Podcasts about donna j

Donna J is from Florida, she is sharing on Step 2 at the Addition By Subtraction meeting held on zoom at the end of January 2024. I just added an event that is happening very soon (9-11th) in Texas, The Texas Al-Anon Alateen Conference details here: https://scast.us/texalateen Update on the discussion survey from the last week, I was surprised by how many people responded (thank you for doing that) the vast majority were in favor of it, so I am going to move forward with it. It will be a private forum, that was in the lead by quite a bit followed by discord then a facebook group and all the rest after that. It surprised me a bit I was thinking it would be discord but it was a distant second. It will take me a couple of weeks to get it set up, forums have a million settings to tweak and Ill make it as private as I can. I will let you know as soon as its ready, again thank you. If you have any AA or Al-Anon event coming up let me know I am happy to help get the word out. https://scast.us/events Email: sobercast@gmail.com Support Sober Cast: https://sobercast.com/donate AA Event List: https://scast.us/events If you have an AA roundup, retreat, convention or workshop coming up, we would be happy to give you a shout out here on the podcast and list the event on the Sober Cast website. Visit the link above and look for "Submit Your Event" in the blue box. Sober Cast has 2400+ episodes available, visit SoberCast.com to access all the episodes where you can easily find topics or specific speakers using tags or search. https://sobercast.com

This episode navigates this question using an associative method which links stories and sounds, forming a non-linear audio collage. Listeners are invited to tune in to their affective and embodied responses to end time stories including Lulu Miller's podcast and Kiyoshi Kurosawa's horror film, and stories of endurance, with Kathy Jetñil-Kijiner's poem and Tanya Tagaq's audiobook.Nadège Paquette (she/they) is a white settler living in Tiotià:ke/Montréal, on the lands and waters of the Kanien'kehá:ka Nation, where they are completing a master's degree in English Literature at Concordia University. Their research interests aggregate around the relationship between human and nonhuman forms of life and nonlife. They are drawn to narratives of the future extrapolating present troubles and delving into already-existing Indigenous, decolonial, queer, and non-anthropocentric alternatives to a colonial and capitalist world. For them, some of those alternative worlds take the form of collective gardens where they love to work with plants, soil, water, animal, and human neighbors.*Show NotesMusic:Tom Bonheur https://www.instagram.com/dj.g3ntil/Kovd, Kvelden, Tell What You Know, Ivory Pillow, and Fever Creep by Blue Dot Sessions https://app.sessions.blue/Podcast:“The Wordless Place” Lulu Miller https://radiolab.org/podcast/wordless-place“Why Podcast?” Hannah McGregor and Stacey Copeland https://kairos.technorhetoric.net/27.1/topoi/mcgregor-copeland/index.htmlShort Film:Anointed, Kathy Jetñil-Kijiner and Dan Lin https://www.kathyjetnilkijiner.com/videos-featuring-kathy/Film:Pulse, Kiyoshi KurosawaAdditional sounds from:“Interview with Tanya Tagaq,” Alicia Atout https://www.youtube.com/watch?v=FupatQbcTeM“Open Dialogues: Daniel Heath Justice,” Centre for Teaching, Learning, and Technology https://www.youtube.com/watch?v=VrBN8_IGuuw“Monster 怪物,” United for Peace Film Festival https://www.youtube.com/watch?v=m8OJulGi1Rg*Works CitedBouich, Abdenour. 2021. “Coeval Worlds, Alter/Native Words.” Transmotion 7 (2). https://doi.org/10.22024/UniKent/03/tm.980.Butler, Judith. 2003. “Violence, Mourning, Politics.” Studies in Gender and Sexuality 4 (1): 9–37. https://doi.org/10.1080/15240650409349213.Chion, Michel. 2017. L'audio-Vision : Son et Image Au Cinéma. 4th Edition. Armand Colin.Copeland, Stacey, and Hannah McGregor. 2022. Why Podcast?: Podcasting as Publishing, Sound-Based Scholarship, and Making Podcasts Count. Vol. 27, no. 1. Kairos: A Journal of Rhetoric, Technology, and Pedagogy. https://kairos.technorhetoric.net/27.1/topoi/mcgregor-copeland/index.html.Eidsheim, Nina Sun. 2019. “Introduction: The Acousmatic Question: Who Is This?” In The Race of Sound, 1–38. Listening, Timbre, and Vocality in African American Music. Duke University Press. https://doi.org/10.2307/j.ctv11hpntq.4.Goodman, Steve. 2010. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Technologies of lived abstraction. Cambridge, Massachusetts: The MIT Press. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018751433&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.Haraway, Donna J. 2016. Staying with the Trouble: Making Kin in the Chthulucene. North Carolina, United States: Duke University Press.Hudson, Seán. 2018. “A Queer Aesthetic: Identity in Kurosawa Kiyoshi's Horror Films.” Film-Philosophy 22 (3): 448–64. https://doi.org/10.3366/film.2018.0089.JLiat. 1954. Bravo. Found Sounds. Bikini Atoll. http://jliat.com/.Justice, Daniel Heath. 2018. Why Indigenous Literatures Matter. Wilfrid Laurier University Press.Kurosawa, Kiyoshi, dir. 2001. Pulse. Toho Co., Ltd.Lamb, David Michael. 2015. “Clyde River, Nunavut, Takes on Oil Indsutry over Seismic Testing.” CBC. March 30, 2015. https://www.cbc.ca/news/canada/north/clyde-river-nunavut-takes-on-oil-industry-over-seismic-testing-1.3014742.Lin, Dan, and Kathy Jetnil-Kijiner, dirs. 2018. Anointed. Pacific Storytellers Cooperative. https://www.youtube.com/watch?v=hEVpExaY2Fs.Madwar, Samia. 2016. “Breaking The Silence.” Text/html. Up Here Publishing. uphere. Https://uphere.ca/articles/breaking-silence. 2016. https://uphere.ca/articles/breaking-silence.Miller, Lulu. 2022. “The Wordless Place.” Radiolab. https://radiolab.org/episodes/wordless-place.Morton, Timothy. 2013. Hyperobjects: Philosophy and Ecology after the End of the World. Posthumanities 27. Minneapolis (Minn.): University of Minnesota Press.Raza Kolb, Anjuli Fatima. 2022. “Meta-Dracula: Contagion and the Colonial Gothic.” Journal of Victorian Culture 27 (2): 292–301. https://doi.org/10.1093/jvcult/vcac017.Robinson, Dylan. 2020. Hungry Listening: Resonant Theory for Indigenous Sound Studies. 1 online resource (319 pages) : illustrations vols. Indigenous Americas. Minneapolis: University of Minnesota Press. http://public.eblib.com/choice/PublicFullRecord.aspx?p=6152353.Sontag, Susan. 1966. Against Interpretation and Other Essays. London: Penguin Classics.Tagaq, Tanya. Split Tooth. Viking, Penguin Random House, 2018.Tasker, John Paul. 2017. “Supreme Court Quashes Plans for Seismic Testing in Nunavut, but Gives Green Light to Enbridge Pipeline.” CBC. July 26, 2017. https://www.cbc.ca/news/politics/supreme-court-ruling-indigenous-rights-1.4221698.Yamada, Marc. 2020. “Visualizing a post-bubble Japan in the films of Kurosawa Kiyoshi.” In Locating Heisei in Japanese Fiction and Film : The Historical Imagination of the Lost Decades, 60–81. Routledge contemporary Japan series. Abingdon, Oxon ; Routledge. https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2279077.Yusoff, Kathryn. 2018. A Billion Black Anthropocenes or None. Minneapolis: University of Minnesota Press.

Season 4 of the Choose RCVRY comes with more Dose of Hope episodes and more behind the scenes happenings around Choose RCVRY! Donna J was interviewed on this episode of the Dose of Hope!----------------More on the Choose RCVRY Brand visit https://chooseRCVRY.com Think of us like this crazy mission minded brand.... all based in epic Alaska and run by regular people with a dream to make this world a better place!It's like this....1. Buy Rad Stuff -- 2. Wear said Rad Stuff -- 3. Inspire Others------------Thanks so much for listening! Like, subscribe, share to help us get our channel out to more people! View all of our content including apparel and behind the scenes vids and full video episodes at our channels below!visit us are our full site at:https://chooseRCVRY.comhttps://facebook.com/chooseRCVRYhttps://instagram.com/chooseRCVRYhttps://tiktok.com/@chooseRCVRYhttps://www.youtube.com/channel/UCIOAF4sfiiuq_1CIX5iYpxQAnd info about Freedom House can be found at:https://freedomhouse907.com

We're making some changes here at Donna J.We're leaning hard into the anti-aging and longevity aspects of wellness because I plan on living to the ripe old age of 107 and need healthy, cool people to hang out with.We've come to accept those aches, pains and illnesses that we get after 50 as "normal" aging, and they're not, they're warning signs that you need to make lifestyle changes.

Donna J leads this meeting of the Bronx Big Book Study Friday Night Workshop Series on the topic of, Lack of Power That Was Our Dilemma. This was from October of 2021 and the Q& A mentioned at the end was not included with the recording. Zoom Email: sobercast@gmail.com Support Sober Cast: https://sobercast.com/donate We have added a page of meetings that have moved online https://sobercast.com/online-meetings Sober Cast has 1800+ episodes available, visit SoberCast.com to access all the episodes where you can easily find topics or specific speakers using tags or search.

