Podcasts about natives

Psycoholic - Power Of American Natives Этот трек попал на главный банер сайта Beatport в разделе Psy Trance. Последний раз такой банер я получал за свой альбом Psycoholic - Parallel Universe, все треки которого попали в топ 100 чарта Beatport. Это было много лет назад. Добавляйте в свои плейлисты и ставьте лайки, если вам понравилось ;) band.link/AmericanNatives

Send us a textSponsored by Samuel Owens Restaurant in Coplay, PA — where great food meets hometown flavor.Fueled by 3 Natives in Royal Palm Beach, FL — real food, real fast, real fresh.Former Jacksonville Jaguars offensive lineman Tyler Shatley joins the show to talk trenches, team culture, and life in the NFL. We also break down all the action from Week 1, including a standout 4th quarter performance by (JJ) that stole the spotlight. Who impressed, who disappointed, and what are we overreacting to already?

What does it mean to disappear when so few notice? What does it mean to disappear from the very place meant to protect your presence?In the first half of a two-part conversation, I speak with Ed Dentzel — an expert on missing persons cases and the host of The Unfound podcast — about the unsettling realities surrounding disappearances of Native people in the United States. We explore the unique threads within the Missing and Murdered Indigenous Persons crisis, one facet of a broader vanishing that has spanned centuries.Together, we examine the parallels to other disappearances, the patterns that emerge and the silence that surrounds them.For more episodes on the Missing and Murdered Indigenous Persons crisis:MMIP Archives - Silver Linings HandbookTo listen to The Unfound podcast:The Unfound Podcast Channel – Focus on Finding the MissingContact me at silverliningshandbookpod@gmail.comCheck out the Silver Linings Handbook website at:https://silverliningshandbook.com/Check out our Patreon to support the show at:https://www.patreon.com/thesilverliningshandbookJoin our Facebook Group at:https://www.facebook.com/groups/1361159947820623Visit the Silver Linings Handbook store to support the podcast at:https://www.bonfire.com/store/the-silver-linings-handbook-podcast-storeVisit The True Crime Times Substack at:https://truecrimemessenger.substack.comThe Silver Linings Handbook podcast is a part of the ART19 network. ART19 is a subsidiary of Wondery and Amazon Music.See the Privacy Policy at https://art19.com/privacy and the California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Fostering Conversations, guest host Liz Rivera guides a powerful dialogue with Native leaders and advocates about the importance of culture, tradition, and belonging for Native children in foster care. You'll hear from: James Toledo (Utah Division of Indian Affairs) on how culture provides a foundation for resilience. Stephanie Benally (Native American Specialist, Utah Foster Care) on supporting Native children's traditions in foster homes. Craig Sandoval (Urban Indian Center of Salt Lake) on creating culturally responsive models for Native youth and families in urban Utah. Together, they reflect on the sacred role of clans, ceremonies, and language, as well as the ongoing significance of the Indian Child Welfare Act (ICWA) in preserving tribal sovereignty and protecting children's cultural identity. Listeners will learn why everyday practices—from observing ceremonies to speaking Native languages—help children thrive, and how foster parents can honor and support these connections, even outside of tribal communities. Transcript: Liz: [00:00:00] On today’s episode, you’ll hear how cultural traditions give Native children strength and belonging, and why the Indian Child Welfare Act or ICWA is so critical , in protecting those connections for children in foster care. Welcome to Fostering Conversations. I’m your host, Liz Rivera, filling in for Amy Smith. We have a special episode for you today. We’re weaving together conversations with several native leaders and advocates here in Utah. Liz: Let’s begin with introductions in Navajo culture, introductions are not just about your name, they’re about where you come from, your clans, your language, and [00:01:00] lineage. First, we’ll hear from James Toledo from the Utah Division of Indian Affairs, followed by Stephanie Benally, the Native American specialist from Utah Foster Care, and finally, from Craig Sandoval from the Urban Indian Center of Salt Lake. James: [Navajo Introduction] James Toledo James: and, and again. Thank you. I, I’m a member of the Navajo Nation and we introduce ourselves, sharing our clans. So as we probably will talk about this later in the program, our clans are a way to identify our family relationships, connections with others within our community. Stephanie: Hello. Thank you. I am a citizen of Navajo Nation. My clans are Red Streak people born for Bitter Water. My maternal grandfather is Mexican People clan, and my paternal grandfather is Red House. Thank you very much for the opportunity to participate on the podcast. Craig: Hello everybody, and wanted [00:02:00] to introduce myself and my native language. First [Navajo introduction]. Craig: So I introduced myself in my native Navajo language. Just wanted to reintroduce myself in English for all the non Navajo speakers. Good day to everybody. My name is Craig Sandoval, and I’m originally from New Mexico in a small community named Pueblo Pintado, New Mexico. So it’s [00:03:00] just west of Albuquerque, made about two hours. Craig: And my clans are Near the Water People. I’m born for the Mexican clan. My maternal grandparents are the Red Paint People, and my paternal grandparents are the Towering House People. And so that’s who I am, and that’s where I come from. And then now I’m here in Salt Lake working to provide a culturally responsive clinical model for our community here to bring the reservation teachings and bring them here into the valley so that there’s still a connection. I came to Utah about two years ago working with the Urban Indian Center of Salt Lake. Liz: As Craig shares, , staying connected to traditions and language is essential for native children. Even here in urban areas of Utah where families may live far from their tribal homelands. James adds that culture, gives children a foundation to thrive. While [00:04:00] Stephanie reminds us how important it is for foster parents to support native traditions, sometimes through simple everyday practices. Craig: The Urban Indian center, the goal is to connect our community members and our families to. Our tradition and our heritage back home. And that includes providing dancers, providing teachings, providing a class to where they can feel home, they can feel at home.For me, it’s the language, making sure that I can continually speak my language. So with the Navajo language classes, it does bridge that. When we think about Utah Foster Care and our Native kids that are in foster care here in Utah, how do we continue to bring them to connecting with their tradition and culture? And that’s also our goal. Several months ago, the Navajo Nation did a resource fair and one of the division directors, Mr.Thomas, [00:05:00] Cody. Who worked very well with Utah Foster Care really emphasized that there should always be a connection to our Navajo language, to our Navajo culture, to our Navajo environment, to our Navajo values, even though we live in the urban area. Craig: That is absolutely true., And that’s how we’ll stay strong. And so during Mr. Cody’s speech, he asked those that have our children and Navajo, our children in their custody to reconnect in any way they can . That’s where the strength is there. And so we want to, as the Urban Indian Center, while we provide a lot of these events, demonstration classes on Navajo history, Navajo language, Navajo culture, Navajo dances, we want them to connect with our traditional ways in that way. Craig: And so that’s the goal what providing all [00:06:00] the classes that we do at the Urban Indian Center. Craig: It is very important to keep the culture whether something small as a bracelet, a necklace, that means a lot to a native child. growing up in a native home, there’s so many milestones and so many traditions that are celebrated. I wanna give a little bit of background on myself too, as well. I am Navajo, however, I do have heritage and lineage into the Hopi and San Domingos communities, and each one is very different. And I’m gonna give you a great example on this side. Craig: As Navajo, we are born into our mother’s clan. I believe that’s number one. When it comes to really being, I guess it’s a. Coming to the earth is that you’re given your first clan, you’re you. You hear your first clan and as a baby they tell you that your first clan is this. Your second clan is [00:07:00] this. And that’s the introduction to the land. Craig: That’s the introduction to the air, the waters, the clouds, the beings that are on earth. Your introduction. When I look into our Hopi side, we have a child is born and kept in a dark room until a certain number of days have come. They prepare, and within this preparation they do a hair washing and they wash the hair and say, you’re able to come to this land in this world. Craig: And then they go out early in the morning and they introduce the child to the sun And when this happens, they tell the child that, here’s the sun The sun will be with you throughout from day one to the day of your death. They’ll watch over you. They’ll look over you, and there’s that introduction to the sun. Craig: And those are some of the main milestones. And you have Santo Domingo who also wash your hair and receive into the world the [00:08:00] child. So those are your milestones. And when you look into Navajo specific, you then can go into, for example, everybody knows the first laugh You know when a child laughs it means that there is laughter in the world. Craig: There’s happiness in the world, and you might think about it as a child has no worries in the world, but that one laugh has given the world what we call, or what we would call happiness. That child brings that, and they want that happiness to continue within the family, within the world. Craig: And so those are some of the important milestones. And then you get to puberty, the milestones of the women going through the puberty ceremony cannot the the men going through the Sweat Lodge ceremony on that side. Craig: Those are milestones that you have. And then overall you have the weddings, and then you have other things that happen [00:09:00] and they’re all different. When our children go through these rites of passages, there’s other small ones in between, for example, piercing the ears. Craig: When we pierce our ears, it’s that now that the gods can hear us through that, we can hear them too as well. And so that happens at a young age, washing of the hair with different herbs so that we prevent sickness and illness and so that our bodies are strong. Craig: Being a parent of a native child and a foster care parent, these are questions that you can ask like, how can I support? And I know on the reservations there are families willing to guide. There are connections that say we can help with that because they wanna keep the child aligned. They wanna keep the child connected to the traditional ways of life. James: Culture sets a foundation really for any individual. I think looking at a [00:10:00] broader picture, we all were raised in certain cultures, whether that’s within a religious environment, whether that’s with our traditional teachings as indigenous peoples, or whether that’s just your own family traditions that we have. James: So when a child is raised with that culture intact, it sets them up with a strong foundation. So as they. Get older and they start navigating and, and experiencing life. What helps to give them some guidance as they are learning about how to be an adult and to different situations that you encounter. And because when we encounter difficult situations, you immediately go back to Those core teachings. So I think that’s the importance of culture in the context that I was using it, is trying to broaden that perspective to help listeners try to understand why Indigenous families want to maintain that cultural connection. Stephanie: So a lot of our native kids are being placed in non-native homes, and [00:11:00] providing that education for all foster parents is important. So they are aware of some do’s and don’ts, like for example. We had an eclipse and I shared the protocol what Navajos do for our foster families to ensure that the Navajo children followed what needed to be done during the eclipse. Stephanie: It’s just also providing that information, so if they’re caring for a Navajo infant, that they’re able to do a first laugh ceremony or get more information to be able to do that. I’ve had a foster parent reach out before and wanted to know what needed to get done and. Directed her to a Native Elder in the community who was able to help her with that. Stephanie: And so it’s just making sure that even though the Native kids are not in Native homes, they’re still being provided that cultural connection, even though it’s very limited. my hope is that sharing the cultural information, the foster parents will then share that with the Native children that are in their [00:12:00] home. Because it’s not just taking a child to a powwow or reading a book, but it’s the everyday living. Stephanie: It’s a discussion around the table. It’s going to an event with the family and seeing other people. Stephanie: One family was taking care of siblings from the Hopi tribe, and I was able to connect the family with resources so they would be able to go over the information with the children in their home. So hoping that will bring some connection while they’re placed in that non-native home. Liz: I think even the foster parents recognizing the importance of it. Liz: I mean, cutting over to what James said, I think the culture’s that it’s just like in our bones, it’s just how we live, and it’s so hard to. Apply that if it’s not really a part of you, but a foster parent who isn’t native, if they’re at least reaching out and they’re at least trying, that really does show that they honor where these children come from. Liz: In 1978, the Indian Child Welfare Act, known as ICWA [00:13:00] became law after decades of Native children being removed from their families and tribes at alarming rates. Here’s Stephanie and James explaining the history and purpose of ICWA and why it continues to matter here in Utah. Stephanie: Prior to 1978 and ICWA there was a 25 to 35% removal of Native children from their homes, and 85 to 90% of those children were placed in Non-native and non-relative homes. And so over that 10 year span, Congress studied the removal of Native children. Found that there was a need for the federal law based on the study and the testimonies from the families. Stephanie: The Indian Child Welfare Act is a federal law. It is the core of ICWA to recognize tribal sovereignty. It also recognizes the important roles that the tribes play, protecting the wellbeing of Native children. It also protects the children and parents’ constitutional rights. Stephanie: ICWA applies to children under the age of [00:14:00] 18. The child can either be a member of a federally recognized tribe or eligible for enrollment. Eligible for enrollment means that one of the birth parents is an enrolled member with a federally recognized tribe. Stephanie: Federally recognized tribe is a Native American or an Alaska native tribe entity that recognizes as having a government to government relationship with the United States. If the child is a part of a state tribe, they would not fall under the ICWA law. James: Well, as you know, with history of Native Americans, with our government, hasn’t been the best ’cause. James: You can go back to the boarding school era where children were forced to attend federally managed boarding schools. And the intent at that time was to destroy the culture, destroy the connection to culture, and so as kids were going through these various boarding schools, they were taught a different way of life and removed from their family and and [00:15:00] cultural settings. James: I mean, that’s a really brief summary. This could be an entire podcast series if we really wanted to dive into that history. But to go back to your point when it comes to the foster care system or why ICWA was created, as Stephanie had mentioned, there was a history of state child welfare agencies where Natives children were being forcefully taken from their families. James: In some instances, it was minor infractions. For whatever reason, these children were removed and placed into foster care. Some of them were put in through the adoption system. Hence, this was an ongoing challenge that many Native communities were experiencing and it, it caught the attention of Congress and there was a series of public hearings that Congress put on, and so this was an opportunity for those families to share their experiences and the challenges and obstacles that they were experiencing. James: Those testimonies are what led to the creation of ICWA ICWA [00:16:00] Was created to try to help to preserve that and to ensure that those cultural teachings would be able to be shared with future generations and to ensure that we as Indigenous people are still here. Liz: Almost two years ago, they tried to codify ICWA into state law and tell us a little bit about why they thought that was necessary. James: So Representative Watkins at the time was the lead sponsor of the state bill, and the reason this was being pushed forward by the tribes in Utah was because at the time there was a case that was going before the US Supreme Court. James: That was on ICWA So there was a potential that if the court ruled in favor of the plaintiffs in this case, then they would have overturned the law. And those protections that are part of that statute would have gone away. And so there was an effort at the state level to codify the spirit of the [00:17:00] law, so to speak, and make sure that is preserved care at the state of Utah. James: There was a lot of support for the bill. We went through several revisions. The tribes were heavily involved throughout that process, but unfortunately it still ran into resistant in the legislature. James: It did not pass. I think the tribes are talking about reintroducing the law again, presently, the Supreme Court has ruled and they basically upheld. James: I think there’s a desire to learn. It’s a complex issue, and as you talk with people, you’re going to have to approach that in unique ways because it is a complex topic and it’s not a one size fits all, or my perspective isn’t the be all perspective out there. And so I think as, um, people are curious, I would encourage people to read up more about the history behind the law, why it became a law. James: Also, if they have further questions, if they [00:18:00] have indigenous friends or connections to that way, then I think it would be appropriate to have those conversations or try to educate themselves as as best as they can, and maybe contacting Stephanie at a public event or. There are ways to continue to learn and try to understand the purpose of the law and why many indigenous communities are fighting to preserve this legislation. Liz: Does the Utah Division of Indian Affairs, do they ever get involved in foster care cases? James: Good question. So my office, we are not involved in the child welfare process at all. We do get phone calls from community members inquiring, but we refer those inquiries to, uh, DCFS. So within DCFS, there is a, ICWA coordinator who works directly on these matters in these cases, and so. James: We would refer them to contact DCFS to speak with that ICWA administrator who can guide them through the process. [00:19:00] We do try to give them as much information as we can. We do share resources, Utah Foster Care and other legal services generally that provide legal assistance or can answer some of those legal questions. Liz: Of course, even with protections in place, the realities aren’t always easy. Many families, even in Salt Lake, may not have the resources to be near or return to their ancestral homes in traditions. And though ICWA cases can be complex, the goal is always to place Native children with family first or in Native homes whenever possible. Stephanie: Any time there is reason to believe that there is a native child when the investigation is happening and someone says, I believe my grandmother is a Native American, even with that reason to believe they need to treat the. Stephanie: Case as an ICWA case, so DCFS notifications will then go out to the tribe and then it will be the tribe who will then to determine if the child is a member [00:20:00] or eligible for enrollment. While that’s taking place, the state will then try to find a native home for the native children. So under ICWA there is a foster placement preference, and it would be family first, and then it would be with, um, foster parent of the same tribe. And then the third one would be from a different tribe. And then the last placement would be to any open foster home that’s available. Craig: there’s Craig: multiple reservations in the United States. And one that is particularly for the Navajo reservation. . So the Navajo people were put on this land, on our homeland, and it goes back to the history of how we have our ancestral homeland. Craig: Where we emerged, we came to our mother earth, and the deities at that time said, this will be where you will live. This will be your homeland. So our ancestral homeland became the boundaries, became the four sacred mountains. So we have to keep that in [00:21:00] mind. Craig: Before lines were made by the US government, there was our ancestral homeland, and the boundaries were created with four sacred mountains and with two mountains in the middle that serve as our central location. ? So that’s our ancestral homeland. However, during the 1860s, we were removed from our land and put onto a different reservation in New Mexico. , We were released due to whatever political reasons that was, and a treaty was formed. And with that treaty, what a struck of a pin, we were given four diagonal lines and said, this is your reservation. And throughout the next couple of years. With new presidents coming in and out of office with executive orders, our reservation grew, but it still stayed inside our ancestral homeland boundaries, and I think we’re grateful for that. Craig: Yeah, other tribe have different experiences. Some [00:22:00] did stay on their ancestral land, some did leave their ancestral land and put onto reservations. However, as the Navajo people we’re very fortunate to have returned and the government really accept that we return to our ancestral lands, we’re very thankful for that, that we return to our ancestral lands. Craig: So when I say reservations, and when I say on our ancestral lands, it’s where we call home. The land that we call home. The land that times the Navajo names. For example, our four sacred mountain. Craig: When we hear that, we hear home. A lot of our urban community members here in Salt Lake don’t have the resources at times, the needs or even the transportation to go home. Because you look at it, the Navajo nation as the almost from eight to 10 hours away, depending on where you live, and maybe even more. Craig: And our community members do want to keep that [00:23:00] connection. And the Urban Indian Center understands that. And I understand it because I was raised on the reservation and I, I moved to an urban area to where I don’t have the connection. Liz: The good news is there are resources right here in Utah for Native children. The Urban Indian Center in Salt Lake City offers language classes, cultural events, and outreach to help children and families stay connected. Utah Foster Care also provides similar opportunities from cultural education to community events like the Indigenous Foster Care Fashion Show and the Moccasin Run-in White Mesa. Stephanie: As I mentioned before, there is a shortage of native foster homes. Stephanie: Being very present in the community is important. Being at the table when it comes to policy making, meeting with the tribes and making those connections with the community is important. Stephanie: So they are aware that there is a need that. If they’re not able to foster, then there’s other ways to support our Native kids through the Cedar Project or provide [00:24:00] support to our foster families. And again, it’s just coming up with unique ideas of recruitment. We collaborated with James’ office in Ute Mountain Ute years ago and have an Annual Moccasin Run that we hold in White Mesa, Utah every year to bring awareness. Stephanie: And just coming up with different types of events who bring the community together to make sure that our Native kids have that cultural connection. And that’s why it’s important to be considered a, a kinship placement or a foster placement. Craig: With families that don’t have that tie. First of all, you have resources in your state, and some of these resources are at the state level. Craig: I know Utah. Does have the eight tribes in Utah. However, there are also the urban areas. For example, one can start from the State Department of Indian Affairs, and then Indian Affairs can guide you to other resources in the areas such as the Urban Indian Center. The Urban Indian [00:25:00] Center can provide many of those resources to as well. Craig: They can provide, this is what this tribe is, what this other tribe is, and how they’re unique from one another. What the Urban Indian Center and how it’s unique too, is also that they have employees that are employed from different tribes, so the navigation there also can span out even more. Sure. But. Craig: Another area is that each of the tribes have their own program. The social services programs, the tribal historic preservation offices, those are areas to where they like to connect the vital records departments. They will connect their, and we ensure that the Native children are connected to their native heritage and their native ways. Craig: At the beginning when a family is navigating these, it might seem like a very scary thing to do, but overall, the community the Urban Indian Center, they’re [00:26:00] open to it. They’re open. Which way do we go? How do we navigate it? Craig: And if we don’t know anybody there, you know, that will help you navigate. There’s always somebody that they will connect you. So I would really let the families. That have native children in their care to always reach out, Stephanie Benally is a great resource and she’ll connect you with any resources that you may have. And they’re always open to whether non-native, whether non Navajo. But they still have a Navajo child in their home. We encourage them to bring the Navajo child, their child, our child, to our home, their Indian center, and learn from us too as well, so they understand the importance of our Navajo culture. Craig: We have our main location, which is on 120 West, 1300 South in Salt Lake City, hours from eight to five. Our phone number is (801) 486-4877. And we do have a [00:27:00] team there. So if you have a question. Reach out and you can ask for me, Craig Sandoval. Craig: Or you can ask for our outreach department, Rhonda Duval heads that department. Everybody knows Rhonda. . We know her as Honey, but she’s a great resource too as well. Feel free to reach out to us so we can make some of those connections for you and support you as a parent, support you as one of our family members too. Liz: These are all ways foster families can support Native youth in care. As we close, our guests reflect on the great work of families that foster Native children, keeping Indigenous people and culture strong, and underscore the urgent need for more native foster homes in Utah. Craig: Thank you for the Utah foster care. Thank you to your team and also thank you to. Foster parents out there taking a new child, a Navajo child can have its challenges. It’s a beautiful thing too, as well. Craig: And we wanna thank you. I personally wanna thank you. We wanna thank you [00:28:00] and always remember that the Urban Indian Center is a resource. You can come see us at any time. James: I just appreciate having this conversation. I think it’s good to help your listeners understand this complex law, and hopefully this conversation today will give some insight and encourage listeners to learn a little bit more about this history and to try to better understand why ICWA was created and why many Indigenous communities around the country are working very hard to preserve this federal legislation. Liz: We hope today’s episode has shed some light on ICWA and the importance of culture and connection for Native children in foster care. To learn more about Native services at Utah foster care, visit Utah foster care.org. You can also connect with the Urban Indian Center of Salt Lake, or the Utah Division of Indian Affairs for resources and support. Liz: Thank you for joining us for Fostering Conversations. Together we can ensure every [00:29:00] child in Utah grows up connected to the rich heritage of their roots.

