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Diversity Matters with Oscar Holmes IV Season 5, Episode 4 Episode Title: Raising Native American Voices Guest: Dr. Joe Gladstone Diversity Matters with Oscar Holmes IV is a podcast that explores all things diversity, equity, and inclusion (DEI) related. In each episode, Oscar and his guests have lively discussions around DEI topics, explore the latest research on the topic, and discuss the implications so that listeners will be more knowledgeable about the topics and be able to apply the insights to their lives. Show Summary: "For any Native American advocate, be who you are, find what you're passionate about, and do your best not to let people talk you out of it. Things won't change instantly, but in the grand scheme of things, good work done diligently will ultimately prevail.” — Dr. Joe Gladstone Too often, the vibrant tapestry of Native American cultures gets flattened into a single, oversimplified narrative. But their powerful voices demand to be heard in all their diversity. In this episode, we're joined by Dr. Joe Gladstone, whose roots span the Blackfeet Tribe of Montana and Nez Perce. As an esteemed educator, he's on a mission to bridge the worlds of modern management principles and the rich wisdom of Native and Indigenous cultures. Currently, he is an Associate Professor of Management at Washington State University's Carson College of Business. From exploring the deep symbolism of land acknowledgment ceremonies to preserving Indigenous languages, his insights will challenge you to reflect on the profound respect owed to Native communities. We also touch upon transplanar wisdom, a foundational Native American and Indigenous philosophy, and its influences on organization management and business ethics. 3 Exceptional Highlights: Over 500 federally recognized Native American tribes in the U.S. retain sovereignty, as enshrined in the Constitution defining them as sovereign nations alongside foreign states. Land acknowledgments should be accompanied by tangible efforts to recognize, honor, and give back to the Native communities that have historically been connected to that land. Rather than deeming any Native tradition or culture obsolete, we must examine which ones are genuinely authentic to pre-reservation times and which are more recent adaptations. Show Highlights: Can you share how your cultural heritage has influenced your personal and professional journey? 02:31 - Dr. Joe Gladstone Working with tribes has given me a deep understanding of how different cultures perceive and navigate the world. This understanding has influenced my focus as an educator on respecting and helping others draw from their own experiences. What does it mean to be enrolled into a particular tribe, and what does life look like for people on reservations? 08:39 - Dr. Joe Gladstone Each tribe has its own rules around enrollment, which is essentially citizenship. For many tribes like the Blackfeet, you need a certain 'blood quantum' or degree of ancestry to enroll. Your enrollment is usually decided by your parents when you're young based on the tribe's rules. Reservation life ranges from isolated rural communities to urban existences, depending on the tribe's geography and enterprises. What does The PhD Project mean to you? 14:37 - Dr. Joe Gladstone I'm grateful to the PhD Project for connecting me to schools like New Mexico State that were interested in my background with American Indian communities. For minorities to build strong economies, we need business skills around making, managing, and accounting for money. Having professors who look like the students and can make business real for them keeps them engaged to graduate. One of the things that I often get asked is about the practice of Land Acknowledgments and whether or not people should do them. What is your take on it? 21:46 - Dr. Joe Gladstone Land acknowledgments have a deep spiritual tradition among Native peoples. When entering someone else's land, we acknowledge that we are guests, honor past inhabitants, respect the current stewards and their rules, and commit to protecting the land for future generations. How can organizations show authentic respect alongside land acknowledgment ceremonies? 25:15 - Dr. Joe Gladstone Simply saying the words of a land acknowledgment is not enough. Organizations should pair the acknowledgment with concrete actions to give back to the tribal communities whose land they occupy, like building a park, rehabilitating land, holding an annual ceremony/event, etc. Another way would be to educate themselves about the specific Indigenous people who originally lived on and knew that land intimately. We know there are difficulties in preserving Native American culture and art plays an important role in doing that. One of my favorite The Moth episodes is a story that Manuelito Wheeler shared wherein he spearheaded dubbing Star Wars in the Navajo language. What is the importance of projects preserving Native languages? 