Stephanie E. Hanes was born in Alberta, Canada in 1985. In 2009 they received a BFA from The Nova Scotia College of Art and Design University in Halifax, Canada. Hanes is a recent MFA Graduate of Ceramics at the Rhode Island School Of Design in 2017 and received the prestigious Toby Devan Lewis Fellowship for a graduate student with exceptional promise. Stephanie was one of the artists awarded the 2020 NCECA Emerging Artist Prize. In addition, they have exhibited Internationally with a solo show at C.R.E.T.A Rome Gallery in Italy and several group shows at Lefebvre et Fils Gallery in Paris, France. Their ceramic sculptures have been exhibited throughout the USA in New York City, Providence, Seattle, Portland, and Los Angeles. Hanes is a full-time lecturer in 3D4M at the University of Washington in Seattle, where they teach sculpture and ceramics. Topics Discussed In This Episode: The male gaze vs the female gaze The art of turning the internal world into external objects Female bodies always changing to suit the patriarchal norms of the time Using the techniques of “chiaroscuro” and “englaze luster” in their sculptures Their research into queer and feminist theories Identity and gender expression Pansexuality Grappling with pain and suffering “À Priori” and “À Posteriori” Immanuel Kant's writing on metaphysics Semiotics Following false prophets in our patriarchal society Their residency in Rome in 2014 where they started creating ceramic sculptures and where they created their body of work entitled, “Into The Looking Glass” @ C.R.E.T.A. Rome. The Medusa in symbolizm The extinguishing of female powers by the patriarchy Their decision into why they decided to get an MFA Teaching her university students about gender, equality, and diversity Making ideas palatable in art “Find a way to make work no matter what” Authors and Book Recommendations: Bell Hooks Chimamanda Ngozi Adichie “Glitch Feminism: A Manifesto” by Legacy Russell “A Cyborg Manifesto” by Donna J. Haraway Artists Mentioned: Carolee Schneemann Theaster Gates Simone Leigh Katy Schimert Films and Documentaries Mentioned: Promising Young Woman (2020) Feminists: What Were They Thinking (2018) This Changes Everything (2018) artistdecoded.com stephaniehanes.net instagram.com/stephanie.hanes

I should have known better...***Written by Donna J.W. Monroe and narrated by Owen McCuen***Bonus episode: "Blind Man's Bluff Ritual" written by Ananorai***Find our reward tiers at patreon.com/creepypod***You can also subscribe to us on YouTube:https://www.youtube.com/creepypod***Sound Design by Pacific Obadiah***Title music by Alex Aldea***Intro/Outro Narration by Joe Stofko See acast.com/privacy for privacy and opt-out information.

Thank you for bringing your ears right here for episode 16 of CALM Conversations about Learning where we lean in to re-envision our children's education with and for the folks who matter most: teachers, parents and of course, our babies, big and small!This episode kicks off a 2-part conversation series dedicated to teaching and learning while Black, wherein you'll hear from two professors who have quite a bit to say on the subject. This week, Black Studies Professor Donna J. Watson (aka dj watson) joins us. I've known dj for over 20 years, first as  my professor then my mentor. I remember sitting in her classes then later working as her teaching assistant and just being in awe of how brilliant, funny and serious she was about her students becoming critical thinkers, which she referred to as “playing intellectual ball."  And for the first time ever in my school life, I thought, “I wanna be like that when I become a teacher.”    Over the years, dj and I have written, performed, and published creative works together and we've even run a community writer's workshop with other brilliant Black writers.She is one of my most cherished friends and though we are now on opposite coasts, she continues to inspire me as an educator, intellectual and artist. In this conversation, we discuss teaching and learning while black within the context of nature, land, art, perfectionism and why Black Studies matters, which is timely as California just made Ethnic Studies mandatory for high school graduation. I have a feeling that it's going to be a wild ride!Anyway, I've learned so much from this wise woman and I trust that you'll take away some nuggets to chew on from this conversation with Professor Donna J. Watson!Chunks & Nuggets Worth Summarizing: Trees, like humans, speak a language and possess the capacity for friendship and community.Making mistakes is a part of being human. Striving for perfection is a European construct.Growing and harvesting food for oneself= personal power and community power.Grownups need encouragement and positive feedback, too.Art is everywhere.Go to school but know what school is and know what it means to be educated.Synthesizing and Internalizing:Nature helps teach us how to become better humans. Let's take the children outside as much as possible so that they learn to love-- not fear nature.Everyone, both children and adults must remember that to err is human. So, let's begin with ourselves so that we can model self-compassion for the babies! Pay attention to the constructs that are rooted in racism and fear. In school, children of color are often taught to go against their culture of collectivism to compete in unhealthy ways. The message becomes "be better than" instead of "be excellent." When we believe that there is enough for everybody, we believe that we are enough. And this is where the brilliance begins. Let's  grow some food then share some food. Make art, find art and make space for our children to do the same so that they know that they are creators for life.Let's decide to think critically and creatively about what it means to educate our children. Follow DJ Watson on Instagram @mudrunink and check out her exquisite paintings!References from the Conversation:Three- time Kentucky Derby winner: Isaac Burns Murphy (1861-1896)Do the Podcast-Listener Thing: Follow. Subscribe. Rate. Review. 

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“DRAWING NOW alternative“ 14ème édition – Le salon du dessin contemporainau Carreau du Temple, Parisdu 10 au 13 juin 2021Interview de Joana P. R. Neves, directrice artistique de DRAWING NOW Art Fair et commissaire de l'exposition « Drawing Power – Children of Compost »,par Anne-Frédérique Fer, enregistrement réalisé par téléphone, entre Paris et Paris, le 3 juin 2021, durée 25'01.© FranceFineArt.Extrait du communiqué de presse :Organisation :Christine Phal, présidenteCarine Tissot, directeurJoana P. R. Neves, directrice artistiqueEn réaction à la situation sanitaire, l'équipe de DRAWING NOW Art Fair propose une version inédite, dans un tout nouveau lieu convivial et à taille humaine, de ce rendez-vous du dessin avec : DRAWING NOW Alternative qui aura lieu du 10 au 13 juin 2021 au 42 rue du Faubourg Saint-Antoine, à Paris 12ème. Afin de pouvoir proposer une 14èmeédition en présentiel DRAWING NOW se repense en événement alternatif, dynamique et convivial pour renouer avec ses publics.34 galeries investiront un ancien grand magasin au coeur du Faubourg Saint-Antoine, une formule souple qui permettra de recevoir les visiteurs sur réservation, en respectant les consignes sanitaires en vigueur au mois de juin. Une manière de renouer avec la formule des débuts qui avait fait son succès ! Les 34 galeries françaises et européennes ayant confirmé leur participation, présenteront leur sélection d'oeuvres autour du dessin contemporain de ces 50 dernières années. Les deux secteurs, Insight et Process, permettront une fois encore de montrer le versant le plus contemporain du dessin.Si le lieu de cette édition change avec cette adresse événementielle le contenu du salon reste dense avec des propositions couvrant les 50 dernières années du dessin contemporain et saura combler les attentes des visiteurs en attente de nouvelles découvertes, redécouvertes et rencontres.Les galeries participantesGalerie Alain Gutharc, Paris · Galerie Anne de Villepoix, Paris · Galerie Anne-Sarah Bénichou, Paris · Archiraar Gallery, Bruxelles · Backslash, Paris · C.A. Contemporary Fine Arts Vienna, Vienne · Galerie C, Neuchâtel et Paris · Espace à Vendre, Nice · Les Filles du Calvaire, Paris · Galerie Jean Fournier, Paris · Galerie 8+4, Paris · Galerie vachet-delmas, Sauve · Galerie Claire Gastaud, Clermont-Ferrand · Galerie Laurent Godin, Paris · Galerie Isabelle Gounod, Paris · Patrick Heide Contemporay Art, Londres · Galerie Ulrike Hrobsky, Vienne • Huberty & Breyne Gallery, Paris · Galerie Catherine Issert, Saint-Paul de Vence • Galerie Bernard Jordan, Paris • Galerie Lelong & Co., Paris · Galerie Maïa Müller, Paris · Galerie Martel, Paris • Galerie Maubert, Paris • Maurits van de Laar, La Haye · Gilles Drouault, galerie /multiples, Paris · Nosbaum Reding, Luxembourg · Galerie Oniris – Florent Paumelle, Rennes · Galerie Papillon, Paris · Galerie Catherine Putman, Paris · Galerie Ramakers, La Haye · Galerie Jean-Louis Ramand, Aix-en-Provence · Semiose, Paris · Xippas, Paris.Les expositions Drawing Power – Children of CompostDrawing Power – Children of Compost marque un début de collaboration avec le Frac Picardie donnant la part belle au dessin contemporain en lien avec la thématique de l'écologie et une partie des artistes de sa collection. Ainsi l'exposition Drawing Power – Children of Compost connaîtra plusieurs échos : d'abord au Frac Picardie à Amiens et pendant DRAWING NOW Alternative, à partir du 10 juin (jusqu'au 4 juillet 2021), puis au Drawing Lab à Paris à partir du 26 juin (jusqu'au 30 septembre 2021).L'exposition Drawing Power – Children of Compost, imaginée par Joana P. R. Neves, directrice artistique de DRAWING NOW Art Fair, et réalisée en partenariat avec le Frac Picardie, explore la façon dont les artistes se saisissent du dessin pour représenter, agir et réfléchir sur les enjeux écologiques actuels. Du rassemblement de données à des interventions sur des sites, le dessin prend le rôle d'interface pour nous sensibiliser aux questions climatiques, pour proposer de nouvelles façons de vivre ensemble et même pour construire des philosophies d'interaction au sein d'écosystèmes.Le dessin crée des formes et des représentations, des diagrammes et des motifs, des scènes et des figures. Nous avons besoin de ces nouvelles représentations pour imaginer autrement, et ainsi changer notre rôle sur la planète : la façon dont on conçoit la vie est la façon dont on la réalise.Pour ce faire, des auteurs engagés dans la lutte de l'urgence climatique tels que les anthropologues Philippe Descola et Eduardo Khon, et les philosophes des sciences Isabelle Stengers ou Donna J. Haraway, proposent de dépasser le binôme nature/culture (1) qui place « la nature » au service des humains et de leurs besoins, comme un « produit » auquel ils ne sont liés que comme consommateurs. En 2010, la « déclaration de diversité bio-culturelle » de l'Unesco a clairement affirmé l'interconnexion de la diversité biologique et culturelle (2).Ainsi, dans les arts plastiques, des notions héritières de cette séparation comme le paysage, le jardin, le sentiment bucolique, le sublime, sont naturellement revus par les artistes. Le besoin de se nourrir de savoirs immersifs et connectés autres que notre humanisme issu d'une période impérialiste est manifesté par la reconnaissance de l'art indigène comme art contemporain, mais aussi par l'immersion dans les écosystèmes combinés de l'art et de l'environnement. Ces nouvelles perspectives formulent des conceptions multiples du corps, de la science, de la sexualité, du travail et du temps en parallèle aux systèmes de production ultra-capitalistes.Ainsi, du rassemblement de données à des interventions sur des sites, le dessin prend le rôle d'interface pour proposer de nouvelles représentations du vivre ensemble. Ceci implique un dialogue avec des humains et des non-humains, pour citer Donna J. Haraway, à qui nous empruntons le sous-titre « enfants du compost » désignant une ère future de vie régénérée par de nouvelles conceptions du vivant (3). C'est ce futur que Drawing Power – Children of Compost propose de construire sur les difficultés du présent.Nous explorons le vivant dans la période de transition où nous vivons (avec des matériaux polluants sans lesquels il serait difficile de travailler). Nous nous engageons dans un futur déjà compromis, mais dont le destin est à faire si nous employons de nouvelles représentations pour interroger les conceptions défaillantes de nos cultures. Le dessin aide à édifier ces conceptions, dans sa capacité à schématiser des lois complexes, des frontières géopolitiques, à activer certains aspects des cultures ancestrales au même titre que la technologie moderne, à imaginer la temporalité de la création plutôt que de la « productivité », bref, de comprendre notre présence sur la planète comme compost – une présence génératrice plutôt qu'usurpatrice.Léger, élémentaire, parfois langagier, le dessin apporte un territoire de réflexion et d'action unique. Les artistes invités à participer à cette exposition incarnent un spectre large de pratiques. Elles vont de l'activisme au travail éloigné des grandes métropoles, aux expériences performatives, socio-politiques ou politico-poétiques. Certains artistes, comme le duo Hipkiss se placent en marge de la vie urbaine et défendent une vue éco-féministe ; d'autres, comme Jaanika Peerna, engagent le public dans le devenir de l'oeuvre représentant des glaciers en fonte ; des artistes du peuple Kwoma en Nouvelle-Papouasie, Agatoak Kowspi et Kowspi Marek, ont emprunté les outils de dessin occidentaux pour dessiner leur cosmogonie jusqu'alors orale ; certains partent en reconnaissance de zones intenses de combats éco-sociaux comme Marcos Ávila Forero et Noémie Pérez ; tandis que d'autres contribuent à une sensibilisation en amont de préoccupations écologiques comme Emily Lazerwitz, qui a relu la Bible en iconoclaste, n'en gardant que les « sémantiques premiers », à savoir des mots élémentaires, comme de nouvelles semences.Joana P. R. Neves, commissaire de l'exposition1. Philippe Descola, Par delà nature et culture, Paris Folio Essais, Gallimard, 2015.2. UNESCO, Linking Cultural and Biological Diversity: UNESC0-CBD joint programme, UNESCO, publié en 2010, [disponible en ligne] http://www.unesco.org/new/en/natural-sciences/special-themes/biodiversity/biodiversity-culture/unesco-cbd-joint-programme/ (consulté le 23/04/2021).3. Donna J. Haraway, Staying with the Trouble, Making Kin in the Chthulucene, 2016, Duke University Press. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

