Podcasts about Hyperdub

We're pretty confident about slapping the “AOTY contender” badge on this one: aya's second album hexed! is out on Hyperdub next week, and it has blown our tiny minds to pieces.The South London artiste joined us in the No Tags “studio” to reveal the pills, thrills and bellyaches behind the phenomenal follow-up to 2021's im hole. We talked about shaking off the curse of drink and drugs, embracing her teen metalcore past, putting worms in your mouth in the name of Art, and just who is the best aya on Discogs?We also debated donk as worship music, her plans to be the next Prince, and of course her favourite film.Dive in – but before you do, final call for No Tags with Paul Woolford at AVA London tomorrow! We'll be joined by AKA Special Request for a conversation at 1pm in the British Library's Knowledge Centre. Taganistas get a 20% off code. Skive work and pop down? We'll have a few No Tags books for sale too.If you're enjoying No Tags, that's just GREAT. We really love making it. Why not rate, review and subscribe on your podcast app of choice? We'd also ask you to consider subscribing to our paid tier, which costs £5 a month and helps us continue bringing you these regular podcasts (and it gives you a discount on our book.) Get full access to No Tags at notagspodcast.substack.com/subscribe

Loraine James is one of the most forward-thinking artists in electronic music today. Her sound is instinctive, fluid, and deeply personal—whether she's crafting glitchy, jazz-infused beats, bending genre expectations on Hyperdub, or exploring mood and texture through her Whatever the Weather project.In this episode of Lost and Sound, Loraine talks about her approach to making music without rigid plans, letting emotion and instinct guide the process. She shares insights into the creative freedom that shapes her work, from improvisation to embracing imperfections in her own way. We also dive into the personal themes in her music, including the deeply moving 2003, a track that reflects on loss and memory.With a new Whatever The Weather album out now on Ghostly International, Loraine talks about the balance between control and spontaneity, how she navigates external expectations without compromising her sound, and why she's never been interested in fitting into any one scene. Thoughtful, open, and refreshingly down-to-earth, I feel we got a rare look into the mindset of an artist constantly pushing her own boundaries.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Loraine James on InstagramWhatever The Weather on BandcampFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

A track in tribute to the excellent poet and activist Nikki Giovanni. Deep downtempo music from Anchorsong remixed by Salamanda, and Duval Timothy. Soul from Yaya Bey, dego feat Samii and a classic from Blue Zone (feat Lisa Stansfield on vocals). Uplifting house from Julio Bashmore feat J'Danna, Gayance feat Judith Little D and Walter Murphy. A quality Jungle track from Tim Reaper and Kloke from their album on Hyperdub. A Bruk blend of Haze City with the current Grime Scene Saviours tune from Chip and a whole host of Grime legends. A new tracks from Hot 8 Brass Band. Plus plenty more music treats. 

L'invité ce mois-ci est Iceboy Violet, un artiste qui dévoile des textes à la fois corrosifs et à fleur de peau sur des beats expérimentaux avec une influence hip-hop. Son dernier album « You Said You'd Hold My Hand Through The Fire », sorti sur Hyperdub en juin 2024, est une collaboration avec le producteur basé à Barcelone, Nueen. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

L'invité ce mois-ci est Iceboy Violet, un artiste qui dévoile des textes à la fois corrosifs et à fleur de peau sur des beats expérimentaux avec une influence hip-hop. Son dernier album « You Said You'd Hold My Hand Through The Fire », sorti sur Hyperdub en juin 2024, est une collaboration avec le producteur basé à Barcelone, Nueen.

My guest on Line Noise this week is jungle producer extraordinaire Tim Reaper (aka Ed Alloh), whose new album with Kloke, In Full Effect, is out now on Hyperdub (and very good indeed). We talked about first raving experiences, obsessive behaviour, jungle vs. drum & bass and DJing a wedding with Aphex Twin. Line Noise comes to you with the support of Cupra.

My guest on Line Noise this week is jungle producer extraordinaire Tim Reaper (aka Ed Alloh), whose new album with Kloke, In Full Effect, is out now on Hyperdub (and very good indeed). We talked about first raving experiences, obsessive behaviour, jungle vs. drum & bass and DJing a wedding with Aphex Twin. Line Noise comes to you with the support of Cupra.

"Don't be afraid to make something." The DJ and composer discusses the vulnerability of the creative process, returning to the piano and touring her latest album. Laurel Halo has been circling around the club music world for a number of years, but she's only recently entered the echelons of jazz and contemporary classical. Originally from Michigan, she went to music school in New York before moving to Berlin, and now Los Angeles, where she composed her 2023 album, Atlas—a release that's been met with widespread critical acclaim. She also played alongside Moritz von Oswald in his jazz outfit the Moritz von Oswald Trio, and released a number of eclectic, UK-tinged dance floor records on underground giants like Hyperdub and Livity Sound. In this RA Exchange, Laurel Halo discusses the new direction of her music and what it's been like to tour it live with cellist Leila Bordreuil. She also talks about her creative inspiration (namely, the Thai filmmaker Apichatpong Weerasethakul and books by surrealist writers like Ursula K. Le Guin and Italo Calvino), the practice of aesthetic minimalism more generally and the methods she uses to create subtle variations in pieces that are slow to evolve. Listen to the episode in full.

"I'm a noodler." The vaunted experimental producer and DJ discusses his playful approach to engaging with philosophy and making art live at Atonal's OPENLESS in Berlin. British artist Lee Gamble has long been captivating listeners with high concept dance music. A loyal affiliate of Kode9's Hyperdub label, Gamble—whose work sits somewhere at the intersection of philosophy, computer music and sound art—has been building weird and wonderful musical worlds that have shot him to experimental stardom since the early 2010s. In this RA Exchange recorded live from Hard Wax at the one-off event Atonal OPENLESS, Gamble meditates on his penchant for eschewing conventions, beginning with growing up in the countercultural, working class hub of Birmingham. Gamble reflects on the first time he experienced what's called "future shock," a reference to a book by the same name written by sci-fi author Alvin Toffler. This set him on the pursuit of finding and making music that had a similarly bizarre quality. Gamble isn't just a producer but an avid admirer and connoisseur of critical theory, and he also discusses the thinkers who have informed his production (and even his approach to DJing), as well as his recent interest in the ethics and applications of AI and deep fakes, which he explores in a touching full-length, Models. Listen to the episode in full.