29:25 - Dr. Joe Gladstone Language and faith are deeply intertwined—preserving language preserves how we understand and view the world through our cultural lens. Dubbing Star Wars into Navajo helps keep the language alive, which is valuable. However, I wonder if translating a deeply philosophical film like Star Wars fully conveyed the metaphysical and spiritual meanings embedded in the original English version. We must explore the question of whether dubbing English films captures the full nuanced meaning, versus creating original Navajo-language content from the start. What advice do you give to other Natives on navigating the challenges of maintaining traditional cultural values while also living in contemporary society? 35:32 - Dr. Joe Gladstone There is this concept of "transmotion" from Native philosopher Gerald Vizenor. It's the ability to fluidly code-switch between cultural identities, drawing from the useful values and innovations of each world to navigate life's journey seamlessly and carry out our purpose. Transmotion allows you to stay grounded in your traditions while also adapting compatible parts of the mainstream, enabling you to thrive in all spheres of your life's journey. I'm just curious, are there any Native American cultures or traditions that you feel perhaps need to change? 40:06 - Dr. Joe Gladstone It's hard for me to speak on every tribe's customs since there are over 500 different tribes. But I can reflect more broadly on this idea of cultural resilience and how we preserve traditions. The "traditions" practiced today descend from post-reservation elders, so we should examine their deeper ancestral roots. How do you see the future of Native American activism and advocacy evolving in the coming years? Are there any particular initiatives or projects that you want to shout out that involve uplifting Native American voices? 47:06 - Dr. Joe Gladstone One area I've advocated for is getting Native and Indigenous representation recognized in business academia. I founded the Native and Indigenous Peoples Caucus to give more Native voices authority by defining what Indigenous research means, guiding scholarship in this area, and providing editorial oversight. Another powerful form of activism is getting authentic Native stories and characters represented in media, like the work Lily Gladstone does in uplifting those narratives on screen as more than just background roles. 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What can you do when the language for who you are doesn't exist yet? Kai Minosh Pyle's answer: write gorgeous poetry about it! In this episode, Kai reads one of their multilingual pieces, but they also talk about the benefits of using words that ‘kind of' fit, and about finding trans*temporal kinship with Two-Spirit ancestors in creative writing and scholarly research. Kai introduces us to some less well-known figures from Indigiqueer history, they talk about the challenges of teaching Two-Spirit writing and they even (possibly) coin a new term right here in this episode!If you are excited at the prospect of finding out what Indigitrans might mean, don't delay – listen today! References:Pyle, Kai, and Danne Jobin. "Transgender, Two-Spirit and Nonbinary Indigenous Literatures: An Introduction." Transmotion 7.1 (2021): 1-9.AnishinaabeMétisLouise (Wzawshek)PotawatomiOzaawindibRalph Kerwineo“The Midwest is a Two-Spirit Place”Sweeter Voices StillTrans*temporal kinshipLisa TatonettiJas MorganWahkohtowinAiyyana Maracle's A Journey in GenderOjibweMichifKeguro MachariaT4TJenzen, Olu. "Revolting Doubles: Radical Narcissism and the Trope of Lesbian Doppelgangers." Journal of Lesbian Studies 17.3-4 (2013): 344-364.IndigitransJoshua WhiteheadArielle TwistMuxeLukas AvendañoJenny DavisAlex WilsonGary BowenLeslie FeinbergWhess Harman's Salmon Journeyhttps://www.whessharman.com/comics Questions you should be able to respond to after listening: In this episode, we speak about Two-Spirit identities without defining the term. Can you briefly explain what Two-Spirit means? If not, please look up the term or listen to the Queer Lit episode on the subject with Lisa Tatonetti. Please name at least two of the historical Two-Spirit figures Kai introduces here. Were you familiar with any Two-Spirit figure or author before listening to this episode? Kai speaks about coining the beautiful term ‘trans*temporal'. Can you explain what this means? Have you ever experienced something similar? With their poem “T4T” and in their research, Kai negotiates how gender moves through language. What does Kai see as benefits of understanding gender through multiple languages? What are challenges? Did you ever have to translate (literally or figuratively) your gender and/or sexuality? What was that like?