(Part II) On the heels of America facing a racial reckoning post-the murder of George Floyd, academia has been forced to examine its role in perpetuating racism and anti-blackness as illustrated with the hashtag turned movement:#BlackInTheIvory. Amplifying the voices of Black women in the academy, IA will explore this topic and the structures that need to be put in place for Blackademics to not only survive but thrive in the academy. Special guests: Dr. Donna J. Nicol & Dr. Natalie V. Nagthall (IA Associate Producer) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On the heels of America facing a racial reckoning post-the murder of George Floyd, academia has been forced to examine its role in perpetuating racism and anti-blackness as illustrated with the hashtag turned movement:#BlackInTheIvory. Amplifying the voices of Black women in the academy, IA will explore this topic and the structures that need to be put in place for Blackademics to not only survive but thrive in the academy. Special guests: Dr. Donna J. Nicol & Dr. Natalie V. Nagthall (IA Associate Producer) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Gods don't die easily. Neither do old soldiers. Written by Donna J. W. Munro (https://twitter.com/DonnaJWMunro)Narrated by Justin Fife (https://twitter.com/justinbfife)Edited by Duncan Muggleton (https://twitter.com/duncanmuggleton)With music by Duncan Muggleton (https://twitter.com/duncanmuggleton)and Thom Robson (https://www.thomrobsonmusic.com/)And sound effects provided by Freesound.orgThe episode illustration was provided by Luke Spooner of Carrion House (https://carrionhouse.com/)Check out more of Donna J. W. Munro’s work over at a www.donnajwmunro.com.And check out Justin’s new YouTube channel all about voice acting and narrating here. You can help support the show over at Patreon.com/HawkandCleaverYou can join our Bookclub, Movieclub, and joining in with the writing exercises over at Facebook.com/groups/hawkandcleaverT-shirts, mugs, posters, and comic books are available at www.gumroad.com/hawkandcleaverGet help with your short stories and your podcasts by heading to theotherstories.net/services The Other Stories is a production the story studio, Hawk & Cleaver, and is brought to you with a Creative Commons – Attribution-NonCommercial-NoDerivatives license. Don’t change it. Don’t sell it. But by all means… share the hell out of it. See acast.com/privacy for privacy and opt-out information.

In this episode we sit down with Real Estate Broker & Investor and newly minted Author Donna Rogers to talk about legacy building via real estate and her new book Who Got The Keys --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Donna J. W. Munro’s pieces are published in Dark Moon Digest # 34, Flash Fiction Magazine, Astounding Outpost, Nothing’s Sacred Magazine IV and V, Corvid Queen, Hazard Yet Forward (2012), Enter the Apocalypse (2017), Beautiful Lies, Painful Truths II (2018), Terror Politico (2019), Burning Love, Bleeding Hearts (2020), Borderlands 7 (2020), Gray Sisters Vol 1(2020) and others.  Her upcoming novel, Revelations: Poppet Cycle 1, will be published by Omnium Gatherum in 2020. Contact her at https://www.donnajwmunro.com or @DonnaJWMunro on Twitter. Bonus Content Author Interviews are not produced in studio and will vary from our Short Story productions.

Written by Donna J.W. Munro. Narrated by Trudy Leonard. Story published in the December 2020 issue of The Gray Sisters. Click here to submit your own short story for our next issue. Please support us and earn perks by becoming our Patron. Music Credits: Ancient Trials by VGM Mark H https://soundcloud.com/user-656562764 Music promoted by https://www.free-stock-music.com Creative Commons Attribution-ShareAlike 3.0 Unported https://creativecommons.org/licenses/by-sa/3.0/deed.en_US

วาระนี้เรามาพูดคุยเรื่อง ทุนนิยมด้วยมโนทัศน์ที่ไม่แยกทุนนิยม/มนุษย์/ธรรมชาติออกจากกัน หรือพิจารณาในฐานะที่มันเป็นคนละสิ่ง แต่พิจารณาในรูปแบบวิภาษวิธีที่ทุกสิ่งเกี่ยวข้องกันอย่างแยกไม่ออก ข้อมูลเพิ่มเติม ========== - หนังสือที่เรากำลังพูดถึงในวาระนี้คือ Moore, Jason W. 2015. Capitalism in the Web of Life: Ecology and the Accumulation of Capital (London: Verso Books) - หนังสือที่ปฐมพงศ์พูดถึงของอ.สรวิศคือ ชัยนาม, สรวิศ. 2012. จากการปฏิวัติ ถึง โลกาภิวัตน์ :ความรู้เบื้องต้นการเมืองโลกสู่โลกภาพยนตร์ (กรุงเทพฯ: สยามปริทัศน์) - หนังสือเรื่องแผนที่ที่ปฐมพงศ์พูดถึงคือ กิติเรียงลาภ, เก่งกิจ. 2018. แผนที่สร้างชาติ: รัฐประชาชาติกับการทำแผนที่หมู่บ้านไทยในยุคสงครามเย็น (ปัตตานี : ปาตานี ฟอรั่ม) - ภาพยนตร์ที่ปฐมพงศ์พูดถึงคือ Cameron, James. 2009. Avatar (United States: 20th Century Fox)และ Nakata, Hideo. 2008. L: Change the World (Japan: Warner Bros. Pictures Japan) - Donna Haraway (เกิด September 6, 1944) นักสตรีวิทยา หนังสือที่เกี่ยวข้องกับสุนัขคือ: Haraway, Donna J. 2003. The Companion Species Manifesto: Dogs, People and Significant Otherness, 2nd edn (Chicago, IL, USA: University of Chicago Press) - ทฤษฎีมูลค่าแรงงานของ Karl Marx ติดตามภาษาไทยอย่างง่ายได้จากคุณจักรพล ผลละออ: https://www.facebook.com/JakkaponPH/posts/122228249742844 แก้ไขข้อผิดพลาด ============= - ในทางฟิสิกส์ก็แยกระหว่างงานกับพลังงานแหละ ปฐมพงศ์พูดผิดไปอย่างจัง แต่ในแง่นี้คือมันเกี่ยวข้องกันเฉยๆ (สรุปอย่างเคร่งครัดคือผิดแหละ) เช่นเคย หากมีข้อติชม แนะนำ ด่าได้ แรงได้ คอมเมนต์ไว้ใน SoundCloud หรือส่ง e-mail มาที่: analysand@protonmail.com ครับผม

Donna J. W. Munro teaches high school social studies. Her students inspire her every day. She has an MA in writing popular fiction from Seton Hill University. Her pieces are published in Dark Moon Digest # 34, Flash Fiction Magazine, Astounding Outpost, Nothing’s Sacred Magazine IV and V, Corvid Queen, Hazard Yet Forward (2012), Enter the Apocalypse (2017), Beautiful Lies, Painful Truths II (2018), Terror Politico (2019), Burning Love, Bleeding Hearts (2020), and others. Her upcoming novel, Revelations: Poppet Cycle 1, will be published by Omnium Gatherum in 2020. Contact her at https://www.donnajwmunro.com or @DonnaJWMunro on Twitter. Bonus Content Author Interviews aren't produced in studio and will vary from our Short Story productions.