In this episode, Dèsa meets with Sutton King and Ariel Richer, the co-founders of the Urban Indigenous Collective, to delve into the intersection of collective healing and natural medicine, exploring how culturally tailored health services can empower Indigenous communities. Sutton and Ariel share their insights on reclaiming space for urban Indigenous peoples, fostering kinship, community-based participatory research, and utilizing Indigenous knowledge systems to create pathways for wellness. For more on our guests, links from the conversation, and APA citation for this episode visit https://concept.paloaltou.edu/resources/the-thoughtful-counselor-podcast  The Thoughtful Counselor is created in partnership with Palo Alto University's Division of Continuing & Professional Studies. Learn more at concept.paloaltou.edu

Patrick and Paul "Pizza" Pianezza are the creative minds behind the upcoming feature film Code 3, hitting theaters September 12.

The game of basketball is perceived by most today as an “urban” game with a locale such as Rucker Park in Harlem as the game's epicenter (as well as a pipeline to the NBA). While that is certainly a true statement, basketball is not limited to places such as New York City. In recent years scholars have written about the meaning of the game (and triumphs on the hardwood) to other groups, such as Asian Americans (Kathleen Yep and Joel Franks) and Mexican Americans (Ignacio Garcia). To this important literature one can now add an examination of the sport in the lives of Native Americans, through Wade Davies' Native Hoops: The Rise of American Indian Basketball, 1895-1970 (University Press of Kansas, 2020). The game, as Davies notes, was not just something imposed upon Natives in locales such as the Indian Industrial Training School in Kansas (and elsewhere). The game provided linkages to the Native past, and was embraced as a way to “prove their worth” within a hostile environment designed to strip students of all vestiges of their cultural inheritance. The sport provided both young men and women with an opportunity to compete against members of other institutions (both Native and white) and to challenge notions of inferiority and inherent weaknesses. Davies' work does an excellent job of detailing the role of the sport in the lives of individuals, schools, and eventually, Native communities. Additionally, it examines how these players competed against sometimes seven opponents (the five players on the court and the two officials) to claim their rightful place on the court. They also often had to deal with the taunts and racism of crowds at opposing gyms. Still, most of these schools managed to field competitive teams that created their own “Indian” style of basketball that proved quite difficult to defeat. Wade Davies is professor of Native American studies at the University of Montana, Missoula. Jorge Iber is a professor of history at Texas Tech University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

They're good for the environment, but what's the best way to find native plants?  Learn more about your ad choices. Visit megaphone.fm/adchoices

The game of basketball is perceived by most today as an “urban” game with a locale such as Rucker Park in Harlem as the game's epicenter (as well as a pipeline to the NBA). While that is certainly a true statement, basketball is not limited to places such as New York City. In recent years scholars have written about the meaning of the game (and triumphs on the hardwood) to other groups, such as Asian Americans (Kathleen Yep and Joel Franks) and Mexican Americans (Ignacio Garcia). To this important literature one can now add an examination of the sport in the lives of Native Americans, through Wade Davies' Native Hoops: The Rise of American Indian Basketball, 1895-1970 (University Press of Kansas, 2020). The game, as Davies notes, was not just something imposed upon Natives in locales such as the Indian Industrial Training School in Kansas (and elsewhere). The game provided linkages to the Native past, and was embraced as a way to “prove their worth” within a hostile environment designed to strip students of all vestiges of their cultural inheritance. The sport provided both young men and women with an opportunity to compete against members of other institutions (both Native and white) and to challenge notions of inferiority and inherent weaknesses. Davies' work does an excellent job of detailing the role of the sport in the lives of individuals, schools, and eventually, Native communities. Additionally, it examines how these players competed against sometimes seven opponents (the five players on the court and the two officials) to claim their rightful place on the court. They also often had to deal with the taunts and racism of crowds at opposing gyms. Still, most of these schools managed to field competitive teams that created their own “Indian” style of basketball that proved quite difficult to defeat. Wade Davies is professor of Native American studies at the University of Montana, Missoula. Jorge Iber is a professor of history at Texas Tech University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

