Podcast appearances and mentions of Steve Goodman

In Season 4, Episode 41 of the Practical 365 Podcast, hosts Steve Goodman and Paul Robichaud explore a range of pressing topics in the tech world. They kick off with a deep dive into the Microsoft 365 Copilot exploit, "Echo Leak," discussing its implications for AI safeguards and the future of agentic AI. The conversation then shifts to a recent global outage affecting Google and Cloudflare, highlighting the challenges of maintaining hyperscale services. The hosts also examine Microsoft's new initiative to offer containerized M365 instances in Europe, addressing concerns over data sovereignty. Finally, they discuss the latest advancements in Copilot agents, emphasizing the importance of understanding AI reasoning.Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

It can be hard for Alaskans to feel connected to the rest of the country. I recently went on a nearly coast to coast drive with my daughter and her family as they moved from South Carolina to Washington State. As we drove 500-mile days for a week a few connections between places on our drive and my home city of Anchorage emerged. Welcome to the Dashboard Diaries a special four-part mini-series brought to you by the AnchorED City Podcast. During this four-part mini-series we will connect with Anchorage's soul through her history, stories, and people by connecting to four places along the road from our drive across this vast land of ours.   On this episode we consider a connection between Kansas City, MO and Anchorage.    #anchoredcity https://anchorageutc.org https://www.facebook.com/AnchorageUTC @AnchorageUTC     Theme Music by Tech Oasis from Pixabay "Lets Go, Go Go White Sox" – by Captain Stubby and the Buccaneers (https://archive.org/details/lets_go_go_white_sox) “Go, Cubs, Go” - by Steve Goodman (https://open.spotify.com/track/7bwLJXvQyP8IXropz0X0hy) Kansas City Stomp – By Jelly Roll Morton   Resources Used To Make This Episode: https://www.mlb.com/cubs/ballpark/information/history https://www.aagpbl.org/history/league-history https://baseballhall.org/discover/1943-aagpbl-all-star-game-played-under-lights-at-wrigley-field https://chicagology.com/baseball/wrigleylights/ https://sabr.org/journal/article/the-path-to-the-cubs-and-white-sox-from-the-negro-leagues-17-barrier-breakers/#:~:text=Although%20the%20Cubs%20would%20not,made%20it%20to%20Wrigley%20Field. https://www.mlb.com/whitesox/history/negro-leagues

In this episode, Steve Goodman and Bastiaan Verdonk interview Victor King from Quest on best practices for Active Directory security. They discuss identifying misconfigurations, managing privileged access, and continuous environmental monitoring.Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

Scott Levi Jones, this blue-collar poet was born in South Jersey and as he says, baptized by the local nuclear plant in Salem County. Jones committed to Nashville in 2017 when he scraped together the rent for a single-wide trailer on the outskirts of town. He spent his early 20's working construction while performing in honky-tonks and dive bars all across the Dirty South. Today he resides in a small cabin as a full-time independent musician. The songwriter's lyrical ability has been compared to that of John Prine and Steve Goodman, yet his music reflects the sound of folk rock influences such as The Band and Little Feat. Dur-ing 2020 he released his debut album ‘The Odds of You and Me' recorded at the historic Mu-sic Row studio ‘House of David'. The artist has since released an intimate acoustic EP, ‘The Cabin Worktapes' captured in his living room, along with multiple singles including the viral hit ‘Free Bird' which acquired over 2.5 Million views on instagram alone

Steve Goodman and Paul Robichaux dissect the latest Microsoft news, focusing on the sting of rising on-premises licensing costs. The team also explores Copilot Studio and the Model Context Protocol (MCP). Plus, Steve Goodman and Bastiaan Verdonk interview Microsoft's Janice Ricketts, to unravel the complexities of Global Secure Access (GSA) and Zero Trust security.Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

In this episode of the Kankakee Podcast, host Jake LaMore takes listeners for a musical ride through the story of “City of New Orleans,” the legendary train song that forever tied Kankakee to the annals of Americana. With music clips from Steve Goodman, Arlo Guthrie, and Willie Nelson woven throughout, Jake explores how this folk classic was born from a real train journey, penned by Chicago native Steve Goodman as both a love letter and a eulogy to the Illinois Central Line.Jake digs into the song's vivid imagery, straight from Goodman's notebook, including that famous moment when “the train pulls out of Kankakee.” Along the way, he shares the song's journey from its humble beginnings to national fame—thanks to Arlo Guthrie's hit recording and Willie Nelson's Grammy-winning country cover.The episode also shines a light on Goodman's remarkable life, his all-too-brief career, and the ways he used music to capture small-town stories, heartland landscapes, and the fading glory of America's railroads. As Jake discusses the cultural legacy of “City of New Orleans,” listeners are invited to reflect on Kankakee's place in the song, in rail history, and in American songwriting lore.Why did Goodman's ode to a disappearing train route resonate so deeply? How did a passing mention turn Kankakee into a piece of music history? Join Jake for a nostalgic, toe-tapping, and heartfelt episode that proves some journeys—and some songs—never truly end.Don't forget to cue up your favorite version of “City of New Orleans” after the show, and, as always, remember to wave at the train when it passes through Kankakee!Send us a textSupport the show

Paul Robichaux and Steve Goodman discuss Exchange Server's 2025 H1 update and cut through the hype around AI agents, questioning whether they're living up to the marketing. Then, cybersecurity expert Paula Januszkiewicz shares fascinating red team stories, including modifying a water cooler to gain network access, and offers practical security advice for organizations of all sizes. Paula explains how AI is transforming both sides of the cybersecurity battlefield, warns about "productive script kiddies," and emphasizes why even small businesses need basic security measures like MFA. A must-listen for IT pros concerned about modern security threats.Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

The legendary Perry Barber returns to talk to the boys about her four decades behind the plate, whether or not we're getting closer to a female umpire in the Major Leagues, her friendship with Chicago folk singer Steve Goodman, hanging out with Hillary Clinton and that crazy summer fifty years ago that put her front and center with Lorne Michaels, Chevy Chase and the “Not Ready for Primetime Players”. This week's podcast was brought to you by  Teambrown Apparel, Old Fort Baseball Co and Patrick's Custom Painting.

Moving on down the line, more songs about trains, the people who ride them, and the places they go. Songs and tunes from Mike Bryant with Paul Brown, Frank Lee, Steve Goodman, Norman Blake and Merle Haggard. All aboard … this week on The Sing Out! Radio Magazine. Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysMike Bryant & Paul Brown / “Roscoe” / Mike Bryant & Paul Brown / Old Time Tiki ParlourNorman Blake / “Last Train from Poor Valley” / Fields of November / Flying FishMerle Haggard / “The Silver Ghost” / My Love Affair with Trains / BGOFrank Lee / “Reuben's Train” / Gourdhead / Self-producedJim Kweskin / “The Wreck of the Number 9” / Unjugged / HornbeamGrant Dermody / “Morning Train” / My Dony / SelfCourtney Marie Andrews / “Downtown Train” / Come On Up to the House / DualtoneKate Campbell / “Long Slow Train” / Damn Sure Blue / Large RiverMike Bryant & Paul Brown / “Going Up to Hamburg” / Mike Bryant & Paul Brown / Old Time Tiki ParlourSteve Goodman / “City of New Orleans” / Steve Goodman / BuddahNashville Bluegrass Band / “The Train Carrying Jimmie Rodgers Home” / Nashville Bluegrass Band / RounderJimmie Rodgers / “Waiting for a Train” / RCA Legacy The Essential / RCARonnie Earl and the Broadcaster w/ David Bromberg / “It Takes A Lot to Laugh, It Takes a Train to Cry” / Beyond the Blue Door / Stony PlainJohnny Cash / “Hey Porter” / The Total Johnny Cash Sun Collection / CurbAsleep at the Wheel / “Choo, Choo Ch' Boogie” / Asleep at the Wheel / BGOV. L.Sutphin / “Last Train Blues” / Close to Home / RounderPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Shamus Toomey, Editor in Chief and co-founder of Block Club Chicago, joins Bob Sirott to share the latest Chicago neighborhood stories. Shamus has details on: Late Folk Legend Steve Goodman's Guitars, Lyric Sheets Feared Lost In Los Angeles Fires: The singer-songwriter's daughters lost their Los Angeles homes in the wildfires. They held Goodman's “City of New […]

Episode 21 features a very special interview with critically acclaimed singer- songwriter, novelist, painter, and fellow baseball fan extraordinaire Dan Bern. Bern's music has been compared to that of Bob Dylan, Woody Guthrie, Bruce Springsteen, Phil Ochs and Elvis Costello. A prolific composer, Bern estimates to have written over one thousand songs. His music has been featured in Amazon Prime's award-winning kids program “The Stinky & Dirty Show” as well as films “Jimmy Carter Man From Plains”, “Get Him to the Greek”, “The Bubble”, “Zero Effect”, and “Walk Hard: The Dewey Cox Story". Dan is also an inductee of the Iowa Rock 'n Roll Music Association Hall of Fame. An avid baseball fan, Dan has penned numerous songs about baseball many of which have been featured on "The Tony Kornheiser Show". He has also released two albums of baseball songs - "Doubleheader" (2012) and "Rivalry" (2020). Dan joins "The Case For" for a very special interview where him and Russell discuss a variety of topics including baseball lore, the Steroid Era, The BBWAA and Veteran's Committee Ballots, pitch-clocks, Steve Goodman, John McEnroe, Barry Bonds, Pete Rose and everything in-between including Dan's baseball songs. Dan even wrote a song specifically for the episode entitled "That's the List" which plays in its entirety at the conclusion of the episode!! 