In the South, as anywhere, coping with the death of a loved one is different for everyone. Funerals, clearing out estates, and caring for the dying are necessary rituals that are unavoidable for most of us. Southern writers, like most writers, often find inspiration for fiction and memoirs in the passing of family members and that is why we decided it would be a good theme for this episode of Brain Fertilizer. Carla Martin-Wood, Donna J. Dotson, and Ashley Fields are our featured writers for this episode of Brain Fertilizer. I'm sure you'll appreciate their differing styles and perspectives. --- Send in a voice message: https://anchor.fm/brainfertilizer/message Support this podcast: https://anchor.fm/brainfertilizer/support

This week on The Spectator Film Podcast… Underworld (2003) 3.27.20 Featuring: Austin, Maxx Commentary Track begins at 17:58 — Notes — “Sullied Blood, Semen and Skin: Vampires and the Spectre of Miscegenation” by Kimberly A. Frohreich from Gothic Studies — Here’s a neat essay delving into the cycle of 90’s/00’s vampire media in which Underworld participates. Frohreich reviews the racial subtext these texts share and points to additional resources for understanding this cycle. A free PDF version of this file can be found by searching Google Scholar. We’ll include relevant passages below: “Like Blade, Underworld’s plot also centres on racial purity versus racial mixing, with the Lycans positioned as ‘vectors of category transformation’, as Haraway would suggest. Indeed, the Lycans’ main strategy in the racial war against the vampires is to prove that the two races can be mixed or combined. In other words, they fight to miscegenate, to create a half-vampire, half-Lycan, or mixed-race being. The vampires, on the other band, maintain a belief system in which this mixing would not only be an ‘abomination’, it would also be impossible. Indeed, for Viktor, one of the vampire eiders, vampires and Lycans are not separate races, but are separate species…As a previous slave-owner, and the image of a Southern plantation patriarch, Viktor believes in the polygenetic origin of the two ‘species’ and rejects the belief in the ‘sons of the Corvinus clan, one bitten by bat, one by wolf, claiming it is merely ‘a ridiculous legend’. In contrast, the Lycans depend on this monogenetic origin, or this ‘legend’, in their attempt to create a mixed-race subject” (37-38). “In other words, the film suggests that being part of a race involves sharing a common history, one that in turn defines the racial group. Where the Lycans are able to recruit humans to their cause, the vampires’ genocide of the Lycans appears as a strategy to maintain their own version of history. Indeed, the vampire rulers limit the sharing of blood, and thus of history, to themselves. As the spectator discovers with the vampire Selene, the character through which the narrative is focalised, the history recorded in writing is false, while other past events were never recorded. Because Selene does not initially know that the Lycans were once the slaves of the vampires, and because she (wrongly) believes the former to be responsible for the murder of her human family, Selene (along with the spectator) originally sees the vampires as the victims of the violent, animalistic, and bloodthirsty Lycans rather than the reverse. The film, therefore, highlights how historical discourse is used to define the racial Other through the falsification and erasure of past events and memories, or the prevalence of white male history over the voices of the other” (38). As in traditional vampire narratives, the female body in Underworld is also fought over and depicted as in need of protection. However, the film also rewrites the (white) female body as vampire and as post-feminist ‘girl power’ model. Almost a daughter to Viktor, Selene is one of the elite female vampires who need to be protected from being ‘tainted’ by Lycans. Yet, Selene will not let anyone do battle for her or over her. Clothed from head to toe in black leather, she is immediately set apart from other female vampires who remain at the castle in extravagant dresses while she joins male vampires as a ‘death dealer’ in their hunt for Lycans. Just as Selene refuses to play the role of the stereotypical elite female, she also eventually refuses to assist other vampires in their fight for racial purity” (39) Celluloid Vampires: Life After Death in the Modern World by Stacey Abbott — This book serves as an admirable introduction to vampire cinema, even though a few of its assertions appear strenuous. It even features a chapter discussing Underworld alongside the other films from the 90’s/00’s “cyborg vampire” cycle, like Blade (1997). “Underoworld” by Roger Ebert from Rogerebert.com — Here’s the link to the Ebert review Maxx referenced. ‘A Cyborg Manifesto: Science, Technology, And Socialist-Feminism in the Late Twentieth Century’ by Donna J. Haraway — Here’s a link to Donna J. Haraway’s groundbreaking essay. Modest_Witness@Second_Millenium. FemaleMan©_Meets_OncoMouse™: Feminism and Technoscience by Donna J. Haraway — This is a fascinating book by Donna Haraway, and I’m including it here because it discusses the figure of the vampire throughout. Anyone interested in learning more about vampires should dedicate time to exploring Haraway’s work and concepts of post-humanism. Check out some of the interesting passages below: “Lurching beyond the symptom in the first paragraphs, however, I acknowledge that a specific figure animates this essay. The figure is the vampire: the one who pollutes lineages on the wedding night; the one who effects category transformations by illegitimate passages of substance; the one who drinks and infuses blood in a paradigmatic act of infecting whatever poses as pure; the one who eschews sun worship and does its work at night; the one who is undead, unnatural, and perversely incorruptible. In this essay, I am instructed by the vampire, and my questions are about the vectors of infection that trouble racial categories in twentieth-century bioscientific constructions of universal humanity. For better and for worse, vampires are vectors of category transformation in a racialized, historical, national unconscious. A figure that both promises and threatens racial and sexual mixing, the vampire feeds off the normalized human, and the monster finds such contaminated food to be nutritious. The vampire also insists on the nightmare of racial violence behind the fantasy of purity in the rituals of kinship. It is impossible to have a settled judgment about vampires. Defined by their categorical ambiguity and troubling mobility, vampires do not rest easy (or easily) in the boxes labeled good and bad. Always transported and shifting, the vampire's native soil is more nutritious, and more unheimlich, than that. Deeply shaped by murderous ideologies since their modern popularization in European accounts in the late eighteenth century—especially racism, sexism, and homophobia— stories of the undead also exceed and invert each of those systems of discrimination to show the violence infesting supposedly wholesome life and nature and the revivifying promise of what is supposed to be decadent and against nature” (214-215) “Just when one feels secure in condemning the toothy monster's violations of the integrity of the body and the community, history forces one to remember that the vampire is the figure of the Jew accused of the blood crime of polluting the wellsprings of European germ plasm and bringing both bodily plague and national decay, or that it is the figure of the diseased prostitute, or the gender pervert, or the aliens and the travelers of all sorts who cast doubt on the certainties of the self-identical and well-rooted ones who have natural rights and stable homes. The vampires are the immigrants, the dislocated ones, accused of suckingthe blood of the rightful possessors of the land and of raping the virgin who must embody the purity of race and culture. So, in an orgy of solidarity with all the oppressed, one identifies firmly with the outlaws who have been the vampires in the perfervid imaginations of the upstanding members of the whole, natural, truly human, organic communities. But then one is forced to remember that the vampire is also the marauding figure of unnaturally breeding capital, which penetrates every whole being and sucks it dry in the lusty production and vastly unequal accumulation of wealth. Yet the conjunction of Jew, capitalist, queer, andalien is freighted with too much literal genocide to allow even the jeremiad against transnational capital to carry the old-time conviction of moral certainty and historical truth. The vampire is the cosmopolitan, the one who speaks too many languages and cannot remember the native tongue, and the scientist who forces open the parochial dogmas of those who are sure they know what nature is. In short, once touched by the figure of this monster, one is forced to inhabit the swirling semantic field of vampire stories. In those zones, uninvited associations and dissociations are sure to undo one's sense of the self same, which is always neatly prelabeled to forestall moral, epistemological, and political scrutiny” (215) “Biology's epistemological and technical task has been to produce a historically specific kind of human unity; namely, membership in a single species, the human race, Homo sapiens. Biology discursively establishes and performs what willcount as human in powerful domains of knowledge and technique. A striking product of early biological discourse, race, like sex and nature, is about the apparatuses for fabricating and distributing life and death in the modern regimes ofbiopower. Like nature and sex, at least from the nineteenth century race was constituted as an object of knowledge by the life sciences, especially biology, physical anthropology, and medicine. The institutions, research projects, measuring instruments,publication practices, and circuits of money and people that made up the life sciences were the machine tools that crafted “race” as an object of scientific knowledge over the past 200 years. Then, in the middle of the twentieth century, the biological and medical sciences began to disown their deadly achievement and worked like Sisyphus to roll the rock of race out of the upscale hillside neighborhoods being built in post-World War II prosperous times to house the new categories of good natural science. All too predictably, the new universal, like the suburbs and the laboratories, were all too white” (217)

Whether the status quo is prepared to admit it or not, climate change is not some mysterious future event looming on the horizon — it is already happening, here, now.So: how will you choose to respond?In this episode of the Good Life Revival Podcast, I revisit last week’s topic of climate change grief, and whether we ought to let go of the hope of salvation in favor of taking direct action to brace ourselves for what we know we can reasonably expect from a severely disrupted global climate.One crucial part of the process of preparing ourselves, I believe, is to reckon with our emotional reactions to what is unfolding in front of us. To deny the pain that we all feel when we observe the open wounds on the land that we walk upon is to numb ourselves to reality — to continue, in vain, to build a wall between ourselves and the natural world which sustains us.Acknowledging and confronting the seemingly insurmountable pain of a dying planet should only imbue our work with that much more urgency.Drawing from the writings of Steven Martyn, Kat Anderson, Trebbe Johnson and Donna Haraway, I make the case here that what we need now more than ever are visionary new myths to guide us towards novel ways and means of co-creation with the land.We do ourselves no favors by merely hoping for a better world, or praying that our leaders will miraculously change course — recognizing that top-down solutions have failed to materialize, the time has come for us to begin self-organizing in the interests of preserving and regenerating whatever is within our reach.All the while, we must not be afraid to stare down the very real existential fear that looms in the background. You are justified in your fear, but it is no excuse for inaction. You don’t get to choose what problems you face in life, but you can always decide how to feel about them. I hope you’ll join me in this difficult but necessary work.Score a free audiobook today when you sign up for Libro.fm using my referral link.Bibliography:Anderson, M. Kat. Tending the Wild: Native American Knowledge and the Management of California’s Natural ResourcesHaraway, Donna J. Staying With the Trouble: Making Kin in the ChthuluceneJohnson, Trebbe. Radical Joy For Hard Times: Finding Meaning and Making Beauty in Earth’s Broken PlacesMartyn, Steven Elliot. Sacred Gardening: Seeds for the Reemergence of Co-Creative AgricultureAll music was created by Sam Sycamore, and can be downloaded by subscribers at any level over on Patreon. If you’d prefer to offer a one-time financial contribution, you can do so through PayPal. This show is made possible by listeners like you.