2.170 Meilen per Ochsen- oder Maultiergespann über weitgehend unerschlossene Wildnis bis zur Westküste: Etwa 400.000 Pilger und Pioniere machten sich zwischen 1843 und 1869 auf den sogenannten Oregon Trail, um den amerikanischen Westen zu besiedeln. Ein Traum von Freiheit - aber begleitet von Strapazen und Gefahren. Die Besiedlung des Westens war mehr als ein Abenteuer – sie war ein existenzielles Wagnis. Kaum ein Pfad steht so sehr für diesen Aufbruch ins Unbekannte wie der Oregon Trail. Was brachte hunderttausende Menschen dazu, ihre Heimat aufzugeben, um über 3.000 Kilometer durch Steppe, Wüste und Gebirge zu ziehen? Welche Hoffnungen, Ängste – und welche politischen und wirtschaftlichen Interessen – standen hinter dieser Massenbewegung? In dieser Folge sprechen wir über die Geschichte und den Mythos des Oregon Trails. Wir rekonstruieren die harten Bedingungen auf dem Weg nach Oregon, werfen einen Blick auf die berühmte „Great Migration“ von 1843 - und zeigen, warum schlechtes Wetter oder unreines Wasser eine viel größere Gefahr als Indianerüberfälle darstellten. 0:00:00 - Intro und Einleitung 0:01:45 - Das klassische Bild des Planwagens in der Prärie 0:05:21 - Warum nach Oregon? Ein historische Abriss des Oregon Territory 0:10:28 - ab 1823: Erste organisierte Trecks über den Landweg nach Oregon 0:13:11 - 1842: The Great Migration: Aufbruch der ersten 1000 Siedler entlang des Oregon Trails 0:17:27 - 1843-1848: Vergleichsweise zaghafte Anfänge, und Oregon in US-amerikanischer Hand 0:20:33 - Der Mormonen-Exodus (1847), der Landweg nach Kalifornien (1848) und der kalifornische Goldrausch (1849) 0:23:31 - Bis zu 50.000 Siedler jährlich: Das verzweigte "Netzwerk" des Oregon-Trails 0:25:52 - 2170 Meilen in 4-6 Monaten: Der Alltag und allgemeine Strapazen des Trails 0:30:04 - Die typische Ausstattung und Verpflegung auf dem Oregon Trail 0:36:42 - Fort Kearney, Fort Laramie ("Fort Sacrifice") und Fort Bridger: Die Zwischenstationen auf dem Trail 0:39:52 - "You have died of dysentery": 30.000 Tote durch Durchfallerkrankungen 0:43:17 - Das Verhältnis zwischen Natives und Siedlern entlang des Oregon Trails 0:51:50 - Unfälle, Flussfahrten und weitere Gefahren 0:57:07 - 1869: Die Fertigstellung der transkontinentalen Eisenbahn und der Niedergang des Oregon Trails 0:59:59 - Was hat diese Geschichte inspiriert? 1:02:58 - Verabschiedung und Ausblick aufs nächste Mal #western #wilderwesten #westward #westwardexpansion #oregon #usa #oregontrail #frontier #planwagen #indianwars #natives #missouri

The game of basketball is perceived by most today as an “urban” game with a locale such as Rucker Park in Harlem as the game's epicenter (as well as a pipeline to the NBA). While that is certainly a true statement, basketball is not limited to places such as New York City. In recent years scholars have written about the meaning of the game (and triumphs on the hardwood) to other groups, such as Asian Americans (Kathleen Yep and Joel Franks) and Mexican Americans (Ignacio Garcia). To this important literature one can now add an examination of the sport in the lives of Native Americans, through Wade Davies' Native Hoops: The Rise of American Indian Basketball, 1895-1970 (University Press of Kansas, 2020). The game, as Davies notes, was not just something imposed upon Natives in locales such as the Indian Industrial Training School in Kansas (and elsewhere). The game provided linkages to the Native past, and was embraced as a way to “prove their worth” within a hostile environment designed to strip students of all vestiges of their cultural inheritance. The sport provided both young men and women with an opportunity to compete against members of other institutions (both Native and white) and to challenge notions of inferiority and inherent weaknesses. Davies' work does an excellent job of detailing the role of the sport in the lives of individuals, schools, and eventually, Native communities. Additionally, it examines how these players competed against sometimes seven opponents (the five players on the court and the two officials) to claim their rightful place on the court. They also often had to deal with the taunts and racism of crowds at opposing gyms. Still, most of these schools managed to field competitive teams that created their own “Indian” style of basketball that proved quite difficult to defeat. Wade Davies is professor of Native American studies at the University of Montana, Missoula. Jorge Iber is a professor of history at Texas Tech University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The game of basketball is perceived by most today as an “urban” game with a locale such as Rucker Park in Harlem as the game's epicenter (as well as a pipeline to the NBA). While that is certainly a true statement, basketball is not limited to places such as New York City. In recent years scholars have written about the meaning of the game (and triumphs on the hardwood) to other groups, such as Asian Americans (Kathleen Yep and Joel Franks) and Mexican Americans (Ignacio Garcia). To this important literature one can now add an examination of the sport in the lives of Native Americans, through Wade Davies' Native Hoops: The Rise of American Indian Basketball, 1895-1970 (University Press of Kansas, 2020). The game, as Davies notes, was not just something imposed upon Natives in locales such as the Indian Industrial Training School in Kansas (and elsewhere). The game provided linkages to the Native past, and was embraced as a way to “prove their worth” within a hostile environment designed to strip students of all vestiges of their cultural inheritance. The sport provided both young men and women with an opportunity to compete against members of other institutions (both Native and white) and to challenge notions of inferiority and inherent weaknesses. Davies' work does an excellent job of detailing the role of the sport in the lives of individuals, schools, and eventually, Native communities. Additionally, it examines how these players competed against sometimes seven opponents (the five players on the court and the two officials) to claim their rightful place on the court. They also often had to deal with the taunts and racism of crowds at opposing gyms. Still, most of these schools managed to field competitive teams that created their own “Indian” style of basketball that proved quite difficult to defeat. Wade Davies is professor of Native American studies at the University of Montana, Missoula. Jorge Iber is a professor of history at Texas Tech University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

The game of basketball is perceived by most today as an “urban” game with a locale such as Rucker Park in Harlem as the game's epicenter (as well as a pipeline to the NBA). While that is certainly a true statement, basketball is not limited to places such as New York City. In recent years scholars have written about the meaning of the game (and triumphs on the hardwood) to other groups, such as Asian Americans (Kathleen Yep and Joel Franks) and Mexican Americans (Ignacio Garcia). To this important literature one can now add an examination of the sport in the lives of Native Americans, through Wade Davies' Native Hoops: The Rise of American Indian Basketball, 1895-1970 (University Press of Kansas, 2020). The game, as Davies notes, was not just something imposed upon Natives in locales such as the Indian Industrial Training School in Kansas (and elsewhere). The game provided linkages to the Native past, and was embraced as a way to “prove their worth” within a hostile environment designed to strip students of all vestiges of their cultural inheritance. The sport provided both young men and women with an opportunity to compete against members of other institutions (both Native and white) and to challenge notions of inferiority and inherent weaknesses. Davies' work does an excellent job of detailing the role of the sport in the lives of individuals, schools, and eventually, Native communities. Additionally, it examines how these players competed against sometimes seven opponents (the five players on the court and the two officials) to claim their rightful place on the court. They also often had to deal with the taunts and racism of crowds at opposing gyms. Still, most of these schools managed to field competitive teams that created their own “Indian” style of basketball that proved quite difficult to defeat. Wade Davies is professor of Native American studies at the University of Montana, Missoula. Jorge Iber is a professor of history at Texas Tech University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

In this ‘flashback' episode, Iain speaks with ‘ski instructor to the stars' Warren Smith, from the Warren Smith Ski Academy.  We talk about how Warren got into skiing and his journey to Verbier via the Hemel Hempstead dry ski slope and Seefeld in Austria. There's plenty about the early days of the UK freestyle scene, working with many of the youngsters who have now become Olympians, as well as the celebrities that he's taught over the years, including Laurence Dallaglio, Prince Harry, Princess Eugenie, Louis Smith, Bradley Wiggins and more. Intersport Ski Hire Discount Code As we are looking ahead to this winter, don't forget that if you want to help The Ski Podcast and save yourself some money this winter…just use the code ‘SKIPODCAST' when you book your ski hire at intersportrent.com. That applies to any ski hire booked in their massive network across France, Austria and Switzerland. You'll get a guaranteed additional discount, or simply take this link for your discount to be automatically applied.  SHOW NOTES   Warren learned to ski at the Hemel Hempstead dry ski slope, before it was recreated as The Snow Centre – an indoor snow slope His first snow experience was on a school trip to Saalbach in Austria, when the coach broke down Phil Gordon presents the ‘Legends of the Brand' podcast (3:30) Warren's first qualification was as a UK dry slope instuctor (4:45) He first taught on snow in Seefeld in Austria, before moving to Verbier in 1994 (5:00) Joyce Read from Ski Verbier was an early mentor (6:00) You can watch ‘Blizzard of Aaaahs' – the famous ‘extreme' ski movie – on YouTube Jamie Strachan designed top sheets for Volkl and brought Warren on their team in winter 1998/99 (8:45) Strachan also designed many of the legendary ChamJam posters (9:30) Listen to Iain's interview with GB Snowsports coach Pat Sharples in this bonus episode of The Ski Podcast (10:15) Stu Brass and Spencer Claridge were behind the AIM Series of events and built the freestyle features for events like the London Ski Show and The Jump (11:00) Iain launched Natives.co.uk in April 1999 (12:00) Other early freestyle projects that Warren set up were the British Freestyle Camps and the Ride Series  Pat talks about the impact of the Salomon 1080 on the freestyle scene in this interview, as does Jim Adlington (founder of Planks) in our bonus episode with him (14:00) Paddy Graham came out of the Sheffield dry slope scene and is still producing award-winning movies with the ‘Legs of Steel' crew (17:30) Warren also produced movies such as the ‘Snow's In The House' series and ‘Snow Odyssey' featuring a 16-year-old Candide Thovex (19:00) Warren's ‘Go Ski' technique book and DVD is available online (25:00) Rob Sawyer from the Farinet Bar in Verbier recommended Warren to England rugby player Laurence Dallaglio (28:00) Other celebrities that Warren has skied with or instructed in Verbier include James Blunt, Princess Eugenie and Prince Harry (33:00) Listen to Peter Hardy's anecdotes about James Blunt in our special episode Louis Smith, Spencer Matthews and Jason Robinson were among the quickest learners that Warren coached for the wintersports reality show ‘The Jump' (35:00) The Warren Smith Ski Academy now has a team of 15 instructors with key focus on biomechanics (39:00) Find out about the Carv device here (45:00) The Academy also offers ‘Gap Year' Instructor Qualification courses, having changed from BASI to the Irish IASI qualification in 2013 (45:30) The Warren Smith Ski Academy will be at the National Snow Show at the Birmingham NEC on 15/16 October 2022 (48:00) Courses start in Cervinia from 06 November for five weeks, then on to Verbier. Warren will be leading a trip to Japan in February (50:00) Listen to how Iain got on in Verbier in March 2023 in Episode 172 If you enjoyed this episode and would like to help the podcast, there are three things you can do:  -          follow us, or subscribe, so you never miss an episode -          give us a review on Apple Podcasts or leave a comment on Spotify -          ‘buy me a coffee' at buymeacoffee.com/theskipodcast

This week, in honor of Amplifier Day at KEXP, we’re talking to listeners about a new favorite track. Producer Lilly Ana Fowler catches up with KEXP listener Jason Rodriguez who weighs in on some of his favorite music from the year so far, including Die Spitz’s new track “Pop Punk Anthem.” Die Spitz’s forthcoming album Something to Consume will be out on Sept. 12 on Third Man Records. Hosted by Evie StokesProduced by Lilly Ana FowlerMastered by William MyersProduction support: Serafima HealyAssociate Director of Editorial: Dusty Henry Listen to the full songs on KEXP's "In Our Headphones" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube. Support the podcast: kexp.org/headphonesContact us at headphones@kexp.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Amanda Erickson grew up in the Boston suburbs, always knowing there was something a little different about her - the dark pigmentation in her skin. Years later, she would reconnect with her father, who lived on the San Carlos Apache reservation in Arizona. This would begin a journey that would lead her to connect with her Indigenous heritage and transform her long career in film. After 16 years working for Hulu, Discovery, The Travel Channel, National Geographic, and others, she has begun making films about Indigenous people for mainstream audiences.Contact me at silverliningshandbookpod@gmail.comCheck out the Silver Linings Handbook website at:https://silverliningshandbook.com/Check out our Patreon to support the show at:https://www.patreon.com/thesilverliningshandbookJoin our Facebook Group at:https://www.facebook.com/groups/1361159947820623Visit the Silver Linings Handbook store to support the podcast at:https://www.bonfire.com/store/the-silver-linings-handbook-podcast-storeVisit The True Crime Times Substack at:https://truecrimemessenger.substack.comThe Silver Linings Handbook podcast is a part of the ART19 network. ART19 is a subsidiary of Wondery and Amazon Music.See the Privacy Policy at https://art19.com/privacy and the California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Short answer: not enough. Long answer, they get it right, every time. Sunrise, Matt, tvli and Angela sort through what exactly Eddington is, and what it all means. But if you make it to the end, let us know what you think about chronological or release order. Remember, keep it reel!