Far away places with strange-sounding names have lured travelers to journey away from home, over and over again. We'll listen to some traveling music from Roy Book Binder, Dave Fry, Tom Rush, and Steve Goodman among many others. Put on your travelin' shoes, we're on the road again … this week on The Sing Out! Radio Magazine. Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysVictor Furtado / “Rattletrap” / Dellorto Island / PatuxentThe Route 66 Orchestra / “The Theme from Route 66” / The Songs of Route 66 / Lazy SOBRoy Book Binder / “Gonna Get Myself a Motorhome” / Bookeroo / RounderDave Fry / “Rosie is a Friend of Mine” / Troubadour / Dave Fry MusicThe Highwoods Stringband / “Lee Highway Blues” / Feed Your Babies Onions / RounderBob Dylan / “Walkin' Down the Line” / The Wimark Demos: 1962-1964 / ColumbiaBrandi Clark / “Bad Car” / Your Life is a Record / Warner RecordsCanned Heat / “On the Road Again” / Canned Heat Cookbook / FuelSimon & Garfunkle / “Homeward Bound” / Live 1969 / Columbia-LegacyVictor Furtado / “Rusty” / Dellorto Island / PatuxentTom Rush / “On the Road Again” / Take a Little Walk with Me / ElektraGrisman, Hartford & Seeger / “Maybelline” / Retrograss / Acoustic DiscMichael Cleveland / “Tennessee Plates” / Tall Fiddler / CompassDavid Bromberg Band / “Big Road” / Big Road / Red HouseSteve Goodman / “Six Hours Ahead of the Sun” / Somebody Else's Troubles / BuddahPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Holidays were hard for Roger Samples in 1975.He was living alone, just him and Josephine the Cat rattling around on Mount Union Road where he was house-sitting for Susan and David Peyton. (As reported earlier, the Peyton family had left town for six months in Lafayette, Louisiana, where Dave was researching Cajun culture for his Alicia Paterson Foundation fellowship project.)Nonetheless, that autumn was a fertile one for Roger and the fledgling Flood. That's because every few days, Joe Dobbs would come by to jam with Rog; when he didn't, Charlie Bowen did. In those waning days of the year, life-long friendships were formed.Holiday AdoptionAs the holidays rolled in, though, the pickings got slim. Busy with Dobbs family affairs, Joe couldn't drop by as frequently. As a result, Roger starting spending many of his evenings at the Bowen house with Charlie and Pamela.“Y'all take in strays?” Roger asked the first night he appeared on their doorstep.“Come on in, buddy! Pull up a chair.”A new routine developed. Getting home from a day of teaching at Mason County's Hannah High School in Apple Grove, Rog would have supper with Charlie and Pamela, then he and Charlie broke out the guitars.That year Roger was even there to help decorate the Bowens' Christmas tree, stringing lights and hanging tinsel while they listened to the new albums by Jackson Browne and David Bromberg, Steve Goodman and John Prine.Pamela usually was the only audience for the tunes Roger and Charlie worked out in those last weeks of 1975, songs like this one, which she recorded in the Bowen living room on Nov. 28, the night after Thanksgiving.About the SongOne of the first things Charlie and Roger learned about each other was their shared love for Bob Dylan songs. For nearly a decade by then, both had been listening to Dylan discs and working up their own versions of his songs.Quickly they found they each had a rendition of “Tomorrow Is a Long Time” which they had heard a few years earlier on the 1971 release of Bob Dylan's Greatest Hits Vol. II.Dylan wrote the song in 1962, including it as a demo for M. Witmark & Son, which became his publishing company at the time. (That particular track, incidentally, has long been available as a bootleg; so has an outtake from the June 1970 studio sessions for Bob's New Morning album.)Over the years, “Tomorrow Is a Long Time” has been covered by many Dylan friends and admirers. Most notably, Elvis Presley recorded it in the spring of 1966, appearing as a bonus track on his Spinout album.Elvis and OthersPresley was taken with the song after learning it from West Virginia's legendary harmonica player Charlie McCoy, who played it the previous year on Odetta's album Odetta Sings Dylan. Dylan has said Presley's cover of the song is "the one recording I treasure the most.”Besides Elvis and Odetta, others who have recorded the song include Joan Baez and Ian and Sylvia (1963), Judy Collins (1965), the Pozo-Seco Singers (1966), The Kingston Trio (1969), We Five and Glenn Yarbrough (1970), Rod Stewart (1971), Sandy Denny (1972).Stay TunedMeanwhile, if you enjoyed today's trek in the time machine, hang around. More of that late ‘75 vibe will be featured in a Flood Watch report next week, including a trio of Roger-and-Charlie originals and some vintage solos by fiddlin' Joe Dobbs. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

RIP to the legends Lou Donaldson and Roy Haynes, who passed recently. I play a couple of their records on the bookends of this episode. The Lou Donaldson joint that starts things off, a cover of "Everything I Play Gonh Be Funky," reminds of my very early days of digging, finding this at an East Village bookstore in 1997 or so, and always treasuring it. I didn't get hip to Mr. Haynes later on even though I already had some of the hundreds of records that he played on in my collection. In-between, I included some of my recent digs, since it's been a while since I last recorded an episode. Thanks as always to folks tuning in - working on a few things right now, more soon! For now, dig in and go and track down more of these legendary artists' work. Tracklist: Lou Donaldson, Steve Goodman, Luiz Bonfa, Cal Green, Milt Jackson, Jackie McLean, Roy Haynes

In this episode of the Practical 365 Podcast, Steve Goodman and Rich Dean are joined by Merill Fernando, Principal Product Manager at Microsoft, for a deep dive into identity management and community-driven innovation. As we approach Microsoft Ignite, Merill shares insights on upcoming announcements in security and identity management, including the new Global Secure Access solution. Plus we discuss various tech Meryl contributes to with the community, in particular Maester.dev, an open-source PowerShell based security framework.Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

In our first of two Practical 365 Podcasts before Ignite begins, Steve Goodman and Paul Robichaux dive deep into what was best in Microsoft's Wave 2 release and chat about Copilot Pages - is it a good move from Microsoft?In other crucial news, we address the approaching end of support for Exchange Server 2016 and 2019, and what organizations need to consider as they plan their migration strategy. Plus, we look at the latest Teams meeting features, including new Copilot controls, meeting recap integrations with Outlook and new device support.Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

In 2003, The Redwalls, a really good band hailing from Chicago suburb Deerfield, IL kicked off their album “Universal Blues” by encouraging a “Colorful Revolution”; in a most Beatle-esque Banger fashion. By coincidence (?), a mere 31 years earlier, there was a colorful “Daytime Revolution” as John, Yoko, and friends took over a week's worth of “The Mike Douglas Show” - a.k.a. the guy all of us, if we're being honest, initially confused/conflated with “The Dick Cavett Show”. This new, soon-to-stream documentary examines these historic episodes, and had a brief in-theaters showing on what would've been John's 84th birthday. Tony saw the film solo in Chicago suburb Glenview, IL, as T.J. handled the un-related, un-paid improv rehearsal many miles from his home - and even further from #GlenviewsFamousDawgPark. The result is a new-ish phase Beatles podcast, reproduced for streaming by Producer Casey. Roll up for this special UBP field trip, an aural journey (cue: “Faithfully”) of Tony documenting a documentary, as documentary commentary from T.J. documents Tony's documentary commentary of the documentary's documentary commentary. ALSO: The UBP's Medved + (Helen) Roeper ask:

In the show this week, Steve Goodman and Rich Dean are joined by Rod Trent. Rod discusses his extensive background in content creation and his current role at Microsoft, focusing on the evolution of AI in cybersecurity, particularly through the lens of Copilot for Security. The discussion covers the challenges of AI adoption, the importance of asking the right questions, and the need for trust in data integrity. Trent emphasizes the role of plugins and integration with other tools, the skills gap in cybersecurity, and the future of security operations centers. He also highlights the balance between automation and human oversight, the importance of quick decision-making, and the resources available for learning about Copilot for Security.Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

This morning, we are joined by Greg and Kevin to talk on all things MLB and NFL. Next, John joins us to delve deep on bike lanes and schools in Chicago. Finally, Nancy joins our second hour to discuss house insurance and the ever decreasing flood plains.