This episode navigates this question using an associative method which links stories and sounds, forming a non-linear audio collage. Listeners are invited to tune in to their affective and embodied responses to end time stories including Lulu Miller's podcast and Kiyoshi Kurosawa's horror film, and stories of endurance, with Kathy Jetñil-Kijiner's poem and Tanya Tagaq's audiobook.Nadège Paquette (she/they) is a white settler living in Tiotià:ke/Montréal, on the lands and waters of the Kanien'kehá:ka Nation, where they are completing a master's degree in English Literature at Concordia University. Their research interests aggregate around the relationship between human and nonhuman forms of life and nonlife. They are drawn to narratives of the future extrapolating present troubles and delving into already-existing Indigenous, decolonial, queer, and non-anthropocentric alternatives to a colonial and capitalist world. For them, some of those alternative worlds take the form of collective gardens where they love to work with plants, soil, water, animal, and human neighbors.*Show NotesMusic:Tom Bonheur https://www.instagram.com/dj.g3ntil/Kovd, Kvelden, Tell What You Know, Ivory Pillow, and Fever Creep by Blue Dot Sessions https://app.sessions.blue/Podcast:“The Wordless Place” Lulu Miller https://radiolab.org/podcast/wordless-place“Why Podcast?” Hannah McGregor and Stacey Copeland https://kairos.technorhetoric.net/27.1/topoi/mcgregor-copeland/index.htmlShort Film:Anointed, Kathy Jetñil-Kijiner and Dan Lin https://www.kathyjetnilkijiner.com/videos-featuring-kathy/Film:Pulse, Kiyoshi KurosawaAdditional sounds from:“Interview with Tanya Tagaq,” Alicia Atout https://www.youtube.com/watch?v=FupatQbcTeM“Open Dialogues: Daniel Heath Justice,” Centre for Teaching, Learning, and Technology https://www.youtube.com/watch?v=VrBN8_IGuuw“Monster 怪物,” United for Peace Film Festival https://www.youtube.com/watch?v=m8OJulGi1Rg*Works CitedBouich, Abdenour. 2021. “Coeval Worlds, Alter/Native Words.” Transmotion 7 (2). https://doi.org/10.22024/UniKent/03/tm.980.Butler, Judith. 2003. “Violence, Mourning, Politics.” Studies in Gender and Sexuality 4 (1): 9–37. https://doi.org/10.1080/15240650409349213.Chion, Michel. 2017. L'audio-Vision : Son et Image Au Cinéma. 4th Edition. Armand Colin.Copeland, Stacey, and Hannah McGregor. 2022. Why Podcast?: Podcasting as Publishing, Sound-Based Scholarship, and Making Podcasts Count. Vol. 27, no. 1. Kairos: A Journal of Rhetoric, Technology, and Pedagogy. https://kairos.technorhetoric.net/27.1/topoi/mcgregor-copeland/index.html.Eidsheim, Nina Sun. 2019. “Introduction: The Acousmatic Question: Who Is This?” In The Race of Sound, 1–38. Listening, Timbre, and Vocality in African American Music. Duke University Press. https://doi.org/10.2307/j.ctv11hpntq.4.Goodman, Steve. 2010. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Technologies of lived abstraction. Cambridge, Massachusetts: The MIT Press. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018751433&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.Haraway, Donna J. 2016. Staying with the Trouble: Making Kin in the Chthulucene. North Carolina, United States: Duke University Press.Hudson, Seán. 2018. “A Queer Aesthetic: Identity in Kurosawa Kiyoshi's Horror Films.” Film-Philosophy 22 (3): 448–64. https://doi.org/10.3366/film.2018.0089.JLiat. 1954. Bravo. Found Sounds. Bikini Atoll. http://jliat.com/.Justice, Daniel Heath. 2018. Why Indigenous Literatures Matter. Wilfrid Laurier University Press.Kurosawa, Kiyoshi, dir. 2001. Pulse. Toho Co., Ltd.Lamb, David Michael. 2015. “Clyde River, Nunavut, Takes on Oil Indsutry over Seismic Testing.” CBC. March 30, 2015. https://www.cbc.ca/news/canada/north/clyde-river-nunavut-takes-on-oil-industry-over-seismic-testing-1.3014742.Lin, Dan, and Kathy Jetnil-Kijiner, dirs. 2018. Anointed. Pacific Storytellers Cooperative. https://www.youtube.com/watch?v=hEVpExaY2Fs.Madwar, Samia. 2016. “Breaking The Silence.” Text/html. Up Here Publishing. uphere. Https://uphere.ca/articles/breaking-silence. 2016. https://uphere.ca/articles/breaking-silence.Miller, Lulu. 2022. “The Wordless Place.” Radiolab. https://radiolab.org/episodes/wordless-place.Morton, Timothy. 2013. Hyperobjects: Philosophy and Ecology after the End of the World. Posthumanities 27. Minneapolis (Minn.): University of Minnesota Press.Raza Kolb, Anjuli Fatima. 2022. “Meta-Dracula: Contagion and the Colonial Gothic.” Journal of Victorian Culture 27 (2): 292–301. https://doi.org/10.1093/jvcult/vcac017.Robinson, Dylan. 2020. Hungry Listening: Resonant Theory for Indigenous Sound Studies. 1 online resource (319 pages) : illustrations vols. Indigenous Americas. Minneapolis: University of Minnesota Press. http://public.eblib.com/choice/PublicFullRecord.aspx?p=6152353.Sontag, Susan. 1966. Against Interpretation and Other Essays. London: Penguin Classics.Tagaq, Tanya. Split Tooth. Viking, Penguin Random House, 2018.Tasker, John Paul. 2017. “Supreme Court Quashes Plans for Seismic Testing in Nunavut, but Gives Green Light to Enbridge Pipeline.” CBC. July 26, 2017. https://www.cbc.ca/news/politics/supreme-court-ruling-indigenous-rights-1.4221698.Yamada, Marc. 2020. “Visualizing a post-bubble Japan in the films of Kurosawa Kiyoshi.” In Locating Heisei in Japanese Fiction and Film : The Historical Imagination of the Lost Decades, 60–81. Routledge contemporary Japan series. Abingdon, Oxon ; Routledge. https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2279077.Yusoff, Kathryn. 2018. A Billion Black Anthropocenes or None. Minneapolis: University of Minnesota Press.