"I'm a noodler." The vaunted experimental producer and DJ discusses his playful approach to engaging with philosophy and making art live at OPENLESS in Berlin. British artist Lee Gamble has long been captivating listeners with high concept dance music. A loyal affiliate of Kode9's Hyperdub label, Gamble—whose work sits somewhere at the intersection of philosophy, computer music and sound art—has been building weird and wonderful musical worlds that have shot him to experimental stardom since the early 2010s. In this RA Exchange recorded live from Hard Wax (at the one-off weekender Atonal OPENLESS), Gamble meditates on his penchant for eschewing conventions, beginning with growing up in the countercultural, working class hub of Birmingham. Gamble reflects on the first time he experienced what's called "future shock", a reference to a book by the same name written by sci-fi author Alvin Toffler. It set him on the pursuit of finding and making music that had a similarly bizarre quality. Gamble isn't just a producer but an avid admirer and connoisseur of critical theory, and he also discusses the thinkers who have informed his production (and even his approach to DJing), as well as his recent interest in the ethics and applications of AI and deep fakes, which he explores in a touching full-length, Models. Listen to the episode in full.

The Hyperdub label head and his head honcho team up and not for the first time. After Burial's recent extremely punishing EP, this is one of his most commercial sounding releases. Full of light skipping 2step beats and UK garage flourishes, plus a heap of hooky vocals and synths. Kode9 ably backs it up veering into early 90s rave and Drum n Bass. Undemanding but in a good way.

To mark the 20th anniversary of famed British label Hyperdub, Line Noise organised a round-table interview with four of the label's key artists - founder Kode9, Ikonika, DJ Haram and Heavee - at Primavera Sound 2024. The results were fascinating, swinging from the obsession of running a record label to every artist's favourite Hyperdub songs. Picture by Cecila Diaz Betz.

To mark the 20th anniversary of famed British label Hyperdub, Line Noise organised a round-table interview with four of the label's key artists - founder Kode9, Ikonika, DJ Haram and Heavee - at Primavera Sound 2024. The results were fascinating, swinging from the obsession of running a record label to every artist's favourite Hyperdub songs. Picture by Cecila Diaz Betz.

In this episode of INSIGHTS, I am joined by the singular and brilliant DJ Haram, who's eclectic DJ and production style leaves almost no corner of the globe unturned, with influences from strains of US and UK club sounds, rap, noise, Arabic and Middle Eastern music to name a few. Highlights in her discography include 2022's incendiary album ‘Nothing To Declare' as 700 Bliss, her collaboration with Moor Mother, as well as her latest EP on Hyperdub, ‘Handplay', which came out in December last year. Embarking on a series of live shows and building towards her debut solo album, I am honoured to be joined by Zubeyda Muzeyyen.Over the course of this interview, Zubeyda discusses her early years and the influence of Middle Eastern wedding music and Turkish psych on her as a multi-disciplinary artist, settling in Brooklyn following the Covid-19 pandemic, reflecting on the difficulties and enduring effect of lockdown, representing the underground on her Monday Night Raw show on The Lot Radio, her approach to production and collaborations with Billy Woods / Armand Hammer and Moor Mother as 700 Bliss, signing to Hyperdub and exploring the themes of borders and a global passport on ‘Nothing To Declare', embracing vulnerability on her 'Handplay' EP and forthcoming debut album, concluding by highlighting some favourite music selections and future projects.Clips of ‘Handplay' and ‘No Funeral' by DJ Haram from the ‘Handplay' EP on Hyperdub are used in this podcast.SUPPORT DJ HARAM:Bandcamp: https://djharam.bandcamp.com/album/handplay-ep Instagram: https://www.instagram.com/djharam/ Buy Music Club: https://www.buymusic.club/list/awakeallhours-insights-032-dj-haramSUPPORT AWAKE ALL HOURS:Patreon: www.patreon.com/awakeallhours Instagram: www.instagram.com/awake.allhours/

Imagine a world where club beats meet experimental sounds, where ancient echoes mingle with modern AI voices. That's the universe inhabited by our guest, Lee Gamble. Paul sits down with Lee to discuss his latest album, Models, released on the hugely influential Hyperdub Records.  Not only do we delve into the influences that shaped this remarkable piece of work, but we also unpack how personal loss and the global pandemic have left indelible marks on Lee's creative process.Lee's unique narrative is punctuated by the influence of Birmingham's drum and bass and techno history, and his journey as a DJ navigating the complexities of self-identity. We reflect on the intersections of technology, art, and emotion, examining how cutting-edge AI can both enhance and evoke a sense of longing within music. Lee also shares his insightful perspective on the powerful impact personal experiences and social class have on an artist's self-perception and creativity.Presented and produced by Paul Hanford Paul Hanford on InstagramModels by Lee Gamble is available here.Lost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

In this episode we welcome acclaimed critic, author and professor Evelyn McDonnell and invite her to discuss her new Joan Didion book, along with the Motels, Britney Spears and California's pop history in general. Evelyn talks about her early L.A. memories and childhood move to Wisconsin before we hear how she progressed from her college paper in Providence, RI, to becoming the pop critic for the Miami Herald. We also note books such as her Runaways biography Queens of Noise, a suitable jumping-off point for a long conversation about her fellow Californian, Didion. Mark and Martin reminisce about the impact of Didion's extraordinary essay collections Slouching towards Bethlehem and The White Album, after which we follow her career through to the bestselling Year of Magical Thinking. The L.A. theme continues as we hear two clips from Steve Roeser's 2001 audio interview with Motels singer Martha Davis, putting that band into historical context with discussion of the pre-punk D.I.Y. "Radio Free Hollywood" shows in 1976. From there we fast-forward to the very different "L.A. Woman" that was and is Britney Spears, which in turn prompts our guest to give her very pertinent take on the [Jann] "Wennergate" debacle of the past month. At a significant remove from all this Hollywood Babylonia was avant-jazz giant Carla Bley, whose death we mark in a conversation about 1971's extraordinary Escalator Over The Hill. Finally, Mark mentions pieces he's recently added to the RBP library, including interviews with Laurie Anderson and the Byrds' Roger McGuinn, and Jasper rounds the episode off with remarks on pieces about Herbie Hancock and Steve Goodman's Hyperdub label.  Many thanks to special guest Evelyn McDonnell. The World According to Joan Didion is published by HarperOne and available now. Pieces discussed: Hollywood Swinging: Joan Didion in '60s L.A., The Runaways, The Motels' Martha Davis audio, Britney Spears at Staples Centre, Britney Spears interviewed by Steven Daly, Carla Bley interviewed by Brian Case, Carla Bley at Queen Elizabeth Hall, Dwight Twilley Band, Dwight Twilley: Magical Mystery Man, Queen Latifah/DJ Mark the 45 King, The Byrds, Laurie Anderson, Steve Goodman & Hyperdub and Herbie Hancock.