Cybersecurity expert Shinesa Cambric joing Steve Goodman to discuss the evolving landscape of IT. In this episode, we explore the parallels between AI adoption and the cloud revolution, and get into the changing nature of identity in our digital world. Shinesa shares insights from her 20+ years in IT and gives a sneak peek into her upcoming TEC 2024 keynote.Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

On the show this week, Steve Goodman is joined by IT industry veteran, Paul Thurrott to talk a variety of subjects he'll be speaking on in his keynote at TEC 2024 - namely Windows and Copilot. As Microsoft have had a turbulent year with both, we get Paul's take on it.Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

On the show this week, Steve Goodman and Rich Dean are joined by speaker guest, TEC speaker & 20-time Microsoft MVP, Derek Melber. On the show, Derek gives invaluable tips on how to ensure your AD remains secure in a world of cloud and on-premises threats, and we discuss an important but often ignore topic - removing NTLM passwords from use in your organization. And we delve into the aftermath of Crowdstrike, digging a little deeper on the analysis of how some organizations weren't prepared.Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

A warm Mancunian welcome to all my listeners.   In the fifth episode of Season 8 of the Meet the Mancunian Podcast, host Deepa Thomas-Sutcliffe welcomes Steve Goodman, Chair of Liv's Trust. They discuss Liv's Trust's mission to support young people in Greater Manchester by offering music and dance opportunities. Steve shares inspiring stories on how the Trust provides safe spaces and activities for youth, particularly those affected by the Arena bombing and the COVID pandemic.   Listeners learn about the programs 'Hear Me Roar' music clubs, scholarships for arts education, and the significant impact made on the community. Steve highlights the importance of listening to and investing in young people, overcoming barriers, and fostering a supportive environment. The episode concludes with heartwarming anecdotes, emphasizing the transformative power of music and community support.   In Steve's own words, [00:01:10] Steve Goodman: It's also a safe space for them to go. They come initially because they wanted the music, but some just come because they just want something to do in an evening. So many young people with nothing to do out there, and especially since COVID has hit. We decided that this would be something that we could do and help. Not only the young that Olivia wanted to help but others in the community. So we've extended it a bit and some come just to play pool or kick a ball about and have somewhere to come #dance #music #youth #GM #manchester #community #SocialImpact #NonProfit Hosted by Deepa Thomas-Sutcliffe (https://www.instagram.com/meetthemancunian/).   Did you know:   ·     Bury is among the top 35% most densely populated English local authority areas at the last census   Key resources: Liv's Trust Bury census   Time stamps of key moments in the podcast episode & transcript:   (01:38) Introduction and Guest Welcome (01:41) Discovering a Passion for Music and Dance (02:19) Founding Liv's Trust (02:59) Hear Me Roar Music Club (05:43)Challenges and Community Support (07:29) Impact on Young People (09:01) Advice for Starting Similar Initiatives (09:38) Common Myths and Community Engagement (12:20) Signature Questions and Personal Insights (18:27) Heartwarming Stories and Conclusion   Listen to the episode and read the transcript on www.meetthemancunian.co.uk  

Hosts Adolph Mongo, Vanessa Moss and Allan Lengel talk with Democratic U.S. Congressional candidate Carl Marlinga, Tammy Daniels, CEO of the Detroit Land Bank and Steve Goodman, who is helping feed Detroit's and Pontiac's homeless.

In this week's episode of the Practical 365 podcast, Steve Goodman and Rich Dean are were joined by Microsoft's Andy Jaw, a senior Microsoft security specialist with a fascinating background spanning the military, law enforcement, and now as a cyber security expert.Chapters00:00 Introduction and Background13:20 The Importance of a Response Plan23:02 The Role of Technology in ITDR28:22 Implementing Security Measures33:21Microsoft's Security Solutions35:26 Closing the Gap: Predefined Playbooks and Practice36:11 The Importance of Multi-Factor Authentication (MFA)38:48 The Need for a Recovery Plan for Active Directory (AD)39:43 Testing and Practicing Backup Solutions and Disaster Recovery50:14 The Role of Security in Organizations01:02:11 Establishing an Emergency Operations Center (EOC)Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

On Season 4, Episode 16 of the Practical 365 podcast: Steve Goodman and Rich Dean chat about TEC Europe 2024 and cover some of the most important topics in the world of Microsoft 365, including Entra ID Conditional Access changes to be aware of, Copilot for Security reaching GA, plus lots more.Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

It's that time of the year again when hope springs eternal - spring training for Major League Baseball. All of the teams are tied for first place until at least Opening Day, and this week on the program we'll listen to a variety of songs and tunes about America's pastime. We're featuring John McCutcheon, Chuck Brodsky, Caroline Spence, Peter Cooper Ray Lambiase and, of course, Steve Goodman. Time to oil up your glove and play ball … this week on The Sing Out! Radio Magazine. Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysKing Curtis / “Take Me Out to the Ballgame” / Baseball / Elektra NonesuchBill Slayback / “Move Over Babe (Here Comes Henry)” / Baseball's Greatest Hits / Rhino M Hamilton / “Henry Aaron (Radio Call)” / Baseball / Elektra NonesuchJohn McCutcheon / “World Series '57” / Sermon on the Mound / AppleseedGarland Jeffreys / “Color Line” / Diamond Cuts: Turning Two / Hungry for MusicChuck Brodsky / “Gone to Heaven” / Diamond Cuts: Grand Slam / Hungry for MusicHowie Newman / “The Ballad of Mike Hessman” / When You're Happy / Major LeagueCaroline Spence / “Softball” / Spades and Roses / Self-producedPeter Cooper / “Opening Day” / Opening Day / Red BeetJacqueline Schwab / “Take Me Out to the Ball Game” / Baseball / Elektra NonesuchChuck Brodsky / “Letters in the Dirt” / Diamond Cuts-Triple Play / Hungry for MusicCraig Bickhardt / “The Real Game” / Live at Sellersville Theater / Stone BarnRay Lambiase / “The Ballad of 3 Finger Brown” / The Ballad of 3 Finger Brown / RaytoneHarry Carey / “Take Me Out to the Ballgame” / Chicago Cubs Greatest Hits / Marquee Alphabet CitySteve Goodman / “A Dying Cubs Fan's Last Request” / Baseball's Greatest Hits / RhinoPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

This week's show, after Jack (with Jim) raves Ray Charles: brand new T.S.O.L, Arab Strap, Pernice Brothers (with Neko Case), Michael Head, Torrey, Jane Weaver, and Neil Young, plus LaVern Baker, Nico, Steve Goodman, Jean Richie, Alton Ellis, Bee Gees, ...

Folks! There are some big goings-on in the ATTT universe these days. Thankfully we get by with a little help from people like our friend Joe Lavelle, who has graciously volunteered to help bring back a format we haven't used in a while but are excited to dust off for your listening pleasure. As we all know, the best podcasts never prepare anything and just wing it. Well in a roundabout way that's what we're up to around here. Emergency Pod turns All Time Top Ten into a "Who's Line Is It Anyway"-style improv game where instead of "yes and", our phrase is "check out this amazing song that I just pulled out of thin air". Joe Lavelle has some improv experience so he's the perfect guest to help us bring the concept back, and we promise to keep Emergency Pod going with monthly bonus episodes on Patreon.Patreon is back! We're cooking up monthly installments of Emergency Pod exclusively for our Patreon People. $5 a month gets you full access!https://www.patreon.com/alltimetoptenCheck out the Spotify playlist for this episode and see if you can make it make sense:https://open.spotify.com/playlist/7lRsjz0FUMiwpafvmh02rm?si=82aecd01262a4867Thanks to all who have joined the ATTT Podcast Music Chat over on Facebook Groups. We're having fun over there and just getting started!https://www.facebook.com/groups/940749894391295

In Season 4 Episode 14 of the Practical 365 podcast, Steve Goodman and Rich Dean discuss the upcoming Experts Conference (TEC) European Roadshow, the retirement of EWS Application Impersonation in Exchange Online, and the release of Exchange On-Premises Cumulative Updates. They also welcome guest Becky Cross, a Technical Product Manager at Quest Software, to discuss the various paths organizations can take when moving from hybrid or traditional Active Directory setups to Entra ID.Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