Loyal parades come every week, and when they do, people disappear. For more from the author please visit: www.donnajwmunro.com

What unique qualities and skill sets do you bring to the table? Are you comfortable exercising and showcasing your abilities? Too often, it can take decades for scientists and researchers to build up the courage and confidence to lead with their abilities. If you find yourself struggling to step boldly into your wheelhouse - you aren’t alone. Here to help you embrace your curiosity, analytical perspective, and drive to ask questions is Dr. Donna J. Dean. Donna has had a distinguished career with 27 years in the federal government at the National Institutes of Health (NIH) and Food and Drug Administration (FDA), followed by five years as a senior science advisor at Lewis-Burke Associates, a DC-based government relations consulting firm. She recently compiled her experiences in a highly effective guide entitled “Getting the Most Out of Your Mentoring Relationships: A Handbook for Women in STEM.” Dr. Dean attended Berea College in Kentucky, graduating with a B.A. in chemistry, and minors in biology and mathematics, and then received her Ph.D. in biochemistry from Duke University. What You’ll Hear On This Episode of When Science Speaks [1:03] Mark introduces his guest, Donna Dean. [4:50] Why the ability to analyze and multi-task is so valuable. [8:15] Skills you need to succeed as a scientist. [11:00] Donna talks about her experience testifying before Congress. [16:20] What led Donna to her work at the Food and Drug Administration (FDA)? [21:10] Donna reflects on her time at the National Institutes of Health (NIH). [28:50] Advice for postdocs. Connect with Donna Dean Donna on LinkedIn Donna’s book: Getting the Most out of Your Mentoring Relationships Resources & People Mentioned National Institutes of Health (NIH) U.S. Food and Drug Administration Embrace your curiosity Looking back on her career as a scientist and policy advocate, Donna stresses the critical role that curiosity played on her successful journey. As you can imagine, the road wasn’t easy, Donna had to forge her path and learn many lessons on the fly. One situation that came up from her time at NIH involved Donna exercising her keen analytical skills and innate curiosity. Noticing that her boss’s message wasn’t connecting during an important meeting with several people in the room, Donna had to find a way to let him know after the fact in the most polite, yet direct, way possible, as time was short. In her role as a mentor over the years - Donna has worked hard to encourage up and coming leaders to develop and expand their skill sets. Donna is so passionate about equipping young leaders that she wrote a book about it. You can explore the helpful insights Donna has to share by reading her book - the link is in the resources section of this post. Ask questions Almost everyone enjoys talking about themselves or something they are passionate about. Leaders like you can use that to your advantage to find common ground with people you don’t naturally have an affinity toward. Donna says that one of the best skills that scientists and researchers bring to the table is their ability to ask questions and get to the heart of the issue at hand. In her career - Donna has taken the initiative to lead with questions. Tasked with the effort to form the National Institute of Biomedical Imaging and Bioengineering at NIH from the ground up - Donna asked a pivotal question - how do I do this? With no staff, budget, space, or grants, Donna went to work - reaching out and taking the time to ask questions. Donna operated at the highest levels within NIH. She is a skilled, first-in-her family college graduate (and first PhD, as a result), who made a major impact in her specialty. Donna has several valuable insights and experiences to share from her impressive career - make sure to catch her full conversation with Mark by listening to this episode. Connect With Mark and When Science Speaks http://WhenScienceSpeaks.com https://bayerstrategic.com/ On Twitter: https://twitter.com/BayerStrategic On Facebook: https://www.facebook.com/Bayer-Strategic-Consulting-206102993131329 On YouTube: http://bit.ly/BSConTV On LinkedIn: https://www.linkedin.com/in/markdanielbayer/ On Instagram: https://www.instagram.com/bayerstrategic/ On Medium: https://medium.com/@markbayer17 Subscribe to When Science Speaks on Apple Podcasts or Stitcher

« Féminin » ou « masculin » ? Dès la naissance, il faut choisir. Sur les papiers d’identité, les formulaires d’inscription, les bulletins d’adhésion, il y a toujours ces deux petites cases à cocher. Comme si le monde se divisait en deux catégories : les hommes et les femmes. C’est oublier que le genre est une fiction, un discours biopolitique. C’est oublier, aussi, que l’identité n’est jamais une essence mais une construction.D’où vient cette binarité du genre ? Pourquoi la citoyenneté n’est réservée qu’aux personnes cisgenres ? Comment déconstruire ce rapport normatif entre sexe, genre et reproduction ?Pour dépasser cette dichotomie de genre, Victoire Tuaillon reçoit Paul B. Preciado, philosophe, commissaire d’exposition et auteur dans un grand entretien en deux épisodes.La suite de ce cours particulier sera disponible dès le 9 mai 2019.PETIT LEXIQUE DES TERMES EMPLOYÉS DANS L’ÉPISODE Épistémologie de la binarité : Remise en question du fonctionnement binaire de la société.Binarisme / binarité de genre : classification de l’identité de genre en deux catégories distinctes et hiérarchisées : le masculin et le féminin. Ce discours dominant est porté par les institutions médicales, juridiques, éducatives à travers un ensemble de représentations, de pratiques et de discours normatifs. Régime de différence sexuelle : système binaire de différenciation et de hiérarchisation entre hommes et femmes basé sur leurs différences biologiques, supposées justifier les inégalités de genre.Biopolitique : forme d’exercice du pouvoir qui porte sur la vie des individus d’un point de vue physique, politique, social. Cela passe par, entre autres, par l’assignation des corps des individus à des rôles politiques au sein de la société : les corps des femmes sont assignés à un rôle reproductif, etc.Appareil de vérification : ensemble de systèmes, de protocoles qui permettent de valider le caractère masculin ou féminin d’un corps. Ils peuvent être médicaux (opérations, traitements imposés aux personnes intersexes), administratifs (papiers d’identité qui n’admettent que deux sexes), etc. ŒUVRES DE L’INVITÉUn appartement sur Uranus (Paul B. Preciado, éd. Grasset, 2019), Pornotopie : Playboy et l’invention de la sexualité multimédia (Paul B. Preciado, éd. Flammarion, 2011), Manifeste contra-sexuel (Paul B. Preciado, éd. Broché, 2000)RÉFÉRENCES CITÉES DANS L’ÉMISSIONLes chroniques de Paul B. Preciado sur libération.fr Le travail de Donna J. Haraway, historienne et écrivaine, et en particulier, son approche féministe des discours scientifiques occidentaux, binaires et essentialistes – notamment « Manifeste cyborg », un essai paru en 1985 dans le magazine The Socialist Review« La Citoyenne paradoxale : Les féministes françaises et les droits de l’Homme » de Joan W. Scott, historienne américaineCRÉDITSLes couilles sur la table est un podcast de Victoire Tuaillon produit par Binge Audio. Réalisation : Quentin Bresson. Stagiaire : Nadia Chapelle. Générique : Théo Boulenger. Chargée de production : Juliette Livartowski. Chargée d’édition : Diane Jean. Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

Donna J. Harrison M.D., Executive Director, American Association of Pro-Life Obstetricians and Gynecologists talks about the impact of abortion on women and has an update on the current situation in Illinois and the nation.