We are excited to announce the release of Psycoholic's new Psy Trance single, "The Power Of American Natives," on Psy Spy Records! This talented and unique psychedelic artist masterfully blends ethnic vocals and spiritual vibes, creating an immersive atmosphere that transports listeners to the wild west of the Native American spirit. With mesmerizing rhythms and evocative melodies, Psycoholic's latest track captures the raw energy and sacred traditions of indigenous cultures, offering a powerful sound journey that resonates on a deep level. Don't miss this captivating release - dive into the mysticism and "The Power Of American Natives"! ▶ https://band.link/AmericanNatives Psy Spy Records _____ #psytrance #psy #psychelelic #underground #psychedelic #electronic #psyspy #fullon #openair #psycoholic

In this special ‘Flashback' episode, Iain speaks with Tony McWilliam - founder of one of the world's leading snowsports brands - Faction Skis.   We find out what inspired Tony to start Faction, how he smuggled his first batch of 44 skis across the Swiss border to Verbier, meeting freeski legend Candide Thovex when he was just 16 years old and how he grew Faction to become one of the most famous ski brands in the world. Intersport Ski Hire Discount Code If you want to help The Ski Podcast and save yourself some money this winter…just use the code ‘SKIPODCAST' when you book your ski hire at intersportrent.com. That applies to any ski hire booked in their massive network across France, Austria and Switzerland. You'll get a guaranteed additional discount, or simply take this link for your discount to be automatically applied.  SHOW NOTES Tony designed my first brochure for my first business, Natives.co.uk You can listen to our Ski Podcast Special with Pat Sharples here Faction skis started in 2003 BoardX took place in Battersea for several years You can listen to our Ski Podcast with Jim Adlington here Other key contacts for Tony in the early years were Phil Martin, Gordy Hughes and Matt Reardon He worked closely with Peter Bauer, founder of Amplid The first range of Faction skis had a waist of 80-110mm Initially the skis were made in Annecy before production moved to Austria Skis like the Seth Pistol were an inspiration Jamie Strachan's designs for Volkl were another influence The first run of Faction skis was just 44 pairs – they now sell 35,000 pairs every year globally Sam Smoothy is a NZ freeride skier Ski Service in Verbier was the first store to stock Faction Skis Tony first met Candide Thovex as a 16-year-old rider in Les Arcs Check out Candide in China here (he took 27 pairs of skis with him for that shoot!) Tony launched an eco-friendly outerwear brand, GHOSTS, on Kickstarter in 2019 He also worked with Eric Pollard – ex-Line Skis – on the launch of the new ski and snowboard range Season Eqpt Find out about Candide's outerwear brand Intersport Ski Hire Discount Code You can help The Ski Podcast and save yourself some money on your ski hire by using the code ‘SKIPODCAST' at intersportrent.com. Alternatively, simply take the link in the Show Notes and your discount will automatically be applied.  If you like the podcast, there are three things you can do to help: 1) Review us on Apple Podcasts or Spotify – helps listeners find us 2) Subscribe –it every episode will automatically be downloaded for you, so you can catch up at your leisure 3) Book your ski hire with Intersport Rent using the code ‘SKIPODCAST' or take this link  You can follow Iain @skipedia and the podcast @theskipodcast or WhatsApp

Summer Confuorto, a Gros Ventre, Cree, Mi'kmaq woman, tells the story of running her first marathon: the 2025 Boston Marathon, representing the Ohketeau Cultural Center Natives Run Initiative. Summer tells her story, from running along the water during her youth in her hometown of Falmouth, MA; to how running connects her to her own and also the local native communities; and then about her first marathon, the 2025 Boston Marathon. For Summer, running this marathon was about so much more than completing 26.2 miles. For starters, it's a reclaiming and reconnecting with this space: like many major routes all across this land, the Boston Marathon course largely follows pathways that have been traveled by native people going back hundreds of years. And there's more. Hear the whole story on the podcast. How to Keep Up with Summer Confuorto Instagram: ⁠@sconfuorto Mentioned in This Episode Ohketeau Cultural Center: ohketeau.org Natives Run: ohketeau.org/events1/natives-run 26.2 Foundation: 26-2.org To support WRS, please rate and review the show iTunes/Apple:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://podcasts.apple.com/us/podcast/womens-running-stories/id1495427631⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Spotify:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://open.spotify.com/show/4F8Hr2RysbV4fdwNhiMAXc?si=1c5e18155b4b44fa⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music Credits Cormac O'Regan, of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Playtoh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Coma-Media⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, via⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Pixabay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RomanBelov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, via⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Pixabay⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Camila_Noir,⁠⁠⁠⁠⁠⁠⁠⁠ via⁠⁠⁠⁠⁠⁠⁠⁠ Pixabay⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠penguinmusic⁠⁠⁠⁠⁠⁠, via ⁠⁠⁠⁠⁠⁠Pixabay⁠⁠⁠⁠ Music of the Future, via ⁠⁠⁠⁠⁠Pixabay⁠⁠⁠⁠⁠⁠ Ways to Connect and Engage with Women's Running Stories WRS Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@womensrunningstories⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ facebook.com/WomensRunningStories⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ womensrunningstories.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Women's Running Stories is a proud member of the Evergreen network:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://evergreenpodcasts.com/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the guys explore the idea of a primordial tradition, an ancient, esoteric current of knowledge, woven through mythologies across the world, with a focus on Native American traditions. They discuss the possibility that the Knights Templar may have reached the Americas long before Columbus, forming secret brotherhoods with Indigenous peoples and sharing in sacred knowledge. From Templar flags on Columbus's ships to the mysterious symbolism of ancient mound sites, they trace the hidden codes, handshakes, and Atlantean echoes that suggest a deeper, forgotten history connecting the Old World and the New.

listener comments? Feedback? Shoot us a text!Today, we're tackling a really fascinating and, frankly, provocative topic. We're going to be talking about an article by Stephen Pearson titled “Indigenizing Settlers: The White Appalachian Self and the Colonialism Model of Appalachian Exploitation.” And it's a deep dive into how a specific group of people—White Appalachians—have, in some ways, come to see themselves as an Indigenous population.  Your Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Harvard University, Yale University, San Diego State University, and numerous others. He most recently released his documentary short film "Guardians of the Purple Kingdom," and is a cultural consultant for Nickelodeon Animation Studios.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Find us: Bluesky Instagram Merch: Shop Aztlantis Book: The Four Disagreements: Letting Go of Magical Thinking

CONTENT WARNING: Discussion of racism against Natives, bullying, animal cruelty. Grab your six shooters and your saddles, we're kicking off our first-ever Westerns series! There's a lot in the genre for us to catch up on, and we start this week with a seminal film, one whose importance is unfortunately the only thing it's really got going for it. John Ford practically created the Western as we know making this movie but the dialogue and the characters are so rigid that it's somehow boring for a 90-minute movie. Still, if you've ever rolled your eyes at John Wayne and wondered "how the hell did he get to be a movie star", look no further than his performance here, smoldering and intense while staying relatable. The cast is pretty great, and the stunts are on par with anything that can be done with wires today. Still, this one is more "important" than a fun hang, so proceed with caution. Load up the wagon as we watch 1939's Stagecoach on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the theme to the film The Magnificent Seven, written and composed by Elmer Bernstein. Copyright 1960 Metro-Goldwyn-Mayers Studios Inc. All Rights Reserved. Excerpts taken from the main theme to the film Stagecoach, written and composed by Richard Hageman. Copyright MCMXXXIX by Walter Wagner Productions, Incorporated. Excerpt taken from "The Ballad of High Noon" from the film High Noon, written by Ned Washington, composed by Dimitri Tiomkin, and performed by Tex Ritter. Trademark and Copyright 2007 by Paramount Pictures. All Rights Reserved.

Sekou Keita talks about how media policies that limit information reported about criminal offenders can unintentionally increase bias against the group they're trying to protect. “The Usual Suspects: Offender Origin, Media Reporting and Natives' Attitudes Towards Immigration” by Sekou Kenta, Thomas Renault, and Jérôme Valette. OTHER RESEARCH WE DISCUSS IN THIS EPISODE: "Anti-Muslim voting and media coverage of immigrant crimes" by Mathieu Couttenier, Sophie Hatte, Mathias Thoenig, and Stephanos Vlachos. "News, Emotions, and Policy Views on Immigration" by Elena Manzoni, Elie Murard, Simone Quercia, and Sara Tonini. "Media Coverage of Immigration and the Polarization of Attitudes" by Sarah Schneider-Strawczynski and Jérôme Valette. Probable Causation Episode 8: Amanda Agan

We thought we knew the Oregon Trail… Turns out, we only knew half the story. “The settling of the West,” says Bobby Conner, “was the unsettling of the West for our people.” In this episode of The Hidden Trails of Oregon, we're exploring the past, present and future of the Cayuse, Umatilla, and Walla Walla tribes, whose ancestral homelands stretch across Eastern Oregon. In 1993, the 150th anniversary of the Oregon Trail, tribal leadership attempted to build a center to tell the story of the trail from a Native American perspective. But they were denied funding. So on August 12th, 1993, a wagon train celebrating the anniversary was interrupted at the reservation border by Natives on horseback. One rider was Antone Minthorn, chairman of his tribal council. He spoke in protest of the poverty and unemployment affecting his people. But also of his vision of a place for learning and research; for a different perspective on manifest destiny.  It worked. Funding was secured and soon the Tamástslikt Cultural Institute opened its doors.  We're taking an immersive, sound-rich journey through this world-class museum. You'll hear horses rumbling across the grassy plateau, storytellers in winter lodges, ringing bells and worshipers in song and prayer. We'll sit down with Bobby Conner, director of the Institute, to talk about the achievements, aspirations and concerns of her community. And we'll explore the meaning of a phrase you'll find emblazoned on the walls of the final exhibit: Cháwna mun na'ámta–We will never fade.