TW: Violence, Rape, DrugsDavid Heska Wanbli Weiden: a name as poetic as his prose and as his book is necessary for us right now. Listen in as we discuss his earth-shattering debut novel, WINTER COUNTS. We talk about Indigenous rights, decolonization, characterization, and how fiction writing has the potential to change policy.+++David Heska Wanbli Weiden, an enrolled member of the Sicangu Lakota nation, is author of the novel WINTER COUNTS (Ecco/HarperCollins, 2020). WINTER COUNTS is a New York Times Editors' Choice, and has been selected as an Amazon Best Book of August, Best of the Month by Apple Books, a main selection of the Book of the Month Club, and was an Indie Next Great Reads pick.Weiden is also the author of the children's book SPOTTED TAIL (Reycraft, 2019), a biography of the great Lakota leader and winner of the 2020 Spur Award from the Western Writers of America. He's published in the New York Times, Shenandoah, Yellow Medicine Review, Transmotion, Criminal Class Review, Tribal College Journal, and other magazines. He's the fiction editor for Anomaly, journal of international literature and arts, and he teaches creative writing at the Lighthouse Writers Workshop in Denver, the MFA program in Writing and Publishing at Vermont College of Fine Arts, and the low-residency MFA program at Western Colorado University.He received his MFA in Creative Writing from the Institute of American Indian Arts, his law degree from the University of Denver Sturm College of Law, and his Ph.D. from the University of Texas at Austin. He's an alumnus of VONA, a Tin House Scholar, a MacDowell Fellow, a Ragdale Foundation resident, and received the PEN/America Writing for Justice Fellowship. He's an active member of the Mystery Writers of America, International Thriller Writers, Western Writers of America, and the Wordcraft Circle of Native Writers. He's Professor of Native American Studies and Political Science at Metropolitan State University of Denver, and lives in Colorado with his two sons.His last name, Weiden, is pronounced “Why-den.” Heska Wanbli is pronounced “Heh-ska Wahn-blee.” His nation, the Sicangu Lakota, is pronounced “See-chon-goo Lah-coat-ah.WebsiteTwitterFacebookInstagramWINTER COUNTS Playlist--- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/appSupport this podcast: https://anchor.fm/situationandstory/support Get full access to situation / story at situationstory.substack.com/subscribe
For episode eleven Suzy speaks to Iris van Herpen and Game of Thrones actress Carice van Houten as they collaborate for a digital presentation for this season's Autumn/Winter 2020-21 Haute Couture Week. The fashion industry has had to rethink how to present the collections, and each house has turned to submitting digital presentations instead of the traditional live-show format.One such designer on the couture schedule I have been lucky enough to catch up with is Iris van Herpen. Here she talks to me about the short film she has submitted to the Fédération de la Haute Couture and how she called upon her fellow Dutch friend and Game of Thrones actress, Carice van Houten, as muse, inspiration and collaborator on her fashion film, “Transmotion”.Van Houten plays a far more gentle character in Iris’s fashion performance than she does on GOT. “Iris’s work feels like it lifts you up and completes something in you, like a second skin and another dimension,” Carice says.In our interview, Iris describes the “Transmotion” couture dress that Carice wears as “a diaphanous bloom of silver white organza, and translucent layers within an undulating form, tracing the fluid outline of the creation”. Made by Iris under lockdown, its name refers to “visionary or creative perceptions of the seasons and the visual scenes of motion in art and literature”.“I believe fashion has a big influence on who we are today and really reflects where we are heading, inspiring us to recreate ourselves and to re-see our identities and even how we perceive ourselves,” Iris says.“The red hair was 50 per cent of my character,” Carice says of her GOT role as Melisandre, the Red Priestess. “I felt so empowered, and in fact the dress – which is the opposite of Iris’s dresses – was really restricting, but it definitely helped me to build that character.”Iris’ couture film, directed by Ryan McDaniels, references Dutch graphic art and at the same time mirrors the Iris spirit, which mixes high modernity with history. Iris has called upon her Dutch heritage not only by using Carice – but also by referencing Dutch artist Escher as an influence.Iris began showing in Paris in 2007 and I watched her quickly move from Ready-to-Wear to Couture – which she unofficially calls “tech-couture” – where in her hands delicate embroideries and traditional techniques are “replaced by code”. The designer is even known for stating, “Tech just can’t keep up with me!”Her extraordinary skill is in melding the soft and tough elements of the natural world with the forces of technology and innovation, merging art and science