In 1902, chemist Harvey Wiley launched a unique experiment to test the safety of food additives. He recruited a group of young men and fed them meals laced with chemicals to see what the effects might be. In this week's episode of the Futility Closet podcast we'll describe Wiley's "poison squad" and his lifelong crusade for food safety. We'll also follow some garden paths and puzzle over some unwelcome weight-loss news. Intro: In 1887, an inadvertent dot in a telegram cost wool dealer Frank Primrose $20,000. For 25 years, two Minnesota brothers-in-law exchanged a weaponized pair of moleskin pants. Harvey Washington Wiley's poison squad dined in formal clothing and wrote their own inspirational slogan. Sources for our feature: Bernard A. Weisberger, "Doctor Wiley and His Poison Squad," American Heritage 47:1 (February/March 1996). Oscar E. Anderson Jr., The Health of a Nation: Harvey W. Wiley and the Fight for Pure Food, 1958. Paul M. Wax, "Elixirs, Diluents, and the Passage of the 1938 Federal Food, Drug and Cosmetic Act," Annals of Internal Medicine 122:6 (March 15, 1995), 456-461. James Harvey Young, "Food and Drug Regulation Under the USDA, 1906-1940," Agricultural History 64:2 (Spring 1990), 134-142. Cornelius C. Regier, "The Struggle for Federal Food and Drugs Legislation," Law and Contemporary Problems 1:1 (December 1933), 3-15. Donna J. Wood, "The Strategic Use of Public Policy: Business Support for the 1906 Food and Drug Act," Business History Review 59:3 (Autumn 1985), 403-432. E. Pendleton Herring, "The Balance of Social Forces in the Administration of the Pure Food and Drug Act," Social Forces 13:3 (March 1935), 358-366. Carol Lewis and Suzanne White Junod, "The 'Poison Squad' and the Advent of Food and Drug Regulation," FDA Consumer 36:6 (November-December 2002), 12-15. Mike Oppenheim, "Food Fight," American History 53:4 (October 2018), 68. Bette Hileman, "'Poison Squads' Tested Chemical Preservatives," Chemical & Engineering News 84:38 (Sept. 18, 2006). Wallace F. Janssen, "The Story of the Laws Behind the Labels," FDA Consumer 15:5 (June 1981), 32-45. G.R. List, "Giants From the Past: Harvey W. Wiley (1844-1930)," Inform 16:2 (February 2005), 111-112. Bruce Watson, "The Poison Squad: An Incredible History," Esquire, June 27, 2013. Deborah Blum, "Bring Back the Poison Squad," Slate, March 2, 2011. Lance Gay, "A Century Ago, the Federal Government Launched One of Its Most Unusual and Controversial Investigations," Pittsburgh Post-Gazette, Dec. 30, 2002, A-8. "Harvey W. Wiley: Pioneer Consumer Activist," FDA Consumer 40:1, (January-February 2006), 34-35. "Harvey Washington Wiley," Science History Institute, Jan. 10, 2018. Karen Olsson, "We Must Eat, Drink and (Still) Be Wary," Washington Post, Sept. 6, 1998, C01. O.K. Davis, "The Case of Dr. Wiley," Hampton Columbian Magazine 27:4 (October 1911), 469-481. A.A. Langdon, "Food Expert Defends Borax," What-to-Eat 22:3 (March 1907), 91-92. "To Investigate Wiley's Food Squad Methods," National Provisioner 36:2 (Jan. 12, 1907), 1. "Letter Box," Pharmaceutical Era 37:22 (May 30, 1907), 514. "The Case of Dr. Wiley," American Food Journal 4:2, Feb. 15, 1909, 16. "Food Law's Anniversary," New York Times, June 30, 1908. "Wiley's Foes Think They've Beaten Him," New York Times, Dec. 29, 1908. H.H. Langdon, "Why Wiley Is Criticised; His Radical Views Said to Justify Tests by the National Commission," New York Times, April 7, 1907. "Benzoate Indorsed; Wiley Loses Fight," New York Times, Aug. 27, 1909. "Health Rather Than Money," New York Times, Aug. 21, 1910. "Germans Verified Wiley Poison Tests," New York Times, Aug. 19, 1911. "Forbidden Fruit," New York Times, Oct. 11, 1911. "Pure Food in One State Is Poison in Another," New York Times, Jan. 25, 1914. "Dr. H.W. Wiley Dies, Pure-Food Expert," New York Times, July 1, 1930. Listener mail: Listener Rob Emich discovered Spring-Heeled Jack London-Style Porter in Cape Cod last month (see Episode 34). Brittany Hope Flamik, "Australia's Endangered Quolls Get Genetic Boost From Scientists," New York Times, July 26, 2018. April Reese, "Ecologists Try to Speed Up Evolution to Save Australian Marsupial From Toxic Toads," Nature, July 23, 2018. Jesse Thompson and Liz Trevaskis, "Questions Over Quarantined Astell Island Quolls Who Lost Their Fear of Predators," ABC Radio Darwin, Aug. 9, 2018. Wikipedia, "Garden-Path Sentence" (accessed Aug. 17, 2018). "Garden Path Sentences," Fun With Words (accessed Aug. 17, 2018). BBC Sound Effects. Dave Lawrence, "RNN of BBC Sound Effects," Aardvark Zythum, Aug. 2, 2018. Dave Lawrence, "More Sound Effects," Aardvark Zythum, Aug. 3, 2018. This week's lateral thinking puzzle was contributed by listener David Palmer. You can listen using the player above, download this episode directly, or subscribe on Google Podcasts, on Apple Podcasts, or via the RSS feed at https://futilitycloset.libsyn.com/rss. Please consider becoming a patron of Futility Closet -- you can choose the amount you want to pledge, and we've set up some rewards to help thank you for your support. You can also make a one-time donation on the Support Us page of the Futility Closet website. Many thanks to Doug Ross for the music in this episode. If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!

“It’s OK to cry about your circumstances, the devastation, destruction, and adversity sometimes. The important thing is to know that you are stronger than any pain that you must go through; tap into that hidden strength and find what lies at the bottom of your heart and beats life back into you.” Donna J. Hopkins Donna J. Hopkins knows what it’s like to have life knock you down. An athlete, Donna won college scholarships in both basketball and track. She majored in radio and television communication and after graduation moved to Washington, D.C. She battled breast cancer twice, but it was routine surgery that would lead to a serious infection and cause her to lose her left leg below the knee. But Donna is a fighter and a survivor and she’s come back stronger than ever. She tells her story in her new book Getting to the Other Side of Victory. Woman Around Town’s Editor  Charlene Giannetti talks with Donna about her journey, her book, and inspiring others.  Click to go to Donna’s website.

We support people through all stages of cancer and all phases of their cancer treatment through the use of dietary recommendations, intravenous vitamin C, and intravenous nutrient support including iv glutathione. This is a story of hope from one of our patients who was diagnosed with stage 4 breast cancer with metastasis to her liver and bones. She is making exceptional progress and she wants you to know about it. http://drmaulfair.com

Nearly a century before the United States declared the end of the Indian Wars, the fate of Native Americans was revealed in the battle of Fallen Timbers. In 1794, General Anthony Wayne led the first American army— the Legion of the United States—against a unified Indian force in the Ohio country. The Indians were routed and forced to vacate their lands. It was the last of a series of Indian attempts in the East to retain their sovereignty and foreshadowed what would occur across the rest of the continent. In Guyasuta and the Fall of Indian America, historian Brady J. Crytzer traces how American Indians were affected by the wars leading to American Independence through the life of one of the period’s most influential figures. Born in 1724, Guyasuta is perfectly positioned to understand the emerging political landscape of America in the tumultuous eighteenth century. As a sachem of the vaunted Iroquois Confederacy, for nearly fifty years Guyasuta dedicated his life to the preservation and survival of Indian order in a rapidly changing world, whether it was on the battlefield, in the face of powerful imperial armies, or around a campfire negotiating with his French, British, and American counterparts. Guyasuta was present at many significant events in the century, including George Washington’s expedition to Fort Le Boeuf, the Braddock disaster of 1755, Pontiac’s Rebellion and the Battle of Bushy Run in 1763, and the Battle of Oriskany during the American Revolution. Guyasuta’s involvement in the French and British wars and the American War for Independence were all motivated by a desire to retain relevance for Indian society. It was only upon the birth of the United States of America that Guyasuta finally laid his rifle down and watched as his Indian world crumbled beneath his feet. A broken man, debilitated by alcoholism, he died near Pittsburgh in 1794. Supported by extensive research and full of compelling drama, Guyasuta and the Fall of Indian America unravels the tangled web of alliances, both white and native, and explains how the world of the American Indians could not survive alongside the emergent United States. Brady Crytzer teaches history at Robert Morris University. A recipient of both the Donald S. Kelly and Donna J. McKee Awards for outstanding scholarship, he is the author of Major Washington’s Pittsburgh and the Mission to Fort Le Boeuf and Fort Pitt: A Frontier History.

Listen to Mel Taylor WPG 1450 Radio Interview:  Atlantic City and Alex Marino welcome a new group of future AC leadership. A small but diverse set of 30 individuals spent one day each month together during 2015. They wanted a deeper look into what makes Atlantic City tick. The 2015 Lead Atlantic City Tomorrow (LEAD ACT) class officially concludes another year for the leadership-building program with a formal graduation ceremony on Wed., Dec 9 at Dante Hall, 14 North Mississippi Ave. LEAD ACT grads increase their Atlantic City smarts in regards to Public Safety, Education, Arts & Culture, Economic Development, Environment, Health Care & Human Services, History of Atlantic City, Interpersonal Skill Development, Conflict Resolution, Problem Solving, Negotiation, and Team Building. Alex Marino Alex Marino helped start and coordinate the popular program. He was awarded the first-ever CRDA Spirit of Leadership Award for his work. Listen below to Alex Marino on the Mel Taylor Show, WPG Talk Radio 1450 from NOV. 4, 2015 Local developer &  Iron Room owner; Mark Collazzo, joins the conversation. LEAD ACT Graduation Ceremony at Dante Hall in Atlantic City LEAD ACT, a partnership between the Casino Reinvestment Development Authority (CRDA) and Stockton University. Through seminars, guest speakers, case studies, and topical readings, individuals are presented issues that affect the general well-being of the City, and recognize the need for better collaborations and enhanced partnerships. The festivities start at 5:30 pm with a reception followed by the program at 6 pm. Many local dignitaries and community leaders will be there. The keynote speaker for the evening will be Chris Paladino, President of ACDevco; AC Development Corporation. Howard Kyle, CRDA board member / chief of staff to Atlantic County executive Donald A. Guardian, mayor, City of Atlantic City John Palmieri, executive director, CRDA Dr. Harvey Kesselman, president, Stockton University Mark Giannantonio, president/CEO, Resorts Casino Hotel Alex Marino, assistant to provost for Atlantic City, Stockton University Kaleem Shabazz, third ward councilman-elect, City of Atlantic City Ali Reynolds, retired director of community development partnerships, CRDA Congrats to LEAD ACT 2015 graduates: Frank Becktel, Dawn Belamarich Berry, Brittney S. Blakeney, Ytit Chauhan, Stephanie Clineman, Donna J. Danielson, Stephenine S. Dixon, Danielle Epps, Christopher Filiciello, Eliana Garzon, Milton W. Glenn III, Zakir Hossain, Brian Ireland, James Malamut, Amanda McGowan, Mihaela M. Mihneva, Oriana C. Mondragon, Jameka Moore, Francine A. Palumbo, Michael Rock, Gregory Seher, Sterling Spence, Vladana Z. Stankovic, Vladislav Stankovic, Eddie G. Tate III, Paul P. Tonacci, Tracey Lynn Triniwell, Herbert S. Ushewokunze VII, and Thelma A. Witherspoon. Want to attend the ceremony? Contact Dawn Hinton Davis by 5p, Dec 7. dhinton@njcrda.com

Join Donna Cornett Founder of Drink Link Moderation to discuss help for those with early stages of a drinking problem who prefer to learn to moderate then do abstinence.  Call in questions will be 30 minutes into the show. 818-4759211

Join Donna Cornett Founder of Drink Link Moderation to discuss help for those with early stages of a drinking problem who prefer to learn to moderate then do abstinence.  Call in questions will be 30 minutes into the show. 818-4759211

Our guest tonight is Donna J. Cornett, founder of the Drink Link moderate drinking program and author of 7 Weeks to Safe Social Drinking: How to Effectively Moderate Your Alcohol Intake and other books.