Quaranteam-Northwest: Part 4 The House. Based on a post by Break The Bar. Listen to the ► Podcast at Explicit Novels. The pounding on the front door echoed through the house again, and I literally fell out of the bed trying to disentangle my foot from the mess of the sheets. Erica and I had stumbled inside late as fuck, trying to be quiet and not wake up Leo and Dani, and now I could see we'd tracked in dirt and grass with us. The sheets were filthy. I got shorts on and stood, shaking Erica by the shoulder. "What?" she groaned. "Someone is at the door, and it's sun up. The worker might need to start working. I'll close the door and give you as much time as I can, but could you at least put on a top in case anyone pops in here by accident?" "Let 'em look," Erica grunted. "What happened to those being my tits, and mine alone?" I grinned. "..... Fine," she said and held up a hand in the air. I found her a shirt and put it in her hand, and she started trying to get it on without lifting her head from the pillow or opening her eyes. I shut the bedroom door behind me and met up with Leo in the hallway; he was only slightly more dressed than I was, with a single sock and an undershirt over his shorts. "Mornin'" he grunted. "Yep," I said, and we headed for the door. When I opened it I was expecting Vanessa and her big 'gorilla' work crew, but instead it was Agent Sourpuss. It was even earlier in the day than I had expected. "What took you two so long?" she said, sneering at the two of us. "Never mind, come with me." She started walking around the house, so Leo and I followed barefoot. Just as we were stepping out and shutting the front door, the crew vans started pulling in, ferrying the surveyors and workers. A few of them called and waved, taunting us for looking like we were getting called to the Principal's office. "We have solved the temporary housing issue for you two," Agent Sourpuss said as we rounded the corner, and she presented us with the new additions to the backyard. Hunkered up next to the two sea cans that all of our stuff was being loaded into for storage were two brand new, state-of-the-art, still gleaming chrome and white from the lot, RVs. The two fuckers were huge. I had no idea how anyone other than an 18-wheeler truck driver could pilot one of them. They had to be worth at least a couple hundred thousand dollars each. "God damn," I said, coming awake. "One for each of us?" Leo asked. "You and your partners," the Agent said. "Follow me." We did, crossing the backyard as the Agent told us that we would need to be ready to move them at a moment's notice; our presence couldn't be allowed to slow down the construction process. We were also in charge of maintaining them, and organizing with the construction general manager when they arrived on site to make sure they were getting properly emptied (the septic) and filled (the fuel). "Mr. Lacoste, you have the one on the left," the Agent said, handing a set of keys to Leo. He actually giggled with glee, taking the keys and darting to his new home. "Mr. Black, yours is clearly the right. As is your new partner waiting for you inside," she said. I blinked. "I'm sorry, what?" "Your second partner drove with us this morning. She's waiting inside for you and is ready for imprinting. I suggest not making her wait too long." Agent Sourpuss then began to walk away, back to her car at the front of the house. "Wait, wait, wait," I said, following her. "I already have a partner. Erica and I are bonded or whatever." "Not how it works, Mr. Black," the Agent said, still walking. "You're rated at Tier Four, and you must have been somewhat open to a non-monogamous relationship, as is Miss Lacoste. Your new partner is suited to the two of you. You shouldn't keep her waiting." There wasn't any stopping her, so I diverted and headed back into the house. "Erica!" I called, heading for the stairs. "What?" she asked, rubbing the sleep from her eyes but coming out of my room dressed in my shirt from last night, and a pair of her shorts. "The Agent just dropped off the big ass RVs we're living in," I said. "And a woman who I'm supposed to bond with." "Oh, shit. That was fast," she said. "What do you mean, that was fast?" I asked. "You knew about this?" "I mean, they said at the information seminar that it was possible people would begin getting partnered into existing relationships based on the matchmaking and available matches," Erica said. We were heading down the stairs again. "I assumed since I'm Bi, and you're a guy, it wouldn't be unlikely we'd get someone else eventually. I didn't think it would be day three, obviously. Why would this person pick us over a single guy?" We got outside and to the RV, and I knocked. "It's open," called a voice. It was light and feminine, but with a distinct accent. I opened the door and mounted the steps, stopping when I saw the woman within, only for Erica to push me the rest of the way up so she could see as well. She was dark blonde, almost brunette, and her hair hung in waves down just past her shoulders. The woman was slight, and obviously so because all she was wearing was lingerie made up of thin mesh through which I could see her rosy pink nipples on her smallish tits, and lots of buckles for straps. The right side of her body was fresh and clean, though down the center of her abdomen, from under her chin all the way to her pubic mound, was a thin black line of a tattoo splitting her in half. On the left side of that tattoo her body was designed with black ink in floral tribal patterns, fleur-de-lis motifs and other designs. She was smiling demurely despite her dress and the fact that she was lounging in the sitting area of the RV, her legs splayed as she absently rubbed her twat through her mesh thong. "Bonjour," she said, grinning even brighter as Erica followed me in. Her accent was distinctly French Canadian and she couldn't be older than twenty-three. "My name is Ivy Gauthier, and I was expecting just a cock, but I am more than happy to make Mommy happy too if she wants to sit on my face." "Fuck," Erica said, and looked at me. "Can we keep her?" Ivy Erica, as usual, took to the rapidly changing social situation a little faster than I did. "So you're sure about all of this?" she asked the girl, Ivy. We were sitting in the lounge area of the RV that the government had delivered to us that morning. "Well, it is too late for me to back out now," Ivy said. She was French Canadian, with that very specific Quebecois accent that extended vowels and clipped some consonants. I only really knew the difference between hers and a traditional French-from-France accent because I'd once drank with a unit of French soldiers while I was deployed in Germany. "I have already been poked with the needles. I chose Harrison because he reminded me of a sexy version of the boys I grew up with in the north of Quebec. Very sexy lumberjack, yes?" Erica smirked, glancing at me and patting my knee. "Yes, very sexy woodsman." "As I said, I was not expecting a sexy woman as well, but I am the bisexual," Ivy continued. "In fact, Erica, you are very much my type." "And what type is that?" Erica asked. Ivy grinned but blushed, biting her lip for a moment as if she were embarrassed, but I could see the hunger in her big, expressive eyes. "Most girls in my job, they have what you call the 'Daddy Issues', yes? Well, my father made many mistakes, but was always very good to my sister et moil. An ex I have, she said I have 'Mommy Issues' instead. I like strong women, older than me, with tits and ass like yours." The little minx actually reached out and caressed the side of Erica's tit when she said it. "What job is it you've been working?" I asked, though I had a feeling I knew the general field. "I am a dancer," Ivy said, turning back to me and looking all the world like a worried teenager, rather than the seductive woman clad in mesh lingerie that was sitting between Erica and me. "I hope that is not so bad to you, Harrison. I know some men, they think it means I am dirty or spoiled. But I am not." Then she got another little lascivious smirk as she tilted her chin down looking up at you through her lashes. "Well, I could also be a very dirty girl for the right man. Or woman." She touched Erica's leg without looking. "Okay, seriously Ivy," I said. "Unless this is really who you are, and who you want to be, you can tone down the seduction. Erica and I aren't going to turn you away, but you have got to be real with us." Ivy frowned, and it was like she went through a little transformation as she absorbed what I said and metabolized it. She bit the inside of her cheek for a moment, then nodded and stood up, crossed to the murphy table that was in the kitchenette and pulled a robe I hadn't even noticed from where it was hanging. She wrapped it around herself quickly and then sat back down. "I am sorry," she said. "I am; this vaccine is making me very horny. I did not know what to expect, yes? I thought it best to treat you like private clients." "Oh, sweetie," Erica sighed. "I know. The nervousness, that little itch all over?" Ivy nodded. "Maybe let's start from the beginning," I suggested. "Just be honest with us." "I was being honest," Ivy said. "My name is Ivy Gauthier, I was born in a little town in northern Quebec and raised by my father and grandmother, along with my sister. I am an exotic dancer. I started in Montreal, and decided to try and do a tour of the USA. My visa was running out when the Quarantine happened. They said it would not be a problem if I took the experimental vaccine." "Wait, hold on," I said. "Fuck. Would you have taken the vaccine if you weren't worried about your visa?" Ivy thought about it and then shrugged. "I don't know? Maybe? I never had to think about it without the visa on the table." "This is fucked up," I said. "And it's too late to change anything," Erica said. "Harri, you know it's too late." "I know," I grunted. "But that doesn't mean I have to like it." "And you know if it's not you, it'll be someone else." I took in a long breath and nodded. "Ivy, I assume you went through the whole set of meetings and videos that Erica did, but I just have to ask; are you absolutely sure you want this?" Ivy pursed her lips, looking between Erica and me. Her hands were in her lap, most of her tattoos covered by the worn, velvet red robe she was wearing. She looked younger and older at the same time. She ended up looking to Erica. "Is he a good man?" "The best," Erica said immediately. "And is she a good woman?" Ivy asked me. I took Erica's hand in mine. "Better than anyone could ever deserve." "Then I am fine with this," Ivy said. "It is the end of the world, oui? Why should I not be with two sexy people who love each other, and will share their bed with me?" Erica laughed. "Well, she's direct." "Alright. You know what the next steps are?" I asked Ivy. "You fuck me, and I will become your; how did they say.? Umm, bonded something?" "We haven't figured out the right word yet either," Erica said. "For now, it might be easiest if you're just our fuckbuddy." "I like this," Ivy said. "You two are a couple, and I will be your fuckbuddy." The way she said it made it sound a little sillier, a little naughtier. This girl would have been dangerous if Erica and I weren't in the current situation. "You have some time," I said. "Would you rather wait a bit, or do it now?" "Now," Ivy said. "I would very much like to taste you, Erica. While Harrison fucks my ass." "Wow, that's very hot and specific," Erica said. Ivy smiled. "I am what you would say is an 'Anal Queen.' My father, he had children with three different women. It made me afraid of pregnancy, so I learned as a girl to prefer it in my butt." "Well, I guess you're getting to crush some ass, babe," Erica said, smirking and then kissing me on the cheek. "Hey, you know what?" I asked. "However you want it, Ivy, I'm happy to provide. Is there anything else you'd like us to know before we go to the bed?" Ivy stood up, slipping the robe back off of her and hanging it back up. "I can be very loud," she said. "Just a warning. And I like many things, but this time, I think we keep it to a simple threesome, yes? I will suck cock and eat cunt, and I would very much like to be fingered, and fucked in the ass." "So simple," Erica chuckled. "Ivy, I think Harrison is still a little hesitant; he is a natural protector, so don't think he's timid. He's just worried and doesn't want to take advantage." "Oh," Ivy said, looking at me for a moment with a cocked head, taking my measure. "Now I; Okay, yes, I understand." She came forward and pushed me back by the shoulders until I was sitting fully upright on the cushioned bench seat instead of leaning forward. Then she crawled into my lap, on her knees with them outside my legs, and sat her perky bum on my legs. "Harrison, I have told you I think you are sexy, yes? Well here, I will prove it." She took my hand and brought my fingers to her lips, taking my pointer and middle fingers and sucking on them lewdly, then bringing them down between us to her crotch. She pulled the mesh panties aside and put my fingers against her hole and pivoted, taking my two thick fingers into her clenching cunt. "I want to fuck you. And I will tell you another thing about me; I like a man who takes me how he wants. Throw me on the bed, put my legs behind my head. Make me your little pretzel girl as you fuck my ass. I am sure I will love this 'big brother' you in time, too. But I need you first to be my man." Then she kissed me, grinding on my fingers. I breathed in through my nose, and she pressed her chest against mine, and I reached around her with the hand that wasn't busy at her cunt and grabbed her ass firmly. "Umm, yes," she mumbled into my mouth. "Like that." "God, I hope I didn't look that fucking horny when I kissed you that first time," Erica said. She was still sitting on the other end of the L-shaped bench from us, watching me get frenched by the little French minx who had just fallen into our lives. I pulled back from the kiss, and Ivy looked at me with concern, searching my face. "Go kiss Erica," I said. She grinned and slipped from my lap, my fingers leaving her cunt, and slid right onto Erica's lap and pulled my girlfriend into a hard kiss as their disproportionate tits pressed together. Erica was much bustier than Ivy, though the younger woman's figure was just as sexy. As they started to make out I stood up, walking to the back of the RV and surveying the space. The back of the vehicle was dominated by the bedroom, which had what looked like a bed that was too big for the space. I pulled the blanket and top sheet off of it, knowing how Erica had a tendency to leave wet spots after fucking, and then kicked off my boots and returned to the women. "Alright, come here," I said, and lifted Ivy off of Erica and tossed her over my shoulder so I was carrying her ass forward. She howled a laugh, kicking her legs, and I offered Erica my other hand up. "She is going to be a lot of fun," Erica said. "I know," I said. "But I need to ask you, too. Is this what you want?" Erica smiled, almost sadly, and shrugged. "I told you I'd introduce you to a lot of strippers. I just didn't know it would happen so fast. Like she said, it's the end of the world, at least as we know it. Why not?" I nodded, and then bounced Ivy on my shoulder and gave her a soft spank on the butt. "What are you giggling so hard for?" "Nothing," she said. "Everything." "Crazy French girl," I said, and carried her to the end of the RV and tossed her on the bed like she wanted. She landed and immediately twisted and turned, biting her lip as she positioned herself on her stomach, looking at me eagerly as she slowly kicked her legs and her little bum bounced, humping the air a little. "Oh, I think she wants to suck your cock," Erica said, coming up behind me and resting her cheek on my shoulder. She reached around my waist and started lowering my shorts. "Is that what you want, Ivy?" Ivy nodded, grinning. "Well, I've got a surprise for a naughty girl. You are very lucky, because you picked a man who happens to have a very nice, fat cock." Erica said, and dropped my shorts, letting my mostly-hard cock out. "Oh, fuck," Ivy said, her eyes going happily large. "It is a very good cock." She looked up at Erica. "May I please suck the very good cock?" "Good manners," Erica said. "Yes, Ivy, you may suck Harrison. But from now on you should call it his fat cock." "Yes, mo" the rest of what she was saying became garbled as she leaned forward and spoke with the head of my cock between her lips, and came. She hadn't been expecting it, and her legs started to kick as she tensed up and pulled away from my cock, lowering her face to the bed. Then her body released all its tension and she sucked in a deep, ragged breath. "Woah!" she exhaled, loud and wordless, as a second wave of the orgasm passed through her. Erica reached around and ran her fingers through Ivy's hair as the smaller, younger woman rode a third and final wave of the vaccine-induced orgasm. She was left panting, and rolled over onto her back and looked back up at us in confusion and what looked like drunken delight. "What was that? I have never come so fast," she said in wonder "Didn't they tell you to expect that?" Erica asked. Ivy shook her head. "Huh, that's weird. They told my group," Erica said. "That was the imprinting process starting. Can you feel that ache, down in your clit? That's the vaccine too. Soon you'll feel it on your tongue, aching to get Harri's come anywhere you can inside you." "I already wanted this," Ivy said, her grin not slipping. She rolled back over onto her stomach and opened her mouth, but then hesitated. "Does this,” "No," I said, "Not every time." "Too bad, but also good," Ivy said. "It would be very hard to suck your cock if this happened every time." Then she took me back into her mouth and began bobbing her head quickly. I had a feeling she was actually a brunette and dyed her hair up to the dirty blonde she wore it. The dark undertones were more real than the light ones. Erica came around me now and slipped out of her shorts, going down to her panties and my shirt she'd been wearing, and got on her knees on the bed next to Ivy. She sat tall, and I kissed her as Ivy suckled on my cock. "Enjoy yourself, babe," Erica assured me. "We both want this." I raised an eyebrow and reached around her, grabbing her meatier ass. "You don't need to keep reassuring me, E. Or does 'mommy' need a good seeing to as well?" "Oh, I always need a good seeing to," Erica grinned. She started to lower down slowly, maintaining eye contact with me. "But first I think I need to make sure our naughty girl here knows how to treat you properly. Let me see you suck his cock, Ivy." Ivy beamed up at me, eyes flicking between my face and Erica's as the older woman leaned close. "Good, really slobber on that cock," Erica said softly, stroking Ivy's hair. "It's going to be cracking that cute little ass of yours open soon, so it needs to be very hard and very slippery." Ivy mumbled something unintelligible. "But don't forget his balls," Erica said. Ivy immediately took my cock from her mouth and lifted it with a hand, trying to take my sack between her lips but only fitting one nut as she tongued and worked her mouth. Erica took Ivy's place at my cock, putting her lips around the head and starting to blow me. "Oh, fuck, that's new," I groaned, looking down at both women staring up at me with smiles in their eyes. I put a hand on each of their heads. Ivy didn't let up, switching from one ball to the other as my cock rubbed across her face, but Erica popped off of the end and grinned at me before sliding back on the bed and taking up a position behind Ivy. "Now, what do we have here?" Erica asked, wrapping her fingers into the elastic band of Ivy's mesh panties. "Someone is a very naughty girl, dressing so slutty. Look, I can see everything! So what could possibly be the point of this?" She started pulling the panties down over Ivy's ass, and the younger woman shifted her hips eagerly, letting her do it. "Back to my cock now," I grunted, and Ivy followed my orders. Once I was back in her mouth, I ran my fingers down the side of her face, just watching as she looked up at me with adoringly needy eyes. Erica had gotten Ivy's panties off, and she tossed them aside as she knelt next to the pale girl and started to massage her upturned butt. "Ivy, you have a very cute ass," she said, stroking the girl's smooth skin. Just like her front, Ivy had a thin black line running down the middle of her spine, bisecting her from her hairline all the way down to her ass crack. On one side of the line her pale, smooth skin was flawless. On the other, she sported a collection of black