"Vocals go hand in hand with the grime I know." Ahead of his appearance at London's Waterworks Festival, the UK artist discusses the significance of MCs, working with Skrillex and more. Marc Veira, AKA Flowdan, sees MCs as the "hub of all the vibes." Growing up in East London's rich dancehall and reggae scene, he developed a singular view of music that blossomed into a career as a well-known MC and cofounder of the grime collective Roll Deep. Alongside a string of successful EPs and collaborations come on labels like Hyperdub and Tru Thoughts, he recently earned widespread plaudits for his collaboration with Skrillex and Fred Again…. on their anthem, "Rumble," which came out last year. In this RA Exchange with DJ and radio host Tash LC, Veira discusses how he got to this point, starting from his time at home and his mother's passion for sound system culture. "The MC being the hub of all the vibes—I heard that in sound system culture," he says. He believes there still isn't enough credit afforded to vocalists in live performances more generally. "The grime I know, the garage I know, the drum & bass I know—vocals go hand in hand with all of that. And at festivals, massive artists headlining shows have no mention of their vocalists. That's not what the music is." Veira also unpacks his love for working with other people, his mentorship of up-and-coming producers and using Flowdan as the character behind which he hides his natural shyness on stage. To hear more about his creative process and trajectory, listen to the episode in full.

Tunes From Bleep.com 01 - FALTY DL_Bridge Spot (0'00) (Blueberry Records / 2016) 02 - SKEPTA Feat D DOUBLE D & ASAP NAST_Ladies Hit Squad (3'40) (Boy Better Know / 2016) 03 - OKZHARP & MANTHE RIBANE_Teleported (7'00) (Hyperdub / 2016) 04 - SILK ROAD ASSASSINS_Cryo Enemy (9'30) (Planet Mu / 2016) 05 - BABYFATHER Feat ARCA_Meditation (12'00) (Hyperdub / 2016) 06 - ZOMBY & REZZETT_S.D.Y.F (16'00) (Hyperdub / 2017) 07 - JACQUES GREENE_Afterglow (20'50) (Lucky Me / 2017) 08 - SKYH1_Night Fall Dream (23'50) (Codes / 2016) 09 - ASH KOOSHA_Reactivity (27'10) (Ninja Tune / 2017) 10 - DJ KATAPILA_Trotro (30'00) (Awesome Tapes From Africa / 2015) 11 - ANTWOOD_ProtypeHA (34'20) (Planet Mu / 2016) 12 - DAZE_Leisure Complex (26'40) (Unknown To The Unknown / 2016) 13 - 1991_No More Dreams II (41'30) (No More Dreams / 2017) 14 - 2814_Before The Rain (44'20) (Dream Catalogue / 2016) 15 - LONE_Backtail Was Heavy (49'20) (R&S Records / 2016) 16 - MIDLAND_Blush (52'00) (Graded Records / 2016) 17 - KOWTON_Scido (56'10) (Livity Sound Recordings / 2017) 18 - MALL GRAB_I've Always Liked Grime (60'50) (Looking For Trouble / 2021) 19 - 808 STATE_In Yer Face (BICEP Remix) (66'30) (Feel My Bicep / 2016) 20 - SOURCE DIRECT_The Crane (FUNCTION & INLAND Remix) (72'00) (Nonplus Records / 2016) 21 - SPECIAL REQUEST_Reset It (79'20) (XC Records / 2015) 22 - DOMS & DEYKERS_It's You I See (83'30) (3024 / 2010)

Jessy Lanza - producer, singer and DJ, chats with Paul about finding her confidence through eschewing the rigours of a jazz education for making some of the sharpest, brightest and damn well fizzy leftfield pop music of the last ten years. And that's exactly what it's been, a decade, since her debut came out on the hugely influential Hyperdub label. Now, with the upcoming release of her new album, Love Hallucination, Jessy, currently in Ontario, talks with Paul about her creative process, how her van became the centre of a revelatory Boiler Room set and finding her own musical voice. Jessy Lanza's new album Love Hallucination, out via Hyperdub on July 28Lost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by E.S.O

LA-based Canadian artist Jessy Lanza has brought dance and pop music together and elevated both art forms in the process. At the heart of her work are her own sensual vocals. They bring human warmth and emotion to vibrant and uptempo grooves and result in music that is both energetic and accessible yet personal and honest. Next to critically acclaimed studio albums for Hyperdub, she has made a fine entry into the DJ-kicks mix series and toured solo from Asia to Australia. Europe to North America. Her latest album is her broadcast and boldest yet - Love Hallucination features work from producers such as Pearson Sound, Jacques Greene, Tensnake, Paul White, and Jeremy Greenspan and conforms Lanza to be out in a class of her own. Lanza brings her feel-good vibes to the podcast series this week, not least with a couple of her own exclusive new cuts as well as one mysterious known gem early on. They add up to a perfect representation of her sound - the first half is a feel-good mix of retro-future boogie, glossy 80s r&b, party-starting funk bombs and many more irresistible moments of pure heat from Brenda and The Big Dudes, Debbe and The Code and Gino Soccio. Things then turn more towards the dance floor with deep house from Frankie Knuckles, bass-heavy rhythms from Addison Groove and a piano banger from Mall Grab. It's just the sort of happy, sunny mix you will be coming back to all summer long.