Supported by: Marco V, Stuart Millar (BBC RADIO-1), Markus Schulz, Gareth Emery, Flash Brothers, Kenneth Thomas, Kyau & Albert, Barry Diston, Donna J. Nova, Jay Kay, Sergio Matina and more...

Supported by: Marco V, Stuart Millar (BBC RADIO-1), Markus Schulz, Gareth Emery, Flash Brothers, Kenneth Thomas, Kyau & Albert, Barry Diston, Donna J. Nova, Jay Kay, Sergio Matina and more...

Release Johnny Beast "Flipside" am 10.09.2010! Johnny Beast wird als einer der angesagtesten und vielversprechendsten DJs der elektronischen Musik in Russland gehandelt. Die Karriere von Johnny begann bereits 1998. Seit dieser Zeit war er Resident-DJ in diversen Diskotheken und präsentierte den Clubgängern das Beste der elektronischen Tanzmusik! Seine DJ-Sets und Kompositionen fanden Anklang bei vielen Anhängern der elektronischen Musik in Russland und Europa und ebenso bei einigen der angesagtesten Labels. Seine Tracks und Remixe werden weltweit gespielt von Tiesto, Markus Schulz, Daniel Portman, Kyau & Albert, Thomas Gold, Dirty Vegas, David Vendetta, Filthy Rich, Moussa Clarke, Ferry Corsten, The Scumfrog,Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Mason, Hoxton Whores, Re-Zone, Marco V, David Tort, Thomas Penton, Joachim Garraud, Dumb Dan, Donna J. Nova, Ben Coda, Bad Boy Bill, Sergio Matina, Splashfunk und vielen mehr ...  

Release Johnny Beast "Flipside" am 10.09.2010! Johnny Beast wird als einer der angesagtesten und vielversprechendsten DJs der elektronischen Musik in Russland gehandelt. Die Karriere von Johnny begann bereits 1998. Seit dieser Zeit war er Resident-DJ in diversen Diskotheken und präsentierte den Clubgängern das Beste der elektronischen Tanzmusik! Seine DJ-Sets und Kompositionen fanden Anklang bei vielen Anhängern der elektronischen Musik in Russland und Europa und ebenso bei einigen der angesagtesten Labels. Seine Tracks und Remixe werden weltweit gespielt von Tiesto, Markus Schulz, Daniel Portman, Kyau & Albert, Thomas Gold, Dirty Vegas, David Vendetta, Filthy Rich, Moussa Clarke, Ferry Corsten, The Scumfrog,Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Mason, Hoxton Whores, Re-Zone, Marco V, David Tort, Thomas Penton, Joachim Garraud, Dumb Dan, Donna J. Nova, Ben Coda, Bad Boy Bill, Sergio Matina, Splashfunk und vielen mehr ...

Release Johnny Beast "Flipside" am 10.09.2010! Johnny Beast wird als einer der angesagtesten und vielversprechendsten DJs der elektronischen Musik in Russland gehandelt. Die Karriere von Johnny begann bereits 1998. Seit dieser Zeit war er Resident-DJ in diversen Diskotheken und präsentierte den Clubgängern das Beste der elektronischen Tanzmusik! Seine DJ-Sets und Kompositionen fanden Anklang bei vielen Anhängern der elektronischen Musik in Russland und Europa und ebenso bei einigen der angesagtesten Labels. Seine Tracks und Remixe werden weltweit gespielt von Tiesto, Markus Schulz, Daniel Portman, Kyau & Albert, Thomas Gold, Dirty Vegas, David Vendetta, Filthy Rich, Moussa Clarke, Ferry Corsten, The Scumfrog,Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Mason, Hoxton Whores, Re-Zone, Marco V, David Tort, Thomas Penton, Joachim Garraud, Dumb Dan, Donna J. Nova, Ben Coda, Bad Boy Bill, Sergio Matina, Splashfunk und vielen mehr ...

Release Johnny Beast "Flipside" am 10.09.2010! Johnny Beast wird als einer der angesagtesten und vielversprechendsten DJs der elektronischen Musik in Russland gehandelt. Die Karriere von Johnny begann bereits 1998. Seit dieser Zeit war er Resident-DJ in diversen Diskotheken und präsentierte den Clubgängern das Beste der elektronischen Tanzmusik! Seine DJ-Sets und Kompositionen fanden Anklang bei vielen Anhängern der elektronischen Musik in Russland und Europa und ebenso bei einigen der angesagtesten Labels. Seine Tracks und Remixe werden weltweit gespielt von Tiesto, Markus Schulz, Daniel Portman, Kyau & Albert, Thomas Gold, Dirty Vegas, David Vendetta, Filthy Rich, Moussa Clarke, Ferry Corsten, The Scumfrog,Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Mason, Hoxton Whores, Re-Zone, Marco V, David Tort, Thomas Penton, Joachim Garraud, Dumb Dan, Donna J. Nova, Ben Coda, Bad Boy Bill, Sergio Matina, Splashfunk und vielen mehr ...

Release Johnny Beast "Flipside" am 10.09.2010! Johnny Beast wird als einer der angesagtesten und vielversprechendsten DJs der elektronischen Musik in Russland gehandelt. Die Karriere von Johnny begann bereits 1998. Seit dieser Zeit war er Resident-DJ in diversen Diskotheken und präsentierte den Clubgängern das Beste der elektronischen Tanzmusik! Seine DJ-Sets und Kompositionen fanden Anklang bei vielen Anhängern der elektronischen Musik in Russland und Europa und ebenso bei einigen der angesagtesten Labels. Seine Tracks und Remixe werden weltweit gespielt von Tiesto, Markus Schulz, Daniel Portman, Kyau & Albert, Thomas Gold, Dirty Vegas, David Vendetta, Filthy Rich, Moussa Clarke, Ferry Corsten, The Scumfrog,Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Mason, Hoxton Whores, Re-Zone, Marco V, David Tort, Thomas Penton, Joachim Garraud, Dumb Dan, Donna J. Nova, Ben Coda, Bad Boy Bill, Sergio Matina, Splashfunk und vielen mehr ...  

Release Johnny Beast "Flipside" am 10.09.2010! Johnny Beast wird als einer der angesagtesten und vielversprechendsten DJs der elektronischen Musik in Russland gehandelt. Die Karriere von Johnny begann bereits 1998. Seit dieser Zeit war er Resident-DJ in diversen Diskotheken und präsentierte den Clubgängern das Beste der elektronischen Tanzmusik! Seine DJ-Sets und Kompositionen fanden Anklang bei vielen Anhängern der elektronischen Musik in Russland und Europa und ebenso bei einigen der angesagtesten Labels. Seine Tracks und Remixe werden weltweit gespielt von Tiesto, Markus Schulz, Daniel Portman, Kyau & Albert, Thomas Gold, Dirty Vegas, David Vendetta, Filthy Rich, Moussa Clarke, Ferry Corsten, The Scumfrog,Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Mason, Hoxton Whores, Re-Zone, Marco V, David Tort, Thomas Penton, Joachim Garraud, Dumb Dan, Donna J. Nova, Ben Coda, Bad Boy Bill, Sergio Matina, Splashfunk und vielen mehr ...

Release Johnny Beast "Flipside" am 10.09.2010! Johnny Beast wird als einer der angesagtesten und vielversprechendsten DJs der elektronischen Musik in Russland gehandelt. Die Karriere von Johnny begann bereits 1998. Seit dieser Zeit war er Resident-DJ in diversen Diskotheken und präsentierte den Clubgängern das Beste der elektronischen Tanzmusik! Seine DJ-Sets und Kompositionen fanden Anklang bei vielen Anhängern der elektronischen Musik in Russland und Europa und ebenso bei einigen der angesagtesten Labels. Seine Tracks und Remixe werden weltweit gespielt von Tiesto, Markus Schulz, Daniel Portman, Kyau & Albert, Thomas Gold, Dirty Vegas, David Vendetta, Filthy Rich, Moussa Clarke, Ferry Corsten, The Scumfrog,Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Mason, Hoxton Whores, Re-Zone, Marco V, David Tort, Thomas Penton, Joachim Garraud, Dumb Dan, Donna J. Nova, Ben Coda, Bad Boy Bill, Sergio Matina, Splashfunk und vielen mehr ...

Release Johnny Beast "Flipside" am 10.09.2010! Johnny Beast wird als einer der angesagtesten und vielversprechendsten DJs der elektronischen Musik in Russland gehandelt. Die Karriere von Johnny begann bereits 1998. Seit dieser Zeit war er Resident-DJ in diversen Diskotheken und präsentierte den Clubgängern das Beste der elektronischen Tanzmusik! Seine DJ-Sets und Kompositionen fanden Anklang bei vielen Anhängern der elektronischen Musik in Russland und Europa und ebenso bei einigen der angesagtesten Labels. Seine Tracks und Remixe werden weltweit gespielt von Tiesto, Markus Schulz, Daniel Portman, Kyau & Albert, Thomas Gold, Dirty Vegas, David Vendetta, Filthy Rich, Moussa Clarke, Ferry Corsten, The Scumfrog,Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Mason, Hoxton Whores, Re-Zone, Marco V, David Tort, Thomas Penton, Joachim Garraud, Dumb Dan, Donna J. Nova, Ben Coda, Bad Boy Bill, Sergio Matina, Splashfunk und vielen mehr ...

Release supported by: Markus Schulz, Daniel Portman, Kyau & Albert, Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Donna J. Nova, Relanium, Noiz, DJ Suhov, Artego, A.S. Kirinenko...  

Release supported by: Markus Schulz, Daniel Portman, Kyau & Albert, Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Donna J. Nova, Relanium, Noiz, DJ Suhov, Artego, A.S. Kirinenko...

Release supported by: Markus Schulz, Daniel Portman, Kyau & Albert, Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Donna J. Nova, Relanium, Noiz, DJ Suhov, Artego, A.S. Kirinenko... 

Release supported by: Markus Schulz, Daniel Portman, Kyau & Albert, Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Donna J. Nova, Relanium, Noiz, DJ Suhov, Artego, A.S. Kirinenko...  

Release supported by: Markus Schulz, Daniel Portman, Kyau & Albert, Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Donna J. Nova, Relanium, Noiz, DJ Suhov, Artego, A.S. Kirinenko...

Release supported by: Markus Schulz, Daniel Portman, Kyau & Albert, Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Donna J. Nova, Relanium, Noiz, DJ Suhov, Artego, A.S. Kirinenko... 

Release supported by: Markus Schulz, Daniel Portman, Kyau & Albert, Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Donna J. Nova, Relanium, Noiz, DJ Suhov, Artego, A.S. Kirinenko...

Release supported by: Markus Schulz, Daniel Portman, Kyau & Albert, Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Donna J. Nova, Relanium, Noiz, DJ Suhov, Artego, A.S. Kirinenko...

Supported by: Daniel Portman, David Tort, Sergio Matina, Jay Kay, Dean Facer, Noiz, Samer, Donna J. Nova, Simple Idea Team, Ben coda & more.. Daniel Portman: "Yes, i play in moskow tomorrow"

Supported by: Daniel Portman, David Tort, Sergio Matina, Jay Kay, Dean Facer, Noiz, Samer, Donna J. Nova, Simple Idea Team, Ben coda & more... Daniel Portman: "Yes, i play in moskow tomorrow" 22 апреля вышел девятый релиз Rezone Records. Релиз называется ‘Exiting Condition’ и представляет собой совместную работу небезызвестного саунд-продюсера Johnny Beast в соавторстве с Label5. В качестве ремиксеров в этом релизе задействованы DJ Winn и Korlov.С первых секунд, прослушивания оригинальной версии ‘Exiting Condition’, вы окунетесь в разнообразие перкуссии. При всей монотонности вы определенно ощутите развитие трека, появление мягких и ярких синтезаторов, почувствуете развитие мелодии. Exiting Condition – очень интересная, живая, яркая и красочная история, которую, несомненно, можно отнести к интеллектуальному саунду. Ремиксы Dj Winn и Korlov стали прекрасным дополнением к оригиналу, в лучшем стиле Progressive House. Ремикс Label5 порадует вас сочетанием хауса и трансового звучания. Exiting Condition (Johnny Beast Aggressive Mix) хотелось бы выделить отдельно. Как всегда Dj Johnny Beast смог сделать вроде бы из очень хорошего и качественного трека реворк, который не уступает оригиналу, а в чем-то даже превосходит его.Релиз ‘Exiting Condition’ интеллектуальный, интересный и одновременно танцевальный. Все это дает повод ознакомиться и добавить этот материал себе в коллекцию. Автор текста: Dj Dima-JuneДизайн обложки: Майя Шулепова

Supported by: Daniel Portman, David Tort, Sergio Matina, Jay Kay, Dean Facer, Noiz, Samer, Donna J. Nova, Simple Idea Team, Ben coda & more... Daniel Portman: "Yes, i play in moskow tomorrow" 22 апреля вышел девятый релиз Rezone Records. Релиз называется ‘Exiting Condition’ и представляет собой совместную работу небезызвестного саунд-продюсера Johnny Beast в соавторстве с Label5. В качестве ремиксеров в этом релизе задействованы DJ Winn и Korlov.С первых секунд, прослушивания оригинальной версии ‘Exiting Condition’, вы окунетесь в разнообразие перкуссии. При всей монотонности вы определенно ощутите развитие трека, появление мягких и ярких синтезаторов, почувствуете развитие мелодии. Exiting Condition – очень интересная, живая, яркая и красочная история, которую, несомненно, можно отнести к интеллектуальному саунду. Ремиксы Dj Winn и Korlov стали прекрасным дополнением к оригиналу, в лучшем стиле Progressive House. Ремикс Label5 порадует вас сочетанием хауса и трансового звучания. Exiting Condition (Johnny Beast Aggressive Mix) хотелось бы выделить отдельно. Как всегда Dj Johnny Beast смог сделать вроде бы из очень хорошего и качественного трека реворк, который не уступает оригиналу, а в чем-то даже превосходит его.Релиз ‘Exiting Condition’ интеллектуальный, интересный и одновременно танцевальный. Все это дает повод ознакомиться и добавить этот материал себе в коллекцию. Автор текста: Dj Dima-JuneДизайн обложки: Майя Шулепова

Supported by: Daniel Portman, David Tort, Sergio Matina, Jay Kay, Dean Facer, Noiz, Samer, Donna J. Nova, Simple Idea Team, Ben coda & more... Daniel Portman: "Yes, i play in moskow tomorrow"

Supported by: Daniel Portman, David Tort, Sergio Matina, Jay Kay, Dean Facer, Noiz, Samer, Donna J. Nova, Simple Idea Team, Ben coda & more... Daniel Portman: "Yes, i play in moskow tomorrow" 

Supported by: Daniel Portman, David Tort, Sergio Matina, Jay Kay, Dean Facer, Noiz, Samer, Donna J. Nova, Simple Idea Team, Ben coda & more.. Daniel Portman: "Yes, i play in moskow tomorrow"

Supported by: Daniel Portman, David Tort, Sergio Matina, Jay Kay, Dean Facer, Noiz, Samer, Donna J. Nova, Simple Idea Team, Ben coda & more... Daniel Portman: "Yes, i play in moskow tomorrow" 22 апреля вышел девятый релиз Rezone Records. Релиз называется ‘Exiting Condition’ и представляет собой совместную работу небезызвестного саунд-продюсера Johnny Beast в соавторстве с Label5. В качестве ремиксеров в этом релизе задействованы DJ Winn и Korlov.С первых секунд, прослушивания оригинальной версии ‘Exiting Condition’, вы окунетесь в разнообразие перкуссии. При всей монотонности вы определенно ощутите развитие трека, появление мягких и ярких синтезаторов, почувствуете развитие мелодии. Exiting Condition – очень интересная, живая, яркая и красочная история, которую, несомненно, можно отнести к интеллектуальному саунду. Ремиксы Dj Winn и Korlov стали прекрасным дополнением к оригиналу, в лучшем стиле Progressive House. Ремикс Label5 порадует вас сочетанием хауса и трансового звучания. Exiting Condition (Johnny Beast Aggressive Mix) хотелось бы выделить отдельно. Как всегда Dj Johnny Beast смог сделать вроде бы из очень хорошего и качественного трека реворк, который не уступает оригиналу, а в чем-то даже превосходит его.Релиз ‘Exiting Condition’ интеллектуальный, интересный и одновременно танцевальный. Все это дает повод ознакомиться и добавить этот материал себе в коллекцию. Автор текста: Dj Dima-JuneДизайн обложки: Майя Шулепова

Supported by: Daniel Portman, David Tort, Sergio Matina, Jay Kay, Dean Facer, Noiz, Samer, Donna J. Nova, Simple Idea Team, Ben coda & more... Daniel Portman: "Yes, i play in moskow tomorrow"

Supported by: Daniel Portman, David Tort, Sergio Matina, Jay Kay, Dean Facer, Noiz, Samer, Donna J. Nova, Simple Idea Team, Ben coda & more... Daniel Portman: "Yes, i play in moskow tomorrow" 22 апреля вышел девятый релиз Rezone Records. Релиз называется ‘Exiting Condition’ и представляет собой совместную работу небезызвестного саунд-продюсера Johnny Beast в соавторстве с Label5. В качестве ремиксеров в этом релизе задействованы DJ Winn и Korlov.С первых секунд, прослушивания оригинальной версии ‘Exiting Condition’, вы окунетесь в разнообразие перкуссии. При всей монотонности вы определенно ощутите развитие трека, появление мягких и ярких синтезаторов, почувствуете развитие мелодии. Exiting Condition – очень интересная, живая, яркая и красочная история, которую, несомненно, можно отнести к интеллектуальному саунду. Ремиксы Dj Winn и Korlov стали прекрасным дополнением к оригиналу, в лучшем стиле Progressive House. Ремикс Label5 порадует вас сочетанием хауса и трансового звучания. Exiting Condition (Johnny Beast Aggressive Mix) хотелось бы выделить отдельно. Как всегда Dj Johnny Beast смог сделать вроде бы из очень хорошего и качественного трека реворк, который не уступает оригиналу, а в чем-то даже превосходит его.Релиз ‘Exiting Condition’ интеллектуальный, интересный и одновременно танцевальный. Все это дает повод ознакомиться и добавить этот материал себе в коллекцию. Автор текста: Dj Dima-JuneДизайн обложки: Майя Шулепова

Supported by: Daniel Portman, David Tort, Sergio Matina, Jay Kay, Dean Facer, Noiz, Samer, Donna J. Nova, Simple Idea Team, Ben coda & more... Daniel Portman: "Yes, i play in moskow tomorrow" 

Supported by: Mason, Hoxton Whores, Re-Zone, Marco V, David Tort, Thomas Penton, Joachim Garraud, Dumb Dan, Donna J. Nova, Ben Coda, Bad Boy Bill, Sergio Matina and more!

Supported by: Mason, Hoxton Whores, Re-Zone, Marco V, David Tort, Thomas Penton, Joachim Garraud, Dumb Dan, Donna J. Nova, Ben Coda, Bad Boy Bill, Sergio Matina and more!

Совместная работа со шведским продюсером Hakan Ludvigson. Release supported by: Markus Schulz, Daniel Portman, Kyau & Albert, Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Donna J. Nova, Relanium, Noiz, DJ Suhov, Artego, A.S. Kirinenko... 

Совместная работа со шведским продюсером Hakan Ludvigson. Release supported by: Markus Schulz, Daniel Portman, Kyau & Albert, Nino Anthony, Dumb Dan, Thomas Penton, Flash Brothers, Hagenaar & Albrecht, StoneBridge, Sergio Matina, Jay Kay, Kenneth Thomas, Yves Eaux, Donna J. Nova, Relanium, Noiz, DJ Suhov, Artego, A.S. Kirinenko... 

Host Suzanne Lieurance talks with children's author Donna J Shepherd.