tattoos; most of them flowery and nicely designed, a few of them more 'witchy' like flying crows and a jagged, leafless tree. "M'ank 'oo," Ivy mumbled around my cock, and wiggled her butt. Erica quickly sucked two fingers into her mouth and, biting the inside of her lip as she grinned, slipped them down between Ivy's legs and began slowly, teasingly fingering the younger woman's cunt. Ivy immediately responded by shuddering and starting to blow me faster, bobbing her head as she moaned with my cock in her mouth, pressing against the inside of her cheeks. "For a girl who prefers it in the ass, our naughty little girl gets very wet," Erica said to me. "Is that right?" I asked, and looked down at Ivy and her big eyes. "Do you get wet and ready for a cock even if you don't want one in that hole?" "Umm hmm," she hummed and nodded, then pulled her lips from my cock. "When I am ready, the right man will have a very good time with my naughty cunt." Erica leaned forward, bringing her lips to Ivy's ear from behind. "And what about Harrison? Is he the right man?" I could see the conflict warring in Ivy. She didn't know; her instincts were to shy away. But the vaccine, that need and horniness it had put in Erica, was in Ivy as well. She wanted me, wanted my cum. Wanted it inside her, to match with the vaccine. Chemically, she wanted to say yes. "You don't need to answer that," I told her reassuringly, stroking the side of her face again. Then I glanced at Erica, who raised an eyebrow at me, but I just shook my head. Ivy, a thankful look in her eyes, quickly went back to blowing me while Erica played with her cunt. Eventually I pulled away, and in one move picked up and flipped Ivy over onto her back. She giggled, and I was glad that she'd been honest with me about wanting to be thrown around in bed; I would have likely asked, or maybe told, her to move. Instead she seemed to really enjoy the manhandling. "Get the rest of the lingerie off," I said. The mesh bra did nothing to hide her perky, small boobs from me, but I wanted her naked. There was a practical element; once the bonding process was completed, she was going to zonk out and having that strappy lingerie on for hours and hours wouldn't be good for her or it. But there was also a primal thing in me that just wanted this strangely innocent, strangely filthy girl naked for me. She stripped quickly, and Erica took that time to peel off my shirt that she was wearing as well, revealing her bigger, heavy tits. "Oh, my," Ivy said, and sat up, reaching for Erica's chest. "You are so beautiful, Erica." Erica grinned and leaned forward a bit, allowing Ivy to press her face into Erica's cleavage. "She's like a horny teenage boy," Erica laughed. Ivy was kissing and licking her cleavage all over. "So am I, when it comes to you," I said, and slipped off the bed to stand behind her, kissing her on the cheek and then down to her neck while I reached around and cupped her tits from below, lifting them for Ivy to feast on. "Oh, god, this is heaven," Erica moaned, leaning her head back on my shoulder. "Have you ever done a threesome before?" I asked her quietly. "Once. Three women," she mumbled. "Not that great, really." "Too much fake cock?" I asked. "That, and tribbing is stupid. Doesn't do anything for me, and they both loved it." "Hear that, Ivy? No tribbing," I said. "But can I eat her cunt?" Ivy asked, coming up for air from the bounty of tits she was enjoying. "I think my answer is 'whenever you want,'" Erica laughed. "First I want more of your mouth," I said to Ivy. "Lay back down. And Erica, I'd love to see you eat her out." Erica grinned. "Ever seen a lesbian act in person before?" "Nothing more explicit than two drunk girls kissing to rile up some guys at a party," I said. Ivy had lain back, spreading her legs, and Erica knelt between them and slowly brought her face down to Ivy's bare cunt. It was pretty, almost like the clean and clinical specimen you would see in a biology textbook. "Do you want me to lick your cunt, Ivy?" Erica asked teasingly. "Yes, please," Ivy said and grabbed the bedspread in her fingers in anticipation. Erica went to work, and Ivy moaned loudly and wordlessly as her body tensed and then relaxed into the sensations. "Is it good," I asked. "Uh-huh," Ivy nodded and moaned. I knelt down next to her head and turned her face sideways, tapping my cock against her lips. She immediately opened them, and I slid between her lips and she began suckling. Then, after looking down and seeing the smile in Erica's eyes as she watched me getting blown while she ate cunt, I began to thrust lightly into Ivy's mouth. The dirty blonde dropped her jaw, and worked her tongue, and soon I was pumping steadily, treating her lips just roughly enough to feel divine. I reached down and palmed her tit, which so far had been almost entirely ignored. I happened to grab the tattooed side of her, where the boob itself was still a blank canvas but was surrounded by them dark patterns. Her nipple was a firm little nub in my palm, and her moaning on my cock changed to a higher pitch when I grabbed her more firmly, and then began playing with her nipple between my fingers. Erica, seeing the change in Ivy, mimicked me and reached up for her other tit and grabbed it as well. "Muh," Ivy moaned, but didn't try to pull away from my thrusting. She whined on my cock, thrusting her hips up and down, grinding against Erica's face. Then, seeing her coming to a peak, I thrust in and held my cock deep in her mouth, but not to the point of gagging her. I pinched the nipple I was holding, and Erica focused on her clit, and Ivy went off with a long shudder and another muffled howl. I pulled my cock from her mouth when she was coming down. "Keep going," I told Erica. "Get her there again." Then I stepped off of the bed and behind Erica, whose panty-clad ass was up in the air at the edge of the bed. I pulled her panties down to her thighs, set my cock against her puffy cunt, and thrust inside firmly, claiming her as mine again. "Yes, babe," Erica gasped into Ivy's cunt. "Fuck, yes, my fucking stud." "Oh, fuck," Ivy groaned, eyes half-closed as she grabbed at her own tits harshly and watched me fucking Erica from behind. Within five thrusts I was burying deep into my girlfriend at a good, steady pace. "You two are so fucking hot," Ivy said breathily, her accent turning every croon into a delightful sentence instead of something that might have come across as crude. I fucked Erica steadily, one hand on her hip and the other keeping hold of her wonderful ass, and she thrust back at me while trying to keep her lips and tongue working. I wanted Erica to feel how desirable I found her, even in this threesome with a brand new woman between us. I wanted her to know she wasn't just forced on me; she was a choice. She chose me, and I chose her back. Leaning forward, I let go of her waist and ass and grabbed her tits hanging below her, palming them and lifting their weight as she remained ass up and face down in Ivy's cunt. "I fucking love you, E," I said. "I love your body, I love your personality, and I love your mind. And right now, I really love how fucking sexual you are." "Fuck," Ivy groaned. "Fuck, that is so hot." Erica was starting to falter in her fucking back at me, which I knew meant she was getting close but I wanted to push her farther. "Ivy," I said. "It's almost time. How much prep does your ass need?" Ivy licked her lips, that carnal need growing inside of her with every passing minute. "For most guys, two fingers would be enough. But for you, I think three, if Mommy will do it for me?" "What do you think, 'mommy,'" I grinned. "Are you up for prepping her?" Erica slurped off of Ivy's cunt and flipped the girl onto her stomach, then spread her ass cheeks and spit onto her asshole. "For her, and to watch you fuck this cute little ass, absolutely," Erica said. I really couldn't see all that much of the oral portion of the prep, since I continued to fuck Erica. I slowed, and thrust deep and firm instead of faster and harder, and gave her the chance to work. Soon enough, Erica had two fingers in Ivy's ass and was adding a third. "Oh, mommy, yes," Ivy moaned. "Finger my ass. Spread my asshole for our man. God, I want that fat cock up my ass so badly. Harrison, please don't make me wait. Please don't back out, I need it so badly." "Who does this ass belong to now, Ivy?" Erica asked her. "Fuck, fuck," Ivy gasped. Erica slapped the side of her ass cheek. "Who does this ass belong to now, dirty little girl?" "Harrison," Ivy moaned. "Oh, fuck, Harrison. Fuck my ass. Take my ass. Take it. Take it." I pulled out of Erica, watching for just a moment as her cunt was split by me and didn't want to let go, then hopped back up on the bed. Erica pulled her fingers out of Ivy's hole, and I spun the younger woman around on the bed and pulled her up onto her hands and knees. Ivy dropped her face to the mattress as she reached back and held her ass cheeks open, her butthole winking at me. "Fuck my ass. Please, Butt fuck me. Own my butt," she panted. I placed my cock to her asshole and pressed forward. "Oh, fuck yes," Ivy almost howled. "Oh, it is so good. Merci, merci, oh fuck yes." I was halfway in when she finally clenched and I stopped. Erica, meanwhile, had shifted her seating on the bed so she was on her ass, and she spread her legs in front of Ivy's face. "Hey, now it's time for you to lick my cunt, dirty girl," she said. Ivy lifted her head and groaned as she tasted Erica for the first time, and as she did Ivy's ass relaxed, and I pushed in the rest of the way. "Yes," she mumbled. "Yes, fuck, so good. So full." I slowly pulled back out, then pushed back in. I'd tried anal before, once with a German girl I met off base, but it had been tough going. With Ivy, it was like she was just built different. She squeezed back at me, pushed to get me deeper. "She really is an Anal Queen," I gasped to Erica, who opened her eyes and grinned savagely at me. "I can't believe you're fucking her in the ass right now," she said. "Neither can I," I said, and started to properly thrust into that tight but forgiving asshole. "She's fucking good with her tongue, too," Erica groaned. "I can feel myself getting soaked." "Careful," I snickered. "There are the only sheets we have right now." "Oh, fuck off," Erica laughed. I had just started fucking into Ivy harder still, and she was sucking in deep breaths and moaning like a pornstar, when there was a loud banging on the main door of the RV. There was absolutely no way they couldn't hear what was happening in here, let alone that I had to assume the RV was rocking a bit. "Don't stop," Ivy gasped, lifting her face from Erica's cunt and begging me over her shoulder. "Please, keep fucking my ass. You can't stop. I need you to keep going." "Fuck, I was so close," Erica groaned, and the knocking happened again, banging on the door. Erica rolled off the bed. "You can't stop now, you might break her mind. I'll deal with this." "Yes, Harri, fuck me. So good, fuck my ass. Fuck my ass!" Ivy moaned, even fucking louder now that she didn't have Erica's cunt to muffle her. Erica stalked naked out into the main area of the RV, and she slipped on the robe that Ivy had been using earlier. She pulled it closed in the front and opened the door. "Hey, so this is awkward,” I could hear Vanessa say, but then I was shocked when instead of going outside to talk to her, Erica reached out and pulled her inside the RV. "Fuck, E! You didn't shut the door," I said. "Oh, shit. Sorry!" Erica called, and I only half believed her. There was one long moment of chaos where Vanessa was inside, looking down the length of the RV right at me as I was thrusting away, my nuts slapping against Ivy's cunt as I fucked her ass at speed. "Fuck," I grunted, and I made to pull out. "No, please, merde. Don't stop fucking my ass. Don't stop. Fuck my little ass. Come inside, I need you to come inside. Rempli-moi, mon homme. Mon cher. Fuck, mon amour!" I couldn't stop. I was so fucking close to coming, but I also had to move. So I did the only thing I could do; I wrapped my arms around Ivy's torso, fucked my cock as deep into her ass as I could, and picked her up and lifted her off of the bed. "Fuck, mon amour. I love you fucking my ass. Own my ass, mon amour. Fill me, fuck me," she babbled. I got us out of direct line of sight, pressing Ivy against the wall of the RV just next to the door to the bedroom, and I fumbled with one hand and slammed it shut as I kept thrusting into her. "Fuck. Fuck! I want you, I want it inside. Je veux croquer la pomme. Je suis très mouillée pour toi, mon amour. Fuck me. I love you?" she gasped the last words, like she was unsure, but enlightened by the idea. And then I came, pressing her up against the wood paneling and carpet of the RV walls. I came deep inside her ass, and she leaned back into me as her entire body shook. Her jaw was clenched tight, a small whine coming through almost like one of those dog whistles. "Sorry about that, Vanessa," I heard Erica talking through the walls. "We got a new vaccine partner who moved in with the RV. We were just, um, going through the bonding process." "That is; I mean, I'm sorry?" Vanessa mumbled. "It was obvious what was... happening, but we kind of need to get to work again. I wasn't expecting you to..." "That's totally my fault," Erica said. "I was a little fuck drunk; Harrison is very capable, and our new partner Ivy has a very skilled tongue." ".....Okay," Vanessa exhaled. That was when it felt more like I was holding Ivy up, rather than her standing on her own, and I carefully pulled my cock from her still-clenching butt and scooped her up in my arms. "Imprinting. Imprinting," she was mumbling. "Still fucking creepy," I grumbled, shaking my head as I looked at her in my arms. She was all woman, but like this I couldn't help but feel protective of the young woman who'd been forced into making choices that led her to my bed. The whole experience was amazing, but it was still... ugh. I set Ivy down on the bed and lay the sheet over her, and she curled up around a pillow and continued to mumble. This let me find and pull my shorts back on and exit the room. Erica was sitting on the murphy table, which she'd folded down, and Vanessa was sitting on the L-bench. "Vanessa, I am so sorry you got an eyeful of me like that," I said. "No, it's fine," Vanessa said, raising a hand. "You guys explained some of it last night, and Erica was just telling me again about the whole vaccine process and stuff. I didn't realize that's what this was and you couldn't, ah, interrupt the process." I nodded, and during the following brief conversation I apologized a couple more times. We quickly went through the plan for the day; which included finishing up all the rest of the moving out of the house so that it could be demolished the next morning. "And that's it," Vanessa nodded. "Uh, before I go; could I see her?" "You mean Ivy?" Erica asked. "Yeah," Vanessa said. "I mean, not if she's in a compromising position or whatever. But last night you and Leo talked about the 'imprinting' thing, and I'm probably going to have to do that eventually. I'd like to see it beforehand." I sucked my teeth for a moment, then nodded. "Sure, I think she should be decent." I led Vanessa to the back of the RV and opened the bedroom door. Ivy was still where I'd left her. Vanessa scooted around the outside of the bed, leaning forward and watching Ivy's face as she smiled and mumbled 'Imprinting' over and over. "That's freaky," Vanessa whispered, standing back up and coming out of the room. "But she's also gorgeous." "Just wait until you see her tattoos," Erica said. "She has some really interesting work done." "Yeah?" Vanessa asked. "Cool. I'm looking forward to meeting her." Erica smiled. "So, uh, how long before you need us?" "Like, twenty minutes ago," Vanessa smirked. "No," Erica shook her head. "I mean, how long until you need us." "Oh!" Vanessa said again, her eyes going wide. "Um.. another... fifteen minutes?" Erica smiled and winked. "I'll make it work." Vanessa, blushing, left the RV and shut the door behind her, while Erica turned and dropped the robe, revealing her naked body to me again. "I need you to fuck my orgasm back to life, babe," she said, staring hotly. "Fuck me fast and hard." I pulled her into my arms, laughing along with her as I glanced around the RV, deciding which part of the big luxury vehicle we should christen first. With Ivy safely tucked away in the back of the RV, and Erica and I working the knots out of her system quickly, it really was time to get to work. While Erica and I had been busy, Leo had been equally busy, going to wake up Danielle and show her their new temporary home as well. "Come on, rabbits," Erica called, knocking on the back window of their RV. "You would have been so pissed if he did that to you," I said. Erica laughed and shrugged. "Yeah, so?" "You two have a very different relationship than me and my sister," I said. The curtain on the window pulled aside a little, Leo glancing out and glaring at Erica. "Fuck off," he said, flashing her the finger. "We need to get to work!" Erica called again. Leo looked like he was about to say something snarky, but was pulled away and Danielle was now in the open corner of the window. "Sorry," she said, barely audible through the glass and over the sounds of construction work happening nearby. "I'll make sure we're quick." Her angelic face flashed us both a smile, and then she dropped the curtain. "Did you see what I saw?" Erica asked, turning to me. "You mean her whole naked tit?" I asked. "God damn, it's like that girl was manufactured to be 'Sexiest Woman Alive," Erica chuckled. "I don't know about that," I said, taking her hand and leading her away. "You'd give her a run for her money." "Compliments will serve you well, boyfriend," Erica smiled, squeezing my hand and winking. It turned out that the surveyors didn't need major tours again yet, so I was more free to help with the packing and the moving. Once Leo and Danielle joined us; letting us know the water pressure in the RV showers was pitiful at best; the work went quickly. We moved our clothing and things we knew we'd need sooner than later into the RVs, everything else got moved into the storage containers. A third container was dropped off to help with housing Leo's woodworking equipment, which gave us more space to start organizing things as well. How long did a house take to build? How long until they even started on our houses? These were the sorts of questions we just didn't have answers to, so we had to guess we would probably be in the RVs at least through the fall and winter and into next year. It was around the middle of the afternoon, and I was busy securing my father's old gun safe in the storage container with the woodworking tools, when I heard the telltale sound of another vehicle pulling up the driveway. Not three days ago, that sort of commotion would have had me wondering who it could be, and why they were out here in the middle of nowhere. And that wasn't just because of the pandemic quarantine; it had been that way my whole childhood. There were three kinds of visitors to the Black family ranch; expected, in need, and unwanted. Now I heard vans and trucks moving almost constantly, and there must have been thirty or more people working just within fifty yards and I'd only met half of them. It was strange. "Excuse me, Mr. Black?" A man asked. I turned from the gun safe and found a scraggly-looking kid, maybe all of twenty and looking like he was all bones and unkempt facial hair. He was wearing a reflective construction vest and had a hard hat tucked under one arm. "Just Harrison is fine," I said, shutting the safe and spinning the dial to lock it. "What can I do for you? Is Vanessa looking for me?" "Who? No, I don't think so," the kid said. "I'm with the grading crew working on the highway? There's, uh, some people who showed up demanding to talk to you." I took a breath and nodded. It could have been a couple of different people. "What did they look like?" "Well," he hesitated. "There were two women and three men, and they pulled up in a green pickup truck and a white panel van." "Kid, are they all Natives?" I asked. "Um, yeah," he said, clearly uncomfortable. He'd likely grown up somewhere far from a reservation, and probably in a major city, so his experience was limited to a little bubble. "Alright, I know what this is," I sighed. Part of me considered opening the gun safe back up, but I ended up figuring it would just make things worse. Guns usually did. It was tempting, though. I followed the kid out to the front and waved down Erica and Vanessa as they were talking on the front stoop of the house. "Hey, I need to head down to t