with craftsmanship and technology. Using a diaphanous bloom of white silk organza, like fronds frozen in time, and delicate crystalline filaments that sprout from the centre, the “Transmotion” dress is a masterpiece of couture. Combining the futuristic with the naturalistic, “branches” of satin are laser cut, but hand stitched, to form central roots like mycorrhizal networks.With her knowledge of fashion, her understanding of science and her skill in melding the two different characters, Iris’s work links to creation, growth and regeneration. Add to that the woman-power expressed by Carice in Iris’ film and in Game of Thrones, there is plenty to discover in this story about the film, the dress, the star and how all are close to Iris’s heart.Produced by Natasha Cowan @tashonfashEdited by Tim Thornton.Music by @joergzuber.Graphics by Paul Wallis.Production Assistance by Lauren Sweeting.To find Suzy's articles visit https://www.vogue.co.uk/fashion/suzy-menkes ...find Suzy on Instagram & Twitter @suzymenkesvogue
Choctaw writer LeAnne Howe has quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In LeAnne Howe at the Intersections of Southern and Native American Literature (LSU Press, 2018), Kirstin L. Squint (Associate Professor of English at High Point University) expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Choctaw writer LeAnne Howe has quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In LeAnne Howe at the Intersections of Southern and Native American Literature (LSU Press, 2018), Kirstin L. Squint (Associate Professor of English at High Point University) expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Choctaw writer LeAnne Howe has quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In LeAnne Howe at the Intersections of Southern and Native American Literature (LSU Press, 2018), Kirstin L. Squint (Associate Professor of English at High Point University) expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Choctaw writer LeAnne Howe has quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In LeAnne Howe at the Intersections of Southern and Native American Literature (LSU Press, 2018), Kirstin L. Squint (Associate Professor of English at High Point University) expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Chef Sean Sherman, Oglala Lakota and originally from Pine Ridge Reservation, has become one of the most important voices in the Indigenous foods revitalization movement. By researching in the archives, visiting elders, and experimenting with new uses for traditional ingredients and techniques, he has created a new vision for modern Native American cuisine. That vision is realized inThe Sioux Chef’s Indigenous Kitchen (University of Minnesota Press, 2017). Particularly making use of the traditional foods of Minnesotan tribal peoples, his company The Sioux Chef and the related non-profit North American Traditional Food Systems (NATIFS) have now released their first cookbook with the University of Minnesota Press, described as follows: “Sherman dispels outdated notions of Native American fare—no fry bread or Indian tacos here—and no European staples such as wheat flour, dairy products, sugar, and domestic pork and beef. The Sioux Chef’s healthful plates embrace venison and rabbit, river and lake trout, duck and quail, wild turkey, blueberries, sage, sumac, timpsula or wild turnip, plums, purslane, and abundant wildflowers. Contemporary and authentic, his dishes feature cedar braised bison, griddled wild rice cakes, amaranth crackers with smoked white bean paste, three sisters salad, deviled duck eggs, smoked turkey soup, dried meats, roasted corn sorbet, and hazelnut-maple bites.” James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy Learn more about your ad choices. Visit megaphone.fm/adchoices
Chef Sean Sherman, Oglala Lakota and originally from Pine Ridge Reservation, has become one of the most important voices in the Indigenous foods revitalization movement. By researching in the archives, visiting elders, and experimenting with new uses for traditional ingredients and techniques, he has created a new vision for modern Native American cuisine. That vision is realized inThe Sioux Chef’s Indigenous Kitchen (University of Minnesota Press, 2017). Particularly making use of the traditional foods of Minnesotan tribal peoples, his company The Sioux Chef and the related non-profit North American Traditional Food Systems (NATIFS) have now released their first cookbook with the University of Minnesota Press, described as follows: “Sherman dispels outdated notions of Native American fare—no fry bread or Indian tacos here—and no European staples such as wheat flour, dairy products, sugar, and domestic pork and beef. The Sioux Chef’s healthful plates embrace venison and rabbit, river and lake trout, duck and quail, wild turkey, blueberries, sage, sumac, timpsula or wild turnip, plums, purslane, and abundant wildflowers. Contemporary and authentic, his dishes feature cedar braised bison, griddled wild rice cakes, amaranth crackers with smoked white bean paste, three sisters salad, deviled duck eggs, smoked turkey soup, dried meats, roasted corn sorbet, and hazelnut-maple bites.” James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy Learn more about your ad choices. Visit megaphone.fm/adchoices