In the final episode of Season 5, we welcome Canadian producer, songwriter, DJ and vocalist Jessy Lanza. With two records of nostalgic-sounding electronic music already released on Hyperdub and a third on the way, we find out which vintage effects unit helps her get that distinctive sound, how she nearly had a beloved synth lost by an airline, and which song Will Smith has completely ruined for her forever. Season 5 is sponsored by Audient: audient.com STUFF WE TALK ABOUT (SPOILERS AHEAD!)https://www.instagram.com/jessy.lanza/?hl=enhttps://www.youtube.com/watch?v=UpLbvSB8GkY&ab_channel=KEXPhttps://www.instagram.com/pearsonsound/?hl=enhttps://www.apple.com/uk/shop/buy-mac/mac-studiohttps://engineering.stackexchange.com/questions/26710/if-gold-is-a-worse-electrical-conductor-than-silver-and-copper-why-are-gold-plahttps://www.rme-audio.de/fireface-ufx-3.htmlhttps://www.behringer.com/product.html?modelCode=P0AWNhttps://en.wikipedia.org/wiki/Rhodes_pianohttps://rhodesmusic.com/https://www.youtube.com/watch?v=R6uysIQp4Lg&ab_channel=FenderRhodesStoryhttps://www.youtube.com/watch?v=jtMHsNhQBvI&ab_channel=StrutRecordshttps://www.youtube.com/watch?v=qNQCZwol3Ec&ab_channel=Amblinhttps://www.sequential.com/product/prophet-5/https://www.youtube.com/watch?v=ywrUdtk1JY0&ab_channel=BlueBambooMusichttps://en.wikipedia.org/wiki/Akiko_Yanohttps://www.eventideaudio.com/rackmount/h3000/https://www.eventideaudio.com/rackmount/h9000/https://www.instagram.com/jeremy_greenspan/?hl=enhttps://www.akaipro.com/mpc2000xlhttps://en.wikipedia.org/wiki/DJ_Rashadhttps://www.neumann.com/en-en/products/historical/u-47/https://www.telefunken-elektroakustik.com/product/m81/https://spiralgroovestudiomonitors.bigcartel.com/https://www.pbs.org/newshour/health/ice-baths-are-hot-on-social-media-heres-how-they-affect-your-bodyhttps://www.matrixsynth.com/2015/11/rare-boss-syb-3-bass-synthesizer-wrist.html

Follow Cairo FX for more music & shows: http://www.instagram.com/cairofxmusic Dance Around The Globe is a radio show hosted by producer, dj and live act @cairofxmusic Cairo FX presents a mix of fresh electronic music from around the globe. DAT Globe on social media - http://linktr.ee/dat.globe Cairo FX on social media - http://linktr.ee/cairofxmusic Enjoy the ride! Track List: 1.Test 3 - Donato Dozzy [ label: @acidtestrecords ] 2. Indigo Grit (feat. guest) - Space Afrika [ label: @daisrecords ] 3. Tribalista - Ben Beckman [ label: @transa_records ] 4. Nothing Without You - GIDEÖN [ label: @homo-centric-records ] 5. Church of SoMa - Original Mix - Avalon Emerson [ label: @spring-theory ] 6. Xumba Xumba - Mainline Magic Orchestra [ label: @publicpossession ] 7. Fidetik (I Lay Down My Life For You) - Fatima Al Qadiri [ label: @Hyperdub ] 8. Kickdrums!!! - Tom Blip [ label: @moretimerecords ] 9. Capoeira Drum - JSPORT [ label: @MorphATL ] 10. Funky Acid Stuff - Luke Vibert [ label: @planetmurecords ] 11. Forlorn - Sage Introspekt [ label: Time Is Now Records ] 12. Eh Wut - Addison Groove [ label: @prettyweirdrecords ] 13. Doppelgänger - Hyph11e [ label: @svbkvlt ]

Esta semana abrimos nuestra Atmósfera con BvDub y su particular voz. Haremos un pequeño resumen de lo que ha sido este año el festival “Electrónica en Abril” y volveremos a escuchar el recopilatorio del sello Hyperdub con el que celebraban su 15º aniversario. Escuchar audio

In a scene dominated by thundering techno and its industrial iterations, Scotland's experimental electronic landscape often goes unnoticed. This niche community of creatives finds inspiration in the country's ethereal yet contradicting past, combining folk traditions with avant-garde production. In this documentary-style podcast, RA contributor Rowan Crerar speaks to artists, labels and festivals about the deep relationship between Scottish music and folklore. Hyperdub affiliate Proc Fiskal, musician Gavin L. Sutherland, Aberdeen's aerial community radio, interdisciplinary artist Abby Beatrice Quick and Glasgow label 12th Isle each discuss the complex nature of Scottish identity, highlighting how topics such as archaeology and science fiction influence creative practices. For more insights, listen to the conversation in full.

The king flies solo this week, wrapping up the big news, including the GOP House Speaker vote-athon, the obvious choice to lead the caucus, Trump vs. pro-lifers, Idaho killer caught, and the NFL injury problem. Subscribe to the King of Stuff Spotify playlist featuring picks from the show. This week, Jon recommends “Her Revolution,” a collaboration by Radiohead's Thom Yorke, IDM artist Four Tet, and Hyperdub's Burial. Jon-tent! "Why you should never say someone is 'on the right side of history'," Arizona Republic, Dec. 30. "The Music of 2022 with Jon Gabriel" on Versus Media Live with Stephen L. Miller, Dec. 30. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Name a genre, and you can bet that Luis Garban has tried his hand at it once or twice. Once a staple of the mid-'00s IDM and breakcore scene—think Tigerbeat6—as Cardopusher, Garban found a temporary home in the dubstep scene afterwards, before shooting off in what felt like a million directions. He might be the only artist to release on both Hyperdub and Boysnoize Records. He makes music that can sound like the future or the past, sometimes both at once, and the Venezuelan-born, Spain-based producer's name is shorthand for musical adventurism and variety. Last year, things got even wilder with the debut of Safety Trance, a new alias that explores pan-Latin club music, with a focus on collaboration and shorter, structured songs. (Artists he's worked with include Arca, Iceboy Violet and Virgen Maria.) It's some of the best and most creative work of his career, riding a larger Latin techno wave producing some of the best music around these days. If that weren't enough, returning to Cardopusher, Garban has a career-best EP on the way for EVAR Records, pulling together the various strands of the project into a multi-genre, Gen-Z-friendly raveathon. Loaded with original tracks from both projects, RA Podcast could be billed as Cardopusher vs. Safety Trance, with highlights coming from Atari Teenage Riot, VTSS and Venetian Snares, which should give you an idea for the kind of controlled chaos you're in for with this one. @cardopusher Read more at https://ra.co/podcast/867

For episode 69, we finish up the last installment of the "Mommas in Music" series, which also happens to be our final episode of 2022. For this show, Shannon talks to two mommas in different parts of the world about their experiences with motherhood, production and music.For the first half of the show we head to the UK for a lovely chat with DJ and producer Ikonika. The Hyperdub artist has spent over two decades making the world dance to her incredible tracks filled with a little bit of everything from dubstep and grime to house and a slew of other genres. There's something admirable about Ikonika's ability to shape-shift and transform into what the heck she feels like. Over the last two years, the London-bred artist's imagination has taken to her music to some incredible places.Look no further than “No Way,” Ikonika's contribution to Adult Swim's "Digitalis" compilation in 2021. We were also blown away by “I Need You,” a sultry dance track that features rolling Amapiano and catchy synth melodies on top of the star's wispy vocals.Now, Ikonika is sending the dance floor reeling with her new EP “Bubble Up” a project that showcases her vocals and love for vintage deep house. Shannon chats with Ikonika about her production process, writing music through her pregnancy and what's next for her busy career.For the second part of the show, we bounce over to Olympia, Washington to chat with producer, DJ and momma of two, Sepha.Like Ikonika, Sepha has a deep appreciation for club music from all corners of the world, and you can feel it in her sets and on her weekly Twitch streams.With two busy kiddos, at home, Sepha always finds some time to get in the flow state with her production work and DJ sets. We were thrilled with her “Thank You For Club Music” EP in 2021 and everything else that has come out of her steady wave of production over the last two years.Shannon spoke to Sepha about club music culture in Seattle, how she makes time to create amid her busy parenting schedule and what she loves most about being a momma.Tracklist"No Way" - Ikonika"I Need You" - Ikonika"Bubble Up" - Ikonika"When you look at me" - Ikonika"Trillium Joan" - Sepha"Thank You For Baltimore Club - SephaSubscribe To Our Patreon For More Content: Patreon.com/ClubManagement1Support the show

An in-depth analysis of British singer-songwriter, musician and contemporary artist Dean Blunt in (just over) 15 minutes. Mathew is in discussion with A Du Tre.

Welcome to Line Noise. Today we have an interview that Ben Cardew did live at the the Curtis Audiophile cafe in Barcelona this October, in which he spoke for an hour to Steve Goodman, aka Kode9, an electronic music artist, DJ and the founder of the excellent Hyperdub label. They spoke about the concept behind his new album Astro Darien, Scottish independence, philosophy, Hyperdub, Rosalía and Burial. Thanks very much to Lapsus, for organising the event. Listen to Kode9's Escapology here: https://open.spotify.com/album/3SwrGW1XMkphBVkSn9Bpbn?si=nksPluznQJSNqHsn34HL-w

Welcome to Line Noise. Today we have an interview that Ben Cardew did live at the the Curtis Audiophile cafe in Barcelona this October, in which he spoke for an hour to Steve Goodman, aka Kode9, an electronic music artist, DJ and the founder of the excellent Hyperdub label. They spoke about the concept behind his new album Astro Darien, Scottish independence, philosophy, Hyperdub, Rosalía and Burial. Thanks very much to Lapsus, for organising the event.Listen to Kode9's Escapology here.

Like countless others, Steve Goodman played a lot of video games during lockdown. At the time, the artist known as Kode9 and founder of the iconic Hyperdub label found himself imagining a game about Scotland and the country's plan to set up a colony in Panama back in the 1690s. Those thoughts later crystallised into Astro-Darien, an AV installation, "sonic fiction" and album that explores Scotland's space program and its past colonial ambitions through the lens of a video game. Speaking to RA on this week's episode of the Exchange, Goodman delves into the various facets of this project, including Escapology, his score to Astro-Darien. The album, released in July, is "like a film trailer that's giving you a little taste of various bits of story and strands of a kind of palette of sounds and a world," he explains. "So if you want, there's places to go deeper on it but if you are not interested in that, just treat it as a slightly weird dance music record." Science fiction aside, the Hyperdub founder also discusses the cyclical nature of music and why jungle is currently experiencing what many have called a revival. "Music doesn't move forward, it doesn't progress in a linear fashion," he describes, attributing that to "generational relationships." For more deep thoughts and Goodman's guide on hiking in the Scottish Highlands, listen to the conversation in full.

A Mix of Bass Music From Bleep.com Catalogue 01 - CYGNUS_Bad RGB Controller (0'00) (Central Processing Unit / 2021) 02 - AUSSCHUSS_Cruise (5'00) (MAC Recordings / 2021) 03 - AYA_Emley Lights Us Moor (8'30) (Hyperdub / 2021) 04 - SPEAKER MUSIC_Ex-American Blues (11'10) (Planet Mu / 2021) 05 - MAXWELL STERLING_Decay Time (15'00) (AD93 / 2021) 06 - OVERLOOK & KARIM MAAS_Heart Of Darkness (17'30) (UVB76 Music / 2021) 07 - ONEOHTRIX POINT NEVER & ELIZABETH FRAZER_Tales From The Trash Stratum (23'00) (Warp / 2021) 08 - STIGMA Feat L_Believe In Me (25'20) (Pessimist Productions / 2021) 09 - DEREK CARR_Mcr (31'50) (Firescoop Records / 2021) 10 - DJ SEINFELD_Tell Me One More Time (Ninja Tune / 2021) 11 - IVVVO_Voices (39'30) (Lith Dolina / 2021) 12 - MMM_Where To Go (43'10) (Hard Wax / 2021) 13 - OVERMONO_So U Kno (47'40) (Fabric / 2021) 14 - ANZ_Real Enough To Feel Good (53'00) (Ninja Tune / 2021) 15 - LNS & DJ SOTOFETT_K.O By E-GZR (57'30) (Tresor Records / 2021) 16 - RYAN JAMES FORD_Kaki (60'40) (PROMETHAZINE Mix) (Dub Recordings / 2021) 17 - AIR MAX'97_Eat The Rich (64'40) (Time Dance / 2021) 18 - SKEE MASK_C2300 Dub (67'20) (Illian Tape / 2021) 19 - BLAWAN_Fizz City (73'00) (Fernesc / 2021) 20 - SMERZ_Believer (75'40) (XL Recordings / 2021) 21 - TECHNICAL ITCH_Melt (79'30) (Over Shadow / 2021) 22 - SULLY_5ives (83'50) (Over Shadow / 2021)

Episode 76 More Black Techno Matters   Playlist   Drexciya, “Digital Tsunami” from Harnessed The Storm (2002 Tresor). “Filtered through dimensional waves by Drexciya.” Drexciya, “Aquatic Cataclysm” from Harnessed The Storm (2002 Tresor). “Filtered through dimensional waves by Drexciya.” Green Velvet, “Sleepwalking” from Whatever (2001 Music Man Records). Produced, programmed, and written by Green Velvet. Jlin, “Black Origami” from Black Origami (2017 Planet Mu). Produced by Jerrilynn Patton. Gary, Indiana. 3MB Featuring 'Magic' Juan Atkins, “Die Kosmischen Kuriere” from 3MB Feat. Magic Juan Atkins E.P. (1993 NovaMute). Producer, written and mixed by Juan Atkins, Moritz von Oswald, Thomas Fehlmann. Loraine James, “Let's Go” from Reflection (2021 Hyperdub). Produced by Loraine James. Hand, “Calling” from Intuition EP (2015 Acacia). Detroit. Produced, written, and arranged by K. Hand. Loraine James, “Loll” from Detail (2017 Fu Inle Records). Produced by Loraine James. Hand, “Everybody (Tommy Largo Remix)” from Intuition EP (2015 Acacia). Detroit. Produced, written, and arranged by K. Hand. Hand, “Aquatics” from Hot Steel. (2020 Trip Recordings). Produced, written, and arranged by K. Hand (Kelli Maria Hand). This was the result of receiving an invite from musician Nina Kraviz who sent out a call to artists to stream one of their unreleased works; all genres are welcome. After the stream took place, the favourite tracks were signed to produce the Hot Steel release. Available on Bandcamp. LTJ Bukem, “Rainfall” from Raw Music Material - Electronic Music DJs Today (2002 Not on Label). Composed, played, and mixed by LTJ Bukem. Robert Hood. “Kick Dirt” from Raw Music Material - Electronic Music DJs Today (2002 Not on Label). Music by Robert Hood. Robert Hood. “Parade” from Internal Empire (1994 Tresor). Detroit. Music by Robert Hood. Scan 7, “Dark Corridor” from Dark Territory (1996 Tresor). Scan 7 a collective of Detroit techno artists, led by Lou Robinson and including DJ Red Line. Scan 7, “Dark Territory” from Dark Territory (1996 Tresor). Scan 7 a collective of Detroit techno artists, led by Lou Robinson and including DJ Red Line. Venus Ex Machina, “Blood Moon (Solar Mix)” from Lux. (2021 AD93). Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. Venus Ex Machina, “Mysterium ” from Lux. (2021 AD93). Venus Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. Venus Ex Machina, “Quaraquara” from Lux. (2021 AD93). Venus Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. Jeff Mills, “IOK-1” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Jeff Mills, “IOK-4” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Jeff Mills, “The Speed Of Light” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Jeff Mills, “Canis Major Overdensity” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Opening background music: Jeff Mills, “Spider Formation” from The Other Day (1997 Axis). Written, performed, and produced by Jeff Mills. Connect with Black Techno Matters and Bernard Farley. Listen to the Blackness is Revolutionary playlist on Spotify. As of this podcast, this playlist curated by Bernard Farley features more than 1,100 techno tracks by black artists. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

In this episode of Awake All Hours, we begin with a brief recap of Primavera Sound before presenting our preview for the world's most famous festival, Glastonbury (9:24)! We do our best dissect the stupidly stacked clashfinder, highlighting significant electronic artists and unmissable sets, from the main stages to the darkest recesses of the festival, for those interested or attending next weekend. Highlights include but certainly not limited to a Sports Banger Mega Rave, Cinthie shutting down Genosys, a tantalising B2B between LCY and Blawan, swaying merrily in front of Firmly Rooted Soundsytem all day, Shygirl performing live on a giant head and an all night Booty Bass take over!We follow with album reviews, featuring the new noise rap head-spinner 'Nothing To Declare' by 700 Bliss (42:32), Parrish Smith's genre distorting ‘Light, Cruel & Vain' (57:00) and µ-Ziq's pillowy IDM dream, ‘Magic Pony Ride' (1:10:58). We finish, as always, with What's In My Bandcamp Basket (1:22:58), rounding up our favourite fresh club-ready cuts, featuring Manni Dee, Luca Lozano, DJ Polo & Ramzee, Angel D'lite and more!SUPPORT THE ARTISTS: https://buymusic.club/list/awakeallhours-ep-052-glastonbury-festival-preview-700-bliss-parrish-smith-and-ziqSUPPORT AWAKE ALL HOURS: www.patreon.com

Tracklisting Amaria Hamadalher – Tarhanine (Sahel Sounds, USA) J. Zunz – Ráfaga (Rocket Recordings, UK) Cheb Terro vs DJ Die Soon – Underplanet (Drowned by Locals, Jordan) Alex Figueira – Aprende (Music With Soul, Netherlands) Otoboke Beaver – Dirty old fart is waiting for my reaction (ジジイ is waiting for my reaction) (Damnably, UK) Hatis Noit – Aura (Erased Tapes, UK) Dinheiro Infinito Revival – 138 BPM (40% Foda/Maneiríssimo, Brazil) The Bonk – Thick Lines on Thin Film (self-release, Ireland) 700 Bliss – Candace Parker feat Muqata'a (Hyperdub, UK) Anteloper – One Living Genius (International Anthem, USA)

@shannensp has made big moves in quick time. After teenage years immersed in the sound system culture of nights like SubDub in Leeds, she moved to London and started working with Hyperdub, produced with hosted on NTS, and then took off as a DJ. She has a sound rooted in the black music that exists around the edges of traditional house and techno. Be it kuduro, dancehall, bass, kwaito, hip hop or whatever else, it is always right at the cutting edge. As has always been the case with her mixes, this week's podcast is another carefully assembled collection of diasporic sounds. There are high-pressure percussive workouts and juke rhythms, heavy Afrocentric techno sounds and flurries of crashing breakbeats that lead into acid-dancehall. It's an intense selection that could only be held together by a DJ with some serious chops.

In our first episode of the year, we discuss our hopes for electronic music and club culture in 2022 and review the new albums by Burial, Soichi Terada and Eusebeia. We finish, as always, with a round up of our favourite club ready bits from the world of Bandcamp, featuring a wide variety of recent records from JLin, Soul Mass Transit System, Eluize and VROMM, just to name a few!SUPPORT THE ARTISTS: https://buymusic.club/list/awakeallhours-ep-042SUPPORT AWAKE ALL HOURS: www.patreon.com/awakeallhours

Our second part of our favourite records from 2021 is a eclectic trip around the globe, taking in gqom out of Mexico, hip-hop from the Philippines, jazz from Chicago, dub from Belgium, amongst others. We have baroque pop, digital dancehall, and a whole lot more. Get tickets to our live show: https://www.eventbrite.com/e/independent-music-podcast-live-2021-in-review-tickets-225352935697 Tracklisting N0V3L – Group Disease (TAR / MM / UOH, UK) Manuka Honey – Pestañas (N.A.A.F.I., Mexico) Smote – Poleyn (Rocket Recordings, UK) Comité Hypnotisé – I Am Boogie (Cortizona, Belgium) Aaron Dilloway & Lucrecia Dalt – The Blob (Hanson Records, USA) Mr Williamz – My Heavenz (Scotch Bonnet, UK) Circuit des Yeux – Vanishing (Matador Records, USA) ビクター ＭＫＩＩ- Stay Here With U (感傷唱片行 Kind of Blue Records, Taiwan) Ben LaMar Gay – Aunt Lola and the Quail (International Anthem, USA) Aya – what if i should fall asleep and slip under (Hyperdub, UK) Produced and edited by Nick McCorriston. This week's episode is sponsored by The state51 Conspiracy, a creative hub for music. Head to state51.com to find releases by JK Flesh vs Gnod, Steve Jansen, MrUnderwSood, Wire, Ghost Box, Lo Recordings, Subtext Records and many more

In this episode of Awake All Hours, we share our highlights at recent gigs and club nights, featuring an intimate performance by the wonderful Lyra Pramuk (with support from sarahsson - https://soundcloud.com/sarahsson) at Strange Brew, EVERPRESS with BOK BOK, k means, Toma Kami and more at newly discovered Bethnal Green spot, Space 289 and finally Wisdom Teeth bosses Facta and K-Lone going b2b at Loco Club. In the second half of the show, we discuss the new albums by AYA, Eris Drew and Chrissy, before finishing off with What's In My Bandcamp Basket, featuring our favourite recent club-ready records!SUPPORT THE ARTISTS: https://buymusic.club/list/awakeallhours-aah-podcast-ep-039SUPPORT AWAKE ALL HOURS: www.patreon.com/awakeallhours

There's nothing that'll kickstart your body quite like a funky slice of Algerian-born Amazigh music. The lead track from Habibi Funk's Majid Soula compilation is a real hip-shaker, and just the tonic for whatever ales you this week. There's a lot more than that to get stuck into as well – from clattering percussive electronics from the new Jerusalem in My Heart LP, to exceptional experimental folk from Maria Elena Silva, via boogielicious reggae thanks to Kalita Records raiding the expensive section of your long-lost music store. Elsewhere, we never tire of celebrating the new Aya record on Hyperdub – a truly forward-looking masterpiece – nor the extent of sounds that Mario Batkovic can squeeze out of an accordion. On this track he's collaborating with James Holden, and the results are fantastic. And that's not all: jazz, Indian classical fused with industrial sounds, the latest wonderful record from Shackleton, and the ambient atmospheric sounds of Christina Vantzou make this week's show a pleasure from start to finish. Tracklisting Majid Soula – Netseweth Sifassan Nagh (Habibi Funk, Germany) Jerusalem In My Heart – Abyad Barraq (w/Greg Fox) (Constellation Records, Canada) AYA – OoB Prosthesis (Hyperdub, UK) Burnt Sugar The Arkestra Chamber – * inna-Lisala-Over-Oakanda (Avant Groidd Musica, USA) Only Now – Slit Ties (feat. Robin Sukhadia) (Bokeh Versions, UK) Maria Elena Silva – December (Big Ego Records, USA) Desmond Chambers – Haly Gully (Version) (Kalita Records, UK) Mario Batkovic – Chorea Duplex (feat. James Holden) (Invada, UK) Christina Vantzou – A Soundtrack for Growth (Slow Moves, France) Shackleton – Something Tells Me / Pour Out Like Water (Woe To The Septic Heart!, Germany) Produced and edited by Nick McCorriston. This week's episode is sponsored by The state51 Conspiracy, a creative hub for music. Head to state51.com to find releases by JK Flesh vs Gnod, Steve Jansen, MrUnderwood, Wire, Ghost Box, Lo Recordings, Subtext Records and many more.

Around 1989, what were the promises of techno and its fictions? How are they significant today? And to whom? This episode is led by DeForrest Brown, Jr., author of Assembling a Black Counter Culture, in conversation with Steve Goodman (a.k.a. Kode9, founder of Hyperdub) and Nkisi (co-founder of Non Worldwide). Collectively they discuss the migration of techno music from North America to Europe with an initial focus on the situated contexts of the dance music scene in London and across the U.K. during the early 1990s. With reference to techno's spiritual and technological origins, evolution and relationship with the so-called Hardcore Continuum. Produced by Zakia Sewell Image: © Abu Qadim Haqq (Detail)

This podcast is led by DeForrest Brown Jr, author of Assembling a Black Counter Culture, in conversation with Steve Goodman (aka Kode9 and founder of Hyperdub) and Nkisi (co-founder of NON Worldwide). Collectively they discuss the migration of techno music from North America to Europe with an initial focus on the situated contexts of the dance music scene in London and across the U.K. during the early 1990s. With reference to techno's spiritual and technological origins, evolution, and relationship with the Hardcore Continuum movement. Techno at the End of the Future – Episode 1: London was produced by Zakia Sewell.

Loraine James is a Hyperdub-signed producer who uses IDM glitch aesthetics with an improvisational, jazz-rooted spirit and a unique talent for integrating her diverse influences into cohesive and emotive pieces.To submit your demo for consideration please visit http://lustwerkmusic.com/raveconfessions

London's Loraine James is as experimental as electronic artists get. She doesn't just make hard to categorise music, she makes music for which there are often no words. Depending on your mood, her sounds can suit either full-on dance floor workouts or reflective home listens. That has been the case across two standout albums on Hyperdub, both of which explore vulnerability and identity across tracks that fizz with ideas and energy. The most recent, Reflection back in June, came with snippets of interior monologue. They lay bare James's most intimate feelings while the beats around her continue to act as something of a safety blanket. This week's rule-breaking mix features a number of Loraine's tunes including the unnamed and exclusive opener, plus a flurry of beats from peers like FaltyDL, object blue, Squarepusher and Djrum. They make for a full body workout that twitches your every synapse one minute then sink you into a deeply seductive club sound the next. The transitions from hyper-polished and futuristic rhythms to live jazz drums, or icy dub to glitchy IDM, would seem impossible on paper, but in practice, they are executed perfectly.

If you're a big electronic music or footwork stan, you're gonna know exactly what Teklife crew founder, the late, DJ Rashad is all about. Taking the opportunity to look back at an absolute legend of the scene, as well as his classic debut and tragically, only full length record, Double Cup, released on iconic label Hyperdub. TRACKS PLAYED: ‘Feelin' ‘Show U How' ‘Pass That Shit' ‘She a Go' ‘Only One' ‘Everyday of My Life' ‘I Don't Give A Fuck' ‘Double Cup' ‘Drank, Kush, Barz' ‘Reggie' ‘Acid Bit' ‘Leavin' ‘Let U Know' ‘I'm Too Hi'. See omnystudio.com/listener for privacy information.

Mark & Barney invite writer and fearless musical improviser David Toop to reminisce about his work and his long and fascinating career.Toop talks about the impact of an aunt returning from New York with a stack of rhythm & blues 78s – and how this instilled a lifelong love of black American music. After he describes his early adventures in free and improvised music, his hosts ask how a man who's collaborated with Brian Eno and Max Eastley came to profile Bros for The Face – by way of his pioneering 1984 book The Rap Attack, the first serious study of the East Coast hip hop scene. The three men then discuss the cult "disco auteur" Arthur Russell, whom Toop interviewed.Toop also pitches in on the subject of the week's free feature, cult dubstep star Will "Burial" Bevan, with Barney waxing ecstatic about the man's noughties albums and subsequent Hyperdub tracks – and Toop making slightly more sceptical noises.Mark intros the week's new audio interview, with the late Joe Smith, and we hear a clip of the veteran West Coast executive discussing Joni Mitchell, one of the many artists he worked with at Warner Brothers and Elektra/Asylum. After considering Smith's role in the rise of acts like the Grateful Dead, Toop confesses to a surprising penchant for Crosby, Stills & Nash, prompting a more general discussion of dismantling musical hierarchies.Finally, Mark talks us through his highlights among the week's new library articles, including pieces on the Four Tops (1966), Mott the Hoople, with David Bowie on backing vocals (1972) and the late Luther Vandross (1985) – another artist Toop interviewed for The Face.Many thanks to special guest David Toop; Inflamed Invisible is out now, and you can visit his blog at davidtoopblog.com.Pieces discussed: Rap, Arthur Russell, Arthur Russell by Frank Owen, David Toop, Burial, Burialer, Burialest, Joe Smith audio, The Four Tops, Flower Power reader's letter, Mott the Hoople, Luther Vandross and YMCA.The RBP podcast is part of the Pantheon Podcasts network.

// aired on bff.fm on june 29, 2018what's happening in the skies: post-solstice, full moon in capricorn, sun in cancer// featuring clips from:"Walking for Health & Happiness" A Prevention Magazine Audio Cassette - Errol R. Korn, M.D. - 1989// music:01:00 : comunhão (song) / oyce moreno, nelson angelo (artist) / nelson angelo e joyce (album) / odeon records (label) 04:00 : 1,618 (song) / Charlotte Adigéry (artist) / Charlotte Adigéry (album) / DEEWEE (label)10:45 : fictional (song) / lumerians (artist) / call of the void (album) / fuzz club (label)18:40 : i want more (song) / can (artist) / flow motion (album) / mute (label)22:30 : I Talk Bb Morgan Geist Remix (song) / Jesse Lanza / Morgan Geist (artist) / Oh No No No Remixes (label) / Hyperdub (label)28:30 : não identificado (song) / gal costa (artist) / gal costa (album) / phillips dusty groove (label)32:00 : messy (song) / serpentwithfeet (artist) / soil (album) / triangle / secretly canadian (label)36:00 : touch me & die (song) / kara-lis coverdale (artist) / aftertouches (album) / sacred phases (label)40:00 : summer holidays (song) / morgan fisher (artist) / look at life (album) / cherry red records (label)// and cover art by: shayna yasuhara

aired on bff.fm on 10.7.17// featuring excepts from:auditions for a commercial at the Sarantos Studio of Acting"well witch" - an interview with Russ Galvincreepy doll commercial from 1960's by the brand "ideal""mind-body rhythm" music for healing by Janalea Hoffamn on a slowed down tape playerbeverly ann wilson with crystal tones alchemy singing bowls // music:00:01 : Walkin' My Cat Named Dog (song) / Norma Tanega (artist) / Walkin' My Cat Named Dog (album) / New Voice Records (label)00:03 : Subtemple (song) / Burial (artist) / Subtemple / Beachfires (album) / Hyperdub (label)00:09 : Lower California (song) / John McBain (artist) / accidental soundtracks vol 1: the alpha particle (album) / vacant stare (label)00:16 : Audio Track 5 (-6 Version) (song) / Actress x London Contemporary Orchestra (artist) / Audio Track 5 (album) / Ninja Tune (label)00:25 : drink i'm sippin on (song) / yaeji (artist) / ep2 (album) / godmode (label)00:29 : level 4 (song) / al lover meets cairo liberation front (artist) / nymphaea caerulea (album) / hoga nord rekords (label)00:34 : comme des garcons (song) / frank ocean (artist) / endless (album) / def jam / boys don't cry (label)00:36 : like going down sideways (song) / cut worms (artist) / alien sunset (album) / jagjaguar (label)00:41 : blue moon (song) / chromatics (artist) / running from the sun (album) / italians do it better (label)cover art by shayna yasuhara

Your weekly consultation from the Oracle includes new music from Geotic, fresh beats from Hyperdub’s Fhloston Paradigm…the “Beat Konducta” Madlib becomes the “Rock Konducta,”another top track from Rain Dog, melodic joy from Kölsch, an epic from Minilogue, and a classic from Luomo. Until next week… Playlist Download 07/26/2014

THROWING SNOW, QUADRA 330, KATE TEMPEST, TEN WALLS + BADBADNOTGOOD are featured new music selections for this week's exploration. WIDMAN leads off with a volley of UK bass music–equal parts jungle/drum n bass, footwork + hip hop–including the return of japan's QUARTA330 (from HYPERDUB‘s new 10th anniversary compilation), the storytelling rhymes of KATE TEMPEST (whose... The post radio show [as0856] appeared first on abstract science >> future music chicago.