A citizen of the Cherokee Nation, Jay Hannah served as the Nation's Secretary-Treasurer and as Chairman of the Nation's 1999 Constitution convention.As Board Chairman of Cherokee Nation Business, Jay directed the Nation's holding company for all enterprise operations. He Co-Chaired the Nation's Private Industry Council with Principal Chief Wilma Mankiller.A community banker for over 40 years in Oklahoma, Jay has served as bank president in the communities of Guthrie and Tahlequah. As head of Financial Services for BankFirst, Jay supervises a wide range of profit centers and support units.He is a frequent lecturer at a variety of schools offered by the Oklahoma Bankers Association.In Jay's oral history, you will encounter a history lesson of the Cherokees as it relates to the state of Oklahoma, on the podcast and oral history website VoicesOfOklahoma.com.

When Haley Omeasoo was at the University of Montana, she remembers hearing the news that her friend, classmate and relative, Ashley Loring Heavyrunner went missing. Years later, Haley, a doctoral student in forensic anthropology, has founded a growing nonprofit organization focused on bringing crime scene investigation services to reservations. After meeting while searching for Ashley, Haley and I sat down to discuss her journey.To find out more about her forensic science firm:https://www.ohkomiforensics.com/Contact me at silverliningshandbookpod@gmail.comCheck out the Silver Linings Handbook website at:https://silverliningshandbook.com/Check out our Patreon to support the show at:https://www.patreon.com/thesilverliningshandbookJoin our Facebook Group at:https://www.facebook.com/groups/1361159947820623Visit the Silver Linings Handbook store to support the podcast at:https://www.bonfire.com/store/the-silver-linings-handbook-podcast-storeVisit The True Crime Times Substack at:https://truecrimemessenger.substack.comThe Silver Linings Handbook podcast is a part of the ART19 network. ART19 is a subsidiary of Wondery and Amazon Music.See the Privacy Policy at https://art19.com/privacy and the California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

With the English Empire on the rise the Spanish consolidate their holdings in Florida and prepare for the worst, but the largest threat will prove to come from mother nature and the neighboring Natives. All of this is happening as the founding generation of Saint Augustine passes on.

In this episode Nick talks about the Texas Floods, Intercepted Planes, Trump Vs. Mamdani, Bodega Cats and Natives on the Right Side! Watch Nick on the FREE RUMBLE LIVE LINEUP at 6pm ET https://rumble.com/TheNickDiPaoloShow TICKETS - Come see me LIVE! For tour dates and tickets -  https://nickdip.com MERCH - Grab some snazzy t-shirts, hats, hoodies,mugs, stickers etc. from our store! https://shop.nickdip.com/ SOCIALS/COMEDY-  Follow me on Socials or Stream some of my Comedy -  https://nickdipaolo.komi.io/

On Thursday's Morning Focus, Alan Morrissey was joined by Paul Doran, the writer of Natives. Paul Doran will be known to music lovers as the writer of Natives, a song that has been sung by Christy Moore since 1987, when it was released as a single from his Unfinished Revolution album. He also had a number one single in 1986 with Make it Work, which was co-written with Christy. Paul has written a new song, one that focuses on one of the biggest global issues of recent years. Paul's song In Palestine features some heavyweight Clare talent; the gifted accordionist Sharon Shannon and multi instrumentalist and producer Ger O'Donnell. The song is available as a free download in exchange for a donation to Gaza Go Bragh. PHOTO CREDIT: Paul Doran

Send us a textEpisode 228: No Playoffs? Think Again – Powered by 3Natives Royal Palm BeachToday we're joined by legendary NFL head coach Jim Mora, former leader of the New Orleans Saints and Indianapolis Colts. We dive into unforgettable moments from his coaching career, his famous "Playoffs?!" rant, and his thoughts on today's game.This episode is powered by 3Natives Royal Palm Beach – where fresh meets fuel. Whether you're grinding through your day or powering up post-workout, 3Natives has the bowls, smoothies, and wraps to keep you going.Tune in, sit back, and get ready for a conversation that's as fresh as your next order from 3Natives.

Send us a textBlended Takes is back with another loaded episode.Powered by 3 Natives Royal Palm Beach We're diving into the AFC shake-up as Aaron Rodgers joins the Steelers , does he instantly make them a top-3 contender? Plus, a legacy debate: is Drew Brees the most disrespected elite QB ever, and how does his career really stack up against Aaron Rodgers?We're also checking in on Trevor Lawrence is he still the future, or just another name that never hit?Over in the Bronx, the Yankees are slipping… is it time to hit the Pinstripe Panic Button?And finally, it's time to Crown the King. Who's the real MVP of the MLB season so far?Tap in bold takes, smart debates, and everything in between.