The untold story of Chicago's pivotal role as a country and folk music capital. Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes. In Country and Midwestern: Chicago in the History of Country Music and the Folk Revival (U Chicago Press, 2023), veteran journalist Mark Guarino tells the epic century-long story of Chicago's influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest's biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The National Barn Dance--broadcast from the city's South Loop starting in 1924--flourished for two decades as the premier country radio show before the Grand Ole Opry. Guarino chronicles the makeshift niche scenes like "Hillbilly Heaven" in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions. Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, Country and Midwestern rediscovers a history as sprawling as the Windy City--celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today. Mark Guarino covers national news and culture from Chicago for the Washington Post, ABC News, the New York Times, and other outlets. He was the Midwest bureau chief for the Christian Science Monitor for seven years. Mark on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The untold story of Chicago's pivotal role as a country and folk music capital. Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes. In Country and Midwestern: Chicago in the History of Country Music and the Folk Revival (U Chicago Press, 2023), veteran journalist Mark Guarino tells the epic century-long story of Chicago's influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest's biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The National Barn Dance--broadcast from the city's South Loop starting in 1924--flourished for two decades as the premier country radio show before the Grand Ole Opry. Guarino chronicles the makeshift niche scenes like "Hillbilly Heaven" in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions. Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, Country and Midwestern rediscovers a history as sprawling as the Windy City--celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today. Mark Guarino covers national news and culture from Chicago for the Washington Post, ABC News, the New York Times, and other outlets. He was the Midwest bureau chief for the Christian Science Monitor for seven years. Mark on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The untold story of Chicago's pivotal role as a country and folk music capital. Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes. In Country and Midwestern: Chicago in the History of Country Music and the Folk Revival (U Chicago Press, 2023), veteran journalist Mark Guarino tells the epic century-long story of Chicago's influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest's biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The National Barn Dance--broadcast from the city's South Loop starting in 1924--flourished for two decades as the premier country radio show before the Grand Ole Opry. Guarino chronicles the makeshift niche scenes like "Hillbilly Heaven" in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions. Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, Country and Midwestern rediscovers a history as sprawling as the Windy City--celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today. Mark Guarino covers national news and culture from Chicago for the Washington Post, ABC News, the New York Times, and other outlets. He was the Midwest bureau chief for the Christian Science Monitor for seven years. Mark on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The untold story of Chicago's pivotal role as a country and folk music capital. Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes. In Country and Midwestern: Chicago in the History of Country Music and the Folk Revival (U Chicago Press, 2023), veteran journalist Mark Guarino tells the epic century-long story of Chicago's influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest's biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The National Barn Dance--broadcast from the city's South Loop starting in 1924--flourished for two decades as the premier country radio show before the Grand Ole Opry. Guarino chronicles the makeshift niche scenes like "Hillbilly Heaven" in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions. Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, Country and Midwestern rediscovers a history as sprawling as the Windy City--celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today. Mark Guarino covers national news and culture from Chicago for the Washington Post, ABC News, the New York Times, and other outlets. He was the Midwest bureau chief for the Christian Science Monitor for seven years. Mark on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The untold story of Chicago's pivotal role as a country and folk music capital. Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes. In Country and Midwestern: Chicago in the History of Country Music and the Folk Revival (U Chicago Press, 2023), veteran journalist Mark Guarino tells the epic century-long story of Chicago's influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest's biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The National Barn Dance--broadcast from the city's South Loop starting in 1924--flourished for two decades as the premier country radio show before the Grand Ole Opry. Guarino chronicles the makeshift niche scenes like "Hillbilly Heaven" in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions. Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, Country and Midwestern rediscovers a history as sprawling as the Windy City--celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today. Mark Guarino covers national news and culture from Chicago for the Washington Post, ABC News, the New York Times, and other outlets. He was the Midwest bureau chief for the Christian Science Monitor for seven years. Mark on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The untold story of Chicago's pivotal role as a country and folk music capital. Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes. In Country and Midwestern: Chicago in the History of Country Music and the Folk Revival (U Chicago Press, 2023), veteran journalist Mark Guarino tells the epic century-long story of Chicago's influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest's biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The National Barn Dance--broadcast from the city's South Loop starting in 1924--flourished for two decades as the premier country radio show before the Grand Ole Opry. Guarino chronicles the makeshift niche scenes like "Hillbilly Heaven" in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions. Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, Country and Midwestern rediscovers a history as sprawling as the Windy City--celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today. Mark Guarino covers national news and culture from Chicago for the Washington Post, ABC News, the New York Times, and other outlets. He was the Midwest bureau chief for the Christian Science Monitor for seven years. Mark on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

The untold story of Chicago's pivotal role as a country and folk music capital. Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes. In Country and Midwestern: Chicago in the History of Country Music and the Folk Revival (U Chicago Press, 2023), veteran journalist Mark Guarino tells the epic century-long story of Chicago's influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest's biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The National Barn Dance--broadcast from the city's South Loop starting in 1924--flourished for two decades as the premier country radio show before the Grand Ole Opry. Guarino chronicles the makeshift niche scenes like "Hillbilly Heaven" in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions. Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, Country and Midwestern rediscovers a history as sprawling as the Windy City--celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today. Mark Guarino covers national news and culture from Chicago for the Washington Post, ABC News, the New York Times, and other outlets. He was the Midwest bureau chief for the Christian Science Monitor for seven years. Mark on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this week's episode of the Practical 365 Podcast, posts Steve Goodman and Rich Dean welcome Microsoft CVP, Yonatan Zunger. A veteran engineer with an impressive resume that spans Twitter, Google, and now Microsoft, Zunger holds the prestigious position of Corporate Vice President of AI Security and Safety. His team is dedicated to pioneering ways to ensure AI systems are secure, ethical, and safe for use. Our conversation delves into Zunger's extensive background, his pivotal role at Microsoft, and his valuable perspectives on the complexities and prospects of AI technology. As usual, we talk through the biggest news this week in the world of Microsoft 365, including how you can get Copilot today.Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

Join us on this exciting episode of the Practical365.com podcast where hosts Steve Goodman and Paul Robichaux sit down with Tim McMichael, a seasoned Support Escalation Engineer at Microsoft. Known for his prowess in tackling complex issues, Tim will delve into the intricacies of identity management, shedding light on the challenges and solutions in the realm of Exchange Server, Exchange Online, and Azure AD.We'll explore his innovative contributions to the tech community, including his insightful blog and his groundbreaking GitHub projects. Tim will share the inspiration behind his modules for distribution list migrations, offering a glimpse into how these tools are facilitating seamless transitions to Office 365.But that's not all! We'll also discuss the future of identity management, the evolving landscape of cloud technology, and how professionals can equip themselves to navigate these changes. Plus, Tim will share some of his most challenging cases and how he managed to crack them.Don't miss this opportunity to gain invaluable insights from one of Microsoft's leading engineers. Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

In this New Music Friday episode, we talk with Chicago singer/songwriter Pierce Crask about his new album Rising River and a very interesting story of how a recently acquired 150 year old  Martin guitar led to inspiration for one of the songs on the album.

Steve Goodman went bankrupt, got cancer and faced all sorts of adversity. Shmuel Goodman built himself anew and says he is the luckiest guy in the world. His life story is transformative, captivating and full of lessons and wisdom. Enjoy!✬ SPONSORS OF EPISODE 60 ✬ ► COLEL CHABAD: Please help Israel as they need all the help they can get! Visit https://www.ColelChabad.org/KosherMoney to make a much-needed donation! They're counting on you.► JEWS NEXT DOR PODCAST: Our newest sponsor is an intriguing parenting podcast named Jews Next Dor. "Dor" means "Generation" in Hebrew. Parenting can be challenging, and children don't come with an operating manual. These episodes help a ton! Visit https://genaleph.org/podcast/► TWILLORY: Get $18 OFF your first purchase of absolutely comfortable clothing for today's casual professional look. Use code CHAI (which means 18 in Hebrew) at https://Twillory.com/KosherMoney - Limited Time Offer, On a $139 Purchase. ENJOY! Need financial guidance? Get help from our friends at https://LivingSmarterJewish.org/ WhatsApp us at 1-914-222-5513 - we love feedback, legit! For bonus content on our episodes, visit http://Mishpacha.com or pick up a new Mishpacha magazine weekly! More shows here: https://www.livinglchaim.com/ Hosted on Acast. See acast.com/privacy for more information.