Chef Sean Sherman, Oglala Lakota and originally from Pine Ridge Reservation, has become one of the most important voices in the Indigenous foods revitalization movement. By researching in the archives, visiting elders, and experimenting with new uses for traditional ingredients and techniques, he has created a new vision for modern Native American cuisine. That vision is realized inThe Sioux Chef’s Indigenous Kitchen (University of Minnesota Press, 2017). Particularly making use of the traditional foods of Minnesotan tribal peoples, his company The Sioux Chef and the related non-profit North American Traditional Food Systems (NATIFS) have now released their first cookbook with the University of Minnesota Press, described as follows: “Sherman dispels outdated notions of Native American fare—no fry bread or Indian tacos here—and no European staples such as wheat flour, dairy products, sugar, and domestic pork and beef. The Sioux Chef’s healthful plates embrace venison and rabbit, river and lake trout, duck and quail, wild turkey, blueberries, sage, sumac, timpsula or wild turnip, plums, purslane, and abundant wildflowers. Contemporary and authentic, his dishes feature cedar braised bison, griddled wild rice cakes, amaranth crackers with smoked white bean paste, three sisters salad, deviled duck eggs, smoked turkey soup, dried meats, roasted corn sorbet, and hazelnut-maple bites.” James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy Learn more about your ad choices. Visit megaphone.fm/adchoices
Chef Sean Sherman, Oglala Lakota and originally from Pine Ridge Reservation, has become one of the most important voices in the Indigenous foods revitalization movement. By researching in the archives, visiting elders, and experimenting with new uses for traditional ingredients and techniques, he has created a new vision for modern Native American cuisine. That vision is realized inThe Sioux Chef’s Indigenous Kitchen (University of Minnesota Press, 2017). Particularly making use of the traditional foods of Minnesotan tribal peoples, his company The Sioux Chef and the related non-profit North American Traditional Food Systems (NATIFS) have now released their first cookbook with the University of Minnesota Press, described as follows: “Sherman dispels outdated notions of Native American fare—no fry bread or Indian tacos here—and no European staples such as wheat flour, dairy products, sugar, and domestic pork and beef. The Sioux Chef’s healthful plates embrace venison and rabbit, river and lake trout, duck and quail, wild turkey, blueberries, sage, sumac, timpsula or wild turnip, plums, purslane, and abundant wildflowers. Contemporary and authentic, his dishes feature cedar braised bison, griddled wild rice cakes, amaranth crackers with smoked white bean paste, three sisters salad, deviled duck eggs, smoked turkey soup, dried meats, roasted corn sorbet, and hazelnut-maple bites.” James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy Learn more about your ad choices. Visit megaphone.fm/adchoices
In a meticulously researched study The Specter of the Indian: Race, Gender and Ghosts in American Seances, 1848-1890 (SUNY Press, 2017), Kathryn Troy investigates the many examples of Indian ghosts appearing to Spiritualists in the latter half of the nineteenth century. The book explores non-judgmentally the ways in which these ghosts motivated their mediums and other Spiritualists to engage with the rights of living Native Americans. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
In a meticulously researched study The Specter of the Indian: Race, Gender and Ghosts in American Seances, 1848-1890 (SUNY Press, 2017), Kathryn Troy investigates the many examples of Indian ghosts appearing to Spiritualists in the latter half of the nineteenth century. The book explores non-judgmentally the ways in which these ghosts motivated their mediums and other Spiritualists to engage with the rights of living Native Americans. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
In a meticulously researched study The Specter of the Indian: Race, Gender and Ghosts in American Seances, 1848-1890 (SUNY Press, 2017), Kathryn Troy investigates the many examples of Indian ghosts appearing to Spiritualists in the latter half of the nineteenth century. The book explores non-judgmentally the ways in which these ghosts motivated their mediums and other Spiritualists to engage with the rights of living Native Americans. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