The American West was the meeting ground for numerous races and cultures; Native Americans, Hispanics, Anglo Americans, African Americans, and Chinese immigrants. During Westward Expansion, each group brought their own musical tradition and expressed themselves through song. We examine their stories of oppression, resistance, and peace, told through music.Find the full transcript of this episode including citations at our website:https://www.americanhistoryremix.com/episodeguide/music-and-raceIn this episode we cover…Introduction [00:00-03:15]Native Americans [03:15-07:01]Blackface Minstrelsy [07:01-10:56]The Banjo [10:56-13:46]Chinese Immigrants & Yellowface [13:46-17:06]Cantonese Opera [17:06-19:20]Chinese Immigration [19:20-21:39]Racial Hierarchy [21:39-23:03]Pan-Indian Identity [23:03-25:02]Ghost Dance [25:02-28:29]Mexican Americans [28:29-30:31]Corridos [30:31-33:56]Cantonese Songs [33:56-36:15]Immigration & Sexuality [36:15-38:18]Natives & the Overland Trail [38:18-42:15]Indianist Movement [42:15-44:12]African American Performers [44:12-47:02]Cross-Racial Love [47:02-49:00]Diversity in the West [49:00-50:14]Conclusion [50:14-51:54]To dive deeper into these topics (affiliate links):David Dary, Seeking Pleasure in the Old Westhttps://tinyurl.com/Seeking-PleasureLaurent Dubois, The Banjo: America's African Instrumenthttps://tinyurl.com/The-BanjoMarlon K. Hom, Songs of Gold Mountain: Cantonese Rhymes from San Francisco Chinatownhttps://tinyurl.com/Songs-of-GoldKrystyn R. Moon, Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920shttps://tinyurl.com/Moon-YellowfaceMelissa Parkhurst, To Win the Indian Heart: Music at Chemawa Indian Schoolhttps://tinyurl.com/To-Win-the-Indian-HeartIrwin Siber and Earl Robinson, ed., Songs of the Great American Westhttps://tinyurl.com/Songs-of-the-GreatJudith Vander, Shoshone Ghost Dance Religion: Poetry Songs and Great Basin Contexthttps://tinyurl.com/Shoshone-Ghost-DanceMusic Credits:"Corrido de Joaquín Murrieta" by Luis Méndez and Guadalupe Bracamonte from the recording entitled Raíces Latinas: Smithsonian Folkways Latino Roots Collection, SFW40470, courtesy of Smithsonian Folkways Recordings. (p) 2002. Used by permission.“Ghost Dance Song” performed by Red Shadow Singers. Used with permission. Turtle Lodge (Sagkeeng First Nation, Manitoba, Canada) and Red Shadow Singers. “Spanish is the Loving Tongue” by Charles Badger Clark and Billy Simon. Arranged by Lara Randby. Performed by Matt Stutzman. Used with permission.“Oh! Susanna” By Stephen Foster. Performed by Tom Roush.“Navajo War Dance no. 2” by Arthur Farwell. Performed by Chris Brewer, 2024.  Public Domain.“Rosa Cheng Artist Video” by Rosa Cheng, Published 2021. Permission granted by Rosa Cheng, Artistic Director of the Vancouver Cantonese Opera.Support the show

A PROUD QUEER, AFRO-NUYORICAN WRITER, ACTOR, & PRODUCER Ronald Hinton shares growing up with his grandmother in NYC's Upper West Side, reclaiming pride in his roots through writing, launching his Queerty-nominated web series Natives to spotlight queer life in public housing, and building community through the Queer Voices: NYC Film Festival. Instagram - @lalistapodcast Music: Arriba Mami - Jingle Punks

Welcome, Angelina Alanis! Angelina is the Communications & Partnerships Coordinator at Festival Beach Food Forest. She talks about the importance of food forests and urban green spaces in general. The Festival Beach Food Forest, based in Austin, Texas, was founded on Indigenous land stewardship practices. It's filled with edible plants, rest spaces, and a communal gathering area under the tree canopy where different events are held, including weekly yoga sessions and monthly plant ID walks. This abundant space was intentionally designed to build community and foster a connection to the Earth. It sits next to a large highway, I-35, and is situated in a historically redlined neighborhood. The Festival Beach Food Forest illustrates the power of healing through community and urban green spaces, and is a great example for cities everywhere. We acknowledge that Austin, Texas lies on unceded Sana, Comanche, Coahuiltecan, and Jumanos land. ResourcesFestival Beach Food Forest WebsiteAddress: 25-1/2 Waller Street, Austin, Texas 78702Donate to Festival Beach Food ForestInstagramFacebookDefinitionsFood forest: a type of garden where you grow many different fruits, nuts, herbs, and vegetables. It is designed to mimic a natural forest and has many different layers, from trees to shrubs, ground cover plants, vines, and more.Redlining: typically refers to the practice of creating and enforcing discriminatory policies or laws, particularly in relation to housing, lending, and access to resources. The term originates from the practice of drawing red lines on maps to outline areas that were deemed too risky for investment, often based on the racial or ethnic composition of the neighborhood.Permaculture: a type of agriculture intended to be self-sufficient, based on traditional practices that use natural resources and minimize waste.Topography: features of land surfaces or landformsSwales: a sunken or marshy place with gently sloping sides designed to manage water runoff, filter pollutants, and increase rainwater infiltration. Bioswales are swales that involve the inclusion of plants or vegetation.Natives or native plants: a plant is native if it has occurred naturally for thousands of years in a region, ecosystem, or habitat without human introduction.Biodiverse: Biodiversity is the variability of life on Earth. The more biodiverse an area, the more species variety there is. If you liked this episode, please rate and review the podcast on your favorite streaming platform. We appreciate your feedback.

Shot hole borer, the best natives for clay soil and bougainvillea gone ballistic 10:04 Best natives for a dolerite heavy soil38:52 Bougainvillea gone ballistic47:37 Will bull banksia tube stock cope with a heavy clay soil?Subscribe to the podcast through the ABC Listen App, Apple Podcasts or wherever you like to listen.Listen to the program live on Saturdays at 9:00AM on ABC Radio Perth and ask your questions by calling in on 1300 222 720 or text 0437 922 720.

82-year-old Ruby Leith Minkel and her daughter Carrie Minkel-Johnson live in the Lower Sioux Indian Community in southwest Minnesota. Together, they make star quilts as gifts for people both within and outside of the community.“I love making the quilts, and it's just something that I appreciate,” Leith Minkel said.When they are not at home in their personal sewing rooms, the two utilize the Lower Sioux Cultural Incubator, a community center that provides a variety of cultural classes, activities and space to use.The quilting studio is lined with several sewing machines. Thread, scissors and other supplies can be found in small plastic bins. The space has two large tables for laying fabrics across, rather than on the floor.‘At least I got her with me' Leith Minkel first learned to sew in high school, but she didn't start making star quilts until the mid-1990s. She says she only needed to be shown twice before she started working independently. “I started teaching it. I taught a few women around here that are still doing it, and I'm glad they are, because I don't want that lost. I want to keep that going,” she said. “That's why I got her [Minkel-Johnson] going.” For Minkel-Johnson, a seamstress in her 60's, she says she never imagined herself making quilts. She finally said ‘yes' five years ago after many years of her mother asking to teach her. “I never wanted her to teach me how, because I thought, if she teaches me that, what else can she teach me? You know, that was the last thing that I could think of that I wanted to learn from my mother,” she said. “[I] didn't realize it was going to bring us closer together and to spend more time together.” Leith Minkel says it didn't take long for her daughter to catch on to the sewing patterns, just like herself.   Minkel-Johnson says she enjoys working closely with her mother. Quilting keeps them busy and active with fulfilling order requests or traveling to various powwows together with a table and chairs in tow.“We don't make a lot of money making these quilts. It's more [about] having your little fingerprint on something that's going to be out there,” said Minkel-Johnson, “I'm enjoying it. I love doing it with mom.”Even though the two are neighbors, Minkel-Johnson says the quilts bring them together. Outside of their shared love for quilting, she says it's rare that they see one another.  “We're so busy trying to get our quilts done. We'll call each other, ‘Okay, what are you doing? How far are you?'” she said.  Leith Minkel shares in those sentiments that she loves being able to share a special bond with her daughter over star quilts.  “It's nice because, at least I got her with me,” Leith Minkel said. ‘It's an honor' Birthdays, graduations, weddings or funerals are events in one's life that may call for a gift of a star quilt or blanket.  “When you're making it, you're thinking of who you're making it for,” Leith Minkel said.  She recently began working on a star quilt for a baby, choosing fabric from children's cartoons, and pink fabric for a base color. Star quilts can be created in a variety of sizes and colors, depending on the recipient's age or interests.  However, one thing consistent within the designs of the quilts is the signature diamond-shaped star with eight points.  “The Natives, they came from the Star Nation,” Leith Minkel explains. While holding a quilt with her mother — showcasing a star as its centerpiece with vivid colors of the medicine wheel: yellow, red, black and white — Minkel-Johnson shares what she had been taught about star quilts. She points to the Seven Fire Councils, an alliance of the varying groups of the Dakota, Lakota and Nakota people. The two make their star quilts with this in mind — the points on the quilt represent each of the seven. “And the eighth is for the person who made the star,” she said.  To both, a star quilt represents honor.  “I always feel that it's an honor to give the quilt to them, and I can just feel the honor it is for somebody that's receiving one that we made,” Minkel-Johnson said.  Recently, they made about 50 star quilts for this year's graduates in the Lower Sioux Indian Community. They also make star quilts upon request for those outside of their community, including graduates living in the Twin Cities area.  Leith Minkel says she can make a full quilt within two days.  “It's something that I'll probably do till the day I'm gone,” Leith Minkel said.Chandra Colvin covers Native American communities in Minnesota for MPR News via Report for America, a national service program that places journalists into local newsrooms to report on undercovered issues and communities. 

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Cullen and Mason chat with Nik from Local Natives. They chat about his history with the band, their newest album, and the bands that have influenced him.Check out Local Natives: https://localnatives.comFollow us on Instagram: instagram.com/theblacksheeppodcastSubscribe to our YouTube channel: youtube.com/@theblacksheeppodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-blacksheep-podcast-presented-by-hm-magazine--2258933/support.

Joseph Kellogg was the longest serving commander of Fort Dummer. He established trade with local Natives and was known for his skills as an interpreter. Kellogg was involved with many of the New England and New York treaties negotiated during this time. Here's his story...

I get DMs all the time about things people love or hate about L.A. and one of the things people 'hate' the most are the transplants. Another thing people 'hate' are the natives. So who is right? Why do natives hate transplants and transplants hate natives? I dive into this dichotomy which is actually L.A.'s Civil War.

Send us a text#22400:00: Intro: a new Sponsor?? Try out 3 Natives now on Royal Palm Beach Blvd  02:45: Trip to Boca Raton! Hammerhead Shark04:25: Fun game build your own team together Aaron and Kris20:20: 2025 NFL MVP Predictions 27:00: Hard Knocks NFC East35:37: MLB Around the Horn37:17: Indy 500 and race weekend!40:05: Outro: Did we mention we got a sponsor?! Lol continue to follow and subscribe

When Dione Thomas died in a Gallup, New Mexico hotel room, it was ruled a homicide. Deep into the investigation, the family discovered it had been reclassified as an undetermined death. Similar to the family of Ellen Greenberg in Pennsylvania, her family is pushing for an independent forensic pathologist to review the case and for the death to be once again classified as a homicide. But, unlike the Greenberg case, the family of Dione is dealing with the complexities of being Natives trying to get justice. I conclude my conversation with Dione's sisters', Christine Means and Karen Watson. Along the way, we get a glimpse of the hope, power and love of an inspiring family. I conclude my conversation with Karen and Christine.Contact me at silverliningshandbookpod@gmail.comCheck out the Silver Linings Handbook website at:https://silverliningshandbook.com/Check out our Patreon to support the show at:https://www.patreon.com/thesilverliningshandbookJoin our Facebook Group at:https://www.facebook.com/groups/1361159947820623Visit the Silver Linings Handbook store to support the podcast at:https://www.bonfire.com/store/the-silver-linings-handbook-podcast-storeVisit The True Crime Times Substack at:https://truecrimemessenger.substack.comThe Silver Linings Handbook podcast is a part of the ART19 network. ART19 is a subsidiary of Wondery and Amazon Music.See the Privacy Policy at https://art19.com/privacy and the California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In many ways, the death of Dione Thomas is the Indigenous Ellen Greenberg case. Christine Means and Karen Watson have spent years questioning the circumstances surrounding their sister Dione's death. At first, the police in Gallup, New Mexico, said it was a murder and they had a suspect. Years later, the family found out that the medical examiner classified what appeared to be a brutal beating as "undetermined." Karen and Christine join me to discuss Dione's case and unequal justice for Natives in the U.S.Contact me at silverliningshandbookpod@gmail.comCheck out the Silver Linings Handbook website at:https://silverliningshandbook.com/Check out our Patreon to support the show at:https://www.patreon.com/thesilverliningshandbookJoin our Facebook Group at:https://www.facebook.com/groups/1361159947820623Visit the Silver Linings Handbook store to support the podcast at:https://www.bonfire.com/store/the-silver-linings-handbook-podcast-storeVisit The True Crime Times Substack at:https://truecrimemessenger.substack.comThe Silver Linings Handbook podcast is a part of the ART19 network. ART19 is a subsidiary of Wondery and Amazon Music.See the Privacy Policy at https://art19.com/privacy and the California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Meg and Myra discuss life updates, Cowboy Carter tour is HERE, Katy Perry, Meg Thee Stallion, 1 Gorilla v 100 Men, Sinners movie, and current feelings about planning.Shop Plum Paper for 25% off SITE WIDE ! Use code WINE10 for an extra 10% off. SHOP HERE!Want to check out the Patreon FOR FREE?! ⁠JOIN HERE ⁠to check out exclusive content and get a taste of the Patreon crew!Check out our NEW MERCH ⁠HERE! ⁠Check us on TikTok: @PlannersandwineBusiness inquiries: hello@plannersandwine.com For more info, head to Plannersandwine.com !Follow us on IG:@plannersandwineMegan's IG: @megsgotaplanMyra's IG: ⁠@bymyrap⁠Thank you to the sponsors of this episode Plum Paper and Spotify for Podcasters.

You are in for a treat today, pilgrim! I'll be ranking my favorite Western films of all time. I have a feeling many of these films will get a tip of my hat. However, I hope some of them are bad so I can shoot them into their grave. Keep your trigger finger ready and your eyes on the screen—yee-haw!

This week's episode of Parsing Immigration Policy features a discussion of a new report from the Center for Immigration Studies, which reveals that both immigrant and U.S.-born women are having fewer children than they did 15 years ago. Based on data from the 2023 American Community Survey (ACS), collected by the U.S. Census Bureau, the report […]

This week's episode of Parsing Immigration Policy features a discussion of a new report from the Center for Immigration Studies, which reveals that both immigrant and U.S.-born women are having fewer children than they did 15 years ago. Based on data from the 2023 American Community Survey (ACS), collected by the U.S. Census Bureau, the report […]