In this episode we welcome acclaimed critic, author and professor Evelyn McDonnell and invite her to discuss her new Joan Didion book, along with the Motels, Britney Spears and California's pop history in general. Evelyn talks about her early L.A. memories and childhood move to Wisconsin before we hear how she progressed from her college paper in Providence, RI, to becoming the pop critic for the Miami Herald. We also note books such as her Runaways biography Queens of Noise, a suitable jumping-off point for a long conversation about her fellow Californian, Didion. Mark and Martin reminisce about the impact of Didion's extraordinary essay collections Slouching towards Bethlehem and The White Album, after which we follow her career through to the bestselling Year of Magical Thinking. The L.A. theme continues as we hear two clips from Steve Roeser's 2001 audio interview with Motels singer Martha Davis, putting that band into historical context with discussion of the pre-punk D.I.Y. "Radio Free Hollywood" shows in 1976. From there we fast-forward to the very different "L.A. Woman" that was and is Britney Spears, which in turn prompts our guest to give her very pertinent take on the [Jann] "Wennergate" debacle of the past month. At a significant remove from all this Hollywood Babylonia was avant-jazz giant Carla Bley, whose death we mark in a conversation about 1971's extraordinary Escalator Over The Hill. Finally, Mark mentions pieces he's recently added to the RBP library, including interviews with Laurie Anderson and the Byrds' Roger McGuinn, and Jasper rounds the episode off with remarks on pieces about Herbie Hancock and Steve Goodman's Hyperdub label.  Many thanks to special guest Evelyn McDonnell. The World According to Joan Didion is published by HarperOne and available now. Pieces discussed: Hollywood Swinging: Joan Didion in '60s L.A., The Runaways, The Motels' Martha Davis audio, Britney Spears at Staples Centre, Britney Spears interviewed by Steven Daly, Carla Bley interviewed by Brian Case, Carla Bley at Queen Elizabeth Hall, Dwight Twilley Band, Dwight Twilley: Magical Mystery Man, Queen Latifah/DJ Mark the 45 King, The Byrds, Laurie Anderson, Steve Goodman & Hyperdub and Herbie Hancock.

“Sometimes I'm asked if I'll ever write a book,” notes actor, playwright and singer-songwriter Jeff Daniels, “and I always answer that I already have. It's in my songs.” This is true. But now it's also true that the stuff of Jeff Daniels's life is on delightful display in the Audible Originals memoir “Alive and Well Enough”—a collection of stories, musings and songs that invites listeners into the heart and mindset of one of our most versatile performers, offered with grace and good cheer and midwestern soul.  Daniels, the two-time Emmy Award-winning actor and star of such iconic films as “Terms of Endearment,” “The Purple Rose of Cairo,” “Dumb and Dumber,” “Pleasantville,” and “The Squid and the Whale,” recalls being inspired in this effort by the story-laced songs of Steve Goodman and Arlo Guthrie, and, more recently, by Bruce Springsteen's “Springsteen on Broadway.” Part podcast, part musical memoir, part bulletins from the frontlines of contemporary storytelling, “Alive and Well Enough” is a wildly entertaining mash-up of Jeff Daniels's many gifts as a writer and performer, including scenes from some of the author's original plays, many of which have been staged at The Purple Rose Theatre Company in his hometown of Chelsea, Mich. “[It's] is the only place where I get to do everything I do,” he says of his new audio project, which he calls “an adventure of an accidental artist who one day looked up and realized he had a sense of humor, a passion for writing, and stories to tell.” Join us for an insightful, engaging and surprisingly candid conversation on what it means to channel the work of some of our finest playwrights and screenwriters – like Lanford Wilson (“Fourth of July”), Scott Frank (“Godless”) and Aaron Sorkin (“The Newsroom” and the Broadway adaptation of “To Kill a Mockingbird”).  “When you're inside the writing, it rubs off,” he says.  This is true as well.  Note: This episode of As Told To: The Ghostwriting Podcast features narrative and song excerpts from Jeff Daniels's audio memoir “Alive and Well Enough,” presented courtesy of Audible Originals. Jeff Daniels photo credit: Sam Jones More from Jeff Daniels:  Jeff Daniels & Jonathan Hogan, “Together Again” Website Facebook Please support the sponsors who support our show. Daniel Paisner's Balloon Dog & Horizontal Hold Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order  Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount

On the show this week, Steve Goodman and Paul Robichaux discuss Storm-0558 and consider how it happened now more is known, and Microsoft are expecting you to pay attention to your Azure VMs as Cryptojacking is on the rise. New Outlook is on the way and is one of the pre-reqs for Microsoft 365 Copilot. Could resistance to using the new Outlook hold back your AI journey? Plus, we discuss Roadmap and Message center items - and talk TEC - happening in Atlanta, this week.Want to stay up to date on all things Practical 365? Follow us on Twitter, Facebook, and Linkedin to stay up to date on all things Microsoft!

In this bonus episode Greg adds a song to the Desert Island Jukebox in honor of Jimmy Buffett, who recently died. However, it's not a Buffett original he's adding.  Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundopsSupport The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

SING ALONG !  "City of New Orleans"Written by Steve Goodman Released January 1, 1972.Made famous by Arlo Guthrie and Willie Nelson.Producer Renee plays her rendition on Piano + Guitar.Here are the Lyrics ( 2 verses) :Riding on the City of New OrleansIllinois Central, Monday morning railFifteen cars and fifteen restless ridersThree conductors and twenty five sacks of mailAll along the Southbound odysseyThe train pulls out of KankakeeAnd rolls along past houses farms and fieldsPassing trains that have no nameAnd freight-yards full of old black menAnd graveyards full of rusted automobilesGood morning America how are ya ?Say, don't you know me ? I'm your native sonI'm the train they call the City of New OrleansAnd I'll be gone five hundred miles when the day is done - - - - - - - -It's night time on the City of New OrleansChanging cars in Memphis Tennessee Half way home we'll be there by the morningThrough the Mississippi darkness rolling down to the seaBut all the towns and people seem to fade into a bad dreamAnd the steel rails still aint heard the newsThe conductor sings his songs againThe Passengers will please refrainThis train has got the disappearing railroad blues Good morning America how are ya ?Say, don't you know me ? I'm your native sonI'm the train they call the City of New OrleansAnd I'll be gone five hundred miles when the day is done I'll be gone five hundred miles  ....  when the day is done 

Chicago Songwriting Legend, Steve Goodman, his career, his love of Chicago Baseball, and one of the finest train songs ever written. The first Six String Hayride Drinking Game and another fine beverage from the John Wayne Cocktail Guide.https://www.patreon.com/user?u=81625843