In a meticulously researched study The Specter of the Indian: Race, Gender and Ghosts in American Seances, 1848-1890 (SUNY Press, 2017), Kathryn Troy investigates the many examples of Indian ghosts appearing to Spiritualists in the latter half of the nineteenth century. The book explores non-judgmentally the ways in which these ghosts motivated their mediums and other Spiritualists to engage with the rights of living Native Americans. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
In a meticulously researched study The Specter of the Indian: Race, Gender and Ghosts in American Seances, 1848-1890 (SUNY Press, 2017), Kathryn Troy investigates the many examples of Indian ghosts appearing to Spiritualists in the latter half of the nineteenth century. The book explores non-judgmentally the ways in which these ghosts motivated their mediums and other Spiritualists to engage with the rights of living Native Americans. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
In a meticulously researched study The Specter of the Indian: Race, Gender and Ghosts in American Seances, 1848-1890 (SUNY Press, 2017), Kathryn Troy investigates the many examples of Indian ghosts appearing to Spiritualists in the latter half of the nineteenth century. The book explores non-judgmentally the ways in which these ghosts motivated their mediums and other Spiritualists to engage with the rights of living Native Americans. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Onigamiising is the Ojibwemowin word for Duluth and the surrounding area. In this book of fifty warm, wise and witty essays, Linda LeGarde Grover tells the story of the four seasons of life, from Ziigwan (Spring) to Biboon (Winter), using episodes from her own life as illustrations of the central Anishinaabe concept of mino bimaadiziwin (To live a good life). Educational in the most profound sense, these essays in Onigamiising: Seasons of an Ojibwe Year (University of Minnesota Press, 2017) range back and forth between ceremony and tradition, intergenerational trauma and revitalization, domestic pleasures and feasts, and a life well lived. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Onigamiising is the Ojibwemowin word for Duluth and the surrounding area. In this book of fifty warm, wise and witty essays, Linda LeGarde Grover tells the story of the four seasons of life, from Ziigwan (Spring) to Biboon (Winter), using episodes from her own life as illustrations of the central Anishinaabe concept of mino bimaadiziwin (To live a good life). Educational in the most profound sense, these essays in Onigamiising: Seasons of an Ojibwe Year (University of Minnesota Press, 2017) range back and forth between ceremony and tradition, intergenerational trauma and revitalization, domestic pleasures and feasts, and a life well lived. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Onigamiising is the Ojibwemowin word for Duluth and the surrounding area. In this book of fifty warm, wise and witty essays, Linda LeGarde Grover tells the story of the four seasons of life, from Ziigwan (Spring) to Biboon (Winter), using episodes from her own life as illustrations of the central Anishinaabe concept of mino bimaadiziwin (To live a good life). Educational in the most profound sense, these essays in Onigamiising: Seasons of an Ojibwe Year (University of Minnesota Press, 2017) range back and forth between ceremony and tradition, intergenerational trauma and revitalization, domestic pleasures and feasts, and a life well lived. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Onigamiising is the Ojibwemowin word for Duluth and the surrounding area. In this book of fifty warm, wise and witty essays, Linda LeGarde Grover tells the story of the four seasons of life, from Ziigwan (Spring) to Biboon (Winter), using episodes from her own life as illustrations of the central Anishinaabe concept of mino bimaadiziwin (To live a good life). Educational in the most profound sense, these essays in Onigamiising: Seasons of an Ojibwe Year (University of Minnesota Press, 2017) range back and forth between ceremony and tradition, intergenerational trauma and revitalization, domestic pleasures and feasts, and a life well lived. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Onigamiising is the Ojibwemowin word for Duluth and the surrounding area. In this book of fifty warm, wise and witty essays, Linda LeGarde Grover tells the story of the four seasons of life, from Ziigwan (Spring) to Biboon (Winter), using episodes from her own life as illustrations of the central Anishinaabe concept of mino bimaadiziwin (To live a good life). Educational in the most profound sense, these essays in Onigamiising: Seasons of an Ojibwe Year (University of Minnesota Press, 2017) range back and forth between ceremony and tradition, intergenerational trauma and revitalization, domestic pleasures and feasts, and a life well lived. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sovereignty is a key concept in Native American and Indigenous Studies, but its also a term that is understood in multiple ways. Working across the boundaries of legal and literary theory, David J. Carlson‘s Imagining Sovereignty: Self-Determination in American Indian Law and Literature (University of Oklahoma Press, 2016) examines the works, both creative and theoretical, of many Native intellectuals who have considered sovereignty in the past century. Sovereignty emerges in this study as a necessarily imprecise concept that mediates between indigenous communities and also with the settler colonial government of the United States. Carlson discusses thinkers who have previously been seen as opposed, showing ways that their disparate projects can in fact be seen via the idea of self-determination as in many ways complementary. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sovereignty is a key concept in Native American and Indigenous Studies, but its also a term that is understood in multiple ways. Working across the boundaries of legal and literary theory, David J. Carlson‘s Imagining Sovereignty: Self-Determination in American Indian Law and Literature (University of Oklahoma Press, 2016) examines the works, both creative and theoretical, of many Native intellectuals who have considered sovereignty in the past century. Sovereignty emerges in this study as a necessarily imprecise concept that mediates between indigenous communities and also with the settler colonial government of the United States. Carlson discusses thinkers who have previously been seen as opposed, showing ways that their disparate projects can in fact be seen via the idea of self-determination as in many ways complementary. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sovereignty is a key concept in Native American and Indigenous Studies, but its also a term that is understood in multiple ways. Working across the boundaries of legal and literary theory, David J. Carlson‘s Imagining Sovereignty: Self-Determination in American Indian Law and Literature (University of Oklahoma Press, 2016) examines the works, both creative and theoretical, of many Native intellectuals who have considered sovereignty in the past century. Sovereignty emerges in this study as a necessarily imprecise concept that mediates between indigenous communities and also with the settler colonial government of the United States. Carlson discusses thinkers who have previously been seen as opposed, showing ways that their disparate projects can in fact be seen via the idea of self-determination as in many ways complementary. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sovereignty is a key concept in Native American and Indigenous Studies, but its also a term that is understood in multiple ways. Working across the boundaries of legal and literary theory, David J. Carlson‘s Imagining Sovereignty: Self-Determination in American Indian Law and Literature (University of Oklahoma Press, 2016) examines the works, both creative and theoretical, of many Native intellectuals who have considered sovereignty in the past century. Sovereignty emerges in this study as a necessarily imprecise concept that mediates between indigenous communities and also with the settler colonial government of the United States. Carlson discusses thinkers who have previously been seen as opposed, showing ways that their disparate projects can in fact be seen via the idea of self-determination as in many ways complementary. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sovereignty is a key concept in Native American and Indigenous Studies, but its also a term that is understood in multiple ways. Working across the boundaries of legal and literary theory, David J. Carlson‘s Imagining Sovereignty: Self-Determination in American Indian Law and Literature (University of Oklahoma Press, 2016) examines the works, both creative and theoretical, of many Native intellectuals who have considered sovereignty in the past century. Sovereignty emerges in this study as a necessarily imprecise concept that mediates between indigenous communities and also with the settler colonial government of the United States. Carlson discusses thinkers who have previously been seen as opposed, showing ways that their disparate projects can in fact be seen via the idea of self-determination as in many ways complementary. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sovereignty is a key concept in Native American and Indigenous Studies, but its also a term that is understood in multiple ways. Working across the boundaries of legal and literary theory, David J. Carlson‘s Imagining Sovereignty: Self-Determination in American Indian Law and Literature (University of Oklahoma Press, 2016) examines the works, both creative and theoretical, of many Native intellectuals who have considered sovereignty in the past century. Sovereignty emerges in this study as a necessarily imprecise concept that mediates between indigenous communities and also with the settler colonial government of the United States. Carlson discusses thinkers who have previously been seen as opposed, showing ways that their disparate projects can in fact be seen via the idea of self-determination as in many ways complementary. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices