser Folge von „Alles muss raus" trifft Thilo Mischke die Literaturwissenschaftlerin Erika Thomalla, deren Buch „Gegenwart machen" sich mit der Geschichte des deutschsprachigen Pop-Journalismus beschäftigt – von Tempo, Neon und Allegra bis zu Christian Kracht, Sibylle Berg und den großen Vorbildern des amerikanischen New Journalism wie Hunter S. Thompson und Tom Wolfe. Die beiden sprechen über die goldenen Jahre, in denen Reporter mit prall gefüllten Spesenkassen monatelang recherchieren durften und Texte am Ende doch nicht gedruckt wurden. Über harte Textchefs der alten Schule, die heute in Marokko ihren Ruhestand genießen. Über die Frage, warum das Ich im Print fast verschwunden ist, während es in Reels, Reportagen und Streamingformaten omnipräsent geworden ist – allerdings oft ohne die Selbstreflexion, die den Pop-Journalismus einst auszeichnete. Außerdem: Warum Eitelkeit den Journalismus krank macht, was KI nicht ersetzen kann, weshalb Bibliotheken in Zeiten von ChatGPT wieder wichtiger werden, wie Geschlechterverhältnisse die legendäre Redaktionskultur prägten – und es geht auch um die Frage, ob es so etwas wie einen ostdeutschen Pop-Journalismus eigentlich gab. Hast du Fragen, Feedback oder Anmerkungen? Schreib uns eine Nachricht an [amr@pqpp2.de](mailto:amr@pqpp2.de) oder auf Instagram: https://www.instagram.com/allesmussraus_podcast/ und wenn du möchtest unterstütze unsere Arbeit auf Patreon: https://www.patreon.com/c/AllesMussRaus?l=de Du möchtest in „Alles Muss Raus“ werben? Dann hier* entlang: https://podstars.de/kontakt/?utm_source=podcast&utm_campaign=shownotes_alles-muss-raus
A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices
A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here
Rolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Rolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Rolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism
Rolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Chris Pavone is the bestselling author of some of the smartest and most stylish thrillers of the past decade. His latest book, The Doorman is set in a glamorous Manhattan apartment building where the lives of the ultra-wealthy residents intersect with the man who quietly watches it all—the doorman. Over the course of one explosive day, secrets, class tensions, and personal betrayals collide in a fast-moving plot that doubles as sharp social satire about modern New York and the divides of race, wealth, politics, and status. This invites an inevitable and much-deserved comparison to Tom Wolfe's Bonfire of the Vanities, though the Masters of the Universe are now fleece-vest-wearing tech and hedge-fund bros (not that there's anything wrong with that). Full-disclosure: I loved this book. It's a page-turner! It's eminently-readable! But even more, it's an insightful look at modern society through the lens of New York City. Before becoming a novelist, Chris spent nearly two decades in book publishing, working on—or with—the editorial team for authors like John Grisham and Pat Conroy. Chris' debut novel, The Expats, became an international bestseller, won the Edgar Award and the Anthony Award for Best First Novel, and was translated into more than 30 languages. Since then he's written a string of critically acclaimed thrillers—including The Accident, The Travelers, and The Paris Diversion—known for their globe-trotting settings, psychological depth, and characters navigating secrets, ambition, money, and power. ✍️ Please rate and review Reasonably Happy HERE (DO IT!) ✍️
Back in my WXRT days, when rock radio still had a little room to get weird, there was one audio ,The Usual Suspects. Their sharp, character-driven sketches didn't just make me laugh, they lit the fuse for everything I later tried on The Score and even here on Word Balloon. Today, I'm talking with two of the masterminds behind that magic, Barb Wallace and Tom Wolfe, a brilliant writing team whose partnership went from Chicago airwaves to Hollywood success, with credits on shows like Murphy Brown and Welcome to New York, starring Christine Baranski and a young Jim Gaffigan. For me, these two weren't just funny—they were the blueprint.
Story of the Week (DR):WarSaudi Aramco CEO issues stark warning: Iran war could bring ‘catastrophic' shock to global oilPrediction markets face questions on Iran war bets, from regime change to nuclear detonationThe Maduro Capture (Jan 2026): Just hours before the U.S. captured Venezuelan President Nicolás Maduro, a new Polymarket account wagered $30,000 on his removalIsraeli Military Indictments (Feb 2026): At least two individuals in the Israeli defense forces were reportedly indicted for using classified intelligence to place winning bets on the specific dates of military strikes in IranNational Security Risk: A recent report by Responsible Statecraft warns that officials with the power to influence military timing could alter operations to maximize their payout The Atlantic Council recently warned that foreign adversaries can "weaponize the odds" by dumping money into a thinly traded market to create a false narrative that a country is about to collapse, potentially triggering a real-world panic or bank run.Kalshi (private)1/13/25: Kalshi names Donald Trump Jr. as strategic advisorPolymarket (college dropout Shayne Coplan)8/26/25: Kalshi Advisor Donald Trump Jr. Joins Rival Polymarket BoardTrump Jr.'s 1789 Capital is making an eight-figure investment in the controversial prediction-market company.AI JobsAnthropic just mapped out which jobs AI could potentially replace. A ‘Great Recession for white-collar workers' is absolutely possibleThe most AI-exposed group is 16 percentage points more likely to be female, earns 47% more on average, and is nearly four times as likely to hold a graduate degree compared to the least exposed group.Sam Altman admits AI is killing the labor-capital balance—and says nobody knows what to do about itOracle expected to slash thousands of jobs as massive AI spending creates financial cash crisisLayoffs are feeling awfully tempting for a lot of companies right nowCEOs are using one number in the AI age to decide how many people they still needRevenue per employeePatreon's CEO says AI will be a 'bloodbath for the world's creative people' unless tech companies pay upAtlassian slashes 10% of workforce to 'self-fund' investments in AI and enterprise salesThe unexpected 92,000 drop in payrolls is a clue we might be reading the AI jobs narrative all wrongWorker painAI Is Forcing Employees to Work Harder Than EverAI Job Loss Is Breaking the Psyche of Workers, Psychiatrist Warns‘AI brain fry' is real — and it's making workers more exhausted, not more productive, new study findsEconomist Dambisa Moyo says CEOs must play a role in sustaining the consumer class as AI eliminates jobsThis could only happen if we weren't controlled by the TechBro Dropout GangCII‘Not a goodbye…': What Adobe CEO Shantanu Narayen told employees after announcing decision to step downShantanu Narayen, CEO of Adobe for 18 years, will step down once a successor is appointed, while continuing as board chairman.Google Hands Sundar Pichai $692M Package Tied to AI BetsPackage uniquely ties executive pay to Waymo autonomous vehicle and Wing drone delivery venture performanceCompensation structure sets precedent for linking CEO pay to specific AI business unit success rather than overall company metricsSo now CEOs can either game their bonus by obsessively focusing on one thing or doom the rest of the company by obsessively focusing on one thing or bothAs You Sow Files Lawsuit Challenging Chubb's Refusal to Put Shareholder Proposal Addressing Climate-Driven Insurance Crisis on Company ProxyThe proposal asks shareholders to vote on whether Chubb should commission a report assessing whether pursuing subrogation claims against parties responsible for climate change could reduce losses, benefit shareholders, and help preserve affordable homeowners insurance.This lawsuit follows the SEC's decision to abandon its longstanding role as a neutral arbiter in the shareholder proposal process. In November 2025, the SEC announced that it would no longer review corporate no-action requests under Rule 14a-8, effectively forcing these matters into court—an expensive and lengthy process.Sen. Elizabeth Warren Slams SEC As 'Lap Dog For Trump's Billionaire Buddies' After It Dismisses Another Crypto Case"The SEC should not be a lap dog for Trump's billionaire buddies"Live Nation, Ticketmaster's Owner, Settles Antitrust Case With Justice DeptThat was fastLive Nation Entertainment board includes Trump administration bro Richard Grenell 2 of 12 are womenGrenell is somehow the president of the Kennedy Center for the Performing Arts despite no background in anything resembling “the Arts.”He replaced a woman, Deborah Rutter. The chair is President Trump. Of course. And the board now is down to only one woman: 2 years ago it was 60% female.Glass Lewis recommends voting against Starbucks director over ‘board-level E&S oversight'New York State Comptroller, New York City Comptroller, SOC Investment Group, Canadian responsible investment association SHARE, Merseyside Pension Fund, and Trillium oppose the re-election of lead independent director Jørgen Vig Knudstorp, as well as Beth Ford, chair of Starbucks' Nominating and Corporate Governance (NCG) committee.Ford was chair of the EPCI committee and now leads the NCG committee, which assumed some of the responsibilities of the EPCI when it was disbanded.In its benchmark policy proxy paper, Glass Lewis has recommended investors vote against Ford.Goodliest of the Week (MM/DR):DR:Uber rolls out women-only option in the USDR: CEOs of failed banks would have to surrender pay under bipartisan planSenate legislation would mandate “clawbacks” of executive pay, three years after the collapse of Silicon Valley Bank.MM: 24 states, Nintendo sue Trump over tariffs as refund fight growsCostco CEO Ron Vachris Pledges to Return Tariff Refunds to ShoppersMM: Andrew Yang says we should stop taxing workers — and start taxing AIAssholiest of the Week (MM):War on Women: part 1Alex KarpPalantir CEO Makes Shocking Confession on Disrupting Democratic PowerPalantir CEO Alex Karp thinks his AI technology will lessen the power of “highly educated, often female voters, who vote mostly Democrat” while increasing the power of working-class men.“This technology disrupts humanities-trained—largely Democratic—voters, and makes their economic power less. And increases the economic power of vocationally trained, working-class, often male, working-class voters,” Karp said in a CNBC interview Thursday. “And so these disruptions are gonna disrupt every aspect of our society. And to make this work, we have to come to an agreement of what it is we're going to do with the technology; how are we gonna explain to people who are likely gonna have less good, and less interesting jobs.”To Alexandra Schiff, ex WSJ reporter and daughter of Tom Wolfe, who wrote a semi adoring Silicon Valley book in 2017 holding Peter Thiel as a god (and now sits on this board with Thiel), and to Lauren Friedman Stat, who only seems to post Palantir sizzle reels and as best I can tell is married to a “David Stat” who is the name of a “Director” (not on the board?) of Palantir who is in a Form 4 for selling stock:What the fuck are you doing. Do you read what this dude says? Are you that cucked to the tech bro elite you can't stop and say, “Hey, Alex, maybe tone down the suggestion you're trying to stop female Democrats from voting?”War on Women: part 2Glass Lewis recommends voting against Starbucks director over ‘board-level E&S oversight'Because Starbucks disbanded the Environmental, Partner and Community Impact committee of the board - launched in 2023, dissolved in November 2025Committee launched after majority supported SHP to focus on labor issuesJorgen Knudstorp and Daniel Servitje, the OTHER committee members, somehow escape entirelyKnudstorp is the Lead independent director, Niccol is the CEO and chair of the board (yes, chair)But instead of targeting Niccol or even Knudstorp, Glass Lewis targeted the female chair of the committee… ONLYIf the CEO gets to be chair - doesn't the CEO have to take responsibility for board overall? If you have an LID, are they accountable?? Why would the chair of a committee be target without the chair of the board or LID? Can a committee chair dissolve their own committee??Cracker Barrel - the scapegoat was the person of color who had “diversity” in their job description, not the longest tenured director who was also chair of the board but was a white guy - and Glass Lewis suggested voting out the brown dudeWar on Women: part 3 speed roundDOGE, DEI, and climate changeBlack women were disproportionately impacted by DOGE cuts. A year later, they're rebuilding careers for themselves and each otherI Watched 6 Hours of DOGE Bro Testimony. Here's What They Had to Say For ThemselvesOver the course of a six hour long or so deposition, Justin Fox, a former investment banker turned DOGE bro, refused to define what he believes counts as DEI; admitted he used ChatGPT to scan government contracts for terms such as “Black” and “homosexual” but not “white” or “caucasian;” and said that one of the grants he helped slash was “not for the benefit of humankind” before walking that claim back.Why ‘bringing your whole self to work' is a trap, especially for womenFormer Goldman Sachs CEO says DEI programs are ‘counterproductive,' arguing ‘you're branding the people in that program'Climate change: Women face worst impacts as funding support falls shortIn 2025, a UN women report warned that under a worst-case climate scenario, up to 158.3 million more women and girls may live in extreme poverty globally as a result of climate change by 2050Headliniest of the WeekDR: Shell CEO's Pay Jumps 60% Despite Profit Drop and Fatal AccidentsDR: Jack Dorsey Defends Wearing “Love” Hat While Firing 4,000 Employees in Pivot to AI: "I wanted to approach the whole situation with love."MM: Ozempic mania has even Olive Garden and The Cheesecake Factory cutting back on portion sizesMM: Cracker Barrel sales, traffic continue to slump months after failed rebrandWho Won the Week?DR: National Museum of the American Indian and the coffee at CII, was actually pretty not grossMM: The Council for Institutional Investors Spring Conference, who got to witness Proxy Countdown livePredictionsDR: CII loses our phone numberMM: The women start the uprising now:
Tom Junod spent more than two decades as one the most celebrated writers in the men's magazine game, winning two National Magazine Awards and penning unforgettable articles about everything from 9/11 to Mister Rogers. Dubbed by Esquire as the man who has "helped teach readers what masculinity looks like in the 21st century," Junod has been considered one of great writers in the magazine's nearly 100-year history, alongside Ernest Hemingway, F. Scott Fitzgerald, and Tom Wolfe. But Junod certainly didn't learn about masculinity from a magazine. Instead he absorbed lessons about manhood imparted by his father Lou, a man who emulated the leading men of 1930s Hollywood and offered a treasure trove of men's-only secrets of success about wearing turtlenecks, making eye contact, and offering a firm handshake. Then Tom learned the details of his father's other secrets, and it reshaped his opinion of what it means to be a good man. Junod is the author of the memoir In The Days Of My Youth I Was Told What It Means To Be A Man, available now wherever you buy books.
durée : 00:01:57 - Les 80'' - par : Nicolas Demorand - 20 février 1962. John Glenn s'installe dans Friendship 7. Une capsule étroite comme un cercueil debout. L'Amérique retient son souffle. Après Spoutnik, après Gagarine, il faut une revanche. Glenn devient l'homme d'un pays blessé. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
The writer Thomas Wolfe, known for his large novels and spewing prose, was a fan of Germany. On a trip there for the 1936 Berlin Olympics, he found joy and worry. Initially he admired the changes, but would soon change his opinion after a series of events and a near run-in with Hitler himself. He didn't live to see the true extent of Nazism, but left a warning for history. [One note: Thomas Wolfe, the 1930's author should not be confused with Bonfire of the Vanities author Tom Wolfe. Also a good author, different guy.] Learn more about your ad choices. Visit megaphone.fm/adchoices
Ich habe Peter Hochegger gefragt, wie er so korrupt wurde. Wo ist er im Leben falsch abgebogen? Was ist da passiert? Der Versuch, die menschliche Seite hinter Korruption besser zu verstehen.
Pat Burtscher's favorite movie is... Amélie! A comedian by way of Greece, Austria, and Canada, Pat has officially landed himself in the Mad House this week!! He tells us about his unique upbringing and even shares voicemails from his mom, who sounds like a Greek Polly Pocket!!! He and Maddy also discuss favorite books they've read recently, why balls are weird, how there should be weight classes for law enforcement, and more! And, stay tuned for some segments -- we play 'Finish the Canadian Headline', recap the week in photos, and Pat answers some rapid fire questions!Call the FUPA Hotline: (347) 480-9006Follow Pat:https://www.instagram.com/patburtscher/https://punchup.live/patburtscherFollow Maddy:https://www.instagram.com/somaddysmith/?hl=enhttps://www.tiktok.com/@somaddysmith?lang=enAll tour dates: https://punchup.live/maddysmith/ticketsWant more ad-free and uncensored Mad House?!Go to https://gasdigital.com/ to subscribe!Use promo code MAD to save big on your membership :)Get early access to our weekly episodes on Tuesdays, along with EXCLUSIVE episodes on Thursdays.UPCOMING STAND UP DATES:1/23-1/24 AUSTIN, TX2/5 NEW YORK, NY2/13-2/15 OXNARD, CA2/20-2/21 FORT WORTH, TX2/26 WESTPORT, NY2/27-2/28 BURLINGTON, VTSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Content warning: This episode contains discussion of rape (40:37–42:20). In this episode we ask Bob Stanley about his career as a writer and member of the beloved Saint Etienne, whose swansong year this is. We start with Caff, the '80s fanzine which set out the eclectic pop aesthetic that underpinned Saint Etienne, proceeding from there to Bob's memories of life on Melody Maker in the late '80s and early '90s. A clip of our guest's erstwhile MM colleague Simon Reynolds talking about Saint Etienne in 2021 is the cue for a general discussion of the trio's evolution over the last 35 years – and for an explanation of their (very amicable) decision to call it a day after a tour this September. Revisiting the epic "story of pop" that was Bob's 2013 tome Yeah! Yeah! Yeah! leads to clips from Hank Bordowitz's 1997 audio interview with the late Connie Francis, the Jersey girl who in the late '50s and early '60s was arguably the biggest female pop artist in America. After Mark pays a lifelong Deadhead's tribute to the late Bob Weir, he quotes from newly-added library pieces about the Nice (1967), Tom Wolfe (1969) and Paul McCartney (1979). Finally, Jasper sees us out with his thoughts on interviews with Ini Kamoze (1995) and D'Angelo (1998). Many thanks to special guest Bob Stanley. Visit his website at bobstanley.co.uk and find Yeah Yeah Yeah in all good bookshops. Pieces discussed: Saint Etienne, St. Etienne: Holier Than Thou, Saint Etienne: Cats Eyes and Legless, Bill Haley, Bob Stanley: Yeah! Yeah! Yeah! – The Story of Pop Music from Bill Haley to Beyoncé, Connie Francis was a trailblazing pop star haunted by tragedy, Connie Francis audio, The World According to Cliff, Alone again gratefully: Bob Weir proves he's more than Dead, The Nice, Tom Wolfe, Paul McCartney, Ini Kamoze, Voodoo Chile: D'Angelo and Yungblud.
To close out 2025, The Piano Pod brings you a special year-end bonus episode featuring composer and storyteller Stefania De Kenessey. Earlier this season, we explored her MICROVIDS project; today, Stefania takes us behind the scenes of another major undertaking: her opera The Bonfire of the Vanities, based on Tom Wolfe's iconic novel.In this conversation, Stefania reflects on the creative risks, structural challenges, and artistic values behind adapting a 700-page book for the operatic stage. She shares insights on distillation, libretti, character reimagining, and the emotional stakes of composing—offering a rare look at how large-scale musical works take shape.You'll hear Stefania discuss:Transforming a sprawling novel into a cohesive operaThe unique demands of crafting a focused, effective librettoReimagining characters and narrative power dynamicsWhat music can unveil that prose alone cannotChoosing a darker, more pointed endingThe exhilarating—and sometimes brutal—reality of composingICYMI: Revisit our full episode on MICROVIDS in Season 6, Episode 3This episode is a thoughtful reminder that music is not only a craft, but a conviction. Stefania's perspective highlights how storytelling, ethics, and imagination intersect in contemporary composition.Thank you for being part of The Piano Pod community this year. We return on January 13, 2026, with a brand-new episode to kick off the new year.
Professional art advisor Ariel Meyerowitz joins Jim O'Shaughnessy to demystify the complex world of art. Ariel provides an essential guide for aspiring collectors, explaining where to begin, how to develop your eye, and why buying what you love is the most important first step. They explore the inner workings of galleries, auctions, and art fairs, contrasting the emotional value of art with the often-fickle investment market. Ariel also shares her philosophy on patronage, the psychology of collecting, and the profound, stress-reducing impact of living with art. This conversation is a perfect starting point for anyone looking to break into the art world, offering a clear path from intimidation to appreciation. #Art #ArtCollecting #Investing #Culture #Creativity #MentalModels #Innovation #Design #Psychology #Philosophy Important Links: Substack: https://newsletter.osv.llc/ Ariel's Website: https://www.arielmeyerowitz.com/ Books mentioned: The Painted Word by Tom Wolfe
Neil Young turns 80 — a chart reading. The 11/11 Trump reckoning comes true. Marshall McLuhan and Tom Wolfe. Tantra Studio: What is a "wiresexual"?Notes, astrology chart, discussion, photo — are hereThank you for visiting. You are listening to Planet Waves. You can hear my full length show every Friday night at https://planetwaves.fm My Substack is: https://planetwaves.substack.com/ Visit the Astrology Boutique for all of your astrology needs. Lots of free samples and the monthly horoscope too. https://www.astrology.boutique/
In Episode 209, Catherine (@GilmoreGuide) and Chrissie (@ChrissieWhitley) join Sarah for the 5th annual Debuts Special! They're sharing their reading stats for debuts this year, along with their favorite debuts, new and backlist — so far for 2025. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights How debuts from 2025 compare to those from previous years. A full breakdown of Sarah's, Catherine's, and Chrissie's 2025 debut-related stats. Featured debuts, split into two categories: Favorite Debuts of 2025 (so far) Favorite Backlist Debuts Read in 2025 Favorite Debuts of 2025 (so far) [9:20] Sarah Maggie; or, A Man and a Woman Walk Into a Bar by Katie Yee (2025) | Amazon | Bookshop.org [10:27] The Slip by Lucas Schaefer (2025) | Amazon | Bookshop.org [18:54] Great Black Hope by Rob Franklin (2025) | Amazon | Bookshop.org [31:12] Catherine The Correspondent by Virginia Evans (2025) | Amazon | Bookshop.org [14:04] The Names by Florence Knapp (2025) | Amazon | Bookshop.org [22:50] Deadly Animals by Marie Tierney (2024) | Amazon | Bookshop.org [34:30] Chrissie Homeseeking by Karissa Chen (2025) | Amazon | Bookshop.org [16:39] Awake in the Floating City by Susanna Kwan (2025) | Amazon | Bookshop.org[26:34] Deep Cuts by Holly Brickley (2025) | Amazon | Bookshop.org [36:53] Other Books Mentioned The Bright Years by Sarah Damoff (2025) [10:09] The Compound by Aisling Rowle (2025) [10:11] Slanting Towards the Sea by Lidija Hilje (2025) [10:14] Bitter Sweet by Hattie Williams (2025) [10:17] Dominion by Addie E. Citchens (2025) [10:19] Dept. of Speculation by Jenny Offill (2014) [12:48] You Could Make This Place Beautiful by Maggie Smith (2024) [12:56] Pachinko by Min Jin Lee (2017) [18:47] Friday Night Lights by H. G. Bissinger (1990) [20:49] The Knockout Queen by Rufi Thorpe (2020) [22:08] All the Water in the World by Eiren Caffall (2025) [28:58] Station Eleven by Emily St. John Mandel (2014) [30:36] The Bonfire of the Vanities by Tom Wolfe (1987) [34:15] Favorite Backlist Debuts Read in 2025 [39:09] Sarah I Might Be In Trouble by Daniel Aleman (2024) | Amazon | Bookshop.org [39:15] Out of Love by Hazel Hayes (2021) | Amazon | Bookshop.org [46:26] Catherine In the Shadow of the Banyan by Vaddey Ratner (2012) | Amazon | Bookshop.org[42:45] Good Morning, Midnight by Lily Brooks-Dalton (2016) | Amazon | Bookshop.org [48:47] Chrissie Fruiting Bodies by Kathryn Harlan (2022) | Amazon | Bookshop.org [45:04] The Undertaking by Audrey Magee (2014) | Amazon | Bookshop.org [52:31] Other Books Mentioned Music of the Ghosts by Vaddey Ratner (2017) [44:58] Our Wives Under the Sea by Julia Armfield (2022) [46:14] The Light Pirate by Lily Brooks-Dalton (2022) [49:08] The Colony by Audrey Magee (2022) [53:26] Additional Books Mentioned Victim by Andrew Boryga (2024) [3:39] Jonathan Strange & Mr Norrell by Susanna Clarke (2004) [6:54]
Susan Orlean writes nonfiction books that read like fiction, sort of working in the style of Joan Didion or Tom Wolfe. But what makes her different is how intentional she is about her writing process. She's very intentional about the research, the writing, the editing phases, all of it. And if you're thinking about your own process, how can you structure your life in order to lead to good writing? Well, you're going to love this episode. About the host Hey! I'm David Perell and I'm a writer, teacher, and podcaster. I believe writing online is one of the biggest opportunities in the world today. For the first time in human history, everybody can freely share their ideas with a global audience. I seek to help as many people publish their writing online as possible. Follow me Apple: https://podcasts.apple.com/us/podcast/how-i-write/id1700171470 YouTube: https://www.youtube.com/@DavidPerellChannel X: https://x.com/david_perell Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Clara Molot reports from New Haven on the Yale freshman who gave grifting the old college try and scammed her way into the Ivy League school by creating an entirely fake identity. Then Eric Wilson reports from Hong Kong on the latest twists and turns in the horrific murder of a young, aspiring influencer that has captivated the city. And finally, Alexandra Wolfe and Julia Vitale reveal the winners of Air Mail's inaugural Tom Wolfe literary prizes, presented by Montblanc.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This is a free preview of a paid episode. To hear more, visit wisdomofcrowds.liveToday's guest is Geoff Shullenberger, the managing editor of Compact and a writer whose articles and reviews have appeared in American Affairs, The Chronicle of Higher Education, The New Atlantis, UnHerd, and more. Last week, after the assassination of Charlie Kirk, Geoff wrote an incisive piece titled, “The Return of the Assassin.” In it, he observes that the nature of violence has shifted in recent years, away from the mass shooting and towards the targeted political assassination. Why this is the case, and what it bodes for the future, is the subject of this week's podcast.The conversation provides historical perspective by comparing contemporary political (or quasi-political) violence to radical groups from the 1960s and 1970s like the Baader Meinhof group, the Red Brigades, the Black Panthers, and figures like Huey Newton and Eldridge Cleaver. Shadi Hamid distinguishes between left-wing violence (utopian, seeking new systems) and right-wing violence (preservationist, maintaining hierarchies). Geoff challenges this framework, noting that recent shooter profiles don't fit neatly into these categories. Damir Marusic notes that human beings always want events to “mean” something, but it may very well be that all this violence is essentially senseless.In our bonus section for paid subscribers, the guys discusses Martin Scorsese's Taxi Driver; Geoff explains why he doesn't think we are on the brink of civil war; was the Charlie Kirk assassination an “honor killing”?; was January 6 a “mobilization”?; what Trump does next; were we living under a liberal dictatorship in 2020?; Damir on “the rotten Democratic Party”; Shadi says: “Nobody is blameless, but that doesn't mean everyone is equally to blame”; and more!Required Reading and Viewing:* Geoff Shullenberger, “The Return of the Assassin" (Compact).* Geoff Shullenberger, “Popular Justice” (The Point).* Tom Wolfe, “Radical Chic” (New York).* Michel Foucault, Discipline and Punish (Amazon).* Martin Scorsese, Taxi Driver (IMDB). * Oliver Stone, JFK (IMDB).* Oliver Stone, Talk Radio (IMDB).* Eric Bogosian, Talk Radio (Amazon).* La Verkin City, Utah, United Nations-Free Zone Ordinance.* Punk rock picture of Oswald and Ruby.Free Preview Video:Full video for paid subscribers below:
(0:00) Intro(1:27) About the podcast sponsor: The American College of Governance Counsel(2:13) Start of interview(2:51) Jonathan's origin story(4:23) His Journey into Governance, initially via accounting with PwC and later with Lazard.(6:17) Types of Governance Structures(7:51) About his firm Current Capital Partners (M&A advisory, corporate management services, and PE investing).(8:31) The Inspiration Behind his book On Boards: The Modern Playbook for Corporate Governance.(10:44) Interviews that Shaped the Narrative. His standout: Admiral Michael Mullen.(13:04) Target Audience for the Book(14:48) The importance of "boards [with a roster of] best athletes, not experts in a narrow area."(17:04) His personal journey into boardrooms(19:56) Experience as an Expert Witness (21:41) Evolution of Delaware's Corporate Law. *Reference to Moelis case and Tesla's Elon Musk CEO compensation case. (24:40) AI's Impact on the Boardroom. "[I]t is critical to remember that directors oversee, but management runs the company day to day."(29:50) Navigating Geopolitical Challenges(32:01) The Rise of Shareholder Activism(34:29) Insights on Corporate Restructuring *Reference to E38 on the rise of bankruptcy directors with Jared Ellias (now at HLS)(38:33) Separation of Chair and CEO is preferable(39:00) "I think term-limits are a cop-out" there should be annual individual director evaluations.(39:43) The Need for Corporate Director Licenses.(41:36) Books that have greatly influenced his life:On a Clear Day You Can See General Motors, by Patrick J. Wright (1979)The Right Stuff, by Tom Wolfe (1979)The House of Morgan, by Ron Chernow (1990)(42:30) His mentors(43:18) Quotes that he thinks of often or lives his life by: "You can't get a hit if you don't swing the bat" "I'm dumb enough to make a decision" "It's all about tomorrow" "Have fun, life is too short"(44:24) An unusual habit or an absurd thing that he loves.(45:31) The living person he most admires: the Pope and Lebron James.Jonathan Foster is an experienced corporate director, investment banker, and expert witness in corporate litigation, and the author of the new book On Boards: The Modern Playbook for Corporate Governance. He has served on more than 50 boards, including Fortune 500 companies, private companies and companies involved in restructurings. You can follow Evan on social media at:X: @evanepsteinLinkedIn: https://www.linkedin.com/in/epsteinevan/ Substack: https://evanepstein.substack.com/__To support this podcast you can join as a subscriber of the Boardroom Governance Newsletter at https://evanepstein.substack.com/__Music/Soundtrack (found via Free Music Archive): Seeing The Future by Dexter Britain is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License
En este segundo episodio del especial sobre los años 80, Ricardo y Alejandro se adentran en la década desde su faceta más vibrante: la música, el cine, la literatura y la cultura popular.Fue la era dorada del videoclip, con Michael Jackson marcando un antes y un después, mientras Madonna, Prince y Whitney Houston definían el sonido y la estética pop de la época. En Colombia la hegemonía cultural gringa convivía, y a veces competía, con lo local: el vallenato vivía su propio auge con Diomedes Díaz y el Binomio de Oro.En el cine, E.T., Blade Runner o The Breakfast Club se convirtieron en símbolos, mientras en Colombia títulos como El embajador de la India o las comedias del Gordo Benjumea, como El taxista millonario, conectaban con el público. La literatura tuvo nombres que marcaron época, desde García Márquez y Vallejo hasta Tom Wolfe, Martin Amis, Don DeLillo, Raymond Carver, Richard Ford, Paul Auster y Stephen King.Fue también la década en que los videojuegos llegaron para quedarse, con Space Invaders, Pac-Man y las máquinas de arcade en lugares como Unicentro en Bogotá.Consigue El arte de no enloquecer aquí: https://www.librerianacional.com/el-arte-de-no-enloquecer/p?srsltid=AfmBOoosXMUOGj46ViZSS16nyw97thP2kVFEEHdkmVCjqc1Ml2A3Je75. Toma Ficcionario, el audiotaller de escritura con Ricardo Silva Romero: https://ellocutorio.com/ficcionario
In the penultimate episode of the Sex and the City universe, Carrie checks in on an old Tom Wolfe saying at her old place, and considers a request for ending The Woman's loneliness with an epilogue. Miranda goes completely, narcissistically unhinged with a sneaky Thanksgiving invite, Charlotte approaches what *could have been* a nuanced and serious moment of evolution about her feelings about Rock's life, as they star in a musical and show her what another life might have been. Harry has some great lines about his not so straight line, TLDR almost annoys her losing husband into retirement, and Seema gets blown in a shower. It might seem like there's more to it than that, but, ONE MORE EPISODE! Thank you for staying with us on this journey, and if you're enjoying yourself, please rate and review your boys to keep us alive, or join us for a variety of show and movie fun over at patreon.com/kevinandjon. We love you from the gyms to the Jellicle Ball!
Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A hétfőn publikált, ingyen meghallgatható verzió tíz perccel rövidebb. Itt írtunk arról, hogy tudod meghallgatni a teljes adást. Rendszerkonform antiszemita fellépőt találtunk a Kneecap helyett. After Takaró Mihállyal és Rák Sándornével. Visszalép-e Csoki a Manhattan zenekarba? Ozzyt még korai volna temetni. Július percemberei: az abádszalóki köpködő. Érettségi a Guns'N'Rosesban. 00:35 Májusban tudtuk, hogy nem lesz Kneecap. Mahmúd Ahmadinezsád beugrik a nagyszínpadra. After Takaró Mihállyal és Rák Sándornéval. 04:28 A Sziget szorult helyzete. Palesztánpárti bojkott a Sziget tulajdonosai ellen. Amikor a Kneecapnek kussolnia kellett volna. A Hamász-IRA-ETA-RAF-tengely. 10:06 Amikor a Placebo beszólt Tarlós Istvánnak. Ki hívja el ezek után a Massive Attacket? A Nyelvterület együttes. Ezek még az antiszemitizmust is elrontották. Dúró Dóra a Kneecap mellett. 15:23 Az év percemberei a 444-en. Az abádzsalóki köpködő és a munkaközvetítés. 18:23 A szívószálpápa. A palágykomoróci gyújtogató cirill betűi. 22:23 Csoki a Jólvanezígyből átment a Kétfarkú Kutyába. A Manhattant is otthagyta. Manhattan rajongói oldal a G-portálon. Vilmányi Benett a Larryben. Dobi István unokája a Kenguruban. Csoki a Fixben. Varga Szabi a Salétromban és a La Fontaine-ben. 26:20 Ozzyt még korai temetni. A 444 nekrológja. Don Arden, a régi vágású impresszárió, gengszter és úriember. 29:27 Guns'N'Roses-overflow. Izzynek volt érettségije. A szapora Brian Jones. 34:26 Rendszereken átívelő ikonok: Petőfi Sándor. 37:03 Kanyarok Ady Endre megítélésében. A Nyugat nevű zsidó lapocska. Helyreigazítások: Derkovits és Tom Wolfe. 40:11 YKK a világ tetején. A Tetrapak, a Gore-tex és a Salomon-cipőkre Vibram-talpat szerelők. A Casio gyűrűs cigiccsikktartója. 48:25 A liberális aszfaltpillanat. A legnormcore-abb autó. See omnystudio.com/listener for privacy information.
Click here to share your favorite car, car story or any automotive trivia!What happens when the car your parents courted in finds its way back to your family decades later? In this heartfelt exploration of automotive heritage, Justin shares the remarkable story of his father's 1963 Corvair Monza Spyder that mysteriously returned to the family years after being sold, confirmed by Winston cigarette butts still lodged in the stubborn ashtray. Now in Justin's care, this baby blue convertible represents more than transportation—it's a tangible connection to his parents' early romance.Cars have a unique ability to become vessels for family narratives and personal connections. Justin's automotive journey spans from his first 1980 Honda Prelude found in a newspaper classified ad to an exhilarating 1988 Honda Prelude Si with four-wheel steering that both thrilled and terrified his friends. His ill-fated relationship with a Volkswagen Golf diesel resulted in a spectacular mechanical meltdown—a runaway throttle situation that created an oil stain so permanent it remains visible on his parents' street thirty years later.Listen to Justin's favorite episode where Tom Wolfe tells all about his Dodge Coronet road trip purchase and invaluable tips for rust proofing: https://www.buzzsprout.com/2316026/episodes/17498085-from-rust-proof-roots-to-global-vehicle-protection-tom-wolfe-s-ziebart-storyShare your own car story with us and join our community of automotive nostalgia at https://linktree.ee/carsloved *** Your Favorite Automotive Podcast - Now Arriving Weekly!!! *** Listen on your favorite platform and visit https://carsloved.com for full episodes, our automotive blog, Guest Road Trip Playlist and our new CAR-ousel of Memories photo archive. Don't Forget to Rate & Review to keep the engines of automotive storytelling—and personal restoration—running strong.
Click here to share your favorite car, car story or any automotive trivia!How do you shield your ride from relentless rust, road salt, and UV damage? Tom Wolfe—Mopar enthusiast and President & CEO of Ziebart International—explains how a small 1959 Detroit startup became a worldwide leader in vehicle protection. Hear why Wolfe compares corrosion to “termites that never stop,” how Diamond Gloss® and Ceramic Z Gloss™ coatings outclass traditional wax, and why paint‑protection film and window tint matter even on brand‑new cars. Tom's automotive journey spans a $500 Dodge Coronet road‑trip, a 1978 Little Red Express converted to run on E85, and a family legacy deep in Chrysler's history. He also shares Ziebart's veteran‑focused franchise program and partnership with Mission 22 supporting mental‑health services. Whether you drive coastal highways or snowy streets, learn the science—and passion—behind modern rust proofing and ceramic coatings that keep cars looking showroom‑fresh for decades. Dive in now, then explore services at ziebart.com and give your vehicle the long‑term protection it deserves.Curious about protecting your vehicles from environmental damage? Visit https://ziebart.com to explore their services and find a location near you. Your car's long-term health might depend on it. *** Your Favorite Automotive Podcast - Now Arriving Weekly!!! *** Listen on your favorite platform and visit https://carsloved.com for full episodes, our automotive blog, Guest Road Trip Playlist and our new CAR-ousel of Memories photo archive. Don't Forget to Rate & Review to keep the engines of automotive storytelling—and personal restoration—running strong.
Long before I oriented my life around reading, I would get the majority of my (4-5!) books per year read during the summer. But summer reads get a bad rap for being too silly, too saucy, too simple. So this summer join me in bridging the gap to find great beachy reads. We want books that have a speedy pace *and* expand our minds! We want books that help us escape our everyday lives *and* teach us something new. A mesmerizing coming-of-age novel! A slim tear-jerky memoir! A crucial self-help book! An evocative life story from the deep south. And, of course, the Tom Wolfe novel I think everybody should start with… I made this video and podcast for you: Please enjoy my 5 summer beach books to stretch your mind like taffy while you bake in the sun… Let's find your next read now...
I wasn't sure I'd be able to finish the Jake Tapper/Alex Thompson book, Original Sin. I downloaded the audiobook, narrated by Tapper, to listen to as I drive across the country from California to Ohio to see my daughter for her birthday. Out my window, I see the same running commentary of the real America I witnessed years ago, which changed my mind about Trump and MAGA. When you see Trump's name arising in unexpected places in nearly every state, from Arizona (“Viva Trump”) to Nebraska to Iowa to New York, you know something significant has shifted in this country.It felt like a secret cry for help among forgotten and abandoned Americans. I see it even now:I was not encouraged by the book's first chapter, which describes a world where the Democratic Party isn't corrupt, where they don't hand-pick candidates and then force everyone to “Vote Blue No Matter Who,” where identity politics don't rule the day, and where the democratic process is allowed to play out. What a load of garbage. To quote Deep Throat in All the President's Men, “Oh, but it's touching.” Just imagine Gavin Newsom attempting to challenge Kamala Harris. She might be the world's worst candidate, but all points lead back to her; you have to start there, whether they had a primary or not. They knew that, which is why they skipped the foreplay and went straight to a first-ever installed candidate for president. So I didn't think listening to an entire audiobook shaped by a false premise and awash in false media narratives would be a good use of my time. Maybe I'd listen to, I don't know, the new Mark Twain biography.As Victor Davis Hanson points out, Jake Tapper is an unreliable narrator because there would be no Biden cover-up if the media had done its job:Had Original Sin been written by Tom Wolfe, Gore Vidal, or even Walter Kirn and Matt Taibbi, it would have been the searing indictment of a deep state plot foiled by Mr. McGoo, told with bemused irony. But it is dead serious, for better or worse.But I must say, in the end, I'm glad I stuck with it. It might not be the definitive account of the rise and fall of a once-mighty empire I would have wanted, but it is a surprisingly revealing look behind the curtain all the same.Could it really be that Jeffrey Katzenberg and Steven Spielberg were brought in to “direct” Joe Biden with better light, sound, and acting coaching? Yes. Could it be that Rob Reiner and Jane Fonda broke down in hysterics at some mansion in the Hollywood Hills after the debate? Yes. If the aim was to scapegoat Joe Biden, they failed. He comes off as the most sympathetic, a victim of a massive machine of creeps that chewed him up and spit him out. Do they legitimately believe we would sympathize with some fat cat in Hollywood who threatens never to write another check unless they push Biden out? We're supposed to care about what the donors think? Tapper seems to have emerged from the grim experience with a bit of a perspective shift. At least now, he's able to talk about the problems the Democrats have in a way he hasn't in the past ten years. The value of Original Sin, at least for someone like me who fled the party in disgust in 2020 after watching them use their power to take our elections away from the people and decide their outcome, isn't so much that there are any new revelations. But it's a book written from the inside, with access to over 200 voices anxious to be heard. That meant following the events as they unfolded in real time, and let me tell you, there is pleasure in that. I found it cathartic, not just because the Democrats had it coming, and got everything they deserved, but for the sheer joy of witnessing the most most powerful people in the world have their asses handed to them by the very democracy they claimed they wanted to protect. That George Clooney, Steven Spielberg, and Jeffrey Katzenberg were so heavily involved in the politics of the Democrats makes it all look like the Wizard of Oz, pulling back the curtain and exposing the ugly truth. Hollywood might make this into a series for HBO or Netflix, but since the co-founder and chairman of Netflix, Reed Hastings, was one of the fat cats who threatened to withhold funds unless the Democrats got rid of Biden, I'm guessing we won't get the whole story. But if they wanted to tell it like it really happened, it would make one hell of a tale.The Story That Writes ItselfHollywood doesn't have the guts to tell the whole story. They can't because they're part of it. They're way too cozy with the Democrats, and if they really wanted to tell the truth, they'd have to admit, as with Michael Corleone, they are part of the same hypocrisy. At best, they could cobble together something that paints Trump as the ultimate evil that vain and selfish Joe and Jill Biden allowed to take back power. The real story is how they built a powerful coalition and had no choice but to turn to corruption to preserve that power. This would make a great long-form series.Episode One—The “hope and change” candidate lights up the world and chooses an “old white guy” to be his Veep, just as JFK did with LBJ, a cynical ploy to make his youth and inexperience (and, in this case, skin color) more palatable for a nervous electorate. Episode Two - The “hope and change” guy doesn't like the “old white guy” as the successor of his powerful coalition, which now includes all of culture, all corporations, all institutions, all media, and all social media. Why go backwards? The “old white guy” with a stutter who just lost his beloved son to brain cancer was no longer useful to the “hope and change” guy. No one thinks much of it as he's kicked to the curb and embarrassed as not electable enough, not desirable enough, and past his sell-by date. So, the “hope and change” guy picks the “Wall Street Sweetheart,” the former First Lady and Secretary of State, to become the “first woman POTUS.” With the help of a grassroots populist movement and an “Old Socialist” challenging the “Wall Street Sweetheart,” the party is fractured, and Trump wins. Episode Three - The establishment and the Obama coalition decide that Trump should not be allowed to rule, forget democracy! Who needs it? No “old white guy” was supposed to win, least of all that guy. Millions pour into the streets in an orgy of self pity, imagined oppression, fragility, privilege and narcissism — mass hysteria takes hold, cancel culture grips the left. Hundreds lose their jobs as they desperately try to undo the election results and get rid of Trump. They impeach him, they frame him, they smear him, they attack him. The OG “old white guy” waiting in the wings isn't looking so bad. An easy, lateral move. An establishment pick. One “old white guy” for another.Episode Four - 2020 is its own whole episode. It has to be. It was the year the Democrats sold their souls to the Devil to cling to power. They spent $1 billion with a “well-funded cabal” of elites to fund and amplify the racial protests, change election laws, $400 million to collect ballots, and trot in experts to lie about everything from the laptop to COVID to the protests. They censored Americans on social media, and the FBI forced censorship of the laptop. The country sinks. Media credibility is destroyed. Large swaths of the electorate abandon the Democrats. But the “old white guy” wins. So finally, he gets his dream at long last, to be president of the United States. Episode Five - The “old white guy” is finally the savior he always dreamed he'd be. He became a blank check for Black Americans, trans Americans, and especially women of color. He would finish what the “hope and change” guy started. Are we topless at the White House?But the “old white guy” bungles the withdrawal from Afghanistan, and his approval ratings tank. Americans don't see a nice old grandpa anymore. They see George Spahn, who just moved the Manson Family into the White House, and now they're running the country.Now what? He goes after Trump and MAGA, calling them fascists, extremists, and a danger to society. If the “old white guy” can't have the presidency, then no one will.The “old white guy” isn't so nice anymore. Trump is indicted four times, convicted, and takes a mug shot that goes viral. They've sold their soul to the Devil, after all, they're not going to give up power so easily. Episode Six - The final battle. Trump teases and torments the “old white guy” and forces him to debate. Trump mocks him mercilessly at his rallies for not knowing where he is. For Trump, beating him will be a cake walk for anyone not sucked into the false reality pushed by the legacy media.Trump and Biden debate rematch. The “old white guy” crashes and burns so hard it nearly sets Rob Reiner's hair on fire. “He just lost the election,” Dana Bash scribbles on a note to Jake Tapper. What now for the empire that was never the resistance?Trump survives an assassination attempt at Butler the following month. His entire campaign is transformed. Elon Musk joins his dream team. This was our last best hope for America. We wanted out. We wanted something new. We wanted to be set free:But inside the Bubble, it's Original Sin. It's denial. It's a legacy press that lies to the monarchs, lies to their voters, sending them cascading into yet more hysteria. Please make the bad orange man go away! For the sake of democracy! Please give us our utopia back! Jane Fonda, Steven Spielberg, Jimmy Kimmel, Stephen Colbert, David Simon, Jon Stewart, Bruce Springsteen, Neil Young, and Rob Reiner are losing their minds. It's a dystopia full of aging, frustrated aristocrats who can't keep democracy down. We're about to lose our democracy, they cry. Biden will lose us our democracy, they insist. How can this be happening? Get rid of the “old white guy.” GET RID OF HIM! For the sake of democracy! “We need a new nominee,” says George Clooney. Who's we? What happened to democracy? Now, the duly elected nominee, aka “the old white guy,” must step aside to save democracy? Yes, that is where the Democrats arrived in their pitiful last gasp to salvage and preserve their power. They cynically install the “woman of color” because they know all points lead to Kamala Harris. Their flock will fall in line as they always have. Push him out, push the “old white guy” out in a palace coup worthy of a fading, useless, self-serving monarchy on the brink of collapse. Trump wins again. We see the “old white guy” grinning in the oval office and having the last laugh. They used him. They lied to him. They flattered him. Then, they kicked him out, all because they were exposed and couldn't hide the truth anymore.As the scene fades to black, we see a close-up on Jake Tapper lying in bed, working it all out. Holy s**t, he thinks. Someone has to tell this story. He picks up the phone, “Alex? Hi, it's Jake. I was wondering if we might talk.” I mean, come on. It's Ishtar Part Two. It writes itself.Do I think you should read Original Sin? Absolutely. It might not be the whole truth. It might be spin for the Democrats to regroup and recover. It might be reputation laundering for the media. But for me, it was an early Christmas present, if only for the delicious pleasure of watching them squirm as their corrupt plot to cling to power unravels. I can't think of anything more satisfying than that. Original Sin proves two things: the Democrats are creeps and they got exactly what they deserved.Somewhere in Iowa, 8pm.// This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sashastone.substack.com/subscribe
Knowledge Project: Read the notes at at podcastnotes.org. Don't forget to subscribe for free to our newsletter, the top 10 ideas of the week, every Monday --------- Most people protect their identity. Andy Grove would rewrite his, again and again. He started as a refugee, became a chemist, turned himself into an engineer, then a manager, and finally the CEO who built Intel into a global powerhouse. He didn't cling to credentials or titles. When a challenge came up, he didn't delegate, he learned. This episode explores the radical adaptability that made Grove different. While his peers obsessed over innovation, he focused on something far more enduring: the systems, structures, and people needed to scale that innovation. Grove understood that as complexity rises, technical brilliance fades and coordination becomes king. You'll learn how he redefined leadership, why he saw management as a creative act, and what most founders still get wrong about building great companies. If you're serious about getting better—at work, at thinking, at leading—this is the episode you'll be glad you didn't miss. This episode is for informational purposes only and most of the research came from The Life and Times of an American by Richard S. Tedlow, Only the Paranoid Survive by Andy Grove, and Tom Wolfe's profile of Robert Noyce available here. Check out highlights from these books in our repository, and find key lessons from Grove here — https://fs.blog/knowledge-project-podcast/outliers-andy-grove/ (05:02 ) PART 1: Hungarian Beginnings(06:48) German Occupation(09:27) Soviet Liberation(11:01) End of the War(12:35) Leaving Hungary (14:10) PART 2: In America(16:50) Origin of Silicon Valley(20:04) Fairchild (22:54) PART 3: Building Intel(25:15) Becoming a Manager(29:39) Intel's Make-or-Break Moment(31:35) Quality Control Obsession(34:41) Orchestrating Brilliance(37:49) The Microprocessor Revolution and Intel's Growth(40:32) Intel's Growth and the Microma Lesson(30:51) The Grove Influence(47:00) The Birth of Intel Culture(49:42) The Fruits of Transformation(50:43) The Test Ahead (53:07) PART 4: Inflection Points(55:23) The Valley of Death(58:26) The IBM Lesson(01:01:18) CASSANDRA's: The Value of Middle Management(01:04:09) Executing a Painful Pivot (01:08:25) Reflections, afterthoughts, and lessons Thanks to our sponsors for supporting this episode: MOMENTOUS: Head to livemomentous.com and use code KNOWLEDGEPROJECT for 35% off your first subscription. NOTION MAIL: Get Notion Mail for free right now at notion.com/knowledgeproject Upgrade — If you want to hear my thoughts and reflections at the end of all episodes, join our membership: fs.blog/membership and get your own private feed. Newsletter — The Brain Food newsletter delivers actionable insights and thoughtful ideas every Sunday. It takes 5 minutes to read, and it's completely free. Learn more and sign up at fs.blog/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices
Most people protect their identity. Andy Grove would rewrite his, again and again. He started as a refugee, became a chemist, turned himself into an engineer, then a manager, and finally the CEO who built Intel into a global powerhouse. He didn't cling to credentials or titles. When a challenge came up, he didn't delegate, he learned. This episode explores the radical adaptability that made Grove different. While his peers obsessed over innovation, he focused on something far more enduring: the systems, structures, and people needed to scale that innovation. Grove understood that as complexity rises, technical brilliance fades and coordination becomes king. You'll learn how he redefined leadership, why he saw management as a creative act, and what most founders still get wrong about building great companies. If you're serious about getting better—at work, at thinking, at leading—this is the episode you'll be glad you didn't miss. This episode is for informational purposes only and most of the research came from The Life and Times of an American by Richard S. Tedlow, Only the Paranoid Survive by Andy Grove, and Tom Wolfe's profile of Robert Noyce available here. Check out highlights from these books in our repository, and find key lessons from Grove here — https://fs.blog/knowledge-project-podcast/outliers-andy-grove/ (05:02 ) PART 1: Hungarian Beginnings(06:48) German Occupation(09:27) Soviet Liberation(11:01) End of the War(12:35) Leaving Hungary (14:10) PART 2: In America(16:50) Origin of Silicon Valley(20:04) Fairchild (22:54) PART 3: Building Intel(25:15) Becoming a Manager(29:39) Intel's Make-or-Break Moment(31:35) Quality Control Obsession(34:41) Orchestrating Brilliance(37:49) The Microprocessor Revolution and Intel's Growth(40:32) Intel's Growth and the Microma Lesson(30:51) The Grove Influence(47:00) The Birth of Intel Culture(49:42) The Fruits of Transformation(50:43) The Test Ahead (53:07) PART 4: Inflection Points(55:23) The Valley of Death(58:26) The IBM Lesson(01:01:18) CASSANDRA's: The Value of Middle Management(01:04:09) Executing a Painful Pivot (01:08:25) Reflections, afterthoughts, and lessons Thanks to our sponsors for supporting this episode: MOMENTOUS: Head to livemomentous.com and use code KNOWLEDGEPROJECT for 35% off your first subscription. NOTION MAIL: Get Notion Mail for free right now at notion.com/knowledgeproject Upgrade — If you want to hear my thoughts and reflections at the end of all episodes, join our membership: fs.blog/membership and get your own private feed. Newsletter — The Brain Food newsletter delivers actionable insights and thoughtful ideas every Sunday. It takes 5 minutes to read, and it's completely free. Learn more and sign up at fs.blog/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices
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