Paul Farber:You are listening to Monument Lab Future Memory where we discuss the future of monuments and the state of public memory in the US and across the globe. You can support the work of Monument Lab by visiting monumentlab.com, following us on social @Monument_Lab, or subscribing to this podcast anywhere you listen to podcasts. Li Sumpter:Our guest today on Future Memory is artist, scholar, and composer, Nathan Young. Young is a member of the Delaware Tribe of Indians and a direct descendant of the Pawnee Nation and Kiowa Tribe, currently living in Tahlequah, Oklahoma. His work incorporates sound, video, documentary, animation, installation, socially-engaged art, and experimental and improvised music. Young is also a founding member of the artist collective, Postcommodity. He holds an MFA in Music/Sound from Bard College's Milton Avery School of the Arts and is currently pursuing a PhD in the University of Oklahoma's innovative Native American art history doctoral program. His scholarship focuses on Indigenous Sonic Agency. Today we discuss his art and practice and a recently opened public art project at Historic site Pennsbury Manor entitled nkwiluntàmën, funded by the Pew Center for Arts & Heritage and curated by Ryan Strand Greenberg and Theo Loftis. Let's listen.Welcome to another episode of Future Memory. I'm your co-host, Li Sumpter. Today my guest is Nathan Young. Welcome, Nathan.Nathan Young:Hello. Thank you. It's nice to be here with you today. Li:Future Memory is the name of Monument Lab's podcast. In the context of your own work, when you hear the words "future memory," what does that mean to you? Do any images or sounds come to mind? Nathan:They really do. There's one. It was a website of a sound artist, a writer, an educator, Jace Clayton, DJ/Rupture, had a mixed CD called "Gold Teeth Thief". I remember it was kind of a game changer in the late '90s. I got that mixed CD from a website called History of the Future. Li:That's very close. It was very close.Nathan:It's always stuck with me. I'm fortunate enough to be able to grapple with a lot of these kind of ideas. I'm not really quite sure how I feel about some of the history of the future because in some ways I work within many different archives so I am dealing with people's future or thinking about or reimagining or just imagining their future.But future monuments are something that I grapple with and deeply consider in my artwork. I think it's one of the more challenging subjects today in art. I think we see that with the taking down of monuments that were so controversial or are so controversial. But I find it fascinating the idea of finding new forms to make monuments to remember and the idea of working with different communities of memory. It's key to my work. It's just a lot of listening and a lot of pondering. Actually, it's a very productive space for me because it's a place to think about form. Also, it opens doors for me just to think about the future. I will say this, that one problem that often arises as a Lenape Delaware Pawnee Kiowa person is we're often talking about the past, and I really like to talk about the future and to work with organizations that are thinking about the future. Li:I can relate to that. Nathan:I think it's a misunderstanding. We always really are talking about the future. I've had the great fortune to be around some people. Actually, I grew up in the capital of the Cherokee Nation, Oklahoma. A lot of people know that Oklahoma is the home to 39 federally recognized tribes. I was fortunate enough to grow up in Tahlequah, which is the capital of the Cherokee Nation, and was able to be around a well-known and respected medicine man named Crosslin Smith, also an author. I remember being a part of an interview with Crosslin. I grew up, he was a family friend.He said, "I'm often asked about the old or ancient ways and the new ways." What Crosland said was, and I'll try my best to articulate this idea, is that there is no difference between the ancient ways and today. These things still exist. It might be an illusion or we might not be able to comprehend or understand it, but there is no difference between the ancient, when we're thinking of things in the sense of the sublime, I think. There is no understanding the ancient and what is contemporary. That was really an important moment for me as an adult. To hear him articulate that was really important. So I think about that. I'm not really sure about a lot of things, but I really like to think about that when I'm working. Li:It kind of runs through your mind as you're working and creating. It's a deep thought, that's for sure, connecting those things. Even thinking back on your own personal history with sound, when did you first connect your relationship to place and homeland to sound and music? Nathan:Well, my earliest remembrances of music, honestly, are my dad driving me around in his truck, picking me up after school, and singing peyote songs, Native American Church songs, peyote songs. The members of the Native American Church call that medicine. My father was an active member of a chapter of the Native American Church at that time. I was fortunate enough to receive my Lenape Delaware name in a peyote meeting. But the first things I remember are the music he played in the car, but really the singing in the car, the singing in the truck that he would do of those peyote songs. Even after he quit going to meetings or he wasn't active in the Native American Church anymore, he still would sing these peyote songs, and I would ask him about the peyote songs, because they're different for every tribe. The forms, they still have their kind of conventions, but they're very tribally specific.Everything in what we call legally Indian Country here in the United States is super hyper local. So just down the road, that's really the beautiful thing about living in Oklahoma, is you have people whose ancestors are from northeast, southeast, southwest. There's only one tribe here from California. So it's a really rich place for sound and song. Both of my parents are Indigenous American Indian. My mother is Pawnee and Kiowa. My father is Lenape Delaware. I also grew up around the Big Drum, what we call the Big Drum at powwows. I never became a powwow singer or anything like that. Never learned anything around the Big Drum. But I did eventually learn Pawnee songs, Native American Church Pawnee songs.But really, I was just a kid in a small town in Oklahoma. When skateboarding hit and you become kind of an adolescent, you start to discover punk rock and things like that. Those to me were the way that the culture was imported to me. I didn't realize that I was already surrounded by all this beautiful culture, all of the tribes and my parents' tribes and my grandparents'. But then it was like a transmitter. Even these tapes were just transmitters to me. So those were really important also. I have a lot of thoughts about sound. Other thing I remember is my father often would get onto us or make fun of us for being so loud and saying we would be horrible scouts or hunters.Li:Making too much noise. Nathan:The Native Americans, yeah, yeah. We weren't stealth. You'd hear us coming a mile away. So he would always say, "You wouldn't be a very good one," just to try to get us quiet down.Li:No one wants to be a bad hunter, right? Can you break down the concept of Indigenous Sonic Agency? is this based on ancestral traditions, your artistic practice, academic scholarship, or a bit of all the above? Nathan:Well, Indigenous Sonic Agency is really one piece of a larger subject sonic agency, which I encountered in a book titled Sonic Agency by Brandon LaBelle. I was a former member of this collective, Postcommodity, and I'm reading this book. When we were first starting the collective, we had the opportunity to work with this Czech poet named Magor, Ivan Jirous Magor. It means blockhead, I believe. It's a nickname. He was kind of described as the Andy Warhol of the Plastic People of the Universe. He was an art historian. He spent most of his life in prison just for being an artist, an art historian. He was an actual musician. He didn't play with the Plastic People of the Universe, to my knowledge, but he did to write the lyrics, to my knowledge. We had the opportunity to record with Magor. So I'm reading this book about sonic agency, and here I find somebody that I'd actually had an experience with sonic agency with in my early days and as a young man and an artist.But ultimately Indigenous Sonic Agency is, in some sense, similar but different to tribal sovereignty. So when you think of agency or sovereignty, it's something that they sometimes get mixed up. I'm really trying to parse the differences between this, what we understand so well as political sovereignty as federally recognized tribes and what agency means, say, as an artist. But in my research, in the subject of sonic agency and Indigenous Sonic Agency, it encompasses pretty much everything. That's what I love about sound. Everything has a sound, whether we can hear it or not. Everything is in vibration. There are sounds that are inaudible to us, that are too high or too low. Then there's what we hear in the world and the importance of silence with John Cage. I think that they're just super productive.I was introduced really to sound studies through this book called Sonic Warfare by Steve Goodman. It was really about how the study of sound was, in a sense, still emerging because it had mostly been used for military purposes and for proprietary purposes such as commercials and things like that. As I stated earlier, I felt like music was my connection to a larger world that I couldn't access living in a small town. So even everything that came with it, the album covers, all that, they really made an impression on me as a young person, and it continues to this day, and I've been focusing deeply on it.My studies in sonic agency -- Indigenous Sonic Agency -- encompass everything from social song, sacred song, voice, just political speech and language, political language. There's so much work to be done in the emerging sound studies field. I felt that Indigenous Sonic Agency, there was a gap there in writing and knowledge on it. Now though, I acknowledge that there has been great study on the subject such as Dylan Robinson's book, Hungry Listening. I am fortunate enough to be around a lot of other Indigenous experimental artists who work in all the sonic fields. So it's an all-encompassing thing. I think about the sacred, I think about the political, I think about the nature of how we use it to organize things and how language works. Silence is a part of it. Also, listening is very important. It's something that I was taught at a very young age. You always have to continue to hone that practice to become a better and better listener. Li:That's the truth. Nathan:My grandmother was very quiet, but whenever she did talk, everybody loved it. Li:That's right. That's right. Let's talk about the Pennsbury Manor project. Can you share how you, Ryan Strand Greenberg, and Theo Loftis met and how nkwiluntàmën came to be? Nathan:Well, to my recollection, I try to keep busy around here, and oftentimes it means traveling to some of the other towns in the area such as Pawnee or Bartlesville or Dewey or Tahlequah. I wasn't able to do a studio visit with Ryan, but I wanted to see his artist talk that he was giving at the Tulsa Artist Fellowship, which I was a fellow at at that time. I remember seeing these large public art projects that were being imagined by Ryan. We had worked on some other projects that, for one reason or another, we weren't unable to get off the ground. Eventually, Pennsbury Manor was willing to be this space where we could all work together. I remember rushing back and being able to catch Ryan's artist talk. Then right before he left town, we had a studio visit and found out how much we had in common concerning the legacy of the Lenape in the Philadelphia area, what we used to call Lenapehoking. So it was a really a moment of good fortune, I believe. Li:Monument Lab defines monument as a statement of power and presence in public. The nkwiluntàmën project guide describes Pennsbury Manor as a space to attune public memory. It goes on to say that sites like these are not endpoints in history, but touchstones between generations. I really love that statement. Do you think Pennsbury Manor and the land it stands on, do you consider it a monument in your eyes? Why or, maybe even, why not? Nathan:Well, yeah, I would definitely consider Pennsbury Manor, in a sense, a monument. I think that we could make an argument for that. If we were talking about the nature of it being William Penn's home and it being reconstructed in the 20th century, you could make a very strong argument that it is a monument to William Penn and also as William Penn as this ideal friend to the Indian. Some people don't like that word. Here in Oklahoma, some of us use it. Technically, it was Indian Country legally. But I use all terms: Native American, Indigenous, Indian. But I'd mostly like to just be called a Lenape Delaware Pawnee Kiowa.I definitely would say that you could make an argument that is a monument to William Penn especially as part of that, as this ideal colonist who could be set as a standard as for how he worked with the Lenape and then other tribes in the area at the time. I think that's kind of the narrative that I run into mostly in my research, literally. However, I would not say that it was established or had been any type of monument to my Lenape legacy. I did not feel that... I mean, there was always mention of that. It was, like I said, as this ideal figure of how to cooperate with the tribes in the area. But I would definitely say it's not a monument to the Lenape or the Delaware or Munsee.Li:Can you share a bit more about the project itself in terms of nkwiluntàmën and what exactly you did there at Pennsbury Manor to shift and really inform that history from a different perspective? Nathan:Well, first of all, at Pennsbury Manor, I was given a lot of agency. I was given a lot of freedom to what I needed to as an artist. I was really fortunate to be able to work with Doug and Ryan and Theo in that manner where I could really think about these things and think deeply about them. I started to consider these living history sites. My understanding is that they're anachronisms. There's a lot of labor put into creating a kind of façade or an appearance of the past, and specifically this time, this four years that William Penn was on this continent. So this idea that nothing is here that is not supposed to be here became really important to me. What I mean by that is, say, if you threw in a television set, it kind of throws everything off. Everybody's walking around in clothing that reflects that era and that time. If you throw some strange electronics in the space, it kind of is disruptive. I didn't feel the need to do anything like that.I felt that one of the great things about working in sound and one of the most powerful things about sound is that sound can also be stealth. You can't see sound. We can sonify things or we can visualize it or quantify it in different ways. But to me, this challenge of letting the place be, but using sound as this kind of stealth element where I could express this very, very difficult subject and something that really nobody has any answers to or is sure about... I was trained as an art historian, and I know that we're only making guesses and approximations just like any doctors. We are just trying to do these things.But sound gave me the ability at Pennsbury Manor and nkwiluntàmën to work stealthy and quiet, to not disturb the space too much because there's important work that's done there, and I want to respect people's labor. As a member of the Delaware tribe of Indians of Lenape, I felt that it was a great opportunity to be the person who's able to talk about this very difficult subject, and that is not lost on me. That's a very, very heavy, very serious task. Li:Yeah, big responsibility. Nathan:Yes. It is not lost on me at all how serious it is, and I feel very fortunate. I think without such a great support system in place, it wouldn't have been possible. nkwiluntàmën means lonesome, such as the sound of a drum. We have a thing called the Lenape Talking Dictionary,  Li:I've seen it. I've seen it. Nathan:I'm often listening. I'm listening to Nora Dean Thompson who gave me my Delaware name, my Lenape name, Unami Lenape name in a peyote ceremony. So I often go there to access Delaware thought and ideas and to hear Delaware voices and Delaware language being spoken. I know that some people have different views on it, but let's say, I think artists and people have used the Unami Lenape before and art exhibitions as a lost or an endangered languages. I know that in the entire state that I live in, and in most of Indian country, there's a great language revitalization movement that I was fortunate to be a part of and contribute to.Really, that's where I discovered that that's really where through language, there's nothing more Lenape, there's nothing more Delaware, Unami Lenape than to be able to talk and express yourself in that manner or, say, as a Pawnee or a Kiowa to be able to talk and express. Embedded in those words are much more than just how we think of language. They're really the key to our worldviews. Our languages are the keys to our worldview and really our thought patterns and how we see the world and how we should treat each other or how we choose to live in the world or our ancestors did. So I'm fascinated by the language. I was fortunate enough to be around many, many different native languages growing up. But ours was one because of the nature of us being a northeastern tribe that was very much in danger of being lost. Some would say that at one point it was a very, very, very endangered language to the point to where nobody was being born in what we call a first language household, where everybody could speak conversationally in Unami Lenape.So these things, we all think about this, by the way, all of my community, the Delaware Tribe of Indians. I was fortunate enough to serve on the Tribal Council as an elected member for four years. We think about these things definitely all the time, and people do hard work to try to revitalize the language. I know at this time that the Delaware Tribe of Indians is actively working to revitalize our language. Li:That's a part of that preservation and remembrance because your work, really does explore this idea of ancestral remembrance and is rooted in that. Then again, you're also engaging with these historic sites, like Pennsbury Manor, that tap into public memory. So in your thoughts, how are ancestral remembrance and public memory connected? Are there any similar ways that they resonate? Nathan:Well, I think of different communities of remembrance. Within this idea of memory there are just different communities. I don't want to want to create a dichotomy, but it's easily understood by those who focus on the legacy of William Penn and those who focus on the legacy of the Lenape or the Pawnee. But ancestral memory is key to my culture, I believe, and I really don't know any way to express it other than explaining it in a contemporary sense. If you're deeply involved in your tribal nation, one of the one things that people will ask you is they'll say, "Who are your folks?" Literally, people will say, "Who are your folks?" Li:Who are your peoples? Nathan:"What family do you come from?" I didn't start to realize this until I was an adult, of course. It's not something you think you would ever think of as a child or anything. It started to become really apparent to me that we're families that make up communities that have stayed together in our case for hundreds of years across thousands of miles. It's a point to where we got down to very small numbers. We still stuck together. Then there was also a diaspora of Lenape that went to Canada, the Munsee and the Stockbridge. There was the Delaware Nation who has actually lived more near the Kiowa. My grandmother was Kiowa. But we still had the same family names. For instance, there are people and members of the Delaware Nation that are actually blood related to the Delaware Tribe. So that is really our connection to each other is our ancestors. That's purely what binds us to together is that our ancestors were together, and we just continue that bond. Li:Thank you. A part of Monument Lab's mission is to illuminate how symbols are connected to systems of power and public memory. What are the recurring or even the most vital symbols illuminated in your work? Nathan:Oh, that's a really tough question because my work is all over the place. I work across a lot of different mediums, although I've trained as an art historian, so I came into this as a visual artist. I just happened to be a musician and then discovered installation art and how sound works in art. But for me, the story I feel that I'm trying to tell cannot be held by any number of symbols or signs. I want to give myself the freedom and agency to use whatever is needed, actually, whatever is needed to get across the idea that is important to me. So going back to nkwiluntàmën, lonesome, such as the sounds, these colors, we use these white post-Colonial benches, and there's four large ones, placed across the grounds of Pennsbury Manor. You'll see that, if one were to visit, they would see a black bench, a yellow bench, a white bench, and a red bench. Nathan:If you're from my community, a Delaware Tribe of Indian member and you know that you're a Lenape, you understand that those colors have meaning to our tribe, and you'll know that those colors have sacred meaning. So in some sense, I will use whatever I think is the most appropriate way to use it also. I want to give myself the freedom to use any type of symbolism. I loved growing up with my mother and my grandmother being able to go to powwows. My mom would say, "Well, here comes the Shawnee women. Here comes the Delaware women. They dress like this. Here comes..." Li:You can recognize from their dress. Nathan:My mother and my grandmother taught me that iconography of our clothing, what we now call regalia. Li:I was curious if perhaps the drum or even the idea of homeland show up in your work? Nathan:Oh, they definitely show up in my work when appropriate. But rather than a drum, I would say sound or song or music. We do have these iconographies and symbols that are deeply meaningful to us, and I often use those in my artwork. But really the question for me is how to use them appropriately and, also at the same time, expand the use of these things appropriately. It's just being accountable to your legacy and your community in a sense and not crossing these boundaries, but still at the same time pushing form, pushing the edge.I'm a contemporary person. We're all contemporary people. We want to add something. We want to contribute. We want to be useful. So I'm searching for symbols and forms all the time, different ones. Whether it be a mound, whether it'd be a swimming pool inside an art gallery or a singing park bench or a post-Colonial bench in Pennsbury Manor, in some ways you could say I would be indigenizing and musicalizing those benches. But I consciously work to have a very broad palette. I want my work to be expansive and be able to encompass any subject or idea, because that's why I got into art is because you can talk about anything.Li:Yeah, it's boundless. It's boundless. Then also thinking about the connections and the symbols that you mentioned, the colors that you mentioned, the iconography, what systems of power might they be connected to? Nathan:Well, ultimately, I think that most of the power that is embedded in these symbols comes from the sublime, that come from the sacred. It's complicated. The sacred means to not be touched. That's my understanding, it's to not be touched. However, it's been the source of inspiration for artists of any continent of any time is, if you want to call it, a spiritual, sublime, religious connection, inspiration, whatever, but ultimately, that is my understanding. From my research, even as a young person studying Pawnee mythologies at the University of Oklahoma and special collection and learning stories, our origin stories and what color meant and how the world was seen by my ancestors from other tribes as well as Lenape stories, it's something that's hard to grasp and to hold onto, but that's how we've come to identify each other. It's as simple as we have car tags here that represent our tribes. We have a compact with the state. So everybody's looking around at all these different car tags.Li:Wow. Nathan:You see a regular Oklahoma one, and then you'll see... A very common one is a Cherokee because they're one of the biggest tribes. You'll see a blue one, it's Pawnee. Now you'll see a red one, and it's Delaware or Lenape. It says Unami Lenape on it, and it has our seal. So we play this kind of game all of us. I mean, it's not a game, but we're always looking at license plates to see... It might be your mom's car you're driving that has, say, a Kickapoo license plate or something, and it's a Cherokee driving it or a non-Indian or something, a relative, say. It's not for me to say where these came from. It's something that I actually just really explore and that fascinates me. It's very rich growing up and being a member of my tribal communities. I learn something new almost daily. Li:I can imagine like you said, the learning experience that you have as a child growing up in your community. You mentioned mythologies earlier. I study mythology. One of the purposes I've come to understand is education, educating through these stories. I recently interviewed Jesse Hagopian from the Zinn Education Project and the movement for anti-racist education. The struggles for education reform and reckoning with Eurocentric understandings of history seem to be deeply connected efforts. So on nkwiluntàmën, I understand an educational curriculum has been developed for younger audiences. What do you hope that people take away from this project that they might not find in a textbook or a classroom? Nathan:Well, I would hope that when people visit the large-scale sound installation and visual elements of it that they would understand... my greatest hope that people would learn what I learned while creating the work was that I really don't know what it felt like. I just came across, I was looking for the words in the Delaware Talking Dictionary for feelings, and I found a sentence or a way of saying feeling that said, "It did not penetrate me. I did not feel it." It made me realize that I don't know. I've never had this happen to me. The history of the Delaware Lenape is of constant removal, of constant pushing. Most people know the Cherokee Nation and the Trail of Tears. Actually, there were many movements of the Cherokee. It's very complex. All tribes are very complex. You always have to qualify. But the Trail of Tears is what most people know about. It was this very long, two-year complex journey. It was fraught. Li:That's one of the stories that we learned in school, if at all. Nathan:So our story is of nine of those and, to my understanding and research, was about once every 30 years. So it seemed to me that most Lenape, who came to be known as the Delaware Tribe, who I grew up with as, had ancestors that had experienced a removal. It's something that we still live and deal with today. We came to Oklahoma from what is now Lawrence, Kansas, when this was called Indian Territory. We had been living before that north of Kansas and had adapted our way of life as we changed across this territory and through time to survive.So as we moved into the Plains, we started to hunt buffalo, and then we get kind of crosswise with some other tribes. I think when the federal government was constituting Indian Country, they were concerned with the relationships between other tribes and how they felt. My understanding is we had upset some... By Buffalo hunting and adopting that way of survival and life, there was some trepidation about us. They wanted our reservation. The railroad wanted our reservation, and Lawrence, Kansas, to run directly through our reservation. They were forcing us to move off that reservation, and they couldn't find a place. That was kind of my understanding of the situation. So we ended up in the northernmost part of the Cherokee Nation. This made us a landless tribe for a very, very long time. Technically, we didn't have a reservation. We were living in the Cherokee's reservation because we had this very ancient but kind of tangential connection to the Cherokees. So that's a very long and complicated story as well. Li:That's actually a beautiful setup for one of my last questions actually. This idea of documentation and stewardship are key for Indigenous communities, as you just mentioned, that continue to contend with stolen land, forest displacements, cultural erasure, and lost languages. Monument Lab thinks a lot about the future archives that can hold the dynamic nature of public memory in all its forms. What would a future archive of ancestral memory look, feel, or even sound like for you? Nathan Young:I love that question because we do work with future archives of our ancestors, all of us do today. So I think it's really a question of form. I've encountered this in my studies of Sonic Agency and Indigenous Sonic Agency. The invention of the phonograph and the wax cylinder are very important. It didn't look like anything. It looked like sound or that archive. I think that unknowingly, we're all living in an archive. We're archiving moments now as things speed up constantly. Paul Virilio, the theorist, was very, very important to my thinking because he theorized about speed and the speed of, say, how a camera shutter and a gun are very similar in their repeatingness. I think about repetition a lot. But today, we live in this hyper surveillance society that any moment could be archived, any moment could be filmed, and also these things will be lost. So that is a fascinating thought to think about what may survive and become the archive and what may not, even with all of this effort to constantly surveil and document everything.But it's my hope that archives are important just because they give us a deeper understanding of a connection to something we will never be able to experience. So I think that a future archive is something that we cannot imagine. We don't know what it's going to look like, and it's up to us to find out and to explore form and explore possibilities so that we're not stuck in this mindset that has to be in steel and monumentalized as a figure or a person or something like that. So in my mind, it's just to be revealed to us. We'll know later, but I would hope that were to make...I know this is what people still do today that make monuments. They want to make something beautiful, but that means something different to Lenape or a Pawnee or Kiowa, so that seems very different to us. And so we do that. We do memorialize things in different ways. But I think that we think of them as more ethereal, whether we think of them as things that we know that aren't going to really last forever. I feel that way, at least. I don't speak for all of my culture. But I know that some of us are trying to find new forms to really memorialize our past and unite our community of memory and our tribes, our experiences.Li:Like you said, time, everything's moving so fast and everything's evolving. Everything's constantly changing. So who knows what the forms will take. This has been such a wonderful conversation. I really appreciate your time. I just wanted to see if you had any final words or even gems of ancestral wisdom you might want to leave with us before we finish. Nathan:No, I can't share any ancestral wisdom, not knowingly or very well. I just appreciate the opportunity to create the piece. I appreciate the opportunity to expand upon the piece by talking with you about this because I'm just trying to figure this out. I don't have all the answers. Li:Right, that is part of  being a life learner and walking this path. Everyone's on their journey. We are constantly learning at every turn. I'm with you, Nathan. I often admit that I do not have all the answers. That is for sure. I really enjoyed learning about your work and your practice. I definitely plan on getting down to Pennsbury Manor and look forward to the curriculum for the youth when it comes out. Nathan:Well, thank you. I hope you enjoy it. I hope that it's a meaningful experience for you. I'm a very fortunate person to be able to work on such a project and very grateful to the entire team and everybody that supported the process. Li:Thank you, and thank you again to Ryan Strand Greenberg, who is also the producer of this podcast and worked with you on the project for nkwiluntàmën. Thank you to Nathan Young, our guest today on Future Memory. This is another one for the Future Memory archives.Monument Lab Future Memory is produced by Monument Lab Studio, Paul Farber, Li Sumpter, Ryan Strand Greenberg, Aubree Penney, and Nico Rodriguez. Our producing partner for Future Memory is RADIOKISMET, with special thanks to Justin Berger and the Christopher Plant. This season was supported with generous funding by the Stuart Weitzman School of Design and the University of Pennsylvania.

Well, baseball's spring training is finally over and it always makes me joyful - even if I am a Philadelphia Phillies fan. Last season was magical, but without Rhys Hoskins anything could happen. The thing about baseball is that every year, every team starts the season unbeaten with highest hopes. On this edition of the program we celebrate the occasion with music about the national pastime. We'll hear selections from John McCutcheon, John Gorka, Danielle Miraglia, Caroline Spence, Harry Caray and of course, Steve Goodman, and many more. Play Ball! … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysChris Thile / “Shadow Ridge” / Leading Off... / Sugar HillPeter Cooper / “Opening Day” / Opening Day / Red BeetHarry Caray / “Take Me Out to the Ballgame” / Chicago Cubs Greatest Hits / Marquee Alphabet CityJohn Gorka / “Branching Out” / Before Beginning / Red HouseCaroline Spence / “Softball” / Spades & Roses / Self-releasedArtie Traum & Pat Alger / “The Home Run Kid” / From the Heart / RounderChuck Brodsky / “Splinter Cheeks Johnson” / Tell Tale Heart / Self-releasedChuck Brodsky / “Funeral For the Curse” / Them and Us / Self-releasedDanielle Miraglia / “Heat of the Win” / Glory Junkies / Self- releasedChris Thile / “Old Dangerfield” / Leading Off... / Sugar HillDave Frishberg / “Van Lingle Mungo” / Baseball's Greatest Hits / RhinoJohn McCutcheon / “Doing My Job” / Sermon on the Mound / AppalseedDana Cooke / “Christmas Down in Cooperstown” / Diamond Cuts-Turning Two / Hungry for MusicSteve Goodman / “A Dying Cub Fan's Last Request / Diamond Cuts-Seventh Inning Stretch / Hungry